Would-be Batman '66 villain actors
Actors I've chosen who could've played villains on the 60's Batman TV show, had those villains been in the show or around at the time
List activity
2K views
• 1 this weekCreate a new list
List your movie, TV & celebrity picks.
40 people
- Actress
- Soundtrack
Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.She'd be a great Poison Ivy!- Actor
- Additional Crew
- Producer
Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.Ra's Al Ghul!- Actress
- Soundtrack
Leggy, brunette-maned pin-up actress Caroline Munro was born in Windsor, Berkshire, England, and lived in Rottingdean near Brighton where she attended a Roman Catholic convent school. By chance, her mother and a photographer entered her picture in a "Face of the Year" competition for the British newspaper The Evening News and won. This led to modeling chores, her first job being for Vogue Magazine at age 17. She moved to London to pursue top modeling jobs and became a major cover girl for fashion and television commercials while there.
Decorative bit parts came her way in such films as Casino Royale (1967) and Where's Jack? (1969). One of her many gorgeous photo ads earned her a screen test and a one-year contract at Paramount where she won the role of Richard Widmark's daughter in the comedy/western A Talent for Loving (1973). She first met husband/actor Judd Hamilton filming this movie but they later divorced. Also in 1969, she became the commercial poster girl for "Lamb's Navy Rum", a gig that lasted ten years. She had no lines as Vincent Price's dead wife in The Abominable Dr. Phibes (1971) and Dr. Phibes Rises Again (1972) which, in turn, led to a Hammer Studios contract and such low-budget spine-tinglers as Dracula A.D. 1972 (1972) and Captain Kronos: Vampire Hunter (1974). More noticeable roles came outside the studio as the slave girl/love interest in The Golden Voyage of Sinbad (1973), the princess in At the Earth's Core (1976), and a lethal Bond girl in the top-notch The Spy Who Loved Me (1977). Her voluptuous looks sustained her for a bit longer but the quality of her roles did not improve with higher visibility. Later 70's and 80's roles included the lowergrade Starcrash (1978), Maniac (1980) and Slaughter High (1986), the last-mentioned written and directed by second husband George Dugdale, whom she married in 1990. He died in 2020.
Following her marriage, she was less seen. The septuagenarian continued to perform sporadically on camera, primarily in England and often in the horror genre. Subsequent lead and supporting movie roles have included Heaven's a Drag (1994), Domestic Strangers (1996), Flesh for the Beast (2003), Vampyres (2015), Cute Little Buggers (2017) and House of the Gorgon (2019) which also featured her daughter, actress Georgina Dugdale.Talia Al Ghul- Actor
- Director
- Writer
Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.He'd be great as Jonathan Crane/Scarecrow- Actor
- Writer
- Soundtrack
Ted Cassidy was born in Pittsburgh, Pennsylvania and raised in Philippi, West Virginia. He was a well respected actor who portrayed many different characters during his film and television career. His most notable role was Lurch, the faithful butler on the television series The Addams Family (1964). His most memorable dialogue as Lurch would be, "You rang?", whenever someone summoned him. Due to his large size, (6ft. 9in.) he portrayed larger than life characters. His deep voice, was used for narrations and for dubbing certain character's voices. His acting career spanned three decades. Ted Cassidy died in 1979 from complications following open-heart surgery. His live-in girlfriend had his remains cremated, then buried in the backyard of their Woodland Hills home.Would've been a great Killer Croc, had Croc been around back then- Actress
- Soundtrack
Jean Shirley Verhagen (later shortened to Hagen) was born in Chicago, Illinois on August 3, 1923. Her father was a Dutch immigrant. Hagen and her family moved to Elkhart, Indiana when she was twelve; she subsequently graduated from Elkhart High School. Afterwards, she graduated from Northwestern University, where she studied drama and was a roommate of fellow actress Patricia Neal.
Hagen began her show business career in the late 1940s, performing in radio programmes. She also dabbled in Broadway plays. She made her film debut in 1949 with a role as a comical femme fatale in the Katharine Hepburn-Spencer Tracy pairing Adam's Rib (1949). She had her first leading role the following year, when she starred opposite Sterling Hayden in the film noir classic The Asphalt Jungle (1950), a performance which gained her considerable attention and praise.
The performance for which Hagen is best remembered today came about in 1952, when she lent her support to the classic musical Singin' in the Rain (1952). Hagen's portrayal of the helium-voiced silent film star Lina Lamont earned her an Academy Award nomination for Best Supporting Actress; she lost to Gloria Grahame for The Bad and the Beautiful (1952).
Following her 'Singin' in the Rain' success, Ms. Hagen joined the cast of the television sitcom The Danny Thomas Show (1953). She was nominated for three Emmys for her role as Margaret Williams, but grew tired of the role after three seasons and subsequently left the show.
For the rest of her career, Hagen mostly made guest appearances on numerous television shows, including Alfred Hitchcock Presents (1955), The Andy Griffith Show (1960), Wagon Train (1957), and Starsky and Hutch (1975). She also had supporting roles in Sunrise at Campobello (1960) and Dead Ringer (1963).
Sadly, by the 1960s, Ms. Hagen's health had declined and she spent many years under medical care. She died of esophageal cancer on August 29, 1977 at the age of 54.Her high squeaky voice in Singin' in the Rain immediately made me think of Harley Quinn. Had Harley been around in the 60's, she definitely could've played her- Actor
- Director
- Producer
Harvey Korman was a lanky, popular TV comedy veteran with a flair for broad comic characterizations, who shone for a decade as leading man and second banana par excellence on The Carol Burnett Show (1967).
Harvey Herschel Korman was born in Chicago, Illinois, to Ellen (Blecher) and Cyril Raymond Korman, a salesman. His parents, both immigrants, were from Russian Jewish families. A persistent television presence since the early 1960s, Korman's first break was a stint as a featured performer on The Danny Kaye Show (1963), a lively musical variety series in which Korman began working in the format which he would soon master--providing sturdy support to a multi-talented star in a wide variety of comedy sketches. Boasting large, expressive features and a wonderfully mutable voice, Korman could play a wide assortment of characters. Perhaps his first classic characterization was provided for The Flintstones (1960) wherein he was the distinctively snooty voice of The Great Gazoo, a little helmeted space man from the future consigned to the Earth's past in punishment for his crimes.
Korman garnered four Emmys for his work with Carol Burnett over the years. Ironically Korman would never again find such a successful showcase for his talents though he certainly tried, appearing in several busted pilots and short-lived sitcoms. Almost exclusively a comic actor, he stretched a bit to play straight man Bud Abbott opposite Buddy Hackett's Lou Costello in the disappointing TV biopic Bud and Lou (1978). He directed and/or produced sitcom episodes and TV comedy specials. An occasional actor in films, Korman made his feature debut with a supporting role in The Last of the Secret Agents? (1966). Several film roles followed until he gained his widest exposure with a major supporting role in Mel Brooks' classic Western spoof Blazing Saddles (1974). He fared well in Brooks' High Anxiety (1977) and History of the World: Part I (1981). He acted in two 1994 features: the blockbuster live-action version of The Flintstones (1994) (providing the voice of the Dictabird) and the poorly received but lavishly produced Radioland Murders (1994).My choice for Professor Hugo Strange- Actor
- Soundtrack
Typical of busy character actors, Fiedler made his face (and voice) recognizable to millions. Many know the bald-pated Fiedler as therapy patient "Mr. Peterson" on The Bob Newhart Show (1972); others might first recognize him for the 1968 movie, The Odd Couple (1968), and spin-off TV show, The Odd Couple (1970), or perhaps even from the Broadway play that preceded them. Even kids would know that helium-high voice from animated Disney features like Robin Hood (1973), The Fox and the Hound (1981) and the "Winnie the Pooh" stories, in which he voiced "Piglet". The son of an Irish-German beer salesman, Fiedler knew he wanted to be an actor from his childhood days, when he had a full head of reddish-yellow hair. He made his first professional appearances onstage, branched out into live TV in New York and, then, during the 20 years he lived in Hollywood (1960-80), he turned up in many movies and an ever greater number of popular TV shows.Would've made a great Arnold Wesker/Ventriloquist, if the character had been around then.- Alejandro Moreno was born on 24 April 1922 in La Rinconada, García, Nuevo León, Mexico. He was an actor, known for Santo contra Blue Demon en la Atlántida (1970), Hellish Spiders (1968) and The Champions Five Supermen (1972). He died on 16 December 2000 in Mexico City, Mexico.Bane, if the character had been around in the 60's. His vocals would probably have to be dubbed over by an English speaking Mexican actor though.
