Many degrees of Kevin Bacon - First Role
This is a variation on the game 6 degrees of [link]nm0000102[/link]. Each actor is linked to their first credited feature film that has not already been mentioned in the list. Each film in turn is linked to the first credited actor not already mentioned.
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Kevin Norwood Bacon was born on July 8, 1958 in Philadelphia, Pennsylvania, to Ruth Hilda (Holmes), an elementary school teacher, and Edmund Norwood Bacon, a prominent architect who was on the cover of Time Magazine in November 1964.
Kevin's early training as an actor came from The Manning Street. His debut as the strict Chip Diller in National Lampoon's Animal House (1978) almost seems like an inside joke, but he managed to escape almost unnoticed from that role. Diner (1982) became the turning point after a couple of television series and a number of less-than-memorable movie roles. In a cast of soon-to-be stars, he more than held his end up, and we saw a glimpse of the real lunatic image of The Bacon. He also starred in Footloose (1984), She's Having a Baby (1988), Tremors (1990) with Fred Ward, Flatliners (1990), and Apollo 13 (1995).
Bacon is married to actress Kyra Sedgwick, with whom he has 2 children.Links to [link]nm0001371[/link] in [link]tt0077975[/link]- Actor
- Producer
- Sound Department
Thomas Edward Hulce was born in Detroit, Michigan, and grew up in Plymouth, MI, where he was raised with his two sisters and older brother. He is the son of Joanna (Winkleman), who had sung professionally, and Raymond Albert Hulce, who worked for Ford. He has English, German, and Irish ancestry. Wanting to be a singer, Tom had to make a switch in plans when his voice began changing. Knowing that if he wanted to be in show business he needed to become an actor, Tom began taking the necessary steps almost immediately.
When asked once why he chose acting Tom replied, "Because someone told me I couldn't." It is determination like this that has helped him achieve his respected position in the acting community to this day. Tom set goals early on. Graduating from school at 19 years old, he gave himself a decade to succeed as an actor. Working in Ann Arbor as usher and ticket seller with a small theatrical company was a start. It was around this time he saw the first play and actor that made him realize that acting was "cool." Christopher Walken was in a play in Stratford, Ontario. The performance made quite an impression on Tom.
While Mr. and Mrs. Hulce weren't totally sold on the idea of their son becoming a thespian, Tom had determination and headed off for the training he knew he'd need if he was going to achieve his goal. He studied at the North Carolina School of the Arts in Winston-Salem; at Booth Bay Harbor, Maine; Sarasota, Florida; and spent a summer in England before heading off to New York City to try his hand at Broadway. Within a month after his arrival, Tom was chosen to understudy the role being performed by Peter Firth in the Broadway play "Equus." He had originally been hired to play one of the horses, but it was decided that his time was better spent learning the understudy role and so he never donned the horse's attire.
Tom had pangs of guilt where this role was concerned. On one hand he wanted the role ... badly. On the other hand he wondered what would happen if Peter left the role; could he fill those shoes? When the time came, nine months after being hired, Tom found out that it was up to him to play the role as his own. He wasn't expected to be another Peter Firth... he had been hired to play the role his way. "... it actually went quite well, " Tom recalled. "I realized I was a different actor and that I would tackle the part in my own way." And tackle it he did! Equus has a few "firsts" for Tom. One, it was his first big role; two, it was his first Broadway role and third, it was his first nude performance. For nine minutes Tom and his costar, Roberta Maxwell, were naked in a scene that seemed impossible for the stage a decade earlier (1960s). In a past interview Tom reflected, "It's so skillfully written and developed that it doesn't seem an unusual thing to do. There's no embarrassment, I just don't think about it at all." During the run of "Equus," Tom turned down a big television offer, to the delight of the director and cast. At that time in Tom's life the stage was all there was, and he was going to do it right! Other plays that followed "Equus" were George S. Kaufman's "Butter and Egg Man," Arthur Miller's "Memory of Two Mondays," along with such works as "Julius Caesar," "Romeo and Juliet," Shaw's "Candida," and Chekhov's "The Sea Gull," and, again on Broadway in his Tony nominated role in Aaron Sorkin's "A Few Good Men."
Tom has even directed the off-Broadway musical "Sleep Around Town" at Playwrights Horizon. Back in 1977 Tom landed his first motion picture role in the film about the day James Dean died, September 30, 1955 (1977). This was to be the first of a long line of period films. His next was National Lampoon's National Lampoon's Animal House (1978). Set in the 1960's, Tom played "Pinto" along with such comedy alumni as 'John Belushi', Tim Matheson, and Donald Sutherland.
1984 gave him the role that put him on the map. The title role of Wolfgang Amadeus Mozart in the Oscar-winner Amadeus (1984) was such a wonder that it even boosted the sales of Mozart's music by 30%! Filmed in Prague, it was eerie for Tom to actually be standing in the very spot where the original Amadeus had stood conducting the opera Tom was recreating for the film. Dressed in a purple velvet jacket, knickers, and white hose, wearing a bushy white wig and doling out a hilarious laugh (often likened to that of a hyena's) Tom's portrayal of the "man-child" musical genius was an Oscar-nominated performance.
Tom has been in many more films set in the past: Those Lips, Those Eyes (1980)(1950s), Shadowman (1988) (World War II), Mary Shelley's Frankenstein (1994) (1800s), Wings of Courage (1995)(1930's), and Disney's The Hunchback of Notre Dame (1996)(1500s). Tom appeared in Echo Park (1985) with Susan Dey, a film that had a struggle to get released remains one of Tom's best performances and one that he is quite proud of. Another film that Tom feels a lot of pride for is Dominick and Eugene (1988). Starring with Ray Liotta and Jamie Lee Curtis, Tom played Dominick Luciano, a mentally handicapped twin brother to Liotta's Eugene. The young man works as a garbage collector to help put his brother through medical school so he can become a "rich doctor" and they can afford to get a "house by a lake." Tom spent time studying people in a Pittsburgh neighborhood and handicapped people in an occupational training center so he could master the innocence and determination that the lead role required. He received the Best Actor award at the Seattle Fest for his performance.
