Best Acting In Horror Movies (1979-Beginning)
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- Producer
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A. Michael Baldwin was born on 4 April 1963 in Los Angeles, California, USA. He is an actor and producer, known for Phantasm (1979), Phantasm: Ravager (2016) and Flay (2019).1979 Nominee- Lead- "Phantasm"- Actress
- Soundtrack
Samantha Eggar was born on 5 March 1939 in Hampstead, London, England, UK. She is an actress, known for The Collector (1965), Hercules (1997) and The Brood (1979). She was previously married to Tom Stern.1979 Nominee- Lead- "The Brood"- Actor
- Producer
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Large, likable, and muscular actor Ken Foree was born as Kentotis Alvin Foree on February 29, 1948, in Indianapolis, Indiana. Foree attended Loyola University in Chicago and studied acting at Michael Shulman's Performing Gallery in New York City. He began his career in off-Broadway theater and worked as an assistant manager at a restaurant in Greenwich Village, in order to keep himself afloat during his salad days.
Ken made his film debut in The Bingo Long Traveling All-Stars & Motor Kings (1976). He has since amassed a substantial array of often strong and commanding characters on either side of the law in both movies and television, alike. Foree gave a fine and impressive performance as tough swat team officer, "Peter Washington", in George A. Romero's Dawn of the Dead (1978). He also had a sizable supporting part in Romero's offbeat follow-up feature, Knightriders (1981). Ken was marvelously engaging as affable cop, Buford "Bubba" Brownlee, in Stuart Gordon's From Beyond (1986) and was, once again, solid as rugged survivalist "Benny" in Leatherface: Texas Chainsaw Massacre III (1990). Foree portrayed hard-nosed police officers in such pictures as The Dentist (1996), Sleepstalker (1995), True Blood (1989) and Terror Squad (1987). He had a cameo as a stern televangelist in the Dawn of the Dead (2004) remake by Zack Snyder. More recently, Ken had a terrific role as super mack daddy pimp, "Charlie Altamont", in The Devil's Rejects (2005) and made a brief-yet-memorable appearance as rough-n-tumble truck driver, "Big Joe Grizzley", in the remake of Halloween (2007) by Rob Zombie. Foree showed a softer and more sensitive side as "Roger Rockmore" on the hit Nickelodeon TV series, Kenan & Kel (1996). He also played a recurring part on the popular daytime soap opera General Hospital (1963). Among the TV shows on which Ken has done guest spots are Due South (1994), The X-Files (1993), Babylon 5 (1993), Matlock (1986), Dallas (1978), Cheers (1982), Quantum Leap (1989), Hunter (1984), Beauty and the Beast (1987), Moonlighting (1985), Knight Rider (1982), The Fall Guy (1981), Benson (1979), The A-Team (1983), Hill Street Blues (1981), The Dukes of Hazzard (1979) and Kojak (1973). His hobbies include surfing, boxing, weightlifting and watching basketball. In addition, Foree enjoys history and traveling. Ken Foree lives in Los Angeles.**WINNER- 1979- Lead- "Dawn Of The Dead"**- Actor
- Writer
- Additional Crew
Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.1979 Nominee- Lead- "Nosferatu The Vampyre"- Actress
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Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.1979 Nominee- Lead- "Alien"- Actor
- Soundtrack
Christopher Allport was born on 17 June 1947 in Boston, Massachusetts, USA. He was an actor, known for To Live and Die in L.A. (1985), Jack Frost (1997) and Queen (1993). He was married to Susan Elizabeth Hayden and Carolyn Jones. He died on 25 January 2008 in Wrightwood, San Bernardino, California, USA.1979 Nominee- Supporting- "Savage Weekend"- Actress
- Producer
- Soundtrack
American stage, screen and television actress, and comedian Carol Kane (b. Carolyn Laurie Kane, June 18, 1952, in Cleveland, Ohio), was born to Elaine Joy (née Fetterman), a jazz singer and pianist, and Michael Myron Kane, an architect. Her family is Jewish (from Russia, Poland, and Austria). Due to her parents' divorce, Carol spent most of her childhood in boarding schools until 1965. She also attended Professional Children's School in Upper West Side New York, and made her professional theater debut in a 1966 production of The Prime of Miss Jean Brodie (1969) starring Tammy Grimes. Kane, just 14 years old.
At 20 years old, Kane landed the lead role in William Fruets World War II film, Wedding in White (1972). Kane starred as Jeannie Dougall, a teenager whom after is raped is left with a moral dilemma when she discovers that the incident has left her pregnant. The actress received a surprise Academy Award nomination for her performance in the 1974 independent film, Hester Street (1975); Times of Israel describes Kane's character, Gitl, as "a straight-from-the-shtetl immigrant who, with her young son, joins her husband (Steven Keats) who is already halfway assimilated in New York's Lower East Side; the push and the pull between tradition and change drive the story to its bittersweet conclusion."
The following decade, from 1980-1983, she appeared on the television series Taxi (1978). Kane portrayed Simka Dahblitz-Gravas, wife of Latka Gravas (Andy Kaufman). She received two Emmy Awards, and a Golden Globe nomination for her work in the series. Over the years, Kane racked up tons of credits from Taxi and The Princess Bride (1987), to Scrooged (1988), and more recently, the Netflix series Unbreakable Kimmy Schmidt (2015); the actress is making audiences laugh by playing Lillian Kaushtupper, in a recent interview, Kane described Lillian as "a hardworking landlady in Harlem who is very attached to the life in New York as she's known it."1979 Nominee- Supporting- "When A Stranger Calls"- Actor
- Director
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Scott H. Reiniger, born in New York City, holds a Bachelor of Arts Degree in Theater Arts majoring in Acting/Directing at Rollins College in Florida. Following graduation from college. Reiniger went back to New York to train professionally at The American Stanislavsky Theatre for three years and subsequently at The American Conservatory Theater (ACT) in San Francisco and Circle Repertory in New York. As an actor he worked on stage continuously and then moved to directing and developing new plays and continues to do so.
He starred as 'Roger' in George A. Romero's original film classic, "Dawn of the Dead" and performed roles in Film and Television. He also appeared as the 'Army General' in the 2004 remake of "Dawn of the Dead" directed by Zach Schneider.
As Director, he has worked with hundreds of actors and performers including Ryan Phillippe, Bruce Davison, Jean Smart, Jonathan Silverman, Warren Beatty, Annette Bening, Dan Ackroyd, Tom Selleck, Lee Grant, Ed Asner, Holland Taylor and Bill Macy. With over 20 professional stage productions in Los Angeles, New York, and major Regional LORT theaters throughout the country. Reiniger has also worked extensively with playwrights developing and directing numerous new works and moving them into production including the Pulitzer Prize Winner, "The Kentucky Cycle", by Robert Schenkkan and with screenwriters.
He then studied Film and Television Production and Cinematography at the University of California's (UCLA) Certificate Program, The Sony Institute and Screenwriting at Truby's Writers Studio in Los Angeles. He is Head of the Camera Department at The American Academy of Dramatic Arts in Los Angeles and continues to develop and write new work.
In 2004 Reiniger discovered that he's the great, great, great grandson of Josiah Harlan, who was the first American to set foot in Afghanistan. This in turn makes Scott Reiniger the prince of the Western province of Ghor. Wow. That was a shock and a surprise.1979 Nominee- Supporting- "Dawn Of The Dead"- The evil screen villain Angus Scrimm, most famous as "The Tall Man" in Don Coscarelli's Phantasm (1979) and its sequels, grew up in Kansas City, but in his teens moved to California and studied drama at USC under William C. de Mille (brother of Cecil B. DeMille). His film debut came as another "Tall Man" he played Abraham Lincoln in an educational film made by Encyclopaedia Brittanica, which led him to a steady career in theater, television and film. His big-screen debut was in Jim, the World's Greatest (1975), directed by then 18-year-old Coscarelli. During this time he was using his birth name, Lawrence Rory Guy. He adopted the stage name Angus Scrimm three years later for his performance in Coscarelli's horror/sci-fi opus "Phantasm", which would mark Scrimm's permanent impression upon modern cinema. His role as the infamous Tall Man has earned him the praise of critics worldwide, as well as a large following of fans. His success in the "Phantasm" films has been parlayed into numerous other malevolent roles including the evil Dr. Sin Do in The Lost Empire (1984), Vlad the Vampire King in Subspecies (1991) and the nefarious Dr. Lyme opposite Nicolas Cage and Charlie Sheen in Deadfall (1993). Scrimm did intriguing double duty as the diabolical Seer and the angelic Systems Operator in Mindwarp (1991), co-starring Bruce Campbell. He did a shock cameo in the Italian film Fatal Frames (1996), opposite Stefania Stella and Donald Pleasence, and managed a gleeful parody of himself as the hulking henchman in Transylvania Twist (1989). Scrimm has not limited his career efforts to simply acting, however. As a journalist he has written and edited for "TV Guide", "Cinema Magazine", the now-defunct "Los Angeles Herald-Examiner" and other publications. He has also written liner notes for thousands of LPs and CDs, for just about every genre from classical music to jazz, from Frank Sinatra and The Beatles to Artur Rubinstein and Itzhak Perlman. He won a Grammy award for best album liner notes.**WINNER- 1979- Supporting- "Phantasm"**
- Franca Stoppi was born on 19 July 1946 in Fiorenzuola d'Arda, Emilia-Romagna, Italy. She was an actress, known for The Other Hell (1981), Women's Prison Massacre (1983) and Violence in a Women's Prison (1982). She was married to Simone Mattioli. She died on 9 July 2011 in Foligno, Umbria, Italy.1979 Nominee- Supporting- "Beyond The Darkness"
- Actress
- Script and Continuity Department
- Additional Crew
Briony Behets was born on 21 July 1951 in London, England, UK. She is an actress, known for Long Weekend (1978), The Trespassers (1976) and Families (1990).1978 Nominee- Lead- "Long Weekend"- Actress
- Producer
- Director
Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween H20: 20 Years Later (1998) in which she reprised her role that made her famous back in 1978.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.1978 Nominee- Lead- "Halloween"- Actor
- Composer
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.1978 Nominee- Lead- "Magic"- Camille Keaton was born on 20 July 1947 in Pine Bluff, Arkansas, USA. She is an actress, known for I Spit on Your Grave (1978), I Spit on Your Grave: Deja Vu (2019) and What Have You Done to Solange? (1972). She was previously married to Sidney Luft and Meir Zarchi.**WINNER- 1978- Lead- "I Spit On Your Grave"**
- Actor
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- Writer
The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.1978 Nominee- Lead- "Invasion Of The Body Snatchers"- Actress
- Soundtrack
Jeannetta Arnette was born in Washington, District of Columbia, USA. She is an actress, known for Boys Don't Cry (1999), Pineapple Express (2008) and Pay It Forward (2000).1978 Nominee- Supporting- "The Redeemer! Son Of Satan"- Actress
- Producer
- Music Department
Naturally brunette/blue-eyed beauty Amy Davis Irving was born in Palo Alto, California. She is the youngest of three children, and the daughter of influential theatrical/television director and producer Jules Irving, and actress Priscilla Pointer. Her father was of Russian Jewish descent, and her mother's ancestry includes English, Scots-Irish, Welsh, Jewish, and German.
Amy was brought up in the world of theater. She was put on stage from the time she was nine-months-old, her father was the director and her mother was the actress, they didn't want baby sitters for their children, so if she wasn't performing, she would stay in the wardrobe department or her mother used to put her in the second row center where she could watch her. And, before she was 10-years-old, she had already worked in several plays. At a young age, Amy Irving was trained at the American Conservatory Theater and Britain's London Academy of Music and Dramatic Arts (L.A.M.A.D.A.). She made her off-Broadway debut at the age of 17 and, from that moment to date, she received critical acclaim, appearing in such plays as: "Heartbreak House" (1983), "The Road to Mecca" (1988), "Broken Glass" (1994), "The Three Sisters" (1997), "The Guys" (2002), "Ghosts" (2002) and "Celadine" (2004), among others.
In 1976, Amy made her film debut, playing "Sue Snell", one of her most unforgettable characters in Stephen King's Carrie (1976), a classic in the horror genre, taken to the big screen by director Brian De Palma. For the next few years, Irving continued working in important films, The Fury (1978), also directed by De Palma, Voices (1979) and The Competition (1980). Later, in 1983, she gave a fine performance as "Hadass", in Barbra Streisand's Yentl (1983); earning an Oscar nomination. Two of her best opportunities arrived in the late 80s, when she played "Anna Anderson" in Anastasia: The Mystery of Anna (1986) and "Isabelle Grossman" in the romantic comedy, Crossing Delancey (1988); she received a Golden Globe nomination for each movie.
Amy was married to director Steven Spielberg from 1985 to 1989 and she has a son with him, Max Spielberg. And, in 1990, after her divorce, she met Brazilian director Bruno Barreto while they were working on A Show of Force (1990). They wed a few years later and they have a son (Gabriel). In 1997, Irving made a guest appearance on Woody Allen's Deconstructing Harry (1997) and, in 1999, she came back in the sequel of Carrie (1976), The Rage: Carrie 2 (1999).
Unfortunately, her film opportunities narrowed in the 90s. However, in the year 2000, she surprised the whole world again when she performed as "Mary Ann Simpson", a very funny and sensual, at the same time, English teacher in the film, Bossa Nova (2000). She managed to capture this peculiar character very well. After this romantic comedy, Amy had a great opportunity, playing "Barbara Wakefield", Michael Douglas' wife in Traffic (2000), the film was a huge success and she won an Actor Award, shared with the rest of the cast. Then, this beautiful and talented actress continued working in remarkable films such as 13 Conversations About One Thing (2001), with her Carrie (1976) co-star, Sissy Spacek, in the Walt Disney production, Tuck Everlasting (2002) and in the horror film, Hide and Seek (2005), along with Robert De Niro. Recently, she had an important part as "Emily Sloane" in the very-known show, Alias (2001).
In addition to her talents as an actress, she is a great dancer and also showed off her vocal talents, singing in films such as Who Framed Roger Rabbit (1988), Honeysuckle Rose (1980), Rumpelstiltskin (1987) and An American Tail: Fievel Goes West (1991).
Nowadays, Amy Irving continues working on stage in Broadway productions and spends most of her time with her friends and family, especially with her two children.1978 Nominee- Supporting- "The Fury"- Born in London in 1932, Seamus O'Brien seemed destined to be in the horror movie business, since in early childhood he expressed a bizarre infatuation with the unknown and the occult. After a short stint of doing movies (his last being "Bloodsucking Freaks"), O'Brien was stabbed to death when trying to hold a burglar at his apartment on May 14th, 1977. He was 44 years old.1978 Nominee- Supporting- "Bloodsucking Freaks" The Ultimate Torture Show"
- Actor
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- Director
Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.**WINNER- 1978- Supporting- "Halloween"**- Actress
- Producer
- Camera and Electrical Department
P.J. (Pamela Jayne) Soles was born on July 17, 1950 in Frankfurt, Germany. Her father came from Holland and her mother from New Jersey. Because her father was working for an international insurance company, the family moved all over the world. P.J. lived in Casablanca, Morocco, and Maracaibo, Venezuela, where she learned to speak fluent Spanish, and then Brussels, Belgium, where she went to high school at the International School of Brussels. When she was at Briarcliff College, she wanted to become the first woman ambassador to the Soviet Union. This career goal changed when she visited the Actors Studio in New York City. She moved to Manhattan and began acting in commercials and modeling for fashion magazines. She was married to J. Stephen Soles during her years in New York, but then made the move to Los Angeles to work in television and movies. At this time, she and Soles' got divorced, but she decided to keep her name as P.J. Soles. She was among the hundreds of actors auditioning for Brian De Palma and George Lucas in their joint casting session for Carrie (1976) and Star Wars: Episode IV - A New Hope (1977). After Carrie, she went to Georgia to film Our Winning Season (1978) and met actor Dennis Quaid. They were married in 1978 in Texas on a dude ranch.
P.J. starred in Rock 'n' Roll High School (1979) with Ramones. Next she filmed Private Benjamin (1980) and then Stripes (1981). She and Quaid were divorced in 1983. P.J. continued doing numerous television and film roles, and then married Skip Holm, who was the stunt pilot on The Right Stuff (1983). They have two children and were divorced in 1998. Still active in television and film, P.J. manages not to let her fans down, but keeps them interested in her work, which keeps on getting better, making her one of the most versatile actresses of her time.1978 Nominee- Supporting- "Halloween"- Carroll Baker was born on May 28, 1931 in Johnstown, Pennsylvania, the daughter of a traveling salesman, William W. Baker. She attended community college for a year and then worked as a dancer and magician's assistant. After a brief marriage, she had a small part in Easy to Love (1953), did TV commercials, and had a bit part on Broadway. She studied at the Actors Studio and was married to director Jack Garfein (one daughter, Blanche Baker). Warner Brothers, sensing a future Marilyn Monroe, cast her in Giant (1956), Baby Doll (1956) (Oscar nomination for her thumb-sucking role), The Carpetbaggers (1964) and Harlow (1965) (title role). Moving to Italy, she made films there and in England, Germany, Mexico and Spain . After returning to American films, she married Donald Burton in 1982 and resided in Hampstead, London in the 1980s. They remained together until Burton's death from emphysema in their home in Cathedral City, California in 2007.**WINNER- 1977- Lead- "Bad"**
- Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).1977 Nominee- Lead- "Eaten Alive"
- Actress
- Writer
- Music Department
American actress-author-composer Jessica Harper was born on October 10, 1949 in Chicago, Illinois, to Eleanor (Emery), a writer, and Paul Church Harper, Jr., a painter who was chairman of the Needham Harper Worldwide advertising agency in NY. Jessica launched her professional acting career soon after graduating from Sarah Lawrence. Drawing on her considerable singing skills, she was an understudy in the Broadway production of the "tribal love" rock musical Hair (1979) -- other understudies included Diane Keaton, Melba Moore, Keith Carradine, Meat Loaf and Cliff De Young, who would later co-star with Harper in Shock Treatment (1981),which also showcased her musical gifts.
In the 1970s and 1980s, she developed quite a reputation for herself as a cult actress: her wide-eyed, fresh-faced beauty and air of melancholy made her a unique presence on film. As "Cathy Cake" in the X-rated Inserts (1975), she was arguably the first "serious" American actress to have a truly explicit on-screen sex scene. Other memorable films she appeared in were Brian De Palma's Phantom of the Paradise (1974), Dario Argento's seminal slasher film Suspiria (1977), and two for Woody Allen: Love and Death (1975) and Stardust Memories (1980). Since her appearance in the American remake of Dennis Potter's Pennies from Heaven (1981) and My Favorite Year (1982), her film career has cooled somewhat (likely as directors didn't know how to use this seemingly fragile, ethereal and always unique talent), though she continues to work steadily in film and on television.
Since the 1990s, Harper -- the wife of motion picture executive Tom Rothman -- has developed a second successful career as an author of children's books and as a composer of music for children. She has written four picture books in collaboration with her sister, Lindsay Harper DuPont, including her most recent, "A Place Called Kindergarten". Her debut music CD, "A Wonderful Life" (1994), which won both a Parent's Choice Gold Award and a National Association of Parenting Publications Award, was particularly praised for the lyrics written by Harper. Her other five children's music CDs include "Inside Out" and "Hey, Picasso".1977 Nominee- Lead- "Suspiria"- Actress
- Director
- Additional Crew
Marsha Mason has a wonderful, extremely engaging "feel good" quality about her, an innate warmth that makes you root for her whether she's playing a stubborn single mom, brittle prostitute, or strung-out alcoholic. She was a resoundingly respected and popular film actress of the 1970s and 1980s whose career skyrocketed in the bittersweet comedies/dramas of award-winning Neil Simon. Earning a string of leading lady Oscar nominations within a short span of time (three of them, courtesy of husband Simon), Marsha's movie career suffered a major fall-out when the famed couple parted ways in 1983 -- most probably due to her almost exclusive, amazingly successful association with him.
