List of actresses who have played Bond Girls
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- Eunice Gayson was an English actress best known for playing Sylvia Trench, James Bond's girlfriend in the first two Bond films (Dr. No and From Russia with Love). Originally, Gayson was to be cast as Miss Moneypenny, but that part went to Lois Maxwell instead.
Gayson was originally to have been a regular in the Bond film series, but her character was dropped. Gayson's voice in Dr. No and From Russia with Love was overdubbed by voice actress Nikki van der Zyl, as were the voices of nearly all the actresses appearing in the first two Bond films, though Gayson's real voice can still be heard in original trailers for Dr. No.
As the first female to be seen in Dr. No together with James Bond (Sean Connery), she is officially the very first actress to play a Bond girl.
Decades later, Gayson's daughter appeared in a casino scene in the 1995 Bond film GoldenEye.
She also starred in the Hammer horror film The Revenge of Frankenstein (1958).
Gayson died on 8 June 2018, aged 90. - Actress
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Striking, dark-haired beauty Zena Moyra Marshall was born of French (from her mother's side) and English/Irish (her father's) ancestry in Nairobi, Kenya. After the early death of her father, her mother remarried and moved the family to Leicestershire. Zena received her education from St Mary's Roman Catholic School in Ascot. Her interest in the acting profession matured after a wartime theatrical tour with the Entertainments National Service Association (ENSA), while still in her teens. After completing her training at RADA, her exotic looks led to a contract with the Rank Organisation where she was groomed by the so-called 'charm school' as a sultry temptress and second lead in costume films, romantic melodramas and thrillers.
Marshall made her screen debut in the stagey, moribund epic Caesar and Cleopatra (1945) with a bit-part as a handmaiden. Interestingly this film was also a screen bow for future James Bond star Roger Moore, uncredited as a Roman soldier. Marshall's subsequent career was anything but meteoric. For several years she was given only minor supporting roles in productions by Rank affiliates, such as GFD/Two Cities and Gainsborough, including Sleeping Car to Trieste (1948), Snowbound (1948) and So Long at the Fair (1950). A brief sojourn in Hollywood resulted in a lacklustre Allied Artists musical, Let's Be Happy (1957), in which she played an amorous redhead, rivalling star Vera-Ellen for the affections of crooner Tony Martin. During the 1950s she managed to rekindle her theatrical career and, by the end of the decade, went on tour through Germany and the Netherlands with "The Late Edwina Black". Marshall was one of the first actresses to be featured in a British television commercial (for shampoo) on early ITV. Television did, in the end, become her favoured medium; she had some of her better on-screen moments in three episodes of Danger Man (1960), opposite Patrick McGoohan, between 1961 and 1964.
Zena Marshall's main claim to fame rests on her portrayal of the Eurasian double agent, Miss Taro, in the first ever Bond film, Dr. No (1962). Her character was, incidentally, the first woman seduced by Bond, prior to his encounter with Ursula Andress in the part of Honey Ryder. Another noted beauty, the reigning Miss Jamaica, Marguerite LeWars, was originally slated to screen test for Miss Taro. However, LeWars declined for reasons of 'personal modesty' and is merely glimpsed in the film in a bit part as an unnamed photographer. Marshall herself was at first unhappy with the script, but Terence Young, who had previously worked with her on the poorly-received costume biopic The Bad Lord Byron (1949), lightened some of the dialogue with humour. In the end, the bedroom scene with Sean Connery took three days to shoot, because Marshall struggled with the idea of having to spit in her co-star's face, after Bond has her character turned over to the superintendent of police. Miss Taro remains one of the most iconic of Bond villainesses.
Marshall's last roles of note were as an Italian countess in Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), and as a secretary fighting alien enemies (alongside Charles Hawtrey, incongruously cast as an accountant) in the insipid sci-fi outing The Terrornauts (1967). After that, she retired from the screen and settled into domestic life with her third husband, the writer/producer Ivan Foxwell.- Actress
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The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Aliza Gur was born Aliza Gross in Ramat Gan, Israel, in 1944. She was Miss Israel of 1960 in the Miss Universe pageant, placing in the top 15. Her parents had fled Germany during the rise to power of Nazi leader Adolf Hitler and they eventually settled in Israel, where she and her brother were born.
