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Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.
Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).
Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.
He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).
Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.
Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.
Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Music Artist
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Riley B. King (September 16, 1925 - May 14, 2015), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato and staccato picking that influenced many later blues electric guitar players. AllMusic recognized King as "the single most important electric guitarist of the last half of the 20th century".
King was inducted into the Rock and Roll Hall of Fame in 1987, and is one of the most influential blues musicians of all time, earning the nickname "The King of the Blues", and is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and Freddie King, none of whom are related). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.
King was born on a cotton plantation in Itta Bena, Mississippi, and later worked at a cotton gin in Indianola, Mississippi. He was attracted to music and the guitar in church, and he began his career in Juke joints and local radio. He later lived in Memphis and Chicago; then, as his fame grew, toured the world extensively. King died at the age of 89 in Las Vegas on May 14, 2015.- Actor
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Antoine Dominique Domino Jr. (February 26, 1928 - October 24, 2017), known as Fats Domino, was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single "The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.- Actor
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Robert Peter Williams Guillaume was an actor from St. Louis, Missouri who was known for playing Rafiki from The Lion King, Benson DuBois from Soap and Benson, and Nathan Detroit from Guys and Dolls. He had five children from two marriages. He passed away in October 24, 2017 due to prostate cancer complications.- Actor
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Endearing, bushy-whiskered Welsh character actor whose screen repertoire seemed to consist for the better part of variations on a similar theme, namely stereotypical stiff-upper-lip or bumbling British gents. The son of an actress and an actor-manager and on stage from early childhood, Fox began his career in repertory theatre. During the last two years of World War II he served on a minesweeper in the Royal Navy. In 1952, he joined the ensemble of Brian Rix's Whitehall Farces as one of the 'Reluctant Heroes' and the 'Simple Spymen'. Buoyed by popular success, he probably developed his stock-in-trade character around this time. Following a stint on the London stage, Fox then landed several small roles in British films and co-starred for the BBC in the short-lived comedy series Three Live Wires (1961). The show's American producer promised him a shot at Hollywood and the actor and his wife promptly moved to Los Angeles. In 1962, Fox made his American stage debut at the Civic Playhouse in the three-act mystery play "Write Me a Murder" by Frederick Knott. The following year he appeared as a blundering waiter in The Danny Thomas Show (1953).
During the 1960's he became a familiar face on television, staking his particular claim to comedy relief fame as the cranky warlock physician Dr. Bombay in Bewitched (1964) (a character he declared was based on a naval officer with whom he served during the war) and as the buffoonish Colonel Rodney Crittenden in Hogan's Heroes (1965) (who was hopefully not based on anyone). He was also a Dr. Watson to Stewart Granger's Sherlock Holmes in The Hound of the Baskervilles (1972), striding a kind of middle ground between the Watson of Nigel Bruce and that of Edward Hardwicke. His many guest roles as assorted 'visiting' English officers included, among others, 12 O'Clock High (1964), The Man from U.N.C.L.E. (1964), Columbo (1971) and M*A*S*H (1972). More recently, he appeared as Archibald Gracie IV, survivor (albeit briefly) of the sinking of the Titanic (1997) and as the unflappable aviator Winston Havelock going off to his last 'tally-ho' in The Mummy (1999). His ongoing commitment to theatrical work led to engagements in Canada with Stage West, in Las Vegas, Los Angeles and starring on Broadway in a 1978 production of "3 Rue de L'Amour" with Louis Jourdan and Kathleen Freeman.
In private life, Fox was renowned as an expert theatre historian. He was reputedly a keen gardener, a painter of landscapes and a devotee of performing magic.- John Carson was a hugely prolific actor who appeared constantly on UK screens throughout the mid-50s until the mid-80s. He has appeared alongside many of the UK's stars and became hugely popular as a villain or hero. The secret of John's success was his versatility and his wonderful silky voice. He appeared in 3 Hammer films which led to an ever-increased popularity amongst film fans. John moved to South Africa from England in the 80s and, sadly, his appearances became far more sporadic although he always kept working, even producing and filming his own short documentary, "African Spirit". He returned to England in 2007 and has been involved in a few films, such as The Deal (2008). He attended a John Carson Celebration Day in London (July 2009). This was the first time he had talked publicly about his long career in television, film and stage. The day was a huge success and, aside from a showing of two of his films, John gave an interview on stage and then signed autographs. The day was a huge success and this was proved so by a large attendance and the queues for his autograph and photos. John returned to South Africa in 2014 where he spent time with his family and got to relax a little. He sadly passed away on November 5th, 2016, a few weeks before his 90th birthday. He was a fine actor and leaves behind a legacy of his versatility on screen.
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Warren Mitchell was born on 14 January 1926 in Stamford Hill, London, England, UK. He was an actor, known for Jabberwocky (1977), The Crawling Eye (1958) and In Sickness and in Health (1985). He was married to Constance Wake. He died on 14 November 2015 in Royal Free Hospital, Hampstead, London, England, UK.- Geoffrey Keen was born on 21 August 1916 in Wallingford, Oxfordshire, England, UK. He was an actor, known for The Spy Who Loved Me (1977), Moonraker (1979) and For Your Eyes Only (1981). He was married to Doris Groves, Madeline Howell and Hazel Terry. He died on 3 November 2005 in Denville Hall, Northwood, Hillingdon, London, England, UK.
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William Peter Blatty was born on 7 January 1928 in New York City, New York, USA. He was a writer and actor, known for The Exorcist (1973), The Exorcist III (1990) and The Ninth Configuration (1980). He was married to Julie Alicia Witbrodt, Linda Blatty, Elizabeth Gilman and Mary Margaret Rigard. He died on 12 January 2017 in Bethesda, Maryland, USA.- Actor
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'Eric Sykes' started as a radio scriptwriter but he soon found he could perform as well as write. The slight handicap of being very hard of hearing doesn't interfere with his wonderful comic timing. The spectacles he wears have no lenses but contain a bone conducting hearing aid.- Actor
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WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.- Actress
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Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actress
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Martha Hyer was born on August 10, 1924 in Fort Worth, Texas. Once she finished her formal schooling, Martha played a bit role in 1946's The Locket (1946). Slowly, Martha began picking up roles with more and more substance. The best years for the beautiful actress began in 1954 when she played in films such as Down Three Dark Streets (1954), Showdown at Abilene (1956) and Battle Hymn (1957). Perhaps the best role of her long career was as "Gwen French" in 1958's Some Came Running (1958) in which she starred opposite Frank Sinatra, Dean Martin and Shirley MacLaine. As a result of her stellar role, Martha received an Academy Award nomination as Best Supporting Actress, but she lost out to Wendy Hiller in Separate Tables (1958). Afterwards, Martha's stint on the US silver screen's trailed off some. She did make a handful of foreign films, returning to appear in the US from time to time, but nothing compared to the pace she had in the fifties. Her last film was in 1973 in the film The Day of the Wolves (1971). In 1966, she married producer Hal B. Wallis and remained with him until his death in 1986.- Writer
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Veteran entertainer Sir Bruce Forsyth had a career spanning eight decades, in which he went from struggling variety performer to Saturday night TV stardom. On the way, he became one of the most recognisable entertainers in the business, driven by what appeared to be inexhaustible energy. He became synonymous with the plethora of game shows that seemed to dominate television light entertainment in the 1960s, 70s and 80s, although he often felt he had become typecast as the genial quizmaster. And at an age when most performers would have put their feet up, his career enjoyed a huge revival with the BBC's Strictly Come Dancing (2004). Bruce Joseph Forsyth-Johnson was born in Edmonton, north London, on 22 February 1928. His father owned a local garage and both his parents were Salvation Army members who sang and played music at home.
Bruce was a direct descendant of William Forsyth, a founder of the Royal Horticultural Society, whose name was given to the plant forsythia. His interest in showbusiness was kindled at the age of eight and he was reportedly found tap-dancing on the flat roof after watching his first Fred Astaire film.
He made his stage debut at the age of 14 as Boy Bruce, the Mighty Atom, appearing bottom of the bill at the Theatre Royal, Bilston. Live entertainment was a way of escaping the pressures and dangers of wartime Britain, and there was a huge demand for acts, no matter how bad they were.
But there was to be no fast track to success. For the next 16 years he performed in church halls and theatres across the country, sleeping in train luggage racks and waiting for the big break. It came in 1958, at a time when he had been unemployed for more than three months and was seriously considering giving up on showbusiness. He was asked to present Val Parnell's Sunday Night at the London Palladium (1955), a televised variety show, made by Lord Grade's ATV company for the ITV network. He'd finally found the fame he had always craved, appearing not in front of a couple of hundred people in a theatre, but the more than 10 million who regularly tuned in to the show.
Originally booked for two weeks, he stayed five years, by which time he was Britain's highest-paid entertainer, earning £1,000 a week (£18,700 in today's money). But he continued touring with his variety show and the strain of combining this with his Palladium appearances took a toll on his private life. He divorced his first wife, Penny Calvert, a dancer he'd met in the theatre, and she wrote an account of her husband's perpetual absence, called Darling, Your Dinner's in the Dustbin. A popular element in his Palladium show was a feature called Beat the Clock, in which contestants, egged on by Forsyth, had to complete quirky tasks as a huge clock ticked down.
The segment gave a hint of his future television role and he went on to host some of the most popular television game shows of the 1970s and 80s. With his catchphrases of "Nice to see you, to see you nice" and "Didn't he do well?" he reigned supreme at the helm of the BBC's Bruce Forsyth and the Generation Game (1971) for six years from 1971, and again at the beginning of the 1990s. At its peak, the programme attracted 20 million viewers, who tuned in to watch Forsyth seemingly having more fun than the competitors, enthusing over the mundane prizes on the conveyor belt. The presenter argued with his BBC managers about the show's early evening timeslot but he eventually accepted his role as the "warm-up man" for Saturday night television.
His co-host on the show, Anthea Redfern, was each week encouraged to "give us a twirl". The couple married in 1973 but divorced six years later. It was on Bruce Forsyth and the Generation Game (1971) that he introduced his famous "thinker" pose, appearing in silhouette at the beginning of each show. The idea came from the classic circus strongman pose, something he'd perfected during his days in variety. He repeated his success on ITV's Play Your Cards Right (1980), where the audience joined in the cries of "higher" or "lower" as the contestants tried to guess the value of a series of playing cards.
In 1995, a year after his final Generation Game appearance, he received a lifetime achievement award for variety at the British Comedy Awards and began hosting ITV's The Price is Right (1972). The entertainer was, by this time, a Rolls-Royce-driving multimillionaire and married since 1983 to Wilnelia Merced, a former Miss World. He later claimed that he regretted becoming so associated with game shows and wished he'd done more variety work on TV.
Play Your Cards Right (1980) was axed in 1999 and, with changing tastes in entertainment, his TV career began to slide. He returned to the theatre - but experienced an unexpected revival after his wife watched an edition of the satirical quiz, Have I Got News For You, and suggested he could present the programme. After calling show regular Paul Merton, he landed the gig and offered to be "a little bit deadpan". "But the team said, 'No, be Bruce Forsyth,'" he said. He used the occasion to parody some of his old game shows, much to the ill-disguised disgust of team captain Ian Hislop. But the appearance led to Forsyth, an accomplished tap dancer, being offered the job of hosting Strictly Come Dancing (2004), which began a year later. Viewed with scepticism when it launched, the celebrity dance show became one of the most-watched programmes on TV by the time it reached its fifth series in 2007. He brought his own brand of avuncular good humour to the proceedings - reassuring many of the contestants with the phrase "you're my favourites".
After missing a handful of episodes because of illness, he decided to "step down from the rigours" of presenting Strictly in 2014.
He continued to host the Christmas and charity editions of Strictly until 2014 - all of which were taped, as opposed to live broadcasts. Away from entertainment, Forsyth's biggest passion was golf and he took part in many pro-celebrity tournaments. His house was next to the course at Wentworth, where he played with many of the world's best players, practising in the bunker in his own back garden.
During his career, Forsyth's multiple talents and years of application sparked an enduring appeal. In 2011 he was knighted after years of campaigning by his fans and a parliamentary Early Day Motion signed by 73 MPs. But he suffered from ill health towards the end of his life, and in 2016 his wife revealed he still had "a bit of a problem moving", following major surgery a year earlier. Sir Bruce was one of the last entertainers from the tradition of music hall to be working on British television. In many ways his act barely changed. The same corny gags, the same toothy smile and, above all, the same manic enthusiasm. He is particularly remembered for his ability to transform run-of-the-mill party games into glorious moments of mayhem that enthralled contestants and audiences alike.
He died in August 2017 at his home in Virginia Water, Surrey, England, UK following a period of ill health. He was 89. He was survived by his third wife.- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.- Actor
- Soundtrack
One of Britain's finest products of the stage, film and TV, actor Frank Finlay, he with the dark and handsomely serious-to-mordant looks, was born on August 6, 1926, in Farnworth, England, the son of Josiah, a butcher, and Margaret Finlay. Of English, Irish and Scottish descent, Frank attended St. Gregory the Great School and then was actually training to follow in his father's footsteps as a butcher himself when his side interest in acting eventually won out. He became a member of the Farnworth Little Theatre and met his future wife, Doreen Shepherd, a fellow member at the same time. They married in 1954, had three children (two sons, one daughter) and were married for over 50 years until her death in 2005.
Finlay began his professional career on the repertory stage with roles in The Guilford Theatre Company's 1957 productions of "Jessica" and "The Telescope". Graduating from the Royal Academy of Dramatic Art (RADA), he built up a strong and sturdy theatrical reputation at the Royal Court Theatre between 1958 and 1960 where he was seen to good advantage in such plays as "Chicken Soup and Barley", "Sugar in the Morning", "Sergeant Musgrave's Dance", "Roots", "I'm Talking About Jerusalem", "The Happy Haven" and "Platonov". Making his Broadway debut in "The Epitaph of George Dillon" in 1959, he also sparked a noteworthy professional association with Laurence Olivier at the National Theatre, the highlight being his intense but subtle portrayal of "Iago" to Olivier's "Othello" in 1964.
Marking his film debut in a bit role in The Loneliness of the Long Distance Runner (1962), Finlay sandwiched in a steady stream of British film parts (including Private Potter (1963), Doctor in Distress (1963), Agent 8 3/4 (1964), The Comedy Man (1964), A Study in Terror (1965) (as "Jack the Ripper" Inspector Lestrade), The Jokers (1967), The Deadly Bees (1966) and Robbery (1967)) in between theatre assignments. His greatest film opportunity occurred when he was given the right by Olivier to recreate his Iago role opposite the legendary actor in the masterful film adaptation of Othello (1965). Finlay, Maggie Smith (as "Desdemona") and Joyce Redman (as "Emilia") all received Oscar and Golden Globe nominations for their illustrious "supporting" work of Olivier (who was also Oscar nominated). Frank went on to nab a "Most Promising Newcomer" nomination from the BAFTA committee as well. To date, this has been the actor's only Oscar recognition.
Frank, who had a dashing role as "Porthos" for director Richard Lester in the ripe Dumas adaptation of The Three Musketeers (1973) (and its sequels The Four Musketeers: Milady's Revenge (1974) and The Return of the Musketeers (1989)), has had primarily an international cinematic career. Films include The Shoes of the Fisherman (1968), Cromwell (1970), The Molly Maguires (1970), Shaft in Africa (1973), The Wild Geese (1978), Murder by Decree (1979) (again as "Inspector Lestrade"), The Return of the Soldier (1982), The Key (1983) [The Key], Lifeforce (1985), La montagna dei diamanti (1991), So This Is Romance? (1997), Silent Cry (2002) and, most notably, the Oscar-winning WWII picture The Pianist (2002), directed by Roman Polanski, in which he portrayed the patriarch of a displaced Jewish family that included "Best Actor" son Adrien Brody.
Classical television notice came in middle age with Frank's strong performances as "Jean Valjean" in the British TV mini-series Les Misérables (1967) and the title role in Casanova (1971). He also went on to win stellar praise and a BAFTA award for his chilling portrayal of "Adolf Hitler" in The Death of Adolf Hitler (1973). Finlay and Susan Penhaligon courted controversy in the drama series Bouquet of Barbed Wire (1976) and were reunited in further controversy the following year with its follow-up Another Bouquet (1977). More plentiful and prestigious BBC-TV work came with his roles as Shakespeare's "Brutus" and "Shylock", not to mention his award-winning performances as "Voltaire" and "Sancho Panza".
In Count Dracula (1977), Finlay played "Van Helsing" to nemesis Louis Jourdan's velvety-voiced vampire; in A Christmas Carol (1984), he was the dour, shackled "Jacob Marley", who pays a ghostly visit to George C. Scott's crusty "Ebenezer Scrooge"; and in Eroica (2003), he portrayed composer "Franz Josef Haydn" alongside Ian Hart's "Beethoven" in the mini-series Eroica (2003). Frank ended his on-camera career gracing such programs as the mini-series Johnny and the Bomb (2006), Prime Suspect 7: The Final Act (2006) and Four Seasons (2008) and the TV series Life Begins (2004).
Throughout his prolific career on TV and film, Frank has maintained on the stage giving sterling performances in classic and contemporary plays as in with "Much Ado About Nothing (as "Dogberry"), "The Crucible", "Saturday Sunday Monday", "Filumena", "Amadeus" (a most affecting Salieri), "Mutiny" (as "Captain Bligh"), "Beyond Reasonable Doubt" and as the rigid father in the 1992 period production of "The Heiress." On January 30, 2016, Finlay died of heart failure in Surrey, England, at the age of 89.- Actress
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When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actor
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Marvin Kaplan was born on 24 January 1927 in Brooklyn, New York, USA. He was an actor and writer, known for It's a Mad Mad Mad Mad World (1963), Wild at Heart (1990) and The Great Race (1965). He was married to Rosa Felsenburg. He died on 25 August 2016 in Tarzana, California, USA.- Actor
- Soundtrack
Bob Hastings got his show business start in radio after WWII as the voice of "Archie Andrews" in the show of the same name (a spin-off of the Archie Comics series) on the Mutual Broadcasting System. The good-looking Hastings made the transition to television smoothly in 1949 in early galactic-action series like Captain Video and His Video Rangers (1949) and Atom Squad (1953). His first semi-recurring role was as either a sergeant or a lieutenant on The Phil Silvers Show (1955) (aka "Sgt. Bilko"). Overall, he appeared in eight episodes but interestingly always with a different character name though basically the same demeanor.
Most of his career has been spent in television, and he's notable for roles such as Captain Binghamton's yes-man "Lieutenant Elroy Carpenter" on McHale's Navy (1962), one of the two Tommy Kelsey's on All in the Family (1971), and "Captain Ramsey" on General Hospital (1963). Hastings has also done much voice work, including that of "The Raven" on The Munsters (1964), "Superboy" on the The Superman/Aquaman Hour of Adventure (1967) cartoons in the 1960s and, in recent years, the voice of "Commissioner Gordon" on the animated Batman: The Animated Series (1992) cartoons.- Actor
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A genial, well-respected, all-around "nice guy", the breezily handsome Barry Nelson was born Haakon Robert Nielsen on April 16, 1917, in San Francisco, California, to Betsy (Christophersen) and Trygve "Ted" Nielsen, both Norwegian immigrants. He was raised in nearby Oakland and graduated from the University of California at Berkeley in 1941. A talent scout from MGM caught Barry in a college production of "Macbeth" and quickly sized up his potential. Cast in earnest secondary roles including Shadow of the Thin Man (1941) and Dr. Kildare's Victory (1942), he was assigned the lead in the war film A Yank on the Burma Road (1942). Serving in WWII, he appeared in the Moss Hart play "Winged Victory", in what would become his Broadway debut, in 1943 and a year later he appeared as "Corporal Barry Nelson" in the 1944 film version of the play. Barry lost major ground in films during the post-war years, but certainly made up for it on the live stage by appearing in a string of New York successes ranging from "The Rat Race" to "The Moon Is Blue."
