A girl's opinion of the most beautiful actresses ever.
I watch A LOT of movies. I am a sucker for a pretty face.
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If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Actress
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Winona Ryder was born Winona Laura Horowitz in Olmsted County, Minnesota, and was named after a nearby town, Winona, Minnesota. She is the daughter of Cynthia (Istas), an author and video producer, and Michael Horowitz, a publisher and bookseller. Her father's family is Ukrainian Jewish and Romanian Jewish. She grew up in a ranch commune in Northern California which had no electricity. She is the goddaughter of Timothy Leary. Her parents were friends of Beat poet Allen Ginsberg and once edited a book called "Shaman Woman Mainline Lady", an anthology of writings on the drug experience in literature, which included one piece by Louisa May Alcott. Ryder would later play the lead role of Josephine March in the adaptation of this author's novel Little Women (1994).
Ryder moved with her parents to Petaluma, California when she was ten and enrolled in acting classes at the American Conservatory Theater. At age 13, she had a video audition to the film Desert Bloom (1986), but did not get the role. However, director David Seltzer spotted her and cast her in Lucas (1986). When telephoned to ask how she would like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder & The Detroit Wheels album was playing the background. Ryder was selected for the role of Mary Corleone in The Godfather Part III (1990), but had to drop out of the role after catching the flu from the strain of doing the films Welcome Home, Roxy Carmichael (1990) and Mermaids (1990) back-to-back. She said she did not want to let everyone down by doing a substandard performance. She later made The Age of Innocence (1993), which was directed by Martin Scorsese, whom she believes to be "the best director in the world".- Actress
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Evangeline Lilly, born in Fort Saskatchewan, Alberta, in 1979, was discovered on the streets of Kelowna, British Columbia, by the famous Ford modeling agency. Although she initially decided to pass on a modeling career, she went ahead and signed with Ford anyway, to help pay for her University of British Columbia tuition and expenses.- Actress
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Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actress
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The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Actress
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January Jones was born on January 5, 1978 in Sioux Falls, South Dakota. She is the daughter of Karen Sue (née Cox), a sporting goods store manager, and Marvin Roger Jones, a gym teacher and fitness director. She is of Czech, Danish, English, Welsh, and German ancestry. She was named after the character January Wayne in Jacqueline Susann's potboiler novel turned film, Once Is Not Enough (1975). She has two sisters, Jacey Jones and Jina Jones].
Her family moved to the small town of Hecla, South Dakota, with a population of just some 400 souls in 1979, when she was one year old; they moved back to Sioux Falls in 1986. After graduating from Roosevelt High School, she moved to New York City to become a model. Despite her stature (5'6", which is short for a fashion model), she got modeling gigs, including Abercrombie & Fitch ads. However, modeling was just a means to an end, to get out of South Dakota and avoid going to college.
She got her first taste of acting from TV commercials and found that she had flair for it, even though she did not act in high school and had no training. January appeared in a couple of television pilots and a cable television series before making her big screen debut in All the Rage (1999), an indie that never got a real release. She followed it up with a small role in the teen thriller The Glass House (2001). Her actual debut in the sense of attracting attention was in the near silent role of the beauty who entices Jane Fonda's son, Troy Garity, in the Bruce Willis-Cate Blanchett-Billy Bob Thornton comedy Bandits (2001). It was not a career-making part. At the time the movie was released, she was ending a three-year relationship with Ashton Kutcher.
Small roles followed, including a "don't blink or you won't see me" part in the Adam Sandler-Jack Nicholson comedy Anger Management (2003). She gained some career traction with a good role in another comedy, American Wedding (2003), a sequel to American Pie (1999). Until she landed the part on Mad Men (2007), which made its debut on AMC in 2007, her career was steady but undistinguished. "I choose roles that are not me", January has said. The role of Betty Draper has garnered her two Golden Globe nominations and an Emmy nomination as Best Actress. Her cool, Grace Kelly-ish blonde ice queen looks -- counterpointed by her soul burning in her bright blue eyes -- have established her as a retro icon of the 21st Century.- Actress
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Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
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Mischa Barton is a versatile actress with a passion for storytelling and an impressive career spanning over two decades. Working with such acclaimed directors and writers as M. Night Shyamalan, James Lapine and Naomi Wallace, she is known for her magnetic on-screen presence and natural acting abilities that have captivated audiences worldwide. She has earned her reputation as one of the most talented performers of her generation.
Born in London, England, Barton quickly made her mark in the entertainment industry with her debut film role in "Lawn Dogs" (1997). From there, she continued to showcase her versatility in a variety of film and television projects, including the hit supernatural thriller "The Sixth Sense" (1999) and the critically acclaimed drama series "Once and Again" (2002-2003).
However, it was her iconic role as Marissa Cooper in the hit television series "The O.C." (2003-2006) that truly launched Barton to superstardom. Her portrayal of the troubled, yet lovable character resonated with audiences worldwide, cementing her place as a pop culture icon and earning her widespread critical acclaim with critics praising her nuanced portrayal of a complex character.