The elder of two sisters born to James Joseph Mason and Jacqueline Helena (Rachowsky) Mason in St. Louis, Missouri, on April 3, 1942, Marsha was raised, for a time, in Crestwood, Missouri, before moving to Webster Groves (a suburb of St. Louis) and graduating from Nerinx Hall High School. There, she attended Webster University and, after receiving her degree, moved to New York where she began taking acting classes and finding some work in TV commercials in-between regular job-hunting.
Marrying fellow struggling actor Gary Campbell in 1965, Marsha made an inauspicious movie debut with the forgettable Hot Rod Hullabaloo (1966). Focusing intently on stage work, she made her professional debut in 1967 with "The Deer Park" at the Theatre de Lys and, the next year, joined the cast as a replacement in the established hit comedy, "Cactus Flower", at the Royale Theatre. Subsequent work came her way both on- and off-Broadway ("It's Called the Sugar Plum", "The Indian Wants the Bronx", "Happy Birthday, Wanda June", "Richard III"). She later hooked up with San Francisco's prestigious American Conservatory Theatre and appeared in an enviable number of their productions ("The Merchant of Venice", "Private Lives", "You Can't Take It With You", "A Doll's House", "Cyrano de Bergerac", "The Crucible").
Daytime soaps played a vital part during this period of time (1969-1972), playing a hooker-turned-vampire on the popular Dark Shadows (1966) series and winning regular roles on Where the Heart Is (1969) and Love of Life (1951). Divorced after five years from actor Gary Campbell in 1970, the pert-nosed, dark-haired beauty met Neil Simon, a recent widower, when he cast her in his 1973 original Broadway production of "The Good Doctor". They had a whirlwind romance and married with a few weeks.
1973 was an excellent year in other ways in that Marsha won the second femme lead in Blume in Love (1973), starring George Segal and Susan Anspach, and then beat out such stars as Barbra Streisand for the coveted role of the hooker opposite James Caan's sailor in the realistic drama Cinderella Liberty (1973). The chemistry was electric between the two and Mason earned her first Oscar nod. Following a leading stage role in "The Heiress" (1975) and playing "Roxane" in a TV version of Cyrano de Bergerac (1975), Marsha earned two more Neil Simon-driven Oscar nominations with The Goodbye Girl (1977), opposite Oscar winner Richard Dreyfuss, and Chapter Two (1979), which reunited her with James Caan and was based on Mason and Simon's own relationship.
Simon would offer his wife Oscar-worthy material one more time with Only When I Laugh (1981), as an alcoholic trying to stay on the wagon for daughter Kristy McNichol. This would be Marsha's fourth Academy Award nod. The couple's last film project together came in the form of Max Dugan Returns (1983), which was a major misfire.
Following Marsha's divorce from Simon, her film product decreased rapidly in quantity as well as quality. With the exception of the Clint Eastwood vehicle, Heartbreak Ridge (1986), she made no other films in the 1980s. While her film output did increase in the 1990s, none of them -- Stella (1990), Drop Dead Fred (1991), I Love Trouble (1994), Nick of Time (1995) and 2 Days in the Valley (1996) -- did anything to jump-start her waning cinematic career.
Over the years, Marsha maintained by focusing on TV and stage work. More recent theatre credits have included "The Night of the Iguana", "The Prisoner of Second Avenue" (another popular Simon work in which she appeared opposite Richard Dreyfuss in London), "Wintertime", "Steel Magnolias", "I Never Sang for My Father", "All's Well that Ends Well" and the Simon play "California Suite", some of which played Broadway.
On the small screen, Marsha starred in her own short-lived series Sibs (1991) and appeared in an Emmy-nominated recurring role on the series, Frasier (1993), as a love interest for Martin Crane. She has also appeared in a number of TV-movies, including one as Judy Garland's mother, "Ethel Gumm", in Life with Judy Garland: Me and My Shadows (2001), and has guest-starred on such series as "Seinfeld," "The Education of Max Bickford," "Lipstick Jungle," "Army Wives," "The Good Wife," "Madame Secretary." Her more recent recurring parts have been on the comedy series The Middle (2009) and Grace and Frankie (2015).
On a rare occasion, the veteran actress has directed both on film and TV. Feeling out of sorts in Hollywood at one stage, Marsha strongly pursued her spiritual side, primarily as a disciple of Swami Muktananda. She later moved to New Mexico in 1993 and she became an owner of an organic farm where she raised herbs and operated a wellness line of bath and body products. She also enjoyed professional race car driving at one point. An insightful, highly revealing autobiography came out in the form of "Journal: A Personal Odyssey" in 2000.1977 Nominee- Lead- "Audrey Rose"- Born in Boston of Irish ancestry and raised in Dallas, Jack Nance traveled throughout the country doing children's theater. For eight years, he performed with the American Conservatory Theater in San Francisco. Later, he became involved with avant-garde theater. He first met David Lynch in the early 1970s in Philadelphia while he was performing in a local theater, and Lynch decided to cast him as the lead in Eraserhead (1977). Originally, it was to be a six-week shooting project, but due to budget restrictions and technical complications, the production and filming took nearly five years to complete. Nance relocated to Los Angeles in the early 1980s, where he appeared in unusual and widely praised films that were not always considered mainstream Hollywood. He has appeared in almost every movie by Lynch, including the television series Twin Peaks (1990), usually playing secondary characters or quirky supporting parts. Nance died suddenly and unexpectedly on December 30, 1996 from an apparent internal head injury the morning after getting into a physical brawl at a donut shop with some rowdy patrons.1977 Nominee- Lead- "Eraserhead"
- Actress
- Soundtrack
Joan Geraldine Bennett was born on February 27, 1910, in Palisades, New Jersey. Her parents were both successful stage actors, especially her father, Richard Bennett, and often toured the country for weeks at a time. In fact, Joan came from a long line of actors, dating back to the 18th century. Often, when her parents were on tour, Joan and her two older sisters, Constance Bennett, who later became an actress, and Barbara were left in the care of close friends. At the age of four, Joan made her first stage appearance. She debuted in films a year later in The Valley of Decision (1916), in which her father was the star and the entire Bennett clan participated. In 1923 she again appeared in a film which starred her father, playing a pageboy in The Eternal City (1923). It would be five more years before Joan appeared again on the screen. In between, she married Jack Marion Fox, who was 26 compared to her young age of 16. The union was anything but happy, in great part because of Fox's heavy drinking. In February of 1928 Joan and Jack had a baby girl they named Adrienne. The new arrival did little to help the marriage, though, and in the summer of 1928 they divorced. Now with a baby to support, Joan did something she had no intention of doing--she turned to acting. She appeared in Power (1928) with Alan Hale and Carole Lombard, a small role but a start. The next year she starred in Bulldog Drummond (1929), sharing top billing with Ronald Colman. Before the year was out she was in three more films--Disraeli (1929), The Mississippi Gambler (1929) and Three Live Ghosts (1929). Not only did audiences like her, but so did the critics. Between 1930 and 1931, Joan appeared in nine more movies. In 1932 she starred opposite Spencer Tracy in She Wanted a Millionaire (1932), but it wasn't one she liked to remember, partly because Tracy couldn't stand the fact that everyone was paying more attention to her than to him. Joan was to remain busy and popular throughout the rest of the 1930s and into the 1940s. By the 1950s Joan was well into her 40s and began to lessen her film appearances. She made only eight pictures, in addition to appearing in two television series. After Desire in the Dust (1960), Joan would be absent from the movie scene for the next ten years, resurfacing in House of Dark Shadows (1970), reprising her role from the Dark Shadows (1966) TV series as Elizabeth Collins Stoddard. Joan's final screen appearance was in the Italian thriller Suspiria (1977). Her final public performance was in the TV movie Divorce Wars: A Love Story (1982). On December 7, 1990, Joan died of a heart attack in Scarsdale, New York. She was 80 years old.1977 Nominee- Supporting- "Suspiria"- Actor
- Producer
- Transportation Department
Late 1970s horror genre icon who's best known for his creepy performance as "Pluto" in the uncompromising Wes Craven horror film The Hills Have Eyes (1977). Berryman (who suffers from Hypohidrotic Ectodermal Dysplasia, a rare condition leaving him with no sweat glands, hair, fingernails or teeth) reminds one of a latter-day Rondo Hatton who also suffered from a rare medical condition that distorted his features giving him a brutish look just right for horror movies.
To Berryman's credit, he managed to develop upon his "Pluto" character, and has turned up in numerous sci-fi / fantasy movies such as My Science Project (1985), Weird Science (1985), Armed Response (1986) and Evil Spirits (1991). The tall & lean Berryman generally portrays mutant bikers, evil undertakers, monsters and other frightening characters! A genuine favorite of horror movie fans.(TIE) ** WINNER- 1977- Supporting- "The Hills Have Eyes"**- Actor
- Additional Crew
- Director
Veteran character actor Robert Englund was born in Glendale, California, to Janis (MacDonald) and John Kent Englund, an aeronautics engineer. Since 1973, Robert has appeared in over 75 feature films and starred in four TV series. He has starred alongside Oscar-winners Henry Fonda, Susan Sarandon and Jeff Bridges. Since 1984 he's achieved international fame as the iconic boogeyman Freddy Krueger in the hit franchise A Nightmare on Elm Street and its seven sequels. Englund has guest starred in hundreds of hours of TV most recently Bones, Criminal Minds and Hawaii 5-0. He will soon be seen starring in the horror film Fear Clinic, and the English thriller The Last Showing, he can be heard as the voice of the Evil Beaver in Teenage Mutant Ninja Turtles cartoon show.1977 Nominee- Supporting- "Eaten Alive"- One of three children, Charlotte Stewart was born in Yuba City, California, USA on 27 February 1941. In the 1950s, she studied acting in Pasadena. She is famous for portraying the role of beloved schoolteacher "Miss Beadle" in the popular television series Little House on the Prairie (1974). She was with the show from 1974 - 1978. Charlotte Stewart has also worked with controversial filmmaker David Lynch on two occasions, in the cult classic Eraserhead (1977) and the TV series Twin Peaks (1990). Charlotte Stewart was once married to actor Tim Considine. They divorced, and she married David Banks (whom she had met years before, when she studied the craft of acting) in 1992.1977 Nominee- Supporting- "Eraserhead"
- Actress
- Writer
- Composer
A bizarre, gloriously one-of-a-kind Hollywood gypsy and self-affirmed outcast, San Francisco-born actress Susan Tyrrell (born Susan Jillian Creamer) was a teenager when she made her stage debut in "Time Out for Ginger" in 1962. A product of the entertainment industry, her father was a top agent at one time with the William Morris firm. She built up her resumé in summer stock and regional plays usually cast in standard ingénue roles. Her nascent career took an abrupt shift in direction, however, when, as a member of New York's Lincoln Repertory Company, she was cast in an array of seamy, salty-tongued, highly dysfunctional character parts. After striking performances on and off Broadway in such fare as "The Rimers of Eldritch" (1967), "A Cry of Players" (1968), "The Time of Your Life" (1969) and "Camino Real" (1970) Hollywood took keen notice of this special talent and, in the early 1970s, began to cast her in their more offbeat projects.
In only her fourth film, Susan earned an Academy Award nomination for her powerhouse portrayal of a cynical, low-life boozer girlfriend opposite Stacy Keach's has-been boxer in John Huston's potent but highly depressing Fat City (1972). Pulling out all the stops after this, she continued to show her fearless attraction toward the dark side throughout the late 1970s with flashy roles in lesser quality material such as The Killer Inside Me (1976), Andy Warhol's Bad (1977), Islands in the Stream (1977), I Never Promised You a Rose Garden (1977), and September 30, 1955 (1977) as various harridans and grotesques. The 1980s proved no different with manic behavior on full display in Tales of Ordinary Madness (1981), Forbidden Zone (1980), Liar's Moon (1981), Fast-Walking (1982), Butcher, Baker, Nightmare Maker (1981), Big Top Pee-wee (1988) and underground director John Waters' more mainstream film Cry-Baby (1990), many of which have now achieved cult status.
Toned down a bit for TV, she nevertheless demonstrated in both the one-season series Open All Night (1981) and on MacGruder and Loud (1985) that she wasn't about to change. When her TV and movie career started to simmer down, the Los Angeles-based actress opted for the avant-garde stage with such productions as "Why Hannah's Skirt Won't Stay Down" (1986), "Landscape of the Body" (1987), "The Geography of Luck" (1989) and her trenchant one-woman piece "My Rotten Life: A Bitter Operetta" (1989), which she performed over a long period of time.
Real-life tragedy struck in late April of 2000 when Susan contracted a near-fatal illness. Both of her legs had to be amputated below the knee as a result of multiple blood clots due to a rare blood disease -- thrombocythemia. Never say die, she valiantly tried to maintain a positive outlook, and continued to perform on occasion while going through rehabilitation. She also spent time writing and painting before passing away on June 16, 2012. A wild, boisterous trooper, she was the definitive underground raconteur for those who desired the more sordid side of Hollywood.(TIE) **WINNER- 1977- Supporting- "Bad"**- Actress
- Producer
- Director
Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).1976 Nominee- Lead- "The Little Girl Who Lives Down The Lane"- Actor
- Producer
- Director
Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.1976 Nominee- Lead- "Marathon Man"- Director
- Actor
- Writer
Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).1976 Nominee- Lead- "The Tenant"- Actress
- Art Department
- Director
As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life.**WINNER- 1976- Lead- "Carrie"**- Nancy Anne Allen was born and raised in the Bronx borough of New York City, the youngest of three children. Her father, Eugene Allen, was a New York police lieutenant. At a young age, she trained for a dancing career at the High School of Performing Arts, and then attended Jose Quintano's School for Young Professionals. In dozens of television commercials from the age of 15, Nancy made her first film appearance in The Last Detail (1973) with Jack Nicholson. Three years later, she furnished the standard for all future bitch-goddess teenagers as Chris Hargensen in Stephen King's Carrie (1976), taken to the big screen by director Brian De Palma. Nancy then married De Palma in 1979. She next appeared in Steven Spielberg's I Wanna Hold Your Hand (1978); for the next few years, she appeared only in De Palma's films: Home Movies (1979), Dressed to Kill (1980), and she starred with John Travolta in Blow Out (1981).
After her divorce from De Palma in 1984, Nancy's film opportunities were supposedly narrowed, but then she surprised the whole world when she performed as Officer Anne Lewis in the sci-fi cult film RoboCop (1987), along with Peter Weller. Here, she furnished another standard as a tough but at the same time feminine policewoman, whose sex would not interfere with her actions. After the success of Robocop (1987), she performed as Patricia Gardner in the second sequel Poltergeist III (1988). She came back in RoboCop 2 (1990) and in order to get more involved with her character, Nancy learned martial arts and police training for real. She returned again in RoboCop 3 (1993), though her co-star Peter Weller did not this time. In 1993, Nancy joined several other veteran stars in Acting on Impulse (1993), and married co-star Craig Shoemaker, in the same year. A few years later, she divorced Craig and some time after she married again.
She later appeared in some diverse films: Dusting Cliff 7 (1997), Secret of the Andes (1998), Circuit (2001), and she had a guest appearance in Steven Soderbergh's Out of Sight (1998). Her last performance was for the television series Law & Order: Special Victims Unit (1999), in the episode "Escape" aired on December 2, 2003. Allen has appeared in a number of documentaries about her most famous films, including Dressed to Kill (1980), Carrie (1976), Blow Out (1981), Poltergeist III (1988), and the RoboCop trilogy. She also hosted Andrew J. Kuehn's horror film documentary Terror in the Aisles (1984), along with Donald Pleasence.
Interested in projecting the image of a strong but at the same time feminine woman, she managed to get away from the victim roles she was always offered, she also was able to get away from the stereotype of the beautiful but dumb woman in most action films. She is an environmentalist that traded her Volvo car for an Hybrid car in order to furnish the example. She is also an activist against breast cancer along with her friend actress Wendie Jo Sperber, who created the foundation WeSpark. Her last appearance on television was on the Inside E! story of her co-star John Travolta and the A&E Biography of Travolta - both appearances in 2004. Nowadays, Allen lives a quiet life along with her family and friends somewhere in the United States.1976 Nominee- Supporting- "Carrie" (10 Nominees In Supporting This Year) - Actress
- Producer
- Writer
Betty Buckley, who has been called "The Voice of Broadway," is one of theater's most respected and legendary leading ladies. She is an actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of the Julie Harris Awards from the Actor's Fund for Artistic Achievement.
She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats. She received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love, and an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway.
Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends for which she received a Drama Desk Nomination in 2014, White's Lies, Lincoln Center's Elegies, the original NYSF production of Edwin Drood, The Eros Trilogy, Juno's Swans and Getting My Act Together and Taking It On The Road. Regional credits include The Perfectionist, Gypsy, Threepenny Opera, Camino Real, Buffalo Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in 2013 the British premiere of Dear World.
Ms. Buckley most recently appeared in the new M. Night Shyamalan hit film Split co-starring James McAvoy, released in January 2017. She was nominated for a Saturn Award for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasden's Wyatt Earp and M. Night Shyamalan's The Happening.
On television, Buckley most recently guest starred in the NBC Series Chicago Med and in the HBO series The Leftovers and Getting On. She appeared in The Pacific also for HBO and twice on the Kennedy Center Honors. She also starred for three seasons in the HBO series Oz and as Abby Bradford in the hit series Eight Is Enough. She has appeared as a guest star in numerous television series, miniseries and films for television including Evergreen, Roses For The Rich, Without A Trace, Law & Order: SVU and Pretty Little Liars.
Buckley tours in concert worldwide with her ensemble of musicians and recently was featured in the Royal Albert Hall concert of Follies in celebration of Stephen Sondheim's 85th birthday. She has recorded 17 CD's: including Ghostlight produced by T Bone Burnett released in 2014 and most recently Story Songs released in April 2017.
She received a Grammy Nomination for Stars and The Moon, Betty Buckley Live at the Donmar. She received her second Grammy Nomination for the audio book The Diaries of Adam and Eve. For over forty years Ms. Buckley has been a teacher of scene study and song interpretation, giving workshops in Manhattan and various universities and performing Arts Conservatories around the country. She has been a faculty member in the theatre department of the University of Texas at Arlington and teaches regularly at the T. Schreiber Studio in New York City, The Modern Art Museum of Fort Worth, TX and in Los Angeles, Denver and Oklahoma.
In 2009, Ms. Buckley received the Texas Medal of Arts Award for Theater and was inducted into the Texas Film Hall of Fame in 2007. She has two honorary doctorates from The Boston Conservatory and Marymount College and has been honored with three Lifetime Achievement Awards for her contributions to theater from the New England Theater Conference, The Shubert Theater in New Haven and the Terry Schreiber School in NYC.1976 Nominee- Supporting- "Carrie"- Actress
- Make-Up Department
- Producer
Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.
After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.
In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.
In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.
Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.
She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.
She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.
In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.
Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.
Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.1976 Nominee- Supporting- "Burnt Offerings"- Alphonso DeNoble was a morbidly obese actor who only appeared in three low-budget horror pictures during his regrettably fleeting career. DeNoble's regular job was working as a bouncer at a Paterson, New Jersey gay bar. Writer/director Alfred Sole convinced him to play the strikingly lewd, sleazy, and grotesque pedophile landlord Mr. Alphonso in the excellent "Alice, Sweet Alice." Alphonso went on to appear in two movies for director Joel M. Reed: he portrayed a white slave dealer in the notorious splatter sickie "Bloodsucking Freaks" and a camera store proprietor in the cruddy "Night of the Zombies."1976 Nominee- Supporting- "Alice Sweet Alice"
- Actor
- Director
- Writer
Scott Jacoby was born on 26 November 1956 in Chicago, Illinois, USA. He is an actor and director, known for The Little Girl Who Lives Down the Lane (1976), That Certain Summer (1972) and Harold Robbins' 79 Park Avenue (1977). He has been married to Lyn Jacoby since 23 June 1985. They have two children.1976 Nominee- Supporting- "The Little Girl Who Lives Down The Lane"- Actress
- Director
- Soundtrack
Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.**WINNER- 1976- Supporting- "Carrie"**- Actor
- Producer
- Writer
If "born to the theater" has meaning in determining a person's life path, then John Lithgow is a prime example of this truth. He was born in Rochester, New York, to Sarah Jane (Price), an actress, and Arthur Washington Lithgow III, who was both a theatrical producer and director. John's father was born in Puerto Plata, Dominican Republic, where the Anglo-American Lithgow family had lived for several generations.
