Actresses with Masculine Last Names ...
Which of these Oscar-nominated actresses with a masculine last name is your favorite?
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(it has to sound exactly like a man's first name, no additional s like in Roberts or Williams)
Discuss here
(it has to sound exactly like a man's first name, no additional s like in Roberts or Williams)
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Angular in features, reserved in demeanor and more-or-less plaintive in appearance, actress Jane Alexander has played down the glamour card for the most part. Her true brilliance has come from the remarkable range and depth of her talent. Heralded as one of the finest 70s actresses to arrive in films following a towering Broadway success, Jane went on to earn an Oscar nomination for her film debut, an acknowledgment given to very few of her acting peers.
She was born Jane Quigley in Boston, Massachusetts, on October 28, 1939, the daughter of Thomas, an orthopedic surgeon, and Ruth Elizabeth (née Pearson) Quigley, a nurse. Jane attended Beaver Country Day School, an all-girls facility, just outside of Boston. Here is where she first aspired to acting and made her stage debut as an adolescent in a production of "Treasure Island". Urged on by her father to find stability in her life, she first attended college before embarking on an acting career. She studied math as well as theater at Sarah Lawrence College in Bronxville, New York, where she thought computer programming might be a convenient alternative in case her acting dreams fell through. However, a chance to study at the University of Edinburgh in Scotland, wherein she became a member of the Edinburgh University Dramatic Society, dissolved any other career interests but acting.
Following theater roles in "The Inspector General" and "Look Back in Anger", Jane found critical success in 1967 when chosen to play the mistress of black boxer Jack Jefferson in the landmark production of "The Great White Hope" at the Arena Stage in Washington, DC. opposite James Earl Jones. She and Jones both won Tony and Drama Desk Awards for their performances when the play went to Broadway the following year. Both also earned Academy Award nominations after making the transition to film. The Great White Hope (1970) would mark the first of four nominations for Jane. Although singled out for her supporting roles in All the President's Men (1976), Kramer vs. Kramer (1979) and her heartfelt leading role in Testament (1983) as a small town wife whose family is threatened by radioactive fallout, the Oscar trophy has remained elusive.
On stage, she received a plethora of Tony nominations over the years for such sterling work in "6 Rms Riv Vu" (1972), "Find Your Way Home" (1974), "First Monday in October" (1978), "The Visit" (1991), "The Sisters Rosenzweig" (1993), and "Honour" (1998). Other telling parts came as Gertrude in "Hamlet", Hedda in "Hedda Gabler", Cleopatra in "Antony and Cleopatra", Annie Sullivan in "Monday After the Miracle" and Maxine in "The Night of the Iguana".
Jane has triumphed just as notably on TV. She perfectly embodied the non-glamorous role of Eleanor Roosevelt opposite Edward Herrmann's FDR in the TV movies Eleanor and Franklin (1976) and Eleanor and Franklin: The White House Years (1977) and was Emmy-nominated both times for her efforts. Decades later she would portray FDR's mother, Sara Delano Roosevelt, in HBO's Warm Springs (2005) starring Kenneth Branagh and Cynthia Nixon and won the coveted award for 'Best Supporting Actress'. Throughout the years she would play a myriad of quality leads in such TV-movies as A Circle Street of Children (1977); Arthur Miller's Playing for Time (1980); which earned her a second Emmy, the title role in Calamity Jane (1984); Malice in Wonderland (1985), in which she portrayed notorious gossip maven Hedda Hopper; Blood & Orchids (1986), and; In Love and War (1987).
Alexander met and married her first husband, Robert Alexander, in the early 1960s in New York City, when both were attempting to jump-start their acting careers. They had one son, Jace Alexander in 1964, an actor/director in his own right who co-founded the avant garde NYC theater company Naked Angels. Her marriage to Alexander, who was also a director, ended in divorce. She later met producer/director Edwin Sherin in Washington, DC, while he was serving as artistic director at the Arena Stage. He has three sons from his previous marriage. They married in 1975 and reside in New York City.
In 1993, Jane took a sabbatical from acting when President Clinton appointed her as the first chairman of the National Endowment for the Arts. Relocating to Washington, DC, she showed strong leadership and served for four years. Her 2000 book, "Command Performance: an Actress in the Theater of Politics" chronicles the challenges she faced heading up the organization when the Republican Congress unsuccessfully tried to shut it down. The agency survived but with a 45% cut in funding.
In 2004, Alexander, together with her second husband, joined the theater faculty at Florida State University (FSU). She holds honorary doctorates from 11 colleges and universities in the U.S. In addition, Jane has been active on many boards, including the Wildlife Conservation Society, Project Greenhope, the National Stroke Association, and Women's Action for Nuclear Disarmament. She has also received the Israel Cultural Award and the Helen Caldicott Leadership Award.