Murder in Mississippi (1990) was Tom's second television movie (the first was Forget-Me-Not-Lane (1975) (aka "Neli, Neli"), a Hallmark Hall of Fame production). Playing the role of Michael Schwerner, the New York social worker and Freedom Fighter who is murdered by K.K.K. members in 1964 during Freedom Summer, Tom received an Emmy nomination and his third Golden Globe nomination.
The Inner Circle (1991) (aka "The Projectionist") took Tom to Russia where he was Ivan Sanshin, the private film projectionist to Stalin within the Kremlin walls. Based on a true story, Ivan was a perfect example of how many were blinded to the horrific conditions that men like Stalin conducted and followed in ignorant loyalty. While there, Tom was fortunate to meet and spend time with Alexander Ganshin, upon whose life the film was based.
The next three years held special items for Tom. His portrayal of Peter Patrone, in T.N.T.'s The Heidi Chronicles (1995), earned him an Emmy for Outstanding Supporting Actor in a Miniseries or Special, and 1994 and 1996 brought two of Tom's last period pieces. Mary Shelley's Frankenstein (1994) had Tom playing opposite Kenneth Branagh as Victor Frankenstein's college chum, Henry. And 1996 was a whole new experience for Tom. Disney was looking for someone special to portray their gentle Quasimodo in their newest full feature animation motion picture, The Hunchback of Notre Dame (1996).
Tom had never done voiceover work for a full film; to sing before a microphone was one thing, but to do song and voice for someone that he couldn't watch while performing was a whole new experience for him. Herecalled that when he first auditioned he thought it strange that the producers and director stood looking at the floor while he sang...until he noticed they were looking at sketches of Quasimodo and were trying to "feel" if he sounded like their bell ringer.
1998 saw Tom returning to the stage but this time as director again, as he undertook the enormous task of bringing John Irving's 1985 novel, "The Cider House Rules", to the stage. An 8-hour production which required the audience two days to see the whole performance, it was quite an undertaking. Co-directing with Jane Jones (of "BookIt" in Seattle, Washington) Tom took the play from its Seattle opening to the Mark Taper Forum in Los Angeles, California where it received wonderful reviews.
During the past recent years Tom has resided in Seattle, Washington where he owns his own home. He figures he could live in Los Angeles or New York - the acting hubs - but in Seattle, he's near the things he loves. "Up in Seattle people look after their lives in a way you can't do in New York or Los Angeles," he says. But no matter where he calls home, we can always count on Tom for bringing us into a world that will thrill, excite, fascinate, move and inspire us either through his films, the stage, or his beautiful singing.Links to [link]nm0001796[/link] in [link]tt0078231[/link]- Actor
- Director
- Producer
Richard Earl Thomas is an American actor. He is best known for his leading role as budding author John-Boy Walton in the CBS drama series The Waltons for which he won an Emmy Award from two nominations and received two Golden Globe Award nominations. He also starred in the 1990 television mini-series adaptation of Stephen King's epic horror novel It and played Special Agent Frank Gaad on FX's spy thriller series The Americans.Links to [link]nm0695033[/link] in [link]tt0272705[/link]- Actress
- Soundtrack
Lilia Prado was born on 30 March 1928 in Sahuayo, Michoacan, Mexico. She was an actress, known for El rincón de las vírgenes (1972), Talpa (1956) and El analfabeto (1961). She was married to Gabriel España. She died on 22 May 2006 in Mexico City, Mexico.Links to [link]nm0075932[/link] in [link]tt0235112[/link]- Enrique Bermúdez is known for Ángel o demonio (1947), El Chavo (2006) and Encadenada (El yugo) (1947).Links to [link]nm0130922[/link] in [link]tt0244320[/link]
- Spanish actor (although reportedly born in Puerto Rico) who relocated to Mexico in 1946 and became a popular leading man opposite stars like María Félix, María Antonieta Pons, and Gloria Marín. Calvo, the son of well-known Spanish actor Juan Calvo, began working on the stage at the age of 5. His Spanish film debut came in 1934, and in late 1945 he was hired by Mexico producer Gregorio Walerstein to appear with María Félix in La mujer de todos (1946). During the 1960s, Calvo returned to work in the Spanish film industry, but came back to Mexico in the 1970s, where he was a TV and stage regular and made occasional film appearances. During the last few years of his life, Calvo was something of a recluse, living in straitened circumstances in a Mexico City hotel and spending his time writing and painting. He suffered from emphysema and kidney trouble, and died of heart failure in July 1996.Links to [link]nm0053537[/link] in [link]tt0027666[/link]
- Edmundo Barbero was born on 28 June 1899 in Madrid, Spain. He was an actor, known for Cinco vidas y un destino (1957), Sonatas (1959) and El último día de invierno (1942). He died on 1 February 1982 in San Salvador, El Salvador.Links to [link]nm0173104[/link] in [link]tt0026979[/link]
- Actress
- Soundtrack
Antoñita Colomé was born on 18 February 1912 in Seville, Seville, Andalucía, Spain. She was an actress, known for Una mujer en peligro (1936), El negro que tenía el alma blanca (1934) and El malvado Carabel (1935). She died on 28 August 2005 in Madrid, Spain.Links to [link]nm0306624[/link] in [link]tt0022095[/link]- Actor
- Composer
- Music Department
Known as El Zorzal Criollo, the songbird of Buenos Aires, Carlos Gardel is a legendary figure in Uruguay and Argentina. He was born on December 11st, 1890, in Toulouse (France). His place of birth have been claimed by the Uruguayans and Argentinians, however, his Birth Certificate and his Will proves, and leaves no doubt, that Carlos Gardel was born in France. The charismatic singer's career coincided with the development of that intrinsically Argentine cultural icon, the tango (the traditional Argentinean music).
The elite overcame their aversion to the tango's humble origins and open sensuality only when the man and his music were already widely accepted in New York and Paris.