On TV, in addition to becoming a trivia statistic in the Hollywood annals as being the first to give video life to Ian Fleming's "007" agent James ("Jimmy") Bond in a one-hour production of "Casino Royale" in Climax! (1954), Barry lit up the small screen in such dramatic programs as Alfred Hitchcock Presents (1955) and, in particular, a memorable episode of The Twilight Zone (1959). He also starred in the series The Hunter (1952), a Cold War adventure, and My Favorite Husband (1953), in which he played the level-headed mate and "straight man" to daffy blonde Joan Caulfield. In the 1960s he continued to demonstrate his acting muscle on stage and TV, although he did manage to preserve on film his starring role in Mary, Mary (1963), a huge Broadway hit with Debbie Reynolds co-starring in place of stage partner Barbara Bel Geddes. The lightweight play "Cactus Flower" with Lauren Bacall was another bright vehicle, but star Walter Matthau's clout cost Barry the part when it went to film. Through it all Barry remained a thoroughly solid professional, particularly in the realm of TV-movies. Such standouts include his neighbor/undercover agent to criminals-on-the-run Don Murray and Inger Stevens in The Borgia Stick (1967) and his blind plane crash survivor in Seven in Darkness (1969).
The 1970s proved a very good decade indeed for Barry theater-wise with "Seascape," "The Norman Conquests" and Liza Minnelli's "The Act" among his pleasures, the last-mentioned earning him a Tony nomination. Despite co-starring roles in the blockbuster hit Airport (1970) and comedy Pete 'n' Tillie (1972), the silver screen would not become his strong suit in later years. By the early 1990s he had fully retired.
A popular, clean-cut, down-to-earth "Average Joe" with a charmingly sly side, you just couldn't help but like Barry Nelson. Although he certainly could play the deceptive villain when called upon, he was usually the kind of guy you'd root for having as a neighbor, pal or business partner. Divorced from actress Teresa Celli for quite some time and completely retired now, he and second wife Nansilee (they married in 1992) traveled extensively and enjoyed antique shopping in particular. In 2007, during one of their many excursions, Barry passed away quietly at age 89 at a hotel in Bucks County, Pennesylvania.- Another in the long line of 1950s and 1960s character actors whose face was oh-so familiar but not the name, Richard Eastham was originally headed for a musical career.
He was born Dickinson Swift Eastham in Opelousas, Louisiana, on June 22, 1916. A student at Washington University, he was gifted with a fine sturdy baritone and performed with the St. Louis Grand Opera in the days before World War II. After finishing his wartime four-year army service, Eastham moved to New York and studied at the American Theatre Wing. H
Richard's musical peak came after understudying singer Ezio Pinza as plantation owner "Emile DeBecque" in "South Pacific", sharing the stage in the role with the likes of Mary Martin and (later) Janet Blair while using the name Dickenson Eastham. He also co-starred in an Ethel Merman production of "Call Me Madam" in the early 1950s and made his minor non-singing film bow with Merman in the Fox film musical There's No Business Like Show Business (1954). His TV debut came with a musical appearance on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") in 1949.
A strong, masculine presence with slick blond hair and prominent cheekbones, he changed his stage name to "Richard Eastham" and switched gears to film and TV acting in the late 1950s, shifting quite easily from playing men of integrity to outright heavies in crime stories and westerns. Although he was an erratic presence in films, he made solid appearances in Man on Fire (1957), Disney's Toby Tyler or Ten Weeks with a Circus (1960) and That Darn Cat! (1965), Not with My Wife, You Don't! (1966), Murderers' Row (1966), Tom Sawyer (1973) and McQ (1974), among others.
TV would be a different story altogether. A frequent guest on Perry Mason (1957) as both prosecutor and suspect, he appeared with great regularity on such series as Bat Masterson (1958), Ripcord (1961), Bonanza (1959), The F.B.I. (1965), Kojak (1973), Barnaby Jones (1973) and The Waltons (1972). As a regular, he introduced and narrated the western series Tombstone Territory (1957); played "Red Wilson" in the daytime soap Bright Promise (1969); appeared as "Gen. Phil Blankenship" on Wonder Woman (1975) starring Lynda Carter; and joined the Falcon Crest (1981) cast in his last recurring TV role as "Dr. Howell".
Long settled in Los Angeles and was married to his wife, Betty Jean, for 60 years until her death in 2002, he suffered from Alzheimer's disease in his final years and died from complications at age 89 on July 10, 2005. - Actor
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One of the truly great and gifted performers of the century, who often suffered lesser roles, Burgess Meredith was born in 1907 in Cleveland, Ohio. He was educated in Amherst College in Massachusetts, before joining Eva Le Gallienne's Student Repertory stage company in 1929. By 1934 he was a star on Broadway in 'Little 'Ol Boy', a part for which he tied with George M. Cohan as Best Performer of the Year.. He became a favorite of dramatist Maxwell Anderson, premiering on film in the playwright's Winterset (1936). Other Broadway appearances included 'The Barretts of Wimpole Street'. 'The Remarkable Mr Pennypacker', 'Candida', and 'Of Mice and Men. 'Meredith served in the United States Army Air Corps in World War II, reaching the rank of captain. He continued in a variety of dramatic and comedic roles often repeating his stage roles on film until being named an unfriendly witness by the House Un-American Activities Committee in the early 1950s, whereupon studio work disappeared. His career picked up again, especially with television roles, in the 1960s, although younger audiences know him best for either the Rocky (1976) or Grumpy Old Men (1993) films. Meredith also did a large amount of commercial work, serving as the voice for Skippy Peanut Butter and United Air Lines, among others. He was also an ardent environmentalist who believed pollution one of the greatest tragedies of the time, and an opponent of the Vietnam War. Burgess Meredith died at age 89 of Alzheimer's disease and melanoma in his home in Malibu, California on September 9, 1997.- Lean, distinguished-looking Viennese character actor, latterly white-haired and with distinctive dark eyebrows. Though he initially studied law in Vienna, Fürst became interested in acting and was given his first opportunities on stage in Canada. He then moved to England in search of better job prospects, eventually finding his niche in British films and on television. Fürst is best remembered on screen for playing suave, villainous scientists, invariably of Eastern European, Germanic or Italian ethnicity. Arguably, as to the most prominent among those, look no further than his maniacal, power-mad Professor Hermann Zaroff in the Doctor Who (1963) episode 'The Underwater Menace' (1967); or his laser refraction specialist, Professor Dr. Metz, in the James Bond classic Diamonds Are Forever (1971). Fürst occasionally returned to his native Austria for theatrical appearances in Vienna and Salzburg. He ultimately retired to Bateau Bay, New South Wales, and made a few more appearances on Australian TV soaps and in films.
- Actress
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Ernestine Jane Geraldine Russell was born on June 21, 1921, in Bemidji, Minnesota. Her father was a United States Army lieutenant and her mother had been a student of drama and an actress with a traveling troupe. Once Mr. Russell was mustered out of the service, the family took up residence in Canada but moved to California when he found employment there. The family was well-to-do and although Jane was the only girl among four brothers, her mother saw to it that she took piano lessons. In addition to music, Jane was interested in drama much as her mother had been and participated in high school stage productions. Upon graduation, Jane took a job as a receptionist for a doctor who specialized in foot disorders. Although she had originally planned on being a designer, her father died, and she had to go to work to help the family. Jane modeled on the side and was very much sought-after especially because of her figure.
She managed to save enough money to go to drama school, with the urging of her mother. She was signed by Howard Hughes for his production of The Outlaw (1943) in 1941, the film that was to make Jane famous. The film was not a classic by any means but was geared through its marketing to show off Jane's ample physical assets rather than acting abilities. Although the film was made in 1941, it was not released until two years later and then only on a limited basis due to the way the film portrayed Jane's assets. It was hard for the flick to pass the censorship board. Finally, the film gained general release in 1946. The film was a smash at the box office.
Jane did not make another film until 1945 when she played Joan Kenwood in Young Widow (1946). She had signed a seven-year contract with Hughes, and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to highlight her true acting abilities. The pinnacle of her career was in Gentlemen Prefer Blondes (1953) as Dorothy Shaw, with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies to show off her sexy side. Films such as Gentlemen Marry Brunettes (1955) and The Revolt of Mamie Stover (1956) did do Jane's justice and were able to show exactly the fine actress she was.
After The Fuzzy Pink Nightgown (1957) (a flop), Jane took a hiatus from films, to dabble a little in television, returning in 1964 to film Fate Is the Hunter (1964). Unfortunately, the roles were not there anymore as Jane appeared in only four pictures during the entire decade of the 1960s. Her last film of the decade was The Born Losers (1967). After three more years away from the big screen, she returned to make one last film called Darker Than Amber (1970). Her last play before the public was in the 1970s when Jane was a spokesperson for Playtex bras. Had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show. Jane Russell died at age 89 of respiratory failure on February 28, 2011, in Santa Maria, California.- Actress
- Music Department
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A brash, sharp-tongued, incorrigible actress/singer who led a six decade career that contained many highs and lows, veteran Elaine Stritch's raucous six-decade career certainly lived up well to the Stephen Sondheim song lyrics "I'm Still Here." A popular, magnetic performer, she stole so many moments on stage she could have been convicted of grand larceny This tough old bird approached her octogenarian years with still-shapely legs, a puffy blonde hairdo, a deep, whiskey voice and enough sardonic bluster and bravado to convince anyone that she would be around forever.
The Detroit-born (February 2, 1925) Elaine Stritch was the daughter of a B.F. Goodrich executive, of Irish/Welsh heritage, and the youngest of three sisters. Educated locally at Sacred Heart Convent and Duschesne Residence Finishing School, she prepared for the stage at the Dramatic Workshop of the New School where fellow "school mates" included Marlon Brando. She made her first appearance at the New School as a tiger and a cow in a 1944 children's production entitled "Babino," then followed it the following year with the part of a parlor maid in "The Private Life of the Master Race."
Elaine made it to Broadway in October 1946 as "Pamela Brewster" in "Loco" at the Biltmore Theatre. Taking over the part of "Miss Crowder" in "Made in Heaven" after that, she finished off the decade appearing in such theatre productions as "Three Indelicate Ladies," "The Little Foxes" (as Regina), the revue "Angel in the Wings" and "Yes M'Lord."
From the 1950's on, Elaine would become the toast of both Broadway and (later) London's West End, earning award-worthy acclaim on both continents over the years. Starting with a tour of "Pal Joey" (as Melba) in 1952, she followed this success with such shows as "Call Me Madam" (as Sally); "On Your Toes" (as Peggy); "Bus Stop" (Tony nom: as waitress Grace), "The Sin of Pat Muldoon" (as Gertrude); "Goldilocks" (as Maggie); "Sail Away!" (Tony nom, and also London debut as Mimi); "Who's Afraid of Virginia Woolf?" (as Martha); "The King and I" (as Anna); "The Grass Harp" (as Babylove); "Wonderful Town" (as Ruth); "Private Lives" (as Amanda); "Mame" (as Vera, then Mame); "Company" (Tony-nom: as Joanne); "Small Craft Warnings" (as Leona); "The Gingerbread Lady" (as Evy); "Show Boat" (Drama Desk Award: as Parthy); and "A Delcate Balance" (Tony-nom, Drama Desk Award: as Claire). Through sheer personality alone, her cacophonous singing voice miraculously took classic songs from, among others, Richard Rodgers and Lorenz Hart to Noël Coward and Stephen Sondheim and put her own indelibly raucous stamp on them.
Oddly, Elaine never made the same kind of impact on film. Nevertheless, she appeared in an armful of supports over the years, growing increasingly abrasive, in such movies as The Scarlet Hour (1956), Three Violent People (1956), A Farewell to Arms (1957), The Perfect Furlough (1958), Kiss Her Goodbye (1959), Who Killed Teddy Bear (1965), Too Many Thieves (1966), The Sidelong Glances of a Pigeon Kicker (1970), The Spiral Staircase (1975), Providence (1977), September (1987), Cocoon: The Return (1988), Cadillac Man (1990), Out to Sea (1997), Krippendorf's Tribe (1998), Screwed (2000), Small Time Crooks (2000); Autumn in New York (2000), Monster-in-Law (2005), ParaNorman (2012) and River of Fundament (2014)
The actress fared somewhat better on early TV. She appeared as one of the Paynes in the early Dumont family comedy series The Growing Paynes (1948), and made appearances on several anthology series ("Kraft Theatre," "Goodyear Playhouse," "The Alcoa Hour," "The Dupont Show of the Month"). A few guest spots also decorated her small screen resume, including "Mister Peepers," "Adventures in Paradise" and "Wagon Train". In the 60's, Elaine returned to the series format, but only enjoyed single season life on three: My Sister Eileen (1960), as Ruth Sherwood; the acclaimed The Trials of O'Brien (1965) as lawyer Peter Falk's secretary "Miss G."; and as Ellen Burstyn's derisive mother on The Ellen Burstyn Show (1986).
In 1973, Elaine married English actor John Bay and moved to London. While there she appeared in a number of plays/musicals and then played an American authoress in the British comedy series Two's Company (1975) co-starring Donald Sinden as the butler. When she returned to America in the early 80's, she returned alone.
At age 76, a razor-sharp Elaine captivated audiences in a candid one woman musical stage memoir that would win her the Tony, Drama Desk, Obie, Outer Circle Critics and New York Drama Critics awards. Elaine Stritch at Liberty (2002) show also chronicled her notorious private life, combative nature, which included a long bout with the bottle (to curb her stage fright), and a destructive relationship with fellow alcoholic Gig Young. Add to that a fair share of Hollywood gossip all cleverly packaged up with raw wit and show-stopping patter songs and you had quintessential Elaine Stritch. Truly one of a kind, she would eventually be inducted into the American Theater Hall of Fame in 1995.
Other memorable TV appearances included her Aunt Polly in the mini-series Pollyanna (1973); a 1984 continuing role on the daytime soaper The Edge of Night (1956); the role of Ouisar in the TV movie version of Steel Magnolias (1990); and three Emmy Award-winning portrayals -- as a guest on "Law & Order," for the 2004 TV documentary of her one-woman triumph, and for a recurring character on the hit sitcom 30 Rock (2006).
A diabetic, it took stomach cancer to finally slow this woman down at the end, dying at age 89 on July 17, 2014, at her Michigan home.- Rosemary Murphy was born on 13 January 1925 in Munich, Bavaria, Germany. She was an actress, known for To Kill a Mockingbird (1962), Eleanor and Franklin (1976) and After.Life (2009). She was married to Reginald Marsh. She died on 5 July 2014 in New York City, New York, USA.
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Dickie Moore made his acting and screen debut at the age of 18 months in the 1927 John Barrymore film The Beloved Rogue (1927) as a baby, and by the time he had turned 10 he was a popular child star and had appeared in 52 films. He continued as a child star for many more years, and became the answer to the trivia question, "Who was the first actor to kiss Shirley Temple on screen?" when that honor was bestowed upon him in 1942's Miss Annie Rooney (1942). As with many child actors, once Dickie got older the roles began to dry up. He made his last film in 1952, but was still in the public eye with the 1949 to 1955 TV series Captain Video and His Video Rangers (1949). He then retired from acting for a new career in publicity. He later produced industrial shows.- He was one of those delightful, typically British actors with a penchant for playing eccentrics. Early in his career, Jeremy Brett once quaintly introduced Aubrey Morris to Noël Coward as "the finest small-part player in London". Born Aubrey Steinberg of Jewish-Ukrainian ancestry, he was one of several siblings with artistic inclinations (his brother Wolfe Morris was also a noted character player). Aubrey studied at the Royal Academy of Dramatic Art in London on a scholarship and made his stage debut in 1944. During the 1950s, he acted regularly on the West End stage, at the Old Vic, and on Broadway.
In addition to making excellent use of his Shakespearean-trained voice, his diminutive stature and beaming, toothy countenance proved a significant asset to a remarkable versatility on screen. Morris was adept at conveying unctuousness, cunning, duplicity, civility, or obsession with equal ease and in a wide variety of roles and genres. His many memorable performances include: the Freud-fixated writer Mr. Mybug in Cold Comfort Farm (1968); the sleazy probation officer Mr. Deltoid in A Clockwork Orange (1971); a sinister gravedigger in The Wicker Man (1973); the oily manservant Grosvenor, asking Michael Palin for the use of the 'naughty books', in "The Curse of the Claw" episode of Ripping Yarns (1976); the jolly captain of the 'B-Ark' (filled with such folk as telephone sanitizers), spending years luxuriating in his bubble-bath in The Hitchhiker's Guide to the Galaxy (1981); and last, but not least, the ancient thespian Chesterton, shuffling off this mortal coil while being read quotes from King Lear in HBO's Deadwood (2004).
Residing in the U.S. since the mid-1980s, Aubrey Morris continued to ply his trade right up until his death at the venerable age of 89. - Writer
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Nelle Harper Lee grew up in Monroeville, Alabama in the 1920s. It was a time of hostility between whites and blacks in the United States, especially in Alabama. Her father, a lawyer, also ran a local newspaper. Her mother suffered from mental illness and oftentimes stayed inside from others; she was thought to suffer from bipolar disorder. Harper was a young lady with an agile personality. She was tomboyish, and eventually befriended Truman Persons. Truman would also turn out to become a writer later on in life, as Truman Capote, and they would later on collaborate in a newspaper called The New Yorker. Harper would often serve as Truman's protector in elementary school, as she was a tougher girl who did not fear other boys. Lee developed a passion for literature in high school. After graduating in 1944, she went on to join Huntingdon College-an all-female academy located in Montgomery. Throughout her college years, she was distant from other students. Rather than working on her makeup and getting dates, she was focused on her studies, constantly reading and writing.
Lee moved to New York in the 1950s, took a job as an airline reservations clerk, and wrote her first novel during that time. "To Kill a Mockingbird," published in 1960, won a Pulitzer Prize, and is still admired, widely-taught, and beloved. The film version, To Kill a Mockingbird (1962), received several Academy Awards. Lee insisted that the novel is a work of fiction, not autobiography. She protected her privacy, spoke through her literary agent, McIntosh and Otis, did not appear on television and did not give interviews. She lived in Monroeville, Alabama and New York. She died in Monroeville on February 19, 2016.- Actor
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Actor and comedian fondly remembered as the curmudgeonly reprobate Claude Jeremiah Greengrass in the long-running nostalgic police drama Heartbeat (1992). Greengrass had been written as a minor background character, but -- given a fair amount of latitude for interpreting his part -- Maynard was able to infuse the old rascal with outsize personality and humour which resulted into his becoming a popular mainstay. The son of a gardener and a laundry worker, Maynard (born Walter Frederick George Williams, he later adopted his nom de plume from Charles Gordon Maynard, creator of 'Maynard's Wine Gums') came from relatively humble beginnings. Displaying an early aptitude for music, he learned to sing and dance, play ukulele, mandolin and guitar.