Returning to acting into the millennium, Jane has appeared, often as professional types (judges, doctors), in such films as The Ring (2002), Feast of Love (2007), Gigantic (2008), The Unborn (2009), Terminator Salvation (2009), Last Love (2013) and Three Christs (2017). She has also graced such TV programs as "Law & Order," "Forgive Me," "The Black List," "The Good Wife," "Elementary," "The Good Fight," "Modern Love," and a steady role on the short-lived series Tell Me You Love Me (2007).- Actress
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Joan Allen was born on August 20, 1956 in Rochelle, Illinois, the youngest of four children. She is the daughter of homemaker Dorothea Marie (Wirth) and gas station owner James Jefferson Allen. Her mother's family was German, and her father had English, Scots-Irish, and German ancestry. She attended Rochelle Township High School where she was voted most likely to succeed. Joining Chicago's famed Steppenwolf Theatre Company ensemble in 1977, she was one of the group's original members and starred in a number of its original productions. Her first major film credits included two critically-lauded supporting performances that showcased her versatility: a comedic turn in the suburban murder mystery Compromising Positions (1985) and a dramatic role as a blind woman befriended by a serial killer in Manhunter (1986). Around the same time, Allen was making a name for herself on the New York stage; she would eventually become one of the New York theater world's most honored actresses and a winner of every major prize for her work on Broadway and off. She received a Best Actress Tony Award in 1988 for her performance, opposite John Malkovich, in Lanford Wilson's Burn This and was Tony-nominated in the same category in 1989 for the title role in The Heidi Chronicles.
Continuing her work in film as well, Allen received her first Academy Award nomination for her role as Pat Nixon in Oliver Stone's Nixon (1995), for which she also won awards from seven critics' associations, including the Los Angeles Film Critics Association and the National Society of Film Critics. Allen received her second consecutive Best Supporting Actress Oscar nomination for her role in Arthur Miller's The Crucible (1996). Subsequently, her work in The Ice Storm (1997), opposite Kevin Kline and Sigourney Weaver, and in Pleasantville (1998), opposite William H. Macy and Jeff Daniels, earned her high praise and several critics' awards; she also co-starred in the action blockbuster Face/Off (1997) opposite John Travolta and Nicolas Cage. For her starring role in The Contender (2000), Allen received Best Actress nominations at the Golden Globes, the Academy Awards, the SAG Awards, and the Independent Spirit Awards.
Throughout the early 2000s Allen worked in both film and television, with roles in three of the Bourne films - The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and The Bourne Legacy (2012) - as well as The Notebook (2004), The Upside of Anger (2005), and Death Race (2008). Allen also received Emmy nominations for The Mists of Avalon (2001) and for the title role in the biopic Georgia O'Keeffe (2009), for which she was also executive producer. She was also recently seen in HBO's drama series Luck (2011).
Allen married actor Peter Friedman in 1990, and the two divorced in 2002; Allen's daughter Sadie was born in 1994.- Actress
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This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian border, has had her year of birth cited variously as 1900, 1905 and 1908. Her place of birth has often been cited as New York City! (Herein we shall rely for those particulars on Miss Arthur's obituary as given in the authoritative and reliable New York Times. The date and place indicated above shall be deemed correct.) Following her screen debut in a bit part in John Ford's Cameo Kirby (1923), she spent several years playing unremarkable roles as ingénue or leading lady in comedy shorts and cheapie westerns. With the arrival of sound she was able to appear in films whose quality was but slightly improved over that of her past silents. She had to contend, for example, with the consummately evil likes of Dr. Fu Manchu (played by future "Charlie Chan" Warner Oland). Her career bloomed with her appearance in Ford's The Whole Town's Talking (1935), in which she played opposite Edward G. Robinson, the latter in a dual role as a notorious gangster and his lookalike, a befuddled, well-meaning clerk. Here is where her wholesomeness and flair for farcical comedy began making themselves plain. The turning point in her career came when she was chosen by Frank Capra to star with Gary Cooper in the classic social comedy Mr. Deeds Goes to Town (1936). Here she rescues the hero - thus herself becoming heroine! - from rapacious human vultures who are scheming to separate him from his wealth. In Capra's masterpiece Mr. Smith Goes to Washington (1939), she again rescues a besieged hero (James Stewart), protecting him from a band of manipulative and cynical politicians and their cronies and again she ends up as a heroine of sorts. For her performance in George Stevens' The More the Merrier (1943), in which she starred with Joel McCrea and Charles Coburn, she received a Best Actress Academy Award nomination, but the award went to Jennifer Jones in The Song of Bernadette (1943) (Coburn, incidentally, won for Best Supporting Actor). Her career began waning toward the end of the 1940s. She starred with Marlene Dietrich and John Lund in Billy Wilder's fluff about post-World War II Berlin, A Foreign Affair (1948). Thereafter, the actress would return to the screen but once, again for George Stevens but not in comedy. She starred with Alan Ladd and Van Heflin in Stevens' western Shane (1953), playing the wife of a besieged settler (Heflin) who accepts help from a nomadic gunman (Ladd) in the settler's effort to protect his farm. It was her silver-screen swansong. She would provide one more opportunity for a mass audience to appreciate her craft. In 1966 she starred as a witty and sophisticated lawyer, Patricia Marshall, a widow, in the TV series The Jean Arthur Show (1966). Her time was apparently past, however; the show ran for only 11 weeks.- Actress
