My favourite Russian/Soviet directors (old school)
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Director
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Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926). He was married to Elizaveta Svilova. He died on 12 February 1954 in Moscow, RSFSR, USSR [now Russia].- Director
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The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Writer
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Aleksandr Dovzhenko was born on 10 September 1894 in Vyunishche, Sosnitsa Ueyzd, Chernigov Governorate, Russian Empire [now Sosnitsa, Sosnitsa Raion, Chernihiv Oblast, Ukraine]. He was a writer and director, known for Earth (1930), Shors (1939) and Life in Bloom (1949). He was married to Yuliya Solntseva. He died on 25 November 1956 in Moscow, Russian SFSR, USSR [now Russia].- Director
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Studied at the Moscow Cinema Institute under Soviet film master Mikhail Romm. He found fame after his 1959 film "Ballad of a Soldier" which is considered one of the best Soviet war films and which has played all over the world.- Director
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Yakov Protazanov was born on 4 February 1881 in Moscow, Russian Empire [now Russia]. He was a director and writer, known for A Narrow Escape (1920), Without Dowry (1937) and Kak khoroshi, kak svezhi byli rozy (1913). He died on 9 August 1945 in Moscow, Russian SFSR, USSR [now Russia].- Director
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Igor Savchenko was born on 11 October 1906 in Vinnitsa, Vinnitsa uyezd, Podolsk Governorate, Russian Empire [now Vinnytsia, Vinnytsia Oblast, Ukraine]. He was a director and writer, known for Bogdan Khmelnitskiy (1941), Taras Shevchenko (1951) and Tretiy udar (1948). He died on 14 December 1950 in Moscow, RSFSR, USSR [now Russia].- Director
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Vsevolod Pudovkin was born on 28 February 1893 in Penza, Russian Empire [now Russia]. He was a director and actor, known for Admiral Nakhimov (1947), Zhukovsky (1950) and Minin i Pozharskiy (1939). He was married to Anna Zemtsova. He died on 30 June 1953 in Jurmala, Latvian SSR, USSR [now Latvia].- Director
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Mark Donskoy was born on 6 March 1901 in Odessa, Kherson Governorate, Russian Empire [now Ukraine]. He was a director and writer, known for Gorky 1: The Childhood of Maxim Gorky (1938), Foma Gordeev (1959) and The Taras Family (1945). He died on 21 March 1981 in Moscow, RSFSR, USSR [now Russia].- Director
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Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].- Director
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Boris Barnet was born on 18 June 1902 in Moscow, Russian Empire [now Russia]. He was a director and actor, known for The Adventures of the Three Reporters (1926), Secret Agent (1947) and Okraina (1933). He was married to Yelena Kuzmina, Natalia Glan, Alla Kazanskaya and Valentina Barnet. He died on 8 January 1965 in Riga, Latvian SSR, USSR [now Latvia].- Director
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Grigori Mikhailovich Kozintsev was born on March 22, 1905, in Kiev, Russian Empire (now Kiev, Ukraine). His father, named Mikhail Kozintsev, was a medical doctor. Young Kozintsev studied at the Kiev Gymnazium. There, in 1919, he organized experimental theatre "Arlekin" together with his fellow students Sergei Yutkevich and Aleksei Kapler. During 1919 and 1920 Kozintsev studied art at the Kiev School of Art under the tutelage of Alexandra Exter.
Experiments. In 1920 Kozintsev moved to Petrograd (Leningrad or St. Petersburg). There he studied art at the "VKHUTEMAS" at the Academy of Fine Arts for two years. In 1921 Kozintsev with Sergei Yutkevich, Leonid Trauberg, and Leonid Kryzhitsky organized and led the Factory of Excentric Actors (FEKS). There Kozintsev directed radically avant-garde staging of plays "Zhenitba" (Marriage 1922) by Nikolay Gogol and "Vneshtorg na Eifelevoi Bashne" (Foreign trade on Eiffel Tower 1923). They were based in the former Eliseev Mansion on Gagarinskaya street No. 1 in St. Petersburg. Kozintsev and FEKS collaborated with writer Yuri Tynyanov, cinematographer Andrey Moskvin, young actor-director Sergey Gerasimov, artist Igor Vuskovich, and young composer Dmitri Shostakovich among others. Initially FEKS was the main platform for experimental actors, directors and artists, and was strongly influenced by Vsevolod Meyerhold and Vladimir Mayakovsky.
Artistic position. In 1924 Kozintsev and Trauberg came to "SevZapKino" Studios (now Lenfilm Studios). There Kozintsev continued his FEKS experiments in his first eccentric comedy 'Pokhozhdenie Oktyabriny' (1924). Kozintsev's early films were strongly criticized by official Soviet critics. His film 'Shinel' (1926) was compared to German Expressionism and accused of distortion of the original classic story by Nikolay Gogol. Kozintsev strongly argued against such comparisons with German expressionism; he was unhappy until the end of his life about such criticism of his early experimental works. Kozintsev insisted that his cheerful experiments were essential in the city of Petrograd (St. Petersburg) after the Russian Revolution of 1917, which brought destruction, depression, crime, and degradation of culture.
Early films. Kozintsev made twelve films together with Leonid Trauberg. Their collaboration began in 1921, in Petrograd (St. Petersburg). Their film-trilogy about Russian revolutionary hero Maxim was made from 1935-1941, when people in the Soviet Russia were terrorized under the most brutal dictatorship of Joseph Stalin. In departure from experimental youthfulness and freedom of their FEKS years, the Maxim trilogy was a trade-off blend of experiment and Soviet propaganda. It was still a powerful work and was even banned by censorship in the United States from the 1930s-1950s. For that work Kozintsev and Trauberg were awarded the Stalin's State Prize in 1941. After the Second World War Kozintsev and Trauberg made their last film together: 'Prostye Lyudi (Plain People 1946), which was censored and remained unreleased until 1958, when "Nikita Khrushchev' lifted the ban imposed by Stalin's censorship.
Highlights. Grigori Kozintsev ascended to his best works after the death of Stalin. Then Nikita Khrushchev initiated the "Thaw" which played a role in some liberation of individual creativity in the Soviet film industry. Kozintsev's adaptations of classical literature combined some experimental elements of his earlier silent films with the approach of a mature master. His Don Quixote (1957), King Lear (1969) and especially Hamlet (1963) were recognized worldwide as his highest achievements. In _Korol Lir (1969)_ Kozintsev made a brilliant decision to cast actors from the Baltic States as the Lear's family. Jüri Järvet, Regimantas Adomaitis, Donatas Banionis, Juozas Budraitis, and Elza Radzina together with Oleg Dal, Galina Volchek, Aleksey Petrenko made a powerful acting ensemble.
Hamlet and King Lear. Kozintsev first staged Shakespeare's "Hamlet" and 'King Lear" in 1941. His collaboration with Boris Pasternak began in 1940, when Pasternak was working on his Russian translation of the Shakespeare's originals. Both plays were prepared for stage under direction of Kozintsev. King Lear was staged in 1941, but further work was interrupted because of the Nazi invasion of the Soviet Union. Hamlet was staged in 1954. At the same time Kozintsev continued developing the idea of filming _Gamlet (1964)_, until everything came together in his legendary film. The adaptation by Boris Pasternak, the music by Dmitri Shostakovich, the direction by Kozintsev, and the acting talent of Innokentiy Smoktunovskiy produced special creative synergy. Innokentiy Smoktunovskiy was praised as the best Hamlet by Sir Laurence Olivier.