By the age of nine he began performing in local clubs and music halls. From there, he progressed to repertory theatre, touring army camps with Jon Pertwee, making a few recordings for Decca and EMI, even managing a gig as a stand-up comic -- in between a strip show -- at The Windmill in London. In the 50s Maynard emerged as a proper TV star (sharing top billing with Terry Scott) in Great Scott, It's Maynard (1955). Having suddenly become a household name, he was now earning £ 1000 a week. Ironically, his ambition of becoming 'a serious actor' backfired and a return to repertory led to much reduced circumstances and a hiatus in his career. Though he eventually appeared in more than 30 films, he regarded none of them as particularly worthwhile and declared in a 2013 interview: "I enjoyed doing them. It was a laugh, but they weren't great. They damaged my reputation".
In the mid-70s, having very wisely returned to his forte with consecutive hits in TV sitcoms: as a roving-eyed widower in The Life of Riley (1975), as the hapless, klutzy protagonist of Oh No, It's Selwyn Froggitt (1974), and as grouchy, relentlessly misanthropic Fred Moffatt, forever evading and outwitting his creditors in The Gaffer (1981). In between, he also had diverse guest roles, including in, among others, Worzel Gummidge (1979), Minder (1979) and Dalziel and Pascoe (1996). Between 2003 and 2008, he also hosted his own -- sometimes controversial -- radio chat show on BBC Leicester, Maynard's Bill of Fare.
Having suffered a stroke in 2000 and forced to leave Heartbeat after season ten, Maynard eventually resurfaced in occasional guest appearances for the 2003 spin-off, The Royal (2003). Subsequently confined to wheelchairs and mobility scooters he latterly gave lectures at universities on humour and acting.
Bill Maynard passed away in a Leicestershire hospital on 30 March 2018 at the age of 89.- Actor
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John Bluthal (born 28 March 1929) is a British film and television actor and voice artist, mostly in comedy. He is best known for his work with Spike Milligan, and for his roles in the TV series Never Mind the Quality, Feel the Width and The Vicar of Dibley. He has also worked in the United States and Australia, in numerous productions.
He moved to England in 1959 and appeared in Citizen James for BBC television, and in the long-running UK TV series Never Mind the Quality, Feel the Width in which he played Manny Cohen, a Jewish tailor in business with an Irishman in London. Also in the early 1960s, he provided the voice for Commander Zero in the television puppet series Fireball XL5. He appeared in the role of Fagin in the musical Oliver! at New Theatre, London. He has made dozens of film and TV shows since moving to England.
Bluthal also worked with Spike Milligan over several years, appearing with him in a 1958 Australian television special, The Gladys Half-Hour. He appeared as several characters in Milligan and John Antrobus' stage play The Bed-Sitting Room, which opened at the Mermaid Theatre on 31 January 1963. He also worked with Milligan on the television series Q and its radio counterpart The Milligna Show. He previously worked with Milligan in the radio comedy series The Idiot Weekly and The Omar Khayyam Show. Bluthal is a man of many voices, like Milligan's former radio colleague Peter Sellers, and he was used somewhat like Sellers in Milligan's later work.
Some of his other television appearances include: the Sykes and a... episode "Sykes and a Bath", broadcast on 25 January 1961, 'Allo 'Allo!, Hancock, Minder, The Saint (TV series) episode "The Happy Suicide", The Avengers, Rumpole of the Bailey, Jonathan Creek, Lovejoy, Bergerac, and Inspector Morse, as well as appearing as Major Cheeseburger in The Goodies' episode "Clown Virus". He also appeared on the Australian comedy/satire series The Mavis Bramston Show and as "Enzo Pacelli" in the ABC-TV comedy television series Home Sweet Home.
Bluthal also appeared as Leonid Krassin in episodes of the Thames TV series Reilly, Ace of Spies.
In 1975, Bluthal took the part of Richard Armitage, described as "an Orthodox London Jew", in The Melting Pot. This was a sitcom written by Spike Milligan and Neil Shand, which was canceled by the BBC after just one episode had been broadcast. Bluthal also appeared as "Chalky", a hospital patient, in the episode "I Gotta Horse" of the comedy television series Doctor Down Under (the Australian series of the British comedy television series Doctor in the House, which also starred Robin Nedwell as Dr. Duncan Waring and Geoffrey Davies as Dr. Dick Stuart-Clark).
His films appearances include: The Knack ...and How to Get It (1965), three Carry On films, two of the Doctor films, and also The Beatles' films A Hard Day's Night (1964) and Help! (1965), three roles in Casino Royale (1967), and two of the Pink Panther films. Bluthal also played several characters in The Great McGonagall (1974), by Spike Milligan and Joseph McGrath, based on the life of William McGonagall. He portrayed an Egyptologist in the year 1914 for the first part of the film The Fifth Element (1997) and Uncle Karl in Dark City (1998). He also appeared in the comedy Beware of Greeks Bearing Guns (2000).
His work with the National Theatre London included roles in Tales from Hollywood, Entertaining Strangers, Antony and Cleopatra, Yonaadab, The Tempest, Winters Tale, and Cymbeline.
He appeared in an early episode of One Foot In The Grave. His later television appearances have been in the sitcom The Vicar of Dibley as the fastidious minutes-taker Frank Pickle and as the caretaker Rocko in Spirited. He also appeared in the 2004 film Love's Brother and in the 2016 film Hail, Caesar!.- Actress
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Katherine Marie Helmond was born on July 5, 1929, in Galveston, Texas. After her parents divorced, she was raised by her mother, Thelma (nee Malone) Helmond, and her maternal grandmother, both of Irish Catholic descent. She attended Catholic school, and appeared in numerous school plays and pageants. She took a job at a local theater while still in high school, hammering and sawing the scenery, cleaning the bathrooms and pulling the curtain.
After her stage debut in "As You Like It", she worked in New York theatres during the 1950s and 1960s. She operated a summer theatre in the Catskills for three seasons and also taught acting in university theatre programs. She made her TV debut in 1962 but had to wait another 10 years until her breakthrough came in the 1970s. She stayed busy on TV as well as on stage and earned a Tony nomination for "The Great God Brown" (1973) on Broadway. She honed her acting abilities with Alfred Hitchcock in Family Plot (1976) and in numerous TV series, notably in ABC's cult sitcom Soap (1977), for which she had four Emmy nominations and a Golden Globe. On the big screen she starred in Brazil (1985) as Jonathan Pryce's mother who is addicted to plastic surgery and snooping in her son's messed-up life.
In 1983 she studied at the Directing Workshop of the American Film Institute and then directed four episodes of the series Benson (1979) as well as episodes of Who's the Boss? (1984). She also picked up Emmy nominations for her role as Mona Robinson, a liberated grandmother in "Who's the Boss?", and as Lois in Everybody Loves Raymond (1996). Although Helmond was a bona-fide TV star since her "Soap" days, she continued working on stage in the 2000s and was acclaimed for her performances in "The Vagina Monologues".
Katherine Helmond was married twice. She had no children. She turned to Buddhism in later years. She shared her time between her home in Los Angeles and homes in New York and London.- Actor
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Shane Rimmer was a Canadian actor and screenwriter, primarily known as the voice actor of Scott Tracy, a leading character in the science fiction series "Thunderbirds" (1965-1966).
Rimmer was born in Toronto, Canada, where his parents had settled after moving to Canada. Shane's father was Thomas Rimmer, a reporter and advertising copywriter from Ireland. Shane's mother was Vera Franklin, from England. Thomas and Vera had separately migrated to the United States, and they met each other while living in New York. They married there, and then moved to Canada in search of a better life.
In the 1950s, Rimmer had a music career in Canada, both as a singer and as a radio DJ. In 1958, he became the host of a musical television series, "Come Fly with Me". In 1959, Rimmer joined a singing trio called "the Three Deuces", and started performing in the United Kingdom. Meanwhile, he had started appearing as a character actor in various films and television series.
In 1962, Rimmer met the dancer Sheila Logan, and they were married in 1963. The couple settled in London, and Rimmer's new wife soon became his agent. She helped secure more acting jobs for him. His first recurring role in a television series was playing the magazine editor Russell Corrigan in the soap opera "Compact"(1963-1964)
His first notable film role was that of Captain "Ace" Owens, crew member of a B-52 bomber in the black comedy "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (1964). Owens is depicted serving under Major "King" Kong (played by Slim Pickens) in a suicide mission.
Rimmer started playing guest roles in relatively high-profile action and science-fiction television series of the period, such as "The Saint ", "Danger Man", and "Dr. Who". In 1965, Rimmer gained his key role of pilot Scott Tracy in "Thunderbirds". Scott appeared in all 32 episodes of the series. After the end of the television series, Rimmer returned to the role of Scott Tracy in the spin-off films "Thunderbirds Are Go" (1966) and "Thunderbird 6" (1968). While the television series was a hit, both films under-performed at the box office. Plans for further sequel films were can-celled.
In the late 1960s, Rimmer started playing minor roles in the "James Bond" film series. He played an unnamed American launch controller in "You Only Live Twice" (1967), the chief of security Tom in "Diamonds Are Forever" (1971), and Commander Carter, the captain of the nuclear submarine in "The Spy Who Loved Me" (1977). He also voiced Hamilton, an agent of the Secret Intelligence Service (SIS) who gets assassinated in "Live and Let Die" (1973). Hamilton was played by actor Robert Dix, but his dialogue was voiced by Rimmer instead.
Trying his hand at screenwriting, Rimmer wrote scripts for several episodes of the television series "Captain Scarlet and the Mysterons" (1967-1968), "Joe 90" (1968-1969), "The Secret Service" (1969), and "The Protectors " (1972-1974). The first three of them were science fiction series, while "The Protectors" was a crime fiction series about an an alliance of private detectives.
In March 2019, Rimmer died in at Barnet Hospital in London. He was 89-years-old. He was survived by his wife and their three sons.- John Quarmby was born on 18 June 1929 in Liverpool, England, UK. He was an actor, known for The December Rose (1986), Theatre Night (1985) and BBC Play of the Month (1965). He died on 5 April 2019.
- Bob Hawke was born on 9 December 1929 in Bordertown, South Australia, Australia. He was married to Blanche D'Alpuget and Hazel Hawke. He died on 16 May 2019 in Sydney, Australia.
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Trevor Peacock was born on 19 May 1931 in Edmonton, London, England, UK. He was an actor and writer, known for Fred Claus (2007), Neverwhere (1996) and The Trial (1993). He was married to Tilly Tremayne and Iris Jones. He died on 8 March 2021 in Somerset, England, UK.- Writer
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John le Carré was born in Poole, Dorset in England on 19 October, 1931. He went to Sherborne School and, later, studied German literature for one year at University of Bern. Later, he went to Lincoln College, Oxford and graduated in Modern Languages. From 1956 to 1958, he taught at Eton and from 1959 to 1964, he was a member of the British Foreign Service as second secretary at British Embassy in Bonn, and then, as Politician Consul in Hamburg. His first novel was written in 1961 and, by the time of his death in December 2020, he had published nearly 30. His books took many prizes, and inspired numerous films.- Actor
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Tall, bearded, heavy-set Anglo-French character actor, best known internationally for playing Deputy Commissioner Claude Lebel in The Day of the Jackal (1973) and Bond villain Hugo Drax in Moonraker (1979). The son of an English army officer (Edward Lonsdale-Crouch) and a Franco-Irish mother (Simone Béraud), he was born in Paris and spent his early childhood in England. The family moved to Morocco in 1939 where Edward found work in the fertilizer trade (he was later imprisoned by the Vichy government for political reasons). Michael returned to France in 1947 where he met actor/director Roger Blin who awakened his interest in the dramatic arts. Following acting studies, Michael made his theatrical debut at 24 and appeared on screen for the first time a year later, for much of his career billed as 'Michel' Lonsdale. Having toiled for over a decade in smallish supporting roles, he received his first major critical acclaim in two films by François Truffaut (The Bride Wore Black (1968) and Stolen Kisses (1968)). Though primarily active in French cinema, the bilingual Lonsdale made occasional (but often memorable) forays into English-language productions, his first as a reporter in Fred Zinnemann's Behold a Pale Horse (1964). Subsequent parts have included a titled landowner who sets in motion the Caravan to Vaccares (1974), a CIA agent in Enigma (1982) and a Swiss banker in The Holcroft Covenant (1985). James Ivory cast him in two of his films consecutively as a French delegate in The Remains of the Day (1993) and as King Louis XVI in Jefferson in Paris (1995). Lonsdale also had a prominent role as The Abbot who commissions the Franciscan friar William of Baskerville (Sean Connery) to investigate the murder of a monk in Jean-Jacques Annaud's Italian-German-French co-production of Umberto Eco's novel The Name of the Rose (1986) . By and large, it is for his powerhouse performance as Roger Moore's megalomaniacal antagonist Sir Hugo Drax in Moonraker for which Lonsdale is likely to be most remembered. He received a BAFTA nomination for his role in The Day of the Jackal but only achieved major acting honors in 2011, winning a César Award as best supporting actor for Of Gods and Men (2010).
Lonsdale's career could well be described as eclectic. In 1972, he co-founded (with French composer Michel Puig) the Théâtre musical des Ulis, a musical theater company which was subsidised by the French government. The soft-spoken actor also lent his voice to radio recordings and audio books. He had a reputation as a painter of some renown and authored or co-authored more than twenty works of fiction and non-fiction.- Actor
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Usually sized up as an erudite gent, advice-spouting father or uptight, pompous neighbor, the acting talents of Conrad Bain were best utilized on stage and on TV. Born in Lethbridge, Alberta, on February 4, 1923, Conrad Stafford Bain was a twin son (the other was named Bonar) born to Stafford Harrison Bain, a wholesaler, and Jean Agnes (née Young). He enjoyed Canadian sports growing up (ice hockey, speed skating), but picked up an interest in acting while in high school.
Electing to train at Alberta's Banff School of Fine Arts after graduating, he met Monica Marjorie Sloan, an artist, while there. His acting pursuit was interrupted by WWII when he subsequently joined the Canadian army. Picking up here he left off following his discharge, he studied at New York's American Academy of Dramatic Arts. He also married Ms. Sloan in 1945 and became a naturalized U.S. citizen the following year. The couple went on to have three children -- Jennifer, Mark and Kent.
Making his stage debut in a Connecticut production of "Dear Ruth" in 1947, Bain also appeared in "Jack and the Beanstalk" and a tour of "The Barretts of Wimpole Street" before making his off-Broadway debut in a 1956 Circle-in-the-Square revival of Eugene O'Neill's "The Iceman Cometh," a production that made a star out of Jason Robards. Following an inauspicious Broadway bow in "Sixth Finger in a Five Finger Glove", which closed after only one day, he joined the Stratford (Ontario) Shakespeare Festival for their 1958 season, appearing in "A Winter's Tale," "Much Ado About Nothing" and "Henry IV, Part I."
Fair in complexion and exceedingly genial in demeanor, the wry and witty blond actor graduated into other Broadway work, particularly drama, with strong roles in "Candide," "Advise and Consent," "An Enemy of the People," "Twigs" and "Uncle Vanya." He also built up his regional and repertory credits during the early 1960s with parts in "King Lear," "The Firebugs," "Death of a Salesman" and "The Shadow of Heroes" at Seattle Rep. Later in the decade he began to focus more intently on TV, usually playing cerebral, white-collar types (district attorneys, stock brokers, doctors, politicos).
Bain eventually found an "in" with daytime drama, which included a recurring role on Dark Shadows (1966) (as an innkeeper), and a part on The Edge of Night (1956) in 1970. He broke completely away, however, from his trademark dramatics when the 49-year-old actor was "discovered" for prime-time TV by Norman Lear and offered a supporting role opposite Bea Arthur and Bill Macy in Norman Lear's landmark, liberally-sliced comedy series Maude (1972), a spin-off of Lear's equally landmark All in the Family (1971) sitcom. Conrad was cast as Rue McClanahan's stuffy, conservative doctor/husband, Arthur Harmon, who usually was at political odds with free-wheeling feminist Maude Finlay.
The role moved Bain into the prime TV comedy character ranks. Following the show's lengthy run (1972-1978), he was given the green light by Lear to move into his own comedy series with Diff'rent Strokes (1978) as the wealthy father of a girl and adoptive father of two African-American children. While young Gary Coleman, the compact, precocious, mouthy dynamo, may have stolen the show, the good-humored Bain remained a strong center and voice of reason until the show's demise in 1986. Three was not a charm when Bain went into a third new comedy series, Mr. President (1987), with Conrad as a loyal aide-de-camp to "President" George C. Scott. The show, created not by Lear but by Johnny Carson, lasted only 24 episodes.
During and after his lengthy 70s and 80s TV success, Conrad would continue to return to his first love, the stage, in such productions as "Uncle Vanya," "The Owl and the Pussycat," "On Golden Pond," "The Dining Room" and "On Borrowed Time", the last being a 1992 return to Broadway after nearly two decades. Films, on the other hand, were a non-issue at this point. Earlier minor turns included Clint Eastwood's Coogan's Bluff (1968), Gene Hackman's I Never Sang for My Father (1970), Woody Allen's Bananas (1971), Sean Connery's The Anderson Tapes (1971) and Barbra Streisand's Up the Sandbox (1972). His last stop in films was an engaging part as a befuddled grandpa opposite the perennially crusty Mary Wickes in Postcards from the Edge (1990) starring Meryl Streep and Shirley MacLaine. One of Bain's last on-camera appearances was recreating his Phillip Drummond role from Diff'rent Strokes (1978) on a 1996 episode of "The Fresh Prince of Bel-Air".
Other than a stage role in "Ancestral Voices" in 2000, Conrad turned for a time to screen-writing but later comfortably retired to the Brentwood area of Los Angeles. Moving to a Livermore California retirement home in 2008, wife Monica died a year later. Bain passed away there quietly of natural causes on January 14, 2013, less than a month short of his 90th birthday. His twin brother Bonar died in 2005.- Actor
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Although perhaps best known as Hercule Poirot, Agatha Christie's moustache-twirling detective, on BBC radio, John Moffatt, was a devastatingly clinical and classical stage actor of irreproachable taste and valour. He seemed something of a throwback, but there are very few today who could rival his armour-plated technique, his almost uncanny empathy with comic style ranging from the Restoration to Rattigan - his trademark stillness and decorum on stage was at odds with false notions of flounce and frilliness - or his incisive articulation.
He was a beacon in his profession, greatly admired and loved, not least because he had worked with almost everyone of note in the business, from his idols Noel Coward and John Gielgud, to his best friends Judi Dench, Maggie Smith, Alec McCowen and Joan Plowright, but chiefly because he was so funny and modest about his own contribution.
In his early rep days at the Oxford Playhouse, he played the schoolteacher Kulygin in Chekhov's Three Sisters, a man who shaves off his moustache between the third and fourth acts. One night, he forgot to do so, and saw Dench turning beetroot in anticipation of her line, "You've shaved off your moustache." He did a quick twirl to look at the trees and whipped off the offending lip hair just in time. Dench denies this. "You've shaved off your moustache," she claims she said, followed by, "and grown it back. . ." (Moffatt twirls and rips off the tache) ". . . and shaved it off again!"
There was similar merry onstage mayhem at the Old Vic in 1959 when Moffatt, Dench, McCowen, Smith, Moyra Fraser and Joss Ackland formed an unshakeable alliance in productions of As You Like It and The Merry Wives of Windsor; they continued their friendship with a weekly ritual of Sunday lunches for many years.
Moffatt was born in Badby, Northamptonshire, the elder son of royal household workers, Ernest Moffatt and his wife, Letitia. John never spoke about it - and he kept a diary all his life - but his parents were employed first at Queen Alexandra's Marlborough House (Ernest as a wine waiter, Letitia as a housemaid) and later at Sandringham.