Radio performances and a film career extended this appeal. Gardel's sky-rocketing career was cut short in 1935, when he lost his life in a plane crash in Colombia. An orgy of grief swept from New York to Puerto Rico, and a woman in Havana suicided. Hordes of people thronged to pay their respects as the singer's body made the journey to its final resting place in a Buenos Aires cemetery, traveling via Colombia, New York and Río de Janeiro. Instantly immortal and preserved forever young, his enduring fame is measured by the oft-heard Argentine expression 'Gardel sings better every day'. Sixty years after his death, a devoted following keeps the legend blazing, playing Gardel's music daily, placing a lit cigarette in the hand of the life-sized statue which graces his tomb and keeping his few films in circulation.Links to [link]nm0604174[/link] in [link]tt0026301[/link]- Actress
- Additional Crew
Rosita Moreno was born on 18 March 1907 in Madrid, Spain. She was an actress, known for El último varon sobre la Tierra (1933), Tango Bar (1935) and De la sartén al fuego (1935). She was married to Shauer, Melville. She died on 25 April 1993 in Los Angeles, California, USA.Links to [link]nm0579663[/link] in [link]tt0208681[/link]- Actor
- Producer
- Soundtrack
The words "suave" and "debonair" became synonymous with the name Adolphe Menjou in Hollywood, both on- and off-camera. The epitome of knavish, continental charm and sartorial opulence, Menjou, complete with trademark waxy black mustache, evolved into one of Hollywood's most distinguished of artists and fashion plates, a tailor-made scene-stealer, if you will. What is often forgotten is that he was primed as a matinée idol back in the silent-film days. With hooded, slightly owlish eyes, a prominent nose and prematurely receding hairline, he was hardly competition for Rudolph Valentino, but he did possess the requisite demeanor to confidently pull off a roguish and magnetic man-about-town. Fluent in six languages, Menjou was nearly unrecognizable without some type of formal wear, and he went on to earn distinction as the nation's "best dressed man" nine times.
Born on February 18, 1890, in Pittsburgh, Pennsylvania, he was christened Adolphe Jean Menjou, the elder son of a hotel manager. His Irish mother was a distant cousin of novelist / poet James Joyce ("Ulysses") (1882-1941). His French father, an émigré, eventually moved the family to Cleveland, where he operated a chain of restaurants. He disapproved of show business and sent an already piqued Adolphe to Culver Military Academy in Indiana in the hopes of dissuading him from such a seemingly reckless and disreputable career. From there Adolphe was enrolled at Stiles University prep school and then Cornell University. Instead of acquiescing to his father's demands and obtaining a engineering degree, however, he abruptly changed his major to liberal arts and began auditioning for college plays. He left Cornell in his third year in order to help his father manage a restaurant for a time during a family financial crisis. From there he left for New York and a life in the theater.
Adolphe toiled as a laborer, a haberdasher and even a waiter in one of his father's restaurants during his salad days, which included some vaudeville work. Oddly enough, he never made it to Broadway but instead found extra and/or bit work for various film studios (Vitagraph, Edison, Biograph) starting in 1915. World War I interrupted his early career, and he served as a captain with the Ambulance Corps in France. After the war he found employment off-camera as a productions manager and unit manager. When the New York-based film industry moved west, so did Adolphe.
Nothing of major significance happened for the fledgling actor until 1921, an absolute banner year for him. After six years of struggle he finally broke into the top ranks with substantial roles in The Faith Healer (1921) and Through the Back Door (1921), the latter starring Mary Pickford. He formed some very strong connections as a result and earned a Paramount contract in the process. Cast by Mary's then-husband Douglas Fairbanks as Louis XIII in the rousing silent The Three Musketeers (1921), he finished off the year portraying the influential writer/friend Raoul de Saint Hubert in Rudolph Valentino's classic The Sheik (1921).
Firmly entrenched in the Hollywood lifestyle, it took little time for Menjou to establish his slick prototype as the urbane ladies' man and wealthy roué. Paramount, noticing how Menjou stole scenes from Charles Chaplin favorite Edna Purviance in Chaplin's A Woman of Paris: A Drama of Fate (1923), started capitalizing on Menjou's playboy image by casting him as various callous and creaseless matinée leads in such films as Broadway After Dark (1924), Sinners in Silk (1924), The Ace of Cads (1926), A Social Celebrity (1926) and A Gentleman of Paris (1927). His younger brother Henri Menjou, a minor actor, had a part in Adolphe's picture Blonde or Brunette (1927).
The stock market crash led to the termination of Adolphe's Paramount contract, and his status as leading man ended with it. MGM took him on at half his Paramount salary and his fluency in such languages as French and Spanish kept him employed at the beginning. Rivaling Gary Cooper for the attentions of Marlene Dietrich in Morocco (1930) started the ball rolling for Menjou as a dressy second lead. Rarely placed in leads following this period, he managed his one and only Oscar nomination for "Best Actor" with his performance as editor Walter Burns in The Front Page (1931). Not initially cast in the role, he replaced Louis Wolheim, who died ten days into rehearsal. Quality parts in quality pictures became the norm for Adolphe during the 1930s, with outstanding roles given him in The Great Lover (1931), A Farewell to Arms (1932), Forbidden (1932), Little Miss Marker (1934), Morning Glory (1933), A Star Is Born (1937), Stage Door (1937) and Golden Boy (1939).
The 1940s were not as golden, however. In addition to entertaining the troops overseas and making assorted broadcasts in a host of different languages, he did manage to get the slick and slimy Billy Flynn lawyer role opposite Ginger Rogers' felon in the "Chicago" adaptation Roxie Hart (1942), and continued to earn occasional distinction in such post-WWII pictures as The Hucksters (1947) and State of the Union (1948). His last lead was in the crackerjack thriller The Sniper (1952), in which he played an (urbane) San Francisco homicide detective tracking down a killer who preys on women in San Francisco, and he appeared without his mustache for the first time in nearly two decades. Also active on radio and TV, his last notable film was the classic anti-war picture Paths of Glory (1957) playing the villainous Gen. Broulard.
