Film Composers
A list of the geniuses behind the music of cinema.
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John Powell was born on 18 September 1963 in London, England, UK. He is a composer, known for How to Train Your Dragon 2 (2014), Happy Feet (2006) and Solo: A Star Wars Story (2018). He was previously married to Melinda Lerner.- Music Department
- Composer
- Actor
As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Composer
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Throughout his legendary career, composer John Debney has seen himself in equal demand for holiday classics such as Hocus Pocus and Elf, tentpoles like Iron Man 2, The Jungle Book, and The Greatest Showman, and the powerful epic The Passion of the Christ, for which he received an Academy Award nomination for Best Original Score. Debney's key to success is his immense versatility, composing for comedies (Bruce Almighty, Liar, Liar), action (Predators, The Scorpion King), horror (End of Days, Dream House), romance (Marry Me, Valentine's Day), and family films (Clifford the Big Red Dog, Dora and the Lost City of Gold) with the same confidence and panache. Debney is also known for his work in such films as Princess Diaries 1 & 2, Sin City, Spy Kids, The SpongeBob Movie: Sponge Out of Water, No Strings Attached, The Emperor's New Groove, Chicken Little, I Know What You Did Last Summer, Ice Age: Collision Course, Isn't It Romantic, Come Away, Jingle Jangle: A Christmas Journey, Home Sweet Home Alone, and The Beach Bum.
His more recent projects include Robert Rodriguez's Spy Kids: Armageddon for Netflix, Paramount Pictures' Tom Brady-produced 80 for Brady, Apple+ and Skydance Animation's Luck, Universal's Jennifer Lopez starrer Marry Me, and Disney+'s Hocus Pocus 2.
Upcoming projects include Kevin Costner's 2-part western epic Horizon: An American Saga for New Line Cinemas, Columbia Pictures' animation Garfield starring Chris Pratt, Paramount Pictures' Under the Boardwalk, Netflix's In Your Dreams, and Amazon Prime's Space Cadet.
Born in Glendale, California, Debney studied music composition at the California Institute of the Arts, and afterward began his career orchestrating and composing scores for Walt Disney Studios and various television series. He won his first Emmy Award in 1990 for the main theme for western series The Young Riders, and has since won three additional Emmy Awards and received nominations for a total of seven, with his latest being Disney+'s smash hit Hocus Pocus 2 in 2023. Debney has also worked with industry titan Seth MacFarlane on numerous episodes of his sci-fi space series The Orville, utilizing nearly 100-piece orchestras to record his bombastic adventure scores. His first foray into video game scoring, Sony's 2007 medieval adventure Lair, resulted in a BAFTA nomination and a Best Videogame Score award from The International Film Music Critics Association.
Debney has collaborated with acclaimed directors as diverse as Jon Favreau, Kevin Costner, Robert Rodriguez, David E. Talbert, Harmony Korine, Kat Coiro, Brenda Chapman, Mel Gibson, Peggy Holmes, the late Garry Marshall, Adam Shankman, Kenny Ortega, and the late Ivan Reitman. In 2005, he was the youngest recipient of ASCAP's Henry Mancini Career Achievement Award.- Music Department
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John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.
A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.
Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).
He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).
In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.
After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).
After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').
In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.
He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.
In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.
He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.- Music Department
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John Ottman holds dual distinctions as a leading film composer and an award winning film editor. Ottman has often completed both monumental tasks on the same films. Such remarkable double duties have included The Usual Suspects, X-Men 2, Superman Returns, Valkyrie, and Jack the Giant Killer. He has also held producer roles on several of these films, as well as directing, editing and scoring Urban Legends 2.
From an early age in San Jose, California, Ottman began writing and recording radio plays on cassette tapes. He'd perform many characters with his voice (and some sound effects), and called upon his neighborhood friends as extra cast members.
By the fourth grade, Ottman was playing the clarinet and continued doing so throughout high school. But his real concentration turned from audio productions to making films. He turned his parents' garage into a movie studio, where multiple sets were interchangeable to accommodate productions - invariably some sort of science fiction film. By high school, his films evolved to hour-long productions complete with large sets and lavish scores edited together from his favorite soundtracks.
Having been a veteran of numerous short films, Ottman excelled at USC film school, receiving accolades for his direction of actors and for how masterfully he edited their performances. It was in this directing course that a graduate filmmaker asked Ottman to re-edit his thesis film. John modified the story from raw footage and also designed the film's extensive sound. The film ended up winning the student Academy Award. On that film, Ottman met a production assistant named Bryan Singer.
Singer, only aware of Ottman's editing (Ottman stayed awake into the wee hours learning midi gear and composing music), asked him to edit a short film starring Ethan Hawke - a childhood friend of Singer's. Ottman ended up co-directing the film (Lion's Den) as well as editing and doing the sound design.
Ottman edited Singer's first feature, Public Access. His effective sequences and editorial montages became the highlight of the picture. In the eleventh hour, the film lost its composer. Singer asked Ottman to write the score, after much prodding from the editor. Public Access received the Grand Jury Prize at the 1993 Sundance Film Festival, with the score and editing being lauded in reviews.
With The Usual Suspects and future Singer films, Ottman held to a promise that, despite his scoring dreams, he would commit to the months required to also serve as editor on Singer's films. The wary producers of The Usual Suspects gave the go-ahead for him to both edit the complicated picture and write the score, the demands of which no one had undergone. The film was edited in Ottman's living room on a Steinbeck flatbed and a splicer. The Usual Suspects and Ottman's work received widespread acclaim, earning Ottman the British Academy Awards for his editing, a Saturn Award for his score, and a nomination by the American Cinema Editors.
Since then, Ottman has scored numerous films with the intent of keeping thematic film scoring alive. Ottman also made a brief foray into television for which he received an Emmy nomination ("Fantasy Island.")- Music Department
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James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor's degree in music at USC, he would go on to earn his master's degree at UCLA and teach music theory there. He later completed his Ph.D. in Music Composition and Theory at UCLA. Horner began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek II: The Wrath of Khan (1982), which would lead to numerous other film offers and opportunities to work with world-class performers such as the London Symphony Orchestra. With over 75 projects to his name, and work with people such as George Lucas, Steven Spielberg, James Cameron, Oliver Stone, and Ron Howard, Horner firmly established himself as a strong voice in the world of film scoring. In addition, Horner composed a classical concert piece in the 1980s, called "Spectral Shimmers", which was world premiered by the Indianapolis Symphony Orchestra. Horner passed away in a plane crash on June 22, 2015, two months short of his 62nd birthday.- Music Department
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James Newton Howard attended the University of Southern California's music school, but dropped out to tour with Elton John, and eventually compose music for film and television. He started with Head Office (1985) in 1985. He has been nominated for eight Academy Awards. He currently is a songwriter, record producer, conductor, keyboardist, and film composer.- Music Department
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Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS. There, he was given his first embryonic assignments as a composer for radio shows such as "Romance" and "CBS Radio Workshop". He wrote one score a week for these shows, which were performed live on transmission. He stayed with CBS until 1960, having already scored The Twilight Zone (1959). He was hired by Revue Studios to score their series Thriller (1960). It was here that he met the influential film composer Alfred Newman who hired Goldsmith to score the film Lonely Are the Brave (1962), his first major feature film score. An experimentalist, Goldsmith constantly pushed forward the bounds of film music: Planet of the Apes (1968) included horns blown without mouthpieces and a bass clarinetist fingering the notes but not blowing. He was unafraid to use the wide variety of electronic sounds and instruments which had become available, although he did not use them for their own sake.
He rose rapidly to the top of his profession in the early to mid-1960s, with scores such as Freud (1962), A Patch of Blue (1965) and The Sand Pebbles (1966). In fact, he received Oscar nominations for all three and another in the 1960s for Planet of the Apes (1968). From then onwards, his career and reputation was secure and he scored an astonishing variety of films during the next 30 years or so, from Patton (1970) to Star Trek: The Motion Picture (1979) and from Chinatown (1974) to The Boys from Brazil (1978). He received 17 Oscar nominations but won only once, for The Omen (1976) in 1977 (Goldsmith himself dismissed the thought of even getting a nomination for work on a "horror show"). He enjoyed giving concerts of his music and performed all over the world, notably in London, where he built up a strong relationship with London Symphony Orchestra.
Jerry Goldsmith died at age 75 on July 21, 2004 after a long battle with cancer.- Composer
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One of six children of the legendary composer Jerry Goldsmith, and the oldest son, Joel Goldsmith's own career in film scoring began in 1978, when he collaborated with Richard Band on the score for Laserblast (1978). Joel Goldsmith next worked as sound mixer for another Band project, The Day Time Ended (1979) before receiving his first solo scoring assignment, Olivia (1983), for cult German director Ulli Lommel. The stylish synthesizer score Goldsmith provided was succeeded by dozens more for film and TV, including The Man with Two Brains (1983) and Man's Best Friend (1993). His electronic expertise came in handy when he co-produced father Jerry's first all-electronic score, Runaway (1984), and helped in the same capacity for Jerry's theme from Hoosiers (1986). Joel also scored episodes of the TV series H.E.L.P. (1990), for which Jerry wrote the original theme; and Joel composed some 20 minutes of additional music (with credit) for his father's 1996 assignment Star Trek: First Contact (1996).
Joel Goldsmith composed his first symphonic score, for Roland Emmerich's Moon 44 (1990), in 1990. Surprisingly, this sweeping score did not lead to more similar assignments; but, in recent years, Joel Goldsmith's profile has been boosted in recent years with assignments such as TV's Vampirella (1996) and the 1997 cult hit Kull the Conqueror (1997), another big, bold symphonic score which helped nab him the assignment Shadow of Doubt (1998). Most recently, he has been the chief composer for the TV shows Stargate SG-1 (1997) and Stargate: Atlantis (2004). While Joel's style is recognizably similar to his father's (he seems to have a particular love for Jerry's The Wind and the Lion (1975)), it is recognizably distinct, which observers of the film music scene believe can only continue to ripen.- Music Department
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Brian Theodore Tyler is an American composer, conductor, arranger and producer known for his film, television and video game scores. In his 24-year career, he has scored Transformers: Prime, Eagle Eye, The Expendables trilogy, Iron Man 3, Avengers: Age of Ultron with Danny Elfman, Now You See Me, and Crazy Rich Asians, among others. He also re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012). He composed the 2013-2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme (also used in Formula 2 and Formula 3). He scored seven installments of the Fast & Furious franchise, and the soundtrack for the Paramount TV series Yellowstone. For his work as a film composer, he won the Ifcma Awards 2014 Composer of the Year. His composition for the film Last Call earned him the first of three Emmy nominations, a gold record, and induction into the music branch of the Academy of Motion Picture Arts and Sciences. As of November 2017, his films have grossed $12 billion worldwide, putting him in the top 10 highest-grossing film composers of all time.- Composer
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It's anything but typical for the realms of film or music... Tyler Bates regularly transitions from scoring some of the world's biggest film and television franchises, such as Guardians of the Galaxy and John Wick, to rocking massive audiences with Marilyn Manson and back to the studio again writing and producing. The musical voice of this highly sought-after composer, guitarist, songwriter, and record producer can be heard in every corner of pop culture-from video games to the Disney California Adventure attraction, Guardians of the Galaxy - Mission Breakout! In 2004, he made waves by creating the menacing audio backdrop for the popular Zack Snyder Dawn of the Dead reboot followed by his soundtrack for the filmmaker's 300, which remains one of the 21st century's biggest-selling score albums. His oeuvre expanded to include Watchmen and Sucker Punch both helmed by Snyder, several collaborations with Rob Zombie-including The Devil's Rejects, Halloween, and Halloween II-and Killer Joe directed by Academy Award® winner William Friedkin. Beyond composing for Guardians of the Galaxy Vol. 1 & Vol2., he produced a fan favorite "disco version" of his "Guardians of the Galaxy" main theme, titled "Guardians Inferno," co-written with director and long-time collaborator, James Gunn [feat. David Hasselhoff] and performed the second installment's score at the 2017 MOSMA Festival in Spain. John Wick: Chapter 2 represents the nexus of his work as a composer, performer, and songwriter. He penned the closing credits tune "A Job To Do" alongside legendary Alice In Chains guitarist and vocalist Jerry Cantrell and performed on-screen during the climactic "Rock Opera" sequence. Elsewhere, his sonic presence reverberates throughout Showtime's Californication, Audience Network's Kingdom, WGN America's Salem, and more as well as video games such as Killzone: Shadow Fall, God of War: Ascension, Army of Two 40th Day, and China's massive Crossfire. He also wrote the theme for his favorite NFL team the Tennessee Titans, and performed the "Star-Spangled Banner" solo in the rain during a 2015 game. Bates co-wrote and produced Manson's 2015 epic, The Pale Emperor. A runaway success, it crashed the Top 10 of the Billboard Top 200 at #6 and earned widespread critical acclaim with Rolling Stone hailing it as the "#1 Metal Album of 2015." As the band's lead guitarist, he dedicated over a year to touring in support of the album on the headline Hell Not Hallelujah Tour, an arena run with Slipknot, and various festivals worldwide. In 2017, he once again joined forces in the studio with Manson on the follow-up Heaven Upside Down and returns to the road for a string of high-profile touring. In 2017, he scored the blockbuster Atomic Blonde, starring Academy Award® winner Charlize Theron in addition to producing Health's cover of "Blue Monday" and re-invigorating Ministry's "Stigmata" with Manson, for two of the film's key sequences. Bates' voice also permeates NETFLIX's upcoming The Punisher. With several exciting projects slated for 2018 including Deadpool 2, The Spy Who Dumped Me & the return of The Punisher for season 2. Tyler Bates will undoubtedly continue to redefine what a composer is.- Music Department
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German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. He featured in the music video for The Buggles' single "Video Killed the Radio Star", which became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).