The family lived in Mortlake, south-west London. Moffatt attended East Sheen county school and took drama lessons at Toynbee Hall in the East End while working as a bank clerk in the City. He was excused a call-up in the second world war by virtue of his children's theatre work, and he made his professional debut at the Perth Rep in 1945, forging a friendship there with McCowen, with whom he appeared in five plays. They shared a lifelong enthusiasm for the comedians Max Miller, Max Wall and Jack Benny, and their favourite show was the 1979 Broadway revue Sugar Babies starring Mickey Rooney and Ann Miller. These predilections fit with the effortless sense of style and comic finesse Moffatt exuded in every role.
Five years in rep at Perth, Oxford, Windsor and Bristol were followed by a London debut in 1950 at the Lyric, Hammersmith, in Moliere's Tartuffe, and a stint in revue at the Watergate. He played minor roles in a Gielgud Shakespeare season at the Phoenix in 1951, and the foreign secretary in Shaw's The Apple Cart, with Coward, at the Haymarket; he actually uttered the line, when Coward's character threatened abdication: "You can't upset the apple cart like this."
His breakthrough came in 1956 at the Royal Court, where he appeared in
Brecht's The Good Woman of Setzuan with Peggy Ashcroft and in Nigel Dennis's Cards of Identity with Plowright, John Osborne, Robert Stephens and Alan Bates. He then helped repair a box-office deficit in Wycherley's The Country Wife, which transferred from the Court to the Adelphi; he played Sparkish, said Kenneth Tynan, "in a complacent ecstasy that never brims over into silliness".
After his New York debut with The Country Wife, he joined that last hurrah at the Old Vic in 1959. Ten years later, with the National Theatre company, he was a definitive Fainall in Congreve's The Way of the World, a svelte and deadly cardinal in Webster's The White Devil and a serpentine Judge Brack in Hedda Gabler, with Smith, directed by Ingmar Bergman.
Switching tack yet again, he was the anchor of a marvellous Coward show in 1972 at the Mermaid, Cowardy Custard, devised by Gerard Frow, Alan Strachan and Wendy Toye (who also directed). At the Theatre Royal, York, in 1974, he was Widow Twankey in Aladdin; during his career he wrote, and appeared in, half a dozen traditional panto scripts.
His last decade or so on the London stage included Ben Travers's The Bed Before Yesterday (1975), playing a meek, insufficient husband to a suddenly rampaging Plowright; a lovely, acidulous theatre producer in The Play's the Thing (Ferenc Molnar via PG Wodehouse) at Greenwich in 1979; and another foreign office official in Ronald Harwood's Interpreters (1985), in which he umpired a tryst between Smith and Edward Fox.
His last significant West End appearance was in 1984 as Witwoud, making a purse out of a sow's ear, in William Gaskill's great Chichester festival
production - with Smith and Plowright - of The Way of the World. Michael
Billington commended a dazzling piece of high camp eager to conceal provincial origins. "Moffatty Woffatty," Smith called him, affectionately, sotto voce, as they entered the stage together, swotting imaginary midges, a private ritual.
He bowed out at the Wyndham's in 1988 as George Bernard Shaw in Peter Luke's Married Love, a tedious and sententious biography of Marie Stopes (directed by Plowright) but he rallied with a verse compilation a few years later, Fond and Familiar, performed with Judi Dench and her husband, Michael Williams. After Williams's death, Dench and Moffatt performed the piece with Geoffrey Palmer..- Actor
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François Lalande was born on 29 November 1930 in Mostaganem, Algeria. He was an actor, known for Dangerous Liaisons (1988), The Visitors (1993) and Hudson Frontier (1986). He died on 1 September 2020 in Paris, France.- Director
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Jay Sandrich was born on 24 February 1932 in Los Angeles, California, USA. He was a director and assistant director, known for The Mary Tyler Moore Show (1970), The Cosby Show (1984) and Soap (1977). He was married to Linda Green Silverstein and Nina Kramer. He died on 22 September 2021 in Los Angeles, California, USA.- Actor
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Melvin Van Peebles was born on 21 August 1932 in Chicago, Illinois, USA. He was an actor and writer, known for The Shining (1997), Sweet Sweetback's Baadasssss Song (1971) and Don't Play Us Cheap (1972). He was married to Maria Marx. He died on 21 September 2021 in Manhattan, New York City, New York, USA.- Actor
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Handsome American leading man who developed into one of Hollywood's greatest and most popular Western stars. Born to George and Lucy Crane Scott during a visit to Virginia, Scott was raised in Charlotte, North Carolina in a wealthy family. After service with the U.S. Army in France in World War I, he attended Georgia Institute of Technology but, after being injured playing football, transferred to the University of North Carolina, from which he graduated with a degree in textile engineering and manufacturing. He discovered acting and went to California, where he met Howard Hughes, who obtained an audition for him for Cecil B. DeMille's Dynamite (1929), a role which went instead to Joel McCrea. He was hired to coach Gary Cooper in a Virginia dialect for The Virginian (1929) and played a bit part in the film. Paramount scouts saw him in a play and offered him a contract. He met Cary Grant, another Paramount contract player, on the set of Hot Saturday (1932) and the pair soon moved in together. Their on-and-off living arrangement would last until 1942. Scott married and divorced wealthy heiress Marion DuPont in the late 1930's. He moved into leading roles at Paramount, although his easy-going charm was not enough to indicate the tremendous success that would come to him later. He was a pleasant figure in comedies, dramas and the occasional adventure, but it was not until he began focusing on Westerns in the late 1940s that he reached his greatest stardom. His screen persona altered into that of a stoic, craggy, and uncompromising figure, a tough, hard-bitten man seemingly unconnected to the light comedy lead he had been in the 1930s. He became one of the top box office stars of the 1950s and, in the Westerns of Budd Boetticher especially, a critically important figure in the Western as an art form. Following a critically acclaimed, less-heroic-than-usual role in one of the classics of the genre, Ride the High Country (1962), Scott retired from films. A multimillionaire as a result of canny investments, Scott spent his remaining years playing golf and avoiding film industry affairs, stating that he didn't like publicity. He died in 1987 survived by his second wife, Patricia Stillman, and his two adopted children, Christopher and Sandra. He is buried in Charlotte, North Carolina.- Actor
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Unassuming, innocent-eyed and undeniably ingratiating, Brit comedy actor Ian Carmichael was quite the popular chap in late 50s and early 60s film. He was born in Hull, Yorkshire, England on June 18, 1920, the son of Arthur Denholm Carmichael, an optician, and his wife Kate (Gillett). After receiving his schooling at Bromsgove High School and Scarborough College, he was accepted into the Royal Academy of Dramatic Art and trained there, making his stage debut as a mute robot in "RUR". in 1939. That same year he also appeared as Claudius in "Julius Caesar" and was appearing a revue production of "Nine Sharp" (1940) when his young career was interrupted by WWII. He served in Europe for many years with the Royal Armoured Corps as a commissioned officer in the 22nd Dragoons.
Ian returned to the theatre in 1947 with roles in four productions: "She Wanted a Cream Front Door", "I Said to Myself", "Cupid and Mars" and "Out of the Frying Pan". He also sharpened his farcical skills in music hall revues where he worked with such revue legends as Hermione Baddeley and Dora Bryan. Given his first film bit as a waiter in Bond Street (1948), he continued in rather obscure roles for several years. While he was sincerely capable of playing it serious, which would include roles in the U.S. film Betrayed (1954) starring Clark Gable and Lana Turner, as well as the war-themed adventures The Colditz Story (1955) and Storm Over the Nile (1955), it was his association with late 50s "silly-ass" comedy that gave his cinematic career a noticeable boost. After repeating his stage success (the only cast member to do do) playing David Prentice in the film version of Simon and Laura (1955) opposite Kay Kendall and Peter Finch, he co-starred in a series of droll satires for the Boulting Brothers and Ealing Studios. While he might have been upstaged on occasion by a motley crew of scene-stealers (Terry-Thomas, Peter Sellers, Raymond Huntley, Margaret Rutherford), Ian was sublimely funny himself as the hapless klutz caught up in their shenanigans. Private's Progress (1956), the service comedy which got the whole ball rolling, and its sequel, I'm All Right Jack (1959), along with the Boulting's Lucky Jim (1957) Brothers in Law (1957) and Happy Is the Bride (1958) firmly established Ian as a slapstick movie star.
The inane fun continued into the 60s with ripe vehicles in Skywatch (1960), School for Scoundrels (1960), Double Bunk (1961), The Amorous Mr. Prawn (1962) and Heavens Above! (1963). During the late 1960s and 1970s, he found more fulfillment playing wry, bemused, upper-crust characters on comedy TV, particularly his Bertie Wooster in The World of Wooster (1965) which reunited him with frequent Boulting Brothers co-star Dennis Price as Jeeves, Wooster's chilly-mannered personal valet. Ian's leading role as the Bachelor Father (1970), based on the story of a real-life perennial bachelor who took on several foster children, only added to his popularity. In later years, he was frequently heard on the BBC radio.
Ian made vigilant returns to the comedy stage whenever possible in such lightweight vehicles as "The Tunnel of Love", "The Gazebo", "Critic's Choice", "Birds on the Wing", "Darling, I'm Home", "Springtime for Henry" and appeared in his last musical "I Do! I Do!" in 1968. Earlier, in 1965, he made his Broadway debut starring in "Boeing-Boeing", which lasted only a few weeks. A more successful revival of this show showed up on Broadway in 2008.
Semi-retired since the mid-1980s, Ian continued to show elderly spryness here and there with a smattering of films including The Magnificent Seven Deadly Sins (1971), From Beyond the Grave (1974), The Lady Vanishes (1979) and Diamond Skulls (1989). On TV, he was quite popular in the role of the gentleman detective Lord Peter Wimsey in several crime mystery mini-series: Clouds of Witness (1972), The Unpleasantness at the Bellona Club (1972), Murder Must Advertise (1973), The Nine Tailors (1974) and Five Red Herrings (1975), and had a recurring role on the TV series Strathblair (1992).
To cap his career off, he was honored as an OBE in the 2003 Queen's Birthday Honours List. Made a widower after 40 years by his first wife Jean (Pym) McLean, he married novelist/radio producer Kate Fenton, who is over thirty years his junior, in 1992. He has two daughters, Lee and Sally, from his first marriage. In 1979, his autobiography, "Will the Real Ian Carmichael?...", was published.
A charmer to the end, his last (recurring) appearance was on the TV series The Royal (2003) in 2009. The actor died on February 7, 2010, following a month-long illness.- Actor
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Joseph Ruskin was born on 14 April 1924 in Haverhill, Massachusetts, USA. He was an actor and producer, known for Smokin' Aces (2006), Star Trek: Insurrection (1998) and The Scorpion King (2002). He was married to Barbara Greene and Patricia Herd. He died on 28 December 2013 in Santa Monica, California, USA.- Actor
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Al Ruscio was born on 2 June 1924 in Salem, Massachusetts, USA. He was an actor, known for Showgirls (1995), The Phantom (1996) and The Godfather Part III (1990). He was married to Kate Williamson. He died on 12 November 2013 in Encino, Los Angeles, California, USA.- Actress
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London-born Sylvia May Laura Syms hit major film appeal at a relatively young age. Born on January 6, 1934, she was educated at convent schools before receiving dramatic training at the Royal Academy of Dramatic Art. She made her stage debut in a production of "The Apple Cart" in 1954.
A repertory player by the time she was discovered for films by the British star Anna Neagle and her director/husband Herbert Wilcox, the lovely demure blonde started out auspiciously enough in the delinquent film Teenage Bad Girl (1956) in which she played Neagle's troubled daughter. This was followed by a second Neagle/Wilcox collaboration with No Time for Tears (1957).
Excelling whether cast in stark melodrama, spirited adventure or harmless comedy fluff, Syms' film list grew impressive in the late 1950s and early 1960s working alongside the likes of John Mills and Anthony Quayle in Ice Cold in Alex (1958), Curd Jürgens and Orson Welles in Ferry to Hong Kong (1959), Lilli Palmer and Yvonne Mitchell in Conspiracy of Hearts (1960), Laurence Harvey in Expresso Bongo (1959), William Holden in The World of Suzie Wong (1960), and Dirk Bogarde in the landmark gay-themed Victim (1961), playing the unsuspecting wife of Bogarde's closeted male. After nearly a decade's absence, Sylvia returned briefly to the London theatre lights in 1964 to play the title role in "Peter Pan."
Ably portraying innocent love interests throughout the years, she graced a number of pictures without ever nabbing that one role that would truly put her over the top. She was nominated, however, three times for British Film Academy Awards--twice for best actress in Woman in a Dressing Gown (1957) and No Trees in the Street (1959) and once for supporting actress in The Tamarind Seed (1974) that starred Julie Andrews and Omar Sharif.
The 1970s saw quite a bit of TV series work and she played British prime minister Margaret Thatcher at one point on both stage and TV. She grew plumper with middle age and found herself immersed in character roles, offering support in such films as Absolute Beginners (1986), Shirley Valentine (1989) and Shining Through (1992).
The stage once again beckoned in the mid-to-late 1980's with touring performances, among many others, in "The Heiress," "The Beaux Stratagem," "The Ideal Husband," "A Doll's House," "Ghosts," "The Vortex," "Hamlet," "Anthony and Cleopatra" and "Who's Afraid of Virginia Woolf?" She portrayed the Queen and Margaret Thatcher in a production of "Ugly Rumours" and was among the cast in a musical presentation of "On the Town" in 2005.
Into the millennium, Sylvia has continued to have remarkable agility. American audiences have recently seen her as the dog-doting "Princess Charlotte" in the light teen comedy What a Girl Wants (2003) with Amanda Bynes and Colin Firth, and treading water as the Shelley Winters character in the TV-remake of The Poseidon Adventure (2005). Other movies have included the role of the Queen Mum in The Queen (2006) starring Oscar-winning Helen Mirren as Queen Elizabeth II, as well as featured roles in Is Anybody There? (2008) starring Michael Caine and Booked Out (2012). She also co-starred opposite Peter Bowles in the heart-warming senior character study Together (2018).
Married once and divorced in the 1980s from Alvin Edney, daughter Beatie Edney (aka Beatrice) is a highly prolific actress in her own right, and her son, Benjamin Edney, was briefly an actor while young and appeared with his mother as her son in the western The Desperados (1969). Ms. Syms is sometimes confused with Brooklyn-born jazz/cabaret performer and recording artist Sylvia Syms (1917-1992) (née Sylvia Blagman).- Actor
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American actor who began as a child in Our Gang comedies and reappeared as a powerful adult performer of leading and character roles. Born in New Jersey, the young Mickey Gubitosi won a role in MGM's Our Gang series at the age of 5. As one of the more prominent children in the Gang, he gained attention for his cute good looks and his lovable, if somewhat melancholy, personality.
In 1940 he took on the stage name Bobby Blake (though he continued to use the name Mickey Gubitosi in the Our Gang series for another three years) and began playing child roles in a wide range of films. He gained a good deal of fame as the Indian sidekick Little Beaver in the Red Ryder series of Westerns. Though roles were sporadic as he grew to manhood, he was never long off the screen (except for a period of military service, 1954-56). But despite some fine work in films like Pork Chop Hill (1959) and Town Without Pity (1961), his career did not take off until his stunning portrayal of killer Perry Smith in In Cold Blood (1967). A number of telling performances in films of the next decade, stardom in a popular television series (Baretta (1975), and several ruefully comic appearances as a guest on The Tonight Show Starring Johnny Carson (1962) made him a popular figure even as his personal difficulties increased.
Consumed with anger over his treatment by his family and the studio as a child, he denigrated his early work, suffered bouts of difficulty with drugs, and became known as a difficult, perfectionist person to work with. He quit his successful TV series Hell Town (1985) when his personal demons became overwhelming. After a self-imposed exile of nearly eight years, during which he struggled to right his life, he successfully returned to films and television work, appearing renewed and more confident in himself and his work.
In 2001, though, the murder of his wife, Bonnie Bakley, thrust Blake into the limelight in a different way. Admittedly having married Bakley through the coercion of her pregnancy, a routine Bakley had apparently tried with various other celebrities, Blake made no denial of his distaste for the woman, but was by all accounts thrilled with the daughter born to them. Blake was arrested for his wife's murder, but the presumption of innocence trumped when jurors didn't believe what they thought was flimsy evidence, and Blake was acquitted in a trial that made worldwide headlines. Reportedly broke from legal costs, Blake indicated hopefulness that he might be allowed to return to acting work.- Actor
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His father was a well-to-do builder. Barry was a highly intelligent boy who attended Melbourne University. There, he began acting in revues and doing impersonations. He moved to London in 1959 and began his professional performing career on the West End and Broadway stages as Mr Sowerby in Oliver!, and in Peter Cook's Establishment nightclub. He has created numerous characters including Dame Edna Everage and Sir Les Patterson.- Writer
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Arthur Asher Miller was born on October 17, 1915, in New York City, one of three children born to Augusta (nee Barnett) and Isidore Miller. His family was of Austrian Jewish descent. His father manufactured women's coats, but his business was devastated by the Depression, seeding his son's disillusionment with the American Dream and those blue-sky-seeking Americans who pursued it with both eyes focused on the Grail of Materialism. Due to his father's strained financial circumstances, Miller had to work for tuition money to attend the University of Michigan, where he wrote his first plays. They were successful, earning him numerous student awards, including the Avery Hopwood Award in Drama for "No Villain" in 1937.
The award was named after one of the most successful playwrights of the 1920s, who simultaneously had five hits on Broadway, the Neil Simon of his day. Now almost forgotten except for his contribution to Gold Diggers of 1933 (1933), Hopwood achieved a material success that the older Miller could not match, but he failed to capture the immortality that would be Miller's. Hopwood's suicide, on the beach of the Cote d'Azur, reportedly inspired Norman Maine's march into the southern California surf in A Star Is Born (1937).
Like Fitzgerald, Miller tasted success at a tender age. In 1938, upon graduating from Michigan, he received a Theatre Guild National Award and returned to New York, joining the Federal Theatre Project. He married his college girlfriend, Mary Grace Slattery, in 1940; they would have two children, Joan and Robert. In 1944, he made his Broadway debut with "The Man Who Had All the Luck", a flop that lasted only four performances. He went on to publish two books, "Situation Normal" (1944) and "Focus" (1945), but it was in 1947 that his star became ascendant. His play "All My Sons", directed by Elia Kazan, became a hit on Broadway, running for 328 performances. Both Miller and Kazan received Tony Awards, and Miller won the New York Drama Critics Circle Award. It was a taste of what was to come.
Staged by Kazan, "Death of a Salesman" opened at the Morosco Theatre on February 10, 1949, and closed 742 performances later on Nov 18, 1950. The play was the sensation of the season, winning six Tony Awards, including Best Play and Best Author for Miller. Miller also was awarded the 1949 Pulitzer Prize for Drama. The play made lead actor Lee J. Cobb, as Willy Loman, an icon of the stage comparable to the Hamlet of John Barrymore: a synthesis of actor and role that created a legend that survives through the bends of time. A contemporary classic was recognized, though some critics complained that the play wasn't truly a tragedy, as Willy Loman was such a pathetic soul. Given his status, Loman's fall could not qualify as tragedy, as there was so little height from which to fall. Miller, a dedicated progressive and a man of integrity, never accepted that criticism. As Willy's wife Linda said at his funeral, "Attention must be paid", even to the little people.