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As a child, Geena dreamed of being an actress. While in high school, she felt left out and had low self-esteem because, at 6 feet, she was the tallest girl in school. After high school graduation, Geena entered New England College in New Hampshire and then transferred the next year to Boston University, where she majored in drama. In 1977, she left BU and moved to New York to start her career. Her career consisted of sales clerk and waitress. She worked at Ann Taylor, where she eventually rose to Saturday window mannequin while trying to get a job with a modeling agency. Eventually signed by the Zoli Agency, she wound up as a model in the Victoria Secret's Catalogue. Ever vigilant, Sydney Pollack was looking for new talent in the catalog when he spotted Geena and cast her in Tootsie (1982). With good reviews, Geena moved to Los Angeles where she was cast as Wendy in the short-lived but critically acclaimed television series Buffalo Bill (1983) with Dabney Coleman. A starter marriage to restaurant manager Richard Emmolo dissolved around this time. Her next appearance on television was in her own series Sara (1985), which was also good, but soon canceled. Geena then returned to the big screen in the below-average Transylvania 6-5000 (1985) followed by the successful Chevy Chase movie Fletch (1985). From there on, she was on a roll with second husband Jeff Goldblum in the horror remake The Fly (1986). More successful were Tim Burton's dark comedy Beetlejuice (1988) and The Accidental Tourist (1988). For the last film, she was the surprise winner of the Oscar for Best Supporting Actress. More fun movies followed with the flying-saucer-in-the-pool Earth Girls Are Easy (1988) and everyone-loves-a-clown Quick Change (1990) with Bill Murray. The very successful Thelma & Louise (1991), directed by Ridley Scott, again garnered nominations for the Academy Award and Golden Globe. A League of Their Own (1992), with Tom Hanks and directed by Penny Marshall, was the turning point as her next film, Hero (1992), was only average. Then she married director Renny Harlin and they set up a production and development company called "The Forge". Their first film was Speechless (1994), which flopped at the box office. Undeterred, Renny decided to film the big-budget Cutthroat Island (1995), starring Geena as pirate leader Morgan, which also flopped. Geena has since starred in the thriller The Long Kiss Goodnight (1996) and played Eleanor Little in Stuart Little (1999) and Stuart Little 2 (2002). She's also returned to TV, headlining The Geena Davis Show (2000) and Commander in Chief (2005). Both shows were canceled after one season, but she won a Golden Globe for the latter. In 2008, after being missed from the big screen for some years, Geena ventured to Sydney, Australia, playing the foul-mouthed mother of Harry Cook and Harrison Gilbertson to shoot the dark comedy Accidents Happen (2009).- Actress
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Viola Davis is a critically revered actress of film, television, and theater and has won rave reviews for her multitude of substantial and intriguingly diverse roles. Audiences across the United States and internationally have admired her for her work- including her celebrated, Oscar-nominated performances in The Help (2011), Doubt (2008), and her Oscar winning performance in Fences (2016). In 2015, Davis won the Emmy Award for Outstanding Performance by a Female Actor in a Drama Series for her work in ABC's How To Get Away With Murder, making her the first black woman in history to take home the award. In addition to acting, Viola currently produces alongside her husband and producing partner, Julius Tennon, through their JuVee Productions banner. Together they have produced award-garnering productions across theater, television, and film.- Actress
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Academy Award-winner Lee Grant was born Lyova Haskell Rosenthal on October 31, 1925 in Manhattan, New York City, to Witia (Haskell), a teacher and model, and Abraham Rosenthal, an educator and realtor. Her father was of Romanian Jewish descent, and her mother was a Russian Jewish immigrant. Lee made her stage debut at age 4 at the Metropolitan Opera in New York City, playing the abducted princess in "L'Orocolo". After graduating from high school, she won a scholarship to the Neighborhood Playhouse School of the Theatre, where she studied acting with Sanford Meisner. When she was a teenager Grant established herself as a formidable Broadway talent when she won The Critics' Circle Award for her portrayal of the shoplifter in "Detective Story". She reprised the role in the film version (Detective Story (1951), a performance that garnered her the Cannes Film Festival Citation for Best Actress as well as her first Academy Award Nomination. Immediately following her screen debut, however, Lee became a victim of the McCarthy-era blacklists in which actors, writers, directors, etc., were persecuted for supposedly "Communist" or "progressive" political beliefs, whether they had them or not. Except for an occasional role, she did not work in film or television for 12 years. In 1965 Lee re-started her acting career in the TV series Peyton Place (1964), for which she won an Emmy Award as Stella Chernak, and she later garnered her first Academy Award for Shampoo (1975), also receiving Academy Award nominations for The Landlord (1970) and Voyage of the Damned (1976). Since 1980 Lee has been concentrating on her directorial career, which began as part of the Women's Project at The Americal Film Institute (AFI); her adaptation of August Strindberg's, "Stronger, The" was consequently selected as one of the 10 best films ever produced for AFI. In 1987 she received an Academy Award for the HBO documentary, Down and Out in America (1985) and directed Nobody's Child (1986) for CBS, for which she received the Directors Guild Award. In 1983 she received the Congressional Arts Caucus Award for Outstanding Achievement in Acting and Independent Filmmaking. Subsequently, Women in Film paid tribute to her in 1989, with its first-ever Lifetime Achievement Award. Both the New York City Council and the County of Los Angeles Board of Supervisors have recognized Ms. Grant for the contribution her films have made to the fight against domestic violence.- Actress
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As the highest-paid actress in the world in 2015 and 2016, and with her films grossing over $5.5 billion worldwide, Jennifer Lawrence is often cited as the most successful actress of her generation. She is also the first person born in the 1990s to have won an acting Oscar.
Jennifer Shrader Lawrence was born August 15, 1990, in Louisville, Kentucky, to Karen (Koch), who manages a children's camp, and Gary Lawrence, who works in construction. She has two older brothers, Ben and Blaine, and has English, German, Irish, and Scottish ancestry.
