Favorite Character Actors
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- Priscilla Morrill was born on 4 June 1927 in Medford, Massachusetts, USA. She was an actress, known for MacGyver (1985), The F.B.I. (1965) and Mork & Mindy (1978). She was married to Paul Hendley Bryson. She died on 9 November 1994 in Los Angeles, California, USA.
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Mary Kay Place (born September 23, 1947) is an American actress, singer, director, and screenwriter. She is known for portraying Loretta Haggers on the television series Mary Hartman, Mary Hartman, a role that won her the 1977 Primetime Emmy Award for Outstanding Supporting Actress - Comedy Series. Her numerous film appearances include Private Benjamin (1980), The Big Chill (1983), Captain Ron (1992) and Francis Ford Coppola's 1997 drama The Rainmaker. Place also recorded three studio albums for Columbia Records, one in the Haggers persona, which included the Top Ten country music hit "Baby Boy." For her performance in Diane (2018), Place won the Los Angeles Film Critics Association Award for Best Actress and the National Society of Film Critics Award for Best Actress.- Actor
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Benny Rubin was born on 2 February 1899 in Boston, Massachusetts, USA. He was an actor and writer, known for I Love Lucy (1951), Bright Lights (1935) and Traveling Saleslady (1935). He was married to Beatrice Dallinger and Mary Bolt. He died on 15 July 1986 in Los Angeles, California, USA.- Actress
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Muriel Landers was born on 27 October 1921 in Chicago, Illinois, USA. She was an actress, known for Doctor Dolittle (1967), Musical Comedy Time (1950) and The Red Skelton Hour (1951). She was married to Ernest Richman. She died on 19 February 1977 in Woodland Hills, Los Angeles, California, USA.- Actor
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Frank Nelson was a versatile character talent who had one of those instantly identifiable faces which could made you laugh as soon as you saw him, then he would open his mouth and you would start laughing all over again! The short statured comedic veteran with his trademark trimmed mustache and patented vocal catchphrase ("Eeeeee-yeeeeeeesss?") went on to tickle the audience funny bone on film, TV, radio and in voiceovers for over six decades. These distinct mannerisms and personality quirks would often be parodied on TV and in animated features. Seen here, there and everywhere, especially in the 50s and 60s TV, Frank usually playing a sardonic, pop-eyed, hot-tempered foil to the likes of TV's top comedic crème de la crème like Jack Benny and Lucille Ball.
Born Frank Brandon Nelson on May 6, 1911, he would start on Denver radio as an announcer at age 15. At age 18, Nelson decided to try his luck in Hollywood and found immediate work in local radio dramatic shows, usually playing the leading man! His first popular effort that reached a national market was in 1932 with the sitcom radio program "Flywheel, Shyster, and Flywheel" which starred Groucho Marx and Chico Marx. Other "leading man" vocals included "The Three Musketeers" and "Calling All Cars."
In 1936, Frank entered films playing uncredited announcer parts in such films as in Fugitive in the Sky (1936), Black Legion (1937), Hold 'Em Navy (1937), International Crime (1938) and Gang Bullets (1938), however little came from it and he kept his focus on war-time radio. After scores and scores of radio voices, Frank's malleable mug finally earned "second banana" popularity as the put-upon foil to Jack Benny on Benny's highly popular radio show. Nelson first started working on the show years earlier in the late 1930's but eventually was given a regular role playing various flustered or disdainful customer service types. He provided a wide range of vocals on the finest radio shows of the day such as "The Great Gildersleeve," "Burns and Allen Show," ''Fibber McGee and Molly," "The Bing Crosby Show," "The Eddie Cantor Show," "The Bob Hope Show" and "Abbott and Costello," each and every one making jolly use of his droll, squealing voice and "slow burn" comic takes. He could be a standout in even the tiniest of servile/professional roles
Despite obvious talents in dramatic fare, on camera, Frank would be best known for his comic support. Often appearing as a fastidious clerk, agent, boss, neighbor or, of course, announcer), post WWII films would include Down Memory Lane (1949), The Milkman (1950), You Never Can Tell (1951), Bonzo Goes to College (1952), Remains to Be Seen (1953), It Should Happen to You (1954) and Kiss Them for Me (1957). In 1949, he appeared in the short film So You Want to Get Rich Quick (1949) and added his special brand of hilarity to several others in the Joe McDoakes "So You Want to..." comedy series starring George O'Hanlon.
A charter member of AFRA (American Federation of Radio Artists) in 1937 (before it became AFTRA (AmericanFederation of Radio and Television Artists), Frank served as AFTRA's president from 1954 to 1957 and was a guiding force in securing decent pension plans for actors. Frank tackled many sitcoms in his time, which culminated in his fifteen-year stay as a regular on The Jack Benny Program (1950) and as a returning guest artist year after year on I Love Lucy (1951). He also amusingly appeared as several different characters on several episodes of Our Miss Brooks (1952), The Danny Thomas Show (1953) and Sanford and Son (1972). Moreover, for the first few years of I Love Lucy (1951), he appeared in various beleaguered roles, but towards the end of the series' run, Frank and another prominent voice from radio's "Golden Age," Mary Jane Croft, were hired for recurring roles as the Ricardo's Connecticut neighbors, Frank and Betty Ramsey. He also guested on such popular comedy shows as "Blondie," "Private Secretary," "The Real McCoys," "Pete and Gladys," "The Lucy Show," "The Addams Family," "Petticoat Junction" and "Alice."
As for vocal animation, Frank offered various voices for such 60's cartoons as "Mr. Magoo," but was best utilized by the Hanna-Barbera team, notably The Flintstones (1960) and The Jetsons (1962). He also provided the voice of "Uncle Dudley" in the 70's Dinky Dog (1978) animated series, while adding brief vocal flavor to such cartoons as "Calvin and the Colonel," "Bozo the Clown," "The Smurfs" and "Garfield and Friends." Towards the end of his life, Frank's voice appeared frequently on the 80's animated series Snorks (1984)
The veteran voice's well-known catchphrase was utilized in McDonald's commercials during the 1980s. Frank married twice -- to character actresses, Mary Lansing (whom he met on radio and bore him two children), and then Veola Vonn, who also appeared on Lucy's sitcom. Diagnosed with cancer during the late summer of 1985, Frank died a year later in Los Angeles on September 12, 1986, at age 75. He was interred at Forest Lawn Memorial Park Cemetery.- Actress
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Kathleen Freeman's introduction to show business came very early in life. Her parents were vaudevillians, and she made her debut at age 2 in their act. Later she attended UCLA with intentions of becoming a pianist, but was bitten by the acting bug and never looked back. She gained experience on stage in various stock and repertory companies, and made her film debut in 1948. One of the most memorable character actresses in recent memory, her stocky build, incredibly expressive face and hearty laugh have kept audiences convulsed for decades, playing a variety of neighborhood gossips, busybodies and eccentrics. Memorable as Sister Mary Stigmata ("The Penguin"), Dan Aykroyd's and John Belushi's nemesis, in The Blues Brothers (1980). She was used as a comic foil by Jerry Lewis in many of his films, always to great advantage. She did much television work, playing in everything from The Dick Van Dyke Show (1961) to Gomer Pyle: USMC (1964) to Hogan's Heroes (1965) to Married... with Children (1987), where she was the voice of Peg's monstrous but never-seen mother, Al Bundy's nemesis. She was working on Broadway in a production of "The Full Monty" when she died of lung cancer in 2001.- Actress
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Mary Jo Catlett has been part of the main voice cast on SpongeBob SquarePants (1999) since its premiere, playing SpongeBob's teacher, Mrs. Puff. She is an unmistakably happy and hearty veteran character actress and comedienne who has found success in all three mediums (stage, film and television) with her trademark flowery voice, giddy demeanor and ever-cheery disposition. Having made her off-Broadway debut in 1963, the endearing Mary Jo Catlett is now broaching six decades in the entertainment business.
Catlett was born on September 2, 1938 in Denver, Colorado, the daughter of Robert and Cornelia (Callaghan) Catlett. A graduate of Loretto Heights College in Denver, she was drawn to acting quite young -- musical comedy, in particular. While she made her off-Broadway debut in a 1963 melodrama, "Along Came a Spider", which opened at the Mermaid Theatre, the following year Mary Jo was right back in her tuneful element scoring as Ernestina in the original Broadway production of "Hello, Dolly!" starring Carol Channing. She toured with the production when Ginger Rogers took the show on tour. Eventually building up her resume in regional theater, she served as a replacement in the 1969 musical "Promenade", then returned to Broadway at the end of that year where her broad, burlesque style well suited the bawdy musical takeoff of Chaucer's "Canterbury Tales", which lasted about four months. Other New York-based productions came her way but most were short-lived, including "Greenwillow" (1970), "Different Times" (1972), "Lysistrata" (1972) and "Fashion" (1973). However, she did enjoy a scene-stealing role as Mabel in the New York revival of "The Pajama Game" in 1973.
While Mary Jo has a propensity for humor and laughter, she has also demonstrated an award-winning dramatic side. Her role as Lola Delaney in "Come Back, Little Sheba" earned her the Los Angeles Drama Critics Award in 1976. Four years later, she won the award again in a production of "Philadelphia, Here I Come". Over the years, she has flitted about not only in musicals ("Annie Get Your Gun" (as Annie), "How to Succeed in Business..."), but has tackled Shakespeare ("Twelfth Night", "Romeo and Juliet") and other serious stage roles ("27 Wagons Full of Cotton", "Naomi Court", "Our Town").
With her plaintive and matronly features, ample size, wallflower demeanor and instincts for broad levity, Mary Jo has proven to be a natural for small screen comedy. In the late 1960s, she began to apply her trade on-camera. One of her earliest mid-career appearances included a role in the television fantasy The Littlest Angel (1969) where she and fellow comedienne Lu Leonard played plus-sized scribes, but it was not until the mid-1970s that she began making the normal rounds with dozens of appearances on the sitcom circuit, including roles on "The Bob Newhart Show", "M*A*S*H", "Mr. Belvedere", "Night Court", Gimme a Break", "Saved By the Bell", "Maude" and "Welcome Back, Kotter". In 1982, she joined the cast as a housekeeping regular for television kids Gary Coleman, Todd Bridges and Dana Plato on Diff'rent Strokes (1978) and found plentiful work on lightweight dramatic series too such as "Murder, She Wrote," "Matlock" and "Fantasy Island". In daytime, she was nominated for an Emmy Award during the 1989-1990 season of General Hospital (1972). She also became a television face in households with over 30 national commercials to her credit.
Sparingly used on film, she made her debut in an unbilled part in Woody Allen's Bananas (1971). Other supporting work include roles in High Anxiety (1977), Semi-Tough (1977), The Champ (1979), The Best Little Whorehouse in Texas (1982) and, more notably, Serial Mom (1994). She has had a slight upsurge of late in movie parts with roles in the gay-themed Surprise, Surprise (2010) and Anderson's Cross (2010), and the comedy How to Be a Serial Killer (2008). On stage, Mary Jo has continued to put her best foot forward on the musical stage in such productions as "Beauty and the Beast", "Big River" and "The Full Monty", not to mention several variations of "Nunsense" and its offshoots.
Over the years, Mary Jo has shown that her heart is as big as her talent as a consistently reliable and fun-filled novelty song performer at charity fund raisers and musical benefits, most notably for various AIDS and the Broadway-oriented "Help Is on the Way" organizations.- Actor
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Brian Posehn was born on 6 July 1966 in Sacramento, California, USA. He is an actor and writer, known for Run Ronnie Run (2002), The Sarah Silverman Program. (2007) and Knights of Badassdom (2013). He has been married to Melanie Truhett since 4 September 2004. They have one child.- Actor
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Tim Bagley was born in Minneapolis, Minnesota, and grew up in Madison and Trempealeau (Wisconsin) and in Niles, Michigan, with his parents, Carol and Elwyn, and four siblings (Anne, Patrick, Kit and Dan). After high school Tim moved to southern California to perform with the singing group "The Young Americans," while majoring in Art with a minor in Psychology at California State University Fullerton.
After college came a string of picaresque odd jobs: butler at the Playboy Mansion, a Mitzi Gaynor dancer, a Page at Paramount Studios, and a reader at a court reporting college. He began taking acting classes with Gordon Hunt, Nina Foch, Howard Fine and The Groundlings, for whom he wrote and performed from 1989-95.
Fern Champion and Mark Paladini cast him in his first feature film role as Irv, the mechanic, in The Mask (1994). His first series regular role was on Howie Mandel's Sunny Skies (1995), for Showtime. He went on to become one of the foremost character actors in films, television, and theatre.- Actress
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Ileen Getz was born on 7 August 1961 in Bristol, Pennsylvania, USA. She was an actress, known for The Station Agent (2003), Changing Lanes (2002) and Friends with Money (2006). She was married to Mark Grinnell. She died on 4 August 2005 in New York City, New York, USA.- Actor
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Charlie McDermott was born on 6 April 1990 in West Chester, Pennsylvania, USA. He is an actor and director, known for Frozen River (2008), Unbelievable (2019) and Instant Family (2018). He has been married to Sara Rejaie since 2017.- Louise Lorimer was born on 14 July 1898 in Boston, Massachusetts, USA. She was an actress, known for Flying Cadets (1941), Compulsion (1959) and The Prowler (1951). She died on 11 August 1995 in Newton, Massachusetts, USA.
- Hope Summers could portray a friendly neighbor or companion as she did for Frances Bavier's Aunt Bee character on many episodes of The Andy Griffith Show (1960) or a seemingly amiable satanist in Rosemary's Baby (1968).
Born in Mattoon, Illinois, she developed an early interest in the theater. Graduating from Northwestern School of Speech in Evanston, Illinois, she subsequently taught speech and diction there. This, in turn, led to her the head position in the Speech Department at Bradley University in Peoria, Illinois, teaching students privately on the side as well. In the 1930s Hope began to focus on acting. She found work in community and stock theaters in Illinois and earned some notice for putting on one-woman shows such as "Backstage of Broadway." She made use of her vocal eloquence by building up her resumé on radio, performing in scores of dramatic shows, including "Authors' Playhouse," "First Night," "Ma Perkins", and "Step-Mother".
In 1950 Hope transferred her talents to the new medium of television and earned a regular role on the comedy series Hawkins Falls: A Television Novel (1950). By the age of 50 she was customarily called upon to play slightly older than she was, appearing in a number of minuscule matron roles in such films as Zero Hour! (1957), Hound-Dog Man (1959), Inherit the Wind (1960), Spencer's Mountain (1963), The Ghost and Mr. Chicken (1966), Charley Varrick (1973) and her last, Foul Play (1978). She never had any major stand-out roles in movies; TV would be a more prolific choice of medium. Her gently stern, old-fashioned looks allowed her to be a part of many small-town settings, including Dennis the Menace (1959) and Petticoat Junction (1963), and in various western locales such as Maverick (1957) and Wagon Train (1957).
She played a rustic regular for many years on The Rifleman (1958). Usually assigned to play teachers, nurses and other helpful, nurturing types, her characters were also known to be inveterate gossips. Hope worked until close to the end of her life, passing away from heart failure in 1979. - Actress
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Renée Taylor was born in the Bronx, New York City, New York, USA to Frieda (née Silverstein) and Charles Wexler. She worked as a comedian in the early 1960s at the New York City nightclub Bon Soir. Her opening act was a then unknown Barbra Streisand. She earned notice for her portrayal of Eva Braun in Mel Brooks's The Producers (1967), and continued to act in several film, television, and theater productions. However, despite an impressive, 60-year resume, she is better remembered as Sylvia Fine, the overbearing, classic Jewish mother of Fran Drescher's title character in The Nanny (1993).- Actress
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The charming, witty, and immeasurably talented Estelle Parsons was born November 20, 1927 in Lynn, Massachusetts, to Elinor and Eben Parsons. She attended the Oak Grove School for Girls in Maine, and later graduated from Connecticut College in 1949. She worked as a singer with a band before she became the first Women's Editor on Today (1952). She left the program in 1955. her claim to fame was her Oscar-winning performance as Blanche Barrow in Bonnie and Clyde (1967). The following year, she garnered an Academy Award nomination for her performance in Rachel, Rachel (1968). On television, she is best remembered as Beverly Lorraine Harris, Roseanne and Jackie's zany, manipulative and pretentious mother on Roseanne (1988). In 2003, her character was honored with a TV Land Award for Favorite Classic TV In-Law.- Actor
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An eloquent character actor who would become a celebrated TV camp icon of the late 1960s, Jonathan Harris was born Jonathan Daniel Charasuchin on November 6, 1914, in the Bronx borough of New York City. The son of impoverished Russian-Jewish émigrés, his father worked in the garment industry and young Jonathan contributed to the family income by working as a box boy in a pharmacy at age 12, which inspired him enough to, after graduating from James Monroe High School, earn a pharmacy degree at Fordham University in 1936.
However, Jonathan's desire to act was quite strong at an early age and it proved overwhelming in the end, forsaking a steady pharmaceutical career for the thoroughly unsteady work in the theater. Self-trained to shake his thick Bronx accent by watching British movies and pursuing interests in Shakespeare and archaeology, Jonathan changed his surname to one much easier to pronounce. After performing in over 100 plays in stock companies nationwide, he finally made an inauspicious debut as a Polish officer in the play "Heart of a City" (1942) and also entertained World War II troops in the South Pacific. Other New York plays during this war-era decade would include "Right Next to Broadway" (1944), "A Flag Is Born" (1946), "The Madwoman of Chaillot (1948) and "The Grass Harp" (1952).
Following his introduction to live television drama in 1948, Jonathan ventured off to Hollywood. After appearing in a number of television anthologies such as "The Chevrolet Tele-Theatre", "Pulitzer Prize Playhouse", "Betty Crocker Star Matinee", "Goodyear Playhouse" and "Hallmark Hall of Fame", he made his film debut as part of a band of potential mutineers in the film Botany Bay (1952) starring doctor hero Alan Ladd and villainous captain James Mason. He wouldn't make another film for another five years, with a supporting role as Lysias in the biblical story of Simon Peter in The Big Fisherman (1959) starring Howard Keel.
However, it was television that would make keep Jonathan working and make a stronger impression. Remaining steadfast on classy anthologies dramas such as "Armstrong Circle Theatre", "Studio One in Hollywood", "Matinee Theatre", "Schlitz Playhouse", "Climax", "Colgate Theatre", "Kraft Theatre", "General Electric Theatre", as well as the role of Exton in a TV-movie version of King Richard II (1954), he began appearing on more popular television series such as Zorro (1957), Father Knows Best (1954), The Law and Mr. Jones (1960), Outlaws (1960), The Twilight Zone (1959), The Lloyd Bridges Show (1962) and Bonanza (1959), Jonathan got his first taste of television success and audiences got to witness the fusty, cowardly, uppity side of Jonathan in two archetypal regular roles: as cowardly assistant Bradley Webster on the crime drama The Third Man (1959) starring Michael Rennie and as persnickety hotel manager Mr. Phillips on the short-lived sitcom The Bill Dana Show (1963) starring the Latin-speaking comic as a bellhop.
