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- "Miami" is the fourth film by artist Sarah Morris. Operating between a documentary, the biography of a city and a form of non-narrative fiction, "Miami" shifts between sites of production, leisure and work. The Coca-Cola bottling plant, the Grand Prix and the hotels of Morris Lapidus are just a few of the places that interweave in a driving sequence of urban images that combine towards a new ultra-vision of a place.
- "Midtown"(1998) shot in New York during a single day, in which she brought together sequences which show the streets of midtown Manhattan combining the anonymity of the crowded side-walks with the power of the buildings that frame the everyday movements of the city. Almost a catalogue of peripheral actions, which take place in every film ever made, it explores the narrative possibilities inherent in the simplest actions, and the typical activity of the street. The fragmented narrative emphasise the structure of modern life as well creating a space in which theviewer takes an extremely active role.
- Taking its title from an all-day/all-night convenience store, AM/PM examines the famous Las Vegas "Strip," portraying the disorienting world of corporate hotels and casinos which utilise and redefine the spectacle in relation to architecture. AM/PM posits the concept of distraction itself as a strategy and the city as a conspiracy, which manipulates and directs the visitor.