Her career began when she traveled to Manhattan at the age of fourteen after dropping out of the 8th grade. After conducting her first cold read, agents told her mother that "it was the best cold read by a 14-year-old they had ever heard," and tried to convince her stage mother that she needed to spend the summer in Manhattan. After leaving the agency, Jennifer was spotted by an agent in the midst of shooting an H&M ad and asked to take her picture. The next day, that agent followed up with her and invited her to the studio for a cold-read audition. Again, the agents were highly impressed and strongly urged her mother to allow her to spend the summer in New York City. As fate would have it, she did and subsequently appeared in commercials such as MTV's "My Super Sweet 16" and played a role in the movie The Devil You Know (2013).
Shortly thereafter, her career forced her and her family to move to Los Angeles, where she was cast in the TBS sitcom The Bill Engvall Show (2007), and in smaller movies such as The Poker House (2008) and The Burning Plain (2008).
Her big break came when she played Ree in Winter's Bone (2010), which landed her Academy Award and Golden Globe nominations. Shortly thereafter, she secured the role of Mystique in franchise reboot X-Men: First Class (2011), which went on to be a hit in Summer 2011. Around this time, Lawrence scored the role of a lifetime when she was cast as Katniss Everdeen in the big-screen adaptation of literary sensation The Hunger Games (2012). The film went on to become one of the highest-grossing movies ever, with over $407 million at the US box office, and instantly propelled Lawrence to the A-list among young actors and actresses. Three Hunger Games sequels were released in each consecutive November: The Hunger Games: Catching Fire (2013), The Hunger Games: Mockingjay - Part 1 (2014), and The Hunger Games: Mockingjay - Part 2 (2015), with Lawrence reprising her role.
In 2012, the romantic comedy Silver Linings Playbook (2012) earned her the Academy Award, Golden Globe Award, Screen Actors Guild Award, Satellite Award, and the Independent Spirit Award for Best Actress, among other accolades, making her the youngest person ever to be nominated for two Academy Awards for Best Actress and the second-youngest Best Actress winner.
She starred in David O. Russell's popular drama-comedy American Hustle (2013), as Roselyn Rosenfield, and teamed with the director again to play inventor Joy Mangano in another family comedy, Joy (2015), for which she earned Oscar nominations for both roles (Best Supporting Actress and Best Actress, respectively).- Actress
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Melissa Leo is an American actress. She is known for her Academy Award-winning performance in the 2010 film The Fighter (2010). She was born on September 14, 1960, in New York City. Leo starred as the mother of boxer Micky Ward in the 2010 film The Fighter, also starring Mark Wahlberg. The role garnered her both Golden Globe (Best Supporting Actress) and Oscar awards. Other accolades include award nominations for the film Frozen River (2008) and the HBO series Mildred Pierce.- Actress
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Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.- Actress
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Marsha Mason has a wonderful, extremely engaging "feel good" quality about her, an innate warmth that makes you root for her whether she's playing a stubborn single mom, brittle prostitute, or strung-out alcoholic. She was a resoundingly respected and popular film actress of the 1970s and 1980s whose career skyrocketed in the bittersweet comedies/dramas of award-winning Neil Simon. Earning a string of leading lady Oscar nominations within a short span of time (three of them, courtesy of husband Simon), Marsha's movie career suffered a major fall-out when the famed couple parted ways in 1983 -- most probably due to her almost exclusive, amazingly successful association with him.
The elder of two sisters born to James Joseph Mason and Jacqueline Helena (Rachowsky) Mason in St. Louis, Missouri, on April 3, 1942, Marsha was raised, for a time, in Crestwood, Missouri, before moving to Webster Groves (a suburb of St. Louis) and graduating from Nerinx Hall High School. There, she attended Webster University and, after receiving her degree, moved to New York where she began taking acting classes and finding some work in TV commercials in-between regular job-hunting.
Marrying fellow struggling actor Gary Campbell in 1965, Marsha made an inauspicious movie debut with the forgettable Hot Rod Hullabaloo (1966). Focusing intently on stage work, she made her professional debut in 1967 with "The Deer Park" at the Theatre de Lys and, the next year, joined the cast as a replacement in the established hit comedy, "Cactus Flower", at the Royale Theatre. Subsequent work came her way both on- and off-Broadway ("It's Called the Sugar Plum", "The Indian Wants the Bronx", "Happy Birthday, Wanda June", "Richard III"). She later hooked up with San Francisco's prestigious American Conservatory Theatre and appeared in an enviable number of their productions ("The Merchant of Venice", "Private Lives", "You Can't Take It With You", "A Doll's House", "Cyrano de Bergerac", "The Crucible").
Daytime soaps played a vital part during this period of time (1969-1972), playing a hooker-turned-vampire on the popular Dark Shadows (1966) series and winning regular roles on Where the Heart Is (1969) and Love of Life (1951). Divorced after five years from actor Gary Campbell in 1970, the pert-nosed, dark-haired beauty met Neil Simon, a recent widower, when he cast her in his 1973 original Broadway production of "The Good Doctor". They had a whirlwind romance and married with a few weeks.
1973 was an excellent year in other ways in that Marsha won the second femme lead in Blume in Love (1973), starring George Segal and Susan Anspach, and then beat out such stars as Barbra Streisand for the coveted role of the hooker opposite James Caan's sailor in the realistic drama Cinderella Liberty (1973). The chemistry was electric between the two and Mason earned her first Oscar nod. Following a leading stage role in "The Heiress" (1975) and playing "Roxane" in a TV version of Cyrano de Bergerac (1975), Marsha earned two more Neil Simon-driven Oscar nominations with The Goodbye Girl (1977), opposite Oscar winner Richard Dreyfuss, and Chapter Two (1979), which reunited her with James Caan and was based on Mason and Simon's own relationship.