Legacy. In the 1920s Kozintsev taught at the Leningrad School of Acting. From 1944-1964 Kozintsev led his master-class for film directors at the Soviet State Film Institute (VGIK). Among his students were many prominent Russian directors and actors such as Sergey Gerasimov and others. Kozintsev was the head of master-class for film directors at Lenfilm Studios from 1964-1971. He wrote essays on William Shakespeare, Sergei Eisenstein, Charles Chaplin, and Vsevolod Meyerhold and published theoretical works on film direction. Grigori Kozintsev lived near Lenfilm Stidios in Leningrad (St. Petersburg) for the most part of his life. His work and presence was essential to the status of Lenfilm Studios as well as to the film community in Leningrad during the political and economic domination of Moscow as the Soviet capital. From his early works of the 1920s to his masterpiece _Gamlet (1964)_, Kozintsev was faithful to creative experimental approach.
Kozintsev was designated the People's Artist of the USSR. He was awarded the State Lenin's Prize of the USSR (1965), and received other awards and nominations. He died in Leningrad (St. Petersburg) on May 11, 1973, and was laid to rest in the Necropolis of the Masters of Art in St. Aleksandr Nevsky Convent in St. Petersburg, Russia.- Director
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He has made been famous in the young soviet cinema by his films about Lenin (Lenin in Poland (1966) and others). He had a great international acclaim by his version of Othello (1956) and engaged to the Soviet cinema two French stars: Marina Vlady for Lika in Syuzhet dlya nebolshogo rasskaza (1969) and Claude Jade for Inessa in _Lenin v Parizhe (1980)_.- Writer
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Leonid Zakharovich Trauberg is Soviet film director and screenwriter. People's Artist of the RSFSR (1987). Leonid Trauberg was born in Odessa. After moving to Petrograd, the family settled in house number 7, apt. 4, along Kolomenskaya street.
In December 1921, together with Grigoriy Kozintsev and G. Kryzhitskiy, he wrote the "Eccentric Theater Manifesto," which was proclaimed at a debate organized by them. In 1922, Kozintsev and Trauberg organized the Theater Workshop "Factory of an Eccentric Actor", and in the same year they put in it an eccentric reworking of "Marriage" by Nikolay Gogol. For two years, they staged 3 more plays based on their own plays, and in 1924 they transferred their experiments in the field of eccentric comedy to cinema, transforming the theater workshop into the FEKS Film Workshop.
The first full-length film by Kozintsev and Trauberg - the romantic melodrama Chyortovo koleso (1926) according to the script of Adrian Piotrovsky - was already a mature work. Love for a bright eccentric was combined with a convincing display of urban life. This film has a permanent creative team; in addition to the directors, it included cameraman Andrey Moskvin and artist Yevgeni Yenej, who worked with Kozintsev in almost all of his films.
In 1926-1932, Leonid Trauberg taught at the Leningrad Institute of Performing Arts, in 1926-1927 he was the head of the film department of the Leningrad Theater Institute. In 1961-1965 he taught at the VKSR under the Goskino USSR.- Music Department
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Prokofiev was a multi-talented man and an innovative composer. He learned piano from his mother and chess from his father. He always had a chess set on his piano, and was able to play against the chess champions of his time. He studied music with Nikolai Rimsky-Korsakov, graduated with highest marks from the St. Petersburg Conservatory (1914), and was rewarded with a grand piano. He emigrated from Russia after the revolution, and made successful concert tours in Europe and the U.S. In 1918 in New York he met Spanish singer Carolina Codina (Lina Llubera), they married in Paris, in 1923, and had two sons.
Prokofiev's radiant optimism and his childlike personality shines in his popular orchestral suite "Peter and the Wolf" and in the "Classical Symphony". His humorous irony and wit is popping up in piano pieces named "Sarcasms", also in his five piano concertos, ballets and film scores, all written in his instantly identifiable musical language. He wrote film scores for The Czar Wants to Sleep (1934), Alexander Nevsky (1938), Cinderella (1961), and the two-part Ivan the Terrible, Part I (1944), directed by Sergei Eisenstein.
All of his music, that he created while outside of the Soviet Union, was sometimes criticized as cosmopolitan and anti-Soviet. Prokofiev divorced his wife in 1948. His ninth sonata, dedicated to Svyatoslav Richter, was welcomed warmly, but another official critic on his music and life started in 1948. He died in 1953, the same day of Joseph Stalin.- Director
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One of the 20th century's greatest masters of cinema Sergei Parajanov was born in Georgia to Armenian parents and it was always unlikely that his work would conform to the strict socialist realism that Soviet authorities preferred. After studying film and music, Parajanov became an assistant director at the Dovzhenko studios in Kiev, making his directorial debut in 1954, following that with numerous shorts and features, all of which he subsequently dismissed as "garbage". However, in 1964 he was able to make Shadows of Forgotten Ancestors (1965), a rhapsodic celebration of Ukrainian folk culture, and the world discovered a startling and idiosyncratic new talent. He followed this up with the even more innovative The Color of Pomegranates (1969) (which explored the art and poetry of his native Armenia in a series of stunningly beautiful tableaux), but by this stage the authorities had had enough, and Paradjanov spent most of the 1970s in prison on almost certainly rigged charges of "homosexuality and illegal trafficking in religious icons". However, with the coming of perestroika, he was able to make The Legend of Suram Fortress (1985), Ashik Kerib (1988) and The Confession, which survives as Parajanov: The Last Spring (1992), before succumbing to cancer in 1990.- Director
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Larisa Shepitko was born on 6 January 1938 in Bakhmut, Ukrainian SSR, USSR [now Bakhmut, Donetsk Oblast, Ukraine]. She was a director and writer, known for The Ascent (1977), Heat (1963) and You and Me (1971). She was married to Elem Klimov. She died on 2 July 1979 in near Redkino, Kalinin Oblast, Russian SFSR, USSR.- Director
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Aleksandr Medvedkin was born on 24 February 1900 in Penza, Russian Empire [now Russia]. He was a director and writer, known for The New Moscow (1938), Happiness (1935) and Chudesnitsa (1937). He died on 20 February 1989 in Moscow, RSFSR, USSR [now Russia].- Director
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Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.- Director
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Ilya Frez was born on 2 September 1909 in Roslavl, Smolensk Governorate, Russian Empire [now Roslavlsky District, Smolensk Oblast, Russia]. He was a director and writer, known for Love and Lies (1981), Eto my ne prokhodili (1976) and Otryad Trubachyova srazhayetsya (1957). He died on 22 June 1994 in Moscow, Russia.- Actor
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Vladimir Menshov was a Russian director and actor, noted for his depiction of the Russian everyman and working class life in his films. Born on September, 17, 1937 in Baku (then USSR, now the territory of Azerbaijan), like many Russian directors and actors Menshov studied at the state film school VGIK. Although his filmography as an actor is superior to that as director (actually confined to only five movies), he will be remembered most of all for his second film as director, Moscow Does Not Believe in Tears (1980), one of the most popular and beloved films in Russia, starring his wife Vera Alentova. The film brought him international recognition and the Oscar for the Best Foreign Film. Menshov did not attend the Academy Awards ceremony personally because he could not leave the country due to some problems of political nature, and the prize statuette was accepted by the USSR Commissioner to the U.S. The film itself is a moving story of three girlfriends who arrive in Moscow in search for a better life. A great melodrama in the first place, on a close analysis, the film can be seen as a biography of a whole generation since in the late 1970s, young people who abandoned their provincial towns with no opportunities for good jobs and strove to settle in the Russian capital.