She has appeared in several stage productions throughout her career, including the acclaimed Off-Broadway productions of "Where the Truth Lies," "Twelve Dreams," and "One Flea Spare." Her performances were praised for their depth, nuance, and emotional range, demonstrating her versatility as an actress.- Actress
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Mia Sara is an American actress. She is best known for Legend (1985) and Ferris Bueller's Day Off (1986).
She also had minor roles in A Stranger Among Us (1992) and Timecop (1994).
In 1996, she married Jason Connery, son of Sean Connery, with whom she performed in Bullet to Beijing (1995). In June 1997, they had a son, Dashiell Quinn Connery. The couple divorced in 2002.
She is now married to Brian Henson, oldest son of Muppets creator Jim Henson. They have one daughter, Amelia Jane Henson, born in 2005.- Actress
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Jane Seymour was born as Joyce Penelope Wilhelmina Frankenberg in 1951 in Middlesex, England, to a nurse mother and gynaecologist/obstetrician father. She is of Polish Jewish (father) and Dutch (mother) descent. She adopted the acting name of "Jane Seymour" when she entered show business as it was easier for people to remember (and the name of one of King Henry VIII's wives). She attracted the attention of the James Bond film producers when they saw her on British television. She was cast as the main Bond girl, "Solitaire", in Live and Let Die (1973). The role gained her international recognition but she was in danger of losing it all like the previous Bond girls, so she came to the U.S.
A casting director advised her to lose her English accent and acquire an American accent to land roles on American television. She did and started getting roles, earning five Emmy nominations, resulting in one win for Onassis: The Richest Man in the World (1988) for playing Maria Callas. She won Golden Globe awards for both East of Eden (1981) and the American television series Dr. Quinn, Medicine Woman (1993), where she played the title role for 5 years. She occasionally appeared in feature films, memorably in Somewhere in Time (1980) and in Wedding Crashers (2005).
Married and divorced four times, she gave birth to four children and is a stepmother to two. They have children of their own, making her a grandmother. As of 2018, she has been acting in television movies and making guest-appearances.- Actress
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She was a groovy and sexy icon of the late hippie era. To millions of TV viewers she became familiar as the reformed juvenile delinquent, turned undercover cop, Julie Barnes. With her expressive brown eyes and trademark long blonde hair, sylphlike Peggy Lipton was one third of a streetwise urban trio who - at least to baby boomers in the 60s - represented a more anti-authoritarian point of view. As a police drama with a difference, Mod Squad (1968) was a counterculture trend-setter which addressed previously neglected (or taboo) issues such as the Vietnam War, child abuse, police brutality, racism and drugs. Along with Star Trek (1966), I Spy (1965), Mannix (1967) and Mission: Impossible (1966), it was also among the first shows to feature an interracial cast.
Peggy Lipton was born into a well-to-do upper middle-class family of Russian-Jewish ancestry. Her father was a corporate lawyer, her mother an artist. Her upbringing was strict, her childhood lonely. According to her co-authored autobiography "Breathing Out", she was abused by an uncle. An introverted child of self-confessed 'morbid and gloomy' disposition, she became prone to a debilitating nervous stutter which began to disappear when she left home and struck out on her own at the age of 15. With her dad's assistance she obtained her first job as a model for the Eileen Ford agency in New York. Her mother then prompted her to take drama classes with Uta Hagen at the Herbert Berghof studio in Greenwich Village, Manhattan. At age 19, Lipton got her first gigs on TV, mostly small guest spots, albeit in popular cult shows like Bewitched (1964), The Alfred Hitchcock Hour (1962) and The Invaders (1967). She also co-starred (opposite a very young Kurt Russell) in Disney's Mosby's Marauders (1967), set during the Civil War. In between acting, Lipton enjoyed a brief, but moderately successful, singing career. Three of her singles made it to the Billboard charts. At the same time, her private life was punctuated by unhappy or abusive romantic dalliances and experimentation with drugs, including cocaine and peyote.
In 1968, Lipton's career as a TV star was properly inaugurated with Mod Squad. Success led to four Emmy nominations and a Golden Globe Award in 1971. Four years into the show she was asked by an interviewer whether she was bored with her character. She replied: "Creatively I'm bored, yes, but I'm certainly not bored with the success of it, not at all. I know what I'm doing isn't 'Medea,' or even necessarily very good TV, but it's exciting to be famous".
Fame might have been exciting, but there was a flipside. After five years of Mod Squad ("we were always working"), she was burnt out. Uncomfortable with attention from the press, Lipton became more and more withdrawn and insecure. Her subsequent marriage to music legend Quincy Jones (1974-1989) settled her down to raising a family but also led to a lengthy hiatus from acting. However, in 1988, somewhat rehabilitated from a miasma of personal problems, she made her screen comeback and a year later co-starred opposite Charles Bronson in the tough action thriller Kinjite: Forbidden Subjects (1989). Her most high profile role during the following years was that of Norma Jennings, proprietor of the Double R Diner, in David Lynch's bizarre supernatural drama Twin Peaks (1990) (a role she reprised in a later cinematic prequel, Twin Peaks: Fire Walk with Me (1992), as well as in the 2017 re-launch). Other sporadic appearances included a role as an antagonist in J.J. Abrams's spy series Alias (2001).