Simon would offer his wife Oscar-worthy material one more time with Only When I Laugh (1981), as an alcoholic trying to stay on the wagon for daughter Kristy McNichol. This would be Marsha's fourth Academy Award nod. The couple's last film project together came in the form of Max Dugan Returns (1983), which was a major misfire.
Following Marsha's divorce from Simon, her film product decreased rapidly in quantity as well as quality. With the exception of the Clint Eastwood vehicle, Heartbreak Ridge (1986), she made no other films in the 1980s. While her film output did increase in the 1990s, none of them -- Stella (1990), Drop Dead Fred (1991), I Love Trouble (1994), Nick of Time (1995) and 2 Days in the Valley (1996) -- did anything to jump-start her waning cinematic career.
Over the years, Marsha maintained by focusing on TV and stage work. More recent theatre credits have included "The Night of the Iguana", "The Prisoner of Second Avenue" (another popular Simon work in which she appeared opposite Richard Dreyfuss in London), "Wintertime", "Steel Magnolias", "I Never Sang for My Father", "All's Well that Ends Well" and the Simon play "California Suite", some of which played Broadway.
On the small screen, Marsha starred in her own short-lived series Sibs (1991) and appeared in an Emmy-nominated recurring role on the series, Frasier (1993), as a love interest for Martin Crane. She has also appeared in a number of TV-movies, including one as Judy Garland's mother, "Ethel Gumm", in Life with Judy Garland: Me and My Shadows (2001), and has guest-starred on such series as "Seinfeld," "The Education of Max Bickford," "Lipstick Jungle," "Army Wives," "The Good Wife," "Madame Secretary." Her more recent recurring parts have been on the comedy series The Middle (2009) and Grace and Frankie (2015).
On a rare occasion, the veteran actress has directed both on film and TV. Feeling out of sorts in Hollywood at one stage, Marsha strongly pursued her spiritual side, primarily as a disciple of Swami Muktananda. She later moved to New Mexico in 1993 and she became an owner of an organic farm where she raised herbs and operated a wellness line of bath and body products. She also enjoyed professional race car driving at one point. An insightful, highly revealing autobiography came out in the form of "Journal: A Personal Odyssey" in 2000.- Actress
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Sylvia Miles was an American actress, born and raised in Greenwich Village, New York City. She was twice nominated for the Academy Award for Best Supporting Actress, without ever winning the Award.
Miles was born under the name "Sylvia Scheinwald". Her parents were furniture maker Reuben Scheinwald and his wife Belle Feldman. Miles attended Washington Irving High School, located in the Gramercy Park neighborhood of Manhattan. She received her acting education at the Actors Studio, located the Hell's Kitchen neighborhood of Manhattan.
Miles made her theatrical debut in 1947, at the age of 23. She started appearing on television in 1954. Her film debut was the gangster film "Murder, Inc." (1960), dramatizing the career of an organized crime group active from c. 1930 to 1940. The real-life group were enforcers for the National Crime Syndicate, a loose confederation of American crime organizations.
Subsequent film appearances for Miles included the generation-gap themed drama "Parrish" (1961), the serial-killed themed horror film "Violent Midnight" (1963), and the child-labor themed drama "Pie in the Sky" (1964), Meanwhile, Miles lost a chance at television fame, when playing the character of comedy writer Sally Rogers in the 1960 pilot episode "Head of the Family". The pilot was the basis of the popular television show "The Dick Van Dyke Show" (1961-1966), and Sally Rogers was part of the main cast. But in the regular series, Miles was replaced by fellow actress Rose Marie (1923-2017).
Miles had a scene-stealing performance in her next film project, "Midnight Cowboy" (1969). She played Cass, an aging kept woman, who invites Joe Buck (played by Jon Voight) to her apartment for sex. The role allowed Miles to Show off her "voluptuous figure" and overall sex-appeal. For this role, she received her first nomination for the Academy Award for Best Supporting Actress. The award was instead won by Goldie Hawn (1945-).
Miles subsequent films included the meta-fictional drama "The Last Movie" (1971), the mystery film "Who Killed Mary What's 'Er Name?" (1971), and the seduction-themed comedy-drama "Heat" (1972). Her most notable role at the time was that of Jessie Halstead Florian in the crime thriller "Farewell, My Lovely". The film was the second film adaptation of Raymond Chandler's 1940 novel, and depicted private detective Philip Marlowe working in a missing-person case. For her role in the film Miles received her second nomination for the Academy Award for Best Supporting Actress. The award was instead won by Lee Grant (c. 1925-).
Miles subsequent films films included the rivalry-themed drama "92 in the Shade" (1975), the period comedy "The Great Scout & Cathouse Thursday" (1976), the supernatural horror film "The Sentinel" (1977), the repossession-themed comedy "Zero to Sixty" (1978), and the heist film "Shalimar".
The 1980s opened with Miles playing murdered prostitute Madame Zena in the horror film "The Funhouse" (1981), with the murder setting off the film's main plot. She next played theatrical producer Myra Gardener in the mystery film "Evil Under the Sun" (1982). The film was an adaptation of the 1941 novel by Agatha Christie, and featured Myra as one on the film's murder suspects.