- Actress
- Soundtrack
Samantha Eggar was born on 5 March 1939 in Hampstead, London, England, UK. She is an actress, known for The Collector (1965), Hercules (1997) and The Brood (1979). She was previously married to Tom Stern.As the villainous Michaela Gough, if the Batman '66 meets Steed and Mrs. Peel comic had been a television event- Actor
- Writer
- Producer
Moe Howard, the "Boss Stooge" and brother of Stooges Curly Howard and Shemp Howard, began his acting career in 1909 by playing bit roles in silent Vitagraph films. At 17 he joined a troupe working on a showboat and also appeared in several two-reel comedy shorts. In 1922 he, brother Shemp and Larry Fine joined roughhouse vaudeville comic Ted Healy, forming the act that would become The Three Stooges. Howard toured vaudeville and appeared in films with Healy for ten years before the Stooges left to pursue a separate career. Moe appeared in more than 250 films during his 66-year career, including 190 Three Stooges shorts. Over the act's 50-year history, the Stooges went through several personnel changes; when Moe died, the act ended.Might be a good choice for Dr. Milo- Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.Could've maybe played Two-Face- Actor
- Production Designer
- Soundtrack
Born in Japan, Makoto Iwamatsu was living there with his grandparents while his parents studied art in the United States, when Japan and the U.S. went to war in 1941. His parents remained in the U.S., working for the Office of War Information, and, at the cessation of the conflict, were granted U.S. residency by Congress. "Mako", as he became known, joined his parents in New York and studied architecture.
He entered the U.S. Army in the early 1950s and acted in shows for military personnel, discovering a talent and love for the theatre. He abandoned his plans to become an architect and instead enrolled at the famed Pasadena Community Playhouse. Following his studies there, he appeared in many stage productions and on television. In 1966, he won an Academy Award nomination as Best Supporting Actor for his first film role, as the coolie "Po-Han" in The Sand Pebbles (1966). He worked steadily in feature films since.
He appeared on Broadway in the leading role in Stephen Sondheim's "Pacific Overtures", and co-founded and served as artistic director for the highly-acclaimed East-West Players theatre company in Los Angeles.
Following a long battle with cancer, Mako passed away on July 21, 2006, at the age of 72. He was survived by his wife, Shizuko Hoshi (who co-starred in episodes of M*A*S*H (1972)) as well, and his children and grandchildren.Would've been great as Lord Death Man- Actor
- Music Department
- Producer
Carroll was born in Manhattan and raised in Forest Hills, a heavily Jewish community in New York City's borough of Queens. After graduating from high school in 1942, O'Connor joined the Merchant Marines and worked on ships in the Atlantic. In 1946, he enrolled at the University of Montana to study English. While there, he became interested in theater. During one of the amateur productions, he met his future wife, Nancy Fields, whom he married in 1951. He moved to Ireland where he continued his theatrical studies at the National University of Ireland. He was discovered during one of his college productions and was signed to appear at the Dublin Gate Theater. He worked in theater in Europe until 1954 when he returned to New York. His attempts to land on Broadway failed and he taught high school until 1958. Finally in 1958, he landed an Off-Broadway production, "Ulysses in Nighttown". He followed that with a Broadway production that was directed by 'Burgess Meredith', "God and Kate Murphy", in which he was both an understudy and an assistant stage manager. At the same time, he was getting attention on TV. He worked in a great many character roles throughout the 1960s. A pilot for "Those Were The Days" was first shot in 1968 based on the English hit, "Till Death Do Us Part", but was rejected by the networks. In 1971, it was re-shot and re-cast as All in the Family (1971) and the rest is history.Would've made a great Rupert Thorne- Actor
- Director
- Writer
As might be said for the late and great comedians Harvey Korman and Madeline Kahn, it seems that Mel Brooks was the only director on the planet who knew how to best utilize this funnyman's talents on film. Brooks once remarked that, whenever he cast Dom in one of his films he'd add an extra two days to the shooting schedule because of delays between takes due to the constant laughter from cast and crew at Dom's improvisations.
The lovable, butterball comedian was a mainstay on 1960s and '70s TV variety as a "second banana," or comic-relief player. While his harsher critics believed his schtick would be better served in smaller doses, Dom nevertheless went on to find some range in a few moving, more restrained projects. Those few glimpses behind all the mirth and merriment revealed a dramatic actor waiting to be unleashed. As they say, behind every clown's smile, one finds tears.
He was born Dominick DeLuise on August 1, 1933, in Brooklyn, New York, to parents John, a sanitation engineer, and Vicenza (DeStefano) DeLuise, both Italian immigrants. A natural school-class clown, his irrepressible sense of humor helped Dom fit in at school, and he started drawing belly laughs fairly young in his very first school play that had him portraying an inert copper penny! He later attended New York's High School of Performing Arts, but when it came to college, he decided to major in biology at Tufts University, outside Boston. That decision failed to expunge the idea of being a comedian from his head and heart, however, and that determination finally prevailed.
Dom's formative years as an actor were spent apprenticing at the Cleveland Playhouse, where which he gamely played roles in everything from contemporary shows like "Guys and Dolls" and "Stalag 17" to classics like "The School for Scandal" and even "Hamlet." He earned his first professional paycheck playing the titular Bernie the dog in "Bernie's Last Wish." Dom also got a taste of what it was like in front of the camera in Cleveland, appearing on the local TV kiddie's show "Tip Top Clubhouse."
Back in NYC, he took over the lead role of Tinker the toymaker in another children's local program, Tinker's Workshop (1954), for one season in 1958. He also started making noise on the off-Broadway scene. Appearing in the plays "The Jackass" and "All in Love," he became part of the featured ensemble of the 1961 musical revue "An Evening with Harry Stoones," which included 19-year-old Barbra Streisand. More outlandish musical roles came his way in the early 1960s with "Little Mary Sunshine" (as Corporal Billy Jester) and "The Student Gypsy, or the Prince of Liederkrantz" (his Broadway debut as Muffin T. Raggamuffin). While appearing in the lighthearted summer stock spoof "Summer & Smirk" in Provincetown, Massachusetts, Dom met fellow performer Carol Arthur (née Carol Arata). They married on November 23, 1965. Their three sons, Peter DeLuise, Michael DeLuise and David DeLuise all eventually found their way into show business. In 1971, Dom returned successfully to Broadway in a perfectly-suited Neil Simon vehicle, "The Last of the Red Hot Lovers."