Peggy Lipton was diagnosed with cancer in 2004. The disease eventually claimed her life on May 11 2019 at the age of 72. She left two daughters from her marriage to Quincy Jones, Rashida and Kidada, who have also become actresses.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actress
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Veronica Lake was born as Constance Frances Marie Ockleman on November 14, 1922, in Brooklyn, New York. She was the daughter of Constance Charlotta (Trimble) and Harry Eugene Ockelman, who worked for an oil company as a ship employee. Her father was of half German and half Irish descent, and her mother was of Irish ancestry. While still a child, Veronica's parents moved to Florida when she was not quite a year old. By the time she was five, the family had returned to Brooklyn. When Connie was only twelve, tragedy struck when her father died in an explosion on an oil ship. One year later her mother married Anthony Keane and Connie took his last name as her own. In 1934, when her stepfather was diagnosed with tuberculosis, the family moved to Saranac Lake, where Connie Keane enjoyed the outdoor life and flourished in the activities of boating on the lakes, skating, skiing, swimming, biking around Moody Pond and hiking up Mt Baker. The family made their home in 1935 at 1 Watson Place, (now 27 Seneca Street) then they moved to 1 Riverside Drive,(now Lake Kiwassa Road). Both Connie and Anthony benefited from the Adirondack experience and in 1936 the family left the Adirondacks and moved to Miami, FL., however, the memories of those carefree Saranac Lake days would always remain deeply rooted in her mind.
Two years later, Connie graduated from high school in Miami. Her natural beauty and charm and a definite talent for acting prompted her mother and step-father to move to Beverly Hills, California, where they enrolled her in the well known Bliss Hayden School of Acting in Hollywood. Connie had previously been diagnosed as a classic schizophrenic and her parents saw acting as a form of treatment for her condition. She showed remarkable abilities and did not have to wait long for a part to come her way.
Her first movie was as one of the many coeds in the RKO film, Sorority House (1939). It was a minor part, to be sure, but it was a start. Veronica quickly followed up that project with two other films. All Women Have Secrets (1939) and Dancing Co-Ed (1939), were again bit roles for the pretty young woman from the East Coast, but she did not complain. After all, other would-be starlets took a while before they ever received a bit part. Veronica continued her schooling, while taking a bit roles in two more films, Young as You Feel (1940) and Forty Little Mothers (1940). Prior to this time, she was still under her natural name of Constance Keane. Now, with a better role in I Wanted Wings (1941), she was asked to change her name, and Veronica Lake was born. Now, instead of playing coeds, she had a decent, speaking part. Veronica felt like an actress. The film was a success and the public loved this bright newcomer.
Paramount, the studio she was under contract with, then assigned her to two more films that year, Hold Back the Dawn (1941) and Sullivan's Travels (1941). The latter received good reviews from the always tough film critics. As Ellen Graham, in This Gun for Hire (1942) the following year, Veronica now had top billing. She had paid her dues and was on a roll. The public was enamored with her. In 1943, Veronica starred in only one film. She portrayed Lieutenant Olivia D'Arcy in So Proudly We Hail! (1943) with Claudette Colbert. The film was a box-office smash. It seemed that any film Veronica starred in would be an unquestionable hit. However, her only outing for 1944, The Hour Before the Dawn (1944) would not be well-received by either the public or the critics. As Nazi sympathizer Dora Bruckmann, Veronica's role was dismal at best. Critics disliked her accent immensely because it wasn't true to life. Her acting itself suffered because of the accent. Mediocre films trailed her for all of 1945. It seemed that Veronica was dumped in just about any film to see if it could be salvaged. Hold That Blonde! (1945), Out of This World (1945), and Miss Susie Slagle's (1946) were just a waste of talent for the beautiful blonde. The latter film was a shade better than the previous two. In 1946, Veronica bounced back in The Blue Dahlia (1946) with Alan Ladd and Howard Da Silva. The film was a hit, but it was the last decent film for Veronica. Paramount continued to put her in pathetic movies. After 1948, Paramount discharged the once prized star, and she was out on her own. In 1949, she starred in the Twentieth Century film Slattery's Hurricane (1949), which, unfortunately, was another weak film. She was not on the big screen again until 1952 when she appeared in Stronghold (1951). By Veronica's own admission, the film "was a dog". From 1952 to 1966, Veronica made television appearances and even tried her hand on the stage. Not a lot of success for her at all. By now alcohol was the order of the day. She was down on her luck and drank heavily. In 1962, Veronica was found living in an old hotel and working as a bartender. She finally returned to the big screen in Footsteps in the Snow (1966). Another drought ensued and she appeared on the silver screen for the last time in Flesh Feast (1970) - a very low budget film.