This culminated in the television regular role that would make Jonathan a cult icon, as Dr. Zachary Smith, the dastardly, effete spaceship stowaway on Lost in Space (1965). Along with his straight man robot, Harris easily stole the show week after week as he botched and mangled all the good intentions of the Robinson family to get back home to Earth. Jonathan would find himself severely typecast as a plummy villain for the remainder of his career, and was seen usually in cryptic form on such television series as The Ghost & Mrs. Muir (1968), Land of the Giants (1968), Get Smart (1965), Bewitched (1964), McMillan & Wife (1971), Night Gallery (1969), Love, American Style (1969), Sanford and Son (1972), Vega$ (1978), Fantasy Island (1977), etc. He did reappear on the brief sci-fi series Space Academy (1977), as Commander Isaac Gampu, leader of a space academy in the year 3732. However, this character was the polar opposite of Dr. Zachary Smith -- wise, honorable and brave.
Jonathan's crisp, eloquent voice was also used frequently with great relish in commercials and for sci-fi and animated series purposes -- The Banana Splits Adventure Hour (1968), Battlestar Galactica (1978), Foofur (1986), Visionaries: Knights of the Magical Light (1987), Problem Child (1993), The Twisted Tales of Felix the Cat (1995), Freakazoid! (1995) and Buzz Lightyear of Star Command (2000). His voice was also used for the animated features Happily Ever After (1989), A Bug's Life (1998) and Toy Story 2 (1999).
A drama teacher and vocal coach in later years, Harris died of a blood clot to the heart on November 3, 2002, just three days before his 88th birthday. He was survived by his long-time wife (from 1938), Gertrude Bregman, and son Richard (born 1942). He was interred in Westwood Village Memorial Park Cemetery in Los Angeles, California.- Actress
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Despite being in just seven episodes, Nita Talbot is best remembered for her Emmy-nominated role as the crafty Russian spy Marya Parmanova in the iconic 60s wartime sitcom Hogan's Heroes (1965). Her character was the only one in the show capable of outmaneuvering Bob Crane's shrewd Colonel Hogan.
Nita was born Anita Sokol of Hungarian/Jewish ancestry in the Bronx, New York. Determined to break into show business, she often accompanied her older sister, Gloria Stone, to auditions at the various studios. On one of these outings, she was spotted by a talent scout and signed under contract by Warner Brothers, making her screen debut, aged eighteen, in 1949. This was followed two years later with her first curtain call on Broadway. Sultry, blonde, husky-voiced and with her gray/green eyes, Nita was proclaimed by studio publicists to resemble Hollywood legend Lauren Bacall. With that in mind, she was usually cast during the early years of her career as hard-boiled, street-wise chicks and ambitious career girls.
Nita's first recurring character role was that of Gloria in one of the first ever private detective serials, Man Against Crime (1949). She had to wait a decade for her next co-starring turn as an enterprising aide-de-camp to the star in The Jim Backus Show (1960), a sitcom which revolved around a second-rate news service. In addition to numerous anthology dramas, Nita regularly featured in prime time shows like Perry Mason (1957), The Thin Man (1957), Mike Hammer (1958), Johnny Staccato (1959) and Mr. Lucky (1959), often as gals named Blondie, Mimi, Narcissa, Kitten, Belle or Delilah (one cannot omit from this list her French Quarter nightclub singer and dancer 'Lusti Weather' in four episodes of Bourbon Street Beat (1959)).
In Kolchak: The Night Stalker (1974)'s The Werewolf, her Paula Griffin helped Darren McGavin take down the creature with the requisite silver bullets during a swinging sixties cruise. She was Mickey Rooney's ex-flame in an episode of The Fugitive (1963) and the pawn in a cat-and-mouse game between Peter Falk and Leonard Nimoy in the Columbo (1971) episode A Stitch in Time. Nita fared rather less well in Alfred Hitchcock Presents (1955) (strangled), McCloud (1970) (poisoned), The Untouchables (1959) and Mannix (1967) (shot in both).
In the 70s and 80s, Nita was co-star in a couple of half-hour sitcoms: as a conceited socialite and magazine editor in Here We Go Again (1973), and as Rose, the acerbic receptionist of veterinarian Bill Daily in Starting from Scratch (1988). She also featured as a semi-recurring character in the soap General Hospital (1963). Never short of work, Nita remained steadily engaged in television guest appearances right up to her retirement in 1997.
Her roles on the big screen seem to have paralleled those on TV: nightclub singer 'Saturday Night' in Who's Got the Action? (1962), Sunny Daze in the Elvis beach party musical Girl Happy (1965), tycoon Roddy McDowall's Girl Friday (Dee Dee Howitzer!) in the perfectly awful comedy The Cool Ones (1967) and brassy Madam Esther in the blaxploitation western Buck and the Preacher (1972). She had a small part in the acclaimed satirical drama The Day of the Locust (1975) (set in 1930s Hollywood) as the pretentious and hedonistic Joan Schwartzen.
The prolific Miss Talbot has racked up an impressive tally of 153 acting credits (according to IMDB). She was formerly married to actors Don Gordon and Thomas A. Geas. Both unions ended in divorce.- William Pierson was born on 17 July 1926 in Brooklyn, New York, USA. He was an actor, known for Stalag 17 (1953), Three's Company (1976) and Corvette Summer (1978). He died on 27 August 2004 in Newton, New Jersey, USA.
- Beah Richards left her native Vicksburg, Mississippi, for New York City in 1950. She would not acquire a significant role on stage until 1955,when she appeared in the off-Broadway show "Take a Giant Step" convincingly portraying an 84-year-old grandmother without using theatrical makeup. In 1962 she appeared in writer James Baldwin's "The Amen Corner" directed by noted actor/director/activist Frank Silvera, who told Richards "Don't act, just be." She credited Silvera with helping her further develop the subtlety and quiet dignity that distinguished all of her performances.
A prolific actress, poet and playwright, her first authored play was "All's Well That Ends" that delved into the issues of racial segregation. Always ahead of her time, she defined herself as "Black" when the term "Negro" was the preferred ethnic/racial label of Black Americans. Richards would bring her salutary satisfaction with being "Black" and her immense acting talents to the role of the peacemaking mother in Guess Who's Coming to Dinner (1967), a role for which she was nominated for an Oscar. Additionally, she appeared in "Purlie Victorious" by Ossie Davis and "The Little Foxes" by Lillian Hellman.
In 1988, she won an Emmy Award for her performance in Frank's Place (1987). Although stricken with emphysema, she delivered a tour-de-force performance on the ABC legal drama The Practice (1997) in 2000; she received her second Emmy Award for this performance three days before her death in her native Vicksburg. - Actor
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A tall, sinewy, austere-looking character actor with silver hair, rugged features and a distinctive voice, John Robert Anderson appeared in hundreds of films and television episodes. Immensely versatile, he was at his best submerging himself in the role of historical figures (he impersonated Abraham Lincoln three times and twice baseball commissioner Judge Kenesaw Mountain Landis, men whom he strongly resembled). He was a familiar presence in westerns and science-fiction serials, usually as upstanding, dignified and generally benign citizens (a rare exception was his Ebonite interrogator in The Outer Limits (1963) episode "Nightmare"). He had a high opinion of Rod Serling and was proud to be featured in four episodes of The Twilight Zone (1959), most memorably as the tuxedo-clad angel Gabriel in "A Passage for Trumpet" (doing for Jack Klugman what Henry Travers did for James Stewart in It's a Wonderful Life (1946)).
Known to other youths as 'J.R.', Anderson had a happy childhood, growing up first on a small farm near Clayton, Illinois, and then in the mid-sized town of Quincy where his mother operated a cigar stand. A rangy, outdoorsy type, he excelled at various sports, was a drum major, a member of the track team and the Boy Scouts. During World War II, he served in the Coast Guard, mainly involved in helping protect convoys from U-boat attacks. In 1946, he commenced studies at the University of Iowa, eventually graduating with a Master's degree in Drama. His acting career began on the riverboat 'Goldenrod' (now the oldest surviving Mississippi River Basin showboat in America) and proceeded from there to the Cleveland Playhouse for a year, then the New York stage and summer stock with parts in prestigious plays like "Cat on a Hot Tin Roof" and "Home of the Brave". He also occasionally doubled up as a singer on Broadway ("Paint Your Wagon" (1951), "The Emperor's Clothes" (1953)).
Anderson began as a regular television actor during that medium's formative years. In the course of the next four decades, his appearance barely changing, he was consistently excellent wherever he popped up, be it as western lawmen (including a recurring role as Virgil Earp in The Life and Legend of Wyatt Earp (1955)), as cops, governors, judges and army officers; hard-nosed oil executive Herbert Styles in Dallas (1978), or as kindly patriarch of the Hazard clan in North & South: Book 1, North & South (1985). Though less traveled on the big screen, Anderson was particularly impressive as the furtive second-hand car dealer, 'California Charlie', in Alfred Hitchcock's Psycho (1960), the ruthless leader of the renegades, Addis, in Day of the Evil Gun (1968) and, reprising his role as Lincoln, in The Lincoln Conspiracy (1977). One of the best all-rounders in the business, Anderson died of a heart attack at his home in Sherman Oaks in August 1992, aged 69.- Actress
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Jeanne Cooper was born on 25 October 1928 in Taft, California, USA. She was an actress, known for The Young and the Restless (1973), Ben Casey (1961) and Kansas City Bomber (1972). She was married to Harry Bernsen. She died on 8 May 2013 in Los Angeles, California, USA.- Actress
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Fritzi Burr was born on 31 May 1924 in Philadelphia, Pennsylvania, USA. She was an actress, known for Chinatown (1974), 3 Ninjas (1992) and Driving Me Crazy (1991). She was married to Aaron Heyman. She died on 17 January 2003 in Fort Myers, Florida, USA.- Actress
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Best known for her role as Aunt Esther Anderson on "Sanford And Son", she appeared in many films including "Don't Be A Menace To South Central While Drinking Your Juice In The Hood" (1996), "Friday" (1995), "The Legend of Dolemite" (1994), "West From North Goes South" (1993), "The Meteor Man" (1993), "CB4" (1993), "Shakes The Clown" (1991), "My Blue Heaven" (1990), "Mausoleum" (1983), "Goodbye Cruel World" (1982), "Zapped!" (1982) and "Stonestreet: Who Killed The Centerfold Maid" (1977). Page also appeared in many television series' in her career, "Redd Foxx, The E! True Hollywood Story," "Biography," "The Parent Hood," "The Sinbad Show," "Martin," "Family Matters," "Amen," "227," "Starsky And Hutch," "Different Strokes," "The Love Boat," "Redd Foxx," "B.A.D. Cats," and "Sanford And Son."- Actor
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Familiar to many as the frustrated cop, businessman or landlord in countless two-reel comedies by The Three Stooges, Vernon Dent got his start in show business as a member of a singing troupe traveling in Southern California in the early 1920s. He was befriended by comedian Hank Mann, a member of the famed Keystone Kops. Mann thought that Dent was good comic material and gave him a supporting part in a series of two-reel comedies he was making. In the early 1920s Dent was good enough to be given his own series of comedy shorts by Pathe. After this series was over, he freelanced and worked for such top comics as Larry Semon. He found his real niche when he was hired by Mack Sennett, and spent most of the rest of the 1920s at that studio. For such a large man (5'9" and 250 pounds) Dent was surprisingly graceful, and Sennett was enthused to discover that he was a natural at physical comedy, able to do a pratfall as well as or better than Sennett's top comics. Dent really came into his own in the series of comedies that Harry Langdon made for Sennett, which rocketed Langdon to stardom and also brought recognition to Dent. When Langdon left Sennett, Dent stayed and supported such Sennett comics as Billy Bevan and Ralph Graves. Dent and Langdon were reunited in a series of shorts for Educational Pictures in the early 1930s, and his value in the series was such that Langdon insisted Dent always receive second billing after him. Dent joined Columbia in 1935, where he achieved his greatest success, and stayed there until 1953. He worked especially well with Shemp Howard of The Three Stooges, and the two remained lifelong friends. Shortly after retiring in the mid-'50s, Dent went blind, a result of his lifelong battle against diabetes. Although there were rumors that he died because he was a Christian Scientist and refused to take insulin, in an interview several years ago Dent's wife stated that he was not a Christian Scientist, and died from a sudden, massive heart attack.- Actor
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Franklin Pangborn - a name more befitting a fictionalized bank president rather than a great comedic actor - was a singular character actor but little is known of his early years. He spent some time in developing acting talent prior to appearing on Broadway by March of 1911, and would do six plays until mid-1913. He was noticeably absent afterward and corresponding with the early years of World War I. He was in the US Army after America entered the war in 1917. Pangborn did one more play on Broadway in 1924. Interestingly, for someone immediately identified with comedy, Pangborn's roles were for the most part dramatic and included Armand Duval in "Camille", a role in a play adaptation of "Ben Hur", and two parts in "Joseph and His Brethren". Two years later, Pangborn turned to silent films. And although he would play some villains and romantic leads, that droopy pudding-face of his was bound for comedy. In all these early roles from his debut in 1926, his first talkie (On Trial (1928)), and on through most of 1932 (when he made 24 appearances on film), Pangborn was playing comedic roles, many of which were for short films (many by Mack Sennett) where the players usually had no on-screen persona and no billing credit. His many appearances in shorts tapered off and ended through 1935.
These roles were quite varied and continued as such into the later 1930s. He played the compromised husband in two Bing Crosby vehicles (1933); no fewer than three photographers, reporters, radio announcers, bartenders, and much more, including a character meant to parody his own name: 'Mr. Pingboom' (Turnabout (1940)). But through the same period he was piling up a lot of clerk, floorwalker, and, perhaps most of all, hotel manager roles. These latter were the basis for Pangborn typed as the straight-laced, nervous minor official or service provider or manager of whatever whose smug self-assurance in his orderly world is sorely tested.
The term 'sissy' (so prominent a condemnation from childhood memories) was used in early film (and still used today by some film historians) as a catchall name for a spectrum of rather gentle and nebulous male personalities; a simpering voice of any kind would be an instant label that also implied the taboo of homosexuality. Pangborn is often first on the list of actors noted as typed in this general category with Edward Everett Horton with his dignified but slightly simpering New England drawl a close second. Animator Robert Clampett at Warner Bros. in the late 1940s patterned his Goofy Gophers, Mac and Tosh, with their polite and flowery speech after both men. Pangborn had a mellow, lyrical voice which he could ramp up to a staccato, rapid-fire rhythm when perturbed. Indeed, the face and the voice fit well with characters of convention and control, as well as the fastidious to the point of being another slang term of many faces: 'prissy'. And maybe that does not include effeminate - he was not quite that - though the term is indelibly tagged to the character type. His characters were the sort of proper and snobby figures who the easygoing American public would find suspicious - and thus all the funnier on screen when they get their comeuppance. Yet Pangborn never implied 'gay' in his portrayals despite all the gender revisionism of today that might reinterpret his work as such. In real life, people are more complex; on the mainstream screen - as opposed to the shadowy blue one - of the 1930s and 40s, characters were more generally defined within usual convention.
By the later 1930s, Pangborn had perfected a wonderful sense of timing of demeanor, manner, and voice to fit the control freak who is gradually dragged into his worst nightmare of relative chaos by hapless situation. By this time his characterizations were such a fixture of guaranteed laughs that the movie-going public expected to see him. Pangborn was in great demand to do what he did best. And having already worked from the silent era with great stars and directors, he continued to do so. W.C. Fields was a great fan of him and used him in several movies. He was a constant in smart comedy from Frank Capra and Gregory La Cava to the more extreme screwball comedies of Preston Sturges, though frequently upstaged with such a company of funny men as Sturges gathered around him. The Pangborn progression from very funny to uproarious is seen evolved, for example, from La Cava's My Man Godfrey (1936) to Sturges's Hail the Conquering Hero (1944). In the first he is the volunteer swell who coordinates store-keeping for the scavenger hunt of his fellow - if downright silly - affluent crust of New York society. As the flow of items brought to him for registering turns into a flood (including a live goat kid), his demeanor, mannerisms, and vocal speed display increasing irritation. Head spinning, he is in defensive mode as he fends off shouting, grabbing participants. The role perhaps was his defining moment as established celebrity comedian. In Sturges's movie, and Pangborn appeared in most of his best efforts, he is the committee chairman of the reception for false hero Eddie Bracken, trying to coordinate festivities and caught in a literal battle of bands at the beginning of the film. Converged upon by various hokey town bands who all want to play the featured pieces, Pangborn attempts order but is methodically carried away as people out of the blue arrive to suggest other songs, and the bands continue to assail him with arguments, and finally all play all the songs - and all at once - to prove the most deserving. It is musical chaos with Pangborn finally reduced to desperate blasts on a whistle and jumping up and down, yelling "Not yet! Not yet!" It is one of the actor's finest pieces.
Yet Pangborn's usual stock of characters could fit drama as well. Actually, in "Hero", his coordinator also has some straight scenes as well. In Now, Voyager (1942) as the cruise tourist director, his only problem is that Bette Davis has not arrived on deck to be partnered for the land touring of Rio. As an accomplished stage actor, he did miss the boards. Friend of Edward Horton, he was able to exchange his quirky screen characters for dramatic ones, participating in Horton's Los Angeles-based Majestic Theatre productions. But times changed for Pangborn's specialties. Movies were more diverse and updated as the 1950s ensued. But he was immediately adaptable to the small screen which would re-introduce him. He was right at home as a guest star on TV comedy shows, playing his beloved characters as cameo celebrations of his matter-of-fact stardom.
There were a handful of film roles in his last decade with perhaps the overambitious and black-and-white dull but star-studded The Story of Mankind (1957) a bit of a showcase. Also in 1957 he had the singular distinction of being honored as guest announcer - a familiar enough role - and first guest star on the premiere of the "Tonight Show" with its first host Jack Paar. To pass away after surgery seems such a disordered way to go for one such as Franklin Pangborn whose on-screen characters struggled for order above all else. There is no order in the frailty of life by definition, but Pangborn's legacy, rich in comedic gems, has and surely will continue to endure.- Actress
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Character actress Shirley Booth could play everything in all facets of show business, whether it was Miss Duffy the Tavern Owner's Man Crazy Daughter on "Duffy's Tavern", the sassy maid on TV's Hazel (1961) or the pathetic woman in Come Back, Little Sheba (1952). For those who only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-70. She was highly regarded as a stage actress and ranks as one of the premier talents of the 20th-century theatre.- Actor
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Dub Taylor was born on 26 February 1907 in Richmond, Virginia, USA. He was an actor and director, known for The Getaway (1972), The Wild Bunch (1969) and You Can't Take It with You (1938). He was married to Florence Gertrude Heffernan. He died on 3 October 1994 in Los Angeles, California, USA.- Best known for her performance as the nasty, gossiping, greedy and arrogant Mrs. Harriet Oleson on the TV series Little House on the Prairie (1974). Katherine (Scottie) MacGregor could not appear in the final feature length episode "The Last Farewell" because she was on a pilgrimage in India.
Before moving to Los Angeles in 1970 Ms. Mac Gregor worked as a stage actress on Broadway, off Broadway and in regional theatre in and around New York City. - Actress
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New York Times Best Selling author of "Confessions of A Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated", Alison Arngrim is best known to viewers world-wide for her portrayal of the incredibly nasty "Nellie Oleson" on the much loved, long running hit television series "Little House On The Prairie," and continues to amuse audiences through her many film, television, stage and multi-media appearances.
