Actors who always dies
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Lew Temple was born October 2, 1967 and is an American film actor, perhaps best known for his roles as Axel on "The Walking Dead," the character of Ned Oldham in the action adventure thriller, "Unstoppable" which also starred Denzel Washington, Chris Pine and Rosario Dawson; directed by Tony Scott, and Cal the diner manager in the comedy-drama "Waitress."
Born and raised in the Bayou Country of Louisiana, Temple is an extraordinarily diverse actor who often is compared to a chameleon: he has the unique ability to take any character and make it his own.
Other film credits include the ranger, Hollis in the summer, 2013 Disney blockbuster "The Lone Ranger," alongside Johnny Depp and Armie Hammer; Locus Fender in the action film "Domino," starring Kiera Knightley and Mickey Rourke, directed by Tony Scott and Rob Zombie's "The Devil's Rejects" with Bill Moseley, Sid Haig, William Forsythe, and Sherri Moon Zombie
Temple began his acting career on the stage of the prestigious Alley Theatre in Houston, Texas, working alongside artists such as Vanessa Redgrave in "Julius Caesar" and "Anthony & Cleopatra", as well as acclaimed writer/directors Michael Wilson, Terrance McNally and Edward Albee. He next landed numerous television roles, as well as roles in independent and mainstream studio films, such as "On the Borderline," "The Newton Boys," and "Angels in the Outfield."
Prior to acting, Temple had a Minor League Baseball career with the Seattle Mariners" and "Houston Astros." He worked his way through the Astros system to become Assistant Director of Minor Leagues and Scouting.- Actor
- Producer
- Soundtrack
Vincent Peter Jones was born on January 5, 1965 in Watford, England. He first came to public notice as a professional footballer, playing in the English Football League. Noted as one of football's hard men, he leaped to fame when a photographer, at a match, snapped him "marking" Newcastle United's Paul Gascoigne, by grabbing his testicles. He has played for Wimbledon, Leeds United, Sheffield United, Chelsea, and Queens Park Rangers. Internationally, he played for Wales, qualifying for that nationality through his grandparents. He made his first acting appearance in the British comedy/thriller, Lock, Stock and Two Smoking Barrels (1998), at age 33, although he had previous presented a video on football's hard men (for which he was censured by the Football Association).
He starred in the blockbuster, X-Men: The Last Stand (2006), as "Cain Marko", also known as "The Juggernaut". Prior to that, he played the scowling soccer coach illustrating both his likability and comedic side in Dreamworks' She's the Man (2006), with Amanda Bynes. Other projects include a lead role in Johnny Was (2006), starring Roger Daltrey, Eriq La Salle and Lennox Lewis, and he also appears in the independent feature, The Riddle (2007), starring Vanessa Redgrave and Derek Jacobi.
Over the years, he has received a number of prestigious awards, which showcase his accomplishments as a talented actor. In 1997, he won Satellite TV's "Personality of the Year", from Satellite TV Europe Magazine. In 1998, GQ Magazine named Jones "Man of the Year". He was awarded Best Actor for Lock, Stock and Two Smoking Barrels (1998) at the Odeon Audience Awards and also won the award for Outstanding New Talent from the Sir James Carreras Award Variety Club of GB. Jones won Best Debut in 1999 for Lock, Stock and Two Smoking Barrels (1998) at Empire Magazine's "The Awards 1999" and was titled the Male Cigar Personality of the Year at the Millennium Cigar Awards. In 2001, he was named Best British Actor for Empire Magazine's "The Awards 2001". In 2002, Jones received the award for Best Supporting Actor for Night at the Golden Eagle (2001) at the New York Film Festival and, in 2005, he was honored with Best Newcomer for Slipstream (2005) at London's Sci-Fi Film Festival.- Actor
- Writer
- Additional Crew
Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander.
As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic.
He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman. He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place." It was a success, selling 12,000 copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England, and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a.m. while visiting the couple, and she called him the next day. It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other. Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film. He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and Battle of Britain (1969). One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS." It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism. Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976). During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it. Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture." It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to be his last film; in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier, in June 1978, brought production to a halt.
While living in Ireland and taking a hiatus from work, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland, with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with Virginia in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia had started earlier that day while he was playing golf but whose pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk the pains off. After taking four or five steps from the parked car, he collapsed by the side of the road, and his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later, and Shaw was taken to Mayo General Hospital in Castlebar, where he was pronounced dead on arrival.- Actor
- Producer
- Additional Crew
Danny Trejo was born Dan Trejo in Echo Park, Los Angeles, to Alice (Rivera) and Dan Trejo, a construction worker. A child drug addict and criminal, Trejo was in and out of jail for 11 years. While serving time in San Quentin, he won the lightweight and welterweight boxing titles. Imprisoned for armed robbery and drug offenses, he successfully completed a 12-step rehabilitation program that changed his life. While speaking at a Cocaine Anonymous meeting in 1985, Trejo met a young man who later called him for support. Trejo went to meet him at what turned out to be the set of Runaway Train (1985). Trejo was immediately offered a role as a convict extra, probably because of his tough tattooed appearance. Also on the set was a screenwriter who did time with Trejo in San Quentin. Remembering Trejo's boxing skills, the screenwriter offered him $320 per day to train the actors for a boxing match. Director Andrey Konchalovskiy saw Trejo training Eric Roberts and immediately offered him a featured role as Roberts' opponent in the film. Trejo has subsequently appeared in many other films, usually as a tough criminal or villain.
Trejo is of Mexican descent.- Actor
- Producer
- Writer
Michael Madsen is an enigmatic force in the entertainment industry, widely regarded as one of the most intense and compelling actors of our time. With an electrifying presence both on and off the screen, Madsen has captivated audiences worldwide with his mesmerizing performances, making an indelible mark on the realm of cinema. Known for his rugged charm and brooding charisma, Madsen has perfected the art of bringing complex characters to life, seamlessly transitioning between nuanced vulnerability and unbridled intensity. Michael Madsen continues to command attention and leave an indelible impact on the industry.
Born with an innate talent for acting, Madsen's journey in the entertainment industry has been nothing short of extraordinary. His powerful performances have earned him critical acclaim and a dedicated fan base, cementing his status as a true Hollywood icon. Madsen's distinctive ability to effortlessly portray characters with a captivating blend of sensitivity and grit has led to collaborations with renowned directors and fellow actors, garnering him numerous accolades and nominations. His unparalleled versatility has allowed him to effortlessly navigate between genres, delivering unforgettable performances in films such as "Kill Bill: Vol. 1," "Thelma & Louise," and "Donnie Brasco," among others.
Beyond his remarkable acting career, Michael Madsen's multifaceted talents extend to other creative endeavors. An accomplished poet, he has published several volumes of poetry, revealing a profound depth and introspection that mirrors the complexity of his on-screen persona. With an unparalleled body of work and an undying passion for his craft, Michael Madsen remains an indomitable force, continuously pushing the boundaries of cinematic storytelling and leaving an indelible mark on the entertainment landscape.