In 1999, the 20th anniversary of the film's original release was celebrated at a series of events around Russia. Another film, an immensely popular comedy of manners Love and Doves (1985), was about a rural farmer peasant falling in love with a glamor urban lady. It ensured that his career continued to glitter. In the decade that followed he refrained from directing and in his rare interviews was very critical of the cinema industry. In 1995 he made Shirli-myrli (1995) - a very long extravaganza satirizing practically every aspect of cultural and political life in Russia. The film showed that these "off the job" years had not affected his talent. Zavist bogov (2000) - a nostalgic drama - demonstrated his longing for the Soviet era life style. Although criticized by some for "being too simple", Menshov was affectionately loved by ordinary cinema-goers who saw him as one of a very few directors capable of creating a perfect comedy or drama out of a down-to-earth situation.- Director
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Georgi Daneliya was born on August 25, 1930 in Tbilisi, Georgia. Since 1939 the family lived in Moscow, where Danelia's father was the chief engineer for the Moscow Underground Metro System. Daneliya's father became a decorated WWII General, specializing in construction of underground bunkers for the Soviet Government. His mother was a good chess-player and later worked as a second unit director at Mosfilm. Daneliya's mother's sister Veriko Anjaparidze was married to Mikheil Chiaureli, who was a personal friend of Joseph Stalin. Daneliya first earned his architect's degree from the Moscow Architecture Institute. Then he studied at the Higher Director's Courses at Mosfilm under Mikhail Romm, and graduated in 1959, becoming a film director at the Mosfilm Studios in Moscow.
During the cultural "Thaw" initiated by Nikita Khrushchev Daneliya was at the start of the Soviet "New Wave" in films. He had his first success shared with Igor Talankin. Their film 'Seryozha' (1960) was awarded the Crystal Globe in Karlovy Vary. He then worked with Gennady Shpalikov on a propaganda-free project about life in Moscow. Censorship caused a few obstacles by demanding changes to the plot and the script of 'Walking the Streets of Moscow' (1963). It became a popular lyrical comedy with a title hit song by Andrey Petrov. But soon Nikita Khrushchev was dismissed by Leonid Brezhnev and the "Thaw" ended. Daneliya's brilliant comedy '33' (1965) was labeled as anti-Soviet by the head of KGB Vladimir Semichastny, who wrote in a secret letter to the Central Committee: "anti-Soviet...film '33' is an attempt to discredit everything including the cosmonaut's flight."
Daneliya had to wait for 4 long years until he got a chance to work on his next film. It was titled "Don't Grieve" - 'Ne Goryuy' (1969), starring Vakhtang Kikabidze. His more careful, but masterful comedies 'Gentlemen of Luck' (1972), 'Afonya' (1975), 'Mimino' (1977) continued his successful career. A step beyond the comedy genre was made in his film 'Osenny Marafon' (1979). It's a melodrama about a man in his mid-life crisis, torn between two women, and all three are trapped in the game of lies and personal demands, amidst the stagnant Soviet reality.
His innovative film 'Kin-Dza-Dza' (1986) stands out as a genre of it's own. Everything is different, yet very familiar in this metaphoric film. New type of script with renown stars, new environment for and old tale, new language for ancient wisdom. Daneliya created a universe of allusions; It grows with a passage of time, while getting closer to our future. He presented a fresh view of the human nature, and played with reflections on his own life, the fate of a genius in a rigid society going through inevitable changes.
Danelia is blessed with good friends and highly professional collaborators. His first wife was actress Lyubov Sokolova (1921-2001) who played 370 film roles and is listed in the Guinnes book of Records. Their son Nikolai Daneliya (1958-1985) was a film director before his tragic death. Danelia lives in Moscow and works on his new project, an animation sequel to 'Kin-Dza-Dza'.- Director
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Eldar Aleksandrovich Ryazanov was born on November 18, 1927 in Samara, Russia. He graduated with honors from the Soviet State Institute of Cinematography (VGIK) in 1950, as a film director. He was making documentaries for five years. In 1955 Ryazanov came to work at the Mosfilm Studios under the direction of Ivan Pyrev, who produced Ryazanov's first feature film 'Karnavalnaya Noch' (Carnival in Moscow, 1956). It was an instant box office hit starring Lyudmila Gurchenko and Igor Ilyinsky.
Ryazanov's early comedies 'Devushka bez adresa' (1957), 'Gusarskaya ballada' (1962), 'Dayte zhalobnuyu knigu' (1963) were popular in the time of the cultural "Thaw" which was initiated by Nikita Khrushchev. However Ryazanov's film 'Chelovek niotkuda' (1961) was banned by the Soviet censorship, regardless of the fine acting by Sergey Yurskiy and Anatoliy Papanov. 'Beregis avtomobilya' (Watch Out for the Automobile, 1966) is arguably the most popular of Ryazanov's comedies. In that film Ryazanov worked with the stellar cast, including such actors, as Innokenti Smoktunovsky , Oleg Yefremov, Anatoli Papanov, Georgi Zhzhyonov, Yevgeni Yevstigneyev, Andrei Mironov (I), Olga Aroseva, Donatas Banionis, and other Russian film stars. The music score for the film was written by the brilliant composer Andrey Petrov.
Ryazanov created his own style of lyrical comedy with a soft satire on the Soviet life. His 'Zigzag udachi', with Evgeniy Leonov in the leading role, was a nice fairy tale for the Soviet people. 'Stariki-razboyniki', starring Yuriy Nikulin, Evgeniy Evstigneev, and Andrey Mironov was a crime-parody. His extremely popular TV-movie 'Ironiya sidby, ili S lyogkim parom!' (Irony of Fate, 1975 TV) was a big hit of the 70's and later turned into a nostalgic cult. It is shown every New Year's Eve as a tradition in the former Soviet Union. Actors Andrey Myagkov, Yuriy Yakovlev, Barbara Brylska, and Aleksandr Shirvindt are working together as one acting ensemble. Two years later Ryazanov directed another hit, 'Sluzhebny roman' (1977), where Andrei Myagkov made a nice duet with 'Alisa Freindlikh'.
Eldar Ryazanov wrote and directed 'Garazh' (1979). Ryazanov delivers a dazzling array of Soviet characters and situations in this film, ranging from funny, bitter, and sarcastic, to greedy, manipulative, and scary stupid. In somewhat a departure from comedy, Ryazanov brings the theme of "Gulag" prison-camp in 'Vokzal dlya dvoikh' (1982). Still the film is full of Ryazanov's warm humor and also benefits from the performances of Lyudmila Gurchenko and Oleg Basilashvili. 'Ruthless Romance' (1984) is the Ryazanov's adaptation of the 19th century story by 'Aleksandr Ostrovsky'. His latest film is Andersen. Zhizn bez lyubvi (2006).- Director
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Vladimir Motyl was born on 26 June 1927 in Lepel, Belarussian SSR, USSR. He was a director and writer, known for Nesut menya koni (1997), Rasstanemsya - poka khoroshie (1991) and Zhenya, Zhenechka i 'Katyusha' (1967). He was married to Ludmilla Podarueva. He died on 21 February 2010 in Moscow, Russia.- Director
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Leonid Iovich Gaidai was born on January 30, 1923, in the town of Svobodny, Amur region of Siberia, USSR. He was the third child in the family of a railroad worker. His father, named Iov Isidorovich Gaidai, was exiled to Siberia from Poltava, Ukraine. His mother, named Maria Ivanovna Lubimova, came from the Russian city of Ryazan. In 1930 the family moved to the Siberian city of Irkutsk. There Gaidai went to school and graduated in June of 1941.
In 1941, during the Nazi occupation of Russia in the Second World War, Gaidai was drafted in the Red Army. He was assigned to the front-line Army intelligence at the Kalinin Front near Moscow. Because he spoke German, he was involved in clandestine intelligence operations against the Nazi invaders. In 1943 he was seriously wounded, when he stepped on a land mine. He became physically handicapped and was decorated for his courage. He was discharged with honors as a disabled veteran of WWII.