Dom was first noticed on the smaller screen, creating the sketch character of Dominick the Great, a magician who tries in vain to mask his inept prestidigitations with feigned dignity on Garry Moore's popular show. The comedian truly thrived in this TV variety atmosphere and soon began popping up seemingly everywhere: (The Hollywood Palace (1964), The Smothers Brothers Comedy Hour (1967), The Jackie Gleason Show (1966)). Balding, blushing, dimpled and moon-faced (comparisons to a ripe tomato were not wide of the mark), he was readily equipped with a high-wattage, Cheshire Cat smile that became his trademark. At his best, looking embarrassed or agitated, the laughs usually came at his own expense, whether playing a panic-stricken klutz or squirming nervous-Nelly type. Dom took his magician character to the ensemble comedy show The Entertainers (1964), which also showcased Carol Burnett and Bob Newhart, and found more regular employment as a bumbling private eye in puppeteer Shari Lewis' daytime children's program, and as a foil for Dean Martin on the entertainer's regular and summer replacement shows. Dom again repeated his Dominick the Great character on Martin's show and received great reception. He later found himself part of Martin's "in-crowd" of comedians on his "celebrity roasts."
Dom's obvious comic genius was more readily evident, and succeeded better, in tandem with other performers than it was on its own. Hosting duties for his very first comedy/variety program The Dom DeLuise Show (1968), which featured wife Carol as part of the regular roster, lasted only one summer. The sitcom Lotsa Luck! (1973), which showcased Dom as bachelor Stanley Belmont having to contend with a live-in mother (a harping Kathleen Freeman) and sister (an ungainly Beverly Sanders), was canceled after its first season. He gave it a rest for awhile before trying once again with the sketch-like sitcom The Dom DeLuise Show (1987), but it, too, quickly faded. Another brief stint was as host of a revamped Candid Camera (1991).
While Dom made an unlikely film debut as a high-strung Air Force technician in the gripping nuclear drama Fail Safe (1964) starring Henry Fonda, it was in zany, irreverent comedy that he found his true calling. Appearing in support of others such as Sid Caesar and Mary Tyler Moore, respectively, in the so-so comedies The Busy Body (1967) and What's So Bad About Feeling Good? (1968), he proved a delight as an inept, dim-witted spy in the Doris Day caper The Glass Bottom Boat (1966).
Mel Brooks first cast Dom as the miserly Russian Orthodox priest, Father Fyodor, in his film The Twelve Chairs (1970), and found plenty of room for the comedian after that -- as campy director Buddy Bizarre in Blazing Saddles (1974), the silly-ass director's assistant in Silent Movie (1976), Emperor Nero in History of the World: Part I (1981), the voice of the cheese-oozing Pizza the Hutt in the "Star Wars" parody Spaceballs (1987), and as Sherwood Forest's very own puffy-cheeked Godfather, Don Giovanni, in Robin Hood: Men in Tights (1993).
A very close friend of action star Burt Reynolds, Dom romped through a number of Reynolds' freewheeling films as well, including Smokey and the Bandit II (1980), The Cannonball Run (1981) and The Best Little Whorehouse in Texas (1982). One of his finest scene-stealing film roles, in fact, was as Reynolds' schizo pal in The End (1978). Dom went on to direct a number of stage productions for his close friend at the Burt Reynolds Theatre in Jupiter, Florida -- among them "Butterflies Are Free," "Same Time, Next Year" (starring Burt and Carol Burnett), "Brighton Beach Memoirs" (starring son Peter), and the musical "Jump" (featuring wife Carol). Still another comic buddy, Gene Wilder, handed Dom the roles of the indulgent opera star in The Adventure of Sherlock Holmes' Smarter Brother (1975) and harassed movie mogul Adolf Zitz in The World's Greatest Lover (1977). Dom later joined Wilder once again, along with Wilder's wife Gilda Radner, in the leaden comedy Haunted Honeymoon (1986), a clumsy haunted-house spoof that even Dom, in full drag, could not salvage.
Change-of-pace roles were few and far between. One that did come Dom's way was the compulsive-eating protagonist in Fatso (1980). Directed by and co-starring Brooks' wife Anne Bancroft, Dom managed to mix comedy with pathos. Obesity was also a chronic, real-life problem for the comedian and, at one point in 1999, it was reported that he had tipped the scales at 325 lbs. On a positive note, this passion for food actually fed into a more lucrative sideline -- as a respected chef and culinary author ("Eat This" and "Eat This Too") in which he appeared all over the tube cooking and demonstrating his favorite recipes. He also found time to write children's books on the side.
Dom tackled broad comedy films with great abandon -- a wallflower he was not -- but they were hit-or-miss. Some of his biggest misses were the Mae West disaster Sextette (1977), the Dudley Moore showcase Wholly Moses! (1980) (although Dom was arguably the best thing in it), Loose Cannons (1990), in which he appeared as portly pornographer Harry "The Hippo" Gutterman, Driving Me Crazy (1991), which filmed far away in Germany, and The Silence of the Hams (1994), a parody on the horror genre in which he played Dr. Animal Cannibal Pizza.
Films could also be a family affair. True to life, Dom played a sympathetic kiddie show host in the moving TV-movie Happy (1983). Also the executive producer, he was joined by wife Carol and all three sons in the cast. In addition, Dom offered a cameo in Between the Sheets (2003), a film written by Peter, directed, edited and executive-produced by Michael, and featuring roles for the rest of the family.
Dom's voiceover skills did not go untapped, either, in films including the animated features The Secret of NIMH (1982), An American Tail (1986) and All Dogs Go to Heaven (1989), plus all of their offshoots. The heavily-bearded DeLuise even displayed scene-stealing antics on the operatic scene, once playing the speaking part of Frosch the Jailer in Johann Srauss II's operetta "Die ," at the Metropolitan Opera.
Suffering from various physical ailments in later years, some of which were exacerbated by his chronic obesity and diabetes, Dom's health declined, and he died in 2009 at age 75. His wife and three children survive him, as do three grandchildren.Could've been Professor Pyg, had the character existed back then.- Actress
- Writer
- Additional Crew
Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the The Bachelor and the Bobby-Soxer (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.Baby Doll, obviously she would be older by the 60's but maybe they could've used footage of her as a little girl.- Actor
- Writer
- Soundtrack
Paul Lynde was born in 1926 in Mount Vernon, Ohio (one of six children and the middle of four boys). His father was a local police officer and the sheriff of the Mount Vernon Jail for two years. Lynde got his inspiration to become an actor at the age of four or five after his mother took him to see the original silent film Ben-Hur: A Tale of the Christ (1925). After graduating from Northwestern University, Lynde relocated to New York City where his first break came from being a stand-up comedian at the Number One Fifth Avenue nightclub. Then came an appearance on a Broadway show, "New Faces of 1952".