Adolphe's extreme hardcore right-wing Republican politics hurt his later reputation, as he was made a scapegoat for his cooperation as a "friendly witness" at the House Un-American Activities Commission hearing during the Joseph McCarthy Red Scare era. Following his last picture, Disney's Pollyanna (1960), in which he played an uncharacteristically rumpled curmudgeon who is charmed by Hayley Mills, he retired from acting. He died after a nine-month battle with hepatitis on October 29, 1963, inside his Beverly Hills home. Three times proved the charm for Adolphe with his 1934 marriage to actress Verree Teasdale, who survived him. The couple had an adopted son named Peter. His autobiography, "It Took Nine Tailors" (1947), pretty much says it all for this polished, preening professional.Links to [link]nm0166588[/link] in [link]tt0007153[/link]- H. Cooper Cliffe was born on 19 July 1862 in Oxford, Oxfordshire, England, UK. He was an actor, known for Half an Hour (1920), A Parisian Romance (1916) and The Argyle Case (1917). He was married to Alice Belmore. He died on 1 May 1939 in New York City, New York, USA.Links to [link]nm0913267[/link] in [link]tt0005295[/link]
- Actor
- Producer
A prominent matinée stage and silent-film star with handsome features offset only slightly by a prominent proboscis, Robert Warwick was born and raised in Sacramento, California, as Robert Taylor Bien. The gift of music was instilled at an early age (he sang in his church choir) and he initially prepared for an operatic career. Studying vocally in Paris, he abandoned legit singing for acting after being hired in 1903 to understudy in the Broadway play "Glad of It". He grew quickly in stature in such popular stage roles as "Vronsky" in "Anna Karenina" (1907), and was a strong presence in the musical operettas "The Kiss Waltz" (1911) and "The Princess" (1912), the latter featuring his first wife, actress Josephine Whittell.
With effortless charm, Warwick segued into romantic film roles, playing dashing leads in Alias Jimmy Valentine (1915), The Face in the Moonlight (1915), The Heart of a Hero (1916)--in which he portrayed Revolutionary War hero Nathan Hale--The Mad Lover (1917) and A Girl's Folly (1917). At one point he even formed his own production company, Robert Warwick Film Corp. The company produced four films before Warwick temporarily left Hollywood in 1917 to serve in WWI as an infantry captain.
In the 1920s he shifted between Broadway and film leads. His well-modulated voice proved ideal for sound pictures, and he subsequently enjoyed a long career (over 200 films) in grand, authoritative character parts. Among his plethora of movie roles were "Neptune" in Night Life of the Gods (1935), "Col. Gray" in Shirley Temple's The Little Colonel (1935), "Sir Francis Knolly" in Mary of Scotland (1936) and "Lord Montague" in the Norma Shearer/Leslie Howard starrer Romeo and Juliet (1936). He also was seen to fine advantage in several of Errol Flynn's rousing costumers such as The Prince and the Pauper (1937), The Adventures of Robin Hood (1938), The Private Lives of Elizabeth and Essex (1939), and The Sea Hawk (1940). A grand, stately gent, he was often seen impersonating high-ranking military officers, dapper businessmen or stern but benevolent father figure types. The legendary Preston Sturges utilized his services, giving him small roles in The Great McGinty (1940), Christmas in July (1940) and The Lady Eve (1941) before handing him a standout part as an avuncular studio mogul in Sullivan's Travels (1941).
For the most part, however, Warwick was humbled into playing smaller, serviceable roles in adventures and crime dramas, with many of these characters embracing unyielding traditionalist values. Other exceptions to this rule were his hammy, downtrodden Hollywood actor "Charlie Waterman" in In a Lonely Place (1950) and his dying tycoon in While the City Sleeps (1956). Warwick continued performing well into his 80s. Primarily on TV in his twilight years, he could be spotted frequently on such programs as The Twilight Zone (1959), Maverick (1957) and Dr. Kildare (1961). Divorced from his first wife, he survived his second, actress Stella Lattimore (1905-1960), before dying in 1964 following an extended illness. He had one daughter by his first wife; Rosalind, who bore him two grandchildren, and with his second wife another daughter, Betsey, who was a prominent published poet in Los Angeles and was buried next to her father at Holy Cross Cemetary in Los Angeles in 2007.Links to [link]nm0355833[/link] in [link]tt0003856[/link]- Lindsay J. Hall was born on 5 June 1863 in Tennessee, USA. He was an actor, known for The Hermit's Secret (1915), A Soul's Tragedy (1915) and Together (1918). He died on 5 December 1937 in New York City, New York, USA.Links to [link]nm0184782[/link] in [link]tt0004794[/link]
- Actor
- Director
George Cowl was born on 24 February 1878 in Blackpool, Lancashire, England, UK. He was an actor and director, known for The Jazz Cinderella (1930), The Mystery of the Yellow Room (1919) and Betsy Ross (1917). He died on 4 April 1942 in Los Angeles, California, USA.Links to [link]nm0717281[/link] in [link]tt0003817[/link]- Writer
- Actor
- Director
Hal Reid was born on 14 April 1862 in Cedarville, Ohio, USA. He was a writer and actor, known for The Deerslayer (1913), Prohibition (1915) and Cardinal Wolsey (1912). He was married to Marcella Frances Russell, Mrs. Hal Reid and Marylee (Mae) Withers. He died on 22 May 1920 in New York City, New York, USA.Links to [link]nm0919579[/link] in [link]tt0006161[/link]- Joe Welch was born in 1869 in New York City, New York, USA. He was an actor, known for Time Lock No. 776 (1915) and The Peddler (1917). He was married to Belle Gold. He died on 15 July 1918 in Groen's Farms, Connecticut, USA.Links to [link]nm0556954[/link] in [link]tt0008418[/link]
- Sidney Mason was born on 26 September 1886 in Paterson, New Jersey, USA. He was an actor, known for Orphan Sally (1922), The Good-Bad Wife (1920) and The Seven Sisters (1915). He was married to Marie Mason (née Van). He died on 1 March 1923 in New York City, New York, USA.Links to [link]nm0951258[/link] in [link]tt0141156[/link]
- Mimi Yvonne is known for Kreutzer Sonata (1915), Her Wayward Sister (1916) and The Littlest Rebel (1914).Links to [link]nm0412324[/link] in [link]tt0003778[/link]
- Charlotte Ives was born on 27 November 1891. She was an actress, known for The Dictator (1915), The Warfare of the Flesh (1917) and A Prince in a Pawnshop (1916). She died in September 1976.Links to [link]nm0000858[/link] in [link]tt0005196[/link]
- Actor
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- Soundtrack
John Barrymore was born John Sidney Blyth on February 15, 1882 in Philadelphia, Pennsylvania. An American stage and screen actor whose rise to superstardom and subsequent decline is one of the legendary tragedies of Hollywood. A member of the most famous generation of the most famous theatrical family in America, he was also its most acclaimed star. His father was Maurice Blyth (or Blythe; family spellings vary), a stage success under the name Maurice Barrymore. His mother, Georgie Drew, was the daughter of actor John Drew. Although well known in the theatre, Maurice and Georgie were eclipsed by their three children, John, Lionel Barrymore, and Ethel Barrymore, each of whom became legendary stars. John was handsome and roguish. He made his stage debut at age 18 in one of his father's productions, but was much more interested in becoming an artist.