Gaidai went back to Siberian city of Irkutsk, There he studied acting at the Drama Studio of the Irkutsk Drama Theatre. He graduated in 1947, and was an actor of that theatre until 1949. From 1949-1955 he studied as film director at State Institute of Cinematography (VGIK) under Grigoriy Aleksandrov, Mikhail Romm and Ivan Pyrev. From 1955 Gaidai was a film director at the Mosfilm Studios under his mentor Mikhail Romm. Gaidai used literary material by Ilya Ilf and Yevgeni Petrov, Mikhail A. Bulgakov, Mikhail Zoschenko, and O. Henry among other writers.
His early films of the 1950's had little success. In the 1960's Gaidai created the "goldmine" with comedians Yuriy Nikulin, Georgiy Vitsin, Evgeniy Morgunov, and Aleksandr Demyanenko. Comedies with those actors were the highest-grossing box office hits ever in the Soviet Union with the attendance of 222,800,000 in the first 15 months. Total admissions of the Gaidai's comedies during the 1960's only in the USSR exceeded 600,000,000 without counting the reruns and the international sales.
During the 1970s and 1980s Gaidai worked with the best comedians of the Soviet cinema, such as Evgeniy Leonov, Leonid Kuravlyov, Archil Gomiashvili, Mikhail Pugovkin, Yuriy Yakovlev and many other renown actors. Alhough the inevitable changes in society during "perestroika" affected the film industry, Gaidai's films still remained on the top. Gaidai's comedies on video even gained popularity after the collapse of the Soviet Union. In a 1995 poll in Russia, 'Brilliantovaya ruka' (1968) was voted the best Russian comedy ever.
Financial success did not reach Gaidai personally, he lived in a co-op flat and had the same one car, "Lada", driven by his wife, actress Nina Grebeshkova for many years. She was the fortress behind his success by being a quiet help and never demanding more than they had. She described her husband, Gaidai, as being similar to the popular character 'Shurik' in his films. Leonid Gaidai died of thrombo-embolic disease and complications of his WWII wounds on November 19, 1993, in Moscow. He was laid to rest in the Kuntsevsky Cemetery in Moscow, Russia.- Producer
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Karen Shakhnazarov was born on 8 July 1952 in Krasnodar, Krasnodarskiy kray, RSFSR, USSR [now Russia]. He is a producer and director, known for Ward No. 6 (2009), Zerograd (1988) and White Tiger (2012).- Director
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Iosif Kheifits was born on 4 December 1905 in Minsk, Russian Empire [now Belarus]. He was a director and writer, known for Baltic Deputy (1937), The Lady with the Dog (1960) and The Rumyantsev Case (1956). He was married to Yanina Zheymo. He died on 24 April 1995 in St. Petersburg, Russia.- Director
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Mark Anatolyevich Zakharov was born on October 13, 1933, in Moscow, Russia. His father was a Red Army soldier during the Russian Civil War of 1918-1920, and his mother, Galina Sergeevna Zakharova, was an actress. Young Anatoli Zakharov was raised in Moscow. He was inspired by his mother in his persistent efforts to become an actor. He was admitted after several attempts, and graduated from the acting school of the State Theatre Institute (GITIS) in 1955.
Zakharov began his career as an actor and director at the Perm city theatre, then at the amateur student theatre of Moscow State University in the 1950's-1960's. He played bit parts in many classical and contemporary plays and developed an astute vision of the workings and interplay within an ensemble of actors. In 1965 he was invited to direct plays at the Moscow Theatre of Satire. There he became famous after his successful direction of "Dokhodnoe Mesto", a play by Aleksandr Ostrovskiy starring Andrey Mironov. The brilliant and popular play was soon banned by Soviet censorship during the Neo-Stalinist repressions under Leonid Brezhnev. Zakharov did not give up. He soon directed another innovative production of "Razgrom", a play by Aleksandr Fadeyev. The play was almost banned, but a powerful ideologist Mikhail Suslov was invited and liked the play very much. Zakharov was saved.
Beginning in 1973, Zakharov worked as the Artistic Director of the Moscow Lenkom Theatre. There he directed a dazzling array of popular stage plays including "The Seagull" by Anton Chekhov and "Til" by Grigori Gorin. His biggest stage work was the muscle "Yunona i Avos" (Juno and Avos, 1980) by Andrei Voznesensky on the music of Aleksey Rybnikov. It was the first rock-opera in the Soviet Union, starring Nikolay Karachentsov and Aleksandr Abdulov. It had a run of over a thousand stage performances and was made into a video. Another acclaimed production directed by Zakharov was "Pominalnaya molitva" based on the famous story of Tevie the Milkman by Sholom Aleichem. The title role in this play was the last stage work of the brilliant actor Evgeniy Leonov. Now the title role is played by Vladimir Steklov.
Zakharov was known as a remarkable film director. He made such hits as '12 stulev' (1977), 'Obyknovennoe chudo' (1978), 'Tot samy Munkhgausen' (1979) and 'Ubit drakona' (To Kill a Dragon. 1988). Zakharov created a harmonious ensemble of film stars including Aleksandr Abdulov, Nikolai Karachentsov, Andrey Mironov, Evgeniy Leonov, Oleg Yankovsky, Irina Kupchenko, Vyacheslav Tikhonov, Aleksandr Zbruev, as well as many other distinguished Russian actors.
Zakharov was famous for his wit and wisdom. He made news in 1991, when he burned his Communist Party ID card in front of the TV cameras. It was a bod, witty, and risky action. He later commented with humorous regret about his impulsive action. He said that he should have done it by simply leaving his Communist ID card on a table, like the former Russian President Boris Yeltsin.
Zakharov created a stellar ensemble of actors, who are working with him at the Moscow Lenkom Theatre. They include such stars as Inna Churikova, Leonid Bronevoy, Oleg Yankovskiy, Aleksandr Abdulov, Nikolay Karachentsov, Aleksandr Zbruev, Aleksandra Zakharova, Tatyana Kravchenko, Aleksandr Lazarev, Dmitriy Pevtsov, and other actors. He was also a professor of the Moscow Theatre Institute (GITIS).- Director
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Vladimir Fetin was born on 14 November 1925 in Moscow, Russian SFSR, USSR [now Russia]. He was a director and writer, known for Virineya (1969), Don Tale (1964) and Otkrytaya kniga (1974). He died on 19 August 1981 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia].- Director
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Lev Atamanov was born on 21 February 1905 in Moscow, Russian Empire [now Russia]. He was a director and writer, known for The Golden Antelope (1954), The Snow Queen (1957) and The Magic Carpet (1948). He died on 12 February 1981 in Moscow, Russian SFSR, USSR [now Russia].- Director
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- Animation Department
Ivan Ivanov-Vano was born on 8 February 1900 in Moscow, Russian Empire [now Russia]. He was a director and writer, known for Secha pri Kerzhentse (1971), The Snow Maiden (1952) and The Humpbacked Horse (1975). He died on 25 March 1987 in Moscow, Russian SFSR, USSR [now Russia].- Director
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- Animation Department
Roman Kachanov was born on 25 February 1921 in Smolensk, Smolensk uyezd, Smolensk Governorate, RSFSR [now Smolensk Oblast, Russia]. He was a director and writer, known for The Mystery of the Third Planet (1981), Metamorphosis (1978) and Stories from My Childhood (1998). He died on 4 March 1993 in Moscow, Russia.- Director
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Yuriy Kara was born on 12 November 1954 in Stalino, Ukrainian SSR, USSR [now Donetsk, Ukraine]. He is a director and writer, known for Zavtra byla voyna (1987), Ya kukla (2002) and Korolyov (2007).- Animation Department
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Fyodor Khitruk was born on 1 May 1917 in Tver, Russia. He was a director and writer, known for I Give you a Star (1975), Ostrov (1973) and The Lion and the Bull (1984). He was married to Galina Khitruk and Mariya Motruk. He died on 3 December 2012 in Moscow, Russia.- Inessa Kovalevskaya was born on 1 March 1933. She is a director and writer, known for The Tale of the Priest and of His Workman Balda (1973), Pictures from the Exhibition (1984) and Stories from My Childhood (1998).