John moved frequently as a child, while his father founded and managed local and college theaters and Shakespeare festivals throughout the Midwest of the United States. Not until he was 16, and his father became head of the McCarter Theater in Princeton New Jersey, did the family settle down. But for John, the theater was still not a career. He won a scholarship to Harvard University, where he finally caught the acting bug (as well as found a wife). Harvard was followed by a Fulbright scholarship to study at the London Academy of Music and Dramatic Art. Returning from London, his rigorous dramatic training stood him in good stead, and a distinguished career on Broadway gave him one Tony Award for "The Changing Room", a second nomination in 1985 for "Requiem For a Heavyweight", and a third in 1988 for "M. Butterfly". But with critical acclaim came personal confusion, and in the mid 1970s, he and his wife divorced. He entered therapy, and in 1982, his life started in a new direction, the movies - he received an Academy Award nomination for his portrayal of Roberta Muldoon in The World According to Garp (1982). A second Oscar nomination followed for Terms of Endearment (1983), and he met a UCLA economics professor who became his second wife. As the decade of the 1990s came around, he found that he was spending too much time on location, and another career move brought him to television in the hugely successful series 3rd Rock from the Sun (1996).
This production also played a role in bringing him back together with the son from his first marriage, Ian Lithgow, who has a regular role in the series as a dimwitted student.1976 Nominee- Supporting- "Obsession"- Actor
- Producer
- Director
Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).1976 Nominee- Supporting- "Marathon Man"- Actor
- Producer
- Director
Noted for his dangerous, chameleon-like portrayals while possessing the scariest-looking pair of eyes in the business, leathery-looking Steve Railsback has mesmerized us over the years with a number of weird, often warped roles both on film and television. While never achieving the degree of stardom deserved, he, like the equally infamous and unpredictable Dennis Hopper, always commands interest whether the material is good or inferior.
Born on November 16, 1945 in Dallas, Texas, he was raised in Wichita Falls. Participation in a local college production of "Cinderella" at the age of 7 spurred his interest in acting. After graduating from high school, he took a job as a shoe salesman and eventually made enough money to leave his native Texas and relocate to New York in order to pursue acting in 1967.
As a student of Lee Strasberg and the Actors Studio, Railsback was forced to work menial jobs in order to initially survive, but he eventually became a regular fixture in the New York theatre scene in the late 1960s/early 1970s, appearing in such stage productions as "The Bluebird", "Orpheus Descending" and "This Property Is Condemned". While working out at the Studio, he caught the attention of renowned director Elia Kazan, who noticed his strong potential, and offered the fledgling actor a showy role in the low-budget film The Visitors (1972). However, he returned to the theatre with roles in "The Petrified Forest", "One Sunday Afternoon" and "The Cherry Orchard" before making his Broadway debut in the short-lived José Quintero-directed production of "The Skin of Our Teeth" starring Elizabeth Ashley in 1975.
Following a second film role with James Woods in Cockfighter (1974) and the title role in the PBS piece Charlie Siringo (1976), Steve delivered one of the most shockingly vivid lead roles ever present in a miniseries with his all-consuming reincarnation of cult leader and mass murderer Charles Manson in Helter Skelter (1976). While the new guy on the block was unjustly ignored at Emmy time, Hollywood could not help but pay attention to this electrifying performer. Thanks primarily to Railsback, the miniseries was the highest-rated television movie at the time until Roots (1977) came along the following year.
Eager to avoid the threat of being typecast in "psycho" parts, Steve complemented this infamous role with a much more humane performance in the miniseries From Here to Eternity (1979), tackling the role of Pvt. Robert E. Lee Pruitt (made memorable on screen by the late Montgomery Clift) and making it completely his own. His next big movie role, as a fugitive who happens upon a film set in the bizarre and brilliant black comedy The Stunt Man (1980) with the equally compelling Peter O'Toole, assured Hollywood that his stunning Charlie Manson portrayal was no fluke.
More cutting-edge parts in a variety of genres came his way throughout the 1980s, but without the quality of production to back them up. Such films as the mystery Deadly Games (1982); the Australian sci-fi thriller Turkey Shoot (1982); the horror film Trick or Treats (1982); the animal adventure The Golden Seal (1983); the cocaine abuse drama Torchlight (1984); the bizarre British sci-fi horror film Lifeforce (1985); the John Candy/Eugene Levy action comedy Armed and Dangerous (1986); the rock-and-roll drama Scenes from the Goldmine (1987); and the ho-hum thriller dramas Distortions (1988), The Survivalist (1987) and Nukie (1987) more often than not wasted his unique gifts.
While falling into quirky low-budget or direct-to-video fare for some time, Railsback has also dabbled in writing, producing and directing on occasion, such as the Vietnam POW story The Forgotten (1989). At the turn of the century, Steve came to attention once again with a showy role as he delved inside the complex mind of another schizophrenic madman. Ed Gein (2000), about infamous serial killer/cannibal Ed Gein (in which he also served as executive producer) once again showed Hollywood that the actor was a master at the game of weird.
Into the millennium, Railsback has appeared in mostly minor films, with roles in Zigs (2001), Slash (2002), Neo Ned (2005), Syndrome of the Trespasser Island (2004), Plaguers (2008), Ready or Not (2009), Follow the Prophet (2009), Infiltrators (2014), Wild in Blue (2015), Gone Are the Days (2018) and It Wants Blood! (2019). On television, he has had occasional roles tailored to his off-beat, strange ways guesting on such series as "The Practice," "Family Law," "The District," "The Handler," "Supernatural," "The Mentalist," "Femme Fatales" and "Decker."1976 Nominee- Supporting- "Helter Skelter"- Actress
- Producer
- Soundtrack
Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.1976 Nominee- Supporting- "The Tenant"- Actress
- Writer
- Composer
Karen entered Northwestern University at 18 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).
The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven.**WINNER- 1975- Lead- "Trilogy Of Terror"**- Actor
- Producer
- Soundtrack
Tall (6' 4"), agile, energetic, and ever-so-confident as both actor and singer, especially on the award-winning Broadway stage, Barry Bostwick possesses that certain narcissistic poise, charm and élan that reminds one instantly (and humorously) of a Kevin Kline -- both were quite brilliant in their respective interpretations of The Pirate King in "The Pirates of Penzance". Yet, for all his diverse talents (he is a Golden Globe winner and was nominated for the Tony Award three times, winning once), Barry is indelibly caught in a time warp. Even today, 35 years after the fact, he is indelibly associated with the role of nerdy hero Brad Majors in the midnight movie phenomena The Rocky Horror Picture Show (1975). While it is extremely flattering to be a part of such a cult institution, Barry's acting legacy deserves much more than this.
He was born Barry Knapp Bostwick on February 24, 1945, in San Mateo, California, one of two sons of Elizabeth "Betty" (Defendorf) and Bud Bostwick (Henry Bostwick), a city planner and actor. A student at San Mateo High School, he and his elder brother Peter use to put on musicals and puppet shows for the neighborhood kids. Barry attended San Diego's United States International University's School for the Performing Arts in 1967, and switched from music to drama during the course of his studies. He also worked occasionally as a circus performer, which would come in handy on the musical stage down the line. He subsequently moved to New York and attended the Graduate School of Arts and Sciences at New York University.
Making his stage debut at age 22 in a production of "Take Her, She's Mine," Barry performed in a number of non-musical roles in such productions of "War and Peace" (1968) and "The Misanthrope (1968). Making his 1969 Broadway debut in "Cock-a-Doodle Dandy", which ran in tandem with "Hamlet" in which he was featured as Osric, it was his portrayal of the swaggering, leather jacket-wearing 50s "bad boy" Danny Zuko in the 1972 Broadway high-school musical smash "Grease" that put Barry's name prominently and permanently on the marquee signs. Originating the role, he was nominated for a Tony but lost out that year to the older generation (Phil Silvers for "A Funny Thing Happened...").
In the midst of all this star-making hoopla, Barry was also breaking into films with a minor role in Jennifer on My Mind (1971) and leading parts in the comedy spoofs Road Movie (1973) and The Wrong Damn Film (1975). It all paled after winning the role as Susan Sarandon's simp of a boyfriend in the The Rocky Horror Picture Show (1975), which featured a delicious Tim Curry camping it up as a transvestite monster-maker. The movie, based on the macabre 1973 British stage musical "The Rocky Horror Show," packed the midnight movie houses with costumed fans replicating every move and, word and offering puns and props aplenty in recapturing the insanity of the show.
While the "Rocky" association hit like a tornado, Barry ventured on and tried to distance himself. He created sparks again on Broadway, garnering a second Tony nomination for the comedy revival "They Knew What They Wanted" in 1976. He finally took home the trophy the following year for the musical "The Robber Bridegroom" (1977), which relied again on his patented bluff and bravado as a Robin Hood-like hero. Following top roles in the musicals "She Loves Me" and "The Pirates of Penzance", Barry turned rewardingly to film and TV.
The two-part feature Movie Movie (1978), which played like an old-style double feature, was a great success, performing alongside esteemed actor George C. Scott. Barry excelled in both features, but especially the musical parody. He fared just as well on the smaller screen in TV movies, playing everything from historical icons (George Washington) to preening matinée idols (John Gilbert), and winning a Golden Globe for his role as a military officer in the epic miniseries War and Remembrance (1988). A variety of interesting roles followed in glossy, soap-styled fare, farcical comedies and period drama.
A welcomed return to Broadway musicals in the form of "Nick & Nora" (he as sleuth Nick "The Thin Man" Charles) was marred when the glitzy production folded after only nine perfs. Instead, the prematurely grey-haired actor found steadier success in sitcoms as a smug comedy foil to Michael J. Fox playing Mayor Randall Winston for six seasons in Spin City (1996). He later enjoyed a recurring role as a dauntless attorney on Law & Order: Special Victims Unit (1999). Then again, Barry could be spotted pitching items in commercials or hamming it up in family-oriented Disneyesque entertainment in the "Parent Trap" and "101 Dalmatian" mold.
In 1997, Bostwick was diagnosed with prostate cancer, and 10 days later had his prostate removed. The operation was successful and in 2004, he won the Gilda Radner Courage Award from the Roswell Park Cancer Institute. Just a year earlier he appeared on an episode of "Scrubs" as a patient also having prostate cancer. Barry married somewhat late in life. For a brief time he was wed to actress Stacey Nelkin (1987-1991), but has since become a father of two, Brian and Chelsea, with second wife Sherri Jensen Bostwick, an actress who appeared with Barry in the TV movie Praying Mantis (1993).1975 Nominee- Lead- "The Rocky Horror Picture Show"- Actor
- Director
- Producer
David Hemmings, one of the great English cinema icons of the 1960s, was born in Guildford, Surrey, on November 18, 1941, to a cookie merchant and his wife. He was educated at Glyn College, Epsom, but while still a child, Hemmings made his first forays into the world of entertainment. An accomplished singer, he toured as a boy soprano with the English Opera Group, famed for his performances of the works of Benjamin Britten. Britten, who befriended the youngster, wrote some roles specifically for Hemmings, including that of "Miles" in "The Turn of the Screw". Hemmings subsequently took up painting after his career as a soprano was ended by his transit through puberty. He studied painting at the Epsom School of Art, where he staged the first exhibition of his work at the school when he was 15 years old.
Hemmings made his film debut in 1954, with The Rainbow Jacket (1954) for Ealing Studios. He also had bit part in Otto Preminger's 1957 version of Saint Joan (1957). In his 20s, he returned to singing, appearing at nightclubs before concentrating on the stage and the cinema. As the youth culture hit Britain in the late 50s (the Notting Hill race riots of August 1958 limned in Julien Temple's 1986 film Absolute Beginners (1986) being a kind of bookmark signaling its arrival), Hemmings was in the right place at the right time to capitalize on his skills and looks. Boyish-looking, with large, protuberant blue eyes covered with heavy lids, his face was at once startling and decadent while simultaneously conveying an air of fragility. He starred in pop music movies Sing and Swing (1963) and Be My Guest (1965), as well as co-starring in one of Michael Winner's first films, The Girl-Getters (1964), with Oliver Reed.
The 24-year-old Hemmings desperately wanted what would become his career-defining role, as the morally jaded fashion photographer Thomas in master-director Michelangelo Antonioni's Blow-Up (1966). He was up against the crème of British actors, including Terence Stamp, who already had an Oscar nomination under his belt and was conventionally handsome.
Hemmings thought he had blown his audition as Antonioni shook his head constantly throughout his audition. However, he later found out the great director had a mild form of Tourette's which caused him to move his head from side to side.
The role made him a star and, for a while, a darling of the pop culture filmmaking that was expected to revolutionize the English-speaking cinema in the 1960s, after the 1964 Best Picture Oscar-win of Tony Richardson's Tom Jones (1963). He was cast as Mordred in the big-screen adaptation of Lerner & Lowe's musical Camelot (1967) with Richard Harris and Hemmings Blow-Up (1966) co-star Vanessa Redgrave to critically panned results. The same year that "Camelot" was released (1967), he put out a pop single ("Back Street Mirror") and an album, "David Hemmings Happens", recorded in Los Angeles. His album was produced by Jim Dickinson, the early producer of The Byrds, and featured instrumental backing by several members of group. It was re-released on CD in 2005.
In 1968, he appeared as Dildano opposite Jane Fonda (in her incarnation as a sexpot) in Roger Vadim's kitsch classic Barbarella (1968).
However, to reduce stereotyping and his identification with pop culture filmmaking, he took on the role of the anti-hero Captain Nolan in Tony Richardson's masterful satire The Charge of the Light Brigade (1968) and later, the eponymous role in Alfred the Great (1969). While both films were imbued with the counter-cultural attitudes of their times, the roles themselves were rather straightforward. Hemmings had reached the summit of his career as an actor. These were the heights he never reached again.
As the quality of his roles declined, Hemmings turned more to directing. He had directed his first film in 1972, helming the thriller Running Scared (1972) which starred Gayle Hunnicutt, his wife from 1968 to 1974. Hemmings also co-wrote the script. In the 1970s, he had relocated to Malibu, California to live with Hunnicutt, and the fabled beach community which was his home for the next generation. In 1975, he starred as Bertie Wooster in the Andrew Lloyd Webber musical, "Jeeves", one of Lord Webber's few flops.
Hemmings formed the independent production company Hemdale Corp. with his business partner, John Daly, in the early 1970s as a tax shelter. He was able to use Hemdale and his role as a producer to vivify his directing career. In 1979, Hemmings the director first attracted major attention with Just a Gigolo (1978), but the film was a flop in spite of its interesting cast. After directing the 1981 adventure film Treasure of the Yankee Zephyr (1981) and an adaptation of James Herbert's novel "The Survivor", he focused on TV directing. He soon became one of the top directors of American action TV programs, including The A-Team (1983), Airwolf (1984), Magnum, P.I. (1980) and Quantum Leap (1989).
However, in the nineties, he abandoned directing, and returned to live in the UK. The role of "Cassius" in Gladiator (2000) heralded his full-time return to acting. He was also memorable in a small role in Martin Scorsese's Gangs of New York (2002). But it was his last major role, in the cinema adaption of Graham Swift's Last Orders (2001), that showed Hemmings at the top of his talent. Unrecognizable from the boy-man of 1966-70, he was memorable as the ex-boxer who ruefully remembers the past with his remaining buddies as they travel to throw the ashes of a departed friend into the sea. That two of the other major roles were filled by Michael Caine and Tom Courtenay, two other British actors whose careers first flourished in the 1960s, added to the poignancy of this tale of men trying to recapture lost time. He also appeared, less memorably, in The League of Extraordinary Gentlemen (2003) opposite the ultimate 60s male British cinema icon, Sean Connery.
David Hemmings died of a heart attack on December 3, 2003, in Bucharest, Romania, on the set of Blessed (2004), after playing his scenes for the day. He was 62 years old. His autobiography, "Blow Up... and Other Exaggerations" was published in 2004.1975 Nominee- Lead- "Deep Red"- Actress
- Writer
- Soundtrack
Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.1975 Nominee- Lead- "The Stepford Wives"- Actor
- Producer
- Soundtrack
Lean, angular-faced and authoritatively spoken lead / supporting actor Roy Scheider obviously never heard the old actor's axiom about "never appearing with kids or animals" lest they overshadow your performance. Breaking that rule did him no harm, though, as he achieved pop cult status by finding, fighting and blowing up a 25-foot-long Great White shark (nicknamed "Bruce") in the mega-hit Jaws (1975) and then electrocuting an even bigger Great White in the vastly inferior Jaws 2 (1978).
Athletic Scheider was born in November 1932 in Orange, New Jersey, to Anna (Crosson) and Roy Bernhard Scheider, a mechanic. He was of German and Irish descent. A keen sportsman from a young age, he competed in baseball and boxing (his awkwardly mended broken nose is a result of his foray into Golden Gloves competitions). While at college, his pursuits turned from sports to theater and he studied drama at Rutgers and Franklin and Marshall. After a stint in the military, Scheider appeared with the New York Shakespeare Festival and won an "Obie Award" for his appearance in the play "Stephen D."
His film career commenced with the campy Z-grade horror cheesefest The Curse of the Living Corpse (1964), and he then showed up in Star! (1968), Paper Lion (1968), Stiletto (1969) and Puzzle of a Downfall Child (1970). In 1971 he really came to the attention of film audiences with his role in the Jane Fonda thriller Klute (1971) and then as Det. Buddy Russo (scoring his first Oscar nomination) alongside fiery Gene Hackman in the crime drama The French Connection (1971). His performance as a tough street cop in that film led him into another tough cop role as NYC Det. Buddy Manucci in the underappreciated The Seven-Ups (1973), which features one of the best car chase sequences ever put on film.
In the early 1970s the Peter Benchley novel "Jaws" was a phenomenal best-seller, and young director Steven Spielberg was chosen by Universal Pictures to direct the film adaptation, Jaws (1975), in which Scheider played police chief Brody and shared lead billing with Robert Shaw and Richard Dreyfuss in the tale of a New England seaside community terrorized by a hungry Great White shark. "Jaws" was a blockbuster, and for many years held the record as the highest-grossing film of all time. Scheider then turned up as the shady CIA agent brother of Dustin Hoffman in the unnerving Marathon Man (1976) and in the misfired William Friedkin-directed remake of The Wages of Fear (1953) titled Sorcerer (1977), before again returning to Amity to battle another giant shark in Jaws 2 (1978). Seeking a change from tough cops and hungry sharks, he took the role of womanizing, drug-popping choreographer Joe Gideon, the lead character of the semi-autobiographical portrayal of director Bob Fosse in the sparkling All That Jazz (1979). It was another big hit for Scheider (and another Oscar nomination), with the film featuring a stunning opening sequence to the tune of the funky George Benson number "On Broadway", and breathtaking dance routines including the "Airotica" performance by the glamorous Sandahl Bergman.
Returning to another law enforcement role, Scheider played a rebellious helicopter pilot in the John Badham conspiracy / action film Blue Thunder (1983), a scientist in the sequel to 2001: A Space Odyssey (1968) simply titled 2010 (1984), a cheating husband who turns the tables on his blackmailers in 52 Pick-Up (1986), a cold-blooded hit man in Cohen and Tate (1988) and a CIA operative in the muddled and slow-moving The Russia House (1990). The versatile Scheider was then cast as the captain of a futuristic submarine in the relatively popular TV series SeaQuest 2032 (1993), which ran for three seasons.
