The 100 best Directors

Luchino Visconti di Modrone, Count of Lonate Pozzolo (2 November 1906 - 17 March 1976), was an Italian theatre, opera and cinema director, as well as a screenwriter. He is best known for his films The Leopard (1963) and Death in Venice (1971).

Alain Resnais (born 3 June 1922) is a French film director whose career has extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Nuit et Brouillard (Night and Fog) (1955), an influential documentary about the Nazi concentration camps.

Stroheim was born in Vienna, Austria in 1885 as Erich Oswald Stroheim, the son of Benno Stroheim, a middle-class hat-maker, and Johanna Bondy, both of whom were practicing Jews.[2] Stroheim emigrated to America at the end of 1909.[3] On arrival at Ellis Island he claimed to be Count Erich Oswald Hans Carl Maria von Stroheim und Nordenwall, the son of Austrian nobility like the characters he played in his films, but both Billy Wilder and Stroheim's agent Paul Kohner claimed that he spoke with a decidedly lower-class Austrian accent. However Jean Renoir writes in his memoirs: “Stroheim spoke hardly any German. He had to study his lines like a schoolboy learning a foreign language.”[4] Later, while living in Europe, Stroheim claimed in published remarks to have "forgotten" his native tongue.

Jacques Tati (born Jacques Tatischeff; born 9 October 1907 in Le Pecq, Yvelines, France – died 5 November 1982) was a French filmmaker. Throughout his long career he worked as a comic actor, writer, and director. In a poll conducted by Entertainment Weekly of the Greatest Movie Directors Tati was voted the 46th greatest of all time. With only six feature-length films to his credit as director, he directed fewer films than any other director on this list of 50

George Dewey Cukor July 7, 1899 – January 24, 1983) was an American film director.[1] He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films including What Price Hollywood? (1932), A Bill of Divorcement (1932), "Our Betters" (1933), and Little Women (1933). When Selznick moved to MGM in 1933 Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.

Joel David Coen[1] (born November 29, 1954) and Ethan Jesse Coen[1] (born September 21, 1957) known together professionally as the Coen brothers, are American filmmakers. Their films include Blood Simple, Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men, and True Grit. The brothers write, direct and produce their films jointly, although until recently Joel received sole credit for directing and Ethan for producing. They often alternate top billing for their screenplays while sharing film credits for editor under the alias Roderick Jaynes.

King Wallis Vidor (February 8, 1894 – November 1, 1982) was an American film director, film producer, and screenwriter whose career spanned nearly seven decades. In 1979 he was awarded an Honorary Academy Award for his "incomparable achievements as a cinematic creator and innovator."[1] He was nominated five times for a Best Director Oscar, and won eight international film awards during his career.

Robert Joseph Flaherty, February 16, 1884 – July 23, 1951) was an American filmmaker who directed and produced the first commercially successful feature length documentary film, Nanook of the North (1922). The film made his reputation and nothing in his later life fully equaled its success, although he continued the development of this new genre of docufiction, e.g. with Moana (1926), set in the South Seas, and Man of Aran (1934), filmed in Ireland's Aran Islands

René Clair (11 November 1898 – 15 March 1981) born René-Lucien Chomette, was a French filmmaker and writer. He first established his reputation in the 1920s as a director of silent films in which comedy was often mingled with fantasy. He went on to make some of the most innovative early sound films in France, before going abroad to work in the UK and USA for more than a decade. Returning to France after World War II, he continued to make films that were characterised by their elegance and wit, often presenting a nostalgic view of French life in earlier years. He was elected to the Académie française in 1960.

Alexander Petrovich Dovzhenko, Ukrainian, September 10 1894 – November 25, 1956), was a Soviet screenwriter, film producer and director of Ukrainian origin. He is often cited as one of the most important early Soviet filmmakers, alongside Sergei Eisenstein and Vsevolod Pudovkin, as well as being a pioneer of Soviet montage theory.

Borzage was a successful director throughout the 1920s but reached his peak in the late silent and early sound era. Absorbing visual influences from the German director F.W. Murnau, who was also resident at Fox at this time, he developed his own style of lushly visual romanticism in a hugely successful series of films starring Janet Gaynor and Charles Farrell, including Seventh Heaven (1927), for which he won the first Academy Award for Directing, Street Angel (1928) and Lucky Star (1929). (He won a second Oscar for 1931's Bad Girl.)

Born in Bagheria near Palermo (May 1956), Tornatore developed an interest in acting and the theatre from at least the age of 16 and put on works by Luigi Pirandello and Eduardo De Filippo. Tornatore's best known screen work was released in 1988: Nuovo Cinema Paradiso, a film narrating the life of a successful film director who has returned to his native town in Sicily for the funeral of his mentor. This obtained worldwide success and won an Academy Award for Best Foreign Language Film.

Manoel Cândido Pinto de Oliveira, born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He began working on films in the late 1920s, but did not receive international recognition until the early 1970s. Since the late 1980s he has been one of the most prolific working film directors and continues to make an average of one film per year past the age of 100. In March 2008 he was reported to be the oldest active film director in the world,[1] and is possibly the second oldest film director ever after George Abbott. He is also the only filmmaker whose active career has spanned from the silent era to the digital age. Among his numerous awards are two Career Golden Lions from the Venice Film Festiva

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director.

Thomas Leo McCarey was an American film director, screenwriter and producer. During his lifetime he was involved in nearly 200 movies, especially comedies, but his most famous film was the Marx Brothers’ 1933 farce Duck Soup.

Rob Marshall (born October 17, 1960) is an American theater director, film director and choreographer. He is a six-time Tony Award nominee, Academy Award nominee, Golden Globe nominee and four-time Emmy winner whose most noted work is the 2002 Academy Award for Best Picture winner Chicago.

Florian Maria Georg Christian, Graf Henckel von Donnersmarck (born 2 May 1973) is a German film director, best known for writing and directing the 2007 Oscar-winning film, The Lives of Others, and the 2010 film, The Tourist.