Her one woman show "Confessions of a Prairie Bitch", which started at Club Fez in New York in 2002, has now become a world-wide phenomenon, having been performed to packed houses in New York, Los Angeles, Boston, Chicago, Philadelphia, Green Bay, San Francisco, Seattle, and in France, where Alison performs entirely in French to standing room only crowds in her all French version titled: "Confessions d'une Garce de La Prairie" and "La Malle aux Tresors de Nellie Oleson."
As a stand-up comedian, Alison has headlined at nightclubs such as the Laugh Factory, the Comedy Store and the Improv in Los Angeles; as well as the Laurie Beechman Theatre in New York and assorted comedy venues all across the United States and Canada.
She is currently starring in two comedy series pilots: "Life Interrupted", as the ex-wife of commercial child star Mason Reese, with Erin Murphy, ("Bewitched") as her new wife and Dawn Wells, ("Gilligan's Island), as her mother, as well as, "C.P.R. - Child Performers Resurrection Talent Agency", as an ex-child star gone wrong, trying to save herself and her assorted misfit cohorts by opening a talent agency.
She recently fulfilled a childhood dream to be in a horror movie, with her role as "Leeza", the somewhat ambivalent Satanic high priestess in the new supernatural web series "The Mephisto Box".
Alison has mocked her status as an "ex-child star" on Jay Leno's Tonight Show, during their month long parody, "Hollywood Survivor" and continues to be a frequent interview subject on everything from "A&E", "E! Entertainment", "TV Land" and "VH-1", to CNN and the Travel Channel. The TV Land network honored her undying image as TV's worst bitch, by declaring her the winner of their 2006 award for, "Character Most Desperately In Need Of A Time Out".
She starred in the heartwarming, gay, Christmas cult classic, "Make the Yuletide Gay", as the overbearing "Heather Mancuso". Her other television and film appearances include, "Livin' the Dream", "Tinder & Grinder", "The Bilderberg Club", "For the Love of May" with Ru Paul and Patricia Neal, and "The Last Place On Earth" with Billy Dee Williams and Phyllis Diller. In 2007, she began her foray into French cinema with the role of "Edith" in the French detective comedy, Jean Pierre Mocky's "Le Deal".
Alison's stage work includes, "The Vagina Monologs", "Sirena: Queen of the Tango", "Dear Brutus", "The Wool Gatherer", the French bedroom farce, "In One Bed And Out The Other", Michael Kearns' "AIDS/US II", "Rita" in the 2005 GLAAD Award nominated production of "Last Summer At Bluefish Cove", ", the somewhat off kilter "Reverend Pat Miass" in "Joni and Gina's Wedding", and the Ovation Award Nominated musical-drama, "Flirting with Morty", as the abusive, trashy and tragic Ray Lee.
In her spare time, she takes tourists on the rollicking comedy outing, "Nasty Nellie's Tour of Hollywood", (featured at Dearly Departed Tours), where she simultaneously enlightens and amuses passengers with behind the scenes tales from both Hollywood history and her own life.
Never one to forget her "Prairie" roots, Alison enjoys making appearances several times a year at various "Little House on the Prairie" historical sites for educational events and gatherings of fans. She has been a frequent visitor to the Laura Ingalls Wilder Museum in the real life Walnut Grove, Minnesota as well as Green Bay, Wisconsin's Heritage Hills, Mumford's Genesee Country Village, Laura Ingalls Wilder Historic Home and Museum in Mansfield, Missouri and many, many others.
Alison has a long history of activism. In 1986 when her friend and "Little House husband" co-star, Steve Tracy, passed away due to complications of HIV/AIDS, Alison immediately began volunteering at AIDS Project Los Angeles. Her duties ranged from working on the Southern California AIDS Hotline and the APLA food bank, (APLA's Necessities of Life Program,) to chairing the steering committee of the volunteer speakers bureau and developing "Safer Sex" workshops. She has provided AIDS education to doctors, nurses, prison inmates, service clubs, churches, department stores and schools, written AIDS education articles for the magazines "Frontiers" and "Designers West", and spent seven years hosting the APLA educational cable television show, "AIDS Vision". In 1992, Joel Wachs presented Alison with a resolution by the Los Angeles City Council commending her on her work on behalf of people living with HIV and AIDS.
From 1989 through 1993 she served as Program Manager at Tuesday's Child, an organization assisting children and families affected by HIV and AIDS. From 1989 through 2003 she served as both hostess and producer for the comedy stage at the AIDS Project Los Angeles Annual Summer Party, (on the back-lot of Universal Studios), where through an evening of raucous entertainment, featuring name comedians, she helped to raise hundreds of thousands of dollars for people living with HIV.
She currently serves as California Chair, National Spokesperson and Founding Board Member on the National Advisory Board of The National Association to Protect Children, or PROTECT.org, fighting to give children a legal and political voice in the war against child abuse. As an activist for the improvement of child protection laws, she has spoken before the California Senate and worked on legislative and political campaigns in several states, including Virginia and New York, in addition to PROTECT's work on federal legislation in Washington, D.C.
She has appeared on numerous television news programs discussing the legal and political issues surrounding child sexual abuse and exploitation. She came forward to tell the world about the sexual abuse she suffered in her own life, during her 2004 interview on Larry King Live.
She continues to be interviewed on this and other topics on Nancy Grace, CNN's Showbiz Tonight, The Insider, Court TV, and Bill O'Reilly's The Factor. Alison currently lives somewhere in the wilds of Tujunga with her husband of over twenty years, musician Bob Schoonover, (from the rock and roll band "Catahoula") and their evil cat, Clarice. She takes pride in the fact that so many people enjoyed hating her as a girl and is more than happy to give them the opportunity to do so in the future.- Carly Jibson can be seen on Seasons One and Two of THE GUEST BOOK (The #1 New Cable Comedy of 2017) now streaming on HULU, the 100% Rotten Tomato Scored Season Two of ONE MISSISSIPPI (Tig Notaro & Diablo Cody) now streaming on AMAZON, Netflix's ATYPICAL, Apple +'s BEST FOOT, BROMATES which hit theaters 2023 and will be costarring in the upcoming holiday film A WINE COUNTRY CHRISTMAS due out later this year! She can also be seen on E! Entertainment's THE FUNNY DANCE SHOW as a Celebrity Contestant. She has starred on Broadway in "Cry Baby" where she originated the role of (Pepper Walker), "Hairspray" (Tracy Turnblad) and the 1st Nat'l Tour: "Hairspray" (Tracy Turnblad) which she originated. Regional Theatre: World Premier of "Johnny Baseball," World Premier of Andrew Lippa's "Asphalt Beach" and the World Premier of "Crash Nation." She co-starred in the "Unauthorized Parody Musical of SCREAM" @ The Rockwell with Sarah Hyland. Carly released her Debut EP "Best of Me," which can be found on iTunes and on the Original Broadway Cast Album of "Cry Baby." She is most recently performing live with Cherry Poppins Burlesque Co. all over Southern California. (Check socials @carlyjibson for show dates.)
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Eva Gabor was born on February 11, 1919 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), a soldier. Her older siblings were Magda Gabor, an actress, and Zsa Zsa Gabor, an actress and socialite. Her parents were both from Jewish families. She went to Hollywood, California, to act in the 1930s. Her mother escaped from Nazi-occupied Budapest in the 1940s, also settling in the U.S.
Eva appeared both in films and on Broadway in the 1950s, as well as in several "A"-movies, including The Last Time I Saw Paris (1954), starring Elizabeth Taylor, and Artists and Models (1955), which featured Dean Martin and Jerry Lewis.
In 1953, she was given her own television talk show, The Eva Gabor Show (1953). Throughout the rest of the 1950s and early 1960s, she appeared on television and in movies. She appeared on one episode of the mystery series Justice (1954), and was on the game show What's My Line? (1950) as the "mystery challenger". Her film appearances during this period include a remake of My Man Godfrey (1957), Gigi (1958) and It Started with a Kiss (1959).
However, she is best remembered as Lisa Douglas, the socialite turned farm wife on Green Acres (1965) with co-star Eddie Albert playing her attorney husband Oliver Wendell Douglas. Eva Gabor died at age 76 from respiratory failure and pneumonia on July 4, 1995 in Los Angeles, California.- Actor
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Pablo Tell Schreiber was born in Ymir, British Columbia, Canada, to Lorraine Reaveley, a Canadian psychotherapist, and Tell Schreiber, an American actor. His paternal half-brother is actor Liev Schreiber. Pablo, who is named after Chilean poet Pablo Neruda, was raised in Ymir, and moved to Seattle, Washington, as a teenager.
Pablo Schreiber was nominated for a Tony Award for his Broadway debut performance in the revival of Clifford Odets' classic Awake and Sing! directed by Bartlett Sher.
Schreiber has appeared in many films, including: Josh Radnor's Happythankyoumoreplease (2010), which won the Audience Award at Sundance, Vicky Cristina Barcelona (2008), Lords of Dogtown (2005), Tell Tale (2009), Nights in Rodanthe (2008), The Manchurian Candidate (2004), Allegiance (2012), Breaking Upwards (2009), Into the Fire (2005), The Mudge Boy (2003) and Invitation to a Suicide (2004). Upcoming he appears in the independent features Fort Bliss (2014), The Dramatics: A Comedy (2015) and Preservation (2014).
Television credits include his classic role as "Nick Sobotka" in HBO's critically acclaimed The Wire (2002); and most recently as the menacing villain "William Lewis" on Law & Order: Special Victims Unit (1999), NBC's "Ironside" and as "Pornstache" in Jenji Kohan's hit series Orange Is the New Black (2013). He's also appeared in Stephen Frears' Muhammad Ali's Greatest Fight (2013) for HBO and on Weeds (2005), A Gifted Man (2011), Lights Out (2011), The Good Wife (2009), White Collar (2009), The Beast (2009), Life on Mars (2008), It's Always Sunny in Philadelphia (2005), Fear Itself (2008), Dirt (2007), John Grisham's A Painted House (2003), Law & Order (1990), Law & Order: Criminal Intent (2001), and The Black Donnellys (2007).
Schreiber has performed in numerous Broadway and off-Broadway plays including: Desire Under the Elms on Broadway directed by Robert Falls, Rajiv Joseph's Gruesome Playground Injuries at Second Stage, Neil LaBute's Reasons to be Pretty at MCC (for which he won the Drama Desk Award), Dying City at Lincoln Center, Mr. Marmalade at Roundabout, Sin: A Cardinal Deposed at The New Group, Manuscript at the Daryl Roth Theatre, Julius Caesar at the New York Shakespeare Festival, and Blood Orange, his professional debut.- Actress
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Katlin Mastandrea is known for The Middle (2009), Anger Management (2012) and Criminal Minds (2005).- Actress
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An apple dumpling of a darling, character actress Nedra Volz had one of those slightly vacant, twinkly-eyed faces absolutely designed for light sitcoms and commercial work. Although she didn't come into her own until past retirement age, she enjoyed a solid two-decade ride delightfully amusing audiences all over.
The diminutive Iowa native was born in a trunk to vaudeville parents in 1908 and was immediately thrust onto the stage as "Baby Nedra" in tent shows and similar venues. A band singer and radio performer in her early adult years, maternal instincts took over after marrying her husband in 1944 and she raised two children. But the spark never completely died. In the 1950s she was performing again in community theater shows.
As others of her ilk have done, she took a "what the heck" attitude and went for the professional gigs again in the early 1970s, making her film debut at age 65 with Your Three Minutes Are Up (1973) starring Beau Bridges and Ron Leibman. Light comedy would become her forte and she geared herself up, bouncing back and forth between the large and small screen. Irresistible as a feisty oldster, dotty neighbor or pot shot-taking granny who wasn't above giving a karate chop to a bad guy out of nowhere, producer Norman Lear gave her TV career a booster shot with a couple of his late 1970s series.
She peaked with the popular Gary Coleman sitcom Diff'rent Strokes (1978). Stepping in as the resident Drummond family housekeeper following the departure of hired help Charlotte Rae, who spun off into her own series, Nedra stayed on the show two seasons and then was herself replaced by Mary Jo Catlett. During the run of the sitcom she was actually doing triple duty as a recurring postmistress on The Dukes of Hazzard (1979) from 1981-1983 and as Mother B on Filthy Rich (1982). She subsequently served alongside Lee Majors' stunt-man detective character on The Fall Guy (1981) for a season starting in 1985.
A popular guest presence on such established sitcoms as "Alice," "Maude," "One Day at a Time," "Night Court," "Coach," "The Commish," "Who's the Boss?" and "Step By Step," she could be seen as an elderly wisenhammer at the movies as well in the bawdy, raucous comedies Moving Violations (1985), Lust in the Dust (1984), Earth Girls Are Easy (1988), and Mortuary Academy (1988), among others. She ended her career most fittingly at age 88 in the The Great White Hype (1996) briefly providing on of her token prune-faced old lady bits. The endearing Nedra passed away of complications from Alzheimer's disease in 2003 at the ripe old age of 94.- Actress
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All this shapely character "broad" had to do was open her mouth to induce laughter--and so she did, primarily on TV during the '50s and '60s. And although she milked that unmistakable rasp for all its worth, she also showed great comedy sense. Born Jean Leete on February 23, 1923, in Charleston, West Virginia, actress Jean Carson (not to be confused with pert British actress Jeannie Carson of Hey, Jeannie! (1956) TV fame) was trained in music and dance and started performing by age 12. With high aspirations of becoming an actress, she subsequently studied at Carnegie-Mellon University.
She was first discovered appearing on Broadway in 1948 in George S. Kaufman's "Bravo!" with a cast including Kevin McCarthy and Oscar Homolka. Set in New York, the show was a bust (running only 44 performances), but Jean made a wonderful comic impression and earned a Theatre World award in the process. She followed this with another Kaufman-staged play, "Metropole," in 1949 as well as "The Bird Cage" (1950) with Melvyn Douglas and Maureen Stapleton and "Men of Distinction" (1953) with Robert Preston, but these shows fared just as badly. A hit Broadway comedy finally came her way with "Anniversary Waltz" in 1954, which ran 544 performances. Jean stood out among the cast just for those inimitable deep tones alone.
She was typically on display throughout the '50s and '60s, gracing many of the popular shows of the day, including "The Red Buttons Show," "The Tom Ewell Show," "Wagon Train," "Sugarfoot," "Perry Mason," "The Untouchables" and "Gomer Pyle." Surprisingly, she never had her own TV sitcom, although she did appear as a regular on the short-lived The Betty Hutton Show (1959) playing a girlfriend to the star. A single standout episode of "The Twilight Zone" had Jean and Fred Clark as a pair of thieves who discover that a camera they've stolen takes pictures of the future. Jean essayed a number of bleached blonde floozies, jailbirds, party girls and gold diggers over the course of her career but was never better than as both convict Jalene Naomi and good time girl Daphne on The Andy Griffith Show (1960). In one classic episode, her character Jalene was partnered up with cohorts Jane Dulo and Reta Shaw as three dames hiding out from the law who hold both Deputy Barney and Floyd hostage while putting designs on them at the same time.
An unfortunate alcohol problem dogged Jean's career for many years. Active with Alcoholics Anonymous, she eventually retired from Hollywood in the early 1980s and moved to the Palm Springs area to be closer to family. There she appeared occasionally in such local theater productions as "The Elephant Man" and "Steel Magnolias." Jean had been in spiraling health since suffering a paralytic stroke in September of 2005. She died in a Palm Desert convalescent home on November 2, 2005, at age 82. Two sons survive.- Actress
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Well-endowed, attractive Joyce Jameson was typecast as "broads," "dames," and dizzy blondes -- somewhat in the vein of Barbara Nichols. In real life, she was said, like such other ditzy blondes as Judy Holliday and Jayne Mansfield, to have been the antithesis of her screen personae, a graduate in theatre arts from UCLA, highly intelligent and well-read.
Born in Chicago in 1927 (not 1932 as has been misreported) as Joyce Kingsley as per the Cook County, Illinois Birth Index, 1916-1935 (File Number 6045258), she began acting in films from 1951, after being 'spotted' at the small Cabaret Club by Steve Allen. At that time, she was already a seasoned performer on stage in musical revue, featured playing multiple parts in shows staged by her then-husband and mentor, Billy Barnes, initially at the Cabaret Club, then at the Las Palmas Theatre in Hollywood, and finally on Broadway.
After several small supporting bits on the big screen and the odd ghost-written TV script, Jameson's career gained momentum from the late 1950s. She was seen in better productions, such as Billy Wilder's The Apartment (1960). Adept at dialects and mimicry, Jameson made a name for herself on The Tonight Show Starring Jack Paar (1957) with a ventriloquist act, featuring her 'alter ego,' an imaginary dummy, unsurprisingly named "Marilyn." Jameson was said to have derived the idea of being subsumed by this 'other personality' from the British horror classic Dead of Night (1945). Reputedly still more uproarious, were her biting impersonations of Judy Garland, Grace Kelly, and, above all, Marlene Dietrich.
She may be most-fondly remembered for her first two cult Gothic horrors she made for Roger Corman, loosely based on stories by Edgar Allan Poe. Tales of Terror (1962), finds her (in story number two, 'The Black Cat') as perpetually inebriated Peter Lorre's philandering wife Annabel, who suffers the ignominious fate of being entombed alive in a wine cellar, alongside paramour Vincent Price. Her performance on the way to that demise -- at once funny and tragic -- amply demonstrated her ability to hold her own in a leading role opposite such dominant personalities as Lorre and Price. She was quite good (and certainly very decorative) in her second outing for Corman, The Comedy of Terrors (1963) albeit in a more typical role as decrepit Boris Karloff's ditzy daughter, Amaryllis Trumbull.
On television, she had a recurring spot on The Andy Griffith Show (1960) and guested in many classic series, including westerns and science fiction, though her forte was almost certainly comedy. Unable to escape her typecasting, she rarely got roles her acting talent would have justified. Jameson once commented acerbically in an interview, "Everyone expects to cast me as the dumb or victimized blonde. After they interview me, I can just hear them say, 'Hey! She's intelligent, but what do you do with it?'" (The Pittsburgh Press, July 27,1958).- Marge Redmond was born on 14 December 1924 in Cleveland, Ohio, USA. She was an actress, known for Manhattan Murder Mystery (1993), The Flying Nun (1967) and Family Plot (1976). She was married to Jack Weston (I). She died on 10 February 2020 in the USA.
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Elizabeth MacRae was born in Columbia, South Carolina, and grew up in Fayetteville, North Carolina. She went to the Holton Arms School in Washington, D.C. and later moved to New York City to study acting with Uta Hagen at the Herbert Berghof Studio and the Art Student's League.
Ms. MacRae started acting in movies and TV shows in the mid-1960s. Some of her film roles include parts in For Love or Money (1963), The Incredible Mr. Limpet (1964), Everything's Ducky (1961), and Francis Ford Coppola's The Conversation (1974). On TV, she played Gomer Pyle's girlfriend in a show called Gomer Pyle: USMC (1964) and Festus's girlfriend on Gunsmoke (1955) for three years.