She emigrated to the US in her 20s and settled in California, where she began her film and television career. Her television credits include guest appearances on Get Smart (1965) and The Wild Wild West (1965), among other shows. Her film credits include From Russia with Love (1963), Kill a Dragon (1967) and the cult vampire film Beast of Morocco (1968) (she was also, at 12 years of age, an extra in The Ten Commandments (1956). Her parents came to the United States and settled in Cleveland, Ohio, for a time. They passed away in the mid-'70s. - Actress
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Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).- Daniela Bianchi is an Italian actress, best known for her role of Bond girl Tatiana Romanova in From Russia with Love (1963). She Finished 1st Runner Up in Miss Universe 1960 Competition, enough to get the attentions of Bond movie producers who chose her over 200 female prospects for the role of Tatiana Romanova.
Bianchi made a number of French and Italian movies after From Russia with Love (1963), the last being The Last Chance (1968). One of her later films was Operation Kid Brother (1967), which was a James Bond spoof filmed in English (though Bianchi was again dubbed) and starring Sean Connery's brother, Neil Connery.
In 2012, Bianchi appeared in a small role in the documentary film We're Nothing Like James Bond. - Actress
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Lotte Lenya was a Tony Award-winning and Academy award-nominated actress and singer. While best remembered in the U.S. for her supporting role as Rosa Klebb in the classic Bond film From Russia with Love (1963), she is celebrated in Germany for her ground-breaking performances in the plays of Kurt Weill and Bertolt Brecht and her recordings of songs from those works.
She was born Karoline Wilhelmine Charlotte Blaumauer on October 18, 1898, in Vienna, Austria (at that time Austro-Hungarian Empire), into a working class family. Young Lenya was fond of dancing. In 1914 she moved to Zurich, Switzerland. There she began using her stage name, Lotte Lenya. In Swizerland she studied classical dance, singing and acting and made her stage debut at the Schauspielhaus. In 1921 she moved to Berlin and blended in the city's cosmopolitan cultural milieu. In 1924 she met composer Kurt Weill, and they married in 1926. She performed in several productions of 'The Threepenny Opera', which became an important step in her acting career.
In 1933, with the rise of Nazism in Germany, Lotte Lenya escaped from the country. At the same time, being stressed by the circumstances of life, she divorced from Kurt Weil, to be reunited with him two years later. In 1935 both emigrated to the United States and remarried in 1937. After Kurt Weill's death, she dedicated her efforts to keeping Weill's music played in numerous productions worldwide. In 1957 she won a Tony award for her role as Jenny, performed in English, in a Broadway production of 'The Threepenny Opera'.
Lotte Lenya shot to international fame with her portrayal of Contessa Magda Terbilli-Gozales, Vivien Leigh's friend in The Roman Spring of Mrs. Stone (1961). The role brought Lenya an Academy Award nomination as Best Supporting Actress. She gained additional fame after she appeared as Rosa Klebb, former head of operations for SMERSH/KGB, and now a sadistic Spectre agent with poisonous knife in her shoe, in From Russia with Love (1963). She died of cancer on November 27, 1981, in New York. She is entombed with Kurt Weill in a mausoleum, in Mount Repose Cemetery, in Haverstraw, New York, USA.- Actress
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Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.
Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.
Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.
Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.
In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and Mothers of America (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.
After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.- Actress
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One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.
Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.
Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.
TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.
Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.
Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."
In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.
Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.
The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"
Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.- This cosmopolitan actress is best remembered for appearing as different characters in two early James Bond films. Multilingual Nadezda "Nadja" Poderegin hailed from Kraljevo, a town in present day Serbia (then Yugoslavia). Her father, a Ukrainian-born scientist and lecturer, was killed during World War II when she was just nine years old. With her mother and sister Nadja subsequently resettled in Yugoslavia's capital. She abandoned plans for a career in journalism after commencing studies at Belgrade's Academy of Dramatic Arts (eventually graduating with a B.A.) and was soon featured in a few locally made films.
Her first major role (after shortening her surname to "Regin") was in Das Haus an der Küste (1954), a German-Yugoslav co-production, filmed around picturesque Dubrovnik. It gained some international exposure via distribution through the Rank Organisation and this led to more substantial film offers in Germany. For much of the 50s, Nadja appeared near the top of the bill in a string of romantic dramas and comedies opposite well-seasoned German and Austrian stars like Curd Jürgens, Rudolf Prack, Theo Lingen and Peter Pasetti.
Following her marriage to a Polish war veteran, Nadja moved to Britain. Having a natural aptitude for picking up languages quickly, she added English to her repertoire within a few months, though (by her own admission) her accent tended to restrict her "to either sexy parts or as a spy". Her own favourite film role was the (typically British) wartime comedy Don't Panic Chaps (1959) (starring Dennis Price and George Cole) in which she provided the romantic spark.