Miles' next few films included hospital-themed comedy "Critical Condition" (1987), the fairy-tale themed fantasy film "Sleeping Beauty" (1987), the romantic comedy "Crossing Delancey" (1988), the mafia-themed comedy-drama "Spike of Bensonhurst" (1988), and the revenge-themed black comedy "She-Devil" (1989). Her most notable role in this period was that of Dolores the Realtor in the corporate-raider themed drama "Wall Street" (1987), a box office hit of the time.
Miles' career slowed down in the 1990s, in part due to her increasingly poor health. She was suffering from anemia and respiratory issues. Her next few films included the friendship-themed comedy "Denise Calls Up" (1995), the marijuana-themed comedy "High Times' Potluck" (2002), and the strip-club themed comedy "Go Go Tales" (2007).
Miles returned to the role Dolores the Realtor in the sequel film "Wall Street: Money Never Sleeps" (2010). It was her last notable film role. She spend the last months of her life in a nursing home, and died during her transportation to a hospital in 2019. She was 94 years old, one of the oldest living actresses at the time.- Actress
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She was born Edna May Nutter, a child of solid New England stock, on 9th November 1883 in Malden, Massachusetts. The daughter of Ida May and Charles Edward Nutter, Edna was a descendant of the 2nd American president John Adams and his son, the 6th American president John Quincy Adams. In addition, her father's stepfather, Samuel Oliver, had a mother named Julia Adams who was descended from another John Adams (born 1724). Miss Oliver took an early interest in the stage, and she would quit school at the age of 14 to pursue her ambitions in the theater. Despite abandoning traditional schooling, Edna continued to study the performing arts, including speech and piano. One of her first jobs was as pianist with an all female orchestra which toured America around the turn of the century. By 1917 she had achieved success on Broadway in the hit play "Oh, Boy". By 1923 she had appeared in her first film. Edna May Oliver seems to have been born to play the classics of American and British literature. Some of her most memorable film roles were in adaptations of works of Charles Dickens. Although some have described her as plain or "horse faced", Edna May Oliver's comedic talents lent a beautiful droll warmth to her characters. She was usually called upon to play less glamorous roles such as a spinsters, but she played them with such soul, wit, and depth that to this day she remains one of the best loved of Hollywood's character actresses. A fine example of her comedic talent can be found in Laugh and Get Rich (1931). Here we find her playing a role almost autobiographical in nature, that of a proud woman with Boston roots who has married "down". As the plot unwinds, she is invited to a society gala despite her modest circumstances. At the gala she becomes tipsy. With a frolicsome air Edna May seems to use the role to gently mock her real self. Her slightly drunk character seizes upon a bit of flattery, and alluding to her old New England family, proudly proclaims to each who will listen, "I am a Cranston. That explains everything!". In real life, Edna May Oliver was a Nutter, and perhaps that explains everything. Edna May Oliver married stock broker David Pratt in 1928, but the marriage ended in divorce five years later. In 1939 she received an Oscar nomination for her supporting role as Widow McKlennar in the picture Drums Along the Mohawk (1939). That was to be one of her last films. Miss Oliver was struck ill in August of 1942. Although she seemed to recover briefly, she was re-admitted to Los Angeles's Cedars of Lebanon hospital in October Her dear friend actress Virginia Hammond flew out from New York to stay by her bedside. Edna May Oliver died on her 59th birthday, 9th November 1942. Virginia Hammond was with her and said, "She died without ever being aware of the gravity of her condition. She just went peacefully asleep."- Actress
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The middle of seven children, she was named, not for the heroine of "As You Like It" but for the S.S. Rosalind on which her parents had sailed, at the suggestion of her father, a successful lawyer.
After receiving a Catholic school education, she went to the American Academy of Dramatic Art in New York, having convinced her mother that she intended to teach acting. In 1934, with some stock company work and a little Broadway experience, she was tested and signed by Universal. Simultaneously, MGM tested her and made her a better offer. When she plead ignorance of Hollywood (while wearing her worst-fitting clothes), Universal released her and she signed with MGM for seven years.
For some time she was used in secondary roles and as a replacement threat to limit Myrna Loy's salary demands. Knowing she was right for comedy, she tested five times for the role of Sylvia Fowler in The Women (1939). George Cukor told her to "play her as a freak". She did and got the part. Her "boss lady" roles began with the part of reporter Hildy Johnson in His Girl Friday (1940), through whose male lead, Cary Grant, she met her future husband, Grant's house-guest at the time.
In her forties, she returned to the stage, touring "Bell, Book and Candle" in 1951 and winning a Tony Award for "Wonderful Town" in 1953. Columbia, worried the public would think she had the female lead in Picnic (1955), billed her "co-starring Rosalind Russell as Rosemary." She refused to be placed in the Best Supporting Actress category when Columbia Pictures wanted to promote her for an Academy Award nomination for her role in Picnic (1955). Many felt she would have won had she cooperated. "Auntie Mame" kept her on Broadway for two years followed by the movie version.