Inexplicably, however, Scheider had seemingly, and slowly, dropped out of favor with mainstream film audiences, and while he continued to remain busy, predominantly in supporting roles (generally as US presidents or military officers), most of the vehicles he appeared in were B-grade political thrillers such as The Peacekeeper (1997), Executive Target (1997), Chain of Command (2000) and Red Serpent (2003).1975 Nominee- Lead- "Jaws"- Actress
- Soundtrack
Nell Campbell, aka Little Nell, was born Laura Campbell in Sydney, Australia, on May 24th 1953. Her father Ross, a well known journalist and humorist, coined her Little Nell in his weekly newspaper column about their family life. From the age of ten she studied ballet, modern dance, tap and singing. On leaving high school she attended a one year course at Drama School. Aged 18 she moved to London and among other jobs busked in the street, singing and tap dancing to 1930's songs where director Jim Sharman spotted her and soon after asked if she would be in his upcoming stage production of a new musical, The Rocky Horror Show, to open at the tiny, sixty seat Theatre Upstairs of The Royal Court Theatre. After a three week rehearsal period with new songs being written as they went along, the show opened and was an overnight sensation. The following year the film The Rocky Horror Picture Show was made and although originally not a success, in the US midnight screenings with audience participation began and thanks to the wonderful fans it is the longest running film of all time. Nell's career includes a string of singles for A&M Records, opening her legendary nightclub, Nell's, in NYC and working as a journalist all the while continuing to appear in theatre, television and film. Her daughter Tilly was born in 1998.1975 Nominee- Supporting- "The Rocky Horror Picture Show" (as Little Nell)- Actor
- Producer
- Soundtrack
Timothy James Curry was born on April 19, 1946 in Grappenhall, Cheshire, England. His mother, Maura Patricia (Langmead), was a school secretary, and his father, James Curry, was a Methodist Royal Navy chaplain. Curry studied Drama and English at Birmingham University, from which he graduated with Combined Honors. His first professional success was in the London production of "Hair", followed by more work in the Royal Shakespeare Company, the Glasgow Citizens Repertory Company, and the Royal Court Theatre where he created the role of Dr. Frank-N-Furter in "The Rocky Horror Show". He recreated the role in the Los Angeles and Broadway productions and starred in the screen version entitled The Rocky Horror Picture Show (1975). Curry continued his career on the New York and London stages with starring roles in "Travesties", "Amadeus", "The Pirates of Penzance", "The Rivals", "Love for Love", "Dalliance", "The Threepenny Opera", "The Art of Success" and "My Favorite Year". He also starred in the United States tour of "Me and My Girl". He has received two Tony Award nominations for best actor and won the Royal Variety Club Award as "Stage Actor of the Year".
A composer and a singer, Tim Curry toured the United States and Europe with his own band and released four albums on A&M Records. In addition to an active movie and television career, he is a sought-after actor for CD-ROM productions. His distinctive voice can be heard on more than a dozen audio books, and in countless animated television series and videos. He lives in Los Angeles, California.**WINNER- 1975- Supporting- "The Rocky Horror Picture Show"**- Actress
- Soundtrack
Character actress Sheila Keith was born to Scottish parents in London, England on June 9, 1920. Keith was raised since the age of two by an aunt in Aberdeen, Aberdeenshire, Scotland. Sheila trained to be an actress at the Webber Douglas Academy of Dramatic Art in London, England. Keith began her acting career in repertory theater at the Pitlochry Festival Theatre in Scotland and the Bristol Old Vic in Bristol, England. Among the West End theater productions Sheila acted in are "Present Laughter," "Mame" (with Ginger Rogers), "Deathtrap," and "Anyone for Denis?". Keith started acting in various British TV shows in the mid-1960's and acted in her first movie in the early 1970's. Sheila achieved her greatest and most enduring cult cinema popularity with her memorable portrayals of nasty middle-aged women in several horror films directed by Pete Walker; she's especially chilling as vicious prison warder Walker in House of Whipcord (1974) and likewise quite frightening as aging, but still lethal cannibal Dorothy Yates in Frightmare (1974). Keith died at age 84 on October 14, 2004 in Chertsey, Surrey, England. She was survived by a son.1975 Nominee- Supporting- "Cover Up" (or Frightmare)- Actor
- Writer
- Additional Crew
Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander.
As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic.
He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman. He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place." It was a success, selling 12,000 copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England, and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a.m. while visiting the couple, and she called him the next day. It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other. Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film. He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and Battle of Britain (1969). One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS." It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism. Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976). During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it. Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture." It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to be his last film; in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier, in June 1978, brought production to a halt.
While living in Ireland and taking a hiatus from work, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland, with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with Virginia in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia had started earlier that day while he was playing golf but whose pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk the pains off. After taking four or five steps from the parked car, he collapsed by the side of the road, and his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later, and Shaw was taken to Mayo General Hospital in Castlebar, where he was pronounced dead on arrival.1975 Nominee- Supporting- "Jaws"- Aldo Valletti was born on 1 December 1924 in Florence, Italy. He was an actor, known for Salò, or the 120 Days of Sodom (1975), I Am Afraid (1977) and L'educanda (1975). He died on 5 October 1992 in Montecarotto, Italy.1975 Nominee- Supporting- "Salo: 120 Days Of Sodom"
- Actor
- Soundtrack
Roberts Blossom was a marvelously quirky, talented, and versatile character actor who was especially adept at portraying cantankerous old oddballs. Born in 1924 in New Haven, Connecticut, Blossom graduated from the prestigious Asheville School in 1941 and attended Harvard. Roberts initially planned on being a therapist, but eventually changed his mind and decided to become an actor instead. He made his film debut in the bizarre and little seen independent feature "The Sin of Jesus" (1961). It wasn't until he was in his late forties and early fifties that Blossom really hit his stride acting in motion pictures. Roberts gave a truly remarkable and unforgettable performance as demented middle-aged backwoods lunatic Ezra Cobb in the creepy horror cult favorite "Deranged" (1974). Other memorable film roles include an ill-fated elderly patient in "The Hospital" (1971), a sickly soldier in "Slaughterhouse Five" (1972), Paul Le Mat's ornery father in "Citizen's Band" (1977), a farmer who saw Bigfoot once in "Close Encounters of the Third Kind" (1977), a venerable old felon in "Escape from Alcatraz" (1979), a kindly next door neighbor in "Home Alone" (1990), and a grumpy small town judge in "Doc Hollywood" (1991). Blossom did guest spots on such TV shows as "Northern Exposure," "The Twilight Zone," "The Equalizer," "Moonlighting," "Amazing Stories," and "Naked City." Moreover, Blossom was also a poet (he released some of his dramatic poems on video) and a playwright who won four Obies and a Show Business Award. After retiring from acting, Roberts settled in Berkeley, California and wrote poetry. He died at age 87 in Santa Monica, California on July 8, 2011.1974 Nominee- Lead- "Deranged"- Actress
- Additional Crew
Marilyn Burns was born Mary Lynn Ann Burns on May 7, 1949 in Erie, Pennsylvania, and raised in Houston, Texas. She attended the University of Texas at Austin where she graduated with a Bachelor's degree in Drama. Marilyn was one of the original scream queens, remembered primarily for her role in The Texas Chain Saw Massacre (1974). She played Sally Hardesty, a teenager who travels with her brother and some friends to the cemetery where her grandfather was buried to investigate reports of grave vandalism, and then encounters an insane, murderous family, including the chainsaw-wielding Leatherface.
Her follow-up appearance was in Eaten Alive (1976), where she played a vacationer who unwittingly stumbles upon a hotel managed by a maniac who feeds his guests to his crocodile. Marilyn earned her scream queen status by starring in other horror movies; Kiss Daddy Goodbye (1981) and Future-Kill (1985). She appeared in the television miniseries Helter Skelter (1976) about the real-life trial of Charles Manson and his family. She played Linda Kasabian, a member of the Manson Family whose testimony helped lead to the convictions of the cult leader and many of his followers.
Marilyn had an uncredited cameo as Sally Hardesty in Texas Chainsaw Massacre: The Next Generation (1994), and made a cameo appearance as Verna Carlson in Texas Chainsaw (2013). However, aside from these roles and occasional appearances at horror conventions, she lived a relatively quiet life out of the spotlight in the Houston area in her later years. Marilyn Burns died at age 65 in her sleep on August 5, 2014 and was found in her Houston, Texas home by family members, the cause was an apparent heart attack, although not specified.**WINNER- 1974- Lead- "The Texas Chainsaw Massacre"**- Actress
- Soundtrack
At age 15, when most young women are nurturing dreams of romance, Olivia Hussey was giving life to Juliet in Franco Zeffirelli's Romeo and Juliet (1968). Her performance in one of the most celebrated roles ever written in the English language won her the Golden Globe and two successive Best Actor Donatello Awards (Italy's Oscar equivalent), an incredible achievement for an actress in only her third film.
Olivia, a seasoned veteran of the London stage where she debuted opposite Vanessa Redgrave in "The Prime of Miss Jean Brodie", has appeared in over two dozen films, including Death on the Nile (1978) with Bette Davis and Peter Ustinov, Jesus of Nazareth (1977) (united again with the great Zeffirelli), Last Days of Pompeii (1975) opposite Sir Laurence Olivier, Lost Horizon (1973), The Bastard (1978), Hallmark's Hall of Fame Ivanhoe (1982) with James Mason, Showtime's Psycho IV: The Beginning (1990) and It (1990). She has also guest-starred in numerous television series.
Considered by many to be one of the most beautiful women in the world, Olivia may owe this "title" to her "exotic" blend; her father was Argentinian and her mother was of English and Scottish ancestry. She spent her early youth in Buenos Aires, her father being Andreas Osuna, aka Isvaldo Ribo, renowned Argentine opera and tango singer, and her English mother encouraging her early inclinations for the performing arts. At the age of seven, she moved with her mother and younger brother to England, where she spent the next five years attending drama school. From there, she landed the role of "Jenny" in "Jean Brodie". It was in that theater production that Zeffirelli spotted her. After auditioning over 500 other young actresses for the part of Juliet, he awarded the part to Olivia, and the rest, as they say, is history.
She then moved to Los Angeles, where she met and married Dean Paul Martin, son of the late and great entertainer Dean Martin. They had a son, Alexander Martin, who is now an actor. She and Martin eventually divorced, and Olivia later married Akira Fuse, one of Japan's premier singers. That marriage produced a second son, Max, born in 1983. Two years later, she signed on to star with Burt Lancaster and Ben Cross (Chariots of Fire (1981)) in The Jeweller's Shop (1988), a screen adaptation of a story written by Pope John Paul II (at the time he wrote it he was called Karol Wotyla). Following the filming, Olivia was invited to view the film at the Vatican as a guest of His Holiness.
Never seeming to be able to stop the constant work schedule and travel, Olivia finally decided she needed a break. After taking some much deserved time off for herself and to raise her young daughter, India Joy, she returned to work starring in two back-to-back features. The first, El grito (2000) (known as "Bloody Proof" in America), was shot in Mexico City and required her to deliver the role bilingually, applying her native command of Spanish. The second was Tortilla Heaven (2007), a comedy written and directed by Sundance Film Festival winner Judy Hecht Dumontet, in which Olivia plays the town nudist(!).
Most recently, Olivia has completed her life's dream, portraying Mother Teresa of Calcutta, a movie shot entirely on location in Sri Lanka and Italy. Her performance was received with open arms by the Sisters of Mother Teresa's Missionaries of Charity when it was screened for them in Italy. Also present at the screening, and pleased with her portrayal, was Agi Bojaxhiu, a wonderful lady and the niece and only direct living relative of Mother herself.
Olivia lives outside of Los Angeles with her family, as well as her menagerie of animals.1974 Nominee- Lead- "Black Christmas"- Actor
- Director
- Writer
Scott Jacoby was born on 26 November 1956 in Chicago, Illinois, USA. He is an actor and director, known for The Little Girl Who Lives Down the Lane (1976), That Certain Summer (1972) and Harold Robbins' 79 Park Avenue (1977). He has been married to Lyn Jacoby since 23 June 1985. They have two children.1974 Nominee- Lead- "Bad Ronald"- Actor
- Writer
- Producer
Beginning his life with the same flair for the dramatic that would come to define his career, Udo Kier was born in Köln, Germany near the end of the 2nd world war. The hospital was bombed and buried Kier and his mother in the rubble. Both survived, and Kier would later move to London as a young adult to study English. Kier was discovered in London by Michael Sarne, who cast him in his first role as a gigolo in "Road To Saint Tropez". Kier then starred in Michael Armstrong's extremely controversial "Mark Of The Devil". He would go on to work with Paul Morrissey in Andy Warhol's "Flesh For Frankenstein" and "Blood For Dracula", Dario Argento in "Suspiria", and Rainer Werner Fassbinder in "The Third Generation", "Lili Marllen", and "Lola".
Kier entered the American independent cinema scene many years later after meeting Gus Van Sant at the Berlin Film Festival. Van Sant offered Kier the role of Hans, the lamp-singing john in "My Own Private Idaho" with Keanu Reeves and River Phoenix. He would later have roles in Gus Van Sant's "Even Cowgirls Get The Blues" and "Don't Worry He Won't Get Far On Foot" as well as such 90s Hollywood hits as "Ace Ventura: Pet Detective", "Johnny Mnemonic", "Barb Wire", "End Of Violence", "For Love Or Money", "Armagedden", "Blade", and "End Of Days". Kier is probably best known for his collaboration with Lars von Trier, appearing in most of his films including "Medea", "Europa", "Breaking The Waves", "Dancer In TheE Dark", "Dogville", "Manderlay", "Melancholia", "Nymphomaniac (Vol. II)" and "The Kingdom" (Danish TV). Kier's recent renaissance has seen him play memorable roles in the Activision game "Call Of Duty", numerous television roles in North America and Europe, and in the films "Iron Sky", "Brawl In Cell Block 99", "Downsizing", "American Animals", "Bacurau", "The Painted Bird", "The Blazing World" and "Swan Song", among many others.1974 Nominee- Lead- "Blood For Dracula"- He was born in Reykjavik, Iceland and moved to the United States at the age of 5. Gunnar lived in Maine till he was 11, his family then moving to Texas, where he went to high school before attending the University of Texas. At the university, he did some theater work and majored in English and mathematics before going on to graduate in English and Scandinavian Studies. Despite graduating in the aforementioned fields, his first job out of high school was as a computer operator.
In the summer of 1973, he heard that Tobe Hooper and others were in town to work on a movie and decided to try out for a part. After interviewing with Tobe Hooper and the writer of The Texas Chain Saw Massacre (1974), Kim Henkel, he was cast in the role of the disturbed, mentally handicapped killer, Leatherface.
After Chainsaw, Hansen went on to work as a freelance writer for magazines for several years before going on to write books, one later being set in Iceland about purported serial killer, Henry Lee Lucas. He has gone on to write multiple screenplays - one co-written with his partner Gary Jones, director of Mosquito (1994)).
Gunnar also directed a documentary on Greenland and had a stint designing web pages for GTE.1974 Nominee- Supporting- "The Texas Chainsaw Massacre" - Actress
- Producer
- Soundtrack
Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.1974 Nominee- Supporting- "Black Christmas"- Actor
- Producer
- Writer
Edwin Neal was born in Houston, Texas, USA. Following high school, he studied with Zula Pearson at Lon Morris in Jacksonville, Texas, before moving on to acting and directing studies with B. Iden Payne at the University of Texas Drama Department. While there, he auditioned for role of HitchHiker in "Texas Chainsaw Massacre". Edwin has worked w/ Oliver Stone in "JFK" and Bob Balaban in "My Boyfriend's Back". His favorite projects include playing Bassanio to Sandy Duncan's Portia in "Merchant of Venice" in a stage production. A top voice talent for many years, Edwin was chosen for inclusion in "The World's Greatest Commercials" by Carson Productions. Other top-selling CD-ROM projects he has completed are: "Wing Commander II", "The Nile", "The Cartoon History of the Universe", and others. Edwin annually tours worldwide, making many public appearances as 'The Hitchhiker' at science-fiction conventions and related gatherings.1974 Nominee- Supporting- "The Texas Chainsaw Massacre"- Paul Alan Partain was born on November 22, 1946 in Austin, Texas. Paul first started acting in his junior high school days, he was a member of the drama club and acted on a regular basis in school plays. Partain served in the United States Navy during the Vietnam war. After finishing his tour of duty, he returned to America and continued his acting career. Paul worked at an electronics manufacturing plant during the day, and acted in dinner theatre at night. Partain was laid off from his day job in the fall of 1972. He auditioned for the minor role of ranch hand Willy in Sidney Lumet's Lovin' Molly (1974) and got the part.
Paul gave a memorably obnoxious performance as the extremely whiny, hateful, and unsympathetic invalid Franklin Hardesty in the terrifying cult horror classic The Texas Chain Saw Massacre (1974). He had small parts as a member of Peter Fonda's motorcycle crew in the hugely enjoyable car chase drive-in Satanic horror winner Race with the Devil (1975) and as Tommy Lee Jones's brother-in-law in the excellent revenge action thriller Rolling Thunder (1977). Alas, Partain's acting career stalled in the 1980s. Paul began acting in films again in the 1990s, when he made a cameo appearance as a hospital orderly in Texas Chainsaw Massacre: The Next Generation (1994), and portrayed a Militia of Texas minister in Burying Lana (1997). Partain worked as a regional sales manager for the Zenith Electronics Corporation. Paul died of cancer at age 58 on January 28, 2005 in Austin, Texas.1974 Nominee- Supporting- "The Texas Chainsaw Massacre" - Jim Siedow was a marvelously quirky and distinctive character actor who achieved instant cult favorite status with his terrific portrayal of the weary and irascible the Cook in Tobe Hooper's immortal and outstanding horror classic "The Texas Chainsaw Massacre." Siedow was born on June 12th, 1920 in Cheyenne, Wyoming. Siedow first began acting in high school drama class. He moved to New York City at age 18 and continued to perform in touring shows for the W.P.A. theater. He served with the Army Air Corps during World War II. Following his tour of duty Siedow then moved to Chicago, Illinois and did radio soap operas. Siedow met his future wife Ruth while living in Chicago. They got married in September, 1946 and eventually moved to Houston, Texas. The couple had three children altogether. Siedow soon established himself as an important and substantial part of the Houston stage scene. Siedow created one of Houston's first original local community theaters and directed Houston's first production of the acclaimed play "Who's Afraid of Virginia Wolf?". Other plays Siedow directed include "Visit To a Small Planet," "Critic's Choice," and "Murder Among Friends." Siedow also acted in stage productions of such plays as "Cat on a Hot Tin Roof" and "The Lion in the Winter." Siedow made his film debut as a rock star's estranged father in the obscure indie drama "The Windsplitter." But it was Siedow's dead solid perfect performance as the Cook in "The Texas Chainsaw Massacre" that really put him on the cinematic map. Alas, Siedow's film roles after "The Texas Chainsaw Massacre" were few and far in between. However, Siedow was excellent as a bitter mad bomber in the superior made-for-TV suspense thriller "Red Alert" and had a funny bit as a cantankerous shotgun-toting hillbilly in the hilariously raucous car chase romp "Hotwire." Siedow was once again spot-on as Drayton Sawyer (a.k.a. the Cook) in the worthy and unjustly maligned sequel "The Texas Chainsaw Massacre 2." Siedow was prominently featured as an interview subject in the enjoyable and informative documentary "The Texas Chainsaw Massacre: A Family Portrait." Jim Siedow died at age 83 from emphysema complications on November 20th, 2003.**WINNER- 1974- Supporting- "The Texas Chainsaw Massacre"**
- Actress
- Producer
- Director
Ellen Burstyn was born in Detroit, Michigan, to Correine Marie (Hamel) and John Austin Gillooly. She is of Irish, French/French-Canadian, Pennsylvania Dutch (German), and Native American ancestry.. She worked a number of jobs before she became an actress. At 14, she was a short-order cook at a lunch counter. After graduating from Detroit's Cass Technical High School, she went to Texas to model and then to New York as a showgirl on The Jackie Gleason Show (1952). From there, it was to Montreal as a nightclub dancer and then Broadway with her debut in "Fair Game (1957)". By 1963, she appeared on the TV series The Doctors (1963), but she gained notice for her role in Goodbye Charlie (1964). Ellen then took time off to study acting with Lee Strasberg at the Actors Studio.