She also appeared as a guest or co-star in over 50 TV series, including Barnaby Jones (1973), Kojak (1973), Mannix (1967), The Fugitive (1963), Dr. Kildare (1961), and many others. The Holton Arms School in Washington, D.C. has scripts and audiovisual material documenting her career.- Actress
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Barbara Cason was born on 15 November 1928 in Memphis, Tennessee, USA. She was an actress, known for House of Dark Shadows (1970), Exorcist II: The Heretic (1977) and It's Garry Shandling's Show. (1986). She was married to Dennis Patrick and George Touliatos. She died on 18 June 1990 in Los Angeles, California, USA.- Actress
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Terri Sue "Tovah" Feldshuh is an American actress, singer, and playwright. She has been a Broadway star for more than four decades, earning four Tony Award nominations. She has also received two Emmy Award nominations for Holocaust and Law & Order, and appeared in such films as A Walk on the Moon, She's Funny That Way, and Kissing Jessica Stein. In 2015-2016, she played the role of Deanna Monroe on AMC's television adaptation of The Walking Dead.- From a hit television drama to a medley of feature films, Roma Maffia graces the entertainment mediums with her trademark sophistication and charismatic appeal.
Roma portrays the smart, no-nonsense anesthesiologist, 'Dr. Liz Cruz,' on the hit FX drama, "Nip/Tuck." 'Liz' has earned the respect of her physician colleagues, plastic surgeons Dr. Sean McNamara (Dylan Walsh) and Dr. Christian Troy (Julian McMahon). Often the voice of reason in an otherwise unpredictable environment, 'Liz' is tough on the surface yet shows warmth and concern for her patients as well as for 'Sean' and 'Christian.' An out-and-proud lesbian, 'Liz' is the only female seen as a true equal in the life of 'Dr. Troy.'
The Warner Bros. Television-produced "Nip/Tuck" won the 2005 Golden Globe for Outstanding Drama series and received an American Film Institute Award. The show is now in its fifth season and has relocated its setting from Miami to Los Angeles.
Most recently, Roma wrapped production on writer/director Robert Celestino's feature film "Yonkers Joe," with Chazz Palminteri. She has also completed production on the crime story "Kingshighway," due out in 2008. Also in the can is the psychological thriller, "Ghost Image" for writer/director Jack Edward Snyder. In the later film, Roma plays the lead investigator who probes the mysterious occurrences involving a woman who begins to receive video messages from her deceased boyfriend.
Roma started her acting career performing off-Broadway, off-off Broadway and in regional productions ranging from Shakespeare to Sam Shephard. At a benefit reading for the New Group in New York, she was asked by casting director Jane Jenkins to audition for a role in director Ron Howard's feature film "The Paper," and found a career mentor: "Ron tells people he discovered me, which is absolutely true."
When "The Paper" opened in Los Angeles, Roma took her first trip to Hollywood and her career quickly flourished. She soon met television producer David E. Kelley, who cast her as Adam Arkin's secretary, 'Angela' in his new series, "Chicago Hope."
During her one season on "Chicago Hope," Roma landed a plum role in the Barry Levinson film, "Disclosure," in which she played Michael Douglas' tough sexual harassment lawyer, 'Katherine Alvarez.' Garnering rave reviews for her performance, Roma quickly landed feature film roles in director John Badham's "Nick of Time," playing a kidnapper opposite Christopher Walken and Johnny Depp; "Eraser" with Arnold Schwarzenegger, and "Double Jeopardy" opposite Ashley Judd.
Additional feature credits include "I Am Sam" with Sean Penn and Michelle Pfeiffer; "Kiss The Girls" with Morgan Freeman; "Holes," "Things You Can Tell Just By Looking At Her" with Glenn Close and Holly Hunter.
For television, Roma played the dedicated and intelligent 'Grace Alvarez,' forensic pathologist for the Violent Crimes Task Force, for four seasons on NBC's primetime series "Profiler." Her telefilm credits include "Consensual Relations" for NBC; HBO's "Mistrial" with Bill Pullman; and Showtime's "The Defenders." She had recurring roles on NBC's "Law & Order" and "ER," and she has guest-starred on numerous television shows, including CBS's "Ghost Whisperer," Lifetime's "Strong Medicine," NBC's "The West Wing" and HBO's "The Sopranos."
In her free time, Roma is actively involved with the non-profit organization, Artists for a New South Africa (ANSA) which dedicates itself to advancing democracy and equality in South Africa. Although she is happiest when acting, Roma also finds time to run on her treadmill, write, play ping-pong and hang out with her two dogs, Lou Lu and Lucky. - Actress
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Becky Ann Baker was born on 17 February 1953 in Fort Knox, Kentucky, USA. She is an actress and producer, known for A Simple Plan (1998), Men in Black (1997) and Spider-Man 3 (2007). She has been married to Dylan Baker since 6 September 1987. They have one child.- Actor
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He was honored twice off-Broadway with Distinguished Performance OBIE Award, first in 1960 for "Machinal" and again in 1969 for "Passing Through From Exotic Places." In 1972 he won a Tony Award for Best Featured Actor in a play for "Prisoner on 2nd Avenue." In 1979 he was nominated for Best Actor in a musical for "Ballroom." Gardenia was twice nominated with an Academy Award for Best Supporting Actor, first in 1974 "Bang the Drum Slowly" and again in 1988 for "Moonstruck." He won an Emmy Award in 1990 for Best Supporting Actor in a movie made for television, "Age Old Friends." In 1988 he was honored to be named the Grand Marshal of the Columbus Day Parade in New York City.- Actress
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It took 30 years since it was first predicted, but Conchata Ferrell finally achieved television stardom, albeit of the supporting variety, as the housekeeper "Berta" in the situation-comedy Two and a Half Men (2003). Ferrell originally had been tipped for stardom with her turn as the prostitute "April" in the Norman Lear-produced series Hot l Baltimore (1975), in which she recreated her role in Lanford Wilson's off-Broadway hit. However, what was a hit play in New York turned out to be a flop on national TV and, though she worked steadily ever since, it took her role in support of stars Charlie Sheen and Jon Cryer in "Men" to get her the attention her talent richly deserved. For her role as "Berta", Conchata was nominated for an Emmy Award as Best Supporting Actress in a Comedy Series in both 2005 and 2007. She had three Emmy nominations in total, having previously gotten a nod in 1992 for Best Supporting Actress in a Drama Series for L.A. Law (1986).
Conchata Galen Ferrell was born on March 28, 1943 in Charleston, West Virginia, to Mescal Loraine (George) and Luther Martin Ferrell. She attended West Virginia University and Marshall University. Conchata graduated from Marshall with a degree in social studies in education. Eventually, she sought a life in the theater, and achieved success off-Broadway as a member of the Circle in the Square theatrical company in Wilson's "Hot L Baltimore". For her next off-Broadway appearance, as "Gertrude Blum" in Edward J. Moore's "The Sea Horse", Ferrell won Drama Desk, Theatre World and Obie Awards as best actress in 1974. She worked steadily in television and films ever since.
Ferrell was married to Arnie Anderson, and had one daughter.- Actor
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After decades in show business, character actor Conrad Janis came to prominence as Mindy's father on TV's Mork & Mindy (1978). Manhattan-born Janis was the son of renowned art dealer and clothing manufacturer Sidney Janis (1986-1989), and his wife Harriet (Grossman), who wrote books about jazz. He began acting as a 13 year old with a travelling stock company. Subsequently working as a radio actor, he went on to provide assorted voices, ranging from teens to middle aged men. He also had a small role in the 1945 Broadway play Dark of the Moon which was noticed by a Hollywood talent scout and paved the way to some freelance work in motion pictures, where he was featured as juvenile leads. In the early 50s, Janis segued into television while pursuing a separate career as a jazz trombonist, inspired by the music of Kid Ory. Having perfected his skills by studying under Cab Calloway alumni Tyree Glenn and Herbie Nichols, Janis fronted his own Dixieland/trad combo (Conrad Janis and His Tailgate Five) in the early 50s. By the late '70s, he had formed the Beverly Hills Unlisted Jazz Band which performed in many festivals and was often showcased on David Letterman's and Johnny Carson's late shows.
Janis acted in anthology TV dramas from as early as 1950, according to his account ultimately racking up some 700 appearances (many of them not recorded or otherwise lost to posterity). He toiled away in fairly minor parts until his breakout role as music store owner Fred McConnell in Mork & Mindy. In addition to numerous guest appearances, the balding Janis was also seen as a regular in the short-lived sitcom Quark (1977) (as philistine bureaucrat Otto Bob Palindrome) and in recurring roles on Murder, She Wrote (1984) and Frasier (1993). True to his roots, he remained involved with the art world and with music education throughout his life.- Actress
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Dena Dietrich was born on 4 December 1928 in Pittsburgh, Pennsylvania, USA. She was an actress, known for History of the World: Part I (1981), The Golden Girls (1985) and The North Avenue Irregulars (1979). She died on 21 November 2020 in Los Angeles, California, USA.- Lucille Benson was a plump, distinctive, and marvelously quirky character actress with a heavy down-home Southern accent who portrayed an offbeat and enjoyable array of colorful supporting dotty old lady roles in both films and TV shows alike. Benson was born on July 17, 1914 in Scottsboro, Alabama. She was adopted and raised by her aunt after her mother died of tuberculosis. Lucille graduated from Jackson County High School, where she was valedictorian and president of her class. Benson attended both Huntingdon College in Montgomery and Northwestern's School of Drama in Evanston, Illinois. She worked briefly as a teacher prior to moving to New York to pursue an acting career in the 1930's. Lucille appeared in the Broadway plays "The Doughgirls," "The Day Before Spring," "Happy Birthday," "As the Girls Go," "Hotel Paradiso," "Period of Adjustment," and "Walking Happy." Benson acted in the Tennessee Williams play "Orpheus Descending" at the Coconut Grove Playhouse in Miami, Florida and co-starred alongside Donald O'Connor in a three month Las Vegas stage production of "Little Me." She made her film debut in the 1959 feature The Fugitive Kind (1960). Lucille was memorably funny and spirited as the flaky lady at the Snakerama in Steven Spielberg's terrific made-for-TV thriller classic Duel (1971) She later parodied this particular part in the hilariously raucous 1941 (1979). Benson gave a splendidly creepy and delightful performance as wacky fleabag hotel owner Aunt Martha in Paul Bartel's deliciously perverse horror exploitation oddity Private Parts (1972). Other noteworthy film roles include tough lifer prison inmate Billie in Women in Chains (1972), Billy Pilgrim's mother in Slaughterhouse-Five (1972), the eccentric Janet Poole in The Devil's Daughter (1973), stern, but friendly whorehouse madam Peg in Ramblin'Man (1979), and the doddery Ms. Elrod in Halloween II (1981). Lucille had a recurring role as hotel manager Lilly Sinclair in the sitcom Bosom Buddies (1980). Among the TV shows Benson made guest appearances on are Alice (1976), Simon & Simon (1981), The Love Boat (1977), The Dukes of Hazzard (1979), Little House on the Prairie (1974), Eight Is Enough (1977), The Waltons (1972), Wonder Woman (1975), Cannon (1971), and Bonanza (1959). She also acted in TV commercials. Lucille Benson died at age 69 from liver cancer on February 17, 1984.
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SAG Award and Critics Choice Award winner for Best Supporting Actress in a Drama Series, Lorraine Toussaint shocked audiences on the smash hit Netflix original series "Orange is the New Black" as the viciously seductive inmate Vee. Toussaint's thrilling performance has won her glowing reviews from the likes of TV Guide and Vanity Fair, stirring the Emmy buzz for her outstanding performance. Toussaint also received praise for her performance in the Academy Award-nominated feature film "Selma." Up next, Toussaint will star in the new Fox series "Rosewood", alongside Morris Chestnut, which premieres this fall.
Born in Trinidad, Toussaint and her mother moved to Brooklyn, NY, where she was raised, when she was ten years old. Growing up, she watched a lot of television while she waited for her mother to return from work, and this sparked her interest in acting. Toussaint begged her mother to enroll her in acting school, and her search led to her studying theater at New York's renowned High School of Performing Arts. After graduation, she enrolled in the Juilliard School's drama division, where she graduated with a Bachelor of Fine Arts degree. On her graduation day, she landed her first paying job as Lady Macbeth with "Shakespeare & Company."
Toussaint spent the first 12 years of her career acting on stage in New York City before moving to Los Angeles. Her first television appearance was in 1983 in "The Face of Rage." Toussaint's biggest career boost has come from her co-starring role opposite Annie Potts in the TV series "Any Day Now," which earned Toussaint an NAACP Image Award nomination for best actress in a drama series, a TV Guide Award nomination for Best Actress in a Drama Series, and the Wiley A. Branton Award from the National Bar Association.
Among Toussaint's TV credits were recurring roles on several popular television shows, such as NBC's drama series "Friday Night Lights," TNT's "Saving Grace," "Law & Order," and ABC's hit "Ugly Betty." She has also had several guest appearances on the hit television shows "CSI: Crime Scene Investigation," "Grey's Anatomy," and the drama thriller "Scandal" opposite Kerry Washington.
No stranger to the silver screen, Touissant's first film role was opposite Burt Reynolds in the crime comedy "Breaking In." Touissant has also appeared in "Dangerous Minds," "The Soloist," and Ava DuVernay's "Middle of Nowhere," in which her performance was nominated for an Independent Spirit Award for Best Supporting Female. Up next, Toussaint stars as Salome Whitmore in the upcoming period drama "Sophie and the Rising Sun," written and directed by Maggie Greenwald. Toussaint will also play Anthony Mackie's mother in the upcoming Seth Rogen comedy "X-Mas," scheduled for theaters this November.
Toussaint and her daughter split their time between New York and Los Angeles.- Actor
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Sid Melton was born on 22 May 1917 in Brooklyn, New York City, New York, USA. He was an actor and director, known for Captain Midnight (1954), The Golden Girls (1985) and The Steel Helmet (1951). He was married to Jody Lee Myers. He died on 3 November 2011 in Burbank, California, USA.- John Williams was a tall, urbane Anglo-American actor best known for his role as Chief Inspector Hubbard in Dial M for Murder (1954), a role he played on Broadway, in Alfred Hitchcock's classic 1954 film, and on television in 1958. Playing Hubbard on the Great White Way brought him the 1953 Tony Award as Best Featured Actor in a Play. "Dial M for Murder" was the 27th Broadway play he had appeared in since making his New York debut in "The Fake" in 1924, which he had originally appeared in back in his native England.
Williams was born on April 15, 1903 in Buckinghamshire and attended Lancing College. He first trod the boards as a teenager in a 1916 production of Peter Pan (1924). He moved to America in the mid-1920s and was a busy and constantly employed stage actor for 30 years. After "Dial M for Murder" in the 1953-54 season, though, he appeared in only four more Broadway plays between 1955 and 1970 as he focused on movies and television.
In addition to "Dial M for Murder", he appeared in Hitchcock's The Paradine Case (1947) and in To Catch a Thief (1955) and in 10 episodes of the TV series Alfred Hitchcock Presents (1955). For Billy Wilder, he appeared in Sabrina (1954) and Witness for the Prosecution (1957). Beginning in the 1960s, most of his work was in television, including a nine-episode stint on Family Affair (1966) taking over Sebastian Cabot's duties as Brian Keith's butler when Cabot was waylaid by health problems.
He retired in the late '70s, his last acting gig being an appearance on Battlestar Galactica (1978) in 1979. He was known by many in the last phase of his career for his work on one of the first TV infomercials, when he served as the pitchman for a classical music record collection called "120 Music Masterpieces."
John Williams died on May 5, 1983 in La Jolla, California from an aneurysm. He was 80 years old. - Actress
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Cass Elliot was born Ellen Naomi Cohen on September 19, 1941, in Baltimore, Maryland. She grew up in the Washington D.C. environs and in her senior year of high school, performed in a summer stock production of "The Boyfriend" at the Owings Mills Playhouse, where she played the French nurse who sings "It's Nicer, Much Nicer in Nice." After this experience, even though her family anticipated her seeking a college education in pursuit of a career, Cass forged ahead in the performing arts. She made a splash in New York and began an acting career, competing with Barbra Streisand for the Miss Marmelstein part in "I Can Get It for You Wholesale" in 1962.
She toured in a production of Meredith Willson's "The Music Man." Elliot also produced a play at Cafe La Mama in New York. However, by early 1963 she had met up with Tim Rose and John Brown and formed a folk trio initially dubbed The Triumvirate, but later known as The Big 3 when Brown was replaced by James Hendricks. The Big 3 were a progressive and innovative folk trio who recorded two albums and made appearances on The Tonight Show Starring Johnny Carson (1962), Hootenanny (1963) and The Danny Kaye Show (1963). In 1964 the group had begun to fall apart and it metamorphosized into a foursome called "Cass Elliot and The Big Three" which included Canadians Denny Doherty and Zal Yanovsky (Rose had left at this point). Soon this foursome became The Mugwumps who operated out of The Shadows nightclub in Washington. They released a single for Warner Brothers and stayed together through the end of 1964, until they, too, began to disintegrate. Cass began to work as a solo single in Washington, D.C.
At this point Doherty had joined John Phillips and Michelle Phillips and the three were performing as The New Journeymen. Soon they left for the Virgin Islands, where Cass subsequently joined them, and the four began to sing together in mid-1965--thus, the superstar group The Mamas and The Papas was born. From 1965 to 1968 the Mamas and Papas recorded a series of top-ten hits including "Monday, Monday," "California Dreamin'," "I Saw Her Again," and "Dedicated to the One I Love."
The group's last hit was a launching number for Cass Elliot. "Dream A Little Dream Of Me" became her theme song and, beginning in 1968, she embarked on her own short-lived but solid solo career. Her distinct voice had always emerged from the groups in which she sang. In 1969 she scored big with "It's Getting Better" and 1970 yielded the hits "Make Your Own Kind of Music" and "New World Coming." In 1970, Elliot also appeared in the film Pufnstuf (1970) and recorded an album with rock singer Dave Mason. Recently, the issue of the soundtrack of Monte Walsh (1970) turned up four different versions of her theme song, "The Good Times Are Coming", composed by John Barry and Hal David.
Elliot had two prime-time television specials of her own in 1969 and 1973, but most people remember her scores of television appearances throughout the early 1970s with Mike Douglas, Julie Andrews, Andy Williams, Johnny Cash, Red Skelton, Ed Sullivan, Tom Jones, Carol Burnett and others. She guest-hosted "The Tonight Show", had successful stints in Las Vegas and continued to record for RCA during these years, too. Cass had one daughter, Owen Vanessa, in April 1967 and she was married twice, first (1963-68) to fellow Big Three and Mugwumps member Jim Hendricks and second to Baron Donald von Wiedenman (1971). In 1974, she traveled to London where she had a two-week engagement at the London Palladium. After performing to sellout crowds and basking in repeated ovations, Cass tragically succumbed to a heart attack on July 29, 1974 in London, following this successful concert tour (and NOT, as is commonly believed, from choking on a sandwich).