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Gennadiy Sokolskiy was born on 1 December 1937 in Moscow, USSR. He was a director and writer, known for Ivashka from Pioneer Palace (1981), Lyubit cheloveka (1973) and The Castle of the Liars (1983). He died on 27 December 2014.- Director
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Aleksandr Askoldov was born on 17 July 1932 in Kiev, Ukraine, USSR. He was a director and actor, known for The Commissar (1967), La chasse aux papillons (1992) and Tal cual (1988). He was married to Svetlana. He died on 21 May 2018 in Gothenburg, Sweden.- Director
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Although his name nowadays means very little except to animation buffs (and even they have to be pretty well informed), Wladyslaw Starewicz ranks alongside Walt Disney, as one of the great animation pioneers, and his career started nearly a decade before Disney's. He became an animator by accident - fascinated by insects, he bought a camera and attempted to film them, but they kept dying under the hot lights. Stop-motion animation provided an instant (if slow) solution, and Starewicz discovered that he had a natural talent for it. He subsequently made dozens of short films, mostly featuring his trademark stop-motion puppets, but also live action films (some blending live action and animation), moving to France after the Russian Revolution to continue his career. His longest and most ambitious film was the feature-length 'Tale of the Fox', which took ten years to plan and eighteen months to shoot. Starewicz' films were virtually one-man shows (writer/director/cameraman/designer/animator), though other important contributions (in front of and behind the camera) were made by his daughters.- Director
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Konstantin Lopushanskiy was born on 12 June 1947 in Dnepropetrovsk, Ukrainian SSR, USSR [now Dnipropetrovsk, Ukraine]. He is a director and writer, known for The Ugly Swans (2006), Visitor of a Museum (1989) and Dead Man's Letters (1986).- Actor
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Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.- Writer
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Vasili Shukshin, one of Russian cinema's notable figures, was born Vasili Makarovich Shukshin into a peasant family on July 25, 1929, in the village of Srostki, Altai province, Siberian Russia. His father, named Makar Leontievich Shukshin, was a landlord who refused to join a collective farm and was arrested and executed in 1933. A that time Shukshin's mother, Maria Sergeevna, was 22, with two children, and she married another peasant who was soon drafted and was killed in WWII. Young Vasili Shukshin was raised by a single mother.
After WWII Shukshin studied to become a car mechanic, then served in the Navy in the Baltic Sea, then worked as a school teacher in Siberia, then went to study film directing in Moscow. He was accepted by director Mikhail Romm, who recognized Shukshin's natural talent. From 1954-1960 he studied acting and directing at Soviet State Institute of Cinematography (VGIK) in Moscow, and made his big screen debut as cameo in Quiet Flows the Don (1957) by director Sergey Gerasimov. During the 50s and 60s he starred in several popular films. Shukshin published his first short stories in 1958, during the "Thaw" that was initiated by Nikita Khrushchev. In 1964 he wrote and directed Zhivyot takoy paren (1964) and the film was critically acclaimed at XVI International Film Festival in Venice (1965). At that time Shukshin became a well-known party man in Moscow, he was romantically involved with popular poet Bella Akhmadulina. He later married actress Lidiya Fedoseeva-Shukshina, and the couple had two daughters.
In 1965 Shukshin started his new project, titled 'Stepan Razin', about the 17 century Cossac leader who led a major popular uprising against the Russian Tzar, and was brutally executed at the Red Square in Moscow. In 1967 the film 'Stepan Razin' was in development and Shukshin went on location at the Volga river where the historic uprising took place; but the Soviet authorities crashed the film for political reasons. Shukshin eventually had serious problems with alcohol and depression for several years. Only later, after the birth of his second daughter, he completely abstained from alcohol for the rest of his life. In 1969 he was designated Honorable Artist of Russia. In 1971 he was awarded the State Prize of the USSR for his outstanding acting in the leading role as Chernov in the popular film U ozera (1970) by director Sergey Gerasimov.
In 1973, Vasili Shukshin starred in what became his most popular film, Kalina krasnaya (1974), which he also wrote and directed, earning himself awards and fame. In 1974 Shukshin re-started his film project titled 'Stepan Razin' and also wrote a novel about Stepan Razin titled 'I came to let you free'. Shukshin was found dead on October 2, 1974, aboard the "Dunai" cruise-ship on the Volga river, near Kletskaya in Volgograd province, Russia. He was laid to rest in the Novodevichy Cemetery in Moscow, Russia.
Shukshin's main novel 'I came to let you free' was published posthumously. His novels and short stories were translated in more than 30 languages and sold over 20 million copies across the world. A comprehensive artistic biography of Vasili Shukshin was written by Evgeni Vertlib, and published in New York, in 1990.- Director
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Giorgi Shengelaia was born on 11 May 1937 in Moscow, RSFSR, USSR [now Russia]. He was a director and writer, known for Pirosmani (1969), Veris ubnis melodiebi (1973) and Voyage of the Young Composer (1985). He was married to Nina Ketevan and Sofiko Chiaureli. He died on 17 February 2020 in Georgia.- Writer
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The Russian theatre and film director Andrei Konchalovsky is an elder brother of Nikita Mikhalkov, born August, 20, 1937. As a youngster he planned to pursue a career of a musician and learned to play piano but his love for cinema outweighed and he entered VGIK-the major state film school where he studied under Mikhail Romm. At VGIK he met Andrei Tarkovsky, they collaborated on Ivan's Childhood (1962) and Andrei Rublev (1966). For his feature debut The First Teacher (1965), he chose the book by Chingiz Aitmatov about the post-1917 Revolution period in the southern Russia. His next film Istoriya Asi Klyachinoy, kotoraya lyubila, da ne vyshla zamuzh (1966) although made in 1966 was not released until a decade later because it failed to comply with the strict requirements of the Russian censorship of the period. A Nest of Gentry (1969) - a study of the 19 c. aristocracy - was praised for its visual beauty but attacked by critics as mannered. Konchalovsky's powerful Uncle Vanya (1970) from the play by 'Anton Chekhov_ is regarded by many people as one of the best films in the Russian language ever. Siberiade (1979) - a dramatic and realistic story of the lives of the people of Siberia - was internationally acclaimed and brought Konchalovsky to the attention of American and European producers. From then on-wards his career has been international in scope. Pleasing critics and audiences worldwide, he made the English language films Maria's Lovers (1984), Runaway Train (1985), Duet for One (1986) (praised for Max von Sydow's brilliant performance), and the award-winning Homer and Eddie (1989) starring Whoopi Goldberg. Konchalovsky moved to the mainstream territory with the action packed Tango & Cash (1989). Charasteristically he still insists that this work is no less laudable than any of his others. He also directed plays and operas in a number of European cities. In the early 1990s he returned to Russia and directed several theatre productions most notably "The Seagull" by Chekhov and "Miss Julie" by August Strindberg. Residing in Moscow Konchalovsky sometimes makes short excursions to Hollywood to make mainstream TV productions like the Emmy-winning The Odyssey (1997) and The Lion in Winter (2003) in which Glenn Close gave an award-winning performance. His Russian-French co-production House of Fools (2002) - a story set in an asylum that stands on the border between Russia and Chechenya during the war in Chechenya - was warmly received in Europe and won an honor at the 2002 Venice Film Festival. However the film antagonized the critics in Russia. In the very beginning of his career he was credited as Mikhalkov- Konchalovsky. Later he adopted his mother's maiden name to distinguish himself from his younger brother, Nikita Mikhalkov, who was rapidly becoming a famous filmmaker himself. For his last feature film The Postman's White Nights (2014), shot digitally in his home country Russia, Andrey Konchalovsky won the 'Best Director' award at the 'Venice International Film Festival' in 2014.- Actor
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Nikita Mikhalkov is the son of the famous communist poet Sergey Mikhalkov, who wrote the lyrics of the Soviet national anthem and had strong connections to the Communist Party. Nikita Mikhalkov's mother, Natalya Petrovna Konchalovskaya, was also a poet and daughter of famous painter Pyotr Petrovich Konchalovsky and his wife Olga Vasilievna Surikova, and by her the great granddaughter of another great painter Vasily Surikov. And then last, but not least, Nikita Mikhalkov is the brother of Andrey Konchalovskiy, also a distinguished film director who, unlike Nikita, has worked in the USA.