Her big break came when she was cast as the female lead in The Last Picture Show (1971). For this role, she received nominations for the Golden Globe and Academy Award. Next, she co-starred with Jack Nicholson in The King of Marvin Gardens (1972), giving a chilling performance. Then came The Exorcist (1973). She was again nominated for the Golden Globe and Academy Award. In 1974, she starred in Alice Doesn't Live Here Anymore (1974), for which performance she won the Oscar and BAFTA awards as Best Actress. For the Golden Globe, she was nominated but lost to Marsha Mason. The same year, she made history by winning a Tony Award for the Broadway play "Same Time, Next Year". She won praise and award nominations for her performances in the film versions of Same Time, Next Year (1978) and Resurrection (1980).
In "Resurrection", she played a woman with the power to heal. A succession of TV movies resulting in two Emmy nominations kept her going as did the series The Ellen Burstyn Show (1986). The TV movies continued through the 1990s. Also in the 1990s, she was cast in the supporting role in such movies as The Cemetery Club (1993), How to Make an American Quilt (1995), The Baby-Sitters Club (1995) and The Spitfire Grill (1996). In addition to her acting, She was the first woman president of Actor's Equity (1982-85).1973 Nominee- Lead- "The Exorcist"- Actress
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Gorgeous and voluptuous brunette beauty Britt Christina Marinette Lindberg was born on December 6, 1950, in Gothenburg, Sweden, to a working-class family, with one sister and two brothers.
When she was a teenager, she lived in the isle of Hisingen, At high-school, she studied Latin and planned on being an archaeologist. Before graduation, with her lustrous long brown hair, doe eyes, sweetly comely face and full, ripe, well-endowed figure, Christina quickly became a popular pin-up girl. She did some modeling in bathing suits for several newspapers, and in 1970 she started doing nude pictorials in men's magazines such as "FIB-Aktuellt", "Penthouse" (Penthouse Pet of the Month in the June 1970 issue), "Playboy", "Lui", Oui" and "Mayfair." Also in 1970, she recorded a two-sided 45 rpm vinyl single with her face on the cover, for the FIB-Aktuellt label.
Christina's film debut was a starring role as the naive, virginal, yet enticing, 16-year-old Inga in Maid in Sweden (1971). She went on to both minor and major roles as tantalizing sexpots in racy exploitation fare as Rötmånad (1970), The Depraved (1971), Campus Swingers (1972), The Swinging Co-eds (1972), Secrets of Sweet Sixteen (1973) and Anita (1973).
Christina Lindberg is especially memorable as British spy and gambler Christina, in the Japanese crime pink movie Sex & Fury (1973). She appeared in two soft-core flicks for acclaimed adult picture writer-director Joseph W. Sarno: the lackluster Swedish Wildcats (1972) and the gloriously bizarre Young Playthings (1972). Her most enduring cult cinema fame stems from her outstanding performance as Frigga, a much abused and traumatized one-eyed mute junkie prostitute, who exacts a harsh retribution on her tormentors in the brutal and controversial revenge opus Thriller: A Cruel Picture (1973).
In the early 1970s, she was the onetime girlfriend of Swedish king King Carl XVI Gustaf.
Her acting career began to falter in the mid 1970s because of her refusal to do hardcore sex scenes. Christina studied journalism in the late 1970s and subsequently wrote articles for various men's magazines. Lindberg returned to movies in 2000, in a cameo of her Frigga character in the over-the-top parody Sex, Lies and Video Violence (2000).
Christina is an animal rights activist, an environmentalist, and a vegetarian. She owns two Siamese cats and is a keen mushroom picker, and shared her knowledge in 1993 in a a 20-minute short, "Christina's Mushroom School".
Christina Lindberg lives in Stockholm, Sweden. She's the owner and editor-in-chief of the aviation magazine "Flygrevyn," which she took over following her fiancee Bo Sehlberg's death in 2004.1973 Nominee- Lead- "Thriller! A Cruel Picture"- Actor
- Additional Crew
- Writer
Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."1973 Nominee- Lead- "Theater Of Blood"- Actress
- Casting Director
- Make-Up Department
Georgina Spelvin was born on 1 March 1936 in Houston, Texas, USA. She is an actress and casting director, known for Police Academy (1984) and Police Academy 3: Back in Training (1986). She has been married to John Welsh since 16 January 2000. She was previously married to Richard Michael Abel and Christopher Cary.**WINNER- 1973- Lead- "The Devil In Miss Jones"**- Actor
- Producer
- Writer
The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.1973 Nominee- Lead- "Don't Look Now"- Actress
- Producer
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From the age of five, Linda Blair had to get used to the spotlight, first as a child model and then as an actress, when out of 600 applicants she was picked for the role of Regan, the possessed child, in The Exorcist (1973). Linda quickly rose to international fame, won the Golden Globe, and seemed to be set to take the Academy Award for that role, but when it leaked how some parts of the role were not performed by her (the demonic voice was dubbed by Mercedes McCambridge, and eight seconds of a stunt dummy were used) that dream broke, and with that disappointment probably came the first blow to what looked like the beginning of an A-list career.
Over the next few years she had no trouble securing lead roles in a number of pictures, including the highly successful television films Born Innocent (1974) (the #1 TV movie of that year) and Sarah T. - Portrait of a Teenage Alcoholic (1975), as well as the Exorcist sequel Exorcist II: The Heretic (1977). However, when she was peer pressured into buying cocaine at the age of 18, it led to an arrest and subsequent sentencing to three years probation. The much-publicized drug bust caused Linda to be blacklisted in Hollywood, and her career was soon reduced to B-movies and occasional TV guest appearances only.
Although her career never returned to its former glory, Linda proved to be a good sport about embracing the change, and out of the '80s emerged lead roles in two cult classics: the women-in-prison film Chained Heat (1983) and the femme fatale vigilante action film Savage Streets (1984). She continued acting in numerous films throughout the '80s and '90s, including the Exorcist spoof Repossessed (1990). In 1997, she also took to the Broadway stage and starred as "Rizzo" in the revival of "Grease." She received widespread mainstream attention again in the 2000's with the theatrical re-release of the Exorcist, followed by a hosting job on the hit Fox Family TV series Scariest Places on Earth (2000), which ran for six years and followed Linda as she visited notorious "haunted" locations around the world.
Linda was born in St. Louis, Missouri, to Elinore, a real estate agent, and James, an executive headhunter. She has a brother, Jimmy, and a sister, Debbie. Linda has been a Hollywood icon for over 40 years, but it is her first love of animals that has ultimately taken center stage in her life. She now runs the Linda Blair WorldHeart Foundation, a non-profit 501C3 tax deductible organization dedicated to rescuing and rehabilitating abused, neglected, and abandoned animals from the harsh streets of the Los Angeles area, as well as from the overcrowded and overwhelmed city and county animal shelters. She works and lives on the 2-acre rescue sanctuary full-time in California, which was featured on The Today Show in a segment titled "From Devil to Angel." Of course, she also makes frequent appearances at horror fan conventions to celebrate the legacy of The Exorcist (1973) .**WINNER- 1973- Supporting- "The Exorcist"** (10 Nominees In Supporting This Year)- Actress
- Additional Crew
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Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.1973 Nominee- Supporting- "Don't Look Now"- Actress
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Lovely, sultry, and charismatic Marlene Clark was born December 19, 1937, in New York City (some sources list it as Los Angeles, California). Her father was a bus driver and her mother worked in a factory. Marlene grew up in New York City's Harlem area, and went to junior college in Tennessee. She was a speech major at the City College of New York. She first started acting in plays in college. She was working as a fashion model before making her film debut with a small part in For Love of Ivy (1968). Marlene has had minor uncredited bit roles in Midnight Cowboy (1969) and Putney Swope (1969). She gave an outstanding performance as the enticing but dangerous Ganja in Ganja & Hess (1973). Other memorable parts include pesky government agent Kim in Slaughter (1972). the ill-fated Mariane Hargis in Beware! The Blob (1972), the very sexy titular reptilian demonic seductress in Night of the Cobra Woman (1972), the foxy Caroline in The Beast Must Die (1974) and the affluent Caroline in The Baron (1977). She had a recurring role as Lamont Sanford's fiancé Janet Lawson on the hit sitcom Sanford and Son (1972). In addition, she made guest appearances on episodes of such TV shows as Marcus Welby, M.D. (1969), Bonanza (1959), Mod Squad (1968), Highway to Heaven (1984) and Head of the Class (1986). Clark was married to Billy Dee Williams from 1968 to 1971. She died at age 85 on May 18, 2023.1973 Nominee- Supporting- "Ganga And Hess"- Actress
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Britt Ekland was born in Sweden and grew up to be the poster girl for beautiful, big-eyed Scandinavian blondes. She attended a drama school and then joined a traveling theater group. With her looks as her passport, Britt entered films and became a star in Italy. When Peter Sellers met her in a hotel, he fell hard for her and they soon married. The combination of Sellers' stardom and her stunning beauty contributed to her fame (the fact that Sellers suffered a heart attack in bed on their wedding night did not hurt, either). She appeared in two films with her husband: After the Fox (1966), written by Neil Simon, and the forgettable The Bobo (1967). Her claim to fame would come as the young girl who invented the striptease in The Night They Raided Minsky's (1968). After that, she appeared in a string of movies that were built around her looks and not much else. She did appear in some first-rate productions over the years, though, two of them being Get Carter (1971) and the cult classic The Wicker Man (1973). The high point in her career would be her role as Bond girl Mary Goodnight in The Man with the Golden Gun (1974). After her much publicized breakup with rocker Rod Stewart in 1977, Britt continued to make movies--both features and made-for-TV films--and tried the stage. By that time, the quality of her film projects had decreased markedly, and she was reduced to appearing in things like Fraternity Vacation (1985) and Beverly Hills Vamp (1989).1973 Nominee- Supporting- "The Wicker Man"- Actress
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Lucy Kate Jackson was born in Birmingham, AL on October 29.1948. She attended the University of Mississippi but left during her sophomore year to begin studying at the American Academy of Dramatic Arts. She was a supporting cast member on Dark Shadows (1966) (Daphne, 1970-1971) and on The Rookies (1972) (Jill Danko, 1972-1976). She starred as one of the original Angels (Sabrina Duncan, 1976-1979) on the mega-hit show Charlie's Angels (1976). She delighted fans as the dauntless Amanda King in the television show Scarecrow and Mrs. King (1983) which was partially owned by her production company, Shoot the Moon Enterprises. She appeared in numerous other film and television productions. She is an actor, director and producer.1973 Nominee- Supporting- "Satan's School For Girls"- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.1973 Nominee- Supporting- "The Wicker Man"- Actress
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Although a prolific television character actress for almost half a century, Hilary Mason will be best remembered on screen as the blind, psychic Heather in the macabre supernatural thriller Don't Look Now (1973). The 1973 film starred Julie Christie and Donald Sutherland as John and Laura Baxter, a grieving couple holidaying in a wintry Venice after the death of their daughter, Christine, who was drowned in the garden pond while wearing a shiny, red mackintosh. When Laura meets the two spinster sisters in a restaurant toilet, she is shocked to be told that Heather has seen her daughter. "I've seen her and she wants you to know that she's happy," says the old woman:
I've seen your little girl, sitting between you and your husband, and she was laughing. Yes, oh, yes, she's with you, my dear, and she's laughing. She's wearing a shiny little mac. She's laughing, she's laughing - she's happy as can be.
Later, Laura attends a seance with the sisters and - when Heather gets what she claims to be a message from Christine - is disturbed to be told that her husband, John (Sutherland), is in danger. A skeptical John fails to heed the warning and in the final scenes of the film is murdered by a female dwarf in a red, hooded coat. Throughout this eerie film, based on a Daphne du Maurier short story, the director, Nicolas Roeg, leaves us unsure whether Mason's chilling character really is a psychic or a con artist, particularly in a scene showing the sisters laughing after convincing Laura that they have contacted her daughter.
Born in Birmingham in 1917, Mason won a scholarship to the London School of Dramatic Art before gaining repertory theater experience in Preston, Southport, York and Guildford. During the Second World War she performed with the troops entertainment organization Ensa.
Mason made her television debut as Mrs Drummond in the drama series Thunder in the West (1957), and played Mrs Yapp in the Midlands-based local council serial Swizzlewick (1964) and Mrs Timothy in the soccer soap United! (1965). She as well took two roles in Coronation Street (1960); following a bit-part as Mrs Ainsworth (1965), she was then Derek Wilton's mother (1976), who disapproved of her son's relationship with the dithering Mavis Riley and insisted it must end - to no avail.
Adept at character roles, Mason took eight different parts in Z Cars (1962), and another three in Dixon of Dock Green (1955), before playing Lady Boleyn in the acclaimed, six-part drama The Six Wives of Henry VIII (1970) (starring Keith Michell in the title role), Mrs Nickleby in Nicholas Nickleby (1977), Mrs Gummidge in David Copperfield (1986), and Mrs Fagge in Great Expectations (1989).
In comedy, she acted Mrs Booth, exasperated mother to the chalk-and-cheese twin brothers, in My Brother's Keeper (1975) and Gladys in Maid Marian and Her Merry Men (1989), the children's series written by Tony Robinson - with Mason's real-life husband, the actor Roger Ostime, taking the role of Gladys's father in one episode. She also played Michael Palin's mother in the Ripping Yarns (1976) episode The Curse of the Claw (1977).
After her part in "Don't Look Now", Mason was cast in the horror films Sharon's Baby (1975) (acting Mrs Hyde, alongside Joan Collins as a stripper who gives birth to a "possessed" baby, 1975), Dolls (1986), Afraid of the Dark (1991), and Haunted (1995).
Mason also appeared twice in One Foot in the Grave (1990) during the 1990s.
She died in 2006 in Milton Keynes, England and left a husband of 50 years, Roger Ostime; they had married in 1955 in Surrey.1973 Nominee- Supporting- "Don't Look Now"- Actor
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Character actor and playwright Jason Miller had a variety of jobs before he started a writing career and wrote his own play, "That Championship Season", for which he received the Pulitzer Prize Award. Miller gave up his professional writing career in the early seventies to start acting. In 1973, he starred as a troubled priest in the horror film classic The Exorcist (1973), for which he received an Academy Award nomination for Best Supporting Actor. In 1982, he directed the revival of his play, That Championship Season (1982), to the screen. The father of actor Jason Patric and actor/director/writer Joshua John Miller, Miller's other film credits include playing the title role in the made-for-television film F. Scott Fitzgerald in Hollywood (1975), The Ninth Configuration (1980), Toy Soldiers (1984), The Exorcist III (1990) and Rudy (1993)". Miller died in Scranton, Pennsylvannia at the age of 62.1973 Nominee- Supporting- "The Exorcist"- Actor
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David Mooney was born on 26 August 1941 in Center, Texas, USA. He was an actor and producer, known for Chaplin (1992), Esoteric (2004) and Limited Edition (2003). He died on 1 April 2019 in San Antonio, Texas, USA.1973 Nominee- Supporting- "The Baby"- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.1973 Nominee- Supporting- "The Exorcist"- Actress
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Born in Arundel, Sussex, in 1948, Judy's father moved the family to London when she was 10 years old and enrolled her and sister Sally Geeson into the Corona Academy, Chiswick. Judy initially wanted to be a ballet dancer but had to change course when she suffered from terrible headaches as a result of some of the moves. Acting had always been a great interest, however, and she chose to pursue this, making her first TV appearance in Dixon of Dock Green (1955) aged 12. Her first major film role was as wayward teenager Pamela Dare opposite Sidney Poitier in To Sir, with Love (1967) at the age of 18.
After a very successful film run during the 1960s and 1970s, Judy took a trip to the US in October 1984, choosing to stay on for a while. By May 1985 she had met and married Kristoffer Tabori and moved to California. However, the marriage had broken down by 1989. Despite this, Judy chose to stay in the US, making her home in Los Angeles.1972 Nominee- Lead- "Fear In The Night"- Noted stage actress who has also done limited work in TV and film. Born in Germany and raised in Madison, Wisconsin, she studied at the Royal Academy of Dramatic Arts in London. Her Broadway debut was in "The Seagull" in 1938. She won her first Tony (and other awards) in 1950 for Clifford Odets "The Country Girl". Her second Tony was for the role of Martha in Edward Albee's "Who's Afraid of Virginia Woolf?".
She later became a highly influential acting teacher at New York's HB Studio (founded by Herbert Berghof in 1945) and authored best-selling acting texts, Respect for Acting, with Haskel Frankel, and A Challenge for the Actor. Her most substantial contributions to theater pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeni Vakhtangov.
She was elected to the American Theatre Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999.1972 Nominee- Lead- "The Other" - Actor
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A remarkably seasoned actor of stage, screen and television, Darren McGavin has notched in excess of 200 performances; however, he is most fondly remembered by cult TV fans as heroic newspaper reporter Carl Kolchak in the classic but short-lived horror TV series Kolchak: The Night Stalker (1974). In a long and varied career, McGavin has often turned up as authority figures including policemen, military officers, stern-faced business executives or father figures; however, he is equally adept at light-hearted comedic performances.
Darren McGavin was born William Lyle Richardson on May 7, 1922, in Spokane, Washington, to Grace Mitton (Bogart) and Reed D. Richardson. His mother was from Ontario, Canada. He received his dramatic arts training at New York's Neighborhood Playhouse and the Actors Studio, and debuted on screen in an uncredited role in A Song to Remember (1945). Several standard roles followed over the next decade before he landed the key role of Louie the drug pusher in The Man with the Golden Arm (1955) and Capt. Russ Peters in The Court-Martial of Billy Mitchell (1955), both directed by Otto Preminger. Each of these performances showcased McGavin's versatility, and his virile looks scored him the role of Mickey Spillane's hard-boiled private eye in Mike Hammer (1958).
McGavin stayed continually employed throughout the 1960s, appearing in such films as The Great Sioux Massacre (1965), The Outsider (1967), The Challengers (1970) and The Tribe (1970). In addition, he was regularly guest-starring in dozens of TV shows, including Gunsmoke (1955), Dr. Kildare (1961), Mission: Impossible (1966) and The Man from U.N.C.L.E. (1964). In 1971 he landed the role of cynical reporter Carl Kolchak in the low-budget horror thriller The Night Stalker (1972), about a vampire running amok in Las Vegas. The film was a monster ratings winner (pun intended!) and the highest-rated telemovie of 1972, and original scriptwriters were soon hard at work on a punchier sequel. The Night Strangler (1973) saw Kolchak in Seattle (after being booted out of Las Vegas by the police), and this time on the trail of a serial killer seeking the elixir of eternal youth. The second movie was equally successful, and spawned the short-lived TV series Kolchak: The Night Stalker (1974) with Simon Oakland as McGavin's long-suffering editor and a host of weekly guest stars including Jim Backus, Phil Silvers, Richard Kiel, Tom Skerritt, Scatman Crothers and Larry Storch.
"Kolchak" only lasted one season, but it became a bona-fide cult classic, and many years later its premise of "the unknown amongst us" inspired writer Chris Carter to create the phenomenally successful long-running TV series The X-Files (1993), which saw McGavin guest-star in several episodes.