In 1998, The Rock and Roll Hall of Fame inducted Cass Elliot and her fellow band-mates from The Mamas and The Papas into that institution. Her daughter Owen represented her mother and accepted her award.- Actor
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As a nine-year-old boy, Leon Askin recited a 17-stanza eulogy for Emperor Franz Josef in front of the city hall in Vienna's 9th District. Little did the son of a salesman know then that he would one day be the student of Max Reinhardt and Louise Dumont, and discover Jura Soyfer while directing the political cabaret "ABC". Emigration brought him into contact with even more 20th-century luminaries: in 1938 he met Erwin Piscator, the founder of the school of Epic Realism, and worked with him for the next 30 years. On the set of Billy Wilder's One, Two, Three (1961), Wilder once exclaimed, "Here comes my professional!" Askin, who was often cast as the "funny villain", performed alongside Richard Burton, Doris Day and James Cagney. It is not merely exposure to big stars that distinguishes Leon Askin, though. He captured the hearts of critics and audiences with his impressive stage performances of "Faust" and "Shylock" on Broadway, which he also directed, and "Othello" in Hamburg. In addition, Askin made TV history as Gen. Burkhalter in the series Hogan's Heroes (1965).- Actress
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Agnes was born of Anglo-Irish ancestry near Boston, the daughter of a Presbyterian minister (her mother was a mezzo-soprano) who encouraged her to perform in church pageants. Aged three, she sang 'The Lord is my Shepherd' on a public stage and seven years later joined the St. Louis Municipal Opera as a dancer and singer for four years. In keeping with her father's dictum of finishing her education first (then being permitted to do whatever she wished with her career), Agnes attended Muskingum College (Ohio), and, subsequently, the University of Wisconsin. She graduated with an M.A. in English and public speaking and later added a doctorate in literature from Bradley University to her resume. When her family moved to Reedsburg, Wisconsin, where her father had a pastorate, Agnes taught public school English and drama for five years. In between, she went to Paris to study pantomime with Marcel Marceau.
In 1928, she began training at the American Academy for Dramatic Arts and graduated with honors the following year. In order to supplement her income , Agnes had turned to radio early on. She had her first job in 1923 as a singer for a St. Louis radio station. Her love for that medium remained with her all her life. From the 1930s to the 50s, she appeared on numerous serials, dramas and children's programs. She was Min Gump in "The Gumps" (1934), the 'dragon lady' in "Terry and the Pirates" (1937), Margot Lane of classic comic strip fame in "The Shadow", Mrs.Danvers in "Rebecca" and the bed-ridden woman about to meet her end in "Sorry, Wrong Number". Acting on the airwaves was so important to her that she would insist on its continuation as a precondition of a later contract with MGM. Significantly, through her radio work on "The Shadow"and "March of Time" in 1937, she met and befriended fellow actor Orson Welles. Welles soon invited her to join him and Joseph Cotten as charter members of his Mercury Theatre on the Air. Agnes was involved in the famous "War of the Worlds" broadcast of 1938 which attracted nationwide attention and resulted in a lucrative $100,000 per picture deal with RKO in Hollywood. The Mercury players (the other principals were Ray Collins, Everett Sloane, Paul Stewart and George Coulouris) packed up and went west.
An ebullient and versatile character actress, Agnes was impossible to typecast: she could play years older than her age, appear as heroine or villainess, tragedienne or comedienne. In her first film, the iconic Citizen Kane (1941), she played the titular character's mother. She received her greatest critical acclaim for her emotive second screen performance as Aunt Fanny Minafer in The Magnificent Ambersons (1942). In addition to being voted the year's best female performer by the New York Film Critics she was also nominated for an Academy Award. Through the years, Agnes would be nominated three more times: for her touching portrayal of the jaded but sympathetic Baroness Conti in Mrs. Parkington (1944); for her role as the title character's Aunt Aggie in Johnny Belinda (1948) and for playing Velma, the hard-boiled, suspicious housekeeper of Bette Davis in Hush...Hush, Sweet Charlotte (1964), co-starring her old friend Joseph Cotten. Other notable film appearances included Jane Eyre (1943), with Orson Welles, The Woman in White (1948) as Countess Fusco), The Lost Moment (1947) (as a 105-year old woman) and Dark Passage (1947), a classic film noir in which she had third billing behind Humphrey Bogart and Lauren Bacall as the treacherous , malevolent Madge Rapf. She had a rare starring role in the campy horror flick The Bat (1959), giving (according to the New York Times of December 17) 'a good, snappy performance'.
On Broadway, she appeared in such acclaimed plays as "All the King's Men" and "Candlelight". She enjoyed success with "Don Juan in Hell", touring nationally: the first time (1951-2) with Charles Laughton and Cedric Hardwicke, the second time (though receiving fewer critical plaudits) with Ricardo Montalban and Paul Henreid in 1973. She also starred with Joseph Cotten in "Prescription Murder" (1962). While not a great critical success, this was much liked by audiences and it introduced a famous detective named Lieutenant Columbo. From 1954, she also toured the U.S. and Europe with her own a one-woman show entitled "The Fabulous Redhead". Agnes performed numerous times on television before landing the role of Endora on Bewitched (1964). One particularly interesting part came her way through the director Douglas Heyes who remembered her from "Sorry, Wrong Number". He cast her in the starring - and indeed, only role in The Invaders (1961). As the lonely old woman confronted by tiny alien invaders in her remote farmhouse, Agnes never utters a single word and cleverly acts her scenes as a pantomime of unspoken terror.
Of course, the genial Agnes Moorehead has been immortalized as Elizabeth Montgomery's flamboyant witch-mother, Endora, although that was not a role the actress wished to be remembered for (in spite of several Emmy Award nominations). Indeed, she had thought this whole witchcraft theme to be rather far-fetched and was somewhat taken aback by the show's huge popularity. Agnes had a special clause inserted in her contract which limited her appearances to eight out of twelve episodes which gave her the opportunity to also work on other projects. Commenting on the acting profession in one of her many interviews (New York Times, May 1, 1974), she found the key to success in being " sincere in your work " and to "just go right on whether audiences or critics are taking your scalp off or not".- Actress
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Annette O'Toole grew up in the Houston dance studio run by her mother. She made her television debut at the age of two, as a kid on The Don Mahoney Kiddie Trooper Show. When she was 13, with ten years of singing and dancing lessons behind her, she and her mother went to L.A. for a year to see if she could have a career in show business. Within two months, she got her first professional job: dancing with Danny Kaye on The Danny Kaye Show. "I've used my singing and dancing training in so many ways," she says. "The discipline you get from that is wonderful for an actor."
O'Toole's first acting role was in My Three Sons, followed by appearances in Gunsmoke, The Partridge Family, The Mod Squad, and Hawaii Five-O. Over the decades she has appeared in more than 40 series (among them Law & Order, Nash Bridges, and The Outer Limits), mini-series (Lonesome Dove, Dead by Sunset, Jewels) and TV movies, most notably playing (and singing as) Tammy Wynette in Stand By Your Man and Rose Fitzgerald Kennedy in The Kennedys of Massachusetts, for which she received an Emmy nomination.
Playing Beverly Marsh in Stephen King's It is one of her fondest memories. (O'Toole judges her favorites based on the filming experience.) In this century, she played a bounty hunter on The Huntress, Clark Kent's adoptive mom on Smallville (where she and John Glover became lifelong friends) and Jim Carrey's mom on Kidding. She is currently a regular on the Netflix series Virgin River, renewed for a fifth season.
Her film career began in 1975, playing a Young American Miss contestant in Michael Ritchie's Smile. She has since appeared in such iconic films as 48 Hrs., Cat People, and Superman III as Lana Lang. (She has played Superman's adoptive mother and, here, his girlfriend.) Her favorite - out of all the TV and films - is the 1987 movie Cross My Heart, in which she co-starred with Martin Short as a couple on their third date, both of whom are trying to figure out how to share their biggest secrets.
For all her success in film and television, O'Toole's deepest love is the theater. When her six-year run on Smallville ended, she decided to focus on theater, which she has been doing for the past decade. She went to New York and her first audition led to her being cast in The Sea Gull. She has appeared in several off-Broadway productions, among them Adam Rapp's Kindness, Tracy Letts' Man from Nebraska, and Tennessee Williams' A Lovely Sunday For Creve Couer. (Performing on Broadway is still her goal.) She has also appeared in many regional productions, including Wendy Wasserstein's Third, Regina Taylor's Magnolia, and Jane Anderson's The Quality of Life.
Her most rewarding theatrical role was in Southern Comfort at the Public Theater in 2016. She played transgender male Robert Eads, for which she received the Lucille Lortel Award. ("Today they'd hire a transgender male," she says. "As they should.")
O'Toole's most fortuitous casting was co-starring with Michael McKean in the Lifetime movie Final Justice. Having known each other casually, they became good friends as they filmed in Portland. Back in L.A., their first date was the 1997 UCLA concert with Bob Dylan, Joni Mitchell, and Van Morrison. Soon after that they were married, each bringing along two children from previous marriages. Prolific songwriters - they co-wrote the Academy Award-nominated song "A Kiss at the End of the Rainbow" for the Christopher Guest film A Mighty Wind, which McKean starred in - they took their repertoire on the road in 2005, performing all around Los Angeles and at Feinstein's at the Regency in New York. They are currently working on a new musical called Harold and Lillian, based on a documentary of the same name.
"I'm really lucky because I found something that I love early on," O'Toole says, "and I love it even more now than I did then."- Actor
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A series regular on many TV comedies and dramas, David has also worked for Steven Spielberg, Martin Scorsese, Paul Greengrass, Shawn Levy, Robert Zemeckis, Michael Patrick King, Gary Winick, George Nolfi and more. He's flirted with Julia Roberts, stolen Tom Cruise's wife, berated Brooke Shields, married (and divorced) Debra Messing, and snubbed Sarah Jessica and Mr. Big. But don't let his screen credits fool you: he's a trained theatre actor with serious on-stage chops. He and the legendary Eli Wallach did a smash hit two-character play in New York, playing eight shows a week for over a year. And his memorable star turn in the powerful play "SnakeBit" had the NY Times saying "Basche is sensational in the role, a brash and sensitive bull-in-a-psychic-china shop."
Recently he starred in and produced two feature films, "Egg" with Christina Hendricks, Anna Camp, Gbenga Akinnagbe and Alysia Reiner, and "Equity" the Sony Pictures Classics hit Wall Street thriller with Anna Gunn and James Purefoy. Basche starred in TV Land's "The Exes" for 5 years with Donald Faison and Wayne Knight, and pops up on your TV regularly in shows like "Blacklist," "Blue Bloods," "NCIS: New Orleans" and more.
David is also an outspoken environmentalist - he and his wife, Actress Alysia Reiner, recently used their own home as a way to share information about building green. Their brownstone renovation in Harlem was featured on TV's "World's Greenest Homes" and "Renovation Nation"; in various magazines like Dwell, Gotham, and The Nest; and they allowed the environmentally friendly construction process to be chronicled on web sites such as Dwell.com and Kohler.com. David is involved with many charities including The Cancer Support Community, Habitat for Humanity, Our Time Theatre Company, Actors for Autism, and the Joyful Heart Foundation.- Phil Leeds is one of those for whom the phrase "character actor" was invented. A slight, wizened man with a rubbery face, bulging eyes and a Jimmy Durante-like nose, he excelled at playing weaselly little snitches, con artists, or just a neighborhood eccentric who always had something up his sleeve. Born in New York, his entrance into the "entertainment" business began with a job as a peanut vendor at the city's baseball stadiums, and from there, he began a stint as a stand-up comic in the "Borscht Belt" up in the Catskill Mountains, opening for many of the top acts of the day. He had a short career on the Broadway stage before entering the army during World War II, and upon his discharge, he resumed his stand-up career. Unfortunately, he got caught up in the McCarthy-era, anti-Communism hysteria in the early 1950s and found himself among many entertainers who were blacklisted, and it took him a while to work out of that. He made his film debut in 1968, as Dr. Shand in Rosemary's Baby (1968) and from there on, his career was set. He had small roles in a good number of films, but he did a huge amount of television work starting in the mid-'50s, appearing in everything from sitcoms to westerns to cop shows.
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Judy Tenuta was an actress and writer, known for Garlic & Gunpowder, Celluloid Soul (2017), (2017), Material Girls (2006) and Going Down in LA-LA Land (2011). She was previously married to Emo Philips. She also starred in over 50 "World Accordion to Judy" shorts produced by Pirromount Pictures from 2014 through 2019. She died on October 6, 2022 in Los Angeles, USA.- Lauri Hendler was born in Fort Belvoir, Virginia, USA. She is an actress, known for Gimme a Break! (1981), Saints Row IV (2013) and FernGully: The Last Rainforest (1992). She has been married to Steven Reizes since 16 December 1990.
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Kathleen Chalfant was born on 14 January 1945 in San Francisco, California, USA. She is an actress, known for Duplicity (2009), Junior (1994) and Old (2021). She has been married to Henry Chalfant since 26 November 1966. They have two children.- While she may have been a small-part character actress most her career, Sandra Gould possessed an unmistakable look and voice that she called her own and separated her from the rest of the pack, contributing to four types of entertainment mediums (stage, screen, TV and radio) for over five decades.
Short in height (just under 5') and with a very familiar chubby, chipmunk-like face, comedic actress Sandra Gould was born in Brooklyn on July 23, 1916. She kicked into high gear as a teenager with roles in the musical revue "Thumbs Up!" (1934) and comedy "Having Wonderful Time" (1937). Her unique voice was also ideal for radio and she appeared in scored of programs such as "My Friend Irma" and "Duffy's Tavern", the latter in which she replaced original star Shirley Booth. Sandra would go on to spend nearly 15 years on the radio airwaves with star Jack Benny on his legendary program.
By 1947, the middle-aged actress began to be glimpsed in minor filming, appearing in dozens of small, urban bits. Typically, the unhelpful telephone operator or nurse, gabby receptionist, inveterate gossip, abrupt landlady or curt saleslady with her irrepressible New York flair, Sandra was glimpsed in such fare as June Bride (1948), Romance on the High Seas (1948) and My Dream Is Yours (1949)(both with Doris Day), Fourteen Hours (1951), The Great American Pastime (1956), Teacher's Pet (1958) (again starring Ms. Day)), Imitation of Life (1959), Honeymoon Hotel (1964) and The Ghost and Mr. Chicken (1966).
Seldom rising to featured status in films, TV comedy proved a more visible medium. Aside from being a regular on the series I Married Joan (1952) in the 1950s, audiences still fondly remember Sandra from her appearance on a classic I Love Lucy (1951) episode in which she played the fur-bearing wife of Harry Cheshire, a Southern tycoon whom Lucy suspects of selling her fraudulent oil stock. Gould also appeared in a number of popular comedy TV programs including "Our Miss Brooks," "December Brides," "The Danny Thomas Show," "Peter Loves Mary," "Pete and Gladys," "The Jack Benny Program," "The Lucy Show," "The Joey Bishop Show," "Mister Ed," "I Dream of Jeannie," "The Red Skelton Hour," "The Farmer's Daughter" and "Gilligan's Island." She also occasionally provided cartoon voices for "The Flintstones." In 1966, Sandra's biggest career break occurred when she was hired to replace the late Alice Pearce (who had died of ovarian cancer) as neighborhood snoop "Gladys Kravitz" on the classic sitcom Bewitched (1964). She stayed with the role for five seasons.
Following this long-running sitcom success, Sandra slowed her busy schedule down, but never retired. Focusing more and more on her passions, art and writing, she still found plenty of time for TV comedy show appearances with featured parts on "Love, American Style," "The Brady Bunch," "Kolchak: The Night Stalker," "Marcus Welby," "Tabitha," (a 1977 spin-off of "Bewitched" in which she and TV husband George Tobias revived their "Abner and Gladys Kravitz" roles), "The New Leave It to Beaver," "Punky Brewster" and "Friends." She made her last on-camera appearances with 1999 episodes of "Veronica's Closet" and "Boy Meets World." Later sporadic film glimpses included Airport (1970), The Barefoot Executive (1971), Whiffs (1975), Chatterbox! (1977), Deep Cover (1992) and The Nutt House (1992).
Twice wed and widowed, her first husband was broadcasting executive Larry Berns, by whom she had one son, writer/producer Michael Berns. Her second husband was TV director Hollingsworth Morse. Sandra died of a stroke on July 20, 1999, following bypass surgery -- three days before her 83rd birthday. - Actress
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Actress J. Smith-Cameron was born Jean Isabel Smith in Louisville, Kentucky, and raised in Greenville, South Carolina, the daughter of an architect. She was known simply as J. Smith by her fellow students at Florida State University School of Theatre program in the mid-1970s. Despite her age, she made for a completely believable teenage Anne Frank in "The Diary of Anne Frank", was a touching and memorable Helen Keller in "The Miracle Worker", was wonderfully bizarre as Honey in "Who's Afraid of Virginia Woolf?" and demonstrated great skill and versatility in an all-female version of "The Taming of the Shrew". Smith's older sister, actress Jo Ann Smith (who later became a teacher), also attended FSU at the same time and performed in a production of the classic Iranian allegory, "The Butterfly" ("Shaparak Khanoom") by Bijan Mofid and directed by his actor/brother, Ardavan Mofid.
She made her film debut while studying at FSU, starring in the acclaimed low-budget production of Gal Young Un (1979), directed by Victor Nunez, who later directed Ulee's Gold (1997). The film, shot in Florida, starred and featured several fellow FSU alumni, including David Peck, Marc H. Glick, Tim McCormack, Gil Lazier (FSU acting teacher), and Randy Ser (who later won an Emmy as production designer for the Whitney Houston version of Cinderella (1997)). The film was not released until 1979, several years after her college graduation. Following college, she added the hyphenated Cameron to her moniker as both a tribute to her great-grandmother and to avoid confusion once she joined Actors' Equity.
As "J. Smith-Cameron", she made her Broadway debut as the crazy, suicidal "Babe" in Beth Henley's "Crimes of the Heart" (as a replacement). She went on to make an award-worthy New York impression with a Tony nomination for "Our Country's Good" (1991), winning an Outer Critics Circle award for "Lend Me a Tenor" (1989), and an Obie for her no-holds-barred performance in "As Bees in Honey Drown" (1997). Other stage successes have included "Wild Honey", "The Memory of Water", "Night Must Fall", "Tartuffe", and "After the Night and the Music".
Her TV and film work has become stronger and more frequent with each decade. She has shown that, even in the smallest role, she can draw attention to herself, as evinced by her hysterically funny bit as a sexual compulsive in the gay film Jeffrey (1995). She has played various wife and/or mother parts, some more stable than others, in such films as Mighty Aphrodite (1995), Harriet the Spy (1996) and The Rage: Carrie 2 (1999). She also had strong roles in TV guest spots on such shows as The Days and Nights of Molly Dodd (1987), in a recurring role, plus such East Coast-based television series as "The Equalizer", "Homicide: Life on the Street", "Spin City", and "Law & Order".
She met and married playwright/film writer Kenneth Lonergan. They have a daughter, Nellie, who was featured as Mabel, the secretary, in Lonergan's Oscar-nominated breakthrough play-turned-film You Can Count on Me (2000), which made film stars out of Laura Linney and Mark Ruffalo, and was particularly effective in Margaret (2011). Other film projects have included The First Wives Club (1996), In & Out (1997), Bittersweet Place (2005), Man on a Ledge (2012), Like Sunday, Like Rain (2014), and, most recently, True Blood (2008) (as a shape-shifter), as a tormented mother in Rectify (2013), and as "Gerri" in the social drama Succession (2018).- Actress
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Carrie Preston is reprising her Emmy Award-winning role as the astute but unconventional attorney 'Elsbeth Tascioni' in the new hit CBS series, ELSBETH. The beloved character was first introduced in the acclaimed series THE GOOD WIFE on the network and appeared in THE GOOD FIGHT on Paramount+. ELSBETH premiered to rave reviews with New York Times stating Carrie "reigns as the queen of quirk."