Not only did Mikhalkov direct the Academy Award-winning film "Burnt by the Sun" but he is also well-known as a versatile actor, having appeared in over 40 films, including the role of the Russian Tsar Alexander III in his own "The Barber of Siberia" (1998).
Mikhalkov has an impressively long list of wins at the most prestigious film festivals, like Cannes, Venice, Moscow or Karlovy Vary.
Following his movie's Oscar win for Best Foreign Language Film, Nikita Mikhalkov won a parliamentary seat in the then Prime Minister Victor Chernomyrdin's party.
He is always in the spotlight, especially in Moscow, where he resides.- Director
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Grigori Aleksandrov was a Soviet-Russian filmmaker best known as director of Volga - Volga (1938), The Circus (1936), and October (Ten Days that Shook the World) (1927), as well as co-star in Battleship Potemkin (1925) by director Sergei Eisenstein.
He was born Grigori Vasilyevich Mormonenko on January 23, 1903 in Ekaterinburg, Russia. His father, Vasili Mormonenko, was a worker. Young Aleksandrov was obsessed with acting and movies. At the age of 9 he was hired as a delivery boy at the Ekaterinburg Opera; there he eventually worked as an assistant dresser, electrician, decorator, and assistant director. He studied violin and piano at the Ekaterinburg School of Music, graduating in 1917. During the Russian Civil War of 1917-1920, he was road manager with the Theatre of Eastern Front of the Red Army. After the Civil War he graduated from the Directors Courses for Proletariat Theatre in Ekaterinburg, and was appointed Inspector of Arts at the Ekaterinburg Regional Administration. His job was to supervise theaters and to select films in compliance with the new ideology.
Aleksandrov met Eisenstein in 1921. They worked together on several stage productions in 1921-24. In 1923 Aleksandrov appeared as Glumov in a stage production of A. Ostrovsky's play at the Moscow Proletkult Theatre, directed by Eisenstein. They worked together on the scenario of their first films: 'Stachka' (1924) and 'Bronenosets Potemkin' (1925). They wrote and directed 'Oktyabr' (1927), a historical film made to look like a documentary about the Russian revolution. In 1929-1933 both Aleksandrov and Eisenstein were sent to study and work in Hollywood. Back in the Soviet Union Aleksandrov made a short documentary film titled 'International' (1932).
In 1933 Aleksandrov had a meeting with Joseph Stalin and Maxim Gorky at the Gorky's State Dacha near Moscow. Stalin offered the oportunity to Aleksandrov to make a musical comedy for the Soviet people. 'Veselye Rebyata' (aka.. Jolly fellows) was completed in 1934, starring Leonid Utyosov and Lyubov Orlova. 'Veselye Rebyata' became the #1 box office hit in Russia and was awarded at the Venice Film Festival. Leonid Utyosov and Lyubov Orlova became instant celebrities, and songs by composer Isaak Dunaevskiy became popular hits in the Soviet Union.
Aleksandrov directed and edited the documentary of Stalin's speech about the Soviet constitution, titled 'Doklad tov. Stalina o proekte Konstitutsii SSSR na VIII Chresvychaynom S'ezde Sovetov' (1937). After that Aleksandrov returned to making comedies. Aleksandrov's wife, Lyubov Orlova, starred in almost all of his feature films, such as 'Tsirk' (1936), 'Volga-Volga' (1938), 'Svetly Put' (1940), 'Vesna' (1947) among his other films. His 1930s comedies remained rather popular among several generations of viewers in the Soviet Union, as well as internationally. In 1942 Joseph Stalin sent a copy of Volga - Volga (1938) to American president Franklin D. Roosevelt.
However, Aleksandrov's success came at a painful price, as he suffered from many attacks by some less fortunate and envious filmmakers, as well as from blackmailing by invisible and anonymous enemy. In 1938 Aleksandrov's colleagues, cinematographer Vladimir Nilsen, and producer Boris Shumyatskiy, were executed by the firing squad for anti-government activities. At the same time both Aleksandrov and Orlova were falsely accused of spying for the Nazi Germany, but were cleared of all charges.
During the 1950s he taught directing at State Institute of Cinematography (VGIK). His last films had little success, and some, like 'Skvorets i lira' (1973) were not even released in theaters. Aleksandrov also made a few documentaries, including one about Lenin, and one about his wife, star actress Lyubov Orlova.
Grigori Aleksandrov received the Stalin's Prize twice (1941, 1950), the Order of Lenin twice (1939, 1950), the Order of Red Star (1938), and the Order of the Red Banner twice (1963, 1967). He was designated People's Actor of the USSR. Grigori Aleksandrov died of kidney infection on December 16, 1983, at the Kremlin Hospital in Moscow, and was laid to rest next to his wife, Lyubov Orlova in Novodevichy Cemetery, Moscow, Russia.- Director
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Mikhail Romm was born in 1901, into a Russian-Jewish family, in the Siberian city of Irkutsk, Russia. He served in the Red Army in 1918-21 as an Inspector of the Special Forces for Food Supplies. He was in charge of confiscations of bread and food from the wealthier farmers (kulaks) in Central Russia. Romm later was avoiding any discussions regarding this painful memories, though he used his experience in the films about Lenin.
He graduated from the Moscow Institute of Arts and Technology as a sculptor (1925), where he studied under Anna Golubkina. Worked as a sculptor and interpreter. In 1928-30 he worked at Institute for extra-scholastic studies as researcher on the theory of Cinematography. From 1931 he worked at Mosfilm Studios, where he made his first film 'Pyshka' (1934). His next film '13' (1936) was considered the first Soviet "eastern" (a Soviet answer to "western"). During the years of "Great Terror" under Joseph Stalin Romm made two features and a documentary about Lenin.