Hans Florian Zimmer was born in Frankfurt am Main, then in West Germany, the son of Brigitte (Weil) and Hans Joachim Zimmer. He entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer's career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.
Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a preeminent talent with the award-winning score for The Lion King (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer's work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The The Preacher's Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (2003).
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers' guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical "think tank." This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.
In 2000, Zimmer scored the music for Gladiator (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer's other scores that year included Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor (2001), The Ring (2002), four films directed by Ridley Scott; Matchstick Men (2003), Hannibal (2001), Black Hawk Down (2001), and Thelma & Louise (1991), Penny Marshall's Riding in Cars with Boys (2001), and A League of Their Own (1992), Tony Scott's True Romance (1993), Tears of the Sun (2003), Ron Howard's Backdraft (1991), Days of Thunder (1990), Smilla's Sense of Snow (1997), and the animated Spirit: Stallion of the Cimarron (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-voice choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1998). The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
In 2003, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Zimmer then scored Nancy Meyers' comedy Something's Gotta Give (2003), the animated Dreamworks film, Shark Tale (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks' Spanglish (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His 2005 projects include Paramount's The Weather Man (2005) starring Nicolas Cage, Dreamworks' Madagascar (2005), and the Warner Bros. summer release, Batman Begins (2005).
Zimmer's additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.- Composer
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Mychael Danna is an Oscar and and Emmy Award-winning film composer recognized for his evocative blending of non-western traditions with orchestral and electronic music. His highly awarded works include the Oscar-winning score for Ang Lee's Life of Pi (2012), and his many Genie Award-winning scores for director and longtime collaborator, Atom Egoyan.
His passion for presenting complex ideas in a musically accessible way began as Danna learned his craft at the University of Toronto. There, he was exposed to early- and world-music that later influenced his style. Danna earned the school's inaugural "Glenn Gould Composition Award" in 1985 and also began scoring for student theatre groups, as he launched his artistic partnership with Egoyan. Danna has scored all of Egoyan's films since 1987's Family Viewing (1987).
Danna's work on Egoyan's films, Ararat (2002), Felicia's Journey (1999), The Sweet Hereafter (1997) and Exotica (1994), secured him Genie awards from the Academy of Canadian Cinema & Television; as did his score for Deepa Mehta's Oscar-winning film, Water (2005).
Danna earned the 2013 Golden Globe and 2013 Oscar for scoring Ang Lee's Life of Pi (2012), following his collaborations with Lee on The Ice Storm (1997) and Ride with the Devil (1999).
Life of Pi (2012)'s rich soundscape reflects a deeply transnational story with inventive cross-cultural arrangements: Indian sitars play French melodies, European play South Asian motifs, a church choir sings in Sanskrit, and a variety of other musical combinations soar alongside a full studio orchestra.
The highly awarded work embodies Danna's approach to composition-creating rich soundscapes to be appreciated by a wide audience.
Other celebrated collaborations include those with Bennett Miller on his multiple Oscar-nominee Moneyball (2011) and his Oscar-winning drama, Capote (2005); with Terry Gilliam on his Oscar-nominated The Imaginarium of Doctor Parnassus (2009) and Tideland (2005); with Mira Nair on Vanity Fair (2004), Monsoon Wedding (2001) and Kama Sutra: A Tale of Love (1996); and with Billy Ray on Breach (2007) and Shattered Glass (2003).
Danna's credits also include the Oscar-winning Little Miss Sunshine (2006), for which he shared a Grammy Award nomination for Best Compilation Soundtrack Album; Marc Webb's acclaimed romantic comedy, 500 Days of Summer (2009); and James Mangold's Oscar-winning film, Girl, Interrupted (1999).- Composer
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Rob Simonsen is a singular composer, solo artist and co-founder of composer collective The Echo Society. Simonsen has paved his own musical path, and through years of education and experimentation, crafted a voice that both respects music traditions and explores new bounds. His body of work traverses genres, from Oscar-nominated dramas and techno-thrillers to romantic comedies and coming-of-age films.
Simonsen's ascent as a film composer began when his score for indie film Westender caught the attention of composer Mychael Danna. Through subsequent collaborations with Danna, Simonsen contributed additional music to features Moneyball and Life of Pi, and co-composed the score for 500 Hundred Days of Summer. As a result, Simonsen received attention towards his own scores, prompting The Hollywood Reporter to list him as one of the "Composers primed to take their place on the A-list".
Fulfilling this prediction, Simonsen has collaborated with directors Shawn Levy (The Adam Project), Jason Reitman (Ghostbusters: Afterlife and The Front Runner), Julia Hart (Hollywood Stargirl, Stargirl and Fast Color), Greg Berlanti (Love, Simon), Gavin O'Connor (The Way Back), Bennett Miller (Foxcatcher), Marc Webb (The Only Living Boy in New York, Gifted, and 500 Days of Summer), and Henry Joost and Ariel Schulman (Viral and Nerve). His music has been called "perfectly calibrated" by the New York Times, "Sensitive" and "Sophisticated" by Variety, and "rich" by Hollywood Reporter.
Simonsen's dedication to artistic expression extends beyond film work. Surrounding himself with a network of dedicated artists, he co-founded The Echo Society to connect and inspire the Los Angeles community with live and interactive audiovisual performances.- Composer
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Golden Globe, BAFTA, 2x Grammy, Emmy and 5x World Soundtrack Award nominated composer Benjamin Wallfisch has worked on over 80 feature films, collaborating with directors including Ron Howard, Ted Melfi, Andy Muschietti, Christopher Nolan, David F. Sandberg, Leigh Whannell, Gore Verbinski, and Denis Villeneuve. His most current projects include Ron Howard's 'Thirteen Lives' for MGM / Amazon and Andy Muschietti's 'The Flash' for DC / Warner Bros.
A graduate of the Royal Academy of Music in London, and mentored by Dario Marianelli and Hans Zimmer, Benjamin's notable projects include 'IT' and 'IT Chapter Two,' 'Blade Runner 2049' (with Hans Zimmer), 'SHAZAM!,' 'The Invisible Man,' 'Mortal Kombat,' 'Hellboy,' 'A Cure for Wellness,' ' Annabelle: Creation,' 'King of Thieves,' 'Hidden Figures' (with Pharrell Williams and Hans Zimmer), and music based on Elgar's Enigma Variations for 'Dunkirk.'
Benjamin has performed live in over 100 concerts worldwide, conducting orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House and Royal Festival Hall. He is a member of the Academy of Motion Pictures Arts and Sciences and BAFTA, and is an Associate of the Royal Academy of Music. In 2019 he founded The Scoring Lab, a state-of-the art scoring production company and Dolby Atmos Certified mix studio in the heart of Santa Monica, California.- Composer
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Lorne Balfe was born on 23 February 1976 in Inverness, Scotland, UK. He is a composer, known for The Lego Batman Movie (2017), Sherlock Holmes: A Game of Shadows (2011) and The Dark Knight (2008).- Composer
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Harry Gregson-Williams is one of Hollywood's most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. He most recently wrote the music for "The Last Duel" and "House of Gucci" both directed by Ridley Scott. In addition, he wrote the music for Disney's live action feature film "Mulan" which was directed by Niki Caro with whom he worked previously having scored her film "The Zookeeper's Wife." Gregson-Williams also co-wrote the original song "Loyal Brave True" for "Mulan" performed by Christina Aguilera. He and his brother, composer Rupert Gregson-Williams, wrote the original score for both seasons 1 & 2 of the HBO drama series "The Gilded Age". He also co-wrote the original score for the Netflix documentary "Return to Space" with his friend Mychael Danna, directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin for which he received an Emmy nomination.
Upcoming 2023 releases include "Meg 2: The Trench" starring Jason and directed by Ben Wheatley and Aardman's animated feature "Chicken Run: Dawn of the Nugget" directed by Sam Fell and the action thriller "Retribution" directed by Nimród Antal and starring Liam Neeson. Gregson-Williams was the composer on all four installments of the animated blockbuster "Shrek" franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning "Shrek." He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson's "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe." He has collaborated multiple times with a number of directors including Ben Affleck on "Live by Night," "The Town" and "Gone Baby Gone", Joel Schumacher on "Twelve," "The Number 23," "Veronica Guerin" and "Phone Booth", Tony Scott on "Unstoppable," "The Taking of Pelham 1 2 3," "Déjà Vu," "Domino," "Man on Fire," "Spy Game" and "Enemy of the State", Ridley Scott on "The Martian," "Prometheus," "Exodus: Gods and Kings," "Kingdom of Heaven," "The Last Duel" and "House of Gucci", Bille August on "Return to Sender" and "Smilla's Sense of Snow", Andrew Adamson on the "Shrek" series, "Mr. Pip" and the first two "Narnia" movies, and Antoine Fuqua on "The Replacement Killers," "The Equalizer," The Equalizer 2" and "Infinite". Some of his more recent film projects include Disney Nature's feature film "Polar Bear" which streamed exclusively on Disney+ in 2022, "The Ambush" directed by Pierre Morel, "Life in a Day 2020" directed Kevin Macdonald, "The Meg" directed by Jon Turteltaub, Aardman's "Early Man" directed by Nick Park for which he received an Annie Award nomination and Disney Nature's "Penguins." His television credits include "Whiskey Cavalier," the miniseries "Catch-22" co-composed with his brother Rupert Gregson-Williams and additionally he wrote the main title theme for "Electric Dreams" and earned an Emmy nomination for the episode entitled "The Commuter." Over the past two decades he has scored three of the five games in the highly successful "Metal Gear Solid" franchise for Konami as well as "Call of Duty: Advanced Warfare" for Activision, which became the top-selling video game of 2014 and earned him various music gaming awards. Throughout his illustrious and successful career, Gregson-Williams has also collaborated with a diverse array of recording artists such as Regina Spektor, Imogen Heap, Tricky, Peter Murphy, Flea, Hybrid, Paul Oakenfold, Sasha, Trevor Horn, Trevor Rabin, Lebo M., Perry Farrell and Tony Visconti.
Born in England to a musical family, Gregson-Williams earned a music scholarship to St. John's College, Cambridge, at the age of 7 and later gained a coveted spot at London's Guildhall School of Music & Drama, from which he recently received an honorary fellowship. He started his film career as assistant to composer Richard Harvey and later as orchestrator and arranger for Stanley Myers, and then went on to compose his first scores for director Nicolas Roeg. His subsequent collaboration and friendship with composer Hans Zimmer led to Gregson-Williams providing music for such films as "The Rock," "Armageddon" and "The Prince of Egypt" and helped launch his career in Hollywood.
In 2018, Gregson-Williams received the BMI Icon Award, in recognition of his unique and indelible influence on generations of music makers, as well as the Society of Composers & Lyricists' prestigious Ambassador Award.- Composer
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Rupert Gregson-Williams was born on 21 February 1967 in Tonbridge, Kent, England, UK. He is a composer and actor, known for Wonder Woman (2017), Hacksaw Ridge (2016) and The Crown (2016). He has been married to Emma Jacobs since 1996. They have one child.- Music Department
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Randy Edelman was born on 10 June 1947 in Paterson, New Jersey, USA. He is a composer and actor, known for The Last of the Mohicans (1992), xXx (2002) and Anaconda (1997). He has been married to Jackie DeShannon since 3 June 1976. They have one child.- Music Artist
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Randy Newman is an American film composer and singer who is well-known for composing The Princess and the Frog, Meet the Parents and various Pixar films including the Toy Story, Monsters, Inc and Cars franchises as well as A Bug's Life. He wrote iconic songs such as "Short People", "You've Got A Friend in Me" and "We Belong Together". He won Best Original Song for Toy Story 3.- Music Department
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Thomas Newman is an American film score composer. He was born in Los Angeles. His father was notable film score composer Alfred Newman (1900-1970). The Newman family is of Russian-Jewish descent, and includes several other well-known musicians. Thomas' mother Martha Louis Montgomery (1920-2005) wanted her sons to have a musical education. Thomas attended regular lessons in violin as a child. An older Thomas received his musical education while attending the University of Southern California and Yale University. Thomas Newman graduated as Bachelor of Arts in 1977, and a Master of Music in 1978.
Thomas originally composed music for theatrical productions in Broadway, working with his mentor Stephen Sondheim. His uncle Lionel Newman asked him to compose music for the television series "The Paper Chase" (1978-1979, 1986), which was Thomas' first credit in a television production.