Lynde also had a two-year run on TV with Perry Como's Kraft Music Hall (1948) and the Broadway and film versions of Bye Bye Birdie (1963). Throught his life, Lynde appeared in the Broadway plays "The Impossible Years", "Don't Drink the Water", and "Plaza Suite". His many film credits include New Faces (1954), Send Me No Flowers (1964), and Rabbit Test (1978). One of his most memorable roles was a recurring role on Bewitched (1964) playing the sneering, sarcastic Uncle Arthur. He appeared on TV's The Dean Martin Show (1965), The Kraft Music Hall (1967), Donny and Marie (1975), and both the prime-time and daytime versions of the game show The Hollywood Squares (Daytime) (1965) where he occupied the famous center square. He had two TV series of his own, The Paul Lynde Show (1972) and The New Temperatures Rising Show (1972). Paul Lynde's witty, wisecracking one-liners and his novel line delivery made him one of Hollywood's funniest and best loved entertainers. Paul Lynde died under mysterious circumstances when he was found dead in his bed after possibly suffering a heart attack in January 1982 at age 55. He had been in ill-health for over a year with cancer or some other illness that was never fully revealed to the public before or after his death.possibly the Eraser- Music Artist
- Actor
- Producer
Frank Sinatra was born in Hoboken, New Jersey, to Italian immigrants Natalina Della (Garaventa), from Northern Italy, and Saverio Antonino Martino Sinatra, a Sicilian boxer, fireman, and bar owner. Growing up on the gritty streets of Hoboken made Sinatra determined to work hard to get ahead. Starting out as a saloon singer in musty little dives (he carried his own P.A. system), he eventually got work as a band singer, first with The Hoboken Four, then with Harry James and then Tommy Dorsey. With the help of George Evans (Sinatra's genius press agent), his image was shaped into that of a street thug and punk who was saved by his first wife, Nancy Barbato Sinatra. In 1942 he started his solo career, instantly finding fame as the king of the bobbysoxers--the young women and girls who were his fans--and becoming the most popular singer of the era among teenage music fans. About that time his film career was also starting in earnest, and after appearances in a few small films, he struck box-office gold with a lead role in Anchors Aweigh (1945) with Gene Kelly, a Best Picture nominee at the 1946 Academy Awards. Sinatra was awarded a special Oscar for his part in a short film that spoke out against intolerance, The House I Live In (1945). His career on a high, Sinatra went from strength to strength on record, stage and screen, peaking in 1949, once again with Gene Kelly, in the MGM musical On the Town (1949) and Take Me Out to the Ball Game (1949). A controversial public affair with screen siren Ava Gardner broke up his marriage to Nancy Barbato Sinatra and did his career little good, and his record sales dwindled. He continued to act, although in lesser films such as Meet Danny Wilson (1952), and a vocal cord hemorrhage all but ended his career. He fought back, though, finally securing a role he desperately wanted--Maggio in From Here to Eternity (1953). He won an Oscar for best supporting actor and followed this with a scintillating performance as a cold-blooded assassin hired to kill the US President in Suddenly (1954). Arguably a career-best performance--garnering him an Academy Award nomination for Best Actor--was his role as a pathetic heroin addict in the powerful drama The Man with the Golden Arm (1955).
Known as "One-Take Charlie" for his approach to acting that strove for spontaneity and energy, rather than perfection, Sinatra was an instinctive actor who was best at playing parts that mirrored his own personality. He continued to give strong and memorable performances in such films as Guys and Dolls (1955), The Joker Is Wild (1957) and Some Came Running (1958). In the late 1950s and 1960s Sinatra became somewhat prolific as a producer, turning out such films as A Hole in the Head (1959), Sergeants 3 (1962) and the very successful Robin and the 7 Hoods (1964). Lighter roles alongside "Rat Pack" buddies Dean Martin and Sammy Davis Jr. were lucrative, especially the famed Ocean's Eleven (1960). On the other hand, he alternated such projects with much more serious offerings, such as The Manchurian Candidate (1962), regarded by many critics as Sinatra's finest picture. He made his directorial debut with the World War II picture None But the Brave (1965), which was the first Japanese/American co-production. That same year Von Ryan's Express (1965) was a box office sensation. In 1967 Sinatra returned to familiar territory in Sidney J. Furie's The Naked Runner (1967), once again playing as assassin in his only film to be shot in the U.K. and Germany. That same year he starred as a private investigator in Tony Rome (1967), a role he reprised in the sequel, Lady in Cement (1968). He also starred with Lee Remick in The Detective (1968), a film daring for its time with its theme of murders involving rich and powerful homosexual men, and it was a major box-office success.
After appearing in the poorly received comic western Dirty Dingus Magee (1970), Sinatra didn't act again for seven years, returning with a made-for-TV cops-and-mob-guys thriller Contract on Cherry Street (1977), which he also produced. Based on the novel by William Rosenberg, this fable of fed-up cops turning vigilante against the mob boasted a stellar cast and was a ratings success. Sinatra returned to the big screen in The First Deadly Sin (1980), once again playing a New York detective, in a moving and understated performance that was a fitting coda to his career as a leading man. He made one more appearance on the big screen with a cameo in Cannonball Run II (1984) and a final acting performance in Magnum, P.I. (1980), in 1987, as a retired police detective seeking vengeance on the killers of his granddaughter, in an episode entitled Laura (1987).Possibly Kite Man- Actor
- Writer
- Soundtrack
Don Knotts, the legendary television character actor, was born Jesse Donald Knotts on July 21, 1924 in Morgantown, West Virginia, to William Jesse Knotts and the former Elsie Luzetta Moore. He was the youngest of four sons in a family that had been in America since the 17th century.
His first stint as an entertainer was as a ventriloquist, performing paid gigs at parties and other events in Morgantown. He decided to make a stab at a career in show business, moving to New York City after graduating from high school, but he only lasted in the Big Apple for a few weeks. He decided to go to college, enrolling at West Virginia University but, when World War II engulfed America, he enlisted in the United States Army. The 19-year-old soldier was assigned to the Special Services Branch, where he entertained the troops. It was while in the Army that Don ditched ventriloquism for straight comedy.
Don returned to West Virginia University after being demobilized. After graduating with a degree in theater in 1948, he married and moved back to New York, where connections he had made while in the Special Services Branch helped him break into show business. In addition to doing stand-up comedy at clubs, he appeared on the radio, eventually playing the character "Windy Wales" on "The Bobby Benson Show". From 1953 to 1955, he was a regular on the soap opera Search for Tomorrow (1951). Destiny intervened when he was cast in the small role of the psychiatrist in the Broadway play "No Time for Sergeants", which starred Andy Griffith, who would play a large part in Don's future career. Don also appeared in the film adaption of the play with Griffith.
Don's big break before he hooked up again with Andy Griffith was a regular gig on the The Steve Allen Plymouth Show (1956) hosted by Steve Allen, starting in 1956. He became well-known for his "nervous man" shtick in the "Man-on-the-Street" segments that were a staple of Allen's show. His character in the segments was a very nervous man obviously uptight about being interviewed on camera. He developed this into the fidgety, high-strung persona that he used successfully for the rest of his career.
When "The Tonight Show" moved to Hollywood in 1959 with new host Jack Paar, Don also moved to California as a regular. However, he was soon cast in Andy Griffith's new television series about a small-town sheriff, The Andy Griffith Show (1960), in the role that would make him a legend. For playing "Deputy Barney Fife", Don was nominated for an Emmy Award for Best Supporting Actor five times from 1961 to 1967, winning each time. He soon tasted big-screen success, starring in The Incredible Mr. Limpet (1964). Don cut back his appearances on The Andy Griffith Show (1960) to concentrate on making movies after signing a five-year contract with Universal Pictures. For Universal, Don appeared in The Ghost and Mr. Chicken (1966), The Reluctant Astronaut (1967), The Shakiest Gun in the West (1968), The Love God? (1969) and How to Frame a Figg (1971). His mid-1960s popularity as a movie comedian began to wane towards the end of the decade, and the contract was not renewed. Don returned to television as the star of his own variety show, but it was quickly canceled.
During the 1970s, Don had a spotty career, appearing in regional theater and making guest appearances on other television series. He eventually made some slapstick movies with Tim Conway for the Walt Disney Company, but it wasn't until the end of the decade that he tasted real success again. He was cast as would-be-swinger landlord "Ralph Furley" on the popular sitcom Three's Company (1976) after the original landlords, "The Ropers", were spun off into their own series. Since the show was canceled in 1984, he appeared as "Barney Fife" for a 1986 reunion of The Andy Griffith Show (1960) and in television guest spots, including a recurring gig as the pesky neighbor "Les Calhoun" on Griffith's Matlock (1986) series until 1992.