His criminal drama 'Murder on the Dante Street' (1956) was the first film for the great Innokentiy Smoktunovskiy. After an eight-year brake Romm made his 'Nine Days in One Year' (1962). It was an excellent psychological drama about the life and death of nuclear physicists. After the political shifts during and after the "Thaw", started by Nikita Khrushchev, Romm devoted his talent to documentary material. He worked like a sculptor, cutting through the massive Nazi archives of documentaries in Germany. His work was rewarded with an astounding result - 'Tiumph over violence' (1965) in which he also was a narrator. His last film 'I vse-taki Ya Veryu' (1974) was finished by his disciples Marlen Khutsiev and Elem Klimov.- Actor
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Aleksey German was born on 20 July 1938 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. He was an actor and writer, known for Khrustalyov, My Car! (1998), Hard to Be a God (2013) and Moy drug Ivan Lapshin (1985). He was married to Svetlana Karmalita. He died on 21 February 2013 in St. Petersburg, Russia.- Director
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Vitali Kanevsky was born on 4 September 1935 in Gamarnik, Far East Krai, RSFSR, USSR [now Partizansk, Primorsky Krai, Russia]. He is a director and writer, known for Freeze Die Come to Life (1990), An Independent Life (1992) and KTO Bolche (2000).- Director
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Dmitriy Vasilev was born on 21 October 1900 in Yeysk, Kuban Oblast, Russian Empire [now Krasnodar Krai, Russia]. He was a director and assistant director, known for Zhukovsky (1950), Operatsiya 'Kobra' (1960) and Admiral Nakhimov (1947). He died on 5 January 1984 in Moscow, RSFSR, USSR [now Russia].- Director
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Gleb Panfilov was born on 21 May 1934 in Magnitogorsk, Chelyabinsk Oblast, Russian SFSR, USSR [now Russia]. He was a director and writer, known for The Theme (1979), Vassa (1983) and Mat (1990). He was married to Inna Churikova. He died on 26 August 2023 in Russia.- Director
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Leonid Lukov was born on 2 May 1909 in Mariupol, Yekaterinoslav Governorate, Russian Empire [now Donetsk Oblast, Ukraine]. He was a director and writer, known for Bolshaya zhizn (1939), Miners of the Don (1951) and Uz jauno krastu (1955). He died on 24 April 1963 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia].- Director
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Fridrikh Ermler was born on 13 May 1898 in Rechitsa, Vitebsk Governorate, Russian Empire [now Rezekne, Latvia]. He was a director and writer, known for The Great Force (1951), Great Citizen (1938) and The Turning Point (1945). He died on 12 July 1967 in Leningrad, USSR [now St. Petersburg, Russia].- Actor
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Vladimir Basov was a notable Soviet actor and director best known for the leading role as Bruno in Shchit i mech (1968), which he also directed, and his numerous supporting roles, such as Floor Polisher in Ya shagayu po Moskve (1964) (aka.. Walking the Streets of Moscow (1963), among other works.
He was born Vladimir Pavlovich Basov on September 17, 1923, in a small town of Urazov, Kursk province, central Russia. His father died in a tragic accident, and young Basov was raised by a single mother. During the Second World War he was wounded in the battlefield fighting the Nazis, and was decorated for his courage. From 1947 - 1951 he studied acting and directing under Mikhail Romm and Sergei Yutkevich at Soviet State Insitute of Cinema (VGIK), graduating in 1952 as film director. From 1952 to 1987 he was a film director at Mosfilm Studios in Moscow.
Basov shot to fame with the leading role as Bruno in popular Soviet war drama Shchit i mech (1968) which he also directed. At that time Basov was among the most popular Soviet filmmakers. He directed such TV movies as Opasnyy povorot (1972), and the popular series Dni Turbinykh (1976) adapted after the eponymous book by Mikhail A. Bulgakov. However, with his success came the attendant pressures, and he suffered from chronic alcoholism, depression, and had several strokes and heart attacks.
Vladimir Basov was designated People's Actor of USSR (1983), and was awarded the State Prize of Russia (1982). He died of a second heart attack on September 17, 1987, in his Moscow home, and was laid to rest in Moscow, Russia.- Director
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Lev Kulidzhanov was born on 19 March 1924 in Tiflis, Georgian SSR, TSFSR, USSR [now Tbilisi, Republic of Georgia]. He was a director and writer, known for When the Trees Were Tall (1962), Nezabudki (1994) and Otchiy dom (1959). He died on 18 February 2002 in Moscow, Russia.- Director
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Yevgeni Karelov was born on 12 October 1931 in Bogorodskoye, Moscow Oblast, Russian SFSR, USSR [now Russia]. He was a director and writer, known for Two Comrades Served (1968), Tretiy taym (1963) and Yasha Toporkov (1960). He died on 11 July 1977 in Pitsunda, Georgian SSR, USSR [now Abkhazia].- Director
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Marlen Khutsiev is a Soviet and Russian film director, screenwriter, actor, teacher. People's Artist of the USSR (1986), laureate of the State Prize of the Russian Federation (1993). Honorary Member of the Russian Academy of Arts.
Khutsiev studied at the 43rd Tbilisi Secondary School. In 1952 he graduated from the directing faculty of VGIK (workshop of Igor Savchenko). In 1953-1958 he worked as a director at the Odessa Film Studio, since 1959 - at the Studio of Gorkiy, since 1965 - at the film studio "Mosfilm". In a number of his films, Marlen Khutsiev appeared as an author or co-author of scripts. In addition, Khutsiev staged the play "The Case in Vichy" in the Sovremennik Theater (1967, 1986), and acted in several films. In the years 1968-1971 - Art Director of the "Screen" Central Television. From 1978 he led the workshop of directing art cinematography at VGIK. Since 1987 - head of the department of directing a feature film at VGIK, professor. Since 1989 - President of the Guild of Film Directors of Russia. In 1984, Khutsiev became one of the heroes of the documentary film "My Contemporaries" by Vladislav Vinogradov. In 1994-1995 - President of the film festival "Window to Europe".
In March 2019, Marlen Khutsiev was hospitalized at the Moscow Botkin Hospital, in the intensive care unit of which he died on March 19, at 7 am, in the 94th year of life.- Director
- Second Unit Director or Assistant Director
- Writer
Tatyana Lioznova was born on 20 July 1924 in Moscow, RSFSR, USSR [now Russia]. She was a director and assistant director, known for Three Poplars on Plyuschikha Street (1968), Karnaval (1982) and Konets sveta s posleduyushchim simpoziumom (1987). She died on 29 September 2011 in Moscow, Russia.- Director
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- Producer
Russian film director and screenwriter Alexander Mitta was born 28 March 1933 in Moscow. Alexander Mitta's career as film director and screenwriter spans from the 1960s until the 2010s.
He studied engineering in 1955, then worked as a cartoonist in art and magazines. In 1960 Mitta graduated at the film directing faculty of the VGIK.
Striving to expand the genre borders Mitta turned to the Western genre of catastrophe movie adapted to soviet reality. The experiment turned to be successful: millions of viewers saw the film Ekipazh (1980).
In 1983 he directed his landmark film The Story of the Voyages (1983) starring Andrey Mironov and Tatyana Aksyuta.
In 1991 he shot Soviet-British political drama Lost in Siberia (1991) starring Anthony Andrews. The film was nominated as the Best Foreign Language Film at the 49th Golden Globe Awards.
In 2013 he shot last film Chagall-Malevich (2014) about the world of Marc Chagall and his myth within the genre of a folklore ballad. His most famous movie of that time is the TV-Series Granitsa. Tayozhnyy roman (2000).- Director
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- Actor
Igor Maslennikov was born on 26 October 1931 in Nizhny Novgorod, RSFSR, USSR [now Russia]. He was a director and writer, known for Sentimentalnyi Roman (1976), Pisma k Elze (2002) and Zimnyaya vishnya 2 (1990). He died on 17 September 2022 in St. Petersburg, Russia.- Director
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Stanislav Rostotsky was a renown Russian film director whose two films, The Dawns Here Are Quiet (1972) and White Bim Black Ear (1977) were nominated for Oscar and won other international awards.