In the 1980s, Thomas first worked in film. Composer John Williams, a close family friend, hired Thomas to work in the music department for space opera film "Return of the Jedi" (1983). Thomas' main work in the film was orchestrating the music in a scene where character Darth Vader dies. Afterwards, Thomas was approached by film producer Scott Rudin and hired to work as a film score composer in his own right. His first work in the field was the film score of romantic drama "Reckless" (1984).
While he worked regularly as a film score composer during the 1980s, Thomas reportedly felt he had to retrain himself for a hard and demanding job. It reportedly took him 8 years to not feel fraudulent in his efforts. In 1994, Thomas received his first Academy Award nominations, for the film scores of "The Shawshank Redemption" (1994) and "Little Women" (1994). He lost the Award to rival composer Hans Zimmer, who had been nominated for the film score of the animated film "The Lion King" (1994).
Newman was an established and increasingly famous composer in the 1990s. He received further Academy Award nominations, although he never actually won. Among his more notable works was the film score of the drama film "American Beauty" (1999), which earned Thomas both a Grammy and a BAFTA award. Newman had a good working relationship with the film's director Sam Mendes. Mendes has kept hiring Thomas as the composer for most of his films. The main exception being the comedy-drama film "Away We Go" (2009), which did not have a film score.
In the 2000s, Thomas continued working in high-profile films, such as "Road to Perdition" (2002), "Finding Nemo" (2003), and "Lemony Snicket's A Series of Unfortunate Events". By 2006, he had been nominated eight times for an Academy Award, while never winning it. He started joking about his lack of victories in public.
In 2008, Thomas was nominated for two Academy Awards, for both the film score and an original song for the animated film "WALL-E" (2008). He won neither, though the hit song "Down to Earth" earned him a Grammy Award. He continues to work regularly in the 2010s. Among his more acclaimed works were the film scores for spy film "Skyfall" (2012) and period drama "Saving Mr. Banks" (2013). He has continued being nominated for Academy Awards. As of 2020, he has been nominated 15 times for the Academy Award. He is the most nominated living composer to have never actually won an Academy Award, tied with Alex North. He has won a total of 5 Grammy awards.- Music Department
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In his 25 year career, David Newman has scored over 100 films, ranging from War of the Roses, Matilda, Bowfinger and Heathers, to the more recent The Spirit, Serenity, and Alvin and the Chipmonks: The Squeakuel. Newman's music has brought to life the critically acclaimed dramas Brokedown Palace and Hoffa; top-grossing comedies Norbit, Scooby-Doo, Galaxy Quest, The Nutty Professor, The Flinstones, Throw Mama From the Train; and award-winning animated films Ice Age, The Brave Little Toaster and Anastasia. The recipient of top honors from the music and motion picture industries, he holds an Academy Award nomination for his score to the animated feature, Anastasia, and was the first composer to have his piece, 1001 Nights, performed in the Los Angeles Philharmonic's FILMHARMONIC Series, conducted by Esa-Pekka Salonen.
Newman is also a highly sought-after conductor and appears with leading orchestras throughout the world, including the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Berlin Score Orchestra, National Orchestra of Belgium, New Japan Philharmonic, Utah Symphony, and the American Symphony. He has led subscription week with the Los Angeles Philharmonic at Walt Disney Concert Hall and regularly conducts the Hollywood Bowl.
Also an active composer for the concert hall, his works have been performed by the Los Angeles Philharmonic, Indianapolis Symphony, Long Beach Symphony, and at the Ravinia Festival, Spoleto Festival USA, and Chicago's Grant Park Music Festival.
Newman has spent considerable time unearthing and restoring film music classics for the concert hall, and headed the Sundance Institute's music preservation program in the late 1980s. During his tenure at Sundance he wrote an original score and conducted the Utah Symphony for the classic silent motion picture, Sunrise, which opened the Sundance Film Festival in 1989. As a tribute to his work in film music preservation, he was elected President of the Film Music Society in 2007, a nonprofit organization formed by entertainment industry professionals to preserve and restore motion picture and television music. Passionate about nurturing the next generation of musicians, Newman services as President of the Board of the American Youth Symphony, a forty-three year-old pre-professional orchestra based in Los Angeles, where he launched the three-year "Jerry Goldsmith Project." In 2007 he wrote the children't melodrama Yoko and the Tooth Fairy for Crossroads School in Santa Monica, CA, and in 2010 he served on the faculty of the Aspen Music Festival in the Film Scoring Program. When his schedule permits, he visit Los Angeles area high schools to speak about film scoring and mentor young composers.
The son of nine-time Oscar-winning composer, Alfred Newman, David Newman was born in Los Angeles in 1954. He trained in violin and piano from an early age and earned degrees in orchestral conducting and violin from the University of Southern California.- Music Department
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Alfred Newman is an American composer, arranger, and conductor of film music.
From his start as a music prodigy, he came to be regarded as a respected figure in the history of film music. He won nine Academy Awards and was nominated 45 times, contributing to the Newmans being the most nominated Academy Award extended family, with a collective 92 nominations in various music categories.
In a career spanning more than four decades, Newman composed the scores for over 200 motion pictures. Some of his most famous scores include All About Eve (1950), Anastasia (1956), Wuthering Heights (1939), The Hunchback of Notre Dame (1939), The Mark of Zorro (1940), How Green Was My Valley (1941), The Song of Bernadette (1943), Captain from Castile (1947), Love Is a Many-Splendored Thing (1955), The Diary of Anne Frank (1959), How the West Was Won (1962), The Greatest Story Ever Told (1965), and his final score, Airport (1970), all of which were nominated for or won Academy Awards. He is perhaps best known for composing the fanfare which accompanies the studio logo at the beginning of 20th Century Fox's productions.
Newman was highly regarded as a conductor, and arranged and conducted many scores by other composers, including George Gershwin, Charles Chaplin, and Irving Berlin. He also conducted the music for many film adaptations of Broadway musicals (having worked on Broadway for ten years before coming to Hollywood), as well as many original Hollywood musicals.
He was among the first musicians to compose and conduct original music during Hollywood's Golden Age of movies, later becoming a respected and powerful music director in the history of Hollywood.- Composer
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Graduate of Woodridge High School in Peninsula, Ohio.
Attended Kent State University (1970-73) in Kent, Ohio, to focus on attaining an art degree. While at Kent State Mothersbaugh met Jerry Casale and Bob Lewis, who ultimately joined him in forming the 1970-80s avant-garde band Devo.
Awarded an honorary doctorate degree (2008) from Kent State in humane letters. Dr. Mothersbaugh has reciprocated KSU in diverse fashion as is his style-- gifting it with music & art, as well as time-- which is spent touting the Kent State experience through public promotions & media spots.- Composer
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From his days as one of the pioneering icons of electronic music to his current status as a world-renowned legendary film composer, Mark Isham continues to be one of the most prolific and provocative artists on the scene. His gift for creating unforgettable melodies and his love of fresh, innovative sonic palettes have earned Isham many awards including a Grammy, an Emmy, and a Clio, in addition to multiple Grammy, Academy Award and Golden Globe nominations for his material both as a composer and a recording artist. Most recently, Mark was honored by ASCAP with the Henry Mancini Award for Lifetime Achievement. Isham's musical signature is evident in his memorable scores for such notable films as Crash, awarded the Oscar for Best Picture in 2005 (Isham's score was named Best Soundtrack of 2005 by Cinescape.com), Bobby, nominated for a Golden Globe for Best Picture, and The Black Dahlia, with its critically lauded jazz noir soundtrack (awarded Best Score for a Drama Film 2007, and nominated for Best Score of the Year by the International Film Music Critics Association). Other highlights include Eight Below, The Cooler, A River Runs Through It, Blade, Nell, Men of Honor, and The Secret Life of Bees. His list of collaborators in film is a veritable who's who of the entertainment industry, Robert Redford, Tom Cruise, Brian De Palma, Chick Corea, Jodi Foster, Robert Altman, Sting, Wil.I.Am, Sydney Lumet, Mick Jagger and too many more to name. As a performing artist, Mark has added his unique sound, melodic, moody, sexy and cool, to a wide variety of genres. He has graced the albums of such diverse artists as Bruce Springsteen, Willie Nelson, Lyle Lovett, Ziggy Marley, Joni Mitchell, The Rolling Stones, Chris Isaak, and Van Morrison. His solo recordings span from electronica and classic jazz to hip-hop and ethnic world music, receiving worldwide critical acclaim including Grammy nominations for his albums Castalia and Tibet, and a win for his Virgin Records release, Mark Isham. No matter the genre, medium, or venue, Mark Isham displays a boundless ability to electrify the listener with his talent for crafting evocative new musical worlds.- Music Department
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A great talent who started his career in Saturday Night Live (1975), where he worked with colleagues like Rob Reiner or Billy Crystal. He worked for some great stage values as Eric Clapton, Rosemary Clooney, Harry Connick Jr., Billy Crystal, Lauryn Hill, Jennifer Holliday, Nathan Lane, Jenifer Lewis, Darlene Love, Patti LuPone, Lonette McKee, Catherine O'Hara, Martin Short or Barbra Streisand. His first important score for cinema is Misery (1990) (directed by Rob Reiner) and then he scored movies for Ron Underwood (City Slickers (1991), Hearts and Souls (1995)), Billy Crystal (When Harry Met Sally... (1989), Mr. Saturday Night (1992), Forget Paris (1995)), Barry Sonnenfeld (The Addams Family (1991) and Addams Family Values (1993)), Sam Weisman (George of the Jungle (1997)) or Rob Reiner (Ghosts of Mississippi (1996), A Few Good Men (1992), North (1994), The American President (1995)).
Shaiman has raised a unique place in film music industry, with a great talent for musicals and songs, getting great reviews with his acclaimed scores for The American President (1995), Patch Adams (1998), Simon Birch (1998) or South Park (1997) (with wonderful songs). Shaiman won Grammy and Emmy Awards and the Tony Award for his musical, "Hairspray". He has been nominated for the Oscars and still works in musical stages and cinema scores. Shaiman has also appeared as an actor in some movies, many times paying the piano.- Composer
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Bear McCreary is a degreed graduate of the prestigious USC Thornton School of Music (in 'Composition and Recording Arts'). Bear McCreary was one of a small and select group of proteges of the late, many-honored film composer Elmer Bernstein. Although he is now firmly in the mainstream of film composition, many of McCreary's earliest soundtrack-music compositions were for independent motion picture productions.- Composer
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Graham Coxon is an English musician, singer-songwriter, multi-instrumentalist and painter who came to prominence as a founding member of the rock band Blur. As the group's lead guitarist and secondary vocalist, Graham Coxon was featured on seven of Blur's studio albums, from 1991's Leisure to 2015's The Magic Whip, despite being absent from the group from 2002 to 2008 owing to a dispute with the other members during the recording of 2003's Think Tank. He has also led a solo career since 1998. As well as being a musician, Coxon was a visual artist: he designed the cover art for all his solo albums as well as Blur's 13 (1999).
Coxon played several instruments and records his albums with little assistance from session musicians. Q magazine critic Adrian Deevoy has written: "Coxon is an astonishing musician. His restless playing style - all chord slides, rapid pull-offs, mini-arpeggios and fractured runs - seems to owe more to his saxophone training than any conventional guitar tuition." An innovative lead guitarist, he has been described by Oasis bandleader Noel Gallagher as "one of the most talented guitarists of his generation." Graham Coxon was voted the 15th greatest guitarist of the last 30 years in a 2010 BBC poll.- Composer
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Pinar Toprak is a Turkish-American Emmy-nominated composer, conductor and performer, who specializes in creating thematic scores for everything from superhero sagas and blockbuster comedies to TV series and dramas. With her work on Captain Marvel and Fortnite, Pinar is the first female composer to score both a film and video game with gross revenues of over $1 billion and $5 billion respectively.
Pinar also brings her fresh perspective and unique vision to a diversity of others musical projects, to name a few: composing the new theme for Amazon Prime Video Sports, popularly used on NFL's Thursday Night Football, composing and producing the soundtrack for Disney theme parks, including the new Epcot theme, writing and producing music for Christina Aguilera's 2019 Xperience Live Show in Las Vegas and conducting Billie Eilish's performance of "No Time To Die" at the 2022 Oscars ceremony.
2023 will see the releases of the highly anticipated Paramount animation film PAW Patrol: The Might Movie and the Netflix comedy Family Switch, starring Ed Helms and Jennifer Garner, both with a score by Pinar Toprak.
As the recipient of an ASCAP Shirley Walker Award and three International Film Music Critics Association Awards for Best Original Score, Pinar's dynamic style has attracted accolades across genres and earned her an Emmy nomination for Best Original Score as well as a spot on the Academy Awards shortlist.