He remained busy for the next ten years touring with plays and doing voice-over work for cartoons. In 2005, Don provided the voice of "Mayor Turkey Lurkey" in Disney's animated film Chicken Little (2005). It turned out to be one of his final films. He died at age 81 on February 24, 2006.maybe Mr. Camera- Actress
- Producer
- Director
Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.alternate choice for Harley Quinn- Actor
- Director
- Producer
Born in a small village in Syria, Michael Ansara came to the United States with his American parents at the age of two, living in New England, until the family's relocation to California ten years later. He entered Los Angeles City College with the intention of becoming a doctor, but got sidetracked into the dramatics department. A stint at the Pasadena Playhouse (where fellow students included Charles Bronson, Carolyn Jones and Aaron Spelling) led to roles on stage and in films; the starring role (as Cochise) on the popular television series Broken Arrow (1956) elevated Ansara to stardom.
During the series' run, he met actress Barbara Eden on a date arranged by the 20th Century-Fox publicity department; the two later married. He played the Klingon commander Kang on three Star Trek television series: Star Trek (1966), Star Trek: Deep Space Nine (1993) and Star Trek: Voyager (1995). He also played Buck Rogers' evil adversary Kane on Buck Rogers in the 25th Century (1979), and provided the voice of Mr. Freeze on Batman: The Animated Series (1992) and its spin-offs. Michael Ansara died at age 91 from complications of Alzheimer's disease in his home in Calabasas, California on July 31, 2013.Since Mr. Freeze had a different actor for each appearance, perhaps if there had been a 4th, Michael Ansara could've given it a shot prior to his voice role as Freeze in Batman TAS- Actor
- Producer
- Director
Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).Maxie Zeus- Actor
- Director
- Additional Crew
London-born character actor George Richard Haydon was noted for his put-on nasal delivery and pompous, fussy manner. Haydn had a laborious start to his show business career, selling tickets in the box office of London's Daly Theatre. This was followed by an unsuccessful stint with a comedy act in musical revue. For a change of pace, he became overseer of a Jamaican banana plantation only to see it wiped out by a hurricane.
Returning home, he appeared in the 1926 West End production of 'Betty of Mayfair' and, soon after, also began to act on radio. It was in this medium where he first found success, creating his signature character: the perpetually befuddled nasally-voiced fish expert and mother's boy Edwin Carp. Haydn later immortalized the titular character in a book, titled "The Journal of Edwin Carp". The Carp routine opened the door for Haydn to appear with Beatrice Lillie on Broadway in Noël Coward's 'Set to Music' (1939) and this, in turn, resulted in a contract with 20th Century Fox.
While his first major screen role in Charley's Aunt (1941) was relatively straight-laced, he was more often seen in comedic roles where his lugubrious face and dignified, sometimes unctuous presence could be employed to scene-stealing effect. His notable characterizations in this vein include the over-enunciating Professor Oddly in Ball of Fire (1941), Rogers (the butler) in And Then There Were None (1945) and Mr. Wilson in Cluny Brown (1946). He essayed a rare villainous role as the odious Earl of Radcliffe in the period drama Forever Amber (1947) and was back to his usual form as Mr. Appleton in Sitting Pretty (1948). In The Late George Apley (1947), he played the character of Horatio Willing "with a broad edge of wheezy burlesque" (so wrote Bosley Crowther of the New York Times, March 21, 1947).
In the late 40s, Haydn made a brief foray into directing. Of his three films for Paramount, the Bing Crosby vehicle Mr. Music (1950) enjoyed the best critical reviews. Among his later appearances on screen, that of Trapp family friend and promoter Max Detweiler in The Sound of Music (1965), is the one which most often comes to mind. Over the years, he also made an impression as a voice actor in animated cartoons, notably on Warner Brothers Looney Tunes and as the Caterpillar from Alice in Wonderland (1951). He had frequent guest roles on television and starred in one of the best-remembered episodes of Rod Serling's The Twilight Zone (1959) ("A Thing About Machines"), as the arrogant machine-hating pedant Bartlett Finchley who loses a pitched battle with his household appliances, in particular his car. Haydn also caricatured a Japanese businessman in an episode of Bewitched (1964).
In private life, Haydn was a rather reclusive individual who liked horticulture and shunned interviews.Might've been a good choice for Crazy Quilt- Actor
- Writer
- Producer
Brooklyn-born Buddy Hackett was known mainly as a nightclub comic, especially in Las Vegas, where he first performed in 1952 and wound up being one of the biggest headliners in that city's history. Hackett always referred to himself as a "saloon comic" and preferred the intimacy of his stage act--where he would often bring members of the audience up on stage with him--to films and television. He, along with Lenny Bruce, pioneered "blue" comedy, although Hackett's career did not suffer nearly as much as Bruce's did because of it. Hackett's act was noted for its, at the time, "adult" content, and at one point he was sued by a woman who attended one of his shows and said she was "shocked and offended" at the language (she lost the suit). However, contrary to his nightclub image, Hackett's appearances in films were mostly of the family type, such as his roles in the "Herbie" series of comedies for Disney about a Volkswagen Bug with a mind of its own and as Robert Preston's sidekick in The Music Man (1962). In 1954, Hackett was paired by Universal Pictures with Hugh O'Brian as a potential comedy team to replace the studio's reigning team of Bud Abbott and Lou Costello, They actually did replace the famous team in the film Fireman Save My Child (1954), due to Costello's illness (Bud and Lou can still be glimpsed in long shots). Hackett took the part that Costello was playing (an eerie coincidence considering that more than 20 years later he would actually play Costello in the movie Bud and Lou (1978)) and O'Brian took Abbott's place, but the film was not successful and Universal dropped its plans to make a team out of the two. Hackett also had a showy part in the ensemble comedy It's a Mad Mad Mad Mad World (1963), partnered with Mickey Rooney. However, despite his success in movies, he still preferred his nightclub work and played Las Vegas and clubs in other cities whenever possible. He had a reputation among his fellow comics as a brilliant ad-libber and someone who knew exactly how far to take a joke before it ran its course, something not all comedians managed to do.
Buddy Hackett died at age 78 of natural causes at his beach house in Malibu, CA, on June 30, 2003.Sweet Tooth- Actor
- Producer
- Soundtrack
Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).Farmer Brown- Actress
- Soundtrack
An honest-to-goodness Southern Belle, similar to her most famous character role, "Elly May Clampett" on The Beverly Hillbillies (1962), Donna Douglas grew up in the Baton Rouge, Louisiana area, loving "critters". She got married soon after high school, had a son, divorced and won a couple of beauty contests, all within the span of a few years. She moved to New York and soon appeared on television series, including a well-remembered guest-star shot on The Twilight Zone (1959) in one of the series' most famous episodes, Eye of the Beholder (1960), in which she plays a woman who tries to undergo a series of experimental treatments to make her beautiful, only for the treatments to fail. The twist was she was beautiful, at least to the viewers, but considered hideous to the pig people of the planet, she was on. She immediately won the character role of "Elly May Clampett" on one of the greatest situation comedies of all time, The Beverly Hillbillies (1962). This extremely comical series debuted with The Clampetts Strike Oil (1962), on her 30th birthday, Wednesday, September 26th, 1962, which is among the narrowest & sheerest coincidences, that are hardest to believe.Emmy Lou Brown- Actor
- Writer
- Producer
Jonathan Harshman Winters III was born on November 11, 1925 in Dayton, Ohio. His father, Jonathan Harshman Winters II, was a banker who became an alcoholic after being crushed in the Great Depression. His parents divorced in 1932. Jonathan and his mother then moved to Springfield to live with his grandmother. There his mother remarried and became a radio personality. Jonathan joined the United States Marine Corps during his senior year of high school. Upon his discharge, he entered Kenyon College and later transferred to Dayton Art Institute. He met his wife, Eileen Schauder, in 1948 and married a month later. They remain married until her death in January 11, 2009. They have a son, Jay, who is a contractor, and a daughter, Lucinda, who is a talent scout for movies.