She later had guest spots opposite Patrick McGoohan in Danger Man (1960) and Roger Moore in The Saint (1962) before landing a small role as the girlfriend of MI 6 station chief Kerim Be (Pedro Armendáriz) in From Russia with Love (1963). Arguably, Nadja's best known role was as the double-crossing belly-dancer Bonita in Goldfinger (1964). A memorable scene has James Bond (played by Sean Connery) preempting an assailant's attack by catching his reflection in one of Bonita's eyes (photographed in close-up), then spinning her around and using her as a shield.
She swapped the acting profession in the 1970s to work behind the cameras as a script reader/consultant for Rank and Hammer studios. In tandem with her sister, she set up a publishing company (Honeyglen Publishing Ltd) in 1980 and latterly published her own e-book novel "The Victims and the Fools" under the name Nadja Poderegin. - Tania Mallet was born in Blackpool, England. Her English-born mother, Olga Mironoff, was of Russian descent, and had been a beautiful chorus girl. Her father was a successful English car salesman, Henry Mallet. Her parents divorced and Olga remarried, to George Dawson, with whom she had three sons. George turned out to be a non-violent con man who was sent to prison for three years for committing fraud. Her older brother is actress Helen Mirren's father, making Mallet and Mirren first cousins. They grew up together. Helen wrote in her 2007 autobiography that her cousin "survived this extraordinary upbringing and came out miraculously a loyal and generous person." Tania took a course at the Lucy Clayton School of Modelling and started working as a model at just 16 years old.
In 1961, she appeared as herself in the documentary about models in Michael Winner's Girls Girls Girls! (1961). In 1963 she was considered for the role of the lead James Bond girl in From Russia with Love (1963). Although half-Russian, her provincial English accent deemed her unsuitable for the role of the Russian love interest, so she lost the role to Daniela Bianchi. However, the following year she was cast in the next Bond film, Goldfinger (1964) , playing the ill-fated Tilly Masterson. She agreed to appear in "Goldfinger" as an experiment. She was earning £2,000 a week as a model, and after much bargaining managed to secure only £150 a week as her fee for the film. She claimed that she could not afford to continue working as an actress, because she was earning more as a model. She was supporting her mother and putting her half-brothers thru school with her income as a model.
Tania had mixed feelings about her time on "Goldfinger". Filming was fun, but in her personal life her long-time boyfriend had died at the same time. She had no desire to pursue a career as an actress and went back to modeling. Her first marriage ended when she was still young. In 1976, she married her second husband, Simon Radcliffe, a management consultant. She became a stepmother to his children, including publicist Louisa Radcliffe. It was a marriage that lasted 40 years, when her husband died in 2016, leaving her a widow. She enjoyed a warm relationship with Mirren since childhood, as evidenced by the photos of the two smiling cousins in the latter's autobiography. Mallet continued to attend James Bond events and autographed her photographs at these events.
She died on March 30, 2019 at the age of 77 from undisclosed causes. A day later, Mirren publicly posted a loving tribute, calling Tania a "kind and generous" person and a "great optimist". - Born in 1943 in Hampstead, London, Margaret Nolan had a career as a glamour model under the name of Vicky Kennedy, even posing for Playboy magazine. Entering films in 1963 in Saturday Night Out (1964) saw her catapulted into Goldfinger (1964). Often cast mainly for her fabulous buxom figure and good looks, Margaret was perfectly cast in Carry on Girls (1973), made six "Carry On..." performances in all and was very successful in all of her roles, displaying good comedy acting skills. Nolan is probably best remembered for her role as 'Dink' in Goldfinger (1964), and for her "Carry On..." film roles. Margaret Nolan died on October 5, 2020, aged 76, in London from cancer.
- Molly Peters was a gorgeous and voluptuous British blonde bombshell actress and model who alas only appeared in a handful of films and TV shows during her regrettably fleeting acting career in the mid 60s. Molly was born in 1942 in Walsham-le-Willows, Suffolk, England. Peters started out as a model; among the men's magazines she graced the covers of and/or posed in pictorials for are "Playboy," "Modern Man," "Calvalcade," "Beau," "Ace," "Parade," "Best for Men," "Dapper," and "Escapade." Molly achieved her greatest enduring cult cinema popularity with her memorably sensuous portrayal of Patricia Fearing, the fetching masseuse who gets seduced by James Bond at the Shrubland health club in "Thunderball." She was discovered by director Terence Young and has the distinction of being the first Bond girl to be seen taking her clothes off on screen. In the wake of her 007 stint Peters acted in two more movies and popped up on episodes of the TV shows "Armchair Theatre" and "Baker's Half-Dozen." Molly Peters had her acting career abruptly cut short after reportedly having a falling out with her agent.