On July 7, 1973, Veronica died of hepatitis in Burlington, Vermont. The beautiful actress with the long blonde hair was dead at the age of 50.- Alison Doody was born in Dublin in 1966, in a well-off family. She is the youngest of three children. She was educated in a convent, where she gained a passion for the arts. She later studied at the National College of Fine Arts in Dublin, but she left because she lacked the motivation and thought she would take a year off to think it out. Meanwhile, while sitting in a café with friends, she was approached by a still photographer who asked her if she would be interested to model. Thinking she could use the pocket money, she said yes. Modeling proved to be both fun and lucrative, and very soon she did it professionally. Her modeling contracts led to commercial work, which would take her around the world. One day, a casting director saw her work and suggested she try acting instead. She was sent to London at age 19, here she quickly won an audition to appear in the new James Bond film, A View to a Kill (1985). She so loved acting that she pursued a career in that direction. After her first film, she shot a few TV dramas in London and in Dublin, but her big break came when she was cast as Aryan seductress Dr. Elsa Schneider in Indiana Jones and the Last Crusade (1989). Apparently, she made a huge impression on Steven Spielberg and George Lucas, who loved her great sense of humor and her Grace Kelly looks. After Indiana Jones, which introduced her to Hollywood and to the United States, she was chosen to replace Cybill Shepherd as the spokeswoman for L'Oréal. After that, she shot a few B-movies in the United States, but at one point felt she missed Ireland too much, so she went back to Dublin. In 1994, she put her career on hold to spend more time with media heir Gavin O'Reilly, whom she had been dating for two years. In 1996, they married, and later had two children. In 2002, she was asked to cameo in the Michael Caine comedy The Actors (2003), and there she regained a lust for the movie industry. The following summer, she shot King Solomon's Mines (2004) with co-star Patrick Swayze, and it's then that the whole ball started rolling again. In 2006, she and her husband divorced, and she decided to relaunch her stalled career, but she quickly realized how difficult it was to break into this kind of business for a second time, especially after ten years away from the camera. She appeared in the short film Benjamin's Struggle (2005), directed by newcomer Jamie Breese, and played a role in the well-known British series Waking the Dead (2000). In an interview, she said she was thrilled to be acting again but added that she wasn't willing to accept anything for the sake of working. She is determined to find the right part, but she also wants to do different things: "I'm fed up playing the nasty Nazi. I'd like to do something quite extreme."
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Alicia Silverstone was born on October 4, 1976 in San Francisco, California, the youngest of three children. She is the daughter of Didi (Radford), a former flight attendant, and Monty Silverstone, a real estate investor. Her English-born father is from a Jewish family, while her Scottish-born mother converted to Judaism. Alicia's career began at the tender age of six, when her father took some photos of his young daughter, which eventually led to her getting several television commercials. After a guest spot on The Wonder Years (1988) as a literal "dream girl", she moved on to movies. She landed a role in The Crush (1993), a sort of Fatal Attraction (1987) for teenagers in which she portrayed a disturbed young girl obsessed with an older man. The nasty little role did not impress the critical establishment but it wowed its target audience: teenagers. In fact, the role won her the 1994 MTV Movie Award for "Best Villain" and "Breakthrough Performance". It is interesting to note that during the filming of the movie, Alicia became an emancipated minor in order to get around child labor laws which would have interfered with her working hours. She was a dedicated actress from early on.
The film also caught the attention of Aerosmith, who hired her to appear in a string of their music videos. The first of them, "Cryin'", was voted the #1 video of all time on MTV. Silverstone was definitely a hit with the MTV crowd, but larger commercial success still eluded her. That all changed when she landed the role of Cher in Amy Heckerling's Clueless (1995). Cher was the antithesis of Alicia's role in The Crush; this time around, she was a rich, naive yet endearing girl from Beverly Hills in search of love in the 1990s. The film was a huge box-office hit and wowed both audiences and critics alike and demonstrated Alicia's strength and bankability. She was hailed as the woman of the hour, and branded the spokeswoman for an emerging young generation. She signed a deal with Columbia TriStar worth $10 million and got the coveted role of Batgirl in the Batman franchise. Also, as part of the package, she received a three-year first-look deal for her own production company, First Kiss Productions. The first film released by First Kiss was Excess Baggage (1997).- Marley Eve Shelton was born in Los Angeles, California, and grew up in Eagle Rock, CA. She is the daughter of Carol (Stromme), a teacher and singer, and Christopher Shelton, who worked as a director and producer. She has three sisters: Koren Shelton, Erin Shelton and Samantha Shelton. Both of her parents were involved in local theater projects, but as a teen, Marley was never interested in life on the stage. While at Eagle Rock High School, she was a varsity cheerleader, was voted Prom Queen and held part-time jobs at stores like "Contempo" and "Wet Seal". Shelton first captured the attention of film-goers as "Margaret", Tobey Maguire's love interest, in New Line's critically-acclaimed film, Pleasantville (1998), and has continued to appear in roles that show her versatility as an actress, including in Jerry Bruckheimer's Eleventh Hour (2008) on CBS. Shelton attended UCLA, where she majored in Film and Theatre. She supported herself through small parts in feature films, television movies and episodic appearances. Her "hobby" grew into a passion while she studied acting with Larry Moss and, as a result, she decided to pursue a career as an actress. Shelton made her feature debut in Grand Canyon (1991). Since then, she has starred in numerous box office hits, including The Sandlot (1993), Never Been Kissed (1999), The Bachelor (1999), Valentine (2001), Sugar & Spice (2001), Bubble Boy (2001), Just a Kiss (2002), Uptown Girls (2003), Don't Come Knocking (2005), Sin City (2005), Grindhouse (2007), Nixon (1995), Warriors of Virtue (1997), A Perfect Getaway (2009), W. (2008), Women in Trouble (2009) and The Mighty Macs (2009), Elektra Luxx (2010), Scream 4 (2011) and Decoding Annie Parker (2013). Shelton resides in Los Angeles with her husband, Beau Flynn, and their two daughters.