Pinar's talent for illuminating a story with her music is evident throughout her work, including scores for The Lost City (starring Sandra Bullock and Channing Tatum, directed by Adam Nee and Aaron Nee), Stargirl on the CW (created by Geoff Johns and Greg Berlanti ), Syfy's Krypton (created by David S. Goyer and Damien Kindler), HBO's McMillions (directed by James Lee Hernandez and Brian Lazarte), Slumberland (starring Jason Momoa, directed by Francis Lawrence) and Shotgun Wedding (starring Jennifer Lopez, directed by Jason Moore), among many others.- Actor
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Latham is an actor, composer and artist who lives in New Zealand. He is the son of novelist Charles Gaines who wrote Stay Hungry (1976) and Pumping Iron (1977), and artist Patricia Gaines. Latham was nominated for Best Actor in a TV series for The Cult at the Qantas media awards in NZ. Latham studied acting at N.Y.U. Latham also works as a composer with brother Shelby Gaines.- Music Department
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Shelby Gaines is known for Blaze (2018) and The Kid (2019).- Music Department
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Steven Price is an Academy Award and Emmy Award-winning composer. In 2014 his groundbreaking score for Alfonso Cuaron's Gravity won him not only the Academy Award but also the BAFTA, the Critics' Choice Award, the Satellite Award, and ASCAP's first-ever Film Composer of The Year Award. He has since scored Fury, the WWII epic written and directed by David Ayer, starring Brad Pitt; Believe, a drama series produced by Alfonso Cuaron and JJ Abrams for NBC; and the BBC's The Hunt, a landmark natural history documentary series narrated by Sir David Attenborough following the struggles and successes of predators in the animal kingdom. Price's debut score was for Joe Cornish's 2011 feature Attack The Block, produced by Edgar Wright. His music earned Price the award for Best Original Soundtrack from both the Austin Film Critics Association and the Sitges Film Festival. He then went on to work with Edgar Wright as a director, composing the original score for the Universal comedy The World's End. Steven Price moved into composing following an extensive period gaining experience in various roles within the film music industry. He began his career as an assistant in the London studio of Gang of Four with guitarist/producer Andy Gill. He then had a five-year apprenticeship with the film composer Trevor Jones during which he contributed to projects including Thirteen Days, The League of Extraordinary Gentlemen, 80 Days Around The World, Dinotopia, and Crossroads, for which Price was also the featured guitar soloist alongside the London Symphony Orchestra. Having become a regular in the studios, Abbey Road recommended Price to Howard Shore, which led to his role as music editor on The Lord of the Rings trilogy. Price went on to music edit on Batman Begins for Christopher Nolan, and on Scott Pilgrim v. the World for Edgar Wright as well as a number of other films and TV series. However, despite having become a leading music editor, Price remained focused on composing. He began to contribute original music to a number of projects, including Richard Curtis' 2009 movie Pirate Radio and Edgar Wright's film Scott Pilgrim vs The World, where he collaborated with Radiohead producer Nigel Godrich. A guitarist from the age of five, Price has a First Class degree in Music from Cambridge University.- Composer
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Coming from a musical background, Martin read drama at Manchester University. Fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama Eureka Street in 2002, he has gone on to write music for many of the most interesting series of recent years, winning 2 BAFTAs and 3 Ivor Novello Awards.
Martin has moved into film, scoring Weinstein Company's much anticipated Woman In Gold with Hans Zimmer, starring Ryan Reynolds and Helen Mirren, and previous to that Harry Brown and Brighton Rock. In 2014 Martin had two feature film scores premiering at the Toronto Film Festival; Daniel Barber's US indie The Keeping Room, and Morgan Matthew's X Plus Y.
Additionally, Martin has set up Mearl, a project to facilitate collaborating with other artists and composers, as well as a platform for developing his own material. Peaky Blinders was the first soundtrack under this name, scored with a band of musicians from Radiohead's new Laundry Studios in London Fields.- Composer
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Pulitzer Prize-winning composer Michael Abels is well known for his genre-defying scores for the Jordan Peele films 'Get Out,' 'Us,' and 'Nope.' The score for 'Us' won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, multiple critics awards, and was named "Score of the Decade" by The Wrap. Both 'Us' and 'Nope' were shortlisted for the Oscar for Best Original Score, and 'Nope' won Outstanding Original Score for a Studio Film at the 2023 Society of Composer and Lyricist Awards.
In 2022, Michael Abels' film music was honored by the Vancouver International Film Festival, the Middleburg Film Festival, and the Museum of the Moving Image. Other recent media projects include the films 'Bad Education,' 'Nightbooks,' the docu-series 'Allen v. Farrow,' 'Breaking' (Sundance 2021), and 'Landscape With Invisible Hand' (Sundance 2022), his second collaboration with director Cory Finley. Most recently, Abels composed, produced, and/or orchestrated all of the on-screen performances for Searchlight's 'Chevalier.' Upcoming projects include Amazon's 'The Burial,' and a series for Disney+.
In 2023, Abels was awarded the Pulitzer Prize for Music for the opera, 'Omar,' co-composed with Grammy-winning singer/songwriter Rhiannon Giddens. The New York Times hailed OMAR as "an ideal of an American sound," and named 'Omar' among the 10 best classical music performances of 2022. Abels' creative output also includes many concert works, including the choral song cycle 'At War With Ourselves' for the Kronos Quartet, and the Grammy-nominated 'Isolation Variation' for Hilary Hahn. Abels' other concert works have been performed by the New York Philharmonic, the Chicago Symphony, the Los Angeles Master Chorale and many others. Some of these pieces are available on the Cedille label, including 'Delights and Dances' and 'Winged Creatures.' Recent commissions include 'Emerge' for the National Symphony and Detroit Symphony, and a guitar concerto 'Borders' for Grammy-nominated artist Mak Grgic.
Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.- Composer
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Volker Bertelmann, also known as Hauschka, is an Academy Award-nominated composer, pianist and experimental musician.
In 2016, Bertelmann collaborated with Dustin O'Halloran on the score for Garth Davis' Lion, which was nominated for an Academy Award, a Golden Globe and a BAFTA for Best Original Score. Since then, he has gone on to score numerous film and TV projects, among which Baltasar Kormákur's Adrift (2018), HBO mini-series Gunpowder (2018) and Showtime's Emmy-nominated TV series Patrick Melrose. Bertelmann teamed up with O'Halloran again on the scores for The Art of Racing in the Rain (2019), based on the best-selling novel by Garth Stein, Ammonite (2020) and The Old Guard (2020).
Beyond his work as a film composer, Bertelmann has gained recognition as a recording artist through his compositions for the prepared piano. In 2018, he signed a record deal with Sony Masterworks and released his first record on the label in 2019.- Composer
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Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles.
Paul began his career as a member of Electronic Music pioneers Tangerine Dream. He toured with the band extensively from 1985-90 and contributed to projects such as the album "Underwater Sunlight" (1986), as well as the films "Near Dark" (1987) and "Miracle Mile" (1988). In 1990, the band received a Grammy Nomination for their score to the Miramar Documentary 'Canyon Dreams'.
Paul moved to Los Angeles in 1991 to expand his creative scope. This led to a number of collaborations and began to shift his focus towards film scoring. It was his programming work for composer Graeme Revell that caught the attention of Hollywood executives which lead to his first solo credit, scoring HBO's Cheaters in 2000.
Paul's unique approach to scoring is based on his belief that, music in any genre, including film and television, should represent and be relevant to the time in which it was written. He received an Emmy nomination for his work on the Showtime Series 'Sleeper Cell' (2007)
Notable Projects Include: Fear The Walking Dead (2015 and 2016) Halt And Catch Fire (2014 - 2016) Rainbow Six Siege (2016) Underworld Awakening (2012) The Three Musketeers (2011) Rise Of The Lycans (2009) Takers (2009) Death Race (2008) Shoot Em Up (2007) Crank (2006) Sleeper Cell (2006) Underworld (2003) Blue Crush (2002) Minority Report (2002)
Notable Collaborations Include: Jon Hassell, Brian Williams (aka Lustmord), Christian Fennesz, Adam Jones, Snorri Bros, Nona Hendryx, Sussan Deihim, and Shenkar.
Upcoming Projects: Resident Evil: The Final Chapter- Music Department
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As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".- Music Department
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Stephen Blake Kanicka is known for Unplanned (2019).- Composer
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Composer Christopher Young was born in Red Bank, New Jersey. After graduating from Hampshire College in Massachusetts with a Bachelor of Arts degree in music, Young went on to pursue his post-graduate studies at North Texas State University. After college Christopher moved to Los Angeles, California. He was originally a jazz drummer, but decided to become a film composer instead after listening to some of Bernard Herrmann's work. Moreover, Young not only has studied with noted composer David Raksin at UCLA Film School, but also teaches at the Thornton School of Music at the University of Southern California. Christopher was honored with the prestigious Richard Kirk Award at the 2008 BMI Film and TV Awards.- Composer
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Christopher Joseph Lennertz is an American music composer from Massachusetts. He had written music for various films, video games and shows including Lost in Space, Sausage Party, Medal of Honor, Hop, Alvin and The Chipmunks, Agent Carter, Supernatural, Revolution, Think Like A Man, The Boys, UglyDolls, Tom & Jerry, Ride Along and Horrible Bosses.- Composer
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In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.- Music Department
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Alan Menken is an American composer, songwriter, music conductor, director and record producer.
Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.
He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).
Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.- Composer
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Michael Giacchino is an American composer of music for films, television and video games.
Giacchino composed the scores to the television series Lost, Alias and Fringe, the video game series Medal of Honor and Call of Duty and many films such as The Incredibles (2004), Star Trek (2009), Up (2009), Dawn of the Planet of the Apes (2014), Jurassic World (2015), Inside Out (2015), Spider-Man: Homecoming (2017), War for the Planet of the Apes (2017) and Coco (2017).
For his work on Up he earned an Academy Award for Best Original Score.- Composer
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Carter Burwell was born on 18 November 1954 in New York City, New York, USA. He is a composer and actor, known for Carol (2015), Three Billboards Outside Ebbing, Missouri (2017) and The Banshees of Inisherin (2022). He has been married to Christine Sciulli since 1999.- Composer
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Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), World War Z (2013) and Knowing (2009).- Composer
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A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Music Department
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The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20. After writing scores for Orson Welles's radio shows in the 1930s (including the notorious 1938 "The War of the Worlds" broadcast), he was the obvious choice to score Welles's film debut, Citizen Kane (1941), and, subsequently, The Magnificent Ambersons (1942), although he removed his name from the latter after additional music was added without his (or Welles's) consent when the film was mutilated by a panic-stricken studio. Herrmann was a prolific film composer, producing some of his most memorable work for Alfred Hitchcock, for whom he wrote nine scores. A notorious perfectionist and demanding (he once said that most directors didn't have a clue about music, and he blithely ignored their instructions--like Hitchcock's suggestion that Psycho (1960) have a jazz score and no music in the shower scene). He ended his partnership with Hitchcock after the latter rejected his score for Torn Curtain (1966) on studio advice. He was also an early experimenter in the sounds used in film scores, most famously The Day the Earth Stood Still (1951), scored for two theremins, pianos, and a horn section; and was a consultant on the electronic sounds created by Oskar Sala on the mixtrautonium for The Birds (1963). His last score was for Martin Scorsese's Taxi Driver (1976) and died just hours after recording it. He also wrote an opera, "Wuthering Heights", and a cantata, "Moby Dick".- Composer
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Miles Hankins is known for Nine Perfect Strangers (2021), A Quiet Place (2018) and Long Shot (2019).- Composer
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Emmy Award-winning composer Geoff Zanelli is a standout in the film and television scoring industry, garnering accolades and recognition for his diverse musical voice. Zanelli has composed for directors such as Gore Verbinski and Ridley Scott; writer/directors David Koepp, Peter Hedges and David Duchovny; producers Jerry Bruckheimer, Steven Spielberg and Jeffrey Katzenberg; as well as actor/producer Tom Hanks.
Zanelli will score the fifth installment of Disney's "Pirates of the Caribbean" franchise, "Pirates of the Caribbean: Dead Men Tell No Tales" coming to theaters in May 2017. "Pirates of the Caribbean" fans have previously heard Zanelli's original music contributions in all four of the "Pirates of the Caribbean" films via his collaborative work with Zimmer.
This marks a return of Zanelli's strong scores for Disney, which began with his breakout score for the fantasy drama "The Odd Life of Timothy Green" starring Jennifer Garner and Joel Edgerton. Zanelli's organic and stirring score for the film also received critical acclaim, including a feature in Variety's Eye on the Oscars issue.
Zanelli recently collaborated with Grammy-award winning Mark Ronson on the co-written score and songs to Lionsgate's "Mortdecai," marking his third time working with writer/director David Koepp; director Jared Hess for the comedy "Masterminds;" and Steve Martin and Edie Brickell to lend string arrangements to the Grammy-award winning album "Love Has Come For You," and follow-up album "So Familiar," which dominated the Bluegrass charts. He is currently writing the score and songs for "Star Citizen: Squadron 42," the most crowd-funded game in history.
In 2006, Zanelli earned his first Emmy after scoring the original music for Steven Spielberg's miniseries "Into The West." With this win, Zanelli became the youngest composer ever to be awarded the 'Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score)' accolade. A few years later, Spielberg once again tapped Zanelli to score HBO's "The Pacific," which earned him his second Emmy nomination. Other credits include: DreamWorks and Paramount Pictures' "Disturbia," 20th Century Fox's "Hitman," Lionsgate's "Gamer," DreamWork's "Ghost Town," The Weinstein Company's "Outlander" and Columbia Pictures' "Secret Window" (co-written with Philip Glass) among many others. Additionally, Zanelli co-wrote the song "Don't Make Me Wait" for "Disturbia."