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Luciana Paluzzi's an Italian actress, best known for playing SPECTRE assassin ,Fiona Volpe, in the fourth James Bond film, Thunderball.
In the film, Thunderball she had auditioned for the part of the lead Bond girl, Dominetta "Domino" Petacchi, but producers cast Claudine Auger, changing the Domino character from an Italian to a Frenchwoman and renaming her Dominique Derval.
Paluzzi's first film was an uncredited walk-on part in Three Coins in the Fountain (1954).- Actress
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Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Akiko Wakabayashi was born on August 26, 1941 in Tokyo, Japan. During her work in movies, she became one of Japan's most popular actresses of their cinema's "Golden Age", ranking with actresses Kumi Mizuno and Mie Hama. One of her first films was Akiko (1961), which was named after her. Interestingly, the movie title shares both her real and character names. Her career took off when she came to Toho Studios, appearing in a host of sci-fi films, including that of the sexy gangster moll in Dogora (1964) and the bewitching alien-possessed princess in Ghidorah, the Three-Headed Monster (1964). However, in the Western Cinema, she is probably best-known for her role as Bond girl "Aki" in the 007 epic, You Only Live Twice (1967), appearing alongside actor Sean Connery. When production of the 007 film began, Wakabayashi was originally chosen to play Bond girl "Kissy Suzuki" and her co-star, Mie Hama, is to play Bond girl "Suki". As Hama had a difficult time mastering the English language, the two actresses switched roles. In addition, Wakabayashi suggested her character name be Aki instead of Suki.
In the late 1960s to early 1970s, Japan's movie industry experienced an economic slump, which resulted in severe budget cuts. During that time, Wakabayashi made a rather abrupt end to her acting career, and has never been seen on the big screen since. Whether or not the economic slump played a factor, Wakabayashi remains one of the most memorable actresses of Japan, especially to Toho Studios' sci-fi fandom. - Mie Hama was born in Tokyo, Japan on November 20, 1943 in a blue-collar Tokyo family whose small cardboard factory burned down in World War II. She grew up poor. She first started out working as a bus fare collector. While working, she was spotted by producer Tomoyuki Tanaka when she was only sixteen years old, and was soon employed at Toho Studios. She appeared in a bevy of drama and sci-fi films, including King Kong vs. Godzilla (1963), where she became the Giant Ape's "Damsel in Distress." She is probably best known in Western Cinema as Bond girl Kissy Suzuki, starring alongside actor Sean Connery in the 007 film You Only Live Twice (1967). That same year, King Kong Escapes (1967) was released, thus, she portrayed the spellbinding "Bond-girlish" villainess Madamn Piranha. Her extended wardrobe and enchanted bed chambers contributed to the film's "James Bond-ish" atmosphere. In addition, Hama would sometimes be referred to as "Funny Face," due to her appearances in Japan's "Crazy Cats" movies.
She became one of the most popular actresses in Japan's "Golden Age" of Cinema, but has done little acting when Japan's cinema world experienced severe financial problems. However, she did return to appear in a few films in the 1970s and 1980s, and she is seen, most recently, working as an active environmentalist, radio and television talk show host. She also married a television executive with whom she has four children. - Actress
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Born Kätherose Derr in Wiesbaden, Karin Dor studied acting and ballet at school and began in films as an extra. The attractive redhead made an indelible impression on Austrian director Harald Reinl (who became her first husband in 1954) and this paved the way to higher profile roles. Her first significant featured appearance was in Reinl's melodrama Der schweigende Engel (1954). Karin subsequently shared top billing in a classroom drama about wayward matriculation students, Ihre große Prüfung (1954). During the initial segment of her career she played nice girls, mainly wide-eyed ingénues, innocent victims and assorted naive juveniles in war and period dramas (As Long as You Live (1955)), Heimatfilms (Almenrausch und Edelweiß (1957)) and operettas (The White Horse Inn (1960)).