McGavin remained busy throughout the rest of the 1970s and into the 1980s, appearing in Airport '77 (1977), as Gen. George S. Patton in the TV miniseries Ike: The War Years (1979), alongside Rock Hudson in the uneven sci-fi miniseries The Martian Chronicles (1980) and a few years later endeared himself to to a whole new generation of fans with his superb performance as the vitriolic, yet buffoonish, father in the delightful Christmas classic A Christmas Story (1983). The always versatile McGavin also popped up as a detective in Turk 182 (1985), assisted Arnold Schwarzenegger in cleaning up the mob in Raw Deal (1986) and was a doctor in the bizarre zombie/cop/zombie cop film Dead Heat (1988).
At this point it's worth mentioning that, along with his film and TV work, McGavin has also enjoyed an illustrious career on the stage, with appearances in dozens of critically acclaimed productions across the length and breadth of the US. He has appeared in stage presentations of "Death of a Salesman", "The Rainmaker", "The King and I" and "Blood Sweat & Stanley Poole", to name a few.
In 1990 the opportunity arose for McGavin to play another somewhat stern, yet comedic, father figure, this time as "Bill Brown" to Candice Bergen in the much loved sitcom Murphy Brown (1988). McGavin was again wonderful, and his entertaining performances resulted in an Emmy Award nomination in 1990. Several other film roles followed in the 1990s, in such films as Adam Sandler's hit Billy Madison (1995). He died on 25th February 2006 at the age of 83.1972 Nominee- Lead- "The Night Stalker"- Actor
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Jon Voight is an American actor of German and Slovak descent. He has won the Academy Award for Best Actor in a Leading Role for his role as paraplegic Vietnam War veteran Luke Martin in the war film "Coming Home" (1978). He has also been nominated for the same award other two times. He was first nominated for his role as aspiring gigolo Joe Buck in "Midnight Cowboy" (1969), He was last nominated for the award for his role as escaped convict Oscar "Manny" Manheim in "Runaway Train" (1985). He was also nominated for the Academy Award for Best Actor in a Supporting Role, for his role as sports journalist Howard Cosell (1918-1995) in "Ali" (2001).
In 1938, Voight was born in Yonkers, New York. His parents were professional golfer Elmer Samuel Voight (original name Elemír Vojtka) and his wife Barbara Agnes (Kamp). His paternal grandfather was a Slovak immigrant, as were the parents of his paternal grandmother. His maternal grandfather was a German immigrant, as were the parents of his maternal grandmother. His maternal great-uncle was political activist Joseph P. Kamp (1900-1993), a leader of the anti-communist organization "Constitutional Educational League".
Voight has two siblings: volcanologist Barry Voight (1937-) and singer-songwriter James Wesley Voight (pseudonym Chip Taylor, 1940-). Barry is most famous for first predicting and then investigating the eruption of Mount St. Helens (1980). James is most famous for writing the hit songs "Wild Thing" (1965) and "Angel of the Morning" (1967).
Voight was educated at Archbishop Stepinac High School, an all-boys Roman Catholic high school located at White Plains, New York. At the time, the school was operated by the Roman Catholic Archdiocese of New York. He took an interest in acting in his high school years, performing a comedic role in the school's annual musical, "The Song of Norway". He graduated in 1956, at the age of 18.
Voight continued his education at The Catholic University of America, located in Washington, D.C.. He majored in art, and graduated in 1960. He was 22-years-old at the time of graduation. He then moved to New York City, having decided to pursue an acting career.
In the early 1960s, Voight primarily worked as a television actor. He guest starred in episodes of then-popular television series, such as "Naked City", "The Defenders", "NET Playhouse", "12 O'Clock High", and "Gunsmoke". His first notable theatrical role was playing the illegal immigrant Rodolfo in a 1965 Off-Broadway production of the play "A View from the Bridge" (1955) by Arthur Miller (1915-2005). In the play, Rodolfo is the love interest of the American girl Catherine, and disliked by her uncle and guardian Eddie Carbone (who is in love with his niece).
Voight made his film debut in the superhero comedy "Fearless Frank" (1967), playing the role of the eponymous superhero. Frank was depicted as a murder victim who gets resurrected and granted superpowers by a scientist. Voiight's second film role was playing historical gunman and outlaw Curly Bill Brocius (1845-1882) in the Western film "Hour of the Gun" (1967). The historical Brocius was an an enemy of the Esrp family, and was killed by Wyatt Earp (1848-1929).
Voigh't third film appearance was "Midnight Cowboy" (1969), his first great success. He played the role of a naive hustler from Texas who tries to become a gigolo in New York City. The film was critically acclaimed, and became the only X-rated feature to win Best Picture at the Academy Awards. Voight was nominated for the Academy Award for Best Actor, but the award was instead won by rival actor John Wayne (1907-1979).
Voight's first role in the 1970s was playing lieutenant Milo Minderbinder in the black comedy "Catch-22" (1970). The film was based on a 1961 satirical novel by Joseph Heller (1923-1999), and offered a satirical view on war and bureaucracy. Voight's next role was playing the left-wing student A in the political drama "The Revolutionary" (1970).
Voight found further critical acclaim with the thriller film "Deliverance" (1972), playing Atlanta businessman Ed Gentry. In the film, Gentry and his first are targeted by villainous mountain men in the northern Georgia wilderness. The film earned about 46 million dollars at the domestic box office, and was nominated for the Academy Award for Best Picture.
His subsequent roles included idealistic schoolteacher Pat Conroy in "Conrack" (1974), journalist Peter Miller in "The Odessa File" (1974). His next great success was playing paraplegic war veteran Luke Martin in "Coming Home" (1978), in a role inspired by the life of war veteran and anti-war activist Ron Kovic (1976-). He won the Academy Award for Best Actor for this film. His co-star Jane Fonda (1937-) won her second Academy Award for Best Actress for her role in this film.
Voight's early 1980s roles included conman Alex Kovac in "Lookin' to Get Out" (1982) and widowed father J. P. Tannen in "Table for Five" (1983). His next big success was the role of escaped convict Oscar "Manny" Manheim in "Runaway Train" (1985). He was again nominated for the Academy Award for Best Actor, but the Award was instead won by rival actor William Hurt (1950-).
Voight's next role was that of Jack Chismore in the drama film "Desert Bloom" (1986). Chismore is depicted as a war veteran suffering from post-traumatic stress disorder (PTSD), who is trying to raise three stepdaughters. He frequently abuses his stepdaughter Rose Chismore (played by Annabeth Gish), but is genuinely concerned for her safety when Rose runs away from home. This film was Voigh's last film role for several years, as he took a hiatus from acting.
Voight returned to acting with the drama film "Eternity" (1990), where he was also the screenwriter. The film deals with reincarnation, as a medieval war within brothers continues in modern American politics. Following his return to acting, Voight started appearing frequently in television films and miniseries. He also guest-starred in a 1994 episode of "Seinfeld", playing himself.
Voight returned to film acting with the crime drama "Heat" (1995), where he had a minor role as a fence. He had a more substantial role in the spy film "Mission: Impossible" (1996), where he played spymaster James Phelps. The film was an adaptation of the popular television series "Mission: Impossible" (1966-1973), about the adventures of a group of secret agents. The role of James Phelps was previously played by actor Peter Graves (1926-2010). The film was a great commercial success, earning about 458 million dollars at the worldwide box office.
Voight appeared in six different films in 1997, one of the busiest years of his career. The most notable among them was the horror film "Anaconda" (1997), where he played obsessive hunter Paul Serone, the film's main antagonist. The film won about 137 million dollars at the box office, despite a mostly negative critical reception. For this role, Voight was nominated for the Golden Raspberry Award for Worst Actor. He lost the award to rival actor Kevin Costner (1955-).
His next notable role was that Thomas Brian Reynolds, agent of the National Security Agency (NSA) in the action thriller "Enemy of the State" (1998). In the film, the NSA conspires to expand the surveillance powers of intelligence agencies over individuals and groups, at the cost of American citizens' right to privacy. The film was another box office success in Voight's career, earning about 251 million dollars at the box office.
In the same year, Voight played inspector Ned Kenny in the crime film "The General" (1998). The film was loosely based on the career of Irish crime boss Martin Cahill (1949-1994), who was nicknamed "the General". The film was critically acclaimed and director John Boorman won the Cannes Film Festival Award for Best Director.
Voight's next notable role was that of domineering coach Bud Kilmer in the sports film "Varsity Blues" (1999). The film dealt with the difficulties in the life of the players of a Texas-based high school football team, and was not expected to attract much attention by audiences. It earned about 54 million dollars at the box office, making it a modest box office hit. It is credited with introducing Voight to a next generation of fans.
Voight's final film in the 1990s was "A Dog of Flanders" (1999), based on a 1872 novel by Ouida (1839-1908). He played the role of artist Michel La Grande, the mentor of Nello (played by Jeremy James Kissner), who is eventually revealed to be Nello's biological father. The film failed at the box office, failing to earn as much as its modest budget.
Voight appeared in no film released in 2000, but had a busy year in 2001. He appeared in several box office hits of the year. He played President of the United States Franklin Delano Roosevelt (1882-1945, term 1933-1945) in the war drama "Pearl Harbor", Lara Croft's father Lord Richard Croft in the action film "Lara Croft: Tomb Raider", coal-miner and working class father Larry Zoolander in action comedy "Zoolander", and sports journalist Howard Cosell in the biographical film "Ali". For his role in "Ali", Voight was nominated for the Academy Award for Best Supporting Actor. The award was instead won by rival actor Jim Broadbent (1949-). It was Voight's fourth and (so far) last nomination for an Academy Award.
Voight had a notable role playing Pope John Paul II (1920-2005, term 1978-2005) in the miniseries "Pope John Paul II" (2005). He was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie, but the award was instead won by rival actor Andre Braugher (1962-).
Voight had a supporting role as John Keller, United States Secretary of Defense in the science fiction film "Transformers" (2007). The film was based on the Transformers toy line by Hasbro.It earned about 710 million dollars at the box office, one of the most commercially successful films in Voight's career.
In 2009, Voight had a notable television role, playing Jonas Hodges, the CEO of a Virginia-based private military company in the then-popular television series "24" (2001-2010, 2014). He was a main antagonist in the seventh season of the series. His role was inspired by the careers of Hessian colonel Johann Rall (c. 1726-1776), German industrialist Alfried Krupp von Bohlen und Halbach (1907-1967), and private military company CEO Erik Prince (1969-).
His 2010s notable film roles include the role of Dracula's enemy Loonardo Van Helsing in the horror film "Dracula: The Dark Prince" (2013), football coach Paul William "Bear" Bryant (1913-1983) in the sports drama "Woodlawn" (2015), and newspaper owner Henry Shaw Sr. in "Fantastic Beasts and Where to Find Them" (2016). "Fantastic Beasts" earned about 814 million dollars at the worldwide box office, being one of the most commercially successful films that Voight ever appeared in.
In 2020, was 82-years-old, and he is still working as an actor.**WINNER- 1972- Lead- "Deliverance"**- Actress
- Writer
- Soundtrack
The lovely Susannah York, a gamine, blue-eyed, cropped-blonde British actress, displayed a certain crossover star quality when she dared upon the Hollywood scene in the early 1960s. A purposefully intriguing, enigmatic and noticeably uninhibited talent, she was born Susannah Yolande Fletcher on January 9, 1939 in Chelsea, London, but raised in a remote village in Scotland. Her parents divorced when she was around 6. Attending Marr College, she trained for acting at London's Royal Academy of Dramatic Art, winning the Ronson Award for most promising student. She then performed classical repertory and pantomime in her early professional career.
Making an impression on television in 1959 opposite Sean Connery in a production of "The Crucible" as Abigail Williams to his John Proctor, the moon-faced beauty progressed immediately to ingénue film roles, making her debut as the daughter of Alec Guinness in the classic war drama Tunes of Glory (1960). She emerged quickly as a worthy co-star with the sensitively handled coming-of age drama Loss of Innocence (1961), the more complex psychodrama Freud (1962), as a patient to Montgomery Clift's famed psychoanalyst, and the bawdy and robust 18th century tale Tom Jones (1963), with Susannah portraying the brazenly seductive Sophie, one of many damsels lusting after the bed-hopping title rogue Albert Finney.
Susannah continued famously both here and in England in both contemporary and period drama opposite the likes of Warren Beatty, William Holden, Paul Scofield and Dirk Bogarde. Susannah was a new breed. Free-spirited and unreserved, she had no trouble at all courting controversy in some of the film roles she went on to play. She gained special notoriety as the child-like Alice in her stark, nude clinches with severe-looking executive Coral Browne in the lesbian drama The Killing of Sister George (1968). A few years later, she and Elizabeth Taylor traveled similar territory with X, Y & Zee (1972).
Award committees also began favoring her; she won the BAFTA film award as well as Oscar and Golden Globe nominations for her delusional Jean Harlow-like dance marathon participant in the grueling Depression-era film They Shoot Horses, Don't They? (1969). Her crazy scene in the shower with Oscar-winner Gig Young was particularly gripping and just one of many highlights in the acclaimed film. She also copped a Cannes Film Festival award for her performance in Images (1972) playing another troubled character barely coping with reality. On television, she was Emmy-nominated for her beautifully nuanced Jane Eyre (1970) opposite George C. Scott's Rochester.
Susannah's film career started to lose ground into the 1970s as she continued her pursuit of challengingly offbeat roles as opposed to popular mainstream work. The film adaptations of Kurt Vonnegut Jr.'s Happy Birthday, Wanda June (1971) opposite Rod Steiger and Jean Genet's The Maids (1975) with Glenda Jackson were not well-received. Her performances in such films as Gold (1974), Conduct Unbecoming (1975) which starred another famous York (Michael York), That Lucky Touch (1975), Sky Riders (1976) and The Shout (1978) were overlooked, as were the films themselves. In the one highly popular movie series she appeared in, the box-office smashes Superman (1978) and its sequel Superman II (1980), she had literally nothing to do as Lara, the wife of Marlon Brando's Jor-El and birth mother of the superhero. While the actress continued to pour out a number of quality work assignments in films and television, she failed to recapture her earlier star glow.
Wisely, Susannah began extending her talents outside the realm of film acting. Marrying writer Michael Wells in 1960, she focused on her personal life, raising their two children for a time. The couple divorced in 1980. In the 1970s, she wrote the children's books "In Search of Unicorns" and "Lark's Castle". She also found time to direct on stage and wrote the screenplay to one of her film vehicles Falling in Love Again (1980). On stage Susannah performed in such one-woman shows as "Independent State", 'Picasso's Women", "The Human Voice" and "The Loves of Shakespeare's Women", while entertaining such wide and varied theatre challenges as "Peter Pan" (title role), "Hamlet" (as Gertrude), "Camino Real", "The Merry Wives of Windsor", "A Streetcar Named Desire", "Private Lives", "Agnes of God" and the title role in "Amy's View".
At the age of 67, Susannah showed up once again on film with a delightful cameo role in The Gigolos (2006), and seemed ripe for a major comeback, perhaps in a similar vein to the legendary Judi Dench, Maggie Smith and Helen Mirren. Sadly, it was not to be. Diagnosed with bone marrow cancer, the actress died on January 15, 2011, six days after her 72nd birthday. Her final films, Franklyn (2008) and The Calling (2009), proved that she still possessed the magnetism of her earlier years.1972 Nominee- Lead- "Images"- Actor
- Soundtrack
Stocky, genial-looking supporting actor Ned Beatty was once hailed by Daily Variety as the "busiest actor in Hollywood."
Ned Thomas Beatty was born in Louisville, Kentucky, to Margaret (Fortney) and Charles William Beatty. He grew up fishing and working on farms. His hometown of St. Matthews, Kentucky, is hardly the environment to encourage a career in the entertainment industry, though, so when asked, "How did you get into show business?" Beatty responded, "By hanging out with the wrong crowd." That "crowd" includes some of the industry's most prominent names, such as John Huston, Steven Spielberg, Robert Altman, Paul Newman, Richard Burton, Charlton Heston, Marlon Brando and Robert Redford.
Beatty garnered praise from both critics and peers as a dedicated actor's actor. He started as a professional performer at age ten, when he earned pocket money singing in gospel quartets and a barber shop. The big city and bright lights did not come easy, though. The first ten years of Beatty's career were spent at the Barter Theater in Abingdon, Virginia. He then moved on to the Erie Playhouse in Pennsylvania, the Playhouse Theater in Houston, Texas, and the prestigious Arena Stage Company in Washington, D.C. He was also a member of Shakespeare in Central Park, Louisville, Kentucky. Later, he appeared in the Broadway production of "The Great White Hope". At the Mark Taper Forum in Los Angeles, he won rave reviews when he starred in "The Accidental Death of an Anarchist."
In 1971, Beatty was chosen by director John Boorman for the role of Bobby Trippe in the hit film/backwoods nightmare Deliverance (1972). Co-star Burt Reynolds and Beatty struck up a friendship, and Ned was then cast by Burt in several other films together, including White Lightning (1973), W.W. and the Dixie Dancekings (1975), and the abysmal Stroker Ace (1983). Ned's talents were also noticed by others in Hollywood and he was cast in many key productions of the 1970s turning in stellar performance, including an Academy Award nomination of Best Supporting Actor for his role in Network (1976). Beatty was also marvelous in Nashville (1975), under fire from a crazed sniper in The Deadly Tower (1975), an undercover FBI man in the action comedy Silver Streak (1976), as Lex Luthor's bumbling assistant, Otis, in the blockbuster Superman (1978) ... and he returned again with Gene Hackman to play Otis and Lex Luthor again in Superman II (1980).
Beatty continued to remain busy throughout the 1980s with appearances in several big budget television productions including The Last Days of Pompeii (1984). However, the overall caliber of the productions in general did not match up to those he had appeared in during the 1970s. Nonetheless, Beatty still shone in films including The Big Easy (1986) and The Fourth Protocol (1987). Into the 1990s, Beatty's work output swung between a mixture of roles in family orientated productions (Gulliver's Travels (1996), Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990), etc.) taking advantage of his "fatherly" type looks, but he could still accentuate a hard edge, and additionally was cast in Radioland Murders (1994) and Just Cause (1995). His many other films include The Toy (1982), All the President's Men (1976), Wise Blood (1979), Rudy (1993), Spring Forward (1999), Hear My Song (1991) -- for which he earned a Golden Globe nomination for Best Supporting Actor -- Prelude to a Kiss (1992), He Got Game (1998) and Cookie's Fortune (1999). Beatty's numerous television credits include three years on the NBC series Homicide: Life on the Street (1993), Streets of Laredo (1995) and The Boys (1993).
Beatty received an Emmy Award nomination for Best Actor for his performance in Friendly Fire (1979) opposite Carol Burnett, and a Best Supporting Actor nomination for Family Channel's Magic Hour: Tom Alone (1989). Other notable credits include The Wool Cap (2004), The Execution of Private Slovik (1974), A Woman Called Golda (1982), Pray TV (1982), the miniseries Robert Kennedy and His Times (1985), Lockerbie: A Night Remembered (1998) and T Bone N Weasel (1992). He also had a recurring role on Roseanne (1988) and performed musically on television specials for Dolly Parton and The Smothers Brothers.
In 2001, Beatty returned to his theatrical roots starring in London's West End revival production of Tennessee Williams' "Cat on a Hot Tin Roof" with Brendan Fraser. He also appeared in the production on Broadway in 2003/2004 with Jason Patric and Ashley Judd. In 2006, Beatty completed three features to be released next year: The Walker (2007); Paul Schrader's film also starring Woody Harrelson, Kristin Scott Thomas and Lily Tomlin; Paramount Pictures' Shooter (2007) starring Mark Wahlberg; and Charlie Wilson's War (2007), Mike Nichols's film with Tom Hanks, Philip Seymour Hoffman and Julia Roberts. Also in the 21st century, Beatty turned out a terrific performance in the popular Where the Red Fern Grows (2003). Blessed with eight children, Ned Beatty enjoyed golf and playing the bass guitar. He gave himself until the age of 70 to become proficient at both. He died at age 83 of natural causes on June 13, 2021 in Los Angeles, California.1972 Nominee- Supporting- "Deliverance"- Actress
- Director
- Writer
A sensual, versatile legend of arthouse and grindhouse Italian cinema, Florinda Bolkan was born Florinda Soares Bulcão in Uruburetama, Ceará, Brazil, as the youngest of three children from a Brazilian father and an Indios mother. Her father, diplomat José Pedro Soares Bulcão, died when she was 14, and she began working as a secretary to support her family while attending school and learning English and French. Eventually, she began working as a flight inspector for Varig. In 1967, she visited Rome and was introduced by producer Marina Cicogna (who would become her lover over the next 21 years) to Luchino Visconti, who finally persuaded her to pursue modelling and acting. She quickly landed supporting roles in Crime Thief (1969), Candy (1968) (in which she played a sister to Ringo Starr) and Visconti's The Damned (1969). By this time, Florinda had chosen to use "Bolkan" as her last name, believing it to have more international appeal. Despite eventually becoming fluent in the language, she was usually dubbed in Italian due to her thick accent.