Preston spent four seasons starring as Polly in the TNT series, CLAWS. Prior to that, she played Arlene Fowler for seven seasons on HBO's TRUE BLOOD, while also recurring for five seasons on the Network's PERSON OF INTEREST, playing the love interest to her real-life husband, Michael Emerson. Other major TV series include the co-leading role in the NBC sitcom CROWDED, ABC's LGBTQ rights-driven miniseries WHEN WE RISE, and arcs opposite Hank Azaria in BROCKMIRE and Joshua Jackson in DR. DEATH. Her extensive list of guest star appearances includes ABC's LOST and DESPERATE HOUSEWIVES.
Carrie made her feature film debut in Julia Robert's blockbuster "My Best Friends' Wedding" and other notable film roles include scene-stealing roles in "Duplicity," "Vicky Cristina Barcelona," the Oscar-nominated "Transamerica" (as Felicity Huffman's sister), "That Evening Sun" with Hal Holbrook, with Joe Cole in "One of These Days" and "To The Bone" with Keanu Reeves and Lily Collins. She played Kevin Bacon's wife in two films: the Kyra Sedgwick-helmed "Space Oddity" and "THEY/THEM." She received praise for her role opposite Paul Giamatti in Alexander Payne's Oscar-winning film, "The Holdovers".
Trained at Juilliard, Carrie made her Broadway debut playing Miranda to Patrick Stewart's Prospero in "The Tempest" and later played Honey with Stewart and Mercedes Ruehl in "Who's Afraid of Virgnia Woolf?" at The Guthrie Theater. Other stage work includes "Festen" with Jeremy Sisto and Julianna Margulies, "The Rivals," "Antony and Cleopatra" with Vanessa Redgrave, and playing Mia Farrow's daughter in James Lapine's "Fran's Bed."
Carrie is also a sought-after director. Television credits include two episodes of THE GOOD FIGHT, two episodes of Showtime's YOUR HONOR, and two episodes of CLAWS, in which she also starred. She also directed the Sundance Film Festival feature "That's What She Said" starring the late Anne Heche, Marcia DeBonis, and Alia Shawkat.
Carrie lives in New York City with her husband Michael and their adopted dog, Chumley. In her free time, Carrie supports LGBTQIA+ rights and GLAAD, is an honorary board member for the new play development organization, The New Harmony Project, and is a supporter of Parkinson's Research while also working with the Michael J. Fox Foundation.- Actress
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From the grand old school of wisecracking, loud and lanky Mary Wickes had few peers while forging a career as a salty scene-stealer. Her abrupt, tell-it-like-it-is demeanor made her a consistent audience favorite on every medium for over six decades. She was particularly adroit in film parts that chided the super rich or exceptionally pious, and was a major chastiser in generation-gap comedies. TV holds a vault full of not-to-be-missed vignettes where she served as a brusque foil to many a top TV comic star. Case in point: who could possibly forget her merciless ballet taskmaster, Madame Lamond, putting Lucille Ball through her rigorous paces at the ballet bar in a classic I Love Lucy (1951) episode?
Unlike the working-class characters she embraced, this veteran character comedienne was actually born Mary Isabelle Wickenhauser on June 13, 1910, in St. Louis, Missouri, the daughter of a well-to-do banker. Of Irish and German heritage, she grew into a society débutante following high school and graduated from Washington University in St. Louis with a degree in political science. She forsook a law career, however, after being encouraged by a college professor to try theater, and she made her debut doing summer stock in Stockbridge, Massachusetts. The rest, as they say, is history.
Prodded on by the encouragement of stage legend Ina Claire whom she met doing summer theater, she transported herself to New York where she quickly earned a walk-on part in the Broadway play "The Farmer Takes a Wife" starring Henry Fonda in 1934. In the show she also understudied The Wizard of Oz (1939)'s "Wicked Witch" Margaret Hamilton, and earned excellent reviews when she went on in the part. Plain and hawkish in looks while noticeably tall and gawky in build, Wickes was certainly smart enough to see that comedy would become her career path and she enjoyed showing off in roles playing much older than she was. New York stage work continued to pour in, and she garnered roles in "Spring Dance" (1936), "Stage Door" (1936), "Hitch Your Wagon" (1937), "Father Malachy's Miracle (1937) and, in an unusual bit of casting, Orson Welles' Mercury Theatre production of "Danton's Death". All the while she kept fine-tuning her acting craft in summer stock.
A series of critically panned plays followed until a huge door opened for her in the form of Miss Preen, the beleaguered nurse to an acid-tongued, wheelchair-bound radio star (played by the hilarious Monty Woolley) in the George S. Kaufman/Moss Hart comedy "The Man Who Came to Dinner"; for once, it was Wickes doing the cowering. The play was the toast of Broadway for two wacky years and she went on tour with it as well. She also become a Kaufman favorite.
Hollywood took notice as well, and when Warner Bros. decided to film the play, it allowed both Wickes and Woolley to recreate their classic roles. The Man Who Came to Dinner (1941), which co-starred Bette Davis and Ann Sheridan, was a grand film hit and Wickes was now officially on board in Hollywood, given plenty of chances to freelance. At Warners she lightened up the proceedings a bit in the Bette Davis tearjerker Now, Voyager (1942) as the nurse to Gladys Cooper. Elsewhere, she traded quips with Lou Costello as a murder suspect in the amusing whodunit Who Done It? (1942); played a WAC in Private Buckaroo (1942) with The Andrews Sisters; and dished out her patented smart-alecky services in both Happy Land (1943) and My Kingdom for a Cook (1943).
Wickes returned to Broadway for a few seasons, often for Kaufman, and did some radio work as well, but returned to Hollywood and played yet another nurse in The Decision of Christopher Blake (1948), a part written especially for her. She appeared with Bette Davis for a third time in June Bride (1948), finding some fine moments playing a magazine editor. Wickes went on to perform yeoman work in On Moonlight Bay (1951) and its sequel, By the Light of the Silvery Moon (1953); I'll See You in My Dreams (1951); White Christmas (1954) and The Music Man (1962), the last as one of the "Pick-A-Little, Talk-A-Little" gossiping housewives of River City.
Television roles also began filtering in for Wickes she continued to put her cryptic comedy spin on her harried housekeepers, teachers, servants and other working commoner types. She played second banana to a queue of comedy's best known legends in the 1950s and 1960s, notably Lucille Ball (who was a long-time neighbor and pal off-screen), Danny Thomas, Red Skelton, Bob Hope, Jack Benny, Jimmy Durante, Peter Lind Hayes and Gertrude Berg. Her stellar work with Berg on The Gertrude Berg Show (1961) garnered Wickes an Emmy nomination. Among the Baby Boom generation, she may be best remembered as Miss Cathcart in Dennis the Menace (1959).
In later years her gangly figure filled out a bit as she continued to appear here and there on the small screen in both guest star and series' regular parts. Later in life she enjoyed a bit of a resurgence. Recalled earlier for her Sister Clarissa in the madcap comedy films The Trouble with Angels (1966) and its sequel, Where Angels Go Trouble Follows! (1968), both with Rosalind Russell, She donned the habit again decades later as crabby musical director Sister Mary Lazarus in the box-office smash Sister Act (1992) and its sequel, Sister Act 2: Back in the Habit (1993). She appeared in Postcards from the Edge (1990) as Meryl Streep's grandmother, and in Little Women (1994) as the matriarchal Aunt March. True to form, the last role in which she appeared was voicing the gargoyle "Laverne" in The Hunchback of Notre Dame (1996), which was released after her death.
The never-married Wickes died in 1995 after entering the hospital with respiratory problems. She suffered a broken hip from an accidental fall and complications quickly set in following surgery. She was 85 years young.- Denver-born supporting actress Irene Tedrow is another in a long line of "I know the face...but not the name" character actors whose six-decade career was known more for its durability than for the greatness of roles she played. Born in 1907, she was a lady primarily of the stage, beginning her acting career as a teen. She trained in drama at Carnegie Tech in Pittsburgh, PA, graduating with a Bachelor of Arts degree in 1929. A slim, handsome woman in her early days, her features grew more severe with age, which ultimately typed her as puritanical meddlers and no-nonsense matrons practically from her entrance into film in 1937. She seldom, if ever, found a meaty part, appearing way, way down the list of credits, if at all. A founding member of the Old Globe Theatre, she was featured in such classical productions as "Richard III," "Hamlet" and "Henry IV, Part I." She became a primary player on radio during the war years, notably for the maternal role of Mrs. Janet Archer in the popular serial Meet Corliss Archer (1950), which she transferred to TV for one season. Her radio role lasted for nine years (43-52). Irene appeared in hundreds of episodic guest appearances for nearly 35 years in everything Dragnet (1951), The Andy Griffith Show (1960), and The Twilight Zone (1959) to the more recent The Facts of Life (1979), St. Elsewhere (1982) and L.A. Law (1986). Never a regular series player, she is probably best remembered as the kindly Mrs. Elkins who appeared occasionally on the Dennis the Menace (1959) sitcom. Over the years, Irene never abandoned the stage, gracing a number of shows in her senior years including "Our Town" on Broadway, plus "Foxfire," "The Hot L. Baltimore" and "Pygmalion." Continuing to work as an octogenarian, she died of a stroke at age 87 in the Los Angeles area.
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American character actor and playwright Wallace Shawn has one of those fun, delightfully mischievously gnomish faces made for entertaining. Though he got out of the acting starting gate rather late, he quickly excelled film and TV while managing to turn himself into comedy egghead or loser types. Woody Allen's slightly threatened character in the movie Manhattan (1979) amusingly describes Wallace's benign gent as "a homunculus", which may be a pretty fair description of this predominantly bald, wan, pucker-mouthed, butterball-framed, slightly lisping gent. Shawn made his movie debut at age 36 in Allen's heralded classic in a brief but telling scene as Diane Keaton's ex-husband.
The 5'2" Jewish actor was born Wallace Michael Shawn into privilege on November 12, 1943 in New York City, as the son of Cecille (Lyon) (1906-2005), a journalist, and William Shawn (1907-1992), renowned and long-time editor of The New Yorker. His brother, Allen Shawn, went on to become a composer. Wallace was educated at both Harvard University, where he studied history, and Magdalen College, Oxford. Wallace initially taught English in India on a Fulbright scholarship, and then English, Latin and drama back in New York. However, a keen interest in writing and acting soon compelled him to leave his cushy position and pursue a stage career as both playwright and actor.
During his distinguished career, Wallace churned out several plays. "Our Late Night", the first of his works to be performed, was awarded an off-Broadway Obie in 1975. This was followed by "A Thought in Three Parts" (1976);, "The Mandrake" (1977) (which he translated from the original Italian and made his acting debut), "Marie and Bruce" (1979), "Aunt Dan and Lemon" (1985) and "The Fever," for which he received his second Obie for "Best New Play" during the 1990-91 season.
A popular supporting player of comedy and the occasional drama, Shawn's assorted kooks, creeps, brainiacs and schmucks possessed both endearing and unappetizing qualities. He earned his best early notices partnered with theatre director/actor Andre Gregory in the unique Louis Malle-directed film My Dinner with Andre (1981). Shawn co-wrote the improvisatory, humanistic piece with brother Allan as the composer. Shawn and Gregory would collaborate again for Malle in another superb, original-concept film Vanya on 42nd Street (1994).
Among Shawn's offbeat films have been Bruce Paltrow's A Little Sex (1982); James Ivory's The Bostonians (1984); Stephen Frears' Prick Up Your Ears (1987); Rob Reiner's The Princess Bride (1987); Alan Rudolph's The Moderns (1988) and Mrs. Parker and the Vicious Circle (1994); and Paul Bartel's Scenes from the Class Struggle in Beverly Hills (1989). He also appeared in several other Woody Allen offerings including Radio Days (1987), Shadows and Fog (1991), The Curse of the Jade Scorpion (2001), Melinda and Melinda (2004) and the title role in Rifkin's Festival (2020).
Since the 1990s, he has lent his vocal talents to a considerable number of animated pictures including A Goofy Movie (1995), Toy Story (1995) (and its sequels), The Jungle Book: Mowgli's Story (1998), The Incredibles (2004), Chicken Little (2005), Happily N'Ever After (2006), Cats & Dogs: The Revenge of Kitty Galore (2010) and Animal Crackers (2017). TV voices have included The Pink Panther (1993), The Lionhearts (1998), Family Guy (1999), Kung Fu Panda: Legends of Awesomeness (2011), The Stinky & Dirty Show (2015) and The Bug Diaries (2019).
Millennium films graced with Shawn's participation include Southland Tales (2006), Kit Kittredge: An American Girl (2008), Jack and the Beanstalk (2009), The Speed of Thought (2011) and Vamps (2012). He co-starred as Halvard Solness and wrote the screen adaptation for Ibsen's classic play A Master Builder (2013) co-starring Julie Hagerty, and went on to appear in Don Peyote (2014), Maggie's Plan (2015), Robo-Dog (2015), Drawing Home (2016), Another Kind of Wedding (2017), Book Club (2018) and Marriage Story (2019).
Over the decades, Shawn has scurried about effortlessly with a number of television guest appearances including "Taxi," "Homicide: Life on the Streets," "Ally McBeal," "Law & Order: Criminal Intent," "Sex and the City," "Desperate Housewives," "The Daily Show," "The 7D," "Life in Pieces," "The Good Fight," "Mr. Robot" and "Search Party. He has also drummed up a few recurring roles for himself in the process, including The Cosby Show (1984), Murphy Brown (1988), Clueless (1996) (based on the hit film Clueless (1995), revisiting his teacher role), Murphy Brown (1988), Star Trek: Deep Space Nine (1993), Crossing Jordan (2001), The L Word (2004), Gossip Girl (2007), The Good Wife (2009), Mozart in the Jungle (2014), and, more recently, as Dr. Sturgis in the comedy Young Sheldon (2017).- Born Mary Whitty on June 19, 1865, to a Liverpool newspaper editor and his wife, she became known as May Whitty to the world. She first stepped onto the London stage in 1882 at which she worked as an understudy at the St. James Theatre and then began playing leading roles when she joined a traveling stock company. After nearly 25 years as one of Britain's leading stage actresses, she appeared in her first film, Enoch Arden (1914), in Great Britain. She did not care much for the experience and appeared in only a few silent films afterward.
In 1918, based on her service to the arts and for performing for the troops during World War I, she was named as a Dame Commander of the Order of the British Empire by King George V.
After a string of 1930s Broadway successes, she went to Hollywood, following the example of many of her British contemporaries. She found herself usually cast in highborn roles, sometimes crotchety, sometimes imperious, however often warmhearted. Classic examples of these were the crotchety Mrs. Bramson, an invalid who falls for the homicidal Robert Montgomery, in Night Must Fall (1937); Miss Froy\ in The Lady Vanishes (1938), wherein she plays the title character, enduring great physical exertion while maintaining her poise and dignity; and Lady Beldon in Mrs. Miniver (1942), a role which garnered her an Oscar nomination for best supporting actress. She proved herself equally capable of playing working-class roles, such as the dowdy phony psychic in The Thirteenth Chair (1937). Besides two Oscar nominations, she also won the National Board of Review best acting award for the 1937 film Night Must Fall (1937).
In 1892, she married London producer Ben Webster. They were the parents of a daughter, Margaret Webster, who became a playwright and actress in her own right. Margaret penned her mother's biography, The Same Only Different, published in 1969.
Whitty died at the age of 82 as the result of cancer in Beverly Hills shortly after completing her scenes in the film The Sign of the Ram (1948).
She once said, "I've got everything Betty Grable has ... only I've had it longer." - Actress
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Karen Robinson was born on 28 February 1968 in Leslieville, Toronto, Ontario, Canada. She is an actress, known for Narc (2002), Schitt's Creek (2015) and Lars and the Real Girl (2007).- Actress
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When, at 50, Mabel Albertson was given the supporting role of Mrs. Carter, young actress Aileen Stanley Jr.'s mother in a Warner Bros. Technicolor musical romance, little did she know that she was starting out a movie and TV career in which she would shine as "the ultimate haughty judgmental (often wealthy) mother-in-law (or mother, or stepmother, or auntie)" in an impressive series of films, TV films or TV series episodes. Mabel Albertson's comic gifts helped her to make these generally obnoxious characters hilarious. She is indeed memorable as Jerry Lewis' mother-in-law in Don't Give Up the Ship (1959), as George Hamilton's mother in All the Fine Young Cannibals (1960) or the domineering mother-in-law of poor Anthony Franciosa in Period of Adjustment (1962). On television, Tom Ewell, Dick Van Dyke and Dick Sargent, among others, were given the same treatment by their screen mother.
Even at 50 years of age, Mabel Albertson was no newcomer to the business. In fact, she had been a successful vaudeville performer in the 1920s, a radio star in the 1930s and a theater actress and director in the 1940s. She had tried her hand in films twice (in 1928 and 1940) but without much success. Ironically, it was the film business that had previously rejected her which would make her unforgettable from the early 1950s to the late 1970s when Alzheimer's Disease put an and end to a long and fruitful career.- Actress
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As an American character actress, Fran Ryan was a familiar face on stage, screen and television from her theatrical stage debut in the 1950s and continuing for nearly three decades. Ryan's similarity to actress Marjorie Main was soon noticed in the late 1960s, and she frequently played tough, mean-lipped, earthy and gruff-but-lovable female characters.
One of Ryan's first major television roles was playing Aggie Thompson, the housekeeper on The Doris Day Show (1968) and quickly found her place as a last-minute replacement on several television shows. She replaced the late Barbara Pepper in playing Doris Ziffel on the final season of Green Acres (1965). She also successfully succeeded Amanda Blake to play Miss Hannah on the final season of Gunsmoke (1955). Ryan's best-known TV credits include General Hospital (1963) and No Soap, Radio (1982).
Ryan also had supporting roles in major motion pictures including Big Wednesday (1978), The Long Riders (1980), Stripes (1981), Savannah Smiles (1982), Private School (1983), Eyes of Fire (1983) and Pale Rider (1985). Although she was never far from television, she returned to play Hannah the Barbarian in the short lived animated series Little Dracula (1991).
Fran Ryan passed away at her home in Burbank, California on January 15, 2000 of natural causes.- Actress
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Marsha Warfield was born on 5 March 1954 in Chicago, Illinois, USA. She is an actress and producer, known for 9-1-1 (2018), Stand Out: An LGBTQ+ Celebration (2022) and Night Court (1984).- Actor
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Charles Richard Moll was an American actor. He is perhaps best known for playing the role of Aristotle Nostradamus "Bull" Shannon, the bailiff on the NBC sitcom Night Court from 1984 to 1992. He has also done extensive work as a voice actor, typically using his deep voice to portray villainous characters in animation and video games, most notably the voice of Two-Face in Batman: The Animated Series and Batman: The Brave and the Bold. Moll passed away on October 26, 2023 at the age of 80.- Actor
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John Bernard Larroquette, is an all-around American actor known for his roles in both drama and comedy. He became well-known as Deputy District Attorney Dan Fielding in the NBC sitcom "Night Court" (1984-1992; 2023-present), a role that earned him four straight Emmy Awards for Best Supporting Actor in a Comedy. This remarkable achievement showed off his talent, demonstrating his knack for mixing serious drama with comedic flair. Larroquette's performance of Dan Fielding evolved from conservative to more humorous, reflecting his own sense of humor, which was a hit with viewers.