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Jaclyn Smith was born Jacquelyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie's Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC.
Smith is the only original "Angel" to stay with the show through its entire five-season run (1976-81). She is also the only "Angel" from the television series to make an appearance in either of the movie adaptations. (She had an uncredited cameo in Charlie's Angels: Full Throttle (2003) as "Kelly Garrett", offering advice to the new generation of angels.)
After Charlie's Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at Kmart since 1985, and is often a spokesperson.
Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to physician Dr. Brad Allen. She married him in 1997; the two created the skincare line which Smith promotes.- British-born actress Joanne Whalley has graced the big and small screens for decades. Known for such films as Scandal and Willow, she was a firm fixture on British TV screens including the hit series, The Singing Detective and nuclear industry drama The Edge Of Darkness, for which she received a BAFTA nomination. Her debut Hollywood film was break out hit Willow and in 2005, Joanne returned to UK television with the BBC thriller Child of Mine, before going on to film roles including Queen Mary in The Virgin Queen, and a starring role in tragic love drama Life Line. She appeared as Lorelei in the comedy The Man Who Knew Too Little, A Texas Funeral, The Guilty and played Jackie Kennedy in the miniseries Jackie Bouvier Kennedy Onassis. Her more recent film roles include 44 Inch Chest with Ray Winstone and Tom Wilkinson and Francis Ford Coppola's Twixt. Other recent television credits include Gossip Girl, The Borgias for Showtime, Jamaica Inn with Sean Harris, Wolf Hall for the BBC and ITV's rendition of Beowulf. Joanne also starred as The Duchess of Burgundy in Starz series The White Princess. Other feature releases include Muse and the Untitled Apostle Paul project, directed by Andrew Hyatt.
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Natascha McElhone was born in Walton on Thames, London. She attended several schools, Camden School for Girls being the last.
Natascha McElhone established herself as a talented leading actress when she left drama school in 1993 to play the lead in her first film, Merchant Ivory's Surviving Picasso, opposite Anthony Hopkins.
She quickly followed this with Peter Weir's film, The Truman Show; Alan J. Pakula's The Devil's Own, with Brad Pitt and Harrison Ford; and John Frankenheimer's action epic Ronin, in which she co-starred with Robert De Niro. She also played Rosalind to Kenneth Branagh's Berowne in his musical version of William Shakespeare's Love's Labour's Lost.
In 2003, McElhone co-starred with George Clooney in Steven Soderbergh's futuristic love story, Solaris. McElhone starred in TNT's mini-series The Company, a Golden Globe-nominated drama. In 2005, she starred in NBC's Emmy-nominated mini-series, Revelations.
Natascha McElhone stars opposite David Duchovny in the Golden Globe-winning Showtime series Californication (2007).
McElhone also stars in the children's fantasy film, The Secret Of Moonacre Manor, with Ioan Gruffud. She shared the title role in Mrs Dalloway with Vanessa Redgrave directed by Oscar winning director Marleen Gorris. McElhone's other major film credits include City Of Ghosts, with Matt Dillon and Gérard Depardieu; Laurel Canyon, with Christian Bale and Francis McDormand; and Ladies In Lavender, with Dame Judi Dench and Dame Maggie Smith.
She has most recently starred in The Kid and in two other British feature films 'The Theatre Of Dreams' with Toby Stephens and Brian Cox and in Julian Fellowes' adaptation of 'Romeo And Juliet' to be released March 2013. She has just completed filming 'The Sea' starring with Rufus Sewell, Ciaran Hinds and Charlotte Rampling also to be released in 2013.- Actress
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The second daughter of manufacturing executive Oscar Blum and his wife Dorothy, Tanya Roberts was born 1949 in Manhattan and grew up in the elite Westchester County suburbs Scarsdale and Greenburgh. Tanya reportedly dropped out of high school, got married and hitchhiked around the country until her mother-in-law had the marriage annulled. She met psychology student Barry Roberts while waiting in line to see a movie. A few months later, she proposed to him in a subway station, and they were married. She studied acting under Lee Strasberg and Uta Hagen. In her early years in New York, she supported herself as an Arthur Murray dance instructor and by modeling. She appeared in off-Broadway productions of "Picnic" and "Antigone", and in television commercials for Ultra Brite, Clairol and Cool Ray sunglasses.