Zanelli has contributed music to many feature films including: Disney's "The Lone Ranger;" the Golden Globe-nominated scores for Warner Bros.' "The Last Samurai" and Touchstone Pictures' "Pearl Harbor;" Paramount Pictures' "Rango," MGM's "Hannibal," Columbia Pictures' "Angels & Demons," DreamWorks' "Antz," "Chicken Run," "Shark Tale," and "Madagascar: Escape 2 Africa," working alongside composers Hans Zimmer, John Powell, Harry Gregson-Williams and Steve Jablonsky.
Zanelli has degrees in Film Scoring and Music Production & Engineering from the prestigious Berklee College of Music, which he attended on scholarship. He is an active alumnus at his alma mater and has participated in Berklee's Curriculum Review Initiative as well as given seminars to students studying composition. During his time at Berklee, Zanelli received the Doug Timm Award in recognition of his film scoring work and the Music Production/Engineering Scholar Award.
A Southern California native, Zanelli began his musical career as a guitar player and songwriter. In 1994, he met Zimmer and was offered a job at Remote Control Productions. Now, Zanelli is known as a versatile composer in his own right, who combines music from different genres and cultures.- Cinematographer
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Henry Jackman has established himself as one of today's top composers by fusing his classical training with his experience as a successful record producer and creator of electronic music.
Jackman grew up in the southeast of England, where he began composing his first symphony at the age of six. He studied classical music at Oxford and sang in the St. Paul's Cathedral Choir-but simultaneously got involved in the underground rave scene and began producing popular electronica music and dance remixes, eventually working with artists such as Seal and The Art of Noise.
In 2006 he caught the attention of film composers Hans Zimmer and John Powell, and began writing additional music for Powell on Kung Fu Panda and then for Zimmer on The Dark Knight, The Da Vinci Code, and The Pirates of the Caribbean films, which rapidly led to scoring blockbuster films on his own. His first solo feature film then came to be 'Monsters v Aliens' directed by Rob Letterman.
"I've spent a lot of time working in the record industry," says Jackman, "and for my money being a film composer is way more fun. You can be working on X-Men, and then a movie set in 17th-century Italy. It's not about showing off what you think is cool or what you want to hear, but 'what is this movie about, and what would best serve it?' That process just leads to strange and remarkable places."
Jackman is known for his recent scores for Marvel Studios' 'The Falcon and the Winter Soldier', Showtime's 'The Comey Rule', The Russo Brothers' 'Cherry', as well as 'Jumanji: The Next Level', a continuation of the magical board game adventure story, and 'Detective Pikachu', following the story of the beloved Pikachu Pokémon character starring Ryan Reynolds. His other recent work includes 'Ralph Breaks the Internet', which was nominated for Best Animated Feature. His other diverse credits include Captain America: Civil War, Kong: Skull Island, Jack Reacher: Never Go Back, Big Hero 6, and Kingsman: The Golden Circle.- Composer
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English composer and pop musician. Was a prominent member of the synthpop band The Art of Noise. Now, a critically acclaimed composer. Won an Oscar for Best Original Music or Comedy Score for work in The Full Monty (1997). Since has composed music for more than forty films, including: The Crying Game (1992), American History X (1998), and Bright Young Things (2003), and served as music producer for the film version of _Les Misérables_.- Composer
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Joel J. Richard was born in Connecticut, USA. Joel J. is a composer, known for John Wick: Chapter 4 (2023), John Wick: Chapter 3 - Parabellum (2019) and John Wick (2014).- Composer
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Emily Bear was born on 30 August 2001. She is a composer, known for The Premise (2021), A Dog's Journey (2019) and Disney Dream Big Princess (2016).- Composer
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Born in Richmond, Virginia, Williams began acting in New York, doing several plays at Joe Papp's Public Theatre with Fisher Stevens and Keith Gordon, and also at the New York Theatre Ensemble with Daniel Stern and John Randolph. While in New York, Williams was also a playwright and had a show "No Title (Yet)" mounted at the Stella Adler Conservatory. After relocating to Los Angeles in 1983, Williams began acting in sitcoms and before long was writing them as well. While appearing in "The Tortellis" and "Brothers," Williams was also writing episodes for both Series. Williams later both wrote wrote and acted for "Married People" as well. Williams has also written for kiddie series TV ("Salute Your Shorts"), cartoons series TV ("Bobby's World" and "Richie Rich") and has penned several movie tie-in novels ("Born To Be Wild" and "Running Free") for Warner Brothers. In addition, he is the ghost writer behind two cult classic novels: "My So-Called Career in Hollywood," the autobiography of 1960's failed sitcom writer E. Klass, and "I Am Not Lost in Space!" the fictionalized autobiography of iconic TV character Will Robinson, and the first 'tie-in novelization' based on the 1960's series published in over 40 years. In 2021 Williams agreed to adapt his novel into a limited [six episode] animated series. Retitled "Lost in Space: Escape From Earth" the animated series is slated to be completed by early 2024. Williams also has the distinction of winning the Governor's Screenwriting Competition twice -- after which his screenplay "Nunley" was optioned by producer Bernard (Daredevil, Charlotte's Web) Williams. In 2012 his screenplay "Tell" was purchased by American Film Productions and released by Orion Pictures in 2014. In 2022 his screenplay "The Outlaws" was optioned by director Stephen Campbell, with Kathy Bates attached. In June 2022 Williams' screenplay "Seeing Red" was one was of only 25 screenplays awarded as an 'Offical Selection" to participate in the Beverly Hills Film Festival.- Composer
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Matthew Margeson was born on 9 June 1980 in Brick, New Jersey, USA. He is a composer, known for Kingsman: The Secret Service (2014), Skyline (2010) and Rocketman (2019).- Composer
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Greg Tripi is a composer, multi-instrumentalist, and synthesist based out of Los Angeles, California. He is the composer for the ABC television series The Fix, Manhunt: Unabomber (Discovery/ Netflix), and collaborated with Cliff Martinez for The Knick (Cinemax). His music has been featured in motion pictures including Ma, Drive, Contagion, Rememory, Dark Places, and Hotel Artemis, as well as Academy Award and Emmy Award-winning independent films, video games, and commercials. Greg's music ranges from subtle electronic textures, to bold orchestral rhythms. The Pantheon Steel Halo is a featured instrument on many of his scores, along with his guitar and synthesizer performances. Greg is represented by Soundtrack Music Associates, and KCA Music.- Composer
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Born in Burano (Venice) in 1941, Pino Donaggio studied violin at the Conservatory of Venice and Milan.
After a period of adolescent performer of classical music with the Solisti Veneti and the Soloists of Milan, in 1959 he began to devote himself to the pop music that soon led to international success.
He has participated in ten editions of the Sanremo Festival getting a 3rd place in 1963 with the song "Giovane giovane" and a 4th place in 1966 with the song "Una casa in cima al mondo". His best-known song and performed is 1965 "Io che non vivo (senza te)" starring, among others, also by Elvis Presley.
Since 1973, Donaggio began gradually to abandon pop music to devote himself to composing music for films. In over forty years of activity it has put together more than two hundred soundtracks for the big and small screen, both in Italy and abroad.
He lives and works in Venice.- Composer
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Composer and conductor Alexandre Desplat, Oscar winner and seven-time Academy Award nominated, for his prolific filmography and his collaborations with Stephen Frears, Terrence Malick, Ang Lee, Kathryn Bigelow, Jacques Audiard, Wes Anderson, Roman Polanski, George Clooney or Matteo Garrone is one of the most worthy heirs of the French masters of film music.
Brought up in a cultural and musical mix thanks to his Greek mother and his French father who studied and got married in California, he grew up listening to French symphonists, Ravel or Debussy , world music and jazz.
He studied piano and trumpet before choosing the flute as the main instrument. As a free auditor in Claude Ballif's analysis class at the CNSM, he enriches his classical musical education by studying Brazilian and African music. He will record later with Carlinhos Brown or Ray Lema.
Passionate about film music, it's as much his musical sensitivity as his intimate approach to cinematographic language that will allow his privileged relationship with filmmakers. Inspired by the scores of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, it is after hearing the score of John Williams for Star Wars: Episode IV - A New Hope (1977) that he decides to compose exclusively for the big screen.
During the recording of his first feature film he meets violinist Dominique Lemonnier. This is the beginning of an exceptional artistic exchange as she becomes her favorite soloist, artistic director and wife. With his strong sense of interpretation, his creative spirit and his singular violin playing, Solré inspired Alexandre's compositions, influencing his music in depth, initiating a new way of writing for the strings in the cinema.
Collaborator of Jacques Audiard since his first film, he creates for his works strong and singular compositions and he won in 2005 for The Beat That My Heart Skipped (2005) the Silver Bear of the Berlinale, and his first Caesar. He works in France with Philippe de Broca and Francis Girod but Girl with a Pearl Earring (2003) of Peter Webber, his 50th score for the film, he gets a first Golden Globe nomination and BAFTA and began his rise in Hollywood. Leading American career and European collaborations and remaining faithful to his directors, he composes among others Syriana (2005)'s scores of Stephen Gaghan, Birth (2004) of Jonathan Glazer, Coco Before Chanel (2009) by Anne Fontaine, Army of Crime (2009) by Robert Guédiguian, The Heir Apparent: Largo Winch (2008) by Jérôme Salle, Intimate Enemies (2007) or Hostage (2005) by Florent-Emilio Siri.
Prizes and collaborations with the greatest directors follow one another. In 2007, he received his first Oscar nomination for Stephen Frears's The Queen (2006) and won his first European Film Award. The same year, he won the Golden Globe, the Los Angeles Film Critics Association Award, and the World Soundtrack Award for John Curran's score The Painted Veil (2006), performed by pianist Láng Lang. He composed in 2008 for Lust, Caution (2007) by Ang Lee and The Curious Case of Benjamin Button (2008) by David Fincher which will earn him a second Oscar nomination and a fourth Golden Globes and BAFTA nomination.
With his score for The Ghost Writer (2010) by Roman Polanski, he won in 2010 a second César and a second European Film Award. The same year he wrote the music of The Twilight Saga: New Moon (2009) by Chris Weitz, whose album was a platinum record, and Tom Hooper's The King's Speech (2010) for which he won the BAFTA, the Grammy Award, and was nominated for the fourth time at the Oscars and for the fifth time at the Golden Globes.
In 2010-2011 he wrote the music of Harry Potter and the Deathly Hallows: Part 1 (2010) and Harry Potter and the Deathly Hallows: Part 2 (2011) which became the third greatest success of all time. He composed in 2011 nine partitions, The Tree of Life (2011) of Terrence Malick, Carnage (2011) by Roman Polanski, Fantastic Mr. Fox (2009) by George Clooney , which earned him another Oscar nomination, The Well-Digger's Daughter (2011) by Daniel Auteuil and The Ides of March (2011) by George Clooney.
In 2012 he worked with Kathryn Bigelow for Zero Dark Thirty (2012), Matteo Garrone for Reality (2012), Gilles Bourdos for Renoir (2012), Jérôme Salle for Zulu (2013), George Clooney for Moonrise Kingdom (2012) and Jacques Audiard for Rust and Bone (2012) for which he won a third Cesar. For his score of Argo (2012) of Ben Affleck, Oscar for Best Picture, it is named for the sixth time BAFTA, and for the fifth time at the Golden Globes and the Oscars.
He signed in 2013 the partition The Monuments Men (2014) from George Clooney, Venus in Fur (2013) of Roman Polanski, and was appointed to the BAFTAs and the Oscars for Philomena (2013) of Stephen Frears.
In 2014 he composed the music Godzilla (2014) of Gareth Edwards, and receives exceptional fact, two Oscar nominations for The Imitation Game (2014) of Morten Tyldum and The Grand Budapest Hotel (2014) by George Clooney, for which he won a BAFTA, Grammy and Oscar.
Member of the jury of the Cannes Film Festival in 2012, he became in 2014 the first composer President of the jury of the Venice Film Festival. Crowning long years of collaboration, he directed the London Symphony Orchestra in December 2014 for a concert of his works at the Barbican Theater in London.
In 2018, Alexandre Desplat received a second Oscar, a Golden Globe and a BAFTA for The Shape of Water (2017) of Guillermo del Toro.- Composer
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A member of the Academy of Motion Picture Arts and Sciences Class of 2016, film composer Lesley Barber writes music marked by intelligence and emotional depth. She has scored a string of award-winning and highly acclaimed projects, including Kenneth Lonergan's multi-award-winning and Oscar-nominated film, Manchester by the Sea.
A multi-instrumentalist, conductor and pianist, Lesley's interest in modern electronic programming, loops, and effects adds dimension to her work, creating hybrid atmospheric scores with lush orchestration with an innate ability to bring the essential to light and avoid the cliche.