Jonathan got his start in show business by winning a talent contest. This led to a children's television show in Dayton in 1950. This led to a game show and a talk show. Denied a requested raise, he moved the family to New York with only $56 in their pocket. Within two months, he was getting night club bookings. He suffered two nervous breakdowns, one in 1959 and another in 1961. He came out of "retirement" to work with director/writer Martin Guigui for Swing (2003) and Cattle Call (2006). He made ten Grammy-nominated comedy recordings and won once. Jonathan Winters died at age 87 of natural causes on April 11, 2013 in Montecito, California.Simon the Pieman- Actor
- Writer
- Director
The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."Cluemaster- Actor
- Soundtrack
An exceptionally handsome and charismatic performer with a serene baritone voice, Guy Williams was born Armand Joseph Catalano (nicknamed "Armando" by his family) of Italian parentage in New York City on January 14, 1924. The elder child of an insurance broker (he had a younger sister, Valerie), he was raised in the Washington Heights area. Attending Peekskill Military Academy during his formative years, he originally broke into the entertainment field as a male fashion model. Guy subsequently joined New York's Neighborhood Playhouse, which led to such TV assignments as Studio One (1948), and he debuted in films with a featured role as the bombardier on the Enola Gay in the feature film The Beginning or the End (1947), the story about the first US-deployed atom bomb.
In 1952 he was given a screen test and signed by Universal Pictures. As tall, dark and athletic (6'3", 190 lb.) in Hollywood nearly always fits the bill, the highly photogenic Williams began paying his dues in unbilled bits in such standard movies as Back at the Front (1952), All I Desire (1953), The Golden Blade (1953) and Take Me to Town (1953). When he did manage to receive billing, he was rather benignly used: Bonzo Goes to College (1952) (sequel to Ronald Reagan's cult classic Bedtime for Bonzo (1951)), The Mississippi Gambler (1953) with Tyrone Power and The Man from the Alamo (1953) with Glenn Ford.
Guy eventually left Universal and freelanced in films, which would include a minor role as a cop in the cult horror classic I Was a Teenage Werewolf (1957) starring Michael Landon, and also added scattered TV appearances (Highway Patrol (1955), The Lone Ranger (1949)) to his resumé. Nothing, however, of major significance happened until Walt Disney came into the picture. His signing at age 33 to play Don Diego de la Vega, aka Zorro (1957), thrust Guy immediately into the celebrity limelight. His dashing good looks, eloquence and charm had female hearts fluttering, while the male audiences admired his fencing dexterity and effortless ladies'-man appeal. The Disney series was so popular that certain episodes were culled together and released into two feature films: The Sign of Zorro (1958) and Zorro, the Avenger (1959).
Further propelled by Disney with his captivating role in The Prince and the Pauper: The Pauper King (1962), Guy was handed fully-bearded heroes to play in a couple of fantasy film adventures, portraying Damon in the costumer Damon and Pythias (1962) a/k/a "Damon and Pythias", and the title role in Captain Sindbad (1963), an MGM attraction. In 1964 he reunited with "Teen Werewolf" Michael Landon when he arrived on the Bonanza (1959) set to play cousin Will Cartwright for a few episodes.
The cult science fiction series Lost in Space (1965) would be Guy's last hurrah in show business. Although overshadowed extensively by the nefariously campy antics of Jonathan Harris' Dr. Smith character, Guy nevertheless provided a necessary strong anchor to the family show, which included June Lockhart as the silver-suited wife and mother of his three intergalactic offspring. Battling aliens and the forces of nature, the show's popularity went stratospheric at first. However, much like Batman (1966), it faded very quickly and ended up having a short life--three seasons.
When Guy first visited Argentina in 1973 he was quite taken by the signs of admiration and fascination the Argentines expressed for him and his signature character of "El Zorro." In turn Guy fell in love with the people and culture of Argentina. Eventually he retired, except for personal appearances, to Recoleta in the 1970s, an upscale neighborhood of Buenos Aires. He died there of a brain aneurysm at the age of 65 on April 30, 1989. Long married (since 1948) to Janice Cooper, he was survived by their two children.Catman- Actor
- Soundtrack
Malachi Throne, the character actor who became one of the more ubiquitous faces on television from the "Golden Age" of the 1950s through the 21st-century, was born in New York City on December 1, 1928, the son of Samuel and Rebecca (née Chaikin) Throne, who had immigrated to America from the Austro-Hungarian Empire. He began performing at an early age.
During World War Two, he quit school to work in theater, though he later returned and got his high school diploma. He then set out upon a life as a "wandering player", as he describes it, playing in summer and winter stock companies while matriculating at Brooklyn College and Long Island University. Though he loved acting, he believed he would eventually wind up as an English teacher, which is why he doggedly kept at his studies between tours.
When he was 21 years old, the Korean conflict broke out, and Throne wound up in the infantry attached to an armored unit. When he returned to the New York theatrical scene, he found out that the revolution Marlon Brando had started in 1947 playing Stanley Kowalski in A Streetcar Named Desire (1951) was now the status quo. Possessed of a deep, classically trained voice, Throne was cast in the parts of characters much older than his actual age. His clear enunciation also made him a natural for live television, and he went to work on the now-defunct DuMont TV network. He continued his acting studies in New York, tutored by such luminaries as Uta Hagen and William Hickey.
In addition to TV, he continued to work on the the stage, appearing in the landmark Off-Broadway production of Eugene O'Neill's "The Iceman Cometh", in support of Jason Robards. He also played in the famous Off-Broadway revivals of "The Threepenny Opera" and Clifford Odets' "Rocket To The Moon", as well as appeared on Broadway in such top shows as Jean Anouilh's "Becket" in support of Laurence Olivier.
In 1958-59, he found himself in California, playing a season at San Diego's Old Globe Theater. After his stint with the Globe was over, he went to Hollywood, and established himself as a major character actor in guest spots on series television during the 1960s. He had memorable appearances as "Falseface" onBatman (1966) and the Arab-styled "Thief of Outer Space" on Lost in Space (1965). He also provided the voice of "The Keeper" for The Cage (1966), the pilot episode of Star Trek (1966). He turned down an offer to be a regular cast member on that show, rejecting the part of Dr. McCoy as he did not want to play third fiddle to William Shatner and Leonard Nimoy.
Producer Gene Roddenberry, who had offered him the role of Dr. McCoy ("Bones"), was not offended and cast Throne as "Commodore José Mendez" in the two-part episode "The Menagerie", which included most of the original pilot, although by then The Keeper's voice had been re-dubbed by another actor, Meg Wyllie. Many years later, Throne played "Senator Pardac" in the Star Trek: The Next Generation (1987) two-part episode ,"Unification", appearing with Leonard Nimoy, whose role as Spock Throne had coveted a generation earlier. In 1968, two years after "Star Trek" debuted, Throne was cast as Robert Wagner's boss on It Takes a Thief (1968) while continuing to guest star on many other television shows.
Throne remained committed to the stage, appearing as a resident actor with a variety of regional theaters, including the San Francisco Actors' Workshop, the Los Angeles Inner City Repertory Co., the Mark Taper Forum and the Louisville Free Theatre.
Throne died of lung cancer on March 13, 2013 in Brentwood, Los Angeles, California, where he appeared in local theater. He also wrote historical novels. His two sons are also in show business: Zachary Throne is an actor/musician while Joshua Throne is a producer and unit production manager.False Face's twin brother, Basil Karlo, who becomes Clayface- Music Department
- Actor
- Writer
Comedian, actor, composer and conductor, educated in New York public schools. He was a master of ceremonies in amateur shows, a carnival barker, daredevil driver and a disc jockey, and later a comedian in night clubs. By the mid-1950s he had turned to writing original music and recording a series of popular and best-selling albums with his orchestra for Capitol Records. Joining ASCAP in 1953, his instrumental compositions include "Melancholy Serenade", "Glamour", "Lover's Rhapsody", "On the Beach" and "To a Sleeping Beauty", among numerous others.King Cobra- Actress
- Producer
- Additional Crew
Nichelle Nichols was one of 10 children born to parents Lishia and Samuel Nichols in Robbins, Illinois, a Chicago suburb. She was a singer and dancer before turning to acting and finding fame in her groundbreaking role of Lt. Nyota Uhura in the Star Trek (1966) series.