In 1977, Tanya and her husband -- by then a scriptwriter -- moved to Hollywood. She began appearing in made-for-TV films including Pleasure Cove (1979), Zuma Beach (1978), and Waikiki (1980). Her film debut was in The Last Victim (1976). After appearing in several minor films, her first big break came when she was selected as the last Angel on the final season of Charlie's Angels (1976), and was featured on the cover of People magazine (02/09/1981). The attention she garnered helped secure her most significant film roles: The Beastmaster (1982) (and posed for the cover and an inside spread in Playboy magazine to promote the film), the title role in Sheena (1984) and as a Bond girl in A View to a Kill (1985). She continued to appear in films, though mainly direct-to-video and direct-to-cable features. She was featured in the CD computer game The Pandora Directive (1996) and had a recurring lead role in the television series That '70s Show (1998). Widowed in 2006, Tanya Roberts died of sepsis from a urinary tract infection in 2021.- Actress
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Sophie Marceau was born Sophie Danièle Sylvie Maupu in Paris, France, to Simone (Morisset), a shop assistant, and Benoît Maupu, a truck driver. She grew up far from the studio spotlights. When she was 14 she was living in the Paris suburb of Gentilly with her father. She learned from friends that director Claude Pinoteau was looking for new faces for a movie about teenagers called The Party (1980). She auditioned for the role, got it, and the film was a success. She played in The Party 2 (1982), then bought back her contract with Gaumont when she was 16 years old for one million French francs. She is a critically acclaimed actress, having received the Cesar for Best Feminine Hope for "La Boum 2" in 1983. She was elected Romantic actress for Chouans! (1988) at the Festival International du Film Romantique (International Festival of Romantic Movie) of Cabourg in 1988, and was awarded the Moliere of the Best Theatrical Revelation for "Eurydice et Pygmalion" in 1994.- Actress
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Emmanuelle Seigner is the daughter of a well known photographer and her mother is a journalist. She was born in Paris, France on June 22, 1966. Her grandfather was Louis Seigner, chairman of the Comédie Française and who also appeared in several movies. Emmanuelle was raised at a convent school . At age fourteen she became a model. Her mysterious beauty made her an international cover-model. Jean-Luc Godard gave her a part in his crime movie Detective (1985), starring Johnny Hallyday and Nathalie Baye. In 1986 Emmanuelle played the part of Zanon a young girl in the movie Cours privé (1986) (by Pierre Granier-Deferre). She met Roman Polanski and married him. He gave her a part in the thriller Frantic (1988) with Harrison Ford. Four years later Polanski gave her the leading part in the movie Bitter Moon (1992).- Actress
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Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.
Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.
In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).
Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.
In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.
In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's La Cérémonie (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.
2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).
Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.- Actress
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Born and raised in Sparks, Nevada, Mädchen Amick was encouraged by her parents to follow her own creative instincts where she learned the skill of playing the piano, bass, violin and guitar as well as being able to do tap, ballet, jazz and modern dancing. In 1987 at the age of 16, she traveled to Los Angeles to pursue a career in acting.- Actress
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Of Irish, English, and Scottish descent, Maureen Paula O'Sullivan was born on May 17, 1911 in Boyle, County Roscommon, Ireland. Her father was Charles Joseph O'Sullivan, an officer in the Connaught Rangers, and his wife, the former Mary Fraser (or Frazer). She was educated at Catholic schools in Dublin, Paris, and London (Convent of the Sacred Heart, Roehampton, where a fellow student was fellow future actress Vivien Leigh). Even as a schoolgirl, Maureen desired an acting career, despite her father's initial opposition. She studied hard and read widely. When the opportunity to be an actress came along, it almost dropped in her lap. American film director Frank Borzage was in Dublin in 1929, filming Song o' My Heart (1930), when the 18 year old met him. He suggested a screen test, which she took. The results were more than favorable and she won the substantial role of Eileen O'Brien, then went to Hollywood to complete filming.
Once in sunny California, Maureen wasted no time landing roles in other films such as Just Imagine (1930), The Princess and the Plumber (1930), and So This Is London (1930). She was perhaps MGM's most popular ingenue throughout the 1930s in a number of non-Tarzan vehicles. In 1932, she teamed up with Olympic medal winner Johnny Weissmuller for the first time in Tarzan the Ape Man (1932), as Jane Parker. Five other Tarzan films followed, the last being Tarzan's New York Adventure (1942). The Tarzan epics rank as one of the most memorable series ever made. Most people agree that those movies would not have been as successful as they were, had it not been for the talent, grace, and radiant beauty of O'Sullivan. But she was more than Jane Parker. She went on to roles in such films as The Flame Within (1935), David Copperfield (1935), and Anna Karenina (1935). She turned in another fine performance in Pride and Prejudice (1940). After the 1940s, however, she made fewer films, primarily for personal reasons, i.e. caring for her large family.