Briefly educated at King's College, Wimbledon, and at New York's Art Students League, Barrymore worked as a freelance artist and for a while sketched for the New York Evening Journal. Gradually, though, the draw of his family's profession ensnared him, and by 1905, he had given up professional drawing and was touring the country in plays. He survived the 1906 San Francisco earthquake, and in 1909, became a major Broadway star in "The Fortune Hunter". In 1922, Barrymore became his generation's most acclaimed "Hamlet", in New York and London. But by this time, he had become a frequent player in motion pictures. His screen debut supposedly came in An American Citizen (1914), though records of several lost films indicate he may have made appearances as far back as 1912. He became every bit the star of films that he was on stage, eclipsing his siblings in both arenas.
Though his striking matinee-idol looks had garnered him the nickname "The Great Profile", he often buried them under makeup or distortion in order to create memorable characters of degradation or horror. He was a romantic leading man into the early days of sound films, but his heavy drinking (since boyhood) began to take a toll, and he degenerated quickly into a man old before his time. He made a number of memorable appearances in character roles, but these became over time more memorable for the humiliation of a once-great star than for his gifts. His last few films were broad and distasteful caricatures of himself, though in even the worst, such as Playmates (1941), he could rouse himself to a moving soliloquy from "Hamlet". He died on May 29, 1942, mourned as much for the loss of his life as for the loss of grace, wit, and brilliance which had characterized his career at its height.Links to [link]nm0601199[/link] in [link]tt0003618[/link]- Evelyn Moore was born on 16 September 1890 in Slough, Berkshire, England, UK. She was an actress, known for BBC Sunday-Night Theatre (1950), Bedazzled (1967) and A Castle and Sixpence (1954). She died on 3 April 1972 in Bromley, Kent, England, UK.Links to [link]nm0177228[/link] in [link]tt0061391[/link]
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- Producer
One of four stars of the London and New York revues Beyond the Fringe and Beyond the Fringe (with Jonathan Miller, Alan Bennett, and Dudley Moore). Later created scatological comedy routine "Derek & Clive" with Moore.Links to [link]nm0516027[/link] in [link]tt0061204[/link]- Writer
- Actor
- Script and Continuity Department
Jeremy Lloyd was born on 22 July 1930 in Danbury, Essex, England, UK. He was a writer and actor, known for Murder on the Orient Express (1974), Are You Being Served? (1977) and 'Allo 'Allo! (1982). He was married to Elizabeth Moberly, Collette Northrop, Joanna Lumley and Dawn Bailey. He died on 23 December 2014 in London, England, UK.Links to [link]nm0138428[/link] in [link]tt0054279[/link]- Actor
- Music Department
- Writer
Unassuming, innocent-eyed and undeniably ingratiating, Brit comedy actor Ian Carmichael was quite the popular chap in late 50s and early 60s film. He was born in Hull, Yorkshire, England on June 18, 1920, the son of Arthur Denholm Carmichael, an optician, and his wife Kate (Gillett). After receiving his schooling at Bromsgove High School and Scarborough College, he was accepted into the Royal Academy of Dramatic Art and trained there, making his stage debut as a mute robot in "RUR". in 1939. That same year he also appeared as Claudius in "Julius Caesar" and was appearing a revue production of "Nine Sharp" (1940) when his young career was interrupted by WWII. He served in Europe for many years with the Royal Armoured Corps as a commissioned officer in the 22nd Dragoons.
Ian returned to the theatre in 1947 with roles in four productions: "She Wanted a Cream Front Door", "I Said to Myself", "Cupid and Mars" and "Out of the Frying Pan". He also sharpened his farcical skills in music hall revues where he worked with such revue legends as Hermione Baddeley and Dora Bryan. Given his first film bit as a waiter in Bond Street (1948), he continued in rather obscure roles for several years. While he was sincerely capable of playing it serious, which would include roles in the U.S. film Betrayed (1954) starring Clark Gable and Lana Turner, as well as the war-themed adventures The Colditz Story (1955) and Storm Over the Nile (1955), it was his association with late 50s "silly-ass" comedy that gave his cinematic career a noticeable boost. After repeating his stage success (the only cast member to do do) playing David Prentice in the film version of Simon and Laura (1955) opposite Kay Kendall and Peter Finch, he co-starred in a series of droll satires for the Boulting Brothers and Ealing Studios. While he might have been upstaged on occasion by a motley crew of scene-stealers (Terry-Thomas, Peter Sellers, Raymond Huntley, Margaret Rutherford), Ian was sublimely funny himself as the hapless klutz caught up in their shenanigans. Private's Progress (1956), the service comedy which got the whole ball rolling, and its sequel, I'm All Right Jack (1959), along with the Boulting's Lucky Jim (1957) Brothers in Law (1957) and Happy Is the Bride (1958) firmly established Ian as a slapstick movie star.