In 1983, Miller himself directed a staging of "Salesman" in Chinese at the Beijing People's Art Theatre. He said that while the Chinese, then largely ignorant of capitalism, might not have understood Loman's career choice, they did have empathy for his desire to drink from the Grail of the American Dream. They understood this dream, which Miller characterizes as the desire "to excel, to win out over anonymity and meaninglessness, to love and be loved, and above all, perhaps, to count." It is this desire to sup at the table of the great American Capitalists, even if one is just scrounging for crumbs, in a country of which President Calvin Coolidge said, "The business of America is business," this desire to be recognized, to be somebody, that so moves "Salesman" audiences, whether in New York, London or Beijing.
Miller never again attained the critical heights nor smash Broadway success of "Salesman," though he continued to write fine plays that were appreciated by critics and audiences alike for another two decades. Disenchanted with Kazan over his friendly testimony before the House Un-American Activities Committee, the two parted company when Kazan refused to direct "The Crucible", Miller's parable of the witch hunts of Sen. Joseph McCarthy. Defending her husband, Kazan's wife, Molly, told Miller that the play was disingenuous, as there were no real witches in Puritan Salem. It was a point Miller disagreed with, as it was a matter of perspective--the witches in Salem were real to those who believed in them. However, subsequent research has shown that the cursorily-researched (at best) play contains fictional motifs (regarding Goodman and Goodwife Putnam and their offspring), limited research, and carelessness in identifying (or not identifying, as with William Stoughton) the true authors of the witch trials. Directed by another Broadway legend, Jed Harris, the play ran for 197 performances and won Miller the 1953 Tony Award for Best Play. Miller had another success with "A View from the Bridge", a play about an incest-minded longshoreman written with overtones of classical Greek tragedy, which ran for 149 performances in the 1955-56 season.
It was in 1956 that Miller made his most fateful personal decision, when he divorced his first wife, Mary Slattery Miller, and married movie siren-cum-legend Marilyn Monroe. With this marriage Miller achieved a different type of fame, a pop culture status he abhorred. It was a marriage doomed to fail, as Monroe was, in Miller's words, "highly self-destructive". In his 1989 autobiography, "Timebends", Miller wrote that a marriage was a conspiracy to keep out the light. When one or more of the partners could no longer prevent the light from coming in and illuminating the other's faults, the marriage was doomed. In his own autobiography, "A Life", Kazan said that he could not understand the marriage. Monroe, who had slept with Kazan on a casual basis, as she did with many other Hollywood players, was the type of woman someone took as a mistress, not as a wife. Miller, however, was a man of principle. He was in love. "[A]ll my energy and attention were devoted to trying to help her solve her problems", Miller confessed to a French newspaper in 1992. "Unfortunately, I didn't have much success."
The conspiracy collapsed during the filming of The Misfits (1961) (1961), with John Huston shooting the original script Miller had written expressly for his wife. The genesis of the story had come to him while waiting out a divorce from his first wife Mary in Nevada. Monroe hated her character Roslyn, claiming Miller had made her out to be the dumb blond stereotype she so loathed and had been trying to escape. Withering in her criticism of Miller, and ultimately unfaithful to him, she and Miller separated. Norman Mailer, in his 1973 biography, "Marilyn", ridiculed Miller for not doing enough to help Monroe. Film critic Pauline Kael lambasted Mailer by imputing petty machismo and jealousy as the cause of his animus against Miller. Miller would later reunite with Kazan to launch the new Lincoln Center Repertory Theater, with the play "After the Fall", a fictionalization of his relationship with Monroe. "Fall" ran for 208 performances in repertory in 1964 and 1965 and won 1964 Tony Awards for Jason Robards and Kazan's future wife Barbara Loden, playing the Miller and Monroe stand-ins Quentin and Maggie. Miller's own "Incident at Vichy" played in repertory with "Fall" in the 1965 season, but lasted only 32 performances.
On June 1, 1957, Miller was found in contempt of Congress for refusing to name names of a literacy circle suspected of Communist Party affiliations. The State Department deprived him of his passport, and he became a left-wing cause célèbre. In 1967 Miller became President of P.E.N., an international literacy organization that campaigned for the rights of suppressed writers. He published a collection of short stories entitled "I Don't Need You Any More", that same year. Returning to the Morosco Theatre, the site of his greatest triumph, "The Price" was Miller's last unqualified hit in America, running for 429 performances between February 7, 1968 and February 15, 1969. Though Miller won a 1968 Tony Award for Best Play, the bulk of his success as an original playwright was over. The Price (1971) (a 1971 teleplay) was nominated for six Emmy awards, including Outstanding Single Program-Drama or Comedy, and won three, including Best Actor for George C. Scott, who would later win a 1976 Tony playing Willy Loman in a 1975 Broadway revival.
Miller never again achieved success on Broadway with an original play. In the 1980s, when he was hailed as the greatest living American playwright after the death of Tennessee Williams, he even had trouble getting full-scale revivals of his work staged. One of his more significant later works, "The American Clock", based on Studs Terkel's oral history of the Great Depression, "Hard Times", ran for only 11 previews and 12 performances in late 1980 at the Biltmore Theatre. Also in 1980, Miller courted controversy by backing the casting of the outspokenly anti-Zionist Vanessa Redgrave as a concentration-camp Jewess in his teleplay Playing for Time (1980), an adaptation of the memoir "The Musicians of Auschwitz". Despite the fallout in the United States for America's then-greatest living playwright, his works were popular in Great Britain, whose intellectual and theatrical communities treated him as a major figure in world literature. The universality of his work was highlighted with his own successful staging of "Death of a Salesman" in Beijing in 1983.
"Death of a Salesman" has become a standard warhorse, now revived each decade on Broadway, and internationally. In addition to George C. Scott and Lee J. Cobb (who received an Emmy nomination for the 1966 teleplay; Miller himself received a Special Citation from the Academy of Television Arts and Sciences for the production), Dustin Hoffman and Brian Dennehy have garnered kudos for playing Willie Loman. The 1984 Broadway revival of "Salesman" won a Tony for best Reproduction and helped revive Miller's domestic reputation, while Volker Schlöndorff's 1985 film (Death of a Salesman (1985)) of the production won 10 Emmy nominations, including one for Miller as executive producer of the Outstanding Drama/Comedy Special. Hoffman won an Emmy and a Golden Globe for playing Willy Loman. The 1999 revival won four Tonys, including Dennehy for Best Actor, and ran for 274 performances at the Eugene O'Neill Theatre. Arthur Miller died in Roxbury, Connecticut in 2005, aged 89. He had been suffering from cancer, pneumonia and a heart condition.
Miller based his works on American history, his own life, and his observations of the American scene. His stature is traditionally based on his perceived refusal to avoid moral and social issues in his writing. His willingness to fight for what he believed in his chosen art form made him a literary icon whose name will live on in world letters.- Actor
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Carroll Shelby was born on 11 January 1923 in Leesburg, Texas, USA. He was an actor, known for Grand Prix (1966), Formula 1 (1950) and Flying the Feathered Edge: The Bob Hoover Project (2014). He was married to Cleo, Helena Dahl, Cynthia Psaros, Jan Harrison, Jeanne Fields and Sandra Brandstetter. He died on 10 May 2012 in Dallas, Texas, USA.- Actress
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Nichelle Nichols was one of 10 children born to parents Lishia and Samuel Nichols in Robbins, Illinois, a Chicago suburb. She was a singer and dancer before turning to acting and finding fame in her groundbreaking role of Lt. Nyota Uhura in the Star Trek (1966) series.
As long as she could remember, she wanted to do nothing but sing, dance, act and write despite no one else in her family following any of those tracks; although her father could tap dance. He not only became mayor of their town, Robbins, IL, but also a magistrate. On stage, Nichelle was twice nominated for the Sarah Siddons Award as Best Actress of the Year; while on film she danced with Sammy Davis, Jr. in Porgy and Bess, and opposite James Garner in Mister Budwing (1965). In a complete changearound soon after the Star Trek television series came to an end, she played a blousey madam, then co-starred with Lynn Redgrave n Antony and Cleopatra. She was been married twice and had a son, Kyle Johnson, from her first marriage to a tap dancer.- Actor
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Dale Robertson, the actor who made his name in television Westerns in the 1950s and '60s, was born on July 14, 1923, in Harrah, Oklahoma. After serving in a tank crew and in the combat engineers in North Africa and Europe during World War II, the twice-wounded Robertson started his acting career while still on active duty in the U.S. Army. While stationed at San Luis Obispo, California, had a photograph taken for his mother. A copy of the photo displayed in the photo shop window attracted movie scouts, and the six foot tall, 180-lb. Robertson soon was on his way to Hollywood. Will Rogers Jr., whose father is the most famous son of Oklahoma, told him to avoid formal training and keep his own persona. Robertson took his advice and avoided acting classes.
Robertson was typecast in Western movies and TV shows when the genre was still America's favorite. He headlined two TV series, Tales of Wells Fargo (1957), in which he played the roving trouble-shooter Jim Hardie, and Iron Horse (1966), in which he won a railway in a poker game. He also served as one of the hosts, along with Ronald Reagan, of the syndicated series Death Valley Days (1952) during the 1960s. Robertson later appeared in the inaugural season of Dynasty (1981).
Robertson is a recipient of the Golden Boot Award in 1985, and was inducted into the Hall of Great Western Performers and the Cowboy Hall of Fame in Oklahoma City. He is retired on a ranch near Oklahoma City, not far from his birthplace of Harrah.- Actress
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Long a vital, respected thespian of the classic and contemporary stage, this grand lady did not become a household name and sought-after film actress until age 56 when she turned in a glorious, Oscar-winning performance as Cher's sardonic mother in the romantic comedy Moonstruck (1987). Movie (and TV) fans then discovered what East coast theater-going audiences had uncovered decades before -- Olympia Dukakis was an acting treasure. Her adaptability to various ethnicities (Greek, Italian, Jewish, Eastern European, etc.), as well her chameleon-like versatility in everything from cutting edge comedy to stark tragedy, kept her in high demand for 30 years as one of Hollywood's topnotch character players.
Olympia Dukakis was born on June 20, 1931, in Lowell, Massachusetts, the daughter of Greek immigrants, Alexandra (Christos), from the Peloponnese, and Constantine S. Dukakis, from Anatolia. She majored in physical therapy at Boston University, where she graduated with a BA. Olympia practiced as a physical therapist during the polio epidemic. She later returned to her alma mater and entered the graduate program in performing arts, earning a Master of Fine Arts degree.
Olympia found early success by distinguishing herself first on stage performing in summer stock and with several repertory and Shakespearean companies throughout the county. She made her Broadway debut as an understudy in "The Aspern Papers" at age 30, followed by very short runs in the plays "Abraham Cochrane" (1964) and "Who's Who in Hell" (1974). In 1999, she premiered a one-woman play "Rose," at the National Theatre in London and subsequently on Broadway in 2000. The play earned her an Outer Critics Circle Award and Drama Desk Award nomination and she continues to tour the country with it.
Olympia was seen on the New York stage in the Roundabout Theatre's production of "The Milk Train Doesn't Stop Here Anymore" (2011), in San Francisco in A.C.T.'s production of "Vigil" (2011) and as "Prospera" in "The Tempest" (2012) at Shakespeare & Co. She has performed in over 130 productions Off-Broadway and regionally at theaters including the Public Theatre, A.C.T., Shakespeare in the Park, Shakespeare & Co., and the Williamstown Summer Theatre Festival, where she also served as Associate Director. She was seen again at Shakespeare & Co. in the summer of 2013 as the title role in "Mother Courage and Her Children."
Olympia married Yugoslav-American actor Louis Zorich in 1962. The New York-based couple went on to co-found The Whole Theatre Company in Montclair, New Jersey, and ran the company for 19 years (1971-1990). As actress, director, producer and teacher, she still found the time to raise their three young children. She also became a master instructor at New York University for fourteen years. She scored theater triumphs in "A Man's a Man," for which she won an Off-Broadway Obie Award in 1962; several productions of "The Cherry Orchard" and "Mother Courage"; "Six Characters in Search of an Author"; "The Rose Tattoo"; "The Seagull"; "The Marriage of Bette and Boo" (another Obie Award); and, more notably, her many performances as the title role in "Hecuba." A good portion of her successes was launched within the walls of her own theater company, which encouraged the birth of new and untried plays.
Olympia's prolific stage directing credits include many of the classics: "Orpheus Descending," "The House of Bernarda Alba," "Uncle Vanya," and "A Touch of the Poet," as well as the more contemporary ("One Flew Over the Cuckoo's Nest" and "Kennedy's Children"). She also adapted such plays as "Mother Courage" and "The Trojan Women" for the theater company. Over the duration of their marriage, she and her husband have experienced shared successes, appearing together in "Long Day's Journey Into Night," "Camino Real, "The Three Sisters" and "The Seagull," among many others. Both are master interpreters of Chekhovian plays -- one of their more recent acting collaborations was in "The Chekhov Cycle" in 2003.
Making an inauspicious debut in a bit role as a mental patient in Lilith (1964), she tended to gravitate toward off-the-wall films with various offshoots of the ethnic mother. She played mom to such leads as Dustin Hoffman in John and Mary (1969), Joseph Bologna in the cult comedy Made for Each Other (1971) and Ray Sharkey in The Idolmaker (1980). Interestingly, it was her scene-stealing work on Broadway in the comedy "Social Security" (1986) that caught director Norman Jewison's eye and earned her the Moonstruck (1987) movie role. The Academy Award win for Best Supporting Actress was the last of a stream of awards she earned for that part, including the Los Angeles Film Critics, Golden Globe and American Comedy awards.
From then on, silver-haired Olympia was frequently first in line for a number of cream-of-the-crop matron roles: Steel Magnolias (1989), Dad (1989), Look Who's Talking (1989), The Cemetery Club (1993), Mr. Holland's Opus (1995) and Mother (1995).
On TV, she received high praise for her work especially for her sympathetic trans-gendered landlady Anna Madrigal in the acclaimed miniseries Tales of the City (1993) and its sequels More Tales of the City (1998) (Emmy Nominee) and Further Tales of the City (2001). She was additionally seen in episodes of Bored to Death (2009), and TV movies The Last of the Blonde Bombshells (2000) (Judi Dench), Sinatra (1992) (Golden Globe Nominee), and The Messenger: The Story of Joan of Arc (1999) (Emmy Nominee). This work is among more than 40 other series, mini-series and guest starring roles she accumulated over her long career. Several recurring TV roles also came her way with Center of the Universe (2004), Bored to Death (2009), Sex & Violence (2013), Forgive Me (2013), Switch (2018) and one last return to her popular Anna Madrigal role with the series sequel Tales of the City (2019).
The septuagenarian hardly slowed down and continued strongly into the millennium with top supporting film credits including The Intended (2002), The Event (2003), the title role in the mystery Charlie's War (2003), The Thing About My Folks (2005), Jesus, Mary and Joey (2005), Away from Her (2006), Day on Fire (2006), In the Land of Women (2007), The Last Keepers (2013), A Little Game (2014), 7 Chinese Brothers (2015), The Infiltrator (2016), Her Secret Sessions (2016) and Change in the Air (2018). The film Cloudburst (2011), in which she shared a co-lead with Brenda Fricker, became a critical and audience darling, winning a multitude of "Best Film" awards and several "Best Actress" honors (Seattle, San Diego) at various film festivals.
An ardent liberal and Democrat, she was the cousin of 1988 presidential nominee Michael Dukakis. Moreover, she was a strong advocate of women's rights and environmental causes. Olympia published her best-selling autobiography "Ask Me Again Tomorrow: A Life in Progress" in 2003, an introspective chronicle full of her trademark candor and wry humor. She was also a figure on the lecture circuit covering topics as widespread as life in the theater to feminism, Alzheimer's, diabetes, and osteoporosis.
A hardcore New Yorker, she resided there following the death of her husband in 2018, and until her death in May 2021. She received the Lifetime Achievement Award from the Greek America Foundation, the National Arts Club Medal of Honor, and a star on the Hollywood Walk of Fame.- Actor
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Long before he was known as "The Professor" in the cult comedy classic Gilligan's Island (1964), Russell Johnson was a well-known character actor, starring in several Westerns and Sci-Fi classics as This Island Earth (1955) and It Came from Outer Space (1953). Johnson grew up in Pennsylvania and was sent to a boarding school in Philadelphia with his brothers when his father died.
Johnson said that, unlike his Professor character, he was not a bright student early on and was, in fact, held back a grade. However, he did redeem himself later on by making the National Honor Society in high school. He joined the Army Air Corps in World War II. Both his ankles were broken when his B-24 Liberator was shot down over the Philippines during a bombing raid in March of 1945 and he was awarded the Purple Heart as he recovered in the hospital. After the war, he used the G.I. Bill to enroll in acting school to pursue his new trade.
Johnson lived in the state of Washington and did several guest appearances on television shows. He passed away peacefully on the morning of Thursday January 16, 2014 from kidney failure, with his wife, Constance Dane, and his two children by his side. Connie described her husband as a very brave man.- Actor
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Rance Howard was born on 17 November 1928 in Duncan, Oklahoma, USA. He was an actor and writer, known for Nebraska (2013), Walk Hard: The Dewey Cox Story (2007) and Universal Soldier (1992). He was married to Judy Howard and Jean Speegle Howard. He died on 25 November 2017 in Los Angeles, California, USA.- Actor
- Producer
- Soundtrack
Perpetually glum standup comedian Joey Bishop was born Joseph Abraham Gottlieb on February 3, 1918, in the Bronx, New York. He was the youngest of five children of Chana "Anna" (Siegel) and Jacob Gottlieb, a bicycle repairman. His father was an Austrian Jewish immigrant and his mother was a Romanian Jew. He was raised in Philadelphia and learned while growing up how to tap dance, do imitations and play the mandolin and banjo. Dropping out of high school at 18, he started out in the humor business in vaudeville as part of a comedy act with his brother. Billed as "Joey Gottlieb" at the time, he later joined a comedy group that called themselves "The Bishop Trio" and kept the last name for himself after the team broke up. His nascent career was interrupted while serving in the Army during WWII, but quickly resumed things after his discharge in 1945. He appeared on television as early as 1948, but it took a while before he caught on. A master ad-libber, he became a nitery specialist at such establishments as the Latin Quarter, and served as an opening act for a number of stars, including Frank Sinatra, in the mid-50s. As his reputation increased, he became a steadfast cog on the talk show, sitcom and game show circuits. A frequent and amusing guest panelist on What's My Line? (1950), the jug-eared jokester went on to guest-host on the The Tonight Show Starring Johnny Carson (1962) a record 177 times. He also frequently appeared as a guest for Steve Allen and Jack Paar in their earlier late-nite formats.
Bishop entered the sitcom venue in the early 1960s. On his first show, The Joey Bishop Show (1961), he played Joey Barnes, the host of a TV talk show in New York. Abby Dalton came on board in the second season as wife Ellie. Among his co-stars were up-and-coming stars Bill Bixby and Marlo Thomas and such character veterans as Joe Besser, of The Three Stooges fame, and Mary Treen were brought aboard for stronger support. This popular show lasted four seasons. Life imitated art several years later when Bishop went on to compete against Carson for the late-night viewing audience with his own talk show The Joey Bishop Show (1967) for ABC. The show was no match for Carson, however, and quickly dwindled in ratings, fading away after two years. His co-host/sidekick/foil was none other than Regis Philbin. Dick Cavett eventually replaced him to fill the ABC midnight void.