Apart from "Night Court," Larroquette's career is filled with impressive roles in various TV series. He won an Emmy for a guest role in "The Practice" and appeared in "The Good Fight," "The Librarians," "Boston Legal," and "Happy Family." His return to "Night Court" in the reboot sees him play again his role as Dan Fielding. However, the character has become gentler over time, suggesting personal growth and struggles, including a reference to a past marriage and a shift from practicing law to working as a process server. This comeback in the reboot adds a new layer to his famous role, mixing fond memories with fresh storytelling.- Actress
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Most familiar to TV audiences as the diminutive but feisty court bailiff on Night Court (1984), Selma Diamond's entrance into acting was not through the usual venue of vaudeville, stage work or modeling - she was a writer for TV shows, once having been nominated for an Emmy for Caesar's Hour (1954). Although she had that tough New York accent and street demeanor, she was actually born in London, Ontario, Canada, then raised in Brooklyn. A graduate of New York University, she at first made a living by selling cartoons and fiction to the "New Yorker" magazine. NBC hired her as a writer for one of its radio shows, "The Big Show," and she later made the transition into writing for television. Her film debut was as the voice on the telephone of Spencer Tracy's wife in It's a Mad Mad Mad Mad World (1963), where the world got a sample of the distinctive Diamond voice: nasal, high-pitched and one that could never be mistaken for anyone else's. She did a lot of TV work and was a regular on another series, Too Close for Comfort (1980) before Night Court (1984). She died due to lung cancer in 1985.- Actress
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Tall, graceful, supremely accomplished American actress, singer, dancer and choreographer Paula Kelly was born in Jacksonville, Florida, one of three daughters, to Ruth and Lehman Kelly. The family moved to Harlem in New York when she was six years old. Unlike her siblings, she had strong musical inclinations which were recognised early on by her father (himself a jazz musician), who enrolled her in the Fiorello LaGuardia High School of Music & Art. Paula excelled as a star pupil. This opened doors to an audition at the prestigious Juilliard School and led to a four-year scholarship. Having trained under the academy's first director of dance, Martha Hill, she graduated in 1964 and that same year made her debut on Broadway. During much of the 1960s, specialising in modern dance, she performed with such luminaries as Martha Graham and Alvin Ailey and went on tour as a dancer with Harry Belafonte.
The inevitable breakthrough to popular success came when she was cast as Helene (taxi dancer at the Fandango Ballroom) in London's West End production of "Sweet Charity" (1967), directed and choreographed by Bob Fosse. Paula ended up winning the London Variety Award for Best Supporting Actress. The play itself enjoyed a healthy run but was ultimately eclipsed by the motion picture Sweet Charity (1969), for which Paula was able to recreate her stage role. Now firmly established on the screen, she went on to sing and dance in a number of musical television specials and/or variety shows headlining Gene Kelly (with whom she performed a duet), Dean Martin, Quincy Jones, Richard Pryor and former Sweet Charity co-star Sammy Davis Jr.. She also appeared as Tiger Lily, teaming up with Danny Kaye and Mia Farrow for the BBC production of Peter Pan (1976), as well as taking on the dual role of co-choreographer. In 1971, she starred in a Los Angeles stage production of the all-singing, all-dancing musical revue "Don't Bother Me, I Can't Cope", for which she won the Los Angeles Drama Critics Circle Award.
Since the popularity of musicals had waned by the early 1970s, Paula had little choice but to take on straight dramatic acting roles. On several occasions she provided the female interest in a series of fashionable, sassy, tough blaxploitation films, playing cool, happening chicks opposite action men like Robert Hooks, Paul Winfield and Thalmus Rasulala (and often rising above the routine dramatic material afforded her). She was Leggy Peggy in the cult comedy Uptown Saturday Night (1974) with Sidney Poitier, Bill Cosby and Richard Pryor and had featured roles in the sci-fi classics The Andromeda Strain (1971) and Soylent Green (1973). She also appeared in many television guest spots, with notable recurring roles in The Streets of San Francisco (1972), Police Woman (1974) and the sitcom Night Court (1984), for which she received the first of two Emmy Award nominations. She retired from acting in 1999. Her husband was the British film and television director Don Chaffey, who predeceased her in 1990.
Paula Kelly died of heart failure on February 9, 2020 at age 77.- Actress
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Her trademark sass complemented by a distinctively adenoidal voice that could out-snarl Eartha Kitt and Fran Drescher put together, short (4'11"), round, and robust Nell Carter was one indomitable, in-your-face firecracker...and it made her a star. She was born Nell Ruth Hardy in 1948 in Birmingham, Alabama and raised there, one of nine children born to Horace and Edna Hardy. She grew up listening to the sounds of Dinah Washington and Elvis Presley and developed an early interest in singing that led to performances in various youth groups, her church choir, on local radio and even the gospel circuit. This was a positive distraction from the major traumas suffered during her early life which included the tragic death of her father, who was electrocuted when he accidentally stepped on a live power line, and a rape at gunpoint when she was a young teenager.
By age 19, Carter had relocated to New York where she found work singing in assorted niteries (Rainbow Room, Sweeney's), cafés, and musical revues to her liking. Studying at Bill Russell's School of Drama from 1970 to 1973, she made her Broadway debut in "Soon", a two-act musical show that lasted two days, and included such up-and-comers as Richard Gere, Peter Allen and Barry Bostwick. Other musical roles came with "Dude" (1972), "Be Kind to People Week" (1975) and "Don't Bother Me, I Can't Cope" (1976). Receiving further training in London, Carter, who continued to gain both in girth and talent, made a star-making leap when she was cast alongside Armelia McQueen, Charlayne Woodard, André De Shields and Ken Page in the 1978 ensemble revue, "Ain't Misbehavin'", a musical catalogue of Fats Waller songs. The stellar quintet ran for nearly four years and the scene-stealing Carter, with such show-stopping songs as "Mean to Me" and "Cash for Your Trash", received a multitude of awards, including the Theatre World, Drama Desk, Obie and Tony. The show was taped for TV in 1982 for which Carter also nabbed the Emmy, and a Broadway revival with all five performers reunited was restaged in 1988. Later musical vehicles included her own feisty version of "Dolly Levi" in a 1991 African-American revival.
Tough and temperamental with a larger-than-life presence, Carter was invariably drawn toward the small screen and was initially featured in the daytime soap Ryan's Hope (1975) and The Misadventures of Sheriff Lobo (1979), the latter perfectly cast as a police sergeant. Audiences took to her immediately and, eventually, she was handed her own vehicle as the loving but no-nonsense housekeeper of a white family in the NBC sitcom Gimme a Break! (1981). That show, which ran for six seasons, earned her two additional Emmy nominations for "Best Actress in a Comedy". Following this, she co-starred on You Take the Kids (1990), which fizzled, and the already established Hangin' with Mr. Cooper (1992) as Mark Curry's boss. Other spunky guest shots over time included such popular programs as Amen (1986), 227 (1985), Touched by an Angel (1994), Ally McBeal (1997) and Reba (2001), as well as quiz show participations on Match Game (1990) and To Tell the Truth (1990). Her work in films, which included a standout musical song ("White Boys") in Milos Forman's film adaptation of Hair (1979) and a touching role as Piper Laurie's housekeeper in The Grass Harp (1995), was never fully engaged. Carter was notoriously opinionated and audaciously candid as a person, a true survivor in her off-stage life, which was riddled with misfortune. She endured constant weight problems and severe alcohol/cocaine habits (recovered) as well as two divorces, a suicide attempt, several miscarriages, bankruptcy, the death of a brother from AIDS and multiple surgeries after suffering a near-fatal brain aneurysm in 1992. She battled diabetes for much of her adult life and once collapsed on stage during a 1997 performance of "Annie", in which she played the boisterous "Miss Hannigan". To comfort and complete herself, she studied and adopted Judaism as her religion. In 1989 and 1990, she adopted two infant sons, Joshua and Daniel, to her family, which included daughter Tracey.
After a history of ups and downs, the 54-year-old singer/actress collapsed and died alone on January 23, 2003, in her Beverly Hills home, subsequently found by her 13-year-old adopted son, Joshua. The cause of death was not immediately established at the time but it was later established that she had suffered a fatal heart attack, complicated by her diabetes and obesity. She was interred in the Hillside Memorial Park Cemetery in Culver City, California. At the time of her death, she was in rehearsals for another musical stage lead, this time in the Long Beach, California revival of the hit musical "Raisin". The musical opened a few days later as scheduled with Carter's understudy taking over the role.- Francie Swift was born on 27 March 1969 in Amarillo, Texas, USA. She is an actress, known for Two Weeks Notice (2002), Thoroughbreds (2017) and Cop Out (2010). She has been married to Bradley Adam Blumenfeld since 10 July 2004.
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Michael Dennis Henry was born August 15th, 1936. He was an athletic professional football player at the time he entered the movies. He played for the Pittsburgh Steelers (1958-61) and the Los Angeles Rams (1962-64). During part of that time (1961-64) he was under contract with Warner Brothers and played a variety of bit parts (TV's Surfside 6 (1960), Hawaiian Eye (1959), Cheyenne (1955) & the movie, Spencer's Mountain (1963)). He earned the role of Tarzan when series producer, Sy Weintraub began looking for a "younger Burt Lancaster" type, anticipating not only more Tarzan movies but a TV series as well. Weintraub was a Rams fan and had seen a TV documentary about them called Men from the Boys, produced by and featuring Mike Henry. Mike only made three Tarzan movies. He suffered animal bites, food poisoning, infections, and impossible work schedules in Mexico and especially Brazil. He wound up suing Weintraub for "maltreatment, abuse, and working conditions detrimental to my health and welfare." Just before his second Tarzan release in 1967 he was signed as Sgt. Kowalski in John Wayne's The Green Berets (1968). He made more movies, including the part of "Junior", as a naive son of Jackie Gleason, with the role of Buford T. Justice! in the Smokey and the Bandit (1977) movie set there were three.- Writer
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Andrew Stevens, President/CEO of Andrew Stevens Entertainment and Stevens Entertainment Group, has produced and/or financed one hundred and eighty films through his various production and distribution companies. Unique in the motion picture industry, Stevens has functioned in almost every capacity in the entertainment business, from creative development of motion picture stories and screenplays, to foreign sales, distribution, post-production, deliveries and collections. He is an accomplished screenwriter, director, as well as prolific producer, academic author of several academic books, an educator and public speaker and was a successful actor for more than 20 years. Outside of the entertainment business, Stevens has been successful in both commercial and residential real estate development, song-writing for film, with 9 credited songs in film and 6 in TV to date, community service working with elderly patients with dementia, and E-Sports.
Active since January 2003, his company has developed, produced and/or arranged the financing for more than thirty motion pictures, including the newly completed Send It!, which he also directed, All good Things, 47 Hours the Lifetime movie, The Wrong Affair, Half Past Dead 2, Walking: Tall Lone Justice, Walking: the Payback, the SyFy Channel films, Fire From Below, Mongolian Death Worm and Mandrake, 7 Seconds and The Marksman, both starring Wesley Snipes, Black Dawn starring Steven Seagal, Pursued starring Christian Slater, Blessed starring Heather Graham, Method, starring Elizabeth Hurley, to name a few. including 7 Seconds (2005) and The Marksman (2005), both starring Wesley Snipes, Black Dawn (2005) starring Steven Seagal, Pursued (2004) starring Christian Slater, Blessed (2004) starring Heather Graham, Method (2004), starring Elizabeth Hurley, and Silent Partner (2005), starring Tara Reid.
From 1997 through 2002, Stevens co-founded, and served as President and Chief Operating Officer of Franchise Pictures, an independent film production and distribution company with a domestic theatrical output deal with Warner Bros. During his five-and-a-half tenure at Franchise, Stevens produced or executive produced and provided the finance or co-finance for more than 60 feature films including the enormously successful The Whole Nine Yards (2000), and its sequel The Whole Ten Yards (2004), both starring Bruce Willis and Matthew Perry, The In-Laws (2003), starring Michael Douglas and Albert Brooks, Angel Eyes (2001) starring Jennifer Lopez and Jim Caviezel, City by the Sea (2002) starring Robert De Niro, The Pledge (2001) starring Jack Nicholson, 3000 Miles to Graceland (2001), starring Kevin Costner and Kurt Russell, Half Past Dead (2002) starring Steven Seagal. Stevens was also responsible for creating Franchise Classics, a division which produced and distributed many films which appeared in such major film festivals as Cannes, Sundance Film Festival and Toronto Film Festival including The Big Kahuna (1999), starring Kevin Spacey, Things You Can Tell Just by Looking at Her (2000), starring Cameron Diaz and Glenn Close, Green Dragon (2001), starring Forest Whitaker and Patrick Swayze, and The Caveman's Valentine (2001), starring Samuel L. Jackson. Concurrent with the formation of Franchise, Stevens co-founded and served as president of a sister company, Phoenician Entertainment which produced such films as The Third Miracle (1999), starring Ed Harris and Anne Heche, Entropy (1999), starring Stephen Dorff and U2, Woman Wanted (1999), starring Kiefer Sutherland and Holly Hunter, and many genre action/adventure films. Prior to Franchise and Phoenician, Stevens was an owner and president of Royal Oaks Entertainment, which produced and/or distributed seventy pictures over a three-year period including many HBO, Showtime and Sci-Fi Channel world premieres. Prior to Royal Oaks, Stevens' initial venturing into foreign sales and production company ownership was with Sunset Films International, which amassed a library of nineteen titles, (including seven in-house productions) during his first year as president of the company. Stevens serves on the board of directors of the International Film and Television Alliance, (the former American Film Marketing Association) and until recently served as Chairman of the Independent Producers Association (IPA), which is, among other things, active in collective bargaining for independent producers and film companies. Stevens has been involved in many guild negotiations with both the Screen Actors Guild (SAG) and the Directors Guild of America (DGA) on behalf of the constituency of independent producers and was a key architect of the current DGA/IPA multi-tiered low-budget agreement.
Stevens was a award-winning actor, including a Golden Globe nomination and the Star of Tomorrow award from the National Association of Theatre Owners (NATO) starring in over 80 feature films and/or television series. Stevens authored a fully accredited Associate of Applied Arts college degree program in Motion Picture Production, which he later distilled into an online certificate program, (2015) DVD and Vimeo series. "Foolproof Film School. Dallas: Stevens Entertainment Group. ISBN 978-0-6924374-9-0, which teaches Stevens' unique practical perspective of the business side of making movies, based on his academic texts, (2014) Book: "Foolproof Filmmaking". Westport: Prospecta Press. ISBN 978-1-935212-27-0; (2016) Book: "Producing for Profit". New York and London" Focal Press/Routledge/Taylor and Francis Group. ISBN 978-1-138-12104-1; and (2017) Book "Screenwriting for Profit". New York and London" Focal Press/Routledge/Taylor and Francis Group. ISBN 978-1-138-95060-3- Actress
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Molly Price was born on 15 December 1966 in North Plainfield, New Jersey, USA. She is an actress, known for How Do You Know (2010), Third Watch (1999) and Sweet and Lowdown (1999). She has been married to Derek Kelly since 13 October 2001. They have one child.- Actor
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Clark Brandon was born on 13 December 1958 in New York City, New York, USA. He is an actor and director, known for Skeeter (1993), Fast Food (1989) and Dark Secrets (1992).- Actress
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Delightful character actress who held her own against such acting heavyweights as Charles Laughton, Boris Karloff, Tyrone Power, Barbara Stanwyck, and Sydney Greenstreet. Often cast by studio heads as comic relief thanks to her thick Irish accent and rubber-faced expressions, most notably in Universal's horror classics, Bride of Frankenstein (1935) and The Invisible Man (1933). Her final role was as the devoted housekeeper in Billy Wilder's Witness for the Prosecution (1957), a role she originated on stage. Her hilarious testimony during the trial is one of the film's highlights.- Actor
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Andy Clyde's more than 40-year film career started on the vaudeville stages and music halls in his native Scotland in the 1920s. He made his way to Hollywood and began as an extra in Mack Sennett comedies, but he was soon moved up to featured player, usually the sidekick or second banana to the lead. He had his own series of well-received comedy shorts at Educational Pictures in the mid-1930s, and began a long association with Columbia Pictures, where he made his own series of comedy shorts over the next 20 years. Being a popular player there, he outlasted every Columbia Pictures comedian except The Three Stooges.
He is best remembered, however, for his role as California Carlson, the easygoing comedic relief in Paramount's highly successful "Hopalong Cassidy" series. He played in 36 of the 66 movies, and also joined William Boyd ("Hoppy") on his popular radio show. Clyde also appeared in several other western films, usually playing the grizzled, grungy, scruffy marshal, deputy or just plain old cowboy, generally with several days growth of beard and a sloppy, mismatched wardrobe (in real life he was exactly the opposite, being a slick, clean-shaven and sharp dresser). His last film, Pardon My Nightshirt (1956), also brought an end to his Columbia shorts series. He had regular parts in such TV series as No Time for Sergeants (1964) and The Real McCoys (1957).
