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1-14 of 14
- A short film wherein a man working in a morgue mutilates and defiles one of the corpses.
- Two teenagers, with laughter, rebellion and love, give our prejudices a slap in the face. At the young age of desires and doubts, these two friends question their different identities. Forging a unique and surprising friendship.
- Audiovisual production based around the figure of the detective in film. From narrative to the description of the character, passing through the iconography of these characters.
- Peng Ruan filmed himself obsessively from the moment he arrived in Europe from China. The camera became his best friend. He shot a total of 60 hours of amateur footage that captures his life over a period of six years. Film students in Barcelona edited this raw material to create a candid portrait of a man who doesn't act as if his situation is better than it is. He chooses to film himself precisely at those moments that are most difficult or uncertain, such as when he finishes his work at the restaurant at midnight and still hasn't eaten, and when he gets fired for the third time in Spain. He picks at the hand he spilled hot oil on, but is more upset about getting the oil on his new leather shoes: "My skin will recover, but not the leather." Nothing is spared the camera's eye, whether it's the blisters on his hand or the scars on his legs. "The first year you spend outside of China, you always talk to everybody optimistically. The second one you just talk to yourself, and the third one you don't have the words anymore. Maybe year I'll stop talking altogether."
- Jaume García, a social educator, shot a documentary in 1982 with the youth and mothers of the Canyelles neighborhood. Those young people accompany him on his return to the neighborhood, thirty years later, in search of the survivors of that generation.
- Prehistoric pottery can become a source of inspiration for current potters. Throughout the documentary, potters and artisans experiment with the (re)creation of very burnished vessels from four European societies of the Bronze Age: El Argar, Únetice, Füzesabony and Vatin. In four chapters, we closely follow the manufacturing processes of these ceramics, from the search for the raw material to the cooking of the final product. The production, which had Spain, Germany, Hungary and Serbia as a backdrop, is part of the "Crafting Europe in the Bronze Age and Today" (2018-2019) project, under the "Creative Europe" program.