Relatively overlooked for his work on film, Bishop did show some promise early in the game with occasional straight roles that veered away from his sarcastic comedy demeanor with such roles in The Deep Six (1958), The Naked and the Dead (1958) and Onionhead (1958). He would also generate public interest as the less-than-slick member of Hollywood's "Rat Pack", which was comprised of ultra-hip pals Frank Sinatra, Dean Martin, Sammy Davis Jr. and Peter Lawford. Known as "Sinatra's comic" at one time (for having frequently opened for the star), Bishop wrote material and serving as the emcee for many of the clan's Las Vegas shows in the 1960s. In addition he appeared in the "Rat Pack"-oriented movies Ocean's Eleven (1960) and Sergeants 3 (1962), but the straight-laced comedian later butted heads with the party-hearty Sinatra and split while the next film Robin and the 7 Hoods (1964) was in preparation. Elsewhere, he appeared as either a foil, sidekick, or guest cameos in such standard movies as Johnny Cool (1963), Texas Across the River (1966) with Dean Martin, Who's Minding the Mint? (1967) and even Valley of the Dolls (1967).
Once his late night TV show folded he returned to night clubs for a time but gradually withdrew more and more from the show-biz limelight in the 1970s. He appeared in only three films after this point -- The Delta Force (1986), Betsy's Wedding (1990) and Mad Dog Time (1996) -- and showing up on a rare occasion as a TV guest. Married to Sylvia Ruzga since 1941, their son Larry Bishop is an actor-turned-director and producer. Long retired and the last surviving "Rat Pack" member after Sinatra's death in 1998, his wife Sylvia of 58 years died of cancer in 1999. Joey, in failing health for some time, died of multiple organ failure on October 17, 2007, at his Newport Beach, California home.- Animation Department
- Director
- Writer
Starting as a cel washer, Chuck Jones worked his way up to animator and then director at the animation division of Warner Bros. He is famous for creating such beloved cartoon characters as Wile E. Coyote, Henery Hawk, Pepé Le Pew, Marvin the Martian, Ralph Wolf, Road Runner, Sam Sheepdog, Sniffles, and many others, as well as adding to the development of Warner favorites such as Bugs Bunny, Daffy Duck, Porky Pig and countless others.
His most famous cartoons tend to have been created with writer Michael Maltese. Jones' autobiography, published by Simon & Schuster "Chuck Amuck"--a pun on his Daffy Duck short Duck Amuck (1953)--gives a very amusing account of his life. It is liberally sprinkled with hundreds of cartoons with some color plates.- Music Department
- Composer
- Actor
German-American pianist, composer, arranger and conductor André George Previn (born Andreas Ludwig Priwin, in Berlin) was for eight decades a hugely influential and prolific figure in jazz, as well as classical and film music. Being Jewish, Previn's family was forced to leave Hitler's Germany in 1939. Hollywood naturally beckoned, since André's grand uncle (Charles Previn) was already well established as musical director at Universal (1936-42). Child prodigy André recorded his first piano jazz album at the age of sixteen while continuing studies at Beverly Hills High School.
He joined MGM at age 17 in 1946 (initially as an uncredited music supervisor/arranger), later as orchestra conductor and still later as a composer of film scores. He remained under contract at the studio until 1960. During his tenure in Hollywood, he was nominated for eleven Academy Awards, winning four (all for Best Adapted Score: Gigi (1958), Porgy and Bess (1959), Irma la Douce (1963), and My Fair Lady (1964)). In the 1950s, he recorded several acclaimed jazz albums with drummer Shelly Manne and pianist Russ Freeman, featuring excellent tracks like "Who's on First" and "Strike Out the Band". He began conducting with the St. Louis Symphony in 1961 while still working primarily as a jazz and studio musician. Much of his recorded work consisted of show tunes adapted for jazz. Gradually, his interest in classical music won out.
By the late 1960s, Previn had settled in England and in 1968 was made principal conductor of the London Symphony Orchestra, a position he occupied for eleven years. His popularity led to cameo TV appearances (including a famous sketch for the 1971 Christmas special of the The Morecambe & Wise Show (1968), in which he appeared as "Mr. Andrew Preview") and television advertising (Vauxhall, Ferguson TX portable television etc.). From 1985 to 1989, he was musical director of the Los Angeles Philharmonic as well as with the Royal Philharmonic (1985-88, subsequently also principal conductor, from 1988-91).
In 1993, he was appointed conductor laureate of the London Symphony and three years later was made an Honorary Knight Commander of the Order of the British Empire for services to music. He won 10 Grammy Awards (including two for jazz and two for film music) and was nominated for six Emmys. Previn latterly returned to recording jazz albums with, among others, Ella Fitzgerald (1983), Joe Pass & Ray Brown (1989), and Kiri Te Kanawa (1992). Two excellent tribute albums released, respectively in 1998 and 2000 for Deutsche Grammophon, were 'We Got Rhythm: A Gershwin Songbook' and 'We Got it Good: An Ellington Songbook'.
Married (and divorced) five times, his ex-wives included Dory Previn and Mia Farrow. Previn died in New York on February 28, 2019, aged 89.- Actor
- Soundtrack
At fourteen he worked as an usher at the NYC Paramount Theatre. His father was an electrician who played guitar and his mother taught piano. Damone attended PS 163 and sang in St. Finbar's choir and later attended the Alexander Hamilton Vocational High School and then Lafayette High School in Brooklyn. He left school at sixteen to support his family, but returned to graduate from Lafayette in 1997. Damone won first prize in an Arthur Godfrey talent scouts contest in 1945. His first night club appearance at the LA Martinique Club was set up by comedian Milton Berle. He was drafted and served in the army from 1951 to 1953. After he was discharged from the army he married actress Pier Angeli, whom he later divorced. Damone was later married to Becky Ann Jones from 1974 to 1982 and Diahann Carroll from 1987 to 1996. He married Rena Rowan, fashion designer and co-founder of Jones New York, in 1998. In 1999, he received a certificate of advanced study from Philadelphia University.- Actress
- Soundtrack
A disarming character lady quite capable of scene-stealing, Mildred Natwick was a well-rounded talent with distinctively dowdy features and idiosyncratic tendencies who, over a six-decade period, assembled together a number of unforgettable matrons on stage and (eventually) film and TV. Whimsical, feisty, loony, stern, impish, shrewish, quizzical, scheming -- she greatly enhanced both comedies and dramas and, thankfully, her off-centered greatness was captured perfectly on occasion by such film directors as John Ford, Alfred Hitchcock and Neil Simon.
A short, plumpish, oval-eyed figure with a unique flowery, honey-glazed voice, Natwick was born on June 19, 1905 (some sources list 1908) to Joseph (a businessman) and and Mildred Marion Dawes Natwick. The Baltimore native graduated from both the Bryn Mawr School (in Baltimore) and also from Bennett College in Dutchess County, N.Y., where she majored in drama. Breaking into the professional field touring on stage, Miss Natwick joined the Vagabonds in the late 1920s, a non-professional group from Baltimore. She later became part of the renowned University Players at Cape Cod, Massachusetts, whose rising performers at the time included Henry Fonda, Margaret Sullavan and James Stewart.
Natwick made her Broadway bow in the 1932 melodrama "Carry Nation," directed by Blanche Yurka with Esther Dale in the title role. In the cast was Joshua Logan, whom she befriended and later collaborated with when he turned director. She then continued her momentum on 1930s Broadway with "Amourette" (1933), "Spring in Autumn" (1933), "The Wind and the Rain" (1934), "The Distaff Side" (1934) "End of Summer" (1936), "Love from a Stranger" (1936), "The Star-Wagon" (1937), "Missouri Legend" (1938), "Stars in Your Eyes" (1939) (directed by Logan), and "Christmas Eve" (1939).
Natwick did not come to films until middle age (35) with the John Ford classic The Long Voyage Home (1940), in which she played a Cockney floozie. Despite her fine work in this minor part, she did not make another film until her landlady role five years later in The Enchanted Cottage (1945) supporting Dorothy McGuire and Robert Young. Not a great beauty by Hollywood standards, Natwick learned quickly in Hollywood that if she were to succeed, it would be as a character performer. Ford himself picked up on her versatility and used her repeatedly in several of his post-war classics -- 3 Godfathers (1948), She Wore a Yellow Ribbon (1949), and The Quiet Man (1952).
Never abandoning the theater for long, Natwick excelled as Miss Garnett in George Bernard Shaw's "Candida" and as the buoyant medium in Noël Coward's "Blithe Spirit". As for the big screen, she was sporadically seen in such films as Yolanda and the Thief (1945), The Late George Apley (1947), A Woman's Vengeance (1948), The Kissing Bandit (1948), Cheaper by the Dozen (1950) and Against All Flags (1952). Making use of even the tiniest of roles, none of them did much to improve her stature in Hollywood. With her delicious turn, however, in Hitchcock's eccentric black comedy The Trouble with Harry (1955), which starred Shirley MacLaine (in her film debut), John Forsythe, Kris Kringle's Edmund Gwenn, little Jerry Mathers (of "Leave It to Beaver"), and another famous Mildred, Mildred Dunnock, Natwick enjoyed one of her best roles ever on film. This was followed by her scheming and furtive sorceress in the Danny Kaye vehicle The Court Jester (1955) in which she, Kaye and Glynis Johns participate in the memorable tongue-twisting "The pellet with the poison's in the vessel with the pestle..." comedy routine. This, in turn, led to a couple of more, albeit lesser, films, including Teenage Rebel (1956) and Tammy and the Bachelor (1957).
Preferring the theatre to movies, MIldred received her first Tony nomination for her sharp, astute work in Jean Anouilh's "Waltz of the Toredors" in 1957 and recreated her character in a TV special. She seemed to move effortlessly from the classics ("Medea," "Coriolanus") to chic comedy ("Ladies in Retirement," "The Importance of Being Earnest"). Receiving great applause as the beleaguered, overly-winded mother in Neil Simon's "Barefoot in the Park" on Broadway in 1963, she transferred the role to film four years later. The cinematic Barefoot in the Park (1967) earned Mildred a well-deserved Oscar nomination for "best supporting actress". She switched things up again with Harold Pinter's theatrical "Landscape," and then again in 1971 when she made her debut in a singing role in the John Kander-Fred Ebb musical, "70, Girls, 70" (1971) in which she earned a second Tony nomination. Her last Broadway show came as a replacement in "Bedroom Farce" in 1979.
With only the slightest of gesture, look or tone of voice, Mildred's characters could speak volumes and she became an essential character player during the 1970s as an offbeat friend, relative or elderly on TV and film. She was awarded the Emmy for her playing of one of The Snoop Sisters (1972)_ alongside the equally delightful Helen Hayes in the short-lived TV series. Both played impish Jessica Fletcher-type mystery writers who solve real crimes on the sly. She also played Rock Hudson's quirky mother in McMillan & Wife (1971) and a notable dying grandmother in a guest appearance of the critically-lauded TV series drama Family (1976). Her final film came with a small regal role as Madame de Rosemonde in Dangerous Liaisons (1988) with Glenn Close, John Malkovich and Michelle Pfeiffer.
Never married, Mildred was called "Milly" by close friends and family and was the first cousin of Myron 'Grim' Natwick, the creator of Betty Boop for the Max Fleischer cartoon studio and prime animator for Disney's Snow White character. She died of cancer at age 89 in New York City.- Producer
- Actor
- Additional Crew
Robert Evans was born in New York City, to Florence (Krasne) and Archie Shapera, a dentist with a thriving practice in Harlem. His family was of Russian Jewish descent. He was raised on Manhattan's Upper West Side. He began his show-business career as a teenage radio actor. After flopping in his first attempt at movie acting, he took a job promoting sales of ladies' slacks for Evan-Picone, the clothing company founded and run by his brother. Some years later, Norma Shearer spotted him hanging around the pool at the Beverly Hills Hotel; she successfully touted him for the role of Irving Thalberg in Man of a Thousand Faces (1957). In a New York nightclub, Evans also caught the eye of Darryl F. Zanuck, who cast him as a bullfighter in The Sun Also Rises (1957). By the end of the fifties, Evans writes, "I was sure of one thing: I was a half-assed actor." He determined to recast himself as a producer.Before launching his first picture, though, he was hired by Charlie Bluhdorn, head of the Gulf + Western conglomerate, as part of a shakeup of Paramount Pictures.
Within months Evans was head of production. In the late 1960s and early '70s, he became the quintessential "new Hollywood" executive, with: slickly packaged productions like Rosemary's Baby (1968), Love Story (1970) and The Godfather (1972) revived Paramount. (The latter film and Chinatown (1974) are the artistic highlights of Evans' Paramount career, though the amount of credit he deserves for them has been debated for decades.) Eased out of Paramount, he saw The Cotton Club (1984) turn from a musical "Godfather" into a fiasco of front-page proportions. Evans righted his career with a new Paramount deal in the 1990s, with his last producing credit having been on the blockbuster romantic comedy How to Lose a Guy in 10 Days (2003).
He died on October 26, 2019.- Director
- Second Unit Director or Assistant Director
- Producer
Initially grew up wanting to be a violinist, but while at the University of Vienna decided to study law. While doing so, he became increasingly interested in American film and decided that was what he wanted to do. He became involved in European filmaking for a short time before going to America to study film.- Actress
- Writer
Born in Palestine before the inception of the Israeli state in the city of Haifa, she first distinguished herself by winning one of the first beauty contests in the nascent Israel. Haya Harareet (also spelled Hararit) made her debut in Thorold Dickinson's film Hill 24 Doesn't Answer (1955) ("Hill 24 Doesn't Answer"). The landmark Israeli film, mostly in English, is also the first feature-length production to be shot and processed entirely in Israel, and made for international distribution. The film was an official selection at the 1955 Cannes Film Festival and Harareet won an award for her role in the film. She plays Miriam Mizrahi, a fourth generation, dark-eyed and beautiful Sabra, working for the underground.
Best-known for her role as Esther, opposite Charlton Heston in William Wyler's film classic Ben-Hur (1959), she also played in Francesco Maselli's The Doll That Took the Town (1957) ("The Doll that Took the Town") with Virna Lisi, _Edgar G. Ulmer''s Journey Beneath the Desert (1961) ("Journey Beneath The Desert", AKA "The Lost Kingdom")with Jean-Louis Trintignant, and Basil Dearden's The Secret Partner (1961) with Stewart Granger. She cowrote the screenplay for Our Mother's House (1967) which starred Dirk Bogarde.
Ms. Harareet was also credited as a presenter for 'Best Special Effects' at the 32nd Annual Academy Awards in 1960.
She was married to the British film director Jack Clayton until his death in 1995.- Alice B. Toklas was born on 30 April 1877 in San Francisco, California, USA. She was a writer, known for Dances for an iPhone (2010), Literarische Zentren (1965) and The Twentieth Century (1957). She died on 7 March 1967 in Paris, France.
- An only child, Emmanuelle was born Paulette Germaine Riva in Cheniménil, but eventually grew up in Remiremont. Her mother, Jeanne Fernande Nourdin, was a seamstress. Her father, René Alfred "Alfredo" Riva, was a sign writer. Her paternal grandfather was Italian. She dreamed of becoming an actress since she was six, so that the entire world would take notice of her. This ambition was, however, to be met with firm opposition from her own family. Emmanuelle's father, a strict disciplinarian to whom the word "actress" was basically a synonym for "prostitute", disapproved of her way of thinking, since it clashed with the simple values he wished to pass on to her. Emmanuelle felt great affection towards her parents, but, at the same time, was under the impression that they couldn't really understand what she wanted. A bit of a tomboy and a rebel in her schooldays, she showed little interest in studying, but always directed her passion towards acting, appearing in every year-end play. In her early 20's, Emmanuelle was to find out the true meaning of nervous depression. Having completed the seamstress apprenticeship she had started at age 15, she eventually resigned herself to take up this profession, also discouraged by the thought that, in a city like Remiremont, the only possible alternative was to become a hairdresser. The sense of boredom that was weighing her down actually got so devouring that sewing sort of became the only form of escape from the horror of her everyday reality. But luckily, things were soon to change for the better. The day Emmanuelle discovered the announcement of a contest at the Dramatic Arts Centre of Rue Blanche was the day she found the courage to stand up to her parents and state that she would have traveled to Paris to become an actress. Having finally understood the depth of her sadness, her family couldn't oppose her wishes any longer, so, on the 13th May of 1953, she arrived in Paris.
At the Rue Blanche contest, Emmanuelle auditioned in front of one of the leading actors and directors of the Comédie-Française, the great Jean Meyer. She acted one scene from "On ne badine pas avec l'Amour" by Alfred de Musset. Meyer and the other acting teachers in the jury were just mesmerized by her performance and immediately realized that they had found the next big thing. It goes without saying that Emmanuelle was awarded a scholarship and Meyer himself decided to take her as his own pupil. At 26, Riva was too old to enter the French National Academy of Dramatic Arts, but she soon got her big break anyway, since French stage pillar René Dupuy cast her in a production of George Bernard Shaw's "Arms and the Man". Her next theatrical credits were "Mrs.Warren's Profession" (Shaw), "L'espoir" (Henri Bernstein), "Le dialogue des Carmélites" (Georges Bernanos), Britannicus (Jean Racine), "Il seduttore" (Diego Fabbri). Emmanuelle's small screen debut was in a 1957 episode of the history program Énigmes de l'histoire (1956), "Le Chevalier d'Éon". In the program, she played the Queen of England opposite Marcelle Ranson-Hervé as the cross-dressing knight in the service of the French crown. 1958, on the other hand, was the year that saw her first film appearance, an uncredited role in the Jean Gabin movie The Possessors (1958). The following year would, however, mark a turning point in her career. Emmanuelle was starring in the Dominique Rolin play "L'Epouvantail" at the "théatre de L'Oeuvre" in Paris when one night she found a visitor in her dressing room. His name was Alain Resnais and he was a young director responsible for a few shorts and documentaries (including the Holocaust-themed masterpiece Night and Fog (1956)). He was apparently looking for the female lead of his first feature film, Hiroshima Mon Amour (1959), based on a script by the great author, Marguerite Duras. Having seen a picture of Riva in a playbill of the production she was starring in, Resnais had immediately urged to see her. Without promising her anything, the director just asked Emmanuelle if he could take a few photos of her, so that he would have later shown them to Duras for a response. In addition to this, he also invited her at his place where he filmed her reciting some lines from "Arms and the Man". When he brought Duras the material, the author set her eyes on Emmanuelle's melancholic, enigmatic expression and immediately realized that they had found the one they were looking for. "Hiroshima Mon Amour" turned out to be one of the most acclaimed and representative movies of the French New Wave and launched both Resnais and Riva's careers in full orbit. Being somehow familiar with a sense of captivity, Emmanuelle gave an incredibly personal and involving performance as the unnamed heroine of the movie, and it was one that came straight from her heart. Playing an actress from Nevers who develops a love affection towards a Japanese architect (Eiji Okada) while filming an anti-war movie in Hiroshima, Emmanuelle helped modernizing acting and female figures in film through an intimate, almost minimalistic woman portrayal that was quite unlike anything else that had been seen on the silver screen to that moment. Speaking her character's thoughts through a great deal of voice-over that could give the viewer constant access to her mind (making for an unusual amount of psychological introspection) , she was able to masterfully translate every last one of these feelings to subtle facial expressions whose richness and eloquence made her face the mirror of the compex soul she was baring before the camera. Combining this heartfelt approach with a refined diction that could perfectly deliver Duras' deep, existentialist lines of dialogue, she gave the world a new type of heroine who, while set apart by a distinctive intellectual charm, remained very humanly relatable. This ground-breaking acting was greatly praised by the critics of the time who were most open to innovation, including some that later became masters of revolutionary cinema themselves. Jean-Luc Godard stated: "Let's take the character played by Emmanuelle Riva. If you ran into her on the street, or saw her every day, I think she would only be of interest to a very limited number of people. But in the film she interests everyone. For me, she's the kind of girl who works at the "Editions du Seuil" or for "L'Express", a kind of 1959 George Sand. A priori, she doesn't interest me, because I prefer the kind of girl you see in [Renato] Castellani's film. This said, Resnais has directed Emmanuelle Riva in such a prodigious way that now I want to read books from "Le Seuil" or "L'Express"." This was Éric Rohmer's take on Riva's 'Elle': " She isn't a classical heroine, at least not one that a certain classical cinema has habituated us to see, from David Griffith to 'Nicholas Ray'." Jacques Doniol-Valcroze summed her up this way: "She is unique. It's the first time that we've seen on the screen an adult woman with an interiority and a capacity for reasoning pushed to such a degree. Emmanuelle Riva is a modern adult woman because she is not an adult woman. She is, on the contrary, very childlike, guided by her impulses alone and not by her ideas." And Jean Domarchi commented that "In a sense, Hiroshima is a documentary on Emmanuelle Riva." The phenomenal intelligence and dramatic intensity of Emmanuelle's performance made "Elle" one of the most indelible characters in film history: however, while Duras' screenplay received an Oscar nomination, her star-making turn was sadly overlooked by the Academy. At least she won the "Étoile de Cristal" (the top film award in France between 1955 and 1975, given by the "Académie française" and later replaced by the César) for Best Actress for her work in the movie.