He died in 1967, age 75, in Hollywood, still working.- Actress
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Chloë Sevigny is an Academy Award-nominated and Golden Globe-winning actress and director who is known for her groundbreaking work across film, television and theatre. Sevigny has spent her career working with innovative and revolutionary filmmakers and artists including Lars von Trier, Jim Jarmusch, Mary Harron, David Fincher and Whit Stillman and Luca Guadagnino. She continues that work with several upcoming projects: Sevigny can be currently seen in We Are Who We Are, for HBO/Sky, which was created, written and directed by Luca Guadagnino (Call Me By Your Name). The eight-episode drama is a coming of age story about a group of American soldiers on an Army base in Italy. We Are Who We Are is being produced by Wildside and Apartment Pictures and distributed by Freemantle. Alice Braga, Jack Dylan Grazer, and Kid Cudi also star. In 2021 Sevigny will begin production on the second season of the Natasha Lyonne hit Russian Doll for Netflix. In the first season, Chloë made an appearance as Leonora, mother to Natasha's character Nadia. The second season will be an origin story in which Chloë's character is heavily featured. Russian Doll was created by Natasha Lyonne, Amy Poehler and Leslye Headland. Sevigny was last seen on the big screen in Queen and Slim, directed by Melina Matsoukas and written by Lena Waithe, with the original idea by James Frey. The film stars Daniel Kaluuya and Jodie Turner-Smith. The film is about a black man and black woman on a first date that goes awry after the two are pulled over by a police officer at a traffic stop. They kill the police officer in self-defense and go on the run, rather than turn themselves in. Chloë's character plays a pivotal role in deciding their fate. The film was released in the US by Universal in November 2019. Opening the 2019 Cannes Film Festival was Jim Jarmusch's third film for Focus Features and Universal Pictures International, The Dead Don't Die. The zombie-comedy boasts a cast including Bill Murray, Tilda Swinton, Adam Driver, Steve Buscemi and Selena Gomez. Sevigny plays a small-town police officer, with Murray and Driver, in a town under zombie attack. Carter Logan and Animal Kingdom produced. Sevigny previously worked with Jarmusch on Broken Flowers and Ten Minutes Older Sevigny has now made the move into directing with three critically acclaimed short films: Her most recent, White Echo, premiered in competition at the 2019 Cannes Film Festival, at which Sevigny was the only American female director in Competition. Chloë's directorial debut, Kitty, also debuted at Cannes in 2016 and her second short entitled Carmen, proved equally successful at the 2017 Venice Film Festival. Recent past projects include: The Act, on Hulu, a true-crime anthology series written by Michelle Dean and Nick Antosca and directed by Laure de Clermont-Tonnerre (Mustang). The Act tells the true story of Gypsy Blanchard, a girl (Joey King) trying to escape the toxic relationship she has with her overprotective mother, played by Patricia Arquette. Chloë played Mel, who serves as the moral compass of the story. Lizzie, which premiered at Sundance 2018 after being developed and produced by Sevigny. The film, in which she starred with Kristen Stewart, was released by Roadside Attractions in September 2018. Lean On Pete, directed by Andrew Haigh, which was released domestically in May 2018 by A24. Sevigny co-starred with Steve Buscemi in a coming of age story starring Charlie Plummer, based on the acclaimed novel by Willy Vlautin. Golden Exits, directed by Alex Ross Perry, Oren Moverman's The Dinner, and Miguel Arteta's Beatriz at Dinner. The critically acclaimed television series Bloodline is recently aired its third and final season on Netflix. On stage, Sevigny was most recently seen in the New Group's Downtown Race Riot written by Seth Zvi Rosenfeld and directed by Scott Elliot. Sevigny was previously seen in The New Group's productions of What the Butler Saw and Hazelwood Junior High. Sevigny has also appeared in many celebrated indie and cult-favorite films like, The Last Days of Disco, American Psycho, Gummo, Dogville, Party Monster, Broken Flowers and Love & Friendship, and has appeared in television hits such as American Horror Story, Portlandia and Big Love, for which she won a Golden Globe. Sevigny made her film debut in the controversial Kids, directed by Larry Clark and written by Harmony Korine. For her performance in Kimberly Peirce's Boys Don't Cry, Chloë received nominations for an Academy Award and a Golden Globe among many others. She makes her home in New York. 10/2020- Actress
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Linda Purl was born in Greenwich, Connecticut, and raised in Japan, becoming the only foreigner to train at the Toho Geino Academy. At the Imperial Theatre in Tokyo, she played the role of "Louis" in "The King and I" (in Japanese), "Bet" in "Oliver" and the role of "Helen Keller" in "The Miracle Worker".
She then went to England to study under Marguerite Beale, before returning to the United States to study at the Lee Strasberg Institute and, later, with Robert Lewis. Her stage credits include: The Broadway musical, "The Adventures of Tom Sawyer"; "Getting and Spending", which ran on Broadway at the Helen Hayes Theatre.- Actor
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Born in Manila, Philippines, Bryan Callen made his television debut as a series regular on Mad TV (1995) and the HBO prison series Oz (1997). He was recently seen as Kirstie Alley's wisecracking assistant on Showtime's comedy series Fat Actress (2005). Callen has appeared on several television series including Sex and the City (1998), 7th Heaven (1996), Stacked (2005), The King of Queens (1998), Las Vegas (2003), Significant Others (1998), The West Wing (1999), CSI: Crime Scene Investigation (2000), Law & Order: Special Victims Unit (1999), NYPD Blue (1993), Suddenly Susan (1996), Frasier (1993) and NewsRadio (1995), among others. In addition, Callen has appeared in such feature films as Bad Santa (2003) and Old School (2003) and has performed stand up comedy on several TV shows.- Actress
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Born in 1911, Jeanette Nolan began her acting career in the Pasadena Community Playhouse. While still a student at Los Angeles City College, she made her radio debut in 1932, aged 20, in "Omar Khayyam", the first transcontinental broadcast from station KHJ. Her film debut was probably also her best part: Lady Macbeth opposite director/actor Orson Welles's Macbeth (1948). Her final film role was as Tom Booker (Robert Redford)'s mother, Ellen Booker, in The Horse Whisperer (1998).
She appeared in more than 300 television shows, including episode roles in Perry Mason (1957), I Spy (1965), MacGyver (1985), Alfred Hitchcock Presents (1955), and as a regular on The Richard Boone Show (1963) and The Virginian (1962). She received four Emmy nominations.
Nolan died at Cedars-Sinai Medical Center, Los Angeles, in 1998, aged 86, following a stroke.- Kenneth MacDonald was born Kenneth Dollins on September 8, 1901, in Portland, IN. He began his career as a stage actor in the 1920s and came to Hollywood in the early 1930s. He broke into motion pictures, but after several small roles, he found employment difficult to come by. He hit upon the idea of a little self-promotion, wrote a pamphlet called "The Case of Kenneth MacDonald" and distributed it to as many producers as he could find. The ploy worked; he started getting jobs at most of the studios in Hollywood, and became a regular fixture in Columbia's Charles Starrett series of "Durango Kid" westerns.
However, he is probably best remembered as a foil for many of Columbia's comedy teams in the studio's two-reelers, particularly The Three Stooges. His suave demeanor and rich, booming voice perfectly fit the role of the con man, crooked lawyer or criminal gang leader he often played, and he showed a surprising flair for physical comedy, taking a two-finger poke in the eyes from Moe Howard, a pie in the face from Larry Fine or an iron bar on the head from Curly Howard with the best of them. He left the Columbia shorts department in 1955 and semi-retired from acting.
From 1951-53 he was a frequent guest star, mostly as a sheriff, on the television series The Range Rider (1951). From 1957-66 he had a recurring role as Judge Carter on the television series Perry Mason (1957). He was also a frequent guest star as Col. Parker on the ABC television series Colt .45 (1957). Kenneth MacDonald died at age 70 at the Motion Picture Country Home in Woodland Hills, CA, on May 5, 1972 from a combination of brain and lung cancer. - Actor
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Orphaned at twelve, Sitka caught the acting bug while living with a priest in Pittsburgh. He road the rails as a hobo for years during the Depression before arriving in Hollywood in 1936. Theatre work, including directing, eventually brought him to the attention of a talent scout, who contracted him to Columbia Studios. Famous for his character roles in slapstick comedy (he claims to have appeared in 450 movies), he became a regular in shorts and feature films with the Three Stooges, making thirty-five shorts with the boys before 1958. He holds the further distinction of appearing with each of the six Stooges (Moe, Shemp, and Curly Howard; Larry Fine; Joe Besser; and Joe DeRita). Sitka's most famous role, as a justice of the peace who begins every service with the words, "Hold hands, you love birds", brought him lasting fame among Stooge fans, who would sometimes ask him to repeat the phrase during their own wedding ceremonies.- Actor
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Once a boxer, brawny character actor Tom Kennedy began his film career early in the silent era. He frequently played big, dumb, likable, working-class types, such as in The Case of the Stuttering Bishop (1937). He also worked with W.C. Fields, The Marx Brothers, and Stan Laurel and Oliver Hardy in a career that lasted until his death at the age of 80.- Actor
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A third-generation performer and the son of a singing band leader, Chuck McCann was already a show business veteran by age eleven. Born in Brooklyn, he began his career as a child actor on radio, and by the age of nineteen had appeared on The Steve Allen Show (1952). He performed on several NYC-based radio programs, and went on to create his own stand up act performed at many NYC/NJ/LI nightclubs and on many popular TV variety shows. For a time, he took a hiatus from nightclub and TV performing to study with The Pasadena Playhouse, where he gave a memorable performance in their production of '12th Night' as Sir Toby Belch. McCann would return to NYC to continue to perform in nightclubs and on TV variety shows. Until he was introduced to puppetry, first by Skip Boyland and then by Paul Ashleyon NBC TV's: Rootie Kazootie (1952). For the next 17 years, Ashley and McCann appeared on numerous TV shows: Rootie Kazootie (1952), "Uncle Paul's Lunchtime", The Gumby Show (1956) with Pinkie Lee, "The Puppet Hotel!", "Laurel & Hardy & Chuck!", "Let's Have Fun!", "The Chuck McCann Shows", "The Great Bombo's Magic Cartoon Circus Lunchtime Show" and "Chuck McCann's Laurel & Hardy Show!". After the cancellation of the latter on Friday June 9, 1967, Ashley and McCann went their separate ways.
McCann went onto become a successful comic/character actor and mimic, doing voice over for many television cartoon shows and playing character parts on numerous dramatic and comedic TV series and movies. Paul Ashley used his puppets in industrial films and industrial stage shows. McCann also starred on other TV series: Turn-on (1969), Happy Days (1974), Far Out Space Nuts (1975),All That Glitters (1977), _"New Kind Of Family, A" (1979)_ and "Chuck McCann's Fun Stuff!". Ashley was slated to reunite with McCann for "LBS Children's Theater" and another TV puppet show "Tiny TV". But Ashley was forced to drop out both projects, when it was discovered that he was suffering from Alzheimer's Disease and McCann took over as the show's host and performer. "LBS Children's Theater" made its debut in September of 1983 and was on the air for one season. Paul Ashley never lived long enough to see "LBS Children's Theater" become a success. Later, he played the voice of Jollo in the 1992 classic hit Sierra video game King's Quest VI: Heir Today, Gone Tomorrow.
Chuck McCann died on April 8, 2018 in Los Angeles, California, of heart failure.- Parfrey was born Sydney Woodrow Parfrey in New York City, New York, to Hazel (James) and Sidney Parfrey, both Welsh immigrants. One of the most interesting character actors to emerge on American film and television in the 1960s, Parfrey brought a quirky charisma to every role he played, from shopkeepers to space-age simians. His noted turn as the unbalanced informer in Broadway's "Advise and Consent" (1961) set the standard for his offbeat, conspiratorial persona in dozens of TV and movie appearances into the 1980s. Always a supporting player receiving inconsistently deferential billing, Parfrey did manage some focal TV guest-star roles, mainly in the late sixties, and a few big A-movie parts, most notably as one of the wretched prisoners in Papillon (1973). Parfrey's association with that film's director, Franklin Schaffner, also included his bit as one of the three "See No Evil" orangutan judges in Planet of the Apes (1968) (he would don the prosthetics again for the pilot of the spinoff TV series). In addition, Parfrey also turned up in the unofficial repertory companies of both Clint Eastwood and Don Siegel. His determination to bring that edgy "something extra" to his profession lives on in his son, the "underground" publisher Adam Parfrey.
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Along with his most impressive list of television/film credits, Bill is also a very talented well-known musician, songwriter, recording artist, as well as writer. He plays guitar, bass, keyboards, banjo, mandolin, harmonica, percussion and sings. He has released three solo CDs, 1997's "Dying To Be Heard", 1999's "In The Current" and the 2000 release of his third solo album, "Pandora's Box". All three released on Renaissance Records. In 1978, Bill and his partner, Robert Haimer, officially formed the infamous "quirky-rock duo" Barnes and Barnes. They are known worldwide, and have recorded 9 albums on Rhino and CBS Record labels. They also released a feature length home video titled "Zabagabee" featuring a Collaboration of Barnes and Barnes short films. Their infamous "Fish Heads" song placed #57 in Rolling Stones Top 100 Videos of All Time. In 2000, Ogio Records released the 24 song "Yeah: The Essential Barnes & Barnes" CD. Bill was nominated for an Emmy in 1991/1992 for his original song composition for Adventures in Wonderland for Disney which he wrote 105 songs for 100 episodes. He also scored three episodes of the award winning PBS series The Universe and I and contributed songs and themes to Santa Barbara, TV Guide Looks At, Hard to Hold (1984), Plain Clothes (1988), Archie, Sunshine (1975), Bless the Beasts & Children (1971), The Simpsons (1989), and many other film and television projects. Bill and Miguel Ferrer are in a rock and roll band called the Jenerators. Their first CD and cassette titled the "Jenerators" was released in 1994 on Asil Records. Their second CD produced by Frank Wolf titled "Hitting The Silk" was released in November of 1998 on Wildcat Records. They perform in the Los Angeles area when possible. If that is not enough, Bill has also worked on various children albums as well. "The Yogi Bear Environmental Album: This Land Is Our Land" a 1993 release on Rhino Records/Hanna Barbera, "The Dinosaur Album" also a 1993 release on Rhino Records, and his album "Kiss My Boo Boo" which has been released on the Infinite Visions label.
In addition to his many other talents, Bill co-created the popular children television series, Space Cases (1996) with Peter David which he also co-wrote, produced, composed music for, and guest starred in as well. It was nominated for the 1996 Ace Award for "Outstanding Children's Series." The series has run globally in over sixty countries. Peter and Bill have written the screenplay to the feature film, "Overload" which Bill is also starring in. Bill has written as well as co-created many comic books, stories, and television series. He has written for Marvel Comics, Dark Horse Comics, DC Comics and Pocket Books. The stories he co-wrote include well-known titles as "Spider-Man", "The Hulk", and "Clive Barker's Hellraiser." He co-wrote a Star Trek trilogy "Return of the Worthy", and was a creative consultant and writer to the Lost In Space Innovation monthly comic. He also has written for DC comics, "Aquaman", "The Spectre" and "Star Trek". His writing projects include the feature film, _Overload_ and a fantasy novel co-written with Angela Cartwright, "Realms Of Majik: The Pocket in Reality". His short stories, "The Black '59" and "The Undeadliest Game" appeared in Pocket Books "Shock Rock" Volumes 1 and 2. Both have been printed globally in many languages. He has also written for animation, most recently an episode of the sci fi series, "Roswell Conspiracies". He has also written episodics for NBC's series, "Sunshine", USA network's Swamp Thing, as well as scripting an unfilmed episode of Babylon 5 (1993). He co-created and wrote the Marvel Comics series' "The Comet Man", "The Dreamwalker" graphic novel, and Dark Horse Comics' "Trypto, The Acid Dog" with Miguel Ferrer.
Included in his various multi-talent accomplishments, he is also a prolific voice over actor and can be heard narrating several of the prestigious "A&E: Biographies" as well as many other documentaries and specials. Some of his commercial work in that arena includes McDonalds, Mattel, Bud Ice, Amtrak, Blockbuster, Ford, KFC, Wal Mart, and Nickelodeon - just to name a few. He is presently doing all the television and radio spots for Farmers Insurance. His voice over work in animation includes The Ren & Stimpy Show (1991), Batman: The Animated Series (1992), Animaniacs (1993), Little Wizard Adventures, and Buzz Lightyear of Star Command (2000).- Mills Watson was born on 10 July 1940 in Oakland, California, USA. He is an actor, known for Cujo (1983), Up in Smoke (1978) and The Six Million Dollar Man (1974). He is married to Sue. He was previously married to Caroline Mary Mason.
- Barbara Morrison was born on 1 October 1907 in Weston-Super-Mare, Somerset, England, UK. She was an actress, known for From Here to Eternity (1953), Papillon (1973) and Darktown Strutters (1975). She died on 12 March 1992 in Woodland Hills, Los Angeles, California, USA.
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Liam Dunn was born in New Jersey in 1916, went to regular high school and entered a small acting school where he constantly acted in plays. Dunn was considered for his first movie role in 1968, but turned it down to work on T.V. Dunn's first big break came in 1972 for his character Judge Maxwell in the film What's Up, Doc? (1972). On the set Mel Brooks was looking for actors to form a stock company, and he recruited Dunn and Madeline Kahn. Dunn is forever remembered for the character Rev. Johnson in Blazing Saddles (1974). Dunn's other works include Young Frankenstein (1974) and Silent Movie (1976). After "Silent Movie", Dunn, now weak and thin was diagnosed with emphysema. Liam Dunn died in 1976 at age 59.- Actor
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Len Lesser was an American character actor, from the Bronx, New York City. His most famous role was that of Uncle Leo, the maternal uncle of protagonist Jerry Seinfeld in the sitcom "Seinfield". Lesser played this role from 1991 to the series finale in 1998.
Lesser was the son of a Polish-Jewish immigrant, who worked as a grocer in New York City. Lesser was educated at the City College of New York. He graduated in 1942 with a bachelor's degree, at the age of 19. Shortly after, Lesser enlisted in the United States Army which was mobilizing for World War II. He served in the China Burma India Theater of the War.
Lesser was primarily a theatrical actor until the mid-1950s. From 1955 onward, he appeared regularly on television series in minor or guest star roles. He also appeared as a character actor in films such as "Birdman of Alcatraz" (1962), "How to Stuff a Wild Bikini" (1965), and "Kelly's Heroes" (1970).
Lesser did not achieve a regular role until cast as Uncle Leo in "Seinfeld", at the age of 69. Afterwards he was cast in the recurring role of Garvin in the sitcom "Everybody Loves Raymond" (1996-2005). Both Uncle Leo and Garvin were friendly and overly enthusiastic acquaintances of the respective protagonists of each sitcom. For the first time in his career, Lesser became a household name with these sitcom roles.
In his last years, Lesser was struggling with cancer. He died of cancer-related pneumonia in 2011, at the age of 88. His former cast-mate Jerry Seinfield mourned his death and described Lesser as "a very sweet guy".- E.J. André was born on 14 August 1908 in Detroit, Michigan, USA. He was an actor, known for The Ten Commandments (1956), Papillon (1973) and Shirley Temple's Storybook (1958). He died on 6 September 1984 in Hollywood, California, USA.
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Brock Ciarlelli was born on 12 July 1993 in Littleton, Colorado, USA. He is an actor, known for The Middle (2009), Bros (2022) and Valet (2016).- Actor
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Best known for his role as NBC page Kenneth Parcell on NBC primetime comedy 30 Rock (2006), Jack McBrayer was born on May 27, 1973 in Macon, Georgia. He studied theater administration at the University of Evansville in Evansville, Indiana, and went on to work at The Second City and IO Theater from 1995-2002. McBrayer became acquainted with Tina Fey during that time, which helped him ultimately secure the role on 30 Rock (2006).
After his time with those comedy troupes, McBrayer frequently appeared in sketches on Late Night with Conan O'Brien (1993) playing a series of stereotypical Southern characters. That stretch lasted from 2002 to 2004, and soon after McBrayer secured his role as a series regular on 30 Rock (2006), which begins its seventh season in Fall 2012. McBrayer received an Emmy nomination in 2009 for Outstanding Supporting Actor in a Comedy Series for his role as dim-witted NBC page Kenneth Parcell. He was also the main character in "30 Rock" web series 30 Rock: Kenneth the Webpage (2007) which ran from 2007 to 2009 and earned two Emmy nominations for short-format programming.
Other noteworthy television credits include a small role on Arrested Development (2003) and a recurring voice on Phineas and Ferb (2007), among others. McBrayer has also worked in numerous movies over the past decade, including Talladega Nights: The Ballad of Ricky Bobby (2006), Forgetting Sarah Marshall (2008), Cats & Dogs: The Revenge of Kitty Galore (2010), and The Campaign (2012), and he is voicing the character Fix-It Felix in November 2012's Wreck-It Ralph (2012).