As long as she could remember, she wanted to do nothing but sing, dance, act and write despite no one else in her family following any of those tracks; although her father could tap dance. He not only became mayor of their town, Robbins, IL, but also a magistrate. On stage, Nichelle was twice nominated for the Sarah Siddons Award as Best Actress of the Year; while on film she danced with Sammy Davis, Jr. in Porgy and Bess, and opposite James Garner in Mister Budwing (1965). In a complete changearound soon after the Star Trek television series came to an end, she played a blousey madam, then co-starred with Lynn Redgrave n Antony and Cleopatra. She was been married twice and had a son, Kyle Johnson, from her first marriage to a tap dancer.Would be a great Batman '66 version of Fish Mooney!- Actor
- Additional Crew
When John Neville was in his early sixties, Terry Gilliam cast him in the title role of The Adventures of Baron Munchausen (1988). Although the film was a financial failure, Neville's starring role in this major production, as well as his fine performance, led to an explosion in his career. He afterward received numerous roles in feature films and television. A new generation came to know him from his recurring role in the hit television series The X-Files (1993) and later feature film The X Files (1998), in which he played a mysterious character known only as "The Well-Manicured Man".
He emigrated to Canada in 1972, and took up Canadian citizenship. He was artistic director of the Stratford Festival (Ontario, Canada) from 1984 to 1989.the Cavalier- Actor
- Producer
- Art Department
John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.
Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother Robert E. Morrison swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in Stagecoach (1939), the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in The Alamo (1960), which he produced, directed and starred in. His patriotic stand was enshrined in The Green Berets (1968) which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for Sands of Iwo Jima (1949) and finally got the Oscar for his role as one-eyed Rooster Cogburn in True Grit (1969). A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).Calendar Man- Actor
- Producer
- Soundtrack
Lean, angular-faced and authoritatively spoken lead / supporting actor Roy Scheider obviously never heard the old actor's axiom about "never appearing with kids or animals" lest they overshadow your performance. Breaking that rule did him no harm, though, as he achieved pop cult status by finding, fighting and blowing up a 25-foot-long Great White shark (nicknamed "Bruce") in the mega-hit Jaws (1975) and then electrocuting an even bigger Great White in the vastly inferior Jaws 2 (1978).
Athletic Scheider was born in November 1932 in Orange, New Jersey, to Anna (Crosson) and Roy Bernhard Scheider, a mechanic. He was of German and Irish descent. A keen sportsman from a young age, he competed in baseball and boxing (his awkwardly mended broken nose is a result of his foray into Golden Gloves competitions). While at college, his pursuits turned from sports to theater and he studied drama at Rutgers and Franklin and Marshall. After a stint in the military, Scheider appeared with the New York Shakespeare Festival and won an "Obie Award" for his appearance in the play "Stephen D."
His film career commenced with the campy Z-grade horror cheesefest The Curse of the Living Corpse (1964), and he then showed up in Star! (1968), Paper Lion (1968), Stiletto (1969) and Puzzle of a Downfall Child (1970). In 1971 he really came to the attention of film audiences with his role in the Jane Fonda thriller Klute (1971) and then as Det. Buddy Russo (scoring his first Oscar nomination) alongside fiery Gene Hackman in the crime drama The French Connection (1971). His performance as a tough street cop in that film led him into another tough cop role as NYC Det. Buddy Manucci in the underappreciated The Seven-Ups (1973), which features one of the best car chase sequences ever put on film.
In the early 1970s the Peter Benchley novel "Jaws" was a phenomenal best-seller, and young director Steven Spielberg was chosen by Universal Pictures to direct the film adaptation, Jaws (1975), in which Scheider played police chief Brody and shared lead billing with Robert Shaw and Richard Dreyfuss in the tale of a New England seaside community terrorized by a hungry Great White shark. "Jaws" was a blockbuster, and for many years held the record as the highest-grossing film of all time. Scheider then turned up as the shady CIA agent brother of Dustin Hoffman in the unnerving Marathon Man (1976) and in the misfired William Friedkin-directed remake of The Wages of Fear (1953) titled Sorcerer (1977), before again returning to Amity to battle another giant shark in Jaws 2 (1978). Seeking a change from tough cops and hungry sharks, he took the role of womanizing, drug-popping choreographer Joe Gideon, the lead character of the semi-autobiographical portrayal of director Bob Fosse in the sparkling All That Jazz (1979). It was another big hit for Scheider (and another Oscar nomination), with the film featuring a stunning opening sequence to the tune of the funky George Benson number "On Broadway", and breathtaking dance routines including the "Airotica" performance by the glamorous Sandahl Bergman.
Returning to another law enforcement role, Scheider played a rebellious helicopter pilot in the John Badham conspiracy / action film Blue Thunder (1983), a scientist in the sequel to 2001: A Space Odyssey (1968) simply titled 2010 (1984), a cheating husband who turns the tables on his blackmailers in 52 Pick-Up (1986), a cold-blooded hit man in Cohen and Tate (1988) and a CIA operative in the muddled and slow-moving The Russia House (1990). The versatile Scheider was then cast as the captain of a futuristic submarine in the relatively popular TV series SeaQuest 2032 (1993), which ran for three seasons.
Inexplicably, however, Scheider had seemingly, and slowly, dropped out of favor with mainstream film audiences, and while he continued to remain busy, predominantly in supporting roles (generally as US presidents or military officers), most of the vehicles he appeared in were B-grade political thrillers such as The Peacekeeper (1997), Executive Target (1997), Chain of Command (2000) and Red Serpent (2003).Polka Dot Man- Actor
- Director
- Writer
With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.Matt Hagen Clayface- Actor
- Soundtrack
The television heartthrob from the 1960s and 1970s was the proverbial tall, dark and classically handsome actor. Completing the solid package was a great, muscular build, smooth charm, and an almost perfect set of teeth. Born in 1935 in Kansas City, Kansas, and raised in St. Louis, Missouri, he certainly paid his dues before landing his breakthrough as the suave announcer on The Carol Burnett Show (1967) in the late 1960s. The one-time door-to-door encyclopedia peddler, prior to his prime TV job, appeared in poorly-made sci-fi and beach party flicks with such dubious titles as Women of the Prehistoric Planet (1966), Swamp Country (1966), Journey to the Center of Time (1967) and Catalina Caper (1967). In time, he was more than just a gorgeous hunk with a resonant voice, and they began to incorporate Waggoner into the show as a comedy sketch partner along with Vicki Lawrence and Harvey Korman. His better scenes typically had him essaying the superficial cad or gleamy-toothed, self-important star. After seven seasons on the knockabout variety show, however, Waggoner felt like a "third banana" and yearned to take a chance on solo stardom. During his off-times, he had prepared himself by appearing in summer stock and/or dinner theater in such breezy assignments as "Boeing, Boeing", "Send Me No Flowers", and "Once More, with Feeling". He also hosted the syndicated quiz show It's Your Bet (1969), and earned added "exposure" as Playgirl Magazine's first semi-nude centerfold in 1973.