One year later, Emmanuelle was known as a major talent and, consequently, plenty of directors from different nationalities were knocking at her door. She followed her Hiroshima success with two acclaimed turns in Le huitième jour (1960) and Recours en grâce (1960). In addition to playing these leading roles for French cinema, a scene-stealing Riva was also seen as Simone Signoret's feisty friend in Antonio Pietrangeli's excellent Adua e le compagne (1960) and gave the standout performance in Gillo Pontecorvo's superb Kapo (1960) as a Jewish prisoner in a concentration camp. Enter 1961: another year, another career highlight. Emmanuelle was cast opposite Jean-Paul Belmondo in Jean-Pierre Melville's ground-breaking (and shocking for its time) Léon Morin, Priest (1961). In the movie, Riva's Barny, an atheist widow, and Belmondo's Morin, a young and seductive priest, develop a deep, theological relationship with strong sexual implications. Melville cast Emmanuelle thinking that she possessed the kind of intellectual eroticism the character needed and decided to demean her appearance as much as possible by having her dressed in the plainest clothes, so that Barny's major appeal would have been the cultural vivacity shining through her beautiful facial features. Riva and Belmondo's performances turned out to be outstanding and the film, against all odds, ended up being a big success. Riva next appeared in Climats (1962), the first (and only) feature film of TV writer and director Stellio Lorenzi, the man behind celebrated history programs such as La caméra explore le temps (1957) and its immediate predecessor, "Énigmes de L'Histoire", where Emmanuelle had done her screen debut. Adapting André Maurois' novel, Lorenzi hired Emmanuelle seeing her great interpretative sensitivity as being close to the nature of the character she would have played in the movie, also starring Jean-Pierre Marielle and Marina Vlady. In the story, Marielle is torn between sacred and profane love, leaving Vlady's vain and frivolous Odile for Riva's kind and good-hearted Isabelle. The same year, Emmanuelle scored another huge personal triumph as the title heroine of Georges Franju's Therese (1962). Her performance as François Mauriac's ill-fated 20th century Emma Bovary was a true masterpiece of psychological introspection: she perfectly captured all the key traits of the character at once, making her vulnerability coexist with her spirit of rebellion and her desire for freedom go along with a strong sense of self-destruction. Emmanuelle's work in the movie won her enormous raves and a sacred, unanimous Volpi Cup at Venice Film Festival. For the rest of the 60's (her golden period), Emmanuelle kept playing leading roles in French and Italian movies alike and also kept expanding her work to the TV medium. She found excellent, showcasing roles both in Thomas the Impostor (1965) (where she was directed by Franju for the second and last time) and in the lovely comedy The Hours of Love (1963) where she enjoyed a very unusual kind of wedding to Ugo Tognazzi. The third segment of Io uccido, tu uccidi (1965) paired her for the first time with Jean-Louis Trintignant. In this story of "Amour Fou", Riva plays a woman willing to make the ultimate sacrifice to save Trintignant's character, a man undeserving of her affection. Some TV work the actress did in this decade deserves to be noted as well. She reprised the role of Thérèse Desqueyroux in La fin de la nuit (1966), a dark and crepuscular adaptation of the Mauriac novel of the same name. This sequel follows Thérèse as she relocates to Paris where she has nothing to do but waiting for death to come. The TV play La forêt noire (1968), a fictionalized retelling of the relationship between Brahms and the Schumanns, featured another remarkable Riva performance, and so did Caterina (1963), which saw her taking on the role of Caterina Cornaro.
Going into the 70's and 80's, it wasn't easy for Emmanuelle to keep replicating the impact of her early performances and, while she always played leading roles in her native France, the majority of her movies didn't have a great international resonance. Misguided productions like Fernando Arrabal's I Will Walk Like a Crazy Horse (1973) proved totally unworthy of her talent. Like her contemporaries Delphine Seyrig, Bernadette Lafont, Bulle Ogier and Edith Scob, she liked to pick alternative, anti-mainstream projects, stating that she had no interest in doing things that had already been done before. In this period, she declined countless roles because she found them too traditional and, as a direct consequence of this, most directors stopped making her any more offers. Between 1982 and 1983 she was served with another couple of meaty parts to sink her teeth into. The first was in Marco Bellocchio's The Eyes, the Mouth (1982) (an underrated sequel of sorts to Fists in the Pocket (1965)) as the mother of Lou Castel, here taking on the role of Giovanni, the actor who had supposedly played Alessandro in the classic movie. The second was in Philippe Garrel's poignant Liberté, la nuit (1984) where she was paired with the director's father, the glorious actor, Maurice Garrel. In the subsequent years, Emmanuelle always found work in respectable productions, with the great director occasionally calling her for a project of superior quality (like Krzysztof Kieslowski's Three Colors: Blue (1993)) but the great roles seemed to be way behind her by now. In 2008, she had a nice cameo in A Man and His Dog (2008), a French remake of Umberto D. (1952) which reunited her with her "Léon Morin, prêtre" co-star, Jean-Paul Belmondo. Riva briefly appears in the movie as a gentle lady who meets Belmondo's character -not coincidentally- in a church. She was soon to enjoy, however, an incredible and unforeseen career renaissance.
In 2010, Emmanuelle was cast in Michael Haneke's latest movie, Amour (2012). The script managed as well to get Jean-Louis Trintignant out of retirement and frequent Haneke collaborator Isabelle Huppert also got on board for the ride. Haneke had written the script with precisely Trintignant in mind, but hadn't already thought of a specific actress to play the leading female role. The director had greatly admired Emmanuelle's performance in "Hiroshima Mon Amour", but wasn't much familiar with her subsequent work. Still, a recent photo of hers lead him to think that she would have been believable as Trintignant's wife and decided to audition her along with a few other actresses her age. It soon became obvious that she was the best choice in the world. The Austrian director's most recent masterpiece follows Georges (Trintignant) and Anne (Riva), a long time married couple whose life changes drastically when she suffers a stroke. An incredibly deep reflection about the two most important components of life, love and death, Haneke's heartbreaking movie took Cannes film festival by storm, making obvious from the day it was screened that no other film had the slightest possibility to win the Golden Palm. A fundamental part of "Amour"'s success were of course the immense central performances of its two leads. Jury president Nanni Moretti would have liked to give "Amour" the main festival prize along with top acting honors for its two veteran stars, but unfortunately a festival rule forbids to give any other major award to the Golden Palm winner. Moretti was displeased by this, but he still managed to find a way to recognize Trintignant and Riva's work. Although the Best Actor Award went to Mads Mikkelsen for The Hunt (2012) and the Best Actress Award was given to Cosmina Stratan and Cristina Flutur for Beyond the Hills (2012), the Golden Palm which the director was awarded was given alongside a special mention to the film's leads for their indispensable work. All three were invited on the stage to make an acceptance speech: it was one of the highest honors a thespian could ever dream of. Although Haneke remains the only official recipient of the Palm, Riva and Trintignant were, in spirit, the big acting winners of the 65th edition of the prestigious film festival. But the love for "Amour" wasn't to end here. After it amazed the audience at Toronto film festival, it became clear that the film would have done this over and over while getting screened all around the globe. Further accolades for the movie came at the end of November, when it scored an impressive four wins at the European Film Awards (Picture, Director, Actor and Actress). In the following weeks, Emmanuelle also racked up a good share of critic awards in America, including wins from major groups such as the National Society of Film Critics. On Oscar nominations day, Emmanuelle's performance was recognized along with the movie, its director and its screenplay. Having traveled to New York to attend the 2013 National Board of Review awards (where Amour had been named "Best Foreign Language Film"), Emmanuelle was still there when, bright and early, her room neighbors' jubilation cheers told her that she had been nominated. In great humbleness, she stated that she didn't expect it because 'there's plenty of talented people everywhere'. Shortly after, she also added a BAFTA to her mantle. After her triumph, Culture and communication Minister Aurélie Filippetti complimented Emmanuelle on her charisma and on the quality of her performance and stated that she would have defended France's colors at the upcoming Oscars. Emmanuelle's next appointment was with an overdue first César. After receiving a well-deserved standing ovation, she made a very beautiful and moving speech, quoting Von Kleist and paying homage to Maurice Garrel. A couple of days later she attended the Oscars and eventually failed to win the award, but this couldn't change the fact that she had made history already. Having always been in possession of one of cinema's most expressive faces, being equally effective with her physical language and having displayed unsurpassable courage and honesty in portraying the deterioration of Anne's body and soul, Emmanuelle gave a performance that went beyond every linguistic barrier and strongly touched and affected everyone who saw it. Her stunning work is for the ages.
Having hit such a high note near the end of her film career, it seems only natural that Emmanuelle did the same thing on the Parisian stage shortly after, scoring a new triumph in Didier Bezace's production of Marguerite Duras' play "Savannah Bay", which marked her theatrical return after a 13 years absence. Acting a text of the celebrated author who had penned the movie which had simultaneously given her immediate fame and screen immortality was the most inspired way to bring her exceptional career to full circle. Duras had written the part (originally performed by Madeleine Renaud) on the condition that only an actress no longer in the spring of youth would have played it: disregarding this wish would have been a mistake, but it must be added that no other actress in the same age range and associated with the author could have been an equally perfect choice. Wearing that slightly absent look loaded with a mixture of vulnerability and melancholy that only she can do so effectively, the actress reached- for the few, privileged ones who witnessed this new achievement- some basically unmatchable levels of heartbreak, repeating several times the words 'mon amour' to such an involving and powerful effect no one else could have produced. The actress stated that she would have probably refused to ever return to the stage hadn't she been offered this part. And her choice was, once again, a winning one. Emmanuelle kept working regularly for the next two years-- shooting films and doing poetry recitals all around Europe-- until she died on the 27 January 2017 after a secret battle with cancer. As profoundly devastating as the news of this artistic and human loss were, the world had to salute with utmost admiration a woman who, true to her formidable spirit, always lived a life that was determined by the choices she wanted.
Now, considering that she won her first audience by acting one scene from "On ne badine pas avec l'Amour" in front of her future mentor, got her international consecration by playing the leading role in "Hiroshima Mon Amour" and rose from her ashes with her superlative work in "Amour", one can conclude that the word Amour is most definitely a good luck charm to Emmanuelle Riva. - Producer
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Bud Yorkin was born on 22 February 1926 in Washington, Pennsylvania, USA. He was a producer and director, known for Blade Runner 2049 (2017), Sanford and Son (1972) and Blade Runner (1982). He was married to Cynthia Sikes and Peg Yorkin. He died on 18 August 2015 in Bel Air, Los Angeles, California, USA.- Director
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John Guillermin was born on 11 November 1925 in London, England, UK. He was a director and writer, known for The Towering Inferno (1974), Death on the Nile (1978) and King Kong (1976). He was married to Maureen Connell and Mary Guillermin. He died on 27 September 2015 in Topanga Canyon, California, USA.- Actor
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Max Bygraves was born on 16 October 1922 in Rotherhithe, London, England, UK. He was an actor and writer, known for Look Who's Talking (1989), Charley Moon (1956) and Spare the Rod (1961). He was married to Blossom Murray. He died on 31 August 2012 in Hope Island, Queensland, Australia.- Actor
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Patrick Moore was born on 4 March 1923 in Pinner, Middlesex, England, UK. He was an actor and writer, known for Gamesmaster (1992), The Sky at Night (1957) and Doctor Who (2005). He died on 9 December 2012 in Selsey, West Sussex, England, UK.- Actor
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Roger Hanin was born on 20 October 1925 in Algiers, Alger, France [now Algeria]. He was an actor and writer, known for Navarro (1989), Hell Train (1985) and Le protecteur (1974). He was married to Christine Gouze-Rénal and Lisette Barucq. He died on 11 February 2015 in Paris, France.- Actor
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Jeremy Burnham was an English actor-writer. Born in Yorkshire and educated at Stowe School, he went on to train at the Old Vic Theatre School in London. He appeared in many West End plays, including 'Hippo Dancing' by Robert Morley, E. M Forser's 'A Passage to India' and the anonymously published 'The Rehearsal'. He was the only person to have both appeared in and written for the cult TV series The Avengers (1961). He also wrote for many other British TV series, including When the Boat Comes In (1976), Minder (1979) and Inspector Morse (1987). He is perhaps best known as the co-author of 'Children of the Stones', another cult TV series in the nineteen-seventies. A sequel, 'Return to the Stones' was published in 2013. Jeremy Burnham died on 31 December 2020.- Clifford David was born on 30 June 1928 in Toledo, Ohio, USA. He was an actor and director, known for Bill & Ted's Excellent Adventure (1989), The Exorcist III (1990) and Signs (2002). He died on 30 November 2017 in Los Angeles, California, USA.
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Nicolas Coster, a veteran actor or "Actor's Actor', his training began back in his teens at The Royal Academy of Dramatic Arts in London, RADA. Nicolas learned his craft doing theatre, studying with Strasberg and Milton Katselas(He was later picked by Milton to substitute for him). Nicolas Coster has performed in many Broadway plays. "Happy Birthday Wanda June", "Twigs", "SeeSaw", "Harold Pinter's "Otherwise Engaged" and "The Little Foxes" with Elizabeth Taylor (with runs in the US and in London at the Victoria Palace Theatre)}. Nicolas was the only actor picked to substitute for Sir Laurence Olivier in "Beckett". These are just a few of his theatre credits. In the 70's and all through the 1980's there wasn't a channel you could not find Nicolas Coster appearing as a guest star on a popular TV series. He chased Jaclyn Smith around a football field in the series "Charlie's Angels", Nicolas wrestled in a fight with Sammy Davis Jr. in Tom Selleck's "Magnum PI", he had a stint in the series "Wonder Woman", "Incredible Hulk", Nicolas had a recurring role playing Blair's dad on the popular show "Facts of Life", He enjoyed playing opposite Bonnie Franklin in "One Day at a Time'. Earlier in his career, He even was in the "Green Hornet" with the legendary Bruce Lee and so many more guest starring roles ... Nicolas had a role on the series "Sheriff Lobo" with Nell Carter. Nicolas has a fan club called "Nick's Chicks" they are loyal fans of his time spent doing Soap Operas. "Secret Storm" was one of his first, his role later as Robert Delaney on "Another World" was hugely popular. He had stints on "All My Children"playing along side Susan Lucci and the patriarch Lionel Lockridge of "Santa Barbara" the soap which later aired in Europe as a night time series. In Russia, "Santa Barbara" was the first soap to be aired in that country it was a huge success and played as a night time series as well. His body of film includes many famous father roles, "How I got into College", "Betsey's Wedding", "Risky Business", "Just You and Me Kid". Playing different roles in film, Nicolas has been privileged to work with Robert Redford in "All The President's Men", with Gregory Peck in "MacArthur", "Reds" with Warren Beaty. Most recently, He has been on acclaimed shows like "The Young Pope" with Jude Law and popular Showtime and HBO projects. Nicolas has won a few Daytime Emmys with the drama "The Bay". Nicolas showed his comedy talents playing the lead in a Super Bowl Coke commercial and later the reprisal of his lead role but a new spin they made him British, in "Zero Sugar Coke" commercial which played internationally and highlighted his ability for a British accent. Nicolas Coster is continually working and is a true artist.- A stalwart, subtle presence of British stage and screen, Gerald Sim's work was both prolific and varied. Nonetheless, he will be best remembered by the majority of viewers as the wily rector of To the Manor Born (1979). The son of a Barings Bank employee, Gerald was born in Liverpool on June 4, 1925. His elder sister was the actress Sheila Sim. After schooling in Kent he was trained at RADA, apparently having become enamored with acting after listening to a 1943 radio broadcast of John Gielgud (entitled "The Great Ship"). Then followed extensive repertory experience, both in England, and in Durban, South Africa (1954, with the McNeale Company). Beginning with a small role in Fame Is the Spur (1947), Sim was to eventually become one of Britain's most reliable, yet ever-so-discreet screen character players, his profile firmly established in several films directed by Bryan Forbes, including Whistle Down the Wind (1961), King Rat (1965) and The Wrong Box (1966).
He was most often featured as bumptious upper crusts (suitably convincing because of his clear voice and precise diction), obtuse vicars, police inspectors, barristers and very British stiff-upper-lip military types. He appeared in seven films directed by his brother-in-law Richard Attenborough: Oh! What a Lovely War (1969), Young Winston (1972), A Bridge Too Far (1977), Gandhi (1982), Cry Freedom (1987), Chaplin (1992) and Shadowlands (1993). After repeated guest roles in such prime time shows as Dixon of Dock Green (1955) and The Avengers (1961), Sim became firmly entrenched in the medium and never looked back. He briefly returned to the stage in 1979 and made one final TV appearance in 2007 in a 25th anniversary special of To the Manor Born (1979). - Actor
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Alan Arkin was an Academy Award-winning American actor who was also an acclaimed director, producer, author, singer and composer.
He was born Alan Wolf Arkin on March 26, 1934, in Brooklyn, New York. His family were Jewish emigrants from Russia and Germany. In 1946, the Arkins moved from Brooklyn to Los Angeles, California. His father, David I. Arkin, was an artist and writer, who worked as a teacher, and lost his job for merely refusing to answer questions about his political affiliation during the 1950s Red Scare. His father challenged the politically biased dismissal and eventually prevailed, but unfortunately it was after his death. His mother, Beatrice (Wortis) Arkin, a teacher, shared his father's views. Young Arkin was fond of music and acting, he was taking various acting classes from the age of 10. He attended Franklin High School, in Los Angeles, then Los Angeles City College from 1951 - 1953, and Bennington College in Vermont from 1953 - 1954. He sang in a college folk-band, and was involved in a drama class. He dropped out of college to form the folk music group The Tarriers, in which Arkin was the lead singer and played guitar. He co-wrote the 1956 hit "The Banana Boat Song" - a Jamaican calypso folk song, which became better known as Harry Belafonte's popular version, and reached #4 on the Billboard chart. At that time Arkin was a struggling young actor who played bit parts on television and on stage, and made a living as a delivery boy, repairman, pot washer and baby sitter. From 1958 - 1968 he performed and recorded with the children's folk group, The Babysitters. He has also recorded an entire album for the Elektra label titled "Folksongs - Once Over Lightly."