It isn't always easy to walk away from a lucrative career, but O'Sullivan did because she wanted to devote more time to her husband, John Farrow, an Australian-American writer, and their seven children: Michael, Patrick, Maria (a.k.a. Mia Farrow), John, Prudence, Theresa (a.k.a. Tisa Farrow), and Stephanie Farrow. The couple were married from 1936 until his death in 1963. After her last Tarzan venture she asked for release from her contract to care for her husband who had just left the U.S. Navy with typhoid. She did not retire completely and still found time to make occasional movies and television programs, as well as operate a bridal consulting service (Wediquette International).
O'Sullivan made her Broadway debut opposite Paul Ford in "Never Too Late" (November 27, 1962-April 24, 1965), a great success. She would appear on Broadway again in various vehicles through 1981, and later also co-produced two Broadway productions. Later movie patrons remember her as Elizabeth Alvorg in Peggy Sue Got Married (1986) (playing opposite fellow silver screen film veteran Leon Ames). Her final celluloid role was in The River Pirates (1988). Some made-for-television movies followed and she retired completely in 1996, two years before her death in Scottsdale, Arizona on June 23, 1998 during heart surgery. She was 87 years old.- Actress
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Diane Lane was born on January 22, 1965, in New York. She is the daughter of acting coach Burton Eugene "Burt" Lane and nightclub singer/centerfold Colleen Farrington. Her parents' families were both from the state of Georgia. Diane was acting from a very young age and made her stage debut at the age of six. Her work in such acclaimed theater productions as "The Cherry Orchard" and "Medea" led to her being called to Hollywood. She was 13 when she was cast by director George Roy Hill in his wonderful 1979 film A Little Romance (1979), opposite Sir Laurence Olivier. The film only did so-so commercially, but Olivier praised his young co-star, calling her the new Grace Kelly. After her well-received debut, Diane found herself on magazine covers all over the world, including "Time", which declared her the "new young acting sensation". However, things quietened down a bit when she found herself in such critical and financial flops as Touched by Love (1980), Cattle Annie and Little Britches (1980), Movie Madness (1982), Ladies and Gentlemen, the Fabulous Stains (1982) and, most unmemorably, Six Pack (1982), all of which failed to set her career on fire.
She also made several TV movies during this period, but it was in 1983 that she finally began to fulfill the promise of stardom that had earlier been predicted for her. Acclaimed director Francis Ford Coppola took note of Diane's appeal and cast her in two "youth"-oriented films based on S.E. Hinton novels. Indeed, Rumble Fish (1983) and The Outsiders (1983) have become cult classics and resulted in her getting a loyal fan base. The industry was now taking notice of Diane Lane, and she soon secured lead roles in three big-budget studio epics. She turned down the first, Splash (1983) (which was a surprise hit for Daryl Hannah). Unfortunately, the other two were critical and box-office bombs: Walter Hill's glossy rock 'n' roll fable Streets of Fire (1984) was not the huge summer success that many had thought it would be, and the massively troubled Coppola epic The Cotton Club (1984) co-starring Richard Gere was also a high-profile flop. The back-to-back failure of both of these films could have ended her career there and then -- but thankfully it didn't. Possibly "burned out" by the lambasting these films received and unhappy with the direction her career was taking, she "retired" from the film business at age 19, saying that she had forgotten what she had started acting for. She stayed away from the screen for the next three years. Ironically, the two films that were the main causes of her "retirement" have since grown in popularity, and "Streets of Fire" especially seems to have found the kind of audience it couldn't get when it was first released.
The process of rebuilding her career was a slow and gradual one. First came the obscure and very sexy straight-to-video thriller Lady Beware (1987), followed by the critically acclaimed but little seen The Big Town (1987) with Matt Dillon and Tommy Lee Jones. In the former, Diane plays a very mysterious and sexy stripper and her memorable strip sequence is a highlight of the film. Despite her sexy new on-screen image, it wasn't until 1989's smash hit TV mini-series Lonesome Dove (1989) that Diane made another big impression on a sizable audience. Her performance in the hugely popular and critically acclaimed western epic as a vulnerable "whore with a heart" won her an Emmy nomination and much praise. Film producers were interested in her again. Another well-received TV production, Descending Angel (1990), was followed by smaller roles in major films like Richard Attenborough's Chaplin (1992) and Mike Binder's Indian Summer (1993), and larger parts in small independent films like My New Gun (1992), Vital Signs (1990) and Knight Moves (1992). Indeed, the latter two films co-starred her then-husband, Christopher Lambert, with whom she had a daughter named Eleanor.
Diane was now re-established in Hollywood and started to appear in higher-profile co-starring roles in some big-budget, major movies like Walter Hill's Wild Bill (1995), the Sylvester Stallone actioner Judge Dredd (1995), the Robin Williams's comedy Jack (1996) and Murder at 1600 (1997) co-starring Wesley Snipes. However, all of these still did not quite make Diane a "big-name star" and, by 1997, she found herself, possibly by choice, back in smaller, personal projects.