Not long after his departure from the Burnett show, he landed the role of Major Steve Trevor on the popular comic strip-based series Wonder Woman (1975), playing the dashing, no-nonsense boss to Diana Prince. Again, the challenge was not there and he remained on the periphery for three seasons. In later years, Waggoner became more personality than performer and only sporadically appeared in glossy mini-movies and TV episodes, occasionally as himself. He appeared in a few feature films (including Love Me Deadly (1972), Surf II (1983) and Wizards of the Demon Sword (1991)). Perhaps surmising he was undone by being too perfect a specimen, he wisely looked into business ventures. In 1979, he successfully started up "Star Waggons", which served film/TV companies with rental trailers. His charming, vainglorious romancer act was for the cameras only. He married only once, to Sharon Kennedy, an actress, financial consultant and realtor. They were married for 59 years and had two sons.Owlman- Music Artist
- Actor
- Music Department
Sir Elton John is one of pop music's great survivors. Born 25 March, 1947, as Reginald Kenneth Dwight, he started to play the piano at the early age of four. At the age of 11, he won a scholarship to the Royal Academy of Music. His first band was called Bluesology. He later auditioned (unsuccessfully) as lead singer for the progressive rock bands King Crimson and Gentle Giant. Dwight teamed up with lyricist Bernie Taupin and changed his name to Elton John (merging the names of saxophonist Elton Dean and Long John Baldry). The duo wrote songs for Lulu and Roger Cook. In the early 1970s, he recorded the concept album "Tumbleweed Connection." He became the most successful pop artist of the 1970s, and he has survived many different pop fads including punk, the New Romantics and Britpop to remain one of Britain's most internationally acclaimed musicians.
Elton John announced he was a bisexual in 1976, and in 1984, he married Renate Blauel. The marriage lasted four years before he finally came to terms with the fact that he was actually homosexual. In the 1970s and 1980s, he suffered from drug and alcohol addiction and bulimia but came through it. He is well known as a campaigner for AIDS research and he keeps his finger on the pulse of modern music, enjoying artists such as Eminem, Radiohead, Coldplay and Robbie Williams. He was knighted in 1997.Music Meister- Actor
- Director
- Producer
George C. Scott was an immensely talented actor, a star of the big screen, stage and television. He was born on October 18, 1927 in Wise, Virginia, to Helena Agnes (Slemp) and George Dewey Scott. At the age of eight, his mother died, and his father, an executive at Buick, raised him. In 1945, he joined the United States Marines and spent four years with them, no doubt an inspiration for portraying General George S. Patton years later. When Scott left the Marines, he enrolled in journalism classes at the University of Missouri, but it was while performing in a play there that the acting bug bit him. He has said it "clicked, just like tumblers in a safe."
It was in 1957 that he landed a role in "Richard III" in New York City. The play was a success and brought the young actor to the attention of critics. He soon began to get work on television, mostly in live broadcasts of plays, and he landed the role of the crafty prosecutor in Anatomy of a Murder (1959). It was this role that got him his first Oscar nomination, for Best Supporting Actor.
However, George and Oscar wouldn't actually become the best of friends. In fact, he felt the whole process forced actors to become stars and that the ceremony was little more than a "meat market." In 1962, he was nominated again for Best Supporting Actor, this time opposite Paul Newman in The Hustler (1961), but sent a message saying "No, thanks" and refused the nomination.
However, whether he was being temperamental or simply stubborn in his opinion of awards, it did not seem to stop him from being nominated in the future. "Anatomy" and "The Hustler" were followed by the clever mystery The List of Adrian Messenger (1963), in which he starred alongside Kirk Douglas, Robert Mitchum and cameos by major stars of the time, including Burt Lancaster and Frank Sinatra. It's a must-see, directed by John Huston with tongue deeply in cheek.
The following year, Scott starred as General "Buck" Turgidson in Stanley Kubrick's comical anti-war film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). This became one of his favorites and he often said that he felt guilty getting paid for it, as he had so much fun making it. Another comedy followed, The Flim-Flam Man (1967), with Scott playing a smooth-talking con artist who takes on an apprentice whom he soon discovers has too many morals.
Three years followed, with some smaller television movies, before he got the role for which he will always be identified: the aforementioned General Patton in Patton (1970). This was a war movie that came at the end of a decade where anti-war protests had rocked a nation and become a symbol of youth dissatisfied with what was expected of them. Still, the actor's portrayal of this aggressive military icon actually drew sympathy for the controversial hero. He won the Oscar this time, but stayed at home watching hockey instead.
A pair of films that he made in the early 1980s were outstanding. The first of these was The Changeling (1980), a film often packaged as a horror movie but one that's really more of a supernatural thriller. He plays John Russell, a composer and music professor who loses his wife and daughter in a tragic accident. Seeking solace, he moves into an archaic mansion that had been unoccupied for 12 years. However, a child-like presence seems to be sharing the house with him and trying to share its secrets with him. From learning of the house's past, he discovers its horrific secret of long ago, a secret that the presence will no longer allow to be kept.
Then he starred -- along with a young cast of then largely unknowns, including Timothy Hutton, Sean Penn and Tom Cruise -- in the intense drama Taps (1981). He played the head of a military academy that's suddenly slated for destruction when the property is sold to local developers who plan to build condos. The students take over the academy when they feel that the regular channels are closed to them.
Scott kept up in films, television and on stage in the later years of his life (Broadway dimmed its lights for one minute on the night of his death). Among his projects were playing Ebenezer Scrooge in a worthy television update of A Christmas Carol (1984), an acclaimed performance on Broadway of "Death of a Salesman", the voice of McLeach in Disney's The Rescuers Down Under (1990) and co-starring roles in television remakes of two classic films, 12 Angry Men (1997) and Inherit the Wind (1999), to name just a few. After his death the accolades poured in, with Jack Lemmon saying, "George was truly one of the greatest and most generous actors I have ever known," while Tony Randall called him "the greatest actor in American history".Lock-Up- Actor
- Producer
- Director
Born in America, and raised in Ireland and England, actor Patrick McGoohan rose to become the number-one British TV star in the 1950s to 1960s era. His parents moved to Ireland when he was very young and McGoohan acquired a neutral accent that sounds at home in British or American dialogue. He was an avid stage actor and performed hundreds of times in small and large productions before landing his first TV and film roles. McGoohan is one of few actors who has successfully switched between theater, TV, and films many times during his career. He was often cast in the role of Angry Young Man. In 1959, he was named Best TV Actor of the Year in Britain. Shortly thereafter, he was chosen for the starring role in the Secret Agent (1964) TV series (AKA 'Secret Agent in the US), which proved to be an immense success for three years and allowed the British to break into the burgeoning American TV market for the first time. By the series' 3rd year, McGoohan felt the series had run its course and was beginning to repeat itself. McGoohan and Lew Grade - the president of ITC (the series' production company), had agreed that McGoohan could leave Danger Man to begin work on a new series, and turned in his resignation right after the first episode of the fourth year had been filmed ("Koroshi"). McGoohan set up his own production company and collaborated with noted author and script editor George Markstein to sell a brand new concept to ITC's Lew Grade. McGoohan starred in, directed, produced, and wrote many of the episodes, sometimes taking a pseudonym to reduce the sheer number of credits to his name. Thus, the TV series The Prisoner (1967) came to revolve around the efforts of a secret agent, who resigned early in his career, to clear his name. His aim was to escape from a fancifully beautiful but psychologically brutal prison for people who know too much. The series was as popular as it was surreal and allegorical, and its mysterious final episode caused such an uproar that McGoohan was to desert England for more than 20 years to seek relative anonymity in LA, where celebrities are "a dime a dozen."
During the 1970s, he appeared in four episodes of the TV detective series "Columbo," for which he won an Emmy Award. His film roles lapsed from prominence until his powerful performance as King Edward I (Longshanks) in Mel Gibson's production of Braveheart (1995). As such, he has solidified his casting in the role of Angry Old Man.The Scarecrow (in-costume voice)