The inane fun continued into the 60s with ripe vehicles in Skywatch (1960), School for Scoundrels (1960), Double Bunk (1961), The Amorous Mr. Prawn (1962) and Heavens Above! (1963). During the late 1960s and 1970s, he found more fulfillment playing wry, bemused, upper-crust characters on comedy TV, particularly his Bertie Wooster in The World of Wooster (1965) which reunited him with frequent Boulting Brothers co-star Dennis Price as Jeeves, Wooster's chilly-mannered personal valet. Ian's leading role as the Bachelor Father (1970), based on the story of a real-life perennial bachelor who took on several foster children, only added to his popularity. In later years, he was frequently heard on the BBC radio.
Ian made vigilant returns to the comedy stage whenever possible in such lightweight vehicles as "The Tunnel of Love", "The Gazebo", "Critic's Choice", "Birds on the Wing", "Darling, I'm Home", "Springtime for Henry" and appeared in his last musical "I Do! I Do!" in 1968. Earlier, in 1965, he made his Broadway debut starring in "Boeing-Boeing", which lasted only a few weeks. A more successful revival of this show showed up on Broadway in 2008.
Semi-retired since the mid-1980s, Ian continued to show elderly spryness here and there with a smattering of films including The Magnificent Seven Deadly Sins (1971), From Beyond the Grave (1974), The Lady Vanishes (1979) and Diamond Skulls (1989). On TV, he was quite popular in the role of the gentleman detective Lord Peter Wimsey in several crime mystery mini-series: Clouds of Witness (1972), The Unpleasantness at the Bellona Club (1972), Murder Must Advertise (1973), The Nine Tailors (1974) and Five Red Herrings (1975), and had a recurring role on the TV series Strathblair (1992).
To cap his career off, he was honored as an OBE in the 2003 Queen's Birthday Honours List. Made a widower after 40 years by his first wife Jean (Pym) McLean, he married novelist/radio producer Kate Fenton, who is over thirty years his junior, in 1992. He has two daughters, Lee and Sally, from his first marriage. In 1979, his autobiography, "Will the Real Ian Carmichael?...", was published.
A charmer to the end, his last (recurring) appearance was on the TV series The Royal (2003) in 2009. The actor died on February 7, 2010, following a month-long illness.Links to [link]nm0448765[/link] in [link]tt0039206[/link]- Actress
- Soundtrack
Vivacious, hazel-eyed, strawberry-haired Jean Kent was a popular star of British films in the 1940's and early 50's. The daughter of variety performers Norman Field and Nina Norre, she was convent-educated. By the age of ten, she accompanied her mother on tour, then spent several years in the chorus line at London's Windmill Theatre in the West End. Having honed her acting skills on the provincial repertory stage, Jean signed with Gainsborough Pictures in 1943. Her first noteworthy performance was in Man of Evil (1944) for which she received fifth billing. Through sheer determination and hard work, she quickly moved up the ladder to integral roles as willful 'scarlet women' in juicy melodramas. These were often parts other leading actresses refused to play, point in case her gypsy wildcat Rosal in Caravan (1946), considered even by Margaret Lockwood as 'too awful'. Using her training to best advantage, Jean performed some striking dance numbers in the film.
She was the femme fatale wartime audiences loved to hate, an early British sex symbol, most effectively paired with the likes of Stewart Granger or James Mason. In one of her best-remembered performances, Jean took sole limelight as the titular star of the cautionary drama Good-Time Girl (1948), as a juvenile delinquent who falls in with spivs and gangsters and ends up in prison. However, within just a few years, Jean's box-office appeal had waned, possibly attributable to having portrayed a woman ten years older than herself in The Browning Version (1951) (though the film itself was a box-office and critical success). Her remaining screen career was thereafter confined to appearances on the small screen, from the much-derided soap opera Crossroads (1964), to playing Queen Elizabeth I in the excellent Sir Francis Drake (1961) or as Daphne Goodlace, potential seductress of both Albert and Harold, in Steptoe and Son (1962).Links to [link]nm0313449[/link] in [link]tt0027213[/link]- Actor
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Lupino 'Nipper' Lane was one of the few English actors to achieve fame in Hollywood in the 20's. He was a descendant of the clown Grimaldi, who, it was said, was the first to use concealed trap doors for comic effect., Lupino carried on that tradition and had many years of stage experience from his time in England..He was double jointed and could twist his arms , legs and body into amazing positions and it was his acrobatic ability that caught the filmgoer's eye. He never developed a constant character, his comedy routines seemed to be more important to him and his chief delight was in dressing up. His films were mainly made at the Educational Studios in Hollywood and sadly many of them were lost forever having been sold for their scrap value He'd made over 40 films by the time 'talkies' arrived and unable to adapt to them concentrated on his first love, the theatre and carried in a successful career, so much so that when he died none of his obituaries mentioned his films. which included 'Sword Points', loosely based on the Three Musketeers, 'Summer Saps', 'Naughty Boy' (with his brother Wallace) and 'Maid in Morocco'Links to [link]nm0068605[/link] in [link]tt0005704[/link]- Blanche Bella was born in 1888 in Venezuela. She is known for Paying Him Out (1915), Economy (1917) and The Man in Possession (1915).Links to [link]nm0581512[/link] in [link]tt0317163[/link]
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Billy Merson born William Henry Thompson in Nottingham in 1881, he began his career while working in a lace-making factory and performing shows as an acrobat and comedian in the evening at the Nottingham Theatre Royal. It took some time until he could make a good living from his stage work; he also wrote many songs including 'The Photo of the Girl I Left Behind', 'Desdemona' and possibly his best known song 'The Spaniard That Blighted My Life'. He was chairman of the music hall at the Players Theatre in London. Starred in a handful of silent film comedies under the direction of W.P. Kellino for the Homeland (Globe) Film Company in 1915-17 often taken from his own sketches. Later he was often seen in character roles in many talkies through the 1930's. According to an article in the Nottingham Evening Post dated 19/8/2011 Billy Merson whose real name is William Henry Thompson may have been related to the famous 19th Century bare knuckle prize fighter William 'Bendigo' Thompson born in Nottingham in the early 1800's, and his descendants are Hayden Thompson born 2011 son of stage actress Emma Rothwell born 1985.Links to [link]nm0216580[/link] in [link]tt0230868[/link]- Winifred delevanti born in 1897 in England, began in music hall in the early 1910's, pretty brunette who starred in a handful of comedy films with Billy Merson and Lupino Lane the first of these films is ' The Man in Possession' directed by W.P. Kellino in 1915 for the Homeland Film Company, she also appeared in character roles in few well-known dramas, the first was 'Milestones' with Owen Nares and Isobel Elsom at the G.B. Samuelson Film Company in 1916, she retired from the screen after Lupino Lane's 'Splash Me Nicely' in 1917. She died in 1976 aged 79.Links to [link]nm0255695[/link] in [link]tt0007062[/link]
- The epitome of opulent, grande dame pomposity, British character actress Isobel Elsom was born Isabelle Reed in Cambridge, England on March 16, 1893. She began on the stage in 1911 and went on to grace a number of silent and sound pictures in England, marrying and divorcing director Maurice Elvey in the interim.