Upon beginning her new career, Bolkan quickly received acclaim as an upcoming talent: for her performance in Love Circle (1969), she shared the Golden Plate prize from the David di Donatello Awards alongside Olivia Hussey and Leonard Whiting. She would win two more David di Donatellos (for Best Actress) during her career, for The Anonymous Venetian (1970) and Cari genitori (1973). Bolkan appeared in two highbrow Italian films that were of considerable importance on an international scale: Elio Petri's Investigation of a Citizen Above Suspicion (1970) (winner of the 1970 Oscar for Best Foreign-Language Picture) and the penultimate work of Vittorio De Sica, A Brief Vacation (1973). She also appeared in several lower-budget genre films throughout her prime, including Machine Gun McCain (1969), Detective Belli (1969), A Lizard in a Woman's Skin (1971)_, Don't Torture a Duckling (1972), The Master Touch (1972), Flavia, the Heretic (1974), Footprints on the Moon (1975), The Last House on the Beach (1978) and Collector's Item (1985). Aside from a few international productions, such as The Last Valley (1971), Royal Flash (1975), The Day That Shook the World (1975) and Some Girls (1988), Bolkan rarely worked outside of Italy. By the late 1980s, she had largely left cinema in favour of television and stage productions (such as The Word (1978) and La piovra (1984)), although Eu Não Conhecia Tururu (2000) - her only film as actor, writer, producer and director - received favourable coverage in her home country.
By 2006, Bolkan had retired from acting, and now owns and operates the Villa Voltarina in Bracciano. Her other endeavours aside from acting have included serving as a judge in the 1976 Miss Universe pageant, real estate work, publishing a gourmet cookbook and supporting Italian and Brazilian children in financial need.1972 Nominee- Supporting- "Don't Torture A Duckling"- Lucy Grantham was born on 13 October 1951 in Brooklyn, New York, USA. She is an actress, known for The Last House on the Left (1972).1972 Nominee- Supporting- "The Last House On The Left"
- Actor
- Composer
- Music Department
David Alexander Hess was born in New York City in 1936. He began his professional career as a songwriter for Shalimar Music, in 1957, under the pseudonym of David Hill. His first recording was a quick hit, which was later performed by and credited to Elvis Presley, "All Shook Up."
David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the The Ames Brothers. He continued to write songs for Elvis throughout the 1950s and 1960s, including "I Got Stung," "Come Along" (from the film "Frankie And Johnny"), and "Sand Castles" (from the film "Paradise, Hawaiian Style"). He also wrote "Make Me Know You're Mine" (first performed by Conway Twitty, and "Blue Lagoon." "Your Hand, Your Heart, Your Love" became a 1960s hit when it was performed by Andy Williams. In 1963 David wrote and recorded "Speedy Gonzalez," which became a #1 single for Pat Boone, selling more than eight million copies worldwide. David then recorded two solo albums for Kapp Records, again topping the charts, this time with a Top Ten folk hit called "Two Brothers."
In 1969 he became head of A&R at Mercury Records in New York. There he linked up with Western classical composer John Corigliano, and together they wrote the Grammy award-winning rock opera "The Naked Carmen", which became a big hit of the Berlin Ballet Week in 1970. David's work with Mercury also included "And the Children Toll the Passing of the Day," a 1969 album he wrote for Irish actor Malachy McCourt.
In 1972 his career split off into several new directions with his starring role in the Wes Craven horror classic The Last House on the Left (1972), for which he also composed the soundtrack. He went on to score Buck ai confini del cielo (1991), a children's film based on a collection of Jack London stories. It won the top prize for film and direction at the Giffone Film Festival. A subsequent job offer from PolyGram Records' German affiliate gave David the opportunity to move to Munich, Germany, and a multilingual career in film dubbing from 1972 to 1976, which in turn led him to write the English-language shooting scripts for such German greats as Rainer Werner Fassbinder, Reinhard Hauff and his present collaborator, Peter Schamoni.
His ability to switch seamlessly from in front of the camera to the production team earned him the opportunity to direct his first American feature film, To All a Goodnight (1980), for Media Home Entertainment in 1980. He also appeared in two low-budget horror films directed by Ruggero Deodato, House on the Edge of the Park (1980) and Body Count (1986).
In 1991 he played the part of the American in Peter Schamoni's Max Ernst: Mein Vagabundieren - Meine Unruhe (1991). From 1993 to 1995 he produced Niki de Saint Phalle (1996).
David's final musical accomplishments included the release of two albums, "Caught Up In The Moment" and "Live & Unplugged in Hollywood, 2002." He lived in Southern California, just outside of Los Angeles, with his wife, with whom he had three children.
David Hess died on 7 October, 2011.**WINNER- 1972- Supporting- "The Last House On The Left"**- Actress
- Stunts
Jeramie Rain was born on August 23, 1948 in Charleston, West Virginia. After appearing on episodes of General Hospital (1963) and The Doctors (1963), she gained international recognition in 1972 for her convincing portrayal of the sadistic Sadie in Wes Craven's controversial debut film The Last House on the Left (1972). Her other roles include the cheerleader Jane in The Abductors (1972) and Willie Mae in Preacherman Meets Widderwoman (1973). Outside of acting, Rain has also worked as a writer and producer at NBC, at both the Rockefeller Center and Los Angeles locations. In 1983, Jeramie married actor Richard Dreyfuss; she had three children with Dreyfuss prior to divorcing him in 1995. In the early 90s, Jeramie founded "Mother's Touch", which is a Los Angeles-based charity that helps out children diagnosed with serious illnesses. She was interviewed in the retrospective documentary, Celluloid Crime of the Century (2003). Rain now works as producer and scriptwriter for daytime television programs in Los Angeles.1972 Nominee- Supporting- "The Last House On The Left"- Solemn-looking Middle Eastern-looking Zohra Lampert, with the prominent cheek bones and soothing voicer, had a touching, understated quality to her talent that should have gone further in the film business than it did. Somehow she never got the breaks necessary for top-flight stardom. Still and all, this comely actress with soft, vulnerable features managed to contribute a number of genuinely affecting performances, particularly on TV.
Born in New York City on May 13, 1931, Zohra was the daughter of Russian-born hardware store owners. She attended Manhattan's High School of Music and Art and later graduated from the University of Chicago. A one-time member of Chicago's Second City comedy troupe, she had a stint with the Lincoln Center Repertory Theatre before turning to Broadway and making her 1958 debut in the play "Maybe Tuesday." She was quickly nominated for two consecutive Tony awards for her superb work in "Look: We've Come Through" (1961) and "Mother Courage and Her Children" (1963), then continued with poignant performances in such productions as "After the Fall" (1964), "Lovers and Other Strangers" (1968) and "The Sign in Sidney Brustein's Window" (1972).
Following occasional TV guest parts on such programs as "Ford Star Jubilee" and "Decoy," Zohra made a minor film debut in Odds Against Tomorrow (1959). She received much more attention with her humble, deeply stirring performance as Ernest Borgnine's Italian wife in the minor crime story Pay or Die! (1960), then quietly stole a touching scene towards the end of the film Splendor in the Grass (1961) from both Natalie Wood and Warren Beatty as Beatty's careworn spouse. Those two performances alone should have lifted her to the heights, but they didn't.
A chameleon-like actress who didn't quite fit into the Hollywood structure as a star personality, Lampert, perhaps because of her ethnic looks, was passed over in such films as Posse from Hell (1961) and Hey, Let's Twist! (1961), A Fine Madness (1966), Bye Bye Braverman (1968) and Some Kind of a Nut (1969). She did score with a neurotic title lead in the low-budgeted cult chiller Let's Scare Jessica to Death (1971).
She seemed to favor the small screen for the most part in the 60's and 70's. She was performing primarily on the small screen in offbeat lead or character roles on such popular programs as "Route 66," "The Defenders," "United States Steel Hour," "The Alfred Hitchcock Hour," "Dr. Kildare," "Naked City," "The Man from U.N.C.L.E.," "I Spy," "Then Came Bronson," "Love, American Style," "The Bob Newhart Show," "Quincy" and an Emmy-winning guest performance as a gypsy in "Kojak." She also was a part of two short-lived series: The Girl with Something Extra (1973) starring Sally Field and Doctors' Hospital (1975).
Lampert graced several TV movies as a second lead or support player including Lady Oscar (1979), The Suicide's Wife (1979), The Girl, the Gold Watch & Everything (1980), The Girl, the Gold Watch & Dynamite (1981) and Izzy & Moe (1985). In later years, she was reduced to featured status in films and found some earthy, quirky ladies to inhabit in such films as Alphabet City (1984), Teachers (1984), American Blue Note (1989), Stanley & Iris (1990), The Exorcist III (1990), Alan & Naomi (1992), Last Supper (1992) and The Eden Myth (1999).
Better remembered for her spokeswoman for the Goya Beans commercials in the 1980's, she left the screen willfully in the late 1990's for nearly a decade, but returned for only three films - The Hungry Ghosts (2009), Zenith (2010) and the barely seen Sexual Secrets (2014). She was married twice, divorcing "Second City" comedy co-founder Bill Alton and later marrying radio host and singer Jonathan Schwartz in 2010.1971 Nominee- Lead- "Let's Scare Jessica To Death" - Katsuo Nakamura was born on 23 April 1938 in Tokyo, Japan. He is an actor, known for Shirikurae Magoichi (1969), Kagero-za (1981) and Love Letter (1981).1971 Nominee- Lead- "Demons"
- Actress
- Producer
- Writer
Debbie Reynolds was born Mary Frances Reynolds in El Paso, Texas, the second child of Maxine N. (Harmon) and Raymond Francis Reynolds, a carpenter for the Southern Pacific Railroad. Her film career began at MGM after she won a beauty contest at age 16 impersonating Betty Hutton. Reynolds wasn't a dancer until she was selected to be Gene Kelly's partner in Singin' in the Rain (1952). Not yet twenty, she was a quick study. Twelve years later, it seemed like she had been around forever. Most of her early film work was in MGM musicals, as perky, wholesome young women. She continued to use her dancing skills with stage work.
She was 31 when she gave an Academy Award-nominated performance in The Unsinkable Molly Brown (1964). She survived losing first husband Eddie Fisher to Elizabeth Taylor following the tragic death of Mike Todd. Her second husband, shoe magnate Harry Karl, gambled away his fortune as well as hers. With her children as well as Karl's, she had to keep working and turned to the stage. She had her own casino in Las Vegas with a home for her collection of Hollywood memorabilia until its closure in 1997. She took the time to personally write a long letter that is on display in the Judy Garland museum in Grand Rapids, Minnesota and to provide that museum with replicas of Garland's costumes. The originals are in her newly-opened museum in Hollywood.
Nearly all the money she makes is spent toward her goal of creating a Hollywood museum. Her collection numbers more than 3000 costumes and 46,000 square-feet worth of props and equipment.
With musician/actor Eddie Fisher, she was the mother of filmmaker Todd Fisher and actress Carrie Fisher. Debbie died of a stroke on December 28, 2016, one day after the death of her daughter Carrie. She was survived by her son and granddaughter, up-and-coming actress Billie Lourd.**WINNER- 1971- Lead- "What's The Matter With Helen?"**- Actress
- Producer
- Director
On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.1971 Nominee- Lead- "The Devils"- Actress
- Soundtrack
Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.
On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).
After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".
By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).
Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.1971 Nominee- Lead- "Play Misty For Me"- Actor
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Graham Armitage was born on 24 April 1936 in Manchester, England, UK. He was an actor, known for The Devils (1971), Jane and the Lost City (1987) and The Avengers (1961). He died on 6 March 1999 in Johannesburg, South Africa.1971 Nominee- Supporting- "The Devils"- Gretchen Corbett was born on 13 August 1945 in Portland, Oregon, USA. She is an actress, known for The Rockford Files (1974), Pig (2021) and Otherworld (1985).1971 Nominee- Supporting- "Let's Scare Jessica To Death"
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Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, who was a stage actress. While at school, Cushing pursued his acting interest in acting and also drawing, a talent he put to good use later in his first job as a government surveyor's assistant in Surrey. At this time, he also dabbled in local amateur theater until moving to London to attend the Guildhall School of Music and Drama on scholarship. He then performed in repertory theater in Worthing, deciding in 1939 to head for Hollywood, where he made his film debut in The Man in the Iron Mask (1939). Other Hollywood films included A Chump at Oxford (1940) with Stan Laurel and Oliver Hardy, Vigil in the Night (1940) and They Dare Not Love (1941). However, after a short stay, he returned to England by way of New York (making brief appearances on Broadway) and Canada. Back in his homeland, he contributed to the war effort during World War II by joining the Entertainment National Services Association.
After the war, he performed in the West End and had his big break appearing with Laurence Olivier in Hamlet (1948), in which Cushing's future partner-in-horror Christopher Lee had a bit part. Both actors also appeared in Moulin Rouge (1952) but did not meet until their later horror films. During the 1950s, Cushing became a familiar face on British television, appearing in numerous teleplays, such as 1984 (1954) and Beau Brummell (1954), until the end of the decade when he began his legendary association with Hammer Film Productions in its remakes of the 1930s Universal horror classics. His first Hammer roles included Dr. Frankenstein in The Curse of Frankenstein (1957), Dr. Van Helsing in Horror of Dracula (1958), and Sherlock Holmes in The Hound of the Baskervilles (1959).
Cushing continued playing the roles of Drs. Frankenstein and Van Helsing, as well as taking on other horror characters, in Hammer films over the next 20 years. He also appeared in films for the other major horror producer of the time, Amicus Productions, including Dr. Terror's House of Horrors (1965) and its later horror anthologies, a couple of Dr. Who films (1965, 1966), I, Monster (1971), and others. By the mid-1970s, these companies had stopped production, but Cushing, firmly established as a horror star, continued in the genre for some time thereafter.
Perhaps his best-known appearance outside of horror films was as Grand Moff Tarkin in George Lucas' phenomenally successful science fiction film Star Wars: Episode IV - A New Hope (1977). Biggles: Adventures in Time (1986) was Cushing's last film before his retirement, during which he made a few television appearances, wrote two autobiographies and pursued his hobbies of bird watching and painting. In 1989, he was made an Officer of the Order of the British Empire in recognition of his contributions to the acting profession in Britain and worldwide. Peter Cushing died at age 81 of prostate cancer on August 11, 1994.1971 Nominee- Supporting- "Twins Of Evil"- Actor
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Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.1971 Nominee- Supporting- "Wake In Fright"- Actress
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Delphine was born in Beirut on the 10th April 1932 into an intellectual Protestant family. Her Alsatian father, Henri Seyrig, was the director of the Archaeological Institute and later France's cultural attaché in New York during World War Two. Her Swiss mother, Hermine De Saussure, was an adept of Rousseau's theories, a female sailing pioneer and the niece of the universally acclaimed linguist and semiologist, Ferdinand De Saussure. Delphine also had a brother, Francis Seyrig, who would go on to become a successful composer. At the end of the war, the family relocated to Paris, although Delphine's adolescence was to be spent between her country, Greece and New York. Never a good student, she decided to quit school at age 17 to pursue a stage career. Her father gave her his approval on the condition that she would have done this with seriousness and dedication. Delphine took courses of Dramatic Arts with some illustrious teachers such as Roger Blin, Pierre Bertin and Tania Balachova. Some of her fellow students included Jean-Louis Trintignant, Michael Lonsdale, Laurent Terzieff, Bernard Fresson, Stéphane Audran, Daniel Emilfork and Antoine Vitez. Her stage debut came in 1952 in a production of Louis Ducreux's musical "L'Amour en Papier", followed by roles in "Le Jardin du Roi" (Pierre Devaux) and in Jean Giraudoux's "Tessa, la nymphe au Coeur fidèle". Stage legend Jean Dasté was the first director to offer her a couple of parts that would truly showcase her talents: Ariel in Shakespeare's "The Tempest" and Chérubin in Beaumarchais' "The Marriage of Figaro". He also had her take the title role in a production of Giraudoux's "Ondine" from Odile Versois, who had gone to England to shoot an Ealing movie. Delphine's performance was greeted with enormous critical approval. The young actress stayed in Europe for a couple years more, starring in a production of Oscar Wilde's "An Ideal Husband" in Paris, making two guest appearances in Sherlock Holmes (1954) (which was entirely shot in France) and trying to enter the TNP (People's National Theatre). She actually wasn't admitted because the poetic, melodious voice that would become her signature mark was deemed too strange. In 1956, Delphine decided to sail for America along with her husband Jack Youngerman (a painter she had married in Paris) and son Duncan.
Delphine tried to enter the Actor's studio, but, just like in the case of many of Hollywood's finest actors, she failed the admittance test. She would still spend three years as an observer (also attending Lee Strasberg's classes) and this minor mishap didn't prevent her from going on with her stage career anyway, as she did theatre work in Connecticut and appeared in an off-Broadway production of Pirandello's "Henry IV" opposite Burgess Meredith and Alida Valli. Legend wants that the show was such a flop that the producer burned down the set designs. One year later, a single meeting would change the young actress' life forever. Delphine was starring in a production of Henrik Ibsen's "An Enemy of the People" when one very day she was approached by a very enthusiast spectator. It was the great director Alain Resnais, fresh of the huge personal triumph he had scored with his masterwork, Hiroshima Mon Amour (1959). Resnais was now trying to do a movie about the pulp magazine character Harry Dickson (an American version of Sherlock Holmes) and thought that Delphine could have played the role of the detective's nemesis, Georgette Cuvelier/The Spider. The project would never see the light of the day, but this meeting would soon lead to the genesis of an immortal cinematic partnership. Delphine's first feature film was also done the same year: it was the manifesto of the Beat Generation, the innovative Pull My Daisy (1959). The 30 minutes film was written and narrated by Jack Kerouac and featured an almost entirely non-professional cast including poets Allen Ginsberg, Gregory Corso and Peter Orlovsky along with painter Larry Rivers. Delphine played Rivers' wife in this well-done and interesting curio, an appropriate starting point to a very intriguing and alternative career. In 1960 she landed the role of Cara Williams and Harry Morgan's French neighbour in a new sitcom, Pete and Gladys (1960). Although she left the show after only three episodes, it is interesting to see her interact with the likes of Williams, Morgan and Cesar Romero, since they seem to belong to such different worlds. This was going to be the end of Delphine's journey in the States, although she would keep very fond memories of this period, stating in 1969 that she didn't consider herself "particularly French, but American in equal measure". In 1961 she would take her native France by storm.