Oscar nominations: My Sister Eileen (1942), Sister Kenny (1946), Mourning Becomes Electra (1947), and Auntie Mame (1958). In 1972, she received the Jean Hersholt Humanitarian Award for contributions to charity.- Actress
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Amy Ryan was born on May 3, 1968 in Queens, New York City, New York, USA as Amy Beth Dziewiontkowski. She is an actress, known for Birdman or (The Unexpected Virtue of Ignorance) (2014), Gone Baby Gone (2007) and Escape Plan (2013). She has been married to Eric Slovin since August 23, 2011. They have one child.- Actress
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Martha Ellen Scott was born in Jamesport, Missouri, to Letha (McKinley) and Walter Alva Scott, an engineer and garage owner. She entered films in the early 1940s, following an initial appearance in stock. Her first film appearance was Our Town (1940), playing the same character as she played on the stage. She won an Academy Award nomination for her superb performance in the film. Martha Scott is remembered as a highly talented actress, however her work is often forgotten today as she was never seen as a truly bankable star by the major studios.
A recent memorable performance for Martha was as Sister Beatrice in the camp disaster movie Airport 1975 (1974). She played a dominant experienced nun with Helen Reddy, in a cast of major stars facing disaster on the stricken Boeing 747 jetliner.
She continued to work consistently throughout the 1970s and 1980s, often appearing in television movies and on the stage. She died at the age of 90 in May 2003 and is buried with her husband Mel Powell.- Sylvia Sidney was born in The Bronx, New York City, on August 8, 1910 as Sophia Kosow to Jewish parents. Her father was born in Russia and her mother was born in Romania. They divorced not long after her birth. Her mother subsequently remarried and young Sophia was adopted by her stepfather, Sigmund Sidney.
A shy, only child, her parents tried to encourage her to be more outgoing and gregarious. As an early teen, Sophia (later Sylvia) had decided she wanted a stage career. While most parents would have looked down on such an announcement, Sylvia was encouraged to pursue the dream she had made. She enrolled in the Theater Guild's School for Acting. Sylvia later admitted that when she decided to become a stage actress at 15, it wasn't being star struck that occurred to her, but the expression of beauty that encompassed acting. All she wanted was to be identified with good productions.
One school production was held at a Broadway theater and in the audience there was a critic from the New York Times who had nothing but rave reviews for the young woman. On the strength of her performance in New York, she appeared onstage in Washington, D.C. Further stage productions followed, each better than the last and it wasn't long before the film moguls were at the doorstep. She was appearing in the stage production of "Crime" when she made her first appearance on the silver screen in 1927. The film in question was Broadway Nights (1927) which dealt with stage personalities of which Sylvia, despite her extremely tender age, was one. After the film she returned to the stage where she appeared in creations which were, for the most part, forgettable. She moved to Colorado to tour with a stock company. She later returned to Broadway for a series of other plays. By 1929, she was on the big screen with Thru Different Eyes (1929) as Valerie Briand. This was followed by a short film, Five Minutes from the Station (1930). Sylvia Sidney was slowly leaving the stage for the production studios of Paramount.
1931 saw her appear in five films, one of which, City Streets (1931), made her a star. Aware that she was replacing the great Clara Bow, who was suffering from severe and debilitating health issues, mainly depression. The contrast between the two actresses was great but the movie was a hit. The sad-eyed Sylvia made a tremendous impact and her screen career was off a running. Her next film was Ladies of the Big House (1931) as Kathleen Storm McNeil, part of a couple framed for a murder they didn't commit. The film made huge profits at the box-office. She then made Merrily We Go to Hell (1932), appearing opposite Fredric March. The film was an unqualified success. Later, in Madame Butterfly (1932), she starred as the doomed geisha girl (Cho-Cho San); critics agreed that only her performance saved the film from being a total disaster.
In 1933, she starred in the title role in Jennie Gerhardt (1933). Yet another doom and gloom picture, she played a girl beset with poverty and the death of her young husband before the birth of their child. Sidney received the star spotlight in Good Dame (1934). Despite her fine performance, the film failed at the box-office. She scored big with the film critics as the lead female in Mary Burns, Fugitive (1935), a restaurant owner who falls for a big time gangster. Her performance was overshadowed by Alan Baxter, who gave an outstanding portrayal as the gangster. That film was quickly followed by "Accent On Youth", in which she played Linda Brown, a young lady fascinated by older men. In 1938, Sidney played in "You and Me", opposite George Raft. The film critics gave it mixed reviews but it did not fare well at the box-office. Afterward, the roles began to dissipate. She filmed ...One Third of a Nation... (1939) and would not be seen again onscreen until The Wagons Roll at Night (1941). There was a four year hiatus before Blood on the Sun (1945), opposite James Cagney.
In 1946, she starred in The Searching Wind (1946) as Cassie Bowman. The film was based on a Broadway play but it just didn't transfer well onto the big screen. It was widely considered to be too serious and flopped with the movie fans. After Love from a Stranger (1947), she didn't appear onscreen again until Les Miserables (1952), as "Fantine". Only three more films followed that decade. There were no films throughout the 1960s. After appearing in a made-for-television movie, she returned to the big screen in Summer Wishes, Winter Dreams (1973), playing the mother of the character played by Oscar-winning actress Joanne Woodward. For her performance, Sidney received her only Oscar nomination, losing to another actress who also only received one Oscar nomination in her lifetime, Tatum O'Neal (Paper Moon (1973)). O'Neal was 10 years old when she accepted the award.
Aside from a few more supporting role film appearances strewn here and there, Sidney mostly appeared on television thereafter. In 1988, she appeared as Juno in Tim Burton 's hit film Beetlejuice (1988). Her last film for the big screen was Mars Attacks! (1996) as the unlikely heroine whose taste in music saves Earth from an exceptionally brutal Martian victory. She had been seriously injured after being hit by a car but director Burton waited for her to be able to appear (in a wheelchair) rather than recast the role. In 1998, she played Clia, the irritable elderly travel agency clerk, who appeared (along with Fyvush Finkel) at the beginning of every episode of Fantasy Island (1998), the short-lived black-humored reboot of the iconic 1970s series of the same name.