Isobel made an elegant entry into British feature films as Lady Monkhurst in the drama Milestones (1916) and continued in leading roles with the silent films Tinker, Tailor, Soldier, Sailor (1918), Onward Christian Soldiers (1918), A Member of Tattersall's (1919), For Her Father's Sake (1921), Dick Turpin's Ride to York (1922), the title role in The Love Story of Aliette Brunton (1924), The Last Witness (1925) and Tragödie einer Ehe (1927). Her voice suitable for sound pictures, she continued her leading status with such early British talkies as The Other Woman (1931), Stranglehold (1931), The Crooked Lady (1932), The Thirteenth Candle (1933), and The Primrose Path (1934).
In the late 1920s, she made a transatlantic visit to the American stage, taking her first Broadway curtain all in "The Ghost Train" in 1926. She continued on the New York stage with such plays as "The Mulberry Bush" (1927), "People Don't Do Such Things" (1927), "The Silver Box" (1928), "The Behavior of Mrs. Crane" (1928) and "The Outsider" (1928).
Settling in America in the 1930s, Isobel achieved great character success in the role of retired actress Leonora Fiske in the play "Ladies in Retirement" (1940), which she also took to film (Ladies in Retirement (1941)) starring Ida Lupino). She would alternate between film and the Broadway stage for the next two decades. Broadway shows included "Hand in Glove" (1944), "The Innocents" (1950), "Romeo and Juliet" (as Lady Capulet) (1951), "The Climate in Eden" (1952), "The Burning Glass" (1954) and "The First Gentleman" (1957).
What the tiny-framed Elsom lacked in stature, she certainly made up for in pure chutzpah. The matronly actress remained in Hollywood and played a number of huffy blue-bloods in both comedies and drama for over two decades, including The War Against Mrs. Hadley (1942), You Were Never Lovelier (1942), Between Two Worlds (1944), Of Human Bondage (1946), The Two Mrs. Carrolls (1947), The Ghost and Mrs. Muir (1947), Ivy (1947), Smart Woman (1948), The Secret Garden (1949), Lust for Life (1956), The Miracle (1959) and The Second Time Around (1961). One standout blue-blooded role was as one of Charles Chaplin's intended victims in the black comedy Monsieur Verdoux (1947).
In later years, Isobel served as a frequent foil to Jerry Lewis in a few of his solo pictures (Rock-a-Bye Baby (1958), The Bellboy (1960), The Errand Boy (1961), Who's Minding the Store? (1963)). She ended her film career playing Mrs. Eynsford-Hill in My Fair Lady (1964). Isabel remarried in 1942 and was the widow of actor Carl Harbord in 1958. The couple both met when they appeared in the film Eagle Squadron (1942). Isobel Elsom died at age 87 of heart failure at the Motion Picture & Television Hospital in Woodland Hills, California on January 12, 1981. She had no children.Links to [link]nm0621416[/link] in [link]tt0009341[/link] - Actor
- Additional Crew
Owen Nares was born on 11 August 1888 in Maiden Erlegh, Berks, England, UK. He was an actor, known for The Faithful Heart (1922), There Goes the Bride (1932) and The Love Contract (1932). He was married to Marie Polini (actress). He died on 30 July 1943 in Brecon, Wales, UK.Links to [link]nm0576762[/link] in [link]tt0219637[/link]- This once popular silent screen star and older matinee idol for Paramount Studios is all but forgotten today; however, Thomas "Tommy" Meighan was one of the rulers of the Hollywood roost, between the years 1915 and 1928.
He was born in Pittsburgh, his father a president of a major manufacturing company. Meighan switched interests from medicine to acting during his mid-college years, joining Henrietta Crosman's Pittsburgh stock company as his initiation to professional theater.
During these years he met and married stage actress Frances Ring, who was the sister of actors Blanche Ring and Cyril Ring, enjoying a long and happy wedded life. Having developed a highly respected name for himself on Broadway right after the turn of the century, he decided, at the age of 36, to give up the stage in order to pursue the still-floundering medium of movie-making. It was a wise and prosperous move.
Meighan made his debut opposite Laura Hope Crews in The Fighting Hope (1915) and became a Paramount favorite of producer/director Cecil B. DeMille's with leading man roles in Kindling (1915), The Trail of the Lonesome Pine (1916), Male and Female (1919), Why Change Your Wife? (1920), and Manslaughter (1922). Meighan lit up the silver screen time and time again paired up with Hollywood's top echelon of silent female stars including Lila Lee, Blanche Sweet, Lois Wilson, Pauline Frederick, Billie Burke, Norma Talmadge, Charlotte Walker, and Leatrice Joy.
Meighan would make his film masterpiece with The Miracle Man (1919), also starring Lon Chaney, in which he played Tom Burke, a notorious con-man, who tries one last scheme, a faith-healing scam, before going clean. Unfortunately, this 8-reel silent classic is now lost but for a minor portion. Meighan would earn between $5,000 to $10,000 a week during his prime years.