In 1957 Arkin made his first big screen appearance as a lead singer with The Tarriers in Calypso Heat Wave (1957). Then he made his Off-Broadway debut as a singer in "Heloise" (1958). Next year he joined the Compass Theatre in St. Louis, Missouri. There he caught the eye of stage director Bob Sills and became the original member of the "Second City" troupe in Chicago. In 1961 Arkin made his Broadway debut in musical "From the Second City", for which he wrote lyrics and sketches, then starred as David Kolowitz in the Broadway comedy "Enter Laughing" (1963), for which he won a Tony Award. He starred in a Broadway musical "From the Second City production, then returned to Broadway as Harry Berlin in "Luv" (1964). Arkin made his directorial debut with an Off-Broadway hit called "Eh?" (1966), which introduced the young actor, named Dustin Hoffman. He won a Drama Desk Award for his direction of the Off-Broadway production of "Little Murders" (1969), and another Drama Desk Award for "The White House Murder Case" (1970). He also directed the original version of Neil Simon's hilarious smash, "The Sunshine Boys" (1972), which ran over 500 performances.
Arkin earned his first Academy Award nomination as Best Actor for his feature acting debut in a comedy The Russians Are Coming the Russians Are Coming (1966), by director Norman Jewison, co-starring as Lt. Rozanov, a Soviet submariner who is mistaken for a spy after his boat accidentally wrecks aground in New England. Arkin demonstrated his dramatic range as the psychopathic killer Roat in suspense film Wait Until Dark (1967), opposite Audrey Hepburn. He reinvented himself as the sensitive deaf-mute in The Heart Is a Lonely Hunter (1968), for which he received his second Academy Award Nomination as Best Actor in the Leading role. He followed with what remained his best known role as Captain Yossarian in Catch-22 (1970), directed by Mike Nichols and based on the eponymous anti-war novel by Joseph Heller. In it Arkin arguably gave his strongest performance, however, his career suffered because the film initially did not live up to expectations. After a few years of directorial work on television, Arkin made a comeback with an impressive portrayal of doctor Sigmund Freud in The Seven-Per-Cent Solution (1976). In the early 1980s he acted in three movies that were family affairs, written by his wife, Barbara Dana, and co-starring his son, Adam Arkin.
During the 1990s he turned out several notable performances, such as a bitter former baseball player in TNT's Cooperstown (1993), and as a hilarious psychiatrist opposite John Cusack in Grosse Pointe Blank (1997). He won raves for his portrayal of a divorced father who struggles to keep his kids enrolled in the Beverly Hills school system in Slums of Beverly Hills (1998). Arkin gave a brilliant performance opposite Robin Williams in Jakob the Liar (1999), a film about the Nazi occupation of Poland. He also returned to the New York stage co-starring with his son, Tony Arkin and Elaine May in "Power Plays", which he also co-authored. His most recent comeback as a heroin-snorting, sex-crazed, foul-mouthed grandfather in Little Miss Sunshine (2006), earned him his third Academy Award nomination for Best Performance by an Actor in a Supporting Role, and his first Academy Award.
Alan Arkin had been a modern Renaissance man. In addition to his achievements as an actor, director, and producer, he made his mark as a singer-songwriter with his popular-song compositions "Banana Boat Song", "Cuddle Bug," "That's Me," and "Best Time of the Year." Arkin also authored several books, including science-fiction and some children's stories, such as "The Clearing", "The Lemming Condition" and "Cassie Loves Beethoven" among his other publications. He was a father of three sons, Adam Arkin, Matthew Arkin, and Anthony Arkin, and a grandfather of Molly Arkin.
Alan Arkin was a strong supporter of an organic way of living and also a proponent for preservation of the environment and natural habitat. He avoided the show-biz-milieu and was known as an actor who does not really care about prestigious awards, but values having a good job and being acknowledged by his peers. In Arkin's own words he wanted to "Stay home for three months. Living as quietly as humanly possible." Arkin was given an Indian name, Grey Wolf, by his Native American friends in New Mexico.
Alan Arkin died in California on June 29, 2023 at the age of 89. He is survived by his three sons - Adam, Matthew, and Anthony Dana Arkin, and with Dana, Alan Arkin is survived by third wife, Suzanne Newlander Arkin, whom he married in 1999.- Heinz Wolff was born on 29 April 1928 in Berlin, Germany. He was married to Joan Stephenson. He died on 15 December 2017 in the UK.
- John Aniston was born on 24 July 1933 in Crete, Greece. He was an actor, known for Days of Our Lives (1965), Search for Tomorrow (1951) and Journeyman (2007). He was married to Sherry Rooney and Nancy Dow. He died on 11 November 2022 in the USA.
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Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Robert Cornthwaite first got hooked on acting at age 13, when he was forced to play a one-line part in an eighth grade play. He did his first work with professionals five years later, in a 1935 production of "Twelfth Night" on the Reed College campus in Portland. He worked in radio in Southern California before he was inducted into the Air Force during World War II (a four-year hitch). Returning to Hollywood after the War, Cornthwaite went back into radio and then began working as a character man in features and TV. He prefers theater, which he feels is "far more liberating for the actor" than film.
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Stéphane Grappelli was born on 26 January 1908 in Paris, France. He was an actor and composer, known for The Matrix (1999), Junior (1994) and The Holiday (2006). He died on 1 December 1997 in Paris, France.- John Fraser was born on 18 March 1931 in Glasgow, Scotland, UK. He was an actor, known for Repulsion (1965), The Trials of Oscar Wilde (1960) and El Cid (1961). He died on 7 November 2020 in London, England, UK.
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Sheldon Leonard was born in New York City's lower Manhattan, the son of Jewish parents. He studied acting at Syracuse University and, after graduating, landed a job on Wall Street. Following the Wall Street crash of 1929, he found himself unemployed and resolved to become a professional actor on the stage. The road was hard, since it took him five years to first appear on Broadway in "Hotel Alimony" (1934). While this production was universally slammed by the critics, the next plays he appeared in, "Having Wonderful Time" (1937) and "Kiss the Boys Goodbye" (1938), were unqualified successes, the former running for 372 performances.
Movie offers followed, and from 1939 he became one of Hollywood's most recognizable screen tough guys, the names of his characters evocative of the roles he played: Pretty Willie in Tall, Dark and Handsome (1941), Slip Moran in Lucky Jordan (1942), Lippy Harris in Jinx Money (1948), Jumbo Schneider in Money from Home (1953) and, famously, Harry the Horse in Guys and Dolls (1955). There was also an assortment of minor henchmen and western heavies named Blackie or Lefty, and he was Nick, the sneering, humorless barkeeper who tosses James Stewart into the snow in It's a Wonderful Life (1946).
Having had his fill of acting in those kinds of parts, Leonard began a new career as a television producer in the 1950s and went on to become one of the most successful TV producer/directors of the 1950s and 1960s. Four of his productions (all on CBS)--The Danny Thomas Show (1953), Gomer Pyle: USMC (1964), The Dick Van Dyke Show (1961) (which won 21 Emmy Awards) and The Andy Griffith Show (1960)--were rated in the Top Ten. He had a further success with I Spy (1965), championing the cause of racial equality over the (initial) objections of the network by being the first series to have an African-American (Bill Cosby) in an equal co-starring dramatic role with a white actor. Leonard is also regarded as having invented the television spin-off.- Just Fontaine was born on 18 August 1933 in Marrakech, French Protectorate in Morocco [now Morocco]. He died on 1 March 2023.
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Prolific, multi-talented comedy writer, story editor, actor and director. His father was an Air Force general (Paul Steinberg Zuckerman) turned stockbroker and his mother was silent screen star Ruth Taylor, formerly a member of Mack Sennett's bathing beauties. Buck Henry's first fling with comedy was as a contributor to the Dartmouth Jack-O-Lantern magazine (known as 'Jacko') while he was still at college. His fellow writers there included such luminaries as Dr. Seuss, novelist Budd Schulberg and the playwright Frank D. Gilroy. Henry attended Harvard Military Academy for a short time before developing an interest in acting which led to a few small roles on Broadway. His budding career was interrupted by military service during the Korean War. In 1961, Henry joined a small improvisational off-Broadway theatre troupe called The Premise for a year before moving to Hollywood. He was to find his greatest popularity in the 60s as one of the principal hosts of Saturday Night Live (1975), writer for The Garry Moore Show (1958) and co-creator/writer (with Mel Brooks) of Get Smart (1965), for which he won an Emmy in 1967. Prior to that, he had already achieved a certain amount of notoriety as co-perpetrator (with Alan Abel) of a hoax which had Henry masquerading as G. Clifford Prout, Jr., president of the bogus Society for Indecency to Naked Animals, making public appearances on network television and other media, demanding that all zoos and wildlife parks be closed until all animals were "properly dressed". At one time he tried to put huge boxer shorts on a baby elephant at San Francisco Zoo. The hoax was eventually exposed after Henry was spotted as an actor by a fellow CBS employee during a Walter Cronkite interview.
One of a new wave of satirists (others including Woody Allen and Alan Arkin) Henry brought an edgier, smarter, more anarchic and at times abrasive style to his writing. Some of his quotable one-liners (in particular for Get Smart) are - and will continue to be - idiomatic. While he was original, clever and invariably funny, not all of Henry's endeavours panned out. Two of his TV parodies proved to be conspicuous failures: Captain Nice (1967) (a send-up of Batman) and Quark (1977) (a Star Trek parody about interstellar garbage collectors). On the plus side, Henry was Oscar-nominated twice: the first time for his screenplay of The Graduate (1967), the second for co-directing (with star Warren Beatty ) the re-make of Heaven Can Wait (1978). Following The Graduate, a New York Times reviewer described him as a cross between Jack Lemmon and Wally Cox , "a terrifying practical joker and a compulsive reader of 200 periodicals a month". He was much in demand as a guest on talk shows (including Johnny Carson, David Letterman and Dick Cavett) and appeared as a self-deprecating actor in most of the films he wrote: as a hotel desk clerk in The Graduate, the cynical Colonel Korn in Catch-22 (1970), a lunatic in Candy (1968), a priest and a TV anchorman in First Family (1980), and so on. In Milos Forman's Taking Off (1971) he also had a rare co-starring role as a father looking for his runaway daughter. Buck Henry passed away at the age of 89 in Los Angeles on January 8 2020.- Actor
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Leon Greene was born on 15 July 1931 in East Ham, Essex, England, UK. He was an actor, known for Flash Gordon (1980), A Funny Thing Happened on the Way to the Forum (1966) and The Devil Rides Out (1968). He was married to Jean Percival. He died on 19 June 2021 in the UK.- Actor
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Born in Cambridge, Massachusetts, Phil Brown was the son of a doctor whose work took the family all around the country. After majoring in dramatics at Stanford University, Brown played some of his earliest stage roles as part of New York's Group Theatre. When it folded, he and other Group Theatre vets headed to Hollywood, where Brown worked in motion pictures and helped found the fabled Actors' Laboratory. His association with the Lab came back to haunt him later in the decade, when its members fell under the scrutiny of the House Un-American Activities Committee, and Brown was eventually compelled to relocate with his family to England, UK. Overseas he was able to resume acting on stage, TV and films; he also directed for the stage and TV. He returned to the U.S. in the 1990s and made the rounds of autograph shows.- Edward Heath was born in 1916 in Broadstairs, Kent. His father was a carpenter, his mother was a maid and his background was very modest. He attended Balliol College at Oxford, where he earned a second-class degree in philosophy, politics and economics. He got active in Conservative Party politics while at Oxford, but opposed Prime Minister Neville Chamberlain's policy of appeasement.
He served in the military during World War II, in the Royal Artillery. After the war, he entered the Civil Service in the Ministry of Aviation. In 1950, he was elected Conservative MP for Bexley. He would represent that constituency for more than fifty years. His rise through the ranks was rapid, being appointed a junior whip in 1951 and was promoted to Chief Whip in 1955. He was appointed Minister of Labour in 1959. He was also appointed Lord Privy Seal in 1960 and President of the Board of Trade in 1963.
The Conservative Party lost the 1964 election and its leader, Alec Douglas Home, stepped down shortly thereafter, but not after changing the leadership election rules, which made it easier for the rank and file to win the leadership. Edward Heath was elected leader of the Conservative Party in 1965, being the first commoner to lead the party. Edward Heath then went on to unexpectedly win the 1970 General Election for the Conservative Party on the 'Selsdon Platform', calling for more aggressive pro-growth economic policies.
Edward Heath's tenure as Prime Minister was very turbulent. His main accomplishment was to admit Britain into the European Community, which it joined in 1973. That was about his only major accomplishment as Prime Minister. The rest of Heath's time in office was not so happy. His Chancellor of the Exchequer, Iain McLeod, died within a month of winning the election and his successor, Tony Barber, was not nearly as capable. His Minister for Education, Margaret Thatcher, proved extremely capable, but attracted controversy when she abolished free milk in the schools, earning her the name 'Margaret Thatcher, the Milk Snatcher.'
Edward Heath's efforts to tame the power of trade unions did not match the rhetoric. The Industrial Relations Act did not deliver on its promises to curb trade union abuses. Northern Ireland was a source of continuing trouble. British soldiers fired on unarmed civilians in the Londonderry Massacre in 1972. The violence and disorder in Northern Ireland got so bad that Heath was forced to suspend the local government there and impose direct rule from London.
Back in Britain, the government caved before a miner's strike in 1972, after especially violent clashes between striking miners and police at Saltley Coke Depot; the police were withdrawn 'for their own protection' but it was a victory for the Miners' Union and thereafter, they had the power to make or break governments in Britain. Britain, like the rest of the Western World, was badly affected by the Arab Oil Embargo of 1973, but Britain was especially hard-hit as the miners struck again. Heath put the country on a three-day workweek to conserve energy, and break the will of striking miners. This backfired and hurt Heath's government more.
In early 1974, Heath called an election on the question of 'Who Governs Britain?' The electorate had lost confidence in Heath and it showed. The election of February 1974 was inconclusive. The Conservative Party lost its majority in Parliament. The Labour Party won the most seats, but not a majority--therefore, it could not really form a government. But Ted Heath was no longer Prime Minister and he handed power over to Harold Wilson in March 1974. Because the result of the February 1974 election was so inconclusive, another election was soon called for October.
Labour won the October 1974 election by a tiny majority. This did not make Heath look good; he had lost three out of four elections. The mood of the Conservative Party was intense rage. Yet none of the Conservative Party establishment dared to cross him. However, Margaret Thatcher, his Minister of Education did challenge Heath for the party leadership in the next party election. On February 4, 1975, she defeated him in the party leadership election. Heath won only 119 votes to Margaret Thatcher's 130, but he had lost his grip on the party. He resigned as Leader of the Conservative Party on February 11, 1975, having handed it over to Margaret Thatcher.
From that point on, Heath refused to serve in the Shadow Cabinet or the front benches. Heath never recovered from his defeat, settling for being a glowering presence on the back benches of Parliament. He remained in Parliament for another twenty-five years. In late-1990, he flew to Iraq in an effort to bring about a diplomatic solution to the Invasion of Kuwait and met with Saddam Hussein; he was unable to persuade Saddam Hussein to pull out of Kuwait, though he did return home with a handful of British hostages.
In 1992, Edward Heath became the longest-serving MP in Parliament and thus became Father of the House, a position he held until he retired from Parliament in 2001 at the ripe old age of 85. Edward Heath was a lifelong bachelor. He never married. Politics was his main interest, but he had other hobbies which included sailing yachts and music. His favorite instruments to play were the piano and the organ. Edward Heath died at age 89 in 2005. - Actress
- Soundtrack
Jeannette Batti was born on 6 September 1921 in Marseille, Bouches-du-Rhône, France. She was an actress, known for Moumou (1951), Holiday for Henrietta (1952) and Une nuit à Megève (1953). She was married to Henri Génès. She died on 10 February 2011 in Courbevoie, Hauts-de-Seine, France.- Though primarily a stage actor, Sebastian Shaw appeared in some forty film and television productions from 1930 to 1991. Born in Holt, Norfolk, England, he first appeared on stage as a child in 1913, graduating to lead roles by the late 1920s. It was in 1930 that he made his first film appearance in Caste (1930). His most notable film roles of this period were as an aspiring actor opposite Miriam Hopkins and Rex Harrison in the Alexander Korda-produced Men Are Not Gods (1936); as a crime suspect in another Korda production, Murder on Diamond Row (1937); and opposite Conrad Veidt and Valerie Hobson in Michael Powell's U-Boat 29 (1939). His later films included Roy Boulting's documentary-style Journey Together (1945), The Glass Mountain (1949) (in which he played an eccentric Scottish lyricist), and Scotch on the Rocks (1953).
In the 1960s, he appeared in Kevin Brownlow and Andrew Mollo's imaginative It Happened Here (1964), made in semi-documentary style showing Britons coping during a Nazi persecution. Mostly stage and television work followed (including an appearance as a judge in Rumpole of the Bailey (1978)). In 1982, Shaw was approached by George Lucas to make an appearance in the final episode of his Star Wars films, Star Wars: Episode VI - Return of the Jedi (1983). The role was the small but crucial one at the film's climax of the unmasked Darth Vader (Anakin Skywalker) and in the final scene as Anakin's ghost. The role has since made him a cult figure all over the world. Much of Shaw's remaining career was spent playing distinguished elderly gent roles, such as cold war spy-cum-art critic Basil Sharpe in High Season (1987). Shaw continued to act on stage, film and television well into his eighties. Sebastian Shaw died at age 89 of natural causes on December 23, 1994. - Actor
- Director
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Jan Rubes was born in Volyne, Czechoslovakia, to Ruzena (Kellnerová) and Jan Rubes. After graduating in 1945 from the Conservatory of Music in Prague, he went on to join the Prague Opera House as their youngest basso singer. He also performed at the Pilsen Opera House in leading roles in his early years. By 1948, he was chosen to represent Czechoslovakia at the International Music Festival held in Geneva and won first prize in his category. He emigrated to Canada on New Year's Eve 1948 with hopes of creating a greater musical career. As a member of the Canadian Opera Company, he achieved recognition for his roles, as Boris in "Boris Godunov", Schigolch in "Lulu" and as Mephisto in "Faust". He also served as the company's director of touring and program development. Branching out into radio and, eventually, TV, he wrote and hosted from 1975-83 TVOntario's "Guess What?" and acted in many TV dramas, later receiving the Earle Grey Award for lifetime work in Canadian television. Most moviegoers would recognize Jan Rubes in Witness (1985) (a Harrison Ford film), where he portrayed an Amish patriarch. He lived in Toronto with his wife, actor/director Susan Douglas Rubes. They had three children.- Casting Director
- Producer
- Casting Department
Fred Roos was born on 22 May 1934 in Santa Monica, California, USA. He was a casting director and producer, known for St. Vincent (2014), The Godfather Part II (1974) and Apocalypse Now (1979). He was married to Nancy Drew. He died on 18 May 2024 in Beverly Hills, California, USA.