Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-10 of 10
- A Jewish commando unit hunting Nazi war criminals tracks down the infamous Dr. Mengele in the jungle, and find that he is torturing nubile young virgins and performing horrible medical experiments on the locals. They prepare to battle their way past Mengele's hordes of fanatic Nazi bodyguards in order to get to him.
- Alvaro, a divorced journalist with a complicated love life, watches someone he doesn't know killing himself after a fight with a woman who he gave a lift. Intrigued by that mysterious sensual woman, he decides not to tell the police about the lift he gave her and investigates her by himself. He gets involved with her, but she remains too mysterious about her personal life. He ends up tangled in a web of murder, mystery and sex because of that woman, who he barely gets to know.
- Seeking medical advice to lose a few pounds, a woman lands up finding out about the usefulness of a computer, not just for her diet but also for work, with her parents,and to find a new boyfriend after the previous one has left her.
- Albert Knobler's film retraces with archive documents the history of Czechoslovakia from the entry of Soviet troops, acclaimed by all the population, until the arrival of Soviet tanks in Prague under the boos of a crowd taken aback and terrorized. From Prague to Prague Spring. The film's title is borrowed from the ironic signs of this Prague spring: "1848: Happiness in 20 years", "1948: Happiness in 20 years", "2048: Happiness in 20 years". The film's release in 1971 was very controversial: even if Pierre Daix in "Lettres Françaises", Jean Daniel in "Nouvel Observateur" and Raymond Aron in "LeFigaro" underlined the strength and beauty of this film, the whole of the press and in particular "the World" condemned the film of "primary anticommunism". "Happiness in twenty years" was a failure. Depressed, misunderstood, the director committed suicide. The film was forgotten, the negative lost. Miraculously in 2001, Françoise London, the daughter of Arthur and Lise London found a copy. She also found the mix of the English version, commented by Orson Welles. To trace this twenty years, the director, who was Frédéric Rossif's assistant for Dying in Madrid, freely examined 200,000 meters of news tapes and propaganda films during the spring of 1968. He reported to Paris 25,000 meters to edit the film. For his part, Kostas Papaioannou, professor at the Ecole Pratique des Hautes Études, gathered the sound elements from which the texts and comments said by Michel Bouquet are taken.