Her distinguished list of credits include Lonergan's Oscar-winning You Can Count On Me, Jerry Rothwell's award-winning documentary How To Change The World, Patricia Rozema's Mansfield Park, Mira Nair's Golden Globe winning Hysterical Blindness, Marry Harron's Moth Diaries, the children's classic Little Bear with Maurice Sendak, Yo-Yo- Ma: Sex Gestures, Wiebke Von Carolsfeld's Marion Bridge, Allison Ander's Beaches, and the released powerhouse documentary The Apology by Tiffany Hsiung.
Lesley is a proud and active member of the Alliance for Women Film Composers which has taken a leading role in the much-publicized diversity conversation now occurring in Hollywood. She has a passion for good food, great cities, and interesting company.- Composer
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Emile Mosseri is known for Minari (2020), The Last Black Man in San Francisco (2019) and Random Acts of Flyness (2018).- Composer
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Patrick Martin Stumph (born on April 27, 1984 in Glenview, Illinois) is a Chicago musician and producer. Most notably he is the lead singer and guitarist of the band Fall Out Boy.
He changed the spelling of his name to 'Stump' when he joined Fall Out Boy to avoid confusion over its pronunciation.
When he joined Fall Out Boy, Stump had neither sung for a band before nor had singing lessons. He formed the band with Joe Trohman and Pete Wentz, both of whom were active in Chicago's hardcore scene. The son of a folk singer, Stump was originally a drummer for a few local suburban Chicago bands, one of which being a band named Public Display of Infection, which he was in in his early teen age years. Upon the formation of Fall Out Boy, though, he took up not only lead vocal duties but was also forced to learn guitar when an early guitar player quit days before their first tour.
As producer he has worked with The Hush Sound and Gym Class Heroes.
He produced the Cobra Starship album ¡Viva La Cobra!.- Music Department
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Eric Serra was born on September 9th, 1959 near Paris in France. His mother died when he was only 7 years old. His father, Claude Serra was a well-know songwriter in France in late 50s and 60s. Serra began to learn play the guitar at 11 years old and became a professional musician for Mory Kante;, Didier Lockwood and Michel Murty at 15 years old.
In the beginning of the 80s Serra met Luc Besson who asked him to compose the score for his first short film titled L'Avant dernier (1981) and later his first feature film Le Dernier combat (1983). As he continues to contribute to every Besson movies, except Angel-A (2005), Serra played bass guitar for French singer Jacques Higelin in studio and on stage from 1980 to 1988.
In 1995s, Serra had opportunity to score James Bond's come back GoldenEye (1995) and to recorded his first rock album titled "RXRA" both in English and French Release also including spanish and Japanese tracks.
In 2000s, Serra distanced himself from Besson by scoring for French and America movies like L'Art (delicat) de la seduction (2000), Wasabi (2001), Decalage horaire (2002), Rollerball (2002), Bulletproof Monk (2003) and Bandidas (2006). He also scored Cirque du Soleil and Criss Angel collaboration called Believe in Las Vegas.
Serra finally resumed his work with Besson for Arthur's trilogy (2006, 2009 and 2010), Adele Blanc-Sec (2010) and The Lady in late 2011.- Director
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Jack Arnold reigns supreme as one of the great directors of 1950s science-fiction features. His films are distinguished by moody black and white cinematography, solid acting, smart, thoughtful scripts, snappy pacing, a genuine heartfelt enthusiasm for the genre and plenty of eerie atmosphere.
Arnold was born on October 14, 1912, in New Haven, Connecticut. He began his show business career as an actor in both on- and off-Broadway stage productions in the late 1930s and early 1940s; among the plays he appeared in are "The Time of Your Life," "Juke Box Jenny," "Blind Alibi," "China Passage," and "We're on the Jury." Arnold served in the US Army in the Signal Corps during World War II. He apprenticed under famous documentary filmmaker Robert J. Flaherty. Following his tour of duty Jack started making short films and documentaries. One short, With These Hands (1950), was nominated for an Academy Award as Best Documentary Feature. Arnold made his theatrical movie debut with the B picture Girls in the Night (1953). He then did his first foray into the science-fiction genre: the supremely spooky It Came from Outer Space (1953). Jack achieved his greatest enduring cult popularity with Creature from the Black Lagoon (1954), a scary yet poetic reworking of "Beauty and the Beast". Revenge of the Creature (1955) was a worthy sequel. Tarantula (1955) was likewise a lot of fun. The Incredible Shrinking Man (1957) rates highly as Arnold's crowning cinematic achievement; it's an intelligent and entertaining classic that's lost none of its potency throughout the years.
Arnold's final two genre entries were the enjoyable Monster on the Campus (1958) and the offbeat The Space Children (1958). His other movies are a pretty varied and interesting bunch, including the hugely successful The Mouse That Roared (1959) (which helped to establish Peter Sellers as an international star), the teen exploitation gem High School Confidential! (1958), the superior Audie Murphy western No Name on the Bullet (1959), the goofy comedy Hello Down There (1969) and the silly softcore romp The Bunny Caper (1974).
In addition to his film work, Arnold also directed episodes of such TV shows as Science Fiction Theatre (1955), Peter Gunn (1958), Perry Mason (1957), Rawhide (1959), Gilligan's Island (1964), Mod Squad (1968), Wonder Woman (1975), The Love Boat (1977), The Bionic Woman (1976) and Buck Rogers in the 25th Century (1979).
The father of producer/casting director Susan Arnold, Jack Arnold died at age 79 on March 17, 1992.- Composer
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Daniel Pemberton was born on 3 November 1977 in the UK. He is a composer and actor, known for The Trial of the Chicago 7 (2020), Spider-Man: Across the Spider-Verse (2023) and Steve Jobs (2015).- Composer
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Joseph Trapanese is a composer and music producer known for integrating his extensive classical training with his skill producing electronic music. He has crafted uniquely hybrid and inventive scores for a number of film and television projects, including Tron: Legacy (with Daft Punk), Oblivion (with M83), The Raid (with Mike Shinoda), Spiderhead, America the Beautiful, Prisoners of the Ghostland, Lady and the Tramp, Stuber, Arctic, Straight Outta Compton, The Divergent Series' second and third installments Insurgent and Allegiant, The Witcher, Shadow and Bone, and interactive projects for Disney Animation, EA, Lucasfilm, and Ubisoft. He has also collaborated on songs for The Greatest Showman, Divergent, and Jason Bourne, and worked on albums and live events with musicians including Aloe Blacc, Amon Tobin, Dierks Bentley, Dr. Dre, The Glitch Mob, Haim, Halsey, Janelle Monae, Kelly Clarkson, Kendrick Lamar, M83, Moby, S. Carey, Sohn, and Zedd.
In 2022, he was commissioned by NASA to write the theme for the 2027 Mars Sample Return mission, and in 2021 he contributed production and arrangements (alongside Adam Blackstone) for the Super Bowl National Anthem. Trapanese's choral composition New Collective Consciousness, featured as the opening of Bjork's 2022 west coast concert tour, addresses the climate crisis through its intense harmonies and dissonances, striking choral textures, and unique text drawn from Greta Thunberg's 2019 speech at the United Nations.
Trapanese has conducted the Hollywood Bowl Orchestra, Estonian National Symphony Orchestra, AUKSO Poland, and numerous festival and studio orchestras.- Composer
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Max Aruj (Crawl, This is Football) is a composer born and raised in Los Angeles. His recent projects include Eytan Rockaway's Lansky, starring Harvey Keitel, and Jonathan Hensleigh's The Ice Road, starring Liam Neeson. He joined the Assassin's Creed universe for Wrath of the Druids (2021). He did additional arrangements on Top Gun: Maverick (2022), for Hans Zimmer and Lorne Balfe. He also wrote additional music for Balfe on Marvel Studios' Black Widow and HBO's His Dark Materials. Aruj co-produced Gryffin's Deluxe orchestral album (2020).- Composer
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Three-time Academy Award-nominated composer and pianist Nicholas Britell is known for his critically acclaimed scores on feature films with Academy Award winning writer-directors Barry Jenkins and Adam McKay. In 2018, Britell wrote the highly acclaimed score for Barry Jenkins' If Beale Street Could Talk. Britell received his second Academy Award nomination as well as BAFTA and Critics' Choice nominations for the score and was awarded Best Original Score by numerous critics' groups, including LA, Boston, Chicago, and Washington DC Film Critics Associations, New York Film Critics Online, and the Online Film Critics Association. In 2018, he also wrote the score for McKay's Vice, starring Christian Bale, which went on to receive eight Academy Award nominations including Best Picture. Britell's most recent film work is the score for Netflix's The King, starring Timothée Chalamet. In 2019, Britell was honored by the World Soundtrack Awards as the Film Composer of the Year for his scores for If Beale Street Could Talk and Vice.
In 2016, Britell was responsible for the world-renowned score for Best Picture winner Moonlight, written and directed by Jenkins. Britell received his first Academy Award, Golden Globe, and Critics' Choice nominations for Moonlight as well as the 2016 Hollywood Music in Media Award for Best Original Score (Dramatic Feature). The year prior, he wrote the score for McKay's much-nominated The Big Short, based on Michael Lewis's best-selling book.
For television, Britell re-teamed with McKay for the HBO series Succession. McKay directed the pilot and executive produces along with writer-showrunner Jesse Armstrong. Britell won an Emmy for Outstanding Original Main Title Theme as well as the 2018 Hollywood Music in Media Award for Best Original Score (TV Show/Limited Series) for Succession Season 1. Britell's score and main title theme have become some of the most talked about music for television on social media, with audience demand leading Britell to produce a remix of the main title theme with lyrics from legendary hip-hop artist Pusha-T (their remix ''Puppets" was released in October 2019 by Def Jam Recordings).
Britell's upcoming projects include writing the score for Amazon's Underground Railroad series, directed and adapted by Barry Jenkins from Colson Whitehead's Pulitzer Prize-winning novel. He is also composing the score for Succession's upcoming Season 3 on HBO.
Britell's music featured in Steve McQueen's Best Picture winning 12 Years A Slave, for which he composed, researched, and arranged the on-camera music, including the violin performances, spiritual songs, work songs, and dances. He went on to work with McQueen on McQueen's art installation Caribs' Leap, which featured as part of the "Master of Light - Robby Müller" retrospective at the Eye film museum in Amsterdam. Other original film score credits include Valerie Faris and Jonathan Dayton's Battle of the Sexes, for which he also wrote and produced original song, "If I Dare" with singer Sara Bareilles; Natalie Portman's A Tale of Love and Darkness; Adam Leon's Gimme the Loot (winner of the 2012 SXSW Grand Jury Prize); Leon's Tramps; Gary Ross' Free State of Jones, and Jack Pettibone Riccobono's documentary The Seventh Fire.
In 2017, Britell won the Discovery of the Year Award at the World Soundtrack Awards in Ghent, Belgium and also received the Distinguished Composer Award from the Middleburg Film Festival. In May 2019, he was awarded - with music supervisor Gabe Hilfer - the first-ever ASCAP Harmony Award celebrating outstanding collaborative achievement between composers and music supervisors for If Beale Street Could Talk. In 2012, he was the recipient of a Henry Mancini Fellowship from the ASCAP Foundation and also won the ASCAP/Doddle Award for Collaborative Achievement.
Britell is a Steinway Artist and is also a Creative Associate of the Juilliard School; he speaks often and gives masterclasses at conservatories and universities including the Eastman Conservatory, Harvard University, Columbia University, New York University, the Mannes School of Music, and Vassar College. In December 2018, it was announced that Britell will be part of Esa-Pekka Salonen's newly formed creative collective "brain trust" as Salonen takes the reins as music director of the San Francisco Symphony. His recent public performances have included concerts at London's Barbican Hall, the Million Dollar Theatre in Los Angeles, Chicago's Ravinia, and Lincoln Center's Alice Tully Hall.
As a producer, Britell produced Damien Chazelle's short film Whiplash, which won the Jury Award for Best US Fiction Short at the 2013 Sundance Film Festival. Following the initial success of the short, he served as co-producer on the Oscar-nominated feature film Whiplash which won Sundance's 2014 Jury Prize and Audience Award.