Resnais had now been approached by writer Alain Robbe-Grillet- one of the main creators of the "Nouveau Roman" genre- to direct a movie based upon his script "L'anneé dernière". Having been awed by the recent Vertigo (1958), Robbe-Grillet was nourishing the hope that Kim Novak could have possibly played the mysterious female protagonist of the upcoming adaptation of his novel. Luckily, Resnais had different plans. Delphine was back in France for a holiday when the director offered her the role of the enigmatic lady nicknamed A. in his latest movie, Last Year at Marienbad (1961). Delphine accepted and finally took her rightful place in film history. The plot of the movie is apparently simple: in a baroque-looking castle, X. (Giorgio Albertazzi) tries to convince the reclusive A. that they had an affair the previous year. The movie has been interpreted in many different ways: a ghost story, a sci-fi story, an example of meta-theatre, a retelling of the myth of Orpheus and Eurydice, a retelling of Pygmalion and the Statue and plenty more. Resnais proved to be very partial to Delphine and didn't want her to just stand there like a motionless mannequin like the entire supporting cast did. As X. begins to instill or awake some feelings and memories into A., Delphine subtly hints at a change happening inside the character, managing to alternatively project an image of innocence and desire in a brilliant way. With her stunning, sphinx-like beauty being particularly highlighted by raven-black hair (Resnais wanted her to look like Louise Brooks in Pandora's Box (1929)) and her warm, seductive voice completing the magical charm of the character, Delphine made A. her most iconic-looking creation and got immediately welcomed to the club of the greatest actresses of France. The movie itself received the Golden Lion at Venice Film Festival and remains Resnais' masterpiece, not to mention possibly the greatest son of the French New Wave. The gothic organ music provided by Delphine's brother Francis also played an important role in the success of "Marienbad".
Like he had done a couple years before with Emmanuelle Riva, Resnais had made another invaluable gift to French cinema and one would have expected to see Delphine immediately racking a dozen film projects after "Marienbad", but for the time being she preferred to return to her first love, the theatre. She always wished to avoid the perils of celebrity and started a very turbulent relationship with reporters. She made this statement on the subject: "There is nothing to say about an actor or an actress. You just need to go and see them, that's all". She also hated the fact that, after "Marienbad", many journalists had paraphrased many of her statements in order to get meatier articles or entirely made up stories about her. Her next film project came in 1963 when she was reunited with Resnais for the superb Muriel (1963). Wearing some makeup that made her look plainer and older, Delphine gave a first sample of her chameleon-like abilities and one of her most spectacular performances ever as Hélène Aughain, an apparently absent-minded, but actually very tragic antique shop dealer who tries to reshape her squalid present in order to get even with a past made of shame and humiliation. Providing her character with a clumsy walk and an odd behavior that looks amusing on the surface, she delegated her subtlest facial expressions to hint at Hélène's grief and sense of dissatisfaction, creating a very pathetic and moving figure in the process. This incredible achievement was awarded with a Volpi cup at Venice Film Festival. Delphine felt very proud for herself and for Resnais. "Muriel" turned out to be one of the director's most divisive works, with some people considering it his finest film and others dismissing it as a product below his standard. The movie's American reception was unfortunately disastrous: having been released in New York disguised as an "even more mysterious sequel" to Marienbad, it stayed in theaters for five days only. The same year, Delphine did a TV movie called Le troisième concerto (1963) which marked her first collaboration with Marcel Cravenne. Her performance as a pianist who's seemingly losing her mind scored big with both critics and audience and made her much more popular with the French public than two rather inaccessible movies such as "Marienbad" and "Muriel" could ever do. Delphine never considered herself a star though, stating that "a star is like a racing horse a producer can place money on" and that she wasn't anything like that. In the following years she kept doing remarkable stage work. 1964 saw her first collaboration with Samuel Beckett: she invited the great author at her place in Place Des Vosges where she rehearsed for the role of the Lover in the first French production of "Play" along with Michael Lonsdale as the Husband and Eléonore Hirt as the Wife. The three of them would then bring the show to the stage and star in a film version in 1966. Delphine would team up with Beckett on other occasions in the future and even more frequently with Lonsdale, her co-star in several films and stage productions. For two consecutive times she won the "Prix Du Syndicat de la Critique" (the most ancient and illustrious award given by French theatre critics) for Best Actress: in 1967 (1966/1967 season) for her performances in "Next Time I'll Sing to You" and "To Find Oneself" and in 1969 (1968/1969 season) for her work in L'Aide-mémoire. In 1966 she did a cameo in the surreal, Monty Pythonesque Who Are You, Polly Maggoo? (1966), which was written and directed by William Klein (her friend of about 20 years) and starred Sami Frey, who would be her partner for her entire life after her separation from Youngerman. In 1967, she had a few exquisitely acted scenes (all shot in one day and a half) with Dirk Bogarde in Joseph Losey's excellent Accident (1967). Her appearance as Bogarde's old flame seemed to echo and pay homage to "Marienbad", from the almost illusory touch of the whole sequence to the suggestive use of music by the great John Dankworth. Delphine totally enjoyed to work with Losey, although their relationship would drastically change by the time of their next adventure together. The same year would also see the release of the spellbinding The Music (1967), her first filmed collaboration with Marguerite Duras. The author had always worshiped Delphine for her exceptional screen presence and for possessing the aura of a classic goddess of the Golden Age of Hollywood. She said about her: "When Delphine Seyrig moves into the camera's field, there's a flicker of Garbo and Clara Bow and we look to see if Cary Grant is at her side". She also loved her sexy voice, stating that she always sounded like "she had just sucked a sweet fruit and her mouth was still moist" and would go on to call her "the greatest actress in France and possibly in the entire world". "La Musica" isn't the most remembered Seyrig-Duras collaboration, but nevertheless occupies a special place in history as the beginning of a beautiful friendship between two artists that would become strictly associated with each other for eternity. Delphine's performance won her the "Étoile de Cristal" (the top film award given in France by the "Académie Française" between 1955 and 1975 and later replaced by the César). The actress later made a glorious Hedda Gabler for French television, although she never much enjoyed to do work for this kind of medium. She often complained about the poverty of means and little professionalism of French TV and declined on several occasions the possibility to play the role of Mme De Mortsauf in an adaptation of Balzac's "Le lys dans la vallée". In 1968 she found one of her most famous and celebrated roles in François Truffaut's latest installment of the Antoine Doinel saga, Stolen Kisses (1968), which overall qualifies as one of her most "traditional" career choices. Delphine's new divine creature was Fabienne Tabard, the breathtakingly beautiful wife of an obnoxious shoe store owner (Michael Lonsdale) and the latest object of Antoine's attention. It is very interesting that, in the movie, Antoine reads a copy of "Le lys dans la vallée" and compares Fabienne to the novel's heroine. At one point, Delphine had almost agreed to appear in the TV production on the condition that Jean-Pierre Léaud would have played the leading male role. She later inquired with Truffaut if he knew about this by the time he had written the script, but he swore that it was just a coincidence. In 1969 she declined the leading female role in The Swimming Pool (1969) because she didn't see anything interesting about it; this despite strong soliciting from her close friend Jean Rochefort (whom she nicknamed "Mon petit Jeannot"). At the time, it was considered almost inconceivable to decline the chance of appearing in an Alain Delon movie, but Delphine really valued the power of saying "no" and the part went to Romy Schneider instead. It consequently came of great surprise when, the same year, she accepted the role of Marie-Madeleine in William Klein's rather dated, but somewhat charming Mr. Freedom (1968), where she played most of her scenes semi-naked. But Delphine, as usual, had her valid reasons to appear in this strong satire of American Imperialism. Klein's comic strip adaptation isn't without its enjoyable moments (like a scene where the Americans use a map to indicate the Latin dictatorships as the civilized, democratic world), but goes on for too long and suffers every time Delphine disappears from the screen. Still, it remains a must for Seyrig fans, as you'd never expect to see the most intellectual of actresses having a martial arts fight with the gigantic John Abbey and giving a performance of pure comic genius in the tradition of Kay Kendall. The same year she also had a cameo as the Prostitute in Luis Buñuel's masterful The Milky Way (1969). Delphine read the entire script, but eventually regretted that she hadn't watched Alain Cuny playing his scene, because, in that case, she would have played her own very differently and brought the movie to full circle, something she thought she hadn't done. She promised Buñuel to do better on the next occasion they would have worked together.
In 1970, Delphine eventually agreed to appear in Le lys dans la vallée (1970) under the direction of Marcel Cravenne, although the male protagonist wasn't played by Léaud, but by Richard Leduc. It turned out to be one of the best ever adaptations of a French classic and her performance was titanic. She then played the Lilac Fairy in Jacques Demy's lovely musical Donkey Skin (1970), which starred a young Catherine Deneuve in the title role, but boosted a superlative supporting cast including Jacques Perrin, Micheline Presle, Sacha Pitoëff and Jean Marais (who sort of provided a link with Jean Cocteau's Beauty and the Beast (1946)). Despite all this profusion of talent, Delphine effortlessly stole the movie with her sassy smile, impeccable comedic timing and multi-colored wardrobe. Although she would go on to sing on future occasions, Demy preferred to have her musical number dubbed by Christiane Legrand. The following year, she won a new multitude of male admirers when she arguably played the sexiest and most memorable female vampire in film history in the underrated psychological horror Daughters of Darkness (1971). The choice of a niche actress like Delphine to play the lesbian, Dietrichesque Countess Bathory is considered one of the main factors that sets Harry Kümel's movie apart from the coeval products made by the likes of Jesús Franco or Jean Rollin. To see another horror movie highlighted by the presence of an unforgettable female vampire in Seyrig style, one will have to wait for the similar casting of the splendid Nina Hoss in the auteur effort We Are the Night (2010). Cravenne's Tartuffe (1971) was a delicious "Jeu à Deux" between Delphine and the immense Michel Bouquet. In 1972, Delphine would add another immortal title to her filmography, as she was cast in Luis Buñuel's surrealist masterpiece, The Discreet Charm of the Bourgeoisie (1972). As the adulterous Simone Thévenot, always wearing a sanctimoniously polite smile, she managed to give the star turn in a flawless cast: Fernando Rey made his Rafael Acosta deliciously nasty behind his cover of unflappability, Paul Frankeur was hilariously obtuse as M.Thévenot, Jean-Pierre Cassel suitably ambiguous as M.Sénéchal, Julien Bertheau looked charmingly sinister as Mons.Dufour, Bulle Ogier got to show her formidable gifts for physical comedy as Florence and the role of Alice Sénéchal, a woman who gets annoyed at not getting coffee while a man has just confessed to have murdered his father, proved for once the perfect fit for the coldest and least emotional of actresses, Stéphane Audran. The movie won the Oscar for Best Foreign Language Film. The next year, Delphine appeared in a couple of star-studded productions: she gave a brief, but memorably moving performance in Fred Zinnemann's The Day of the Jackal (1973) as a French woman who makes the fatal mistake of falling for Edward Fox's ruthless killer. People's memories of the movie are often associated with her scenes. She also appeared in Losey's disappointing A Doll's House (1973) opposite a badly miscast Jane Fonda as Nora. The two actresses didn't get along with the director as they both thought his vision of the story to be deeply misogynist. Many key dialogues were unskillfully butchered for the adaptation, diminishing the depth of the characters and the end result was consequently cold, although the movie has its redeeming features. The brilliant David Warner arguably remains the definitive screen Torvald and Delphine is typically impeccable in the fine role of Kristine, although one can't help but think that an accomplished Ibsenian actress like her should have played Nora in the first place. Although Losey wasn't in speaking terms with her any longer by the time the shooting ended, Delphine befriended Jane as they shared a lot of ideals and causes. Delphine Seyrig was of course a vocal feminist, although she didn't consider herself a militant: she actually believed that women should have already known their rights by then and that she didn't have to cause any consciousness raising in them. She would go on to work with more and more female directors shortly after, considering also that she had now begun to love cinema as much as theatre. In 1974 she appeared in a stage production of "La Cheuvachée sur le lac de Constance" because she dearly desired to act opposite the wonderful Jeanne Moreau, but from that moment on, most of her energies were saved for film work. She also grew more and more radical in picking up her projects: Le journal d'un suicidé (1972), Dites-le avec des fleurs (1974) and Der letzte Schrei (1975) certainly qualify as some of her oddest features, not to mention the most difficult to watch. Le cri du coeur (1974), although flawed by an inept performance by Stéphane Audran, was slightly more interesting: the director capitalized on Delphine's Marienbad image once again, casting her as a mysterious woman the crippled young protagonist gets sexually obsessed with. She made another relatively "ordinary" pick by playing villainous in Don Siegel's remarkable spy thriller The Black Windmill (1974) alongside stellar performers like Michael Caine, Donald Pleasence, John Vernon and Janet Suzman.
The following year, Delphine had two first rate roles in Le jardin qui bascule (1975) and in Liliane de Kermadec's Aloïse (1975) (where her younger self was played, quite fittingly, by an already prodigious Isabelle Huppert). But 1975 wasn't over for Delphine as the thespian would round off the year with two of her most amazing achievements. The Seyrig/Duras team did finally spring into action again with the memorable India Song (1975), another movie which lived and died entirely on Delphine's intense face. Laure Adler wrote these pertinent words in her biography of Duras: "In India Song we see nothing of Calcutta, all we see is a woman dancing in the drawing room of the French embassy and that is enough, for Delphine fills the screen". Coming next was what many people consider the actress' most monumental personal achievement: Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975). It has become a common saying that, when you have a great interest in an actor, you could watch him/her reading the phone book. Seyrig fans can experiment it almost literally in Chantal Akerman's three hour minimalist masterpiece, which meticulously follows the daily routine of widowed housewife Jeanne. Akerman chose Delphine "because she brought with her all the roles of mythical woman that she played until now. The woman in Marienbad, The woman in India Song". The movie can be considered a filmed example of "Nouveau Roman": every moment of Jeanne's day is presented almost real-time -from the act of peeling potatoes or washing dishes- and every gesture has a precise meaning, like Jeanne's incapacity of putting her life together being expressed by her inability of making a decent coffee or put buttons back on a shirt. The movie is also of course a feminist declaration: Jeanne regularly resorts to prostitution to make a living, which (according to Akerman) symbolizes that, even after the death of her husband, she's still dependant of him and always needs to have a male figure enter her life in his place. Her declaration of independence is expressed at the end of the movie through the murder of one of her clients. Delphine's approach to the role was as natural as possible and she completely disappeared into it, giving a hypnotic performance that keeps the viewer glued to his chair and prevents him to feel the sense of boredom every actress short of extraordinary would have induced. It's considered one of the greatest examples of acting ever recorded by a camera and possibly the definitive testament to Delphine's abilities. By now she was being referred as France's greatest actress with the same frequency Michel Piccoli was called the greatest actor. 1976 saw the the Césars replacing the "Étoiles de Cristal" and Delphine was nominated for "India Song", but she lost to Romy Schneider for her work in That Most Important Thing: Love (1975) by Andrzej Zulawski. The same year also saw her getting behind the camera as she directed Scum Manifesto (1976), a short where she read the Valerie Solanas text by the same name. She also starred in Duras' new version of "India Song", Her Venetian Name in Deserted Calcutta (1976) (where the setting was changed to the desert) and headlined the cast of Mario Monicelli's Caro Michele (1976). In 1977 she traveled to the UK to shoot an episode of BBC Play of the Month (1965). She stated her great admiration for British TV as opposed to French TV, congratulating BBC for its higher production values and for its major respect for the material it used to produce. Thinking retrospectively about the whole thing, these sentiments seem rather misplaced, since BBC erased tons of programs from existence in order to make room in the storage and for other reasons, but fortunately "The Ambassadors" wasn't part of the slaughter. Like Henry James's story, the cast featured some veritable cultural ambassadors as three different nations offered one of their most talented thespians ever: Paul Scofield represented England, Lee Remick represented United States and Delphine represented France as Madame De Vionnet. Baxter, Vera Baxter (1977) marked her final and most forgettable film collaboration with Duras. In Faces of Love (1977), she played the drug-addicted ex-wife of a director (a typically outstanding Jean-Louis Trintignant) who summons her along with two other actresses to shoot a film version of "The Three Sisters". She was again nominated for a César, but the sentimentality factor played in favor of Simone Signoret's performance in Moshé Mizrahi's award-friendly Madame Rosa (1977), which won the Oscar for Best Foreign Language Film two months later. Mizrahi later cast both actresses in his subsequent feature, I Sent a Letter to My Love (1980), also starring Jean Rochefort. This bittersweet feature proved much better than the director's previous work: Signoret and Rochefort gave great performances, but, once again, Delphine was best in show as a naive, hare-brained woman so much different from her usual characters and gave another confirmation of her phenomenal range. She was nominated for another César in the supporting actress category, but lost to Nathalie Baye for Every Man for Himself (1980). It's ironic that, despite being considered the nation's top actress by so many people, Delphine never won a César. One theory is that she had alienated many voters (particularly the older ones) by often dismissing 50's French cinema and regularly comparing French actors unfavorably to American ones, just like many New Wave authors (Jean-Luc Godard, Claude Chabrol, Éric Rohmer, Jacques Rivette) had done back in the days when they worked as critics for the "Cahiérs Du Cinema" and none of them ever won a César either (or at least not a competitive one). This along with having made many enemies because of her vocally feminist attitude of course. She once stated herself that many people in France probably disliked her because she was always saying what she thought.
In the 80's, Delphine appeared in three stage plays that were later filmed: La Bête dans la Jungle (a Duras adaptation of the Henry James novel), "Letters Home" (about the poet Sylvia Plath) and "Sarah et le cri de la langouste" (where she played the legendary Sarah Bernhardt). She scored a particular success with the latter and won the "Prix Du Syndicat de la Critique" for a record third time, more than any other actress (Michel Bouquet is her male counterpart with three Best Actor wins). In 1981, she directed a feminist documentary, Sois belle et tais-toi! (1981), where she interviewed many actresses, including her friend Jane Fonda, about their role (sometimes purely decorative) in the male-dominated film industry. In 1982 she co-founded the Simone De Beauvoir audiovisual centre along with Carole Roussopoulos and Ioana Wieder. A final collaboration with Chantal Akerman, the innovative musical Golden Eighties (1986), allowed her to do what she couldn't do in "Peau d'âne" and give a very moving rendition of a beautiful song. Avant-garde German director Ulrike Ottinger provided Delphine with some unforgettable and appropriately weird roles in three of her features: multiple characters in Freak Orlando (1981), the only female incarnation of Dr.Mabuse in Dorian Gray in the Mirror of the Yellow Press (1984) (opposite Veruschka von Lehndorff, playing the title role 'en travesti') and Lady Windermere in Joan of Arc of Mongolia (1989). She gave a final, stunning TV performance in Une saison de feuilles (1989) as an actress suffering from Alzheimer's disease and won a 7 d'or (a French Emmy) for it. Her mature turn as a woman who's reaching the end of the line looks particularly poignant now, as it has the bitter taste of a tear-eyed farewell. A woman of extraordinary courage, Delphine had been secretly battling lung cancer (she had always been a chain smoker) for a few years, but, because of her supreme professionalism, she had never neglected a work commitment because of that. Only her closest friends knew. It became evident that there was no hope left when, in September 1990, she had do withdraw her participation from a production of Peter Shaffer's "Lettice and Lovage" with Jean-Louis Barrault and Madeleine Renaud's theatre company. One month later she tragically lost her battle with cancer and died in hospital, leaving an unbridgeable void in the acting world and in the lives of many. Tributes flew in torrents, with Jean-Claude Brialy hosting a particularly touching memorial where Jeanne Moreau read some very heartfelt phrases come from the pen of Marguerite Duras to honour the memory of her muse. In the decade following Delphine's death, many of her features unfortunately didn't prove to have much staying power -being so unique and destined to a very selected and elitist audience- and plenty of people began to forget about the actress. Delphine's good friend, director Jacqueline Veuve, thought this unacceptable and she saw to do something about it, shooting a documentary called Delphine Seyrig, portrait d'une comète (2000), which premiered at Locarno film festival. This partially helped to renew the actress' cult and to expand it to several other followers. Similar retrospectives at the Modern Art Museum in New York and at the La Rochelle Film Festival hopefully served the same purpose as well. One can also hope that the French Academy (Académie des arts et techniques du cinéma) would start to make amends for past sins by awarding Delphine a posthumous César: since the immortal Jean Gabin received one in 1987, who could possibly make a likelier pair with him?**WINNER- 1971- Supporting- "Daughters Of Darkness"**