Her next role as a frustrated 1960s housewife in the independent hit A Walk on the Moon (1999) deservedly won her rave notices and, at last, gave her career the big lift it needed. The cute but tear-jerking comedy My Dog Skip (2000) also proved to be a small-scale success. However, it was the £330-million worldwide grossing blockbuster hit The Perfect Storm (2000) that finally made Diane Lane the household name that she always should have been.
After the worldwide success of "The Perfect Storm", she was more in demand than ever. She played Leelee Sobieski's sinister junkie guardian in the slick thriller The Glass House (2001), and co-starred with Keanu Reeves in the #1 smash hit Hardball (2001). However, her greatest career moment was still to come with her lead role in the enormous critical and commercial hit Unfaithful (2002), in which she superbly portrayed Richard Gere's adulterous wife. Her performance won the respect of critics and audiences alike, as well as many awards and nominations including Best Actress Oscar and Golden Globe nominations.
Her follow-up films including Under the Tuscan Sun (2003), Must Love Dogs (2005), Hollywoodland (2006), Secretariat (2010), and the blockbuster, Man of Steel (2013), were all received and her performances were highly praised. She won further Best Actress Golden Globe nominations for her roles in Under the Tuscan Sun (2003) and Cinema Verite (2011).
She is very well regarded within the industry, adored by film fans, and has a credibility and quality that is all too rare today. Her immense talent at playing human and real characters, her "drop dead gorgeous" beauty and down-to-earth grittiness guarantees that she will stay on top, and she guarantee has already shown the kind of resilience that will keep her working for a long, long time.- Actress
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Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.- Actress
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Connie Nielsen is set to begin production on Ridley Scott's "Gladiator 2," where she will star alongside Paul Mescal and Denzel Washington, reprising her iconic role of 'Lucilla' from the Academy Award-winning film "Gladiator." She appears in Ava Duvernay's feature, "Origin," based on the book by Isabel Wilkerson, opposite Jon Bernthal and Aunjanue Ellis-Taylor. Additionally, Nielsen has roles in the following upcoming films: "Role Play," alongside Kaley Cuoco, Bill Nighy, and David Oyelowo for StudioCanal; and "Follow Me," directed by Siri Rodnes. Nielsen is also preparing for the production of "Birds Eye," alongside Maria Bakalova and Jean Reno.
Nielsen starred in and served as an executive producer for the Danish mini-series, "The Dreamer: Becoming Karen Blixen," and starred in "Close to Me" for AMC/Channel 4, opposite Christopher Eccleston.
Previously, Nielsen starred as 'Queen Hippolyta' in Warner Brother's blockbuster hits, "Wonder Woman," "Justice League," "Wonder Woman 1984," and the Snyder Cut of "Justice League", co-starred with Bob Odenkirk in the successful Universal feature, "Nobody," and appeared alongside Simon Pegg and Lily Collins in "The Inheritance," directed by Vaughn Stein. She also appeared in TNT's limited series, "I Am the Night," directed by Patty Jenkins, opposite Chris Pine, and the Danish mini-series, "Liberty," created by Asger Leth. Her other film credits include: "I'll Find You" (directed by Martha Coolidge/Fred Roos), where she starred alongside Stellan Skarsgárd; "Sea Fever" (TIFF 2019), directed by Ken O'Sullivan; "Catcher Was a Spy," opposite Paul Rudd and Guy Pearce; "Stratton," opposite Dominic Cooper; "Le Confessioni," opposite Toni Servillo; the Norwegian film, "The Lion Woman," and Lars Van Triers' "Nymphomaniac," in which she had a leading role. Nielsen was the female lead in the Golden Globe Award-nominated series "Boss," opposite Kelsey Grammer, had a recurring role as a femme fatale on FOX's "The Following," opposite Kevin Bacon, and appeared in a recurring arc on CBS' "The Good Wife."- Actress
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Diane Kruger was born Diane Heidkrüger in Algermissen, near Hildesheim, Germany, to Maria-Theresa, a bank employee, and Hans-Heinrich Heidkrüger, a computer specialist. She studied ballet with the Royal Ballet in London before an injury ended her career. She returned to Germany and became a top fashion model. She later pursued acting and relocated to Paris at the suggestion of filmmaker Luc Besson (The Fifth Element (1997)). She married French actor Guillaume Canet (The Beach (2000)) in 2001.- Actress
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Mary Elizabeth Winstead is an actress known for her versatile work in a variety of film and television projects. Possibly most known for her role as Ramona Flowers in Scott Pilgrim vs. the World (2010), she has also starred in critically acclaimed independent films such as Smashed (2012), for which she received an Independent Spirit Award nomination, as well as genre fare like Final Destination 3 (2006) and Quentin Tarantino's Death Proof (2007).
Winstead was born in Rocky Mount, North Carolina but largely raised in Sandy, Utah, which is where she discovered a love for the performing arts. She grew up training to be a ballerina and attended the Joffrey Ballet School training program at the age of 12. It was also around this time that she began to pursue a career in acting and soon started working steadily in television and film.
Winstead is also a recording artist and performs under the name "Got a Girl" alongside producer Dan the Automotor.