Britell is an honors and Phi Beta Kappa graduate of Harvard University, as well as a piano performance graduate of the Juilliard School's Pre-College Division. He returned in May 2016 as the Pre-College's commencement speaker.- Composer
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Dario Marianelli was born in Pisa and studied piano and composition in Florence and London. After a year as a postgraduate composer at the Guildhall School of Music and Drama, he spent 3 years at the National Film and Television School, from which he graduated in 1997. Dario's film scores include 'Paddington 2' (2017), 'Darkest Hour' (2017), 'Kubo and the 'Two Strings' (2016) Everest (2015), 'The Boxtrolls' (2014), 'Anna Karenina' (2012), 'Jane Eyre' (2011), 'Salmon Fishing In The Yemen' (2011), 'Eat Pray Love' (2010), 'The Soloist' (2009), 'Agora' (2009), 'Atonement' (2007), 'V for Vendetta' (2006) and 'Pride and Prejudice' (2005). He has written orchestral music for the Queensland Symphony Orchestra, BBC Symphony Orchestra, London Philharmonic Orchestra, London Symphony Orchestra and the Britten-Pears Orchestra, as well as vocal music for the BBC Singers, incidental music for the Royal Shakespeare Company, and several ballet scores. Dario won the Oscar, Golden Globe and Ivor Novello Award in the Best Original Score category for the award-winning Working Title film 'Atonement', for which he also won the World Soundtrack Award and was BAFTA nominated. He was also nominated for a Classical Brit Award in the Soundtrack Of The Year category for 'Atonement'. In 2006, Dario was nominated for an Oscar in the Best Original Score category for his music to Joe Wright's 'Pride & Prejudice'. This score won him the Classical Brit Award in the Soundtrack/ Musical Theatre Composer of The Year category and also earned him an Ivor Novello Award nomination. Dario's collaboration with Joe Wright on the film 'Anna Karenina' led to his nomination for an Academy Award, BAFTA and Golden Globe for Best Original Score, and in May 2013, he won the Ivor Novello Award for Best Original Film Score for 'Anna Karenina'. In 2014 Dario composed the score for Laika animation 'The Boxtrolls', which was nominated for an Ivor Novello Award. He has recently completed work on the score to his second Laika animation, 'Kubo and the Two Strings', for which he won an Ivor Novello Award, and also worked on his fifth film collaboration with director Asif Kapadia on live action feature 'Ali and Nino'.
During 2014 Dario's 'Voyager' Violin Concerto also had its world premiere in Brisbane, Australia, performed by the Queensland Symphony Orchestra as part of a spectacular event combining science, music, voice, and film titled 'Journey Through The Cosmos'. The piece was featured alongside a lecture given by Professor Brian Cox and has since gone on to be performed by the Swedish Radio Symphony Orchestra, conducted by Daniel Harding and featuring highly acclaimed violinist Jack Liebeck.
In 2017, Dario continued his working relationship with Joe Wright on 'Darkest Hour' and also scoring Paul King's 'Paddington 2'. Dario was commissioned by The Royal Opera House to compose their new ballet, 'The Unknown Soldier', which premiered in November 2018. He also worked with Travis Knight, composing the score for the latest film in the Transformers film series, 'Bumblebee.' Dario collaborated with Matteo Garrone to score the Italian feature film 'Pinocchio'. Most recently Dario composed the original score for 'A Boy Called Christmas', directed by Gil Kenan, which was released in late 2021.- Music Department
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A musician of epic proportions, Arturo Sandoval is the protege of Jazz trumpeter and one of Latin Jazz's musical founders, Dizzy Gillespie. A master of the trumpet and flugelhorn, Sandoval began studying classical trumpet at age 12, and has been recording for over 30 years. He has won four Grammy Awards and been nominated for 12 Grammys in several categories including the 1978 Grammy for Best Latin album with the group "Irakere" (a Yoruba word for "forest") that he co-founded with Afro-Cuban piano virtuoso Chucho Valdés. In 1995 he was commissioned by the Kennedy Center to compose the music for the Debbie Allen ballet "Pepito's Story". In 1999 he composed songs for the musical "Soul Possessed", marking his second outing with Debbie Allen who wrote and choreographed the production. He has performed with the BBC Symphony in London, the Leningrad Symphony in Russia, the Atlanta Symphony Orchestra in Atlanta, Georgia, USA, the Los Angeles Philharmonic, and with Dizzy Gillespie's United Nations Orchestra. His resume includes over eight albums as a Jazz soloist and one as a classical soloist. Additionally, he serves as a full professor of music at Florida International University where he established "The Dizzy Gillespie Trumpet Scholarship" in honor of his mentor and longtime friend. After having recorded with artists as diverse as Frank Sinatra, Gloria Estefan, Jon Secada and others, the musical treasure from Cuba and longtime US resident was finally granted US Citizenship in 1999. Que Viva Arturo!- Composer
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Dickon Hinchliffe was born in the UK. He is a composer, known for Winter's Bone (2010), The Lost Daughter (2021) and Peaky Blinders (2013).- Composer
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Max Richter was born on 22 March 1966 in Hamelin, Lower Saxony, West Germany. He is a composer and actor, known for Arrival (2016), The Leftovers (2014) and Ad Astra (2019).- Composer
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NITIN SAWNEY As a composer, producer and musician, Nitin is recipient of over twenty international awards including a CBE, an Ivor Novello Lifetime Achievement Award,7 independent honorary doctorates and has scored over 60 films (including Warner Bros 'Mowgli' for Netflix), numerous tv series, including BBC's epic 'Human Planet' series, made over 20 studio albums, 11 under his own name, and has also scored extensively for theatre, dance and video games. Most recently, Nitin has been appointed Chair of Trustees for PRS Foundation, the UK's leading charitable funder of new music and talent development. Nitin is a member of the Academy of Motion Picture Arts and Sciences and BAFTA. He has served as a member of an appointed advisory committee to the UK government on national musical education policy, is an associate artist with London's Sadler's Wells dance venue and has served as trustee on numerous boards including London's Somerset House and the Whitechapel Art Gallery. Nitin is a trustee on the board of London theatre company, Complicité. As a broadcaster he has had his own BBC Radio 2 series, which ran for 4 years, and has been a music judge for both of Sky Arts' guitar star series as well as musical director for a series focussing on the work of David Bowie. Nitin has produced many pop, dance and classical artists, including Helene Grimaud & Jools Holland, had his own BBC classical prom, appeared on the BBC prom review panel numerous times, has written for and conducted the London Symphony Orchestra and other major orchestras, is patron for educational charities - Artis and the Abram Wilson Foundation and was commissioned by Sky Arts to write a new national anthem in 2019 which was performed as an oratorio at London's Barbican centre. As a touring musician, Sawhney has performed extensively as an artist in his own right at some of the world's most prestigious venues, including the Royal Albert Hall, Hollywood Bowl and Sydney Opera House. As a DJ, Nitin has performed across the world and appeared regularly at London's most popular club, Fabric, compiling their album release - 'Fabriclive 15'. As well as having been a curator for many international festivals, Nitin is a university lecturer and has lectured at numerous international universities, including Stanford and Berklee in Valencia. Collaborations and productions include work with Paul McCartney, Sting, Jeff Beck, Ellie Goulding, Annie Lennox, Will Young, Bob Geldof, Andy Serkis, Mira Nair, Anoushka Shankar, Nora Jones, Herbie Hancock, David Gilmour, Jools Holland and Nelson Mandela.
Honorary Doctorates 2006 - Awarded an Honorary Fellowship from South Bank University, London 2007 - Awarded an Honorary Degree of Doctor of Music from the University of Kent 2008 - Awarded Fellowship of LIPA 2009 - Awarded an Honorary Doctorate from the University of Sussex 2009 - Awarded an Honorary Doctorate from the University of Roehampton 2009 - Awarded an Honorary Doctorate from the University of Staffordshire 2012 - Awarded an Honorary Doctorate from Goldsmiths 2014 - Awarded Doctor of Arts University of Hertfordshire- Composer
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John Frizzell has composed music for Film and Television across a wide range of genres in his career. Recently his dark mysterious score for two seasons of Kevin Williamson's CBS All Access series Tell Me A Story, is a sharp contrast to his comedic score for FOX television's Duncanville starring Amy Poehler, and his co-composed score to Mike Judge Presents: Tales From the Tour Bus on which he collaborated with the legendary George Clinton. As a Producer and Composer, he recently completed work on Alex Winter's documentary Zappa which explores the complex life and music of Frank Zappa.
Over the years, he has created scores as varied as the dark and violent Alien Resurrection, the quirky off-beat music for the cult classics Office Space and Beavis and Butt-Head Do America, the epic sound of Gods and Generals, and the dark and disturbing score for the FOX series The Following. In addition, he has composed the gentle melodies of the intimate period drama The Prize Winner of Defiance, Ohio and created the plaintive jazz score behind James Franco's Golden Globe winning performance in James Dean. In recent years Frizzell, a mandolin and guitar player, has worked with BMI (Broadcast Music, Inc.) to promote and support Bluegrass Music on the west coast.
Born in New York City, Frizzell began his music career early, singing in the chorus of the Paris Opera Company and the Metropolitan Opera Company. As a teenager he played guitar in rock bands, and later became focused on jazz, a passion that led him to pursue a formal musical education at the University of Southern California Thornton School of Music as well as the Manhattan School of Music. It was during his college years that Frizzell met his mentor, guitar legend Joe Pass, and through Pass, Frizzell discovered his calling as a composer.
After college Frizzell worked for acclaimed producer/vibraphonist Michael Mainieri, who owned the first digital music workstation, a Synclavier. Frizzell became a master synthesist, a skill that led him to work with Academy Award winning composer Ryuichi Sakamoto, for whom Frizzell provided orchestrations to Oliver Stone's landmark mini-series Wild Palms. When he relocated to Los Angeles, Frizzell was introduced to James Newton Howard, who mentored him and composed the themes for Frizzell's first two feature films, The Rich Man's Wife and Dante's Peak.
Known to experiment with evolving music technology in his Film/TV scores, Frizzell has utilized experimental devices and software to create a fluid, collaborative and creative process, while still incorporating more traditional orchestral writing. Whether he is recording dry ice being rubbed on the inside of a piano or capturing the nuances of great violinists like Mark O'Conner or Sara Watkins, Frizzell strives to create a score intimately tied to picture and enhance the story.
A proponent for film music and film music issues, Frizzell has served on the Executive Board of the Academy of Motion Picture Arts and Sciences, lectured to graduate students at USC Thornton School of Music and the Sundance Film Music Lab. He has also served as the Honorary President of the International Film Music Conference in Ubeda, Spain.- Composer
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Kris Bowers is known for Green Book (2018), Haunted Mansion (2023) and The Color Purple (2023). He has been married to Briana Henry since 6 June 2020. They have one child.- Composer
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Ludwig Göransson is a Swedish composer known for composing Black Panther, the Creed films, Venom, Fruitvale Station, The Mandalorian, The Book of Boba Fett, Turning Red, New Girl, Community, Top Five, Central Intelligence, 30 Minutes or Less and Tenet. He had a son from Serena McKinney, who was married to him since 2018.- Composer
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Jed Danyel Kurzel (born 1976 in Gawler, South Australia) is an Australian singer-songwriter, guitarist and film composer. He is a founding member of The Mess Hall (from 2001), a blues rock duo. His older brother Justin Kurzel is a film director and screenwriter. He is known for his work on The Babadook (2014), Slow West (2015), Alien: Covenant (2017) and Overlord (2018).- Composer
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Roque Baños was born in 1968 in Jumilla, Murcia, Spain. He is a composer and director, known for Don't Breathe 2 (2021), The Man Who Killed Don Quixote (2018) and The Commuter (2018).- Music Department
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Melissa Reese is known for The Last of Us (2023), Bodied (2017) and Call of Duty: Modern Warfare II (2022).- Music Department
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Philip White is known for Tyler Perry's A Madea Homecoming (2022), The Loud House Movie (2021) and Jexi (2019).- Composer
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Thom Yorke was born on 7 October 1968 in Wellingborough, Northamptonshire, England, UK. He is a composer and actor, known for Suspiria (2018), Children of Men (2006) and Motherless Brooklyn (2019). He was previously married to Rachel Owen.- Composer
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Howard Goodall was educated at New College School, Stowe School and Lord Williams's School. A boy chorister, he studied music at Christ Church, Oxford, where he achieved a First. He became known to the public for composing the theme tunes to popular BBC comedy series such as Blackadder (1982), Red Dwarf (1988) and The Vicar of Dibley (1994). He has also presented educational programmes on music, such as 20th Century Greats (2004) and Sgt Pepper's Musical Revolution with Howard Goodall (2017). He is particularly noted as an expert on the music of The Beatles.- Music Department
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Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.- Composer
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Trevor Morris is writer, composer and director for Film & Television. Canadian born and dual citizen of Great Britain, Trevor splits his time between his home and studios in Los Angeles and Toronto Canada. Trevor has contributed to 30 Feature Films and over 700 hours of 1-Hour dramatic Television. Trevor is a 5 time EMMY nominee and twice winner. He has collaborated with Ridley and Tony Scott, Antoine Fuqua, Gore Verbinski, and Jerry Bruckheimer amoung others.- Composer
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Danny is a London-based composer. Recent films include the critically acclaimed What They Had, written and directed by Elizabeth Chomko and staring Hilary Swank, Michael Shannon and Robert Forster and the Thriller Catching Dust, premiering at Tribeca 2023. Danny has also composed many scores for TV, including long-running forensic crime drama Silent Witness (BBC Drama), and major arts and science documentaries for the BBC and other producers.
Danny often works with the London Contemporary Orchestra, one of the UK's most innovative and respected ensembles. His recent releases, Metanoia, Safe House, Reflections On A Dead Sea, Flow States as Singing Through Others can be streamed on all music services.- Composer
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Trent Reznor is an American songwriter/musician/producer and sole member of multi-platinum act Nine Inch Nails, and now an Academy Award, Emmy and Grammy Award winning film composer. He began creating music as a child in Western Pennsylvania, first on piano and then taking up other instruments. He eventually moved to Cleveland, OH where he took a job at a local recording studio as an assistant engineer/janitor, recording his own material during unused studio time.