Although his first talking picture, The Argyle Case (1929), was a success, Meighan's career went into a rapid decline come the advent of sound, playing a few fatherly types in support at the very end. His last film was Peck's Bad Boy (1934) starring young Jackie Cooper. At about this time the actor discovered he had cancer and was forced to withdraw from the screen. He died two years later on July 8, 1936. He and wife Frances had no children.Links to [link]nm0907608[/link] in [link]tt0005589[/link] - Texan-born actress Charlotte Walker was the daughter of a wealthy cotton broker, who died when she was eleven. With her siblings she went on to live at a ranch owned by her mother's even more affluent family. In her mid-teens, Charlotte studied drama at Fort Edwards Collegiate Institute. She performed on the Broadway stage from 1901 and in silent pictures with the Lasky Organisation from 1915, subsequently working for Thanhouser from 1917 to 1919. Charlotte was considered a versatile actress, skilled in both comedy and dramatic parts. She was also exquisitely beautiful, and, though already well into middle age, able to command leading roles in several high profile productions. Her second marriage (1910-1930) was to the prolific Broadway playwright Eugene Walter and one of her biggest successes was a starring role in his 1913 stage dramatisation and subsequent cinematic version of The Trail of the Lonesome Pine (1916), produced and directed by Cecil B. DeMille. Her status began to decline with the advent of sound pictures. Indifferent reviews included a performance in Three Faces East (1930), described as overly 'theatrical' by the New York Times. Relegated to small supporting roles in several forgettable B-grade pictures, Charlotte retired from acting in 1941. She died in 1958 in her home state at the age of 81.Links to [link]nm0205890[/link] in [link]tt0005847[/link]
- Marjorie Daw was born on 19 January 1902 in Colorado Springs, Colorado, USA. She was an actress, known for Rebecca of Sunnybrook Farm (1917), The Puppet Crown (1915) and East Lynne (1925). She was married to Myron Selznick and A. Edward Sutherland. She died on 18 March 1979 in Huntington Beach, California, USA.Links to [link]nm0427139[/link] in [link]tt0006194[/link]
- Rita Jolivet was a silent film actress whose career spanned from 1914 when she made FATA MORGANA to 1926 when she filmed PHI-PHI. Afterwards, Rita dropped out of films. She made only 20 films in her brief career.Links to [link]nm0720812[/link] in [link]tt0192394[/link]
- Hamilton Revelle was born on 31 May 1872 in Gibraltar, UK. He was an actor, known for Hamlet (1914), Thais (1917) and Kismet (1920). He died on 11 April 1958 in Nice, Alpes-Maritimes, France.Links to [link]nm0016688[/link] in [link]tt1080925[/link]
- Alberto Albertini was born on 31 August 1898 in Cogoleto, Italy. He was an actor, known for I sette peccati capitali (1918), L'ira (1918) and La lanterna di Diogene (1922). He was married to Maddalena Colla. He died on 22 October 1957 in Genova, Italy.Links to [link]nm0070959[/link] in [link]tt1184754[/link]
- Actor
- Production Manager
Carlo Benetti was born on 4 July 1885 in Florence, Tuscany, Italy. He was an actor and production manager, known for Assunta Spina (1915), L'albergo degli assenti (1939) and Cortocircuito (1943). He was married to Olga Benetti. He died on 4 June 1949 in Rome, Lazio, Italy.Links to [link]nm0070962[/link] in [link]tt1074576[/link]- Actress
Olga Benetti was born in Ceprano, Lazio, Italy. She was an actress, known for Tosca (1918), La signora delle camelie (1915) and La baraonda (1923). She was married to Carlo Benetti. She died in 1949.Links to [link]nm0045227[/link] in [link]tt1074558[/link]- Ettore Baccani was an actor, known for Adriana Lecouvreur (1919), Germania (1914) and La mano della scimmia (1913). He died on 26 October 1919 in Rome, Lazio, Italy.Links to [link]nm1269356[/link] in [link]tt0922924[/link]
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Raffaello Mariani is known for La viandante (1918), Il blasone maledetto (1919) and La tragica fine di Caligula imperator (1917).Links to [link]nm0063379[/link] in [link]tt1177181[/link]- Fernanda Battiferri was born on 4 September 1896 in Rome, Lazio, Italy. She is known for Cuore di zingara (1920), Il naufragatore (1915) and Tresa (1915). She was previously married to Gastone Monaldi.Links to [link]nm1011921[/link] in [link]tt0309460[/link]
- Giovanni Pezzinga is known for Sansonette e i quattro arlecchini (1920), Sansonette amazzone dell'aria (1920) and Sansonette danzatrice della prateria (1920).Links to [link]nm0503227[/link] in [link]tt0383482[/link]
- Vittoria Lepanto was born on 15 February 1885 in Saracinesco, Lazio, Italy. She was an actress, known for Camille (1909), Lucrezia Borgia (1910) and Othello (1909). She died on 3 May 1965 in Rome, Lazio, Italy.Links to [link]nm0626131[/link] in [link]tt0160116[/link]
- Actor
- Director
Alberto Nepoti was born in 1876 in Piedmont, Italy. He was an actor and director, known for I figli di nessuno (1921), Carmen (1909) and Othello (1909). He died in 1937.Links to [link]nm0232370[/link] in [link]tt0000998[/link]- Links to [link]nm2794234[/link] in [link]tt1184723[/link]
- Gianni Bongars is known for I tre sorrisi di una monella (1920) and I disonesti (1922).Links to [link]nm0624446[/link] in [link]tt1081017[/link]
- Fernanda Negri Pouget was born on 28 March 1889 in Rome, Lazio, Italy. She was an actress, known for The Last Days of Pompeii (1913), Hamlet (1908) and Ma non è una cosa seria (1921). She was married to Armand Pouget. She died on 17 February 1955 in Rome, Lazio, Italy.Links to [link]nm0637019[/link] in [link]tt0381961[/link]