A lifelong heavy smoker, Sidney died on July 1, 1999, aged 88, of throat cancer. - Actress
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The acclaimed Cornish actress Dame Kristin Scott Thomas was born in Redruth, Cornwall, to Deborah (Hurlbatt) and Lieutenant Commander Simon Scott Thomas. Her father was a pilot for the British Royal Navy and died in a flying accident in 1964. Her stepfather, Lt. Cdr Simon Idiens, was also a pilot, and died six years later under similar circumstances. Her childhood home was Dorset, England. She left at the age of 19 to work as an au pair in Paris. She was married to French doctor François Oliviennes, with whom she had three children; Hannah, Joseph, and George.- Actress
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Gloria Stuart was born on a dining room table on 4th Street in Santa Monica, California on July 4, 1910. Her early roles as a performing artist were in plays she produced in her home as a young girl. She was the star of her senior class play at Santa Monica High School in 1927. Attending the University of California, at Berkeley, she continued to perform on the stage. Stuart married and move to Carmel, where she performed in a production of "The Seagull" which was transferred to the Pasadena Playhouse in 1932. It was there that talent scouts for both Paramount and Universal saw her. In a famous dispute, the heads of the two studios flipped a coin and Universal won. She played lead roles for director James Whale, including (The Old Dark House (1932), The Invisible Man (1933) and The Kiss Before the Mirror (1933)). The hard work at the studio estranged her from her first husband (Stuart helped create the Screen Actors Guild). She played the leading lady in Roman Scandals (1933), on the set of which she met her husband Arthur Sheekman. She was dissatisfied with the roles in which she was cast at Universal and played roles in films for other studios. Ultimately, a few years after having her daughter Sylvia (named after the role she was playing when she met Sheekman), she left the cinema and sought roles on the stage in New York. In the 1940s, she opened an art furniture shop where she created decoupage lamps, tables and trays, many of which sold to stars like Judy Garland and others. Later, Stuart took up oil painting and was very prolific, showing and selling her work in New York, Los Angeles and elsewhere. Her landscapes of The Watts Towers are on permanent collection at The Los Angeles County Museum. She also took up and mastered the art of bonsai and some of her trees are on permanent collection in the Huntington Library Japanese Garden. When her husband fell ill in the 1970s (he died in 1978), she returned to acting doing a range of television series. In 1982, she returned to the screen appearing in a brief dance scene with Peter O'Toole in My Favorite Year (1982).
About this time a friend, she knew half a century earlier in Carmel, who was a master printer, re-entered her life and from him, Stuart learned the craft of fine printing. She established a printing press in her home studio called Imprenta Glorias. where she created a body of fine artist's books. Her greatest book, "Flight of Butterfly Kites" is in permanent collection at the J. Paul Getty Museum. Gloria Stuart won a Screen Actors Guild Award and an Oscar-nomination for her performance as the Old Rose in Titanic (1997). In July 2010, The Academy of Motion Picture Arts & Sciences honored Gloria Stuart with a Centennial Celebration. She was the first such honoree to be living for a centennial. At 100 years of age, she had completed her greatest artist's book with her great-granddaughter working as her apprentice and also her final appearance on film in her grandson's documentary about her, entitled Secret Life of Old Rose: The Art of Gloria Stuart (2012) when she died at home at the age of 100 on September 26, 2010.- Actress
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Saoirse Una Ronan was born in The Bronx, New York City, New York, United States, to Irish parents, Monica Ronan (née Brennan) and Paul Ronan, an actor. When Saoirse was three, the family moved back to Dublin, Ireland. Saoirse grew up in Dublin and briefly in Co. Carlow before moving back to Dublin with her parents.
Saoirse made her first TV appearance with a small role in a few episodes of the TV series, The Clinic (2003). Her first film appearance was in the 2007 movie, I Could Never Be Your Woman (2007). Saoirse received international fame after appearing in the movie, Atonement (2007), which was directed by Joe Wright. The movie co-starred Keira Knightley and James McAvoy. The film was successful, both critically and commercially, and in 2008, Saoirse earned an Oscar nomination for her role. She became one of the youngest actresses to be nominated for an Oscar. She continued to earn success and fame. Between 2008 to 2011, she starred in a number of successful movies, including City of Ember (2008), which earned her a nomination for Irish Film & Television Award, The Lovely Bones (2009), for which she was nominated for a BAFTA Award, and The Way Back (2010), for which she won Irish Film & Television Award for Actress in a Supporting Role. In 2016, Ronan was nominated for her second Oscar for Brooklyn (2015). She became the second youngest actress to receive two Oscar nominations at the age of 21. The youngest actress is Angela Lansbury. In 2018, Ronan was nominated for her third Oscar for Lady Bird (2017). She's the second youngest actress (first being Jennifer Lawrence) to receive three Oscar nominations before the age of 24.
Saoirse Ronan resides in London, United Kingdom.- Actress
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Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.
The New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.
Looking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite Elliott Gould in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.
The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.
Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.
After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic "silent star" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.
In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).
Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue "Dream" co-starring Margaret Whiting, which focused on classic "Golden Age" standards.
Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2006), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).
Lesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia.