Notable People of Hanha Barbara
A list of famous animators who worked at Hanha Barbara and one of the animators is my least favorite. Hanha Barbara may of made some bad animation but that's what made it good and classic. It is one of my favorite animation studios next to Studio Ghibli and TVC London.
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- Producer
- Director
- Writer
William Hanna was an animator, film director, and television producer. He was the co-founder of the company Hanna-Barbera, with his longtime partner Joseph Barbera.
Hanna was born in an Irish-American family, son of William John Hanna (1873-1949) and his wife Avice Joyce Denby. He was born in Melrose, New Mexico Territory, though the family never set root there. His father worked as a construction superintendent for railroads, water systems, and sewer systems. He was often re-assigned, requiring his family to move with him to new locations.
Hanna attended Compton High School in Compton California from 1925 to 1928. During his high school years, Hanna played the saxophone in a dance band. He developed a passion for music that would lead to him personally working on several theme songs for his animated work.
Hanna briefly attended Compton City College, studying both journalism and structural engineering. The Great Depression affected his family's financial situation, forcing him to drop out of college and seek work. He worked first as a construction engineer, then as a car wash employee. A family friend convinced him to seek a job for Leon Schlesinger's company "Pacific Title & Art Studio", which designed title cards for films. Though he lacked formal training, he displayed a talent for drawing. This helped him get hired at an upstart animation studio connected to Schlesinger, the Harman and Ising animation studio, which was producing the "Looney Tunes" and "Merrie Melodies" series. Hanna was promoted to head of their ink and paint department.
In 1933, the studio's heads (Hugh Harman and Rudolf Ising) dissolved their business relationship with Schlesinger. Schesinger retained the rights to the "Looney Tunes" and "Merrie Melodies", while Harman and Ising kept the rights to their popular character Bosko. Hanna followed them into their subsequent projects. By 1936, he was promoted to film director and directed a few short films in their "Happy Harmonies" film series.
In 1937, Metro-Goldwyn-Mayer stopped distributing animated films by Harman and Ising, and created their own animation subsidiary: the Metro-Goldwyn-Mayer cartoon studio (1937-1957). They hired away most of the staff of the Harman and Ising studio, including Hanna. In 1938, Hanna became a senior director for the "Captain and the Kids" film series, an adaptation of the popular comic strip "The Katzenjammer Kids". The series failed to find an audience, and was terminated in 1939. Hanna was demoted from director to story-man.
During this period, Hanna started co-working with fellow animator Joseph Barbera on the idea of a film series featuring a cat-and-mouse duo. The two were allowed to co-direct the film "Puss Gets the Boot" (1940), introducing the characters of Tom and Jerry. The film was popular with critics and the audience, but studio head Fred Quimby was not initially interested in a full series with the characters. However, the commercial failure of other products of the studio convinced Quimby to try reusing Tom and Jerry. Hanna and Barbera were assigned their own production unit to work on the new series.
From 1940 to 1957, Hanna and Barbera co-directed 114 short films starring Tom and Jerry. The series was a critical and popular success, winning 7 Academy Awards and being nominated for other 7. In 1955, Fred Quimby retired, and Hanna and Barbera replaced him as studio heads. But by this time production costs for the films were high, while they were less profitable than before. MGM shut down the studio in 1957.
Hanna briefly partnered with animator Jay Ward in creating their own animation studio, called "Shield Productions". They parted ways before producing anything notable. Hanna next partnered with Barbera again, creating the company Hanna-Barbera Productions. Since the market for theatrical animated shorts was in decline, the duo intended to produce animation for television. They received partial funding from Screen Gems, in return for a distribution deal.
The studio's first television series was the moderately popular "The Ruff & Reddy Show". It was followed by the more successful "The Huckleberry Hound Show" and "The Yogi Bear Show", which introduced popular characters and managed to attract an adult audience. Realising that there was a market for adult-oriented cartoons, Hanna and Barbera next developed the animated sitcom "The Flintstones", a parody of "The Honeymooners" with a Stone Age setting. It found success with both adult and juvenile audiences, helping the studio become the leader in television animation for most of the 1960s.
In 1966, Hanna-Barbera Productions was sold to Taft Broadcasting for 12 million dollars. Hanna and Barbera continued serving as studio heads until 1991. In 1991, the studio was sold to Turner Broadcasting System, with Hanna and Barbera reduced to an advisory position. In 1996, the studio was sold to Time Warner, with Hanna remaining an advisor until his death in 2001.
In March 2001, Hanna died of esophageal cancer at his home in North Hollywood, Los Angeles, He was 90-years-old. He was buried at Ascension Cemetery in Lake Forest, California. His legacy includes more than 100 animated series, multiple films and television specials, and a large number of enduring characters.Founder- Producer
- Director
- Writer
Joseph Roland Barbera was an American animator, film director, and television producer. He was the co-founder of the company Hanna-Barbera, with his longtime partner William Hanna.
Barbera was born in an Italian-American family. His parents were barbershop-owner Vincent Barbera (1889-1965) and Francesca Calvacca (1875-1969), both Italian immigrants from Sicily. Vincent was from the farming town of Castelvetrano, while Francesca was from the spa town of Sciacca (founded as the ancient Greek colony of Thermae).
Barbera was born in Little Italy, at the Lower East Side section of Manhattan. Months following his birth, Barbera's family moved to Flatbush, Brooklyn. He was mostly raised in Flatbush. Vincent Barbera grew prosperous for a while, but a gambling addiction led him to squander the family fortune. In 1926, Vincent abandoned his family, and Joseph was taken under the wing of his maternal uncle Jim Calvacca.
Barbera attended Erasmus Hall High School in Brooklyn. During his high school years, he worked as a tailor's delivery boy. Meanwhile, he excelled in boxing and won a number of titles, but decided against becoming a professional boxer. He graduated high school in 1928, and started working odd jobs.
In 1929, Barbera first became interested in animation, after viewing Walt Disney's "The Skeleton Dance" (1929). Shortly after, he started working as a freelance cartoonist. Some of his print cartoons were published in Redbook, the Saturday Evening Post, and Collier's. Meanwhile Barbera took art classes at the Art Students League of New York and the Pratt Institute, hoping to improve his drawing skills.
Barbera was eventually hired as an inker and colorist by Fleischer Studios. In 1932, he was hired by the Van Beuren Studios as an animator and storyboard artist. At Van Beuren he worked on such film series as "Cubby Bear" and "Rainbow Parades". The studio's most prominent cartoon starts were a human duo known as "Tom and Jerry". Barbera worked on the Tom and Jerry series, and apparently liked the sound of the duo's name.
In 1936, Barbera left the financially struggling Van Beuren studio to work for Paul Terry's Terrytoons studio. In 1937, he left Terrytoons to work for the then-recently established Metro-Goldwyn-Mayer cartoon studio (1937-1957). MGM offered its animators higher salaries than what Terrytoons could offer. His first few years at the studio were not particularly notable. In 1939, he and co-worker William Hanna started working on the idea of a cat-and-mouse duo of characters. They were allowed to co-direct "Puss Gets the Boot" (1940), introducing the new duo of Tom and Jerry. It was critically and commercially successful, but studio head Fred Quimby was initially uninterested in producing a full series of Tom and Jerry films. The lack of success of other products of the studio convinced Quimby, and Barbera and Hanna became the head of their own production unit to work on the new series.
From 1940 to 1957, Hanna and Barbera co-directed 114 Tom and Jerry animated shorts. The Tom and Jerry series was very popular with critics and audience. But by the 1950s, production costs were high while the profitability of the shorts was lower than before. MGM decided to shut down its animation subsidiary. Barbera was unemployed for the first time in decades.
Barbera briefly partnered with Robert D. Buchanan (1931-) in production of an animated television series, the science fiction series "Colonel Bleep" (1957-1960). It was the first animated series specifically produced for color television. Barbera eventually left this partnership and teamed up with William Hanna again. They founded Hanna-Barbera Productions, their own animation studio. With theatrical animation in decline, they focused on the new market of television animation.
The studio's first television series was the moderately successful "The Ruff & Reddy Show". It was succeeded by the much more popular "The Huckleberry Hound Show" and "The Yogi Bear Show". Survey's revealed that the two shows had attracted an adult audience, convincing Hanna and Barbera that they could market animation to adults. Their next series was the animated sitcom "The Flintstones" (1960-1966), popular with both children and adults. Its success helped establish Hanna-Barbera Productions as the leader in television animation.
In 1966, Hanna-Barbera Productions was sold to Taft Broadcasting for $12 million dollars.Barbera and Hanna remained studio heads until 1991, when the studio was sold to the Turner Broadcasting System for an estimated 320 million million dollars. Barbera and Hanna were reduced to advisory positions, which would they keep for the rest of their lives. Barbera periodically worked on new Hanna-Barbera shows, and even provided input for the original live-action adaptation of Scooby-Doo in 2002.
In 2001, Hanna-Barbera Productions was absorbed into Warner Bros. Animation. Barbera received executive producer credits for Warner Bros. sequels and adaptations of his old series (such as "What's New, Scooby-Doo?" and "Tom and Jerry Tales"). In 2005, Barbera co-directed a new Tom and Jerry short film: "The Karate Guard". Barbera then started work on a Tom and Jerry feature film, " Tom and Jerry: A Nutcracker Tale" (2007). He died before production was completed.
Barbera died in December 2006, at the age of 95. He had never fully retired and was still working at the time of his death. His legacy includes more than a 100 television series, and a large number of enduring characters.Co-Founder- Animation Department
- Writer
- Art Department
Canadian-born cartoon cartoonist Kricfalusi began his career by working on low end Saturday morning cartoons like The Jetsons (1962) revival and Fat Albert and the Cosby Kids (1972). In 1987, Kricfalusi's mentor, Ralph Bakshi, saved him by hiring him as supervising director on his show Mighty Mouse: The New Adventures (1987). The show was canceled after a scene where Mighty Mouse sniffed a flower to get superpowers and some people thought he was using cocaine. Soon afterwards, Nickelodeon bought his twisted brainchild The Ren & Stimpy Show (1991). But after continuous battles over script content and control, he was fired from his own show in 1992. After he was fired, he furthered his fight for creative freedom by founding a website where he sold dolls of his other characters. He then hired some of his old Ren and Stimpy co-workers and produced the first 'made for the web' cartoon series The Goddamn George Liquor Program (1997). He also created and produced "Weekend Pussy Hunt" another 'made for the web' series. Other work includes directing a Yogi Bear short for Cartoon Network, directing a music video for Björk. And in 2001 he returned to TV with the Saturday morning cartoon for Fox Kids called The Ripping Friends (2001), which he created and produced. By 2019, he released the cartoon by Kickstarter Cans Without Labels (2019).- Director
- Animation Department
- Writer
Ralph Bakshi worked his way up from Brooklyn and became an animation legend. He was born on October 29, 1938, in Haifa, Israel, the son of Mina (Zlotin) and Eliezar Bakshi, and is of Krymchak Jewish descent. He was raised in Brownsville, after his family came to New York to escape World War II. Bakshi attended the Thomas Jefferson High School and was later transferred to the High School of Industrial Arts and graduated with an award in cartooning in 1957.
At the Terrytoons studio, he started as a cel polisher then graduated to cel painting. Practicing nights and weekends, he quickly became an inker and then an animator. There, he worked on such shows as Mighty Mouse, Heckle and Jeckle, Deputy Dawg, Foofle and Lariat Sam. At 28 he created and directed a series of superhero spoof cartoons called The Mighty Heroes.
In 1967, Bakshi moved to Paramount Studios. Working with producer Steve Krantz, Bakshi worked on episodes of the Spider-Man TV series and several short films. In the 1970s, Bakshi set out to produce films using his innovative vision for how animated films should be. Krantz suggested Robert Crumb's "Fritz the Cat" comic book as Bakshi's first feature. The two set out to meet with Crumb and get the film rights. In 1972, the film premiered and was extremely successful, as the first feature-length animated film to receive an X rating by the American rating system (when it was distributed worldwide, it generally received lower ratings the equivalent of an R rating, and was released as being unrated on DVD).
The success of "Fritz the Cat" allowed Bakshi to produce films featuring his own characters and ideas, and so "Heavy Traffic" and "Coonskin" were produced, both of which were extremely controversial, but were praised by critics. During the same period, he shot and completed another feature titled "Hey Good Lookin'" for the Warner Brothers studio, who didn't think that a combination of live-action and animation would sell, and forced Bakshi to go back and animate the live action sequences.
During this period, Bakshi also produced two very successful fantasy films, "Wizards" and part one of an animated film adaptation of J.R.R. Tolkien's "The Lord of the Rings." Although these films were financially successful, they were misunderstood by critics, and United Artists, the studio that produced "The Lord of the Rings" refused to fund the second part, or sequel to Bakshi's ambitious adaptation.
During the 1980s, animation went into a decline. "American Pop," done using the same style of realistic animation as "The Lord of the Rings" was not successful financially, and critics did not see the point of the film being animated. The finished version of "Hey Good Lookin'" was released during the same year as "American Pop," but was also unsuccessful financially. Bakshi's last film of the decade, "Fire & Ice," a collaboration with famed artist Frank Frazetta, was a flop.
Bakshi produced several television features with mixed results before returning to film with what would eventually become "Cool World" - the script was rewritten several times during production without Bakshi's knowledge until it came to the point where Bakshi did not recognize his own work. The film was critically scorned, and was a box office flop. Fans feel that the film is not a true Bakshi film.
Since then, the Internet and DVD releases of Bakshi's work have brought him a new generation of fans and increased interest, encouraging Bakshi to produce another film. "Last Days of Coney Island" is in production. Bakshi lives in New Mexico. A three-day retrospective was held at American Cinematheque at Grauman's Egyptian Theatre in Hollywood, California and the Aero Theater in Santa Monica, California in April, 2005.- Producer
- Writer
- Director
Genndy Tartakovsky was born and raised in Moscow, USSR. He and his family moved to Chicago, IL when he was 7 years old, after his father defected to the US. His interest in comic books and animation led him to study animation at CalArts in Los Angeles. While he was there he produced two student films, one of which was the basis of his series Dexter's Laboratory (1996). The character of Dee-Dee was inspired by his older brother Alex, who would often spoil younger brother Genndy's plans (as Dee-Dee does to Dexter). His first long form directing work was for the TV movie of the series, Dexter's Laboratory: Ego Trip (1999). He also directed animation for his collaborator Craig McCracken on The Powerpuff Girls (1998) and The Powerpuff Girls Movie (2002).
His most celebrated work was the epic animated series Samurai Jack (2001), featuring a time-traveling samurai in a battle of good vs. evil. He stopped work on the series to produce Star Wars: Clone Wars (2003) as a direct story tie-in to the beginning of Star Wars: Episode III - Revenge of the Sith (2005). He then directed animation for the Adult Swim pilot Korgoth of Barbaria (2006). Plans were up in the air for over a decade for a possible movie conclusion to Samurai Jack, as well as directing a sequel to The Dark Crystal (1982). He created storyboards for the action-packed opening of Iron Man 2 (2010) during this time period.
Genndy produced another dynamic TV series Sym-Bionic Titan (2010), before finally landing his first feature on Hotel Transylvania (2012), which would involve taking over a tumultuous production and incorporating 2D techniques to 3D animation. Hotel Transylvania 2 (2015) was the first film for which he had creative control over the entire production, although it was still in the style developed during the first film. In 2017, he finally returned to direct a darker season of Samurai Jack to conclude the story on Adult Swim. He is currently directing Hotel Transylvania 3: Summer Vacation (2018).- Writer
- Producer
- Director
Craig McCracken has been interested in drawing and animation since the age of three. Some of his sources of inspiration are Japanese anime, Super Friends (1973), Pee-wee's Playhouse (1986) and Little Golden Books. After briefly considering a career as a comic book illustrator, McCracken studied animation at Cal Arts in LA (along with fellow classmate and Dexter's Laboratory (1996) creator Genndy Tartakovsky. His most famous creation, The Powerpuff Girls (1998), began life in a student film under the less-cutesy title, Whoopass Stew! (1992), it was quickly renamed The Powerpuff Girls (1998).- Writer
- Animation Department
- Producer
Tom Warburton is the creator of Cartoon Network's super giant hit original series Codename: Kids Next Door, Along with the PBS Kids' sooper gigantic unbelievably hit original animated sitcom series The Suite Life of Hudson & James. Mr. Warburton has previously served as a director for Cartoon Network's Sheep in The Big City, lead character designer for Disney's Pepper Ann, and spent five years at commercial studio J.J. Sedelmaier Productions where he served as production designer on MTV's Beavis and Butthead, director on new episodes of Schoolhouse Rock and Saturday Night Live's TV Funhouse. His first picture book 1000 Times No was released in 2009. Lately Mr. Warburton has been at Disney where he's served as creative director on Fish Hooks and co-exec producer of The 7D!- Writer
- Director
- Producer
Van Partible was born on 13 December 1971 in Manila, Philippines. He is a writer and director, known for Johnny Bravo (1997), The Amazon Women (1997) and Shorty McShorts' Shorts (2006).- Writer
- Producer
- Music Department
Seth Woodbury MacFarlane was born in the small New England town of Kent, Connecticut, where he lived with his mother, Ann Perry (Sager), an admissions office worker, his father, Ronald Milton MacFarlane, a prep school teacher, and his sister, Rachael MacFarlane, now a voice actress and singer. He is of English, Scottish, and Irish ancestry, and descends from Mayflower passengers.
Seth attended and studied animation at the Rhode Island School of Design and, after he graduated, he was hired by Hanna-Barbera Productions (Now called Cartoon Network Studios) working as an animator and writer on the TV series Johnny Bravo (1997) and Cow and Chicken (1997). He also worked for Walt Disney Animation as a writer on the TV series Jungle Cubs (1996). He created The Life of Larry (1995) which was originally supposed to be used as an in-between on Mad TV (1995). Unfortunately the deal fell through but, a few months later, executives at FOX called him into their offices and gave him $50,000 to create a pilot for what would eventually become Family Guy (1999).
Since Family Guy's debut, MacFarlane has gone on to create two other television shows-American Dad! (2005) and The Cleveland Show (2009). MacFarlane began to establish himself as an actor, voice actor, animator, writer, producer, director, comedian, and singer throughout his career. MacFarlane has also written, directed and starred in Ted (2012) and its sequel Ted 2 (2015), and A Million Ways to Die in the West (2014). He voiced the mouse, Mike, in the animated musical Sing (2016).Loved his old Family Guy better than his new. Also the first Hanha Barbara animator to host the Academy Awards.- Art Department
- Writer
- Animation Department
David Feiss was born on 16 April 1959 in Sacramento, California, USA. He is a writer, known for Cow and Chicken (1997), Minions: The Rise of Gru (2022) and Astro Boy (2009). He has been married to Annmarie Ashkar McCarty since 2009. They have one child. He was previously married to Pilar Menendez.- Writer
- Additional Crew
- Director
John Dilworth was born on 14 February 1963 in New York City, New York, USA. He is a writer and director, known for The Dirdy Birdy (1995), The Chicken from Outer Space (1996) and Courage the Cowardly Dog (1999).Famous one who help the studio received their first Oscar nomination for "The Chicken from Outer Space".- Writer
- Producer
- Animation Department
Butch Hartman is an American animator, writer, director and voice actor who created The Fairly OddParents, Danny Phantom, T.U.F.F. Puppy and Bunsen is a Beast for Nickelodeon. He also wrote the U.S. dub of Doogal. The Fairly OddParents is one of the longest running Nicktoons of all time, behind SpongeBob SquarePants. His cartoons, particularly The Fairly OddParents and Danny Phantom are staples of Millennial culture. He is married to Julieann Hartman.My least favorite animator and hate all of his products (but loved some things of Danny Phantom). Why? The jokes in them are horrible, the animation in them is crap, the stories are forgettable, and the characters in them are dumb, mean sprited, unfunny and boring as hell. The only cool thing in Danny Phantom were the ghosts.- Animation Department
- Director
- Second Unit Director or Assistant Director
Robert Alvarez is an American animator, television director, and writer. He began his career as an assistant animator for Yellow Submarine (1968) starring The Beatles. Since then, he has worked on many animated television series, including Super Friends (1973), The Smurfs (1981), G.I. Joe: A Real American Hero - The M.A.S.S. Device (1983), A Pup Named Scooby-Doo (1988), Swat Kats: The Radical Squadron (1993), Dexter's Laboratory (1996), I Am Weasel (1997), The Grim Adventures of Billy & Mandy (2003), The New Adventures of Winnie the Pooh (1988) and Regular Show (2010). He also created and wrote two animated pilots, Pizza Boy in No Tip (1996) and Tumbleweed Tex in School Daze (1996), for Hanna-Barbera's cartoon shorts showcase What a Cartoon! (1995) in 1996. Alvarez attended Notre Dame High School in Sherman Oaks, California from 1962 to 1966. He has a Bachelor of Fine Arts degree in animation from the Chouinard Art Institute (now the California Institute of the Arts), which he completed in 1971. Alvarez has received 6 Primetime Emmy Awards, 20 Primetime Emmy Award nominations, and 1 Daytime Emmy Award nomination. His first nomination came in 1994 in the category Outstanding Animated Program (for Programming One Hour or Less) for directing The Town Santa Forgot (1993). In 2000 and 2001, he received two more nominations for his work on Beat Your Greens/Down 'n Dirty (1999) and Moral Decay/Meet the Beat-Alls (2000), also receiving one in 2004 for The Powerpuff Girls: 'Twas the Fight Before Christmas (2003). Alvarez won two Primetime Emmys for his work on the Genndy Tartakovsky series Star Wars: Clone Wars (2003) and a third for Episode XXXVII - The Birth of Evil: Part I (2003)-Episode XXXVIII - The Birth of Evil: Part II (2003). In 2006, he garnered one nomination for Go Goo Go (2005) and another for the My Life as a Teenage Robot: Escape from Cluster Prime (2005). One more Foster's nomination followed in 2007 for the episode "Good Wilt Hunting (2006)" before he would win a Primetime Emmy for the show, which was for Foster's Home for Imaginary Friends: Destination Imagination (2008) in 2009. In 2010, he was nominated for the animated short Pilot (2010) in the category Outstanding Short-format Animated Program. Alvarez received a Primetime Emmy award for Eggscellent (2012) in 2012, which he also was nominated for in 2011. His Daytime Emmy nomination was in 2007 for The Grim Adventures of Billy & Mandy (2003) in the category Outstanding Broadband Program - Children's.- Animation Department
- Director
- Art Department
- Director
- Writer
- Producer
Tony Collingwood is known for Ruff-Ruff Tweet and Dave (2015), Rarg (1988) and Yoko! Jakamoko! Toto! (2001).- Art Department
- Animation Department
- Producer
Mario Piluso was born on 15 April 1951 in California, USA. He is a producer, known for Holly Hobbie & Friends (2006), New Kids on the Block (1990) and CatDog (1998).- Animation Department
- Producer
- Director
- Writer
- Art Director
- Producer
Christian Tremblay is known for Mega Babies (1999), Swat Kats: The Radical Squadron (1993) and Greeny Phatom (1995).- Animation Department
- Producer
- Art Department
Charles Grosvenor is known for The Land Before Time VII: The Stone of Cold Fire (2000), The Pink Panther (1993) and The Land Before Time IX: Journey to Big Water (2002).- Art Department
- Animation Department
- Producer
Roy Allen Smith was born on 12 December 1954 in Cedar City, Utah, USA. He is a producer, known for The Ren & Stimpy Show (1991), Silver Surfer (1998) and Hulk and the Agents of S.M.A.S.H. (2013).- Writer
- Producer
- Additional Crew
Attended Carnegie Tech (now Carnegie-Mellon University) as a playwriting major. Barbara Bosson (his second wife), Michael Tucker, Bruce Weitz and Charles Haid were classmates; he and Tucker drove cross-country to Hollywood for full-time jobs at Universal, where Bochco would remain for 12 years.
In 1978, he moved to MTM Enterprises, who after several attempts gave him carte Blanche to create a show similar to Fort Apache the Bronx (1981) (Hill Street Blues (1981)). In 1985, MTM fired him, in part for his inability to keep HSB on budget. After creating L.A. Law (1986) and Doogie Howser, M.D. (1989) for NBC, he struck a $15M deal with ABC in 1987 to create 10 series pilots over 10 years.- Writer
- Producer
- Additional Crew
Nat Mauldin was born in April 1963 in McAllen, Texas, USA. He is a writer and producer, known for Barney Miller (1975), Open Season (2006) and Doctor Dolittle (1998).- Writer
- Producer
- Additional Crew
Michael I. Wagner was born on 30 September 1947 in Ohio, USA. Michael I. was a writer and producer, known for Hill Street Blues (1981), Probe (1988) and Star Trek: The Next Generation (1987). Michael I. died on 23 April 1992 in Los Angeles, California, USA.- Animation Department
- Director
- Art Department
John Sparey was born on 17 January 1927 in the USA. He was a director, known for The Swan Princess (1994), Garfield's Babes and Bullets (1989) and The Lord of the Rings (1978). He died on 15 December 2010 in the USA.- Animation Department
- Art Department
- Director
Paul Schibli is known for Tooth Fairy, Where Are You? (1991), The Raccoons (1985) and The Nutcracker Prince (1990).- Art Department
- Animation Department
- Visual Effects
Bill Kroyer was nominated for an Academy Award for his short film Technological Threat, the first film to combine 2D and CG animated characters. He directed Ferngully, The Last Rainforest, as well as dozens of commercials and animated feature film credit sequences. As Señior Animation Director at Rhythm & Hues studios he directed CG characters in films the grossed over $1 billion worldwide. In 2017 he and his wife Susan were the first couple to receive The International Animation Society's prestigious June Foray award.- Animation Department
- Art Department
- Director
- Animation Department
- Art Department
- Director
Phil Robinson was born on 13 November 1950 in West Glamorgan, Wales, UK. He was a director, known for Hubert's Brain (2001), Casper (1995) and The Twisted Tales of Felix the Cat (1995). He was married to Jennifer Robinson. He died on 28 January 2015.- Animation Department
- Visual Effects
- Director
David Marshall is known for Rick and Morty (2013), Tiny Toon Adventures (1990) and Animaniacs (1993).- Art Department
- Animation Department
- Director
- Producer
- Animation Department
- Production Manager
Paul Sabella is known for Heavy Metal (1981), RoboCop: Alpha Commando (1998) and Babes in Toyland (1997).- Animation Department
- Art Department
- Writer
Phil Mendez is known for FernGully: The Last Rainforest (1992), Hong Kong Phooey (1974) and Tom and Jerry: The Movie (1992).- Additional Crew
- Writer
- Producer
- Animation Department
- Producer
- Art Department
Maria Miletic Dail's professional life began in her homeland of Croatia as the first woman to earn the position of animator at world-renowned Zagreb Film. She emigrated first to Canada and then settled in the United States, after being personally invited by William Hanna to work at Hanna-Barbera Studios. Working at a number of famous animation studios, she rose through the ranks before retiring from Universal Studios as a director and producer. She was interested in meaningful filmmaking using original ideas. Worked in own Animation Cottage studio with twenty artists on ABC network series of specials. Tried to keep all work inside USA. She lectured at UCLA, CalArts and CCLA on animation. For her film "Think Earth" she won Presidential award in 1992.
During her imaginative decades of life, she created several short films as a solo artist, including her award-winning film "Why Not?". Marija was a member of the Academy of Motion Picture Arts and Sciences (AMPAS); she took seriously her responsibility to vote for the good work of her colleagues and thoroughly enjoyed attending the Oscars. She passed away on October 9, 2022 peacefully at home, surrounded by family, just four days after celebrating 48 years of marriage to Sukhdev Dail.