By 1960, a more glamorous, lithe and sensual Karin had graduated to juicer roles as heroines in Edgar Wallace potboilers (beginning with Der grüne Bogenschütze (1961)) and a series of Karl May European westerns, invariably directed by Reinl and co-starring Tarzan actor Lex Barker (a combination which proved equally successful for other crime/sci-fi franchises, including The Invisible Dr. Mabuse (1962)). Many of these pictures enjoyed only limited release and were rarely exhibited outside Germany.
Karin succeeded at last to break her stereotyping by playing a pathological serial killer wielding a cutthroat razor in another Wallace/Reinl outing, Room 13 (1964), and - for a total change of pace -- essayed Brunhilde in a two-part filming of the epic 'Die Nibelungen' (also directed by Reinl). With her international appeal now widening, she appeared in The Face of Fu Manchu (1965), a British-West German co-production, as a scientist's daughter menaced by the titular villain. To follow was arguably her best-known international role as an early 'Bond girl', Helga Brandt (alias Number Eleven), a SPECTRE operative whose failure to eliminate J.B. results in her being dropped into a piranha-infested pool by super villain Blofeld (Donald Pleasence) in You Only Live Twice (1967). She was then engaged by Alfred Hitchcock for the part of Cuban resistance leader Juanita de Cordoba in Topaz (1969) in which her character came to a similarly sticky end. Karin's career never quite recovered from this director's rare box-office aberration. British Times reviewer and Hitchcock specialist John Russell Taylor described the picture as "generally flat, undistinguished, and lacking in any sign of positive interest or involvement on his (Hitchcock's) part". In the wake of Topaz, Karin's screen appearances became infrequent, except for a couple of guest spots on American crime shows, followed by an of unsuccessful feature film comeback attempt in the incongruous thriller Warhead (1977). She was latterly seen on German television in several episodes of Rosamunde Pilcher (1993). Karin's third husband was actor and stuntman George Robotham who predeceased her in 2007.- Actress
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Tsai Chin, pinyin Zhou Caiqin is an actor, director, teacher and author, best known in America for her film role as Auntie Lindo in The Joy Luck Club. The third daughter of Zhou Xinfang, China's great actor in the last century, she was trained at the Royal Academy of Dramatic Art London (first Chinese student) and later earned a Master Degree at Tufts University, Boston. Her career spans more than five decades working in UK, USA and recently in China. She starred on stage on both sides of the atlantic, (a first for a Chinese actor) in London's West End,The World of Susie Wong and on Broadway, Golden Child; played the two most powerful women of 20th century China; for television, in The Subject of Struggle; for stage Memories of Madame Mao; was twice in Bond films, as Bond girl in You Only Live Twice, and later in Casino Royale. Her single The Ding Dong Song recorded for Decca was top of the charts in Asia. She was the first to be invited to teach acting in China after the Cultural Revolution when universities re-opened. She is now celebrated in China for her portrayal of Jia Mu in the recent TV drama series, The Dream of The Red Chamber. Her international best-selling autobiography, Daughter of Shanghai is to be a stage play by David Henry Hwang which will be produced by the Wallis Annenberg Center for the Perfoming Arts in Beverly Hills.- Actress
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British actress Dame Diana Rigg was born on July 20, 1938 in Doncaster, Yorkshire, England. She has had an extensive career in film and theatre, including playing the title role in "Medea", both in London and New York, for which she won the 1994 Tony Award for Best Actress in a Play.
Rigg made her professional stage debut in 1957 in the Caucasian Chalk Circle, and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in the 1971 production of "Abelard & Heloise". Her film roles include Helena in A Midsummer Night's Dream (1968); Lady Holiday in The Great Muppet Caper (1981); and Arlene Marshall in Evil Under the Sun (1982). She won the BAFTA TV Award for Best Actress for the BBC miniseries Mother Love (1989), and an Emmy Award for her role as Mrs. Danvers in the adaptation of Rebecca (1997). In 2013, she appeared with her daughter Rachael Stirling on the BBC series Doctor Who (2005) in an episode titled "The Crimson Horror" and plays Olenna Tyrell on the HBO series Game of Thrones (2011).
From 1965 to 1968, Rigg appeared on the British television series The Avengers (1961) playing the secret agent Mrs. Emma Peel. She became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife, opposite George Lazenby. She was appointed Commander of the Order of the British Empire (CBE) at the 1988 Queen's New Years Honours for her services to drama. She was appointed Dame Commander of the Order of the British Empire (DBE) at the 1994 Queen's Birthday Honours for her services to drama.
Dame Diana Rigg died of lung cancer on September 10, 2020, she was 82 years old.