Those recordings became the first Nine Inch Nails album, 1989's Pretty Hate Machine. NIN soon developed a reputation as one of the best live acts in rock and joined the inaugural Lollapalooza tour in 1991. The Broken EP followed in 1992, garnering NIN's first Grammy Award (NIN has received twelve Grammy nominations and won two awards). In 1994, the breakthrough album The Downward Spiral was released and featured the radio hits "Closer" and "Hurt." The controversial music video for "Closer" was directed by Mark Romanek and is considered among the best music videos of all time having won various awards (it is one of the few music videos included in the permanent collection of the Museum of Modern Art in New York City). NIN's mud-covered appearance that Summer at Woodstock 1994 is now legendary. Also released that year was the Reznor produced soundtrack to Oliver Stone's Natural Born Killers (1994). He returned to film 3 years later, producing the soundtrack for David Lynch's Lost Highway (1997). In 1997, Reznor appeared on Time magazine's most influential people list, and Spin magazine named him "the most vital artist in music."
Five years later NIN's next album, The Fragile, was released - the double album debuted at number one. In 2002, "Hurt" was covered by Johnny Cash to critical acclaim; it was one of Cash's final hit releases before his death. NIN's next album, With Teeth, also reached number one in 2005 as did the single "The Hand That Feeds." Reznor broke new ground by posting the single's source tracks as a free download for fans to edit/remix/sample as they pleased and creating an online community for fans to share their creations. David Fincher directed the video for "Only," With Teeth's second single.
The concept album Year Zero was released in 2007 alongside an accompanying ARG (alternate reality game). Conceived by Trent Reznor and assisted in execution by 42 Entertainment, the ARG progressed through the album release and beyond, featuring no less than 29 websites, hidden messages within NIN merchandise, recordings and bar codes, hot lines, flier and poster campaigns, and even resistance cell "meetings" organized via calls made to pre-paid cell phones distributed to participants. Within two months, the ARG amassed 2.5 million cumulative site visits, 7.5 million cumulative page views and 2 million phone calls. Reznor has developed Year Zero into an HBO/BBC mini-series.
In 2008, free of contractual obligations, NIN released Ghosts I-IV, a 36-track instrumental album, NIN's first independent release. Soon after, a new studio album, The Slip, was released as a free digital download alongside a simple message: "Thank you for your continued and loyal support over the years - this one's on me" - TR (In less than a year, it exceeded 1.8M downloads). Ghosts I-IV and The Slip were both released under Creative Commons licenses allowing extensive use of the material within independent film projects. Following these two releases, NIN embarked on the acclaimed Lights In The Sky Tour featuring groundbreaking production effects, layering and programming that allowed the performers to interact and control aspects of the show's visuals. The tour was recognized by the industry as one of the top-ten most creative tours of all time.
Over the course of his career, Reznor has also collected countless production and remix credits including collaborations with David Bowie, producing Saul Williams and the discovery and production of Marilyn Manson.
In 2010, Reznor composed his first film score; for David Fincher's masterwork The Social Network (2010). The score won the Academy Award for best score and the Golden Globe Award for Best Original Score. Additionally, he received a Critics' Choice Movie Award and a Los Angeles Film Critics Association Award for best score. He also scored Fincher's next film, the highly anticipated The Girl with the Dragon Tattoo (2011).
In addition to his continued work in Nine Inch Nails, Reznor is recording new music as a member of the group How to Destroy Angels.- Composer
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Atticus Ross was born on 16 January 1968 in England, UK. He is a composer and actor, known for The Social Network (2010), The Girl with the Dragon Tattoo (2011) and Mank (2020). He has been married to Claudia Sarne since 2001. They have three children.- Sound Department
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Having sold over 18,000,000 records, multi platinum producer, Bret "Epic" Mazur was an invaluable creative force in changing the face of pop and alternative music in the 21st century and is now Senior Producer of Audio and Music at Sugar Studios LA. With over twenty years of mixing and production experience, Mazur is an integral part of what Sugar Studios LA offers including, 5.1 mixing, scoring and sound design for feature films, television and trailers.
As a producer, Mazur has worked with some of the most iconic names in the record industry, including Prince, The Black Eyed Peas, NWA, The Plain White Tees, Seal and his own band Crazy Town which had a world wide #1 smash "Butterfly".
Today, Mazur has been sound designing numerous films and not only heads up Sugar Studios audio and music departments, but he is composing original music for feature films including The Oath (2018) starring Ike Barinholtz and Tiffany Haddish and Shine (2018) starring David Zayas and Alysia Reiner- Composer
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Cliff Eidelman's breakthrough came with his score Star Trek VI: The Undiscovered Country (1991), a powerful score that elicited a great deal of attention and acclaim. By the age of 24, Eidelman had composed a number of epic symphonic scores including the Holocaust drama Triumph of the Spirit (1989) and Christopher Columbus (1992). Soon after the release of Triumph of the Spirit, legendary composer Jerry Goldsmith took a real interest in Eidelman's career. In an interview in 1999, he commented "Cliff Eidelman is a great talent with amazing potential."
Throughout his career, Eidelman honed different musical approaches from intimate, heartfelt story telling to playful comedies to sweeping large scale orchestral scores. Some of his film scores include: Crazy People (1990), Delirious (1990), Untamed Heart (1992), Leap of Faith (1992), A Simple Twist of Fate (1994), Now and Then (1995), the highest rated HBO film If These Walls Could Talk (1996), One True Thing (1998), Witness Protection (1999), An American Rhapsody (2001), the IMAX film Ocean Men (2001), Harrison's Flowers (2001), Sexual Life (2004), The Sisterhood Of The Traveling Pants (2005), Open Window (2006), He's Just Not That Into You (2009), Big Miracle (2012), Being Dolphin (2018) and The 100% (2019) winner of "Best VR Film" at the Tribeca Film Festival.
Concert Works
In parallel to his film music, Eidelman has composed many concert works. Symphony for Orchestra and Two Pianos recorded at Abbey Road Studios with the London Symphony Orchestra (under the direction of Eidelman), Night in the Gallery recorded by Members of the London Symphony Orchestra, a symphonic tone poem The Tempest, recorded by The Royal Scottish National Orchestra (under the direction of Eidelman) and Wedding In The Night Garden, originally orchestrated for strings and mezzo-soprano, subsequently developed by Eidelman as a second version for strings, choir and mezzo-soprano which was performed in 2002 by the Los Angeles Master Chorale. It was so well received that conductor Grant Gershon requested repeat performances at Walt Disney Concert Hall in their 2005/2006 season.
Recent works include Bridges, a solo piano piece commissioned by the Library of Congress for pianist Jenny Lin and The Five Tales, recorded by acclaimed concert pianist, Michael McHale.
My Muse is a collection of 10 songs Eidelman wrote over the course of a decade. The music and lyrics are written and performed by Eidelman.
Background
One of the few Los Angeles-born composers, Eidelman began his formal musical training at the age of 8, studying the violin. A few years later he switched to guitar as his main instrument and began performing and writing songs for his various bands, playing at local Los Angeles clubs before age 14. He studied Jazz guitar at the Guitar Institute of Technology before attending USC studying composition. Eidelman broke into film scoring at the age of 22 when a performance recording of one of the two concert music commissions, the ballet Once Upon a Ruler and Celebration Symphony Overture he composed while a student Santa Monica City College reached director Monica Teuber. She was so impressed that she asked him to write some music based on the reading of her script. Eidelman composed eleven pieces and recorded the music at his home studio while still a student of music composition at the University of Southern California. Teuber hired him to write his first film score, Magdalene (1988), which starred Nastassja Kinski. The young composer took full advantage of this opportunity, launching his career with a huge 75 minute score. At only 22 years of age, Eidelman conducted the Munich Symphony using a 110 piece orchestra, 60 piece choir and 30 piece children's choir.
When director Richard Pearce heard the Magdalene score playing one morning on KCRW, he had his producers call Eidelman, that afternoon, to offer him the HBO film Dead Man Out (1988) which earned him a nomination for an Ace award. Within a year of completing his first film score he was approached by director Robert Young to score his epic drama of WWII, Triumph of the Spirit. It was 1989 and Eidelman was just 24. The score was impressive and deeply moving, dramatically capturing the story of survival against all odds in a German concentration camp. So much so that it has caught the attention of many conductors since its composition and been performed by numerous orchestras. Eidelman created a suite from the score that was performed in June 2003 by The Los Angeles Master Chorale under the direction of Grant Gershon for their final concert at the Dorothy Chandler Pavilion prior to moving to Disney Hall.
Although he is known foremost as a composer, Eidelman has conducted all of his film scores. He has conducted The Metropolitan Orchestra of London, The Munich Symphony and Chorus, Unione Musicisti Di Roma and Chorus, the Los Angeles Master Chorale, The Royal Scottish National Orchestra, The Toronto Symphony Orchestra, The Seattle Symphony Orchestra and many first call pick up orchestras for his film scores. The recognition he garnered prompted Varese Sarabande Records to pursue Eidelman for conducting projects. On two recordings, he conducted works by Prokofiev, Shostakovich, Walton, Rozsa and Rota.
As one of the youngest composers to score a feature film, Eidelman has amassed an impressive body of work from film to the concert hall. He has created symphonic scores, musically captured the epic proportions of faith and despair, the whimsies of comic entertainment, and the intimacies of the human heart with a lone guitar, a one hundred piece orchestra, a solo piano and every formation in-between. Experience has given him an ease and maturity that allows his creativity to find the musical heart and vocabulary of intimate and epic films, as well as concert pieces and songs.- Composer
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Justin Hurwitz was born on 22 January 1985 in Los Angeles, California, USA. He is a writer and producer, known for La La Land (2016), First Man (2018) and Whiplash (2014).- Composer
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Jonny Greenwood was born on 5 November 1971 in Oxford, Oxfordshire, England, UK. He is a composer and actor, known for The Master (2012), There Will Be Blood (2007) and Phantom Thread (2017). He has been married to Sharona Katan since 1995. They have three children.- Sound Department
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Dustin O'Halloran is an American pianist and composer with four acclaimed solo albums under his own name, and is a member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama "Transparent", he was also nominated for an Oscar, a Golden Globe, a BAFTA, and a Critics Choice Award for his score to 2016's "Lion", written in collaboration with Volker Bertelmann (aka Hauschka). O'Halloran's film career began when Sofia Coppola invited him to contribute to 2006's "Marie Antoinette", and since then he's worked on multiple films and TV shows, including Drake Doremus' Sundance Grand Jury Prize winner "Like Crazy" (2011), and Marc Turtletaub's "Puzzle" (2018), for whose closing song he collaborated with veteran Scandinavian chart-topper Ane Brun. In 2018 he scored George Tillman Jr.'s "The Hate U Give" and joined forces with Bryan Senti for Nick Murphy's six-part Sky TV series "Save Me". He and Bertelmann reconvened for the BBC's adaptation of Charles Dickens' "A Christmas Carol" (2019), for Netflix's "The Old Guard" (2020) starring Charlize Theron, and Francis Lee's "Ammonite" (2020) starring Kate Winslet and Saoirse Ronan.
O'Halloran released his first EP "Sundoor" for renowned classical music label Deutsche Grammophon in 2019, with a new album in the works, and A Winged Victory for the Sullen, his ambient orchestral project with Adam Wiltzie, released their latest album, The Undivided Five, on Ninja Tune the same year. In addition, O'Halloran worked as a producer for Katy Perry's 'Into Me You See', from her 2017 album, Witness, and appears on Leonard Cohen's 2019 posthumous album, Thanks For The Dance. O'Halloran lives in Los Angeles and Reykjavík.- Composer
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Daniel Hart is a composer and performer based in Los Angeles. Hart made his feature film debut in 2013 with the critically acclaimed Ain't Them Bodies Saints, which began his collaboration with filmmaker David Lowery. Hart has composed the music for all of Lowery's films, including Pete's Dragon, A Ghost Story, Old Man and The Gun, and 2021's The Green Knight. Over the past decade, he has also scored multiple TV shows, from Fox's The Exorcist, to SMILF, to The Society. Hart has written music for This American Life, and composed the score for S Town, one of the most popular podcasts of all time.
Hart's musical career started on the road, as a hired gun for bands such as St. Vincent, Broken Social Scene, Other Lives, and The Polyphonic Spree. He continues to work in this field, having recorded strings for St. Vincent's 2021 album Daddy's Home, re-arranging songs for Anjimile's latest release Reunion, and writing new music for his own band Dark Rooms, which has released two albums, and toured extensively throughout the US and Europe over the past eight years.- Music Department
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Heitor Teixeira Pereira was born in Brazil and has worked for Brazilian jazz musicians such as Ivan Lins and Lani Hall. In July 1988 he joined Simply Red as a guitarist and stayed with the band until 1996. During that time he shortened his name to Heitor TP. In 1994 he released a solo album called "Heitor" with the help of some of the other Simply Red musicians. He now lives in California, USA with his wife and two children and is currently working on film music together with Hans Zimmer as well as his solo career.