He was born Stanislav Iosifovich Rostotsky on April 21, 1922, in Rybinsk, north of Moscow, Russia. His father, named Josef Boleslavovich Rostotsky, was a respected Medical Doctor and later became an official at State Department of Health. His mother, named Lidia Karlovna, was a homemaker. Young Rostotsky spent much of his childhood in a village in Central Russia. There he developed his special ability to uncover the beauty of wild nature, that later became a professional forte in his directing.
In 1936, at age 14, Rostotsky made his film debut as an actor in Bezhin lug (1937), albeit some parts of the film were lost, including most of Rostotsky's scenes. At that time he met the legendary director Sergei Eisenstein. Under the guidance from Eisenstein, young Rostotsky studied literature and arts, and focused on such writers as Honoré de Balzac and Émile Zola, composers Claude Debussy and Maurice Ravel, art of Japanese prints and Impressionist paintings by such artists as Pierre-Auguste Renoir and Edgar Degas among others. Rostotsky and Eisenstein became life-long friends. Upon Eisenstein's advise, Rostotsky did not rush into film business until he achieved a well-rounded education, he attended Moscow Institute of Philosophy and Literature.
In February 1942 Rostotsky was drafted in the Red Army. After a brief training, he served as a private with the 6th Cavalry Guards Brigade at the Ukrainian Front, fighting against the Nazi troops during the Second World War. On February 11, 1944 Rostotsky was severely wounded in action; after having his leg amputated he undergone a comprehensive six-month treatment, and had to wear a prosthesis for the rest of his life. Rostotsky was decorated with the Order of the Red Banner for his courage in battle.
In August of 1944 Rostotsky became a student of director Grigoriy Kozintsev at Leningrad Institute of Cinematography. There he studied film directing for seven years, assisted in Kozintsev's films, and graduated in 1951 as a film director. From 1952 to 2001 he worked at Gorky Film Studio in Moscow. There he made 17 films as director, including his best films, We'll Live Till Monday (1968), 'A zori zdes tikhie' (1972), and 'Belyy Bim - chernoe ukho' (1977), the latter two received Oscar nominations and international acclaim.
Stanislav Rostotsky was awarded the State Prize of the USSR twice (1970, 1975). He was designated People's Artist of the USSR, and received numerous awards and decorations for his contribution to film art. He was a Member of the Board of Union of Cinematographers, and five times Member of the Jury at Moscow International Film Festival (1975, 1977, 1979, 1981, 1983). He also taught directing at State Institute of Cinematography in Moscow, and wrote numerous articles on film directing and film history. He also wrote memoirs about Eisenstein, Gerasimov, Moskvin, and other Russian film figures. Rostotsky was married to notable Russian actress Nina Menshikova and their son, Andrey Rostotskiy was a popular film actor.
Outside of his film profession Stanislav Rostotsky was famous for his support of recreational fishing and was known for releasing his catch alive; he was decorated with the Medal of Honor "For Development of Fishing Resouces in Russia" and also presided at several sport fishing competitions. Stanislav Rostotsky died of a heart failure on August 11, 2001, in Moscow, and was laid to rest in Vagankovskoe Cemetery in Moscow, Russia.- Director
- Art Director
- Actor
Lev Kuleshov was a Russian director who used the editing technique known as the "Kuleshov effect." Although some of the editing innovations, such as crosscutting were used by other directors before him, Kuleshov was the first to use it in the Soviet Russia. he was driving a Ford sports car amidst hard situation in the post-Civil war USSR, and remained a controversial figure who joined the Soviet communist party and destroyed archives of rare silent movies during his experiments, thus clearing way for his own works: documentaries and feature films ranging from political cinema to timeless gems.
He was born Lev Vladimirovich Kuleshov on 1 January, 1899, in Tambov, Russia. His father, Vladimir Kuleshov, belonged to Russian landed gentry, was a patron of arts and owner of a private estate in Central Russia. His mother, Pelagea Shubina, was a teacher before she married his father. His parents understood his weaknesses (poor speaking ability and bouts of depression) and strengths (a sharp eye, persistence and determination). His forte was the ability to see what for others remained unseen. Young Kuleshov received exclusive private education at the home of his father who had a degree from Moscow Art College. After the death of his father, 15-year-old Kuleshov and his mother moved to Moscow. There he studied art and history at the prestigious Stroganov School, then continued his studies at Moscow School of Painting, Architecture and Sculpture focusing on oil painting.
In 1916 he started his film career as a set designer at the Moscow film studio of Aleksandr Khanzhonkov and occasionally acted in some of its productions. He played a young lover opposite Emma Bauer, a stunning beauty, whom he truly fell in love with even before the filming started. That was the silent film Za schastem (1917). Watching himself on the silver screen, young Kuleshov was disappointed with the comic effect of his acting conflicting with naturalism of his true feelings. He decided to focus on directing and developing the style of his own. His new friend, experienced film-maker Akhramovich-Ashmarin, introduced him to American school of film-making, which also influenced his work.
With the help from Khanzhonkov's leading cinematographer, Yevgeny Bauer, Kuleshov made his first experimental works in editing. In 1917, he made his first publication in 'Vestnik Kinematografii': in three consecutive articles Kuleshov trashed the "salon" traditions of his employer by writing about an artist's role in converting film industry into a new form of art. His directorial career began under the patronage of Bauer, with whom Kuleshov worked as art director on such films, as Nabat (1917) and Za schastem (1917), and completed the latter as director after the original director Bauer died. In 1918, Kuleshov made his directorial debut with 'Project of Engineer Prite', and the film brought him attention of film studio executives who gave the 19-year-old beginner a chance to participate in documenting the early history of the Civil War-era Russia.
Following the Russian revolution of 1917, Kuleshov joined the Bolsheviks and sided with the Red Army in the Russian Civil War of 1918-1919, which was a continuation of the First World War. He covered the war on the Eastern front with a documentary crew. After the end of the Civil War, the Communist Party solidified control of the country, thus helping Kuleshov's career. His friend, Vladimir Gardin, appointed him instructor at the Moscow Film School. There he made a career as director and teacher. In 1920, he directed a war film Na krasnom fronte (1920), a government sponsored film about the Red Army. For some time Kuleshov continued wearing the Red Army uniform, to show his loyalty to the new government.
He studied the techniques of Hollywood directors, particularly D.W. Griffith and Mack Sennett and introduced such innovations as crosscutting in editing and montage into Russian cinema. For his experiments Kuleshov was cutting old silent films from the archives of Khanzhonkov, Bauer and other private studios nationalized by the socialist govenment. Kuleshov used the archives of old silent movies for his own cutting experiments and thus most of the film archives was destroyed. Kuleshov remained quiet about this part of his career when he experimented with editing technique. He focused on putting two shots together to achieve a new meaning.
The "Kuleshov effect" is using the Pavlovian physiology to manipulate the impression made by an image and thus to spin the viewer's perception of that image. To demonstrate such manipulation, Kuleshov took a shot of popular Russian actor Ivan Mozzhukhin's expressionless face from an early silent film. He then edited the face together with three different endings: a plate of soup, a seductive woman, a dead child in a coffin. The audiences believed that Ivan Mozzhukhin acted differently looking at the food, the girl, or the coffin, showing an expression of hunger, desire, or grief respectively. Actually the face of Ivan Mozzhukhin in all three cases was one and the same shot repeated over and over again. Viewers own emotional reactions become involved in manipulation. Images spin those who are prone to be spun. Although editing and montage have already been used in art, architecture, fashion, politics, book publishing, theatrical productions and religious events (just look at placement of icons in churches, or photos in books, or pictures at exhibitions), the use of such editing in silent films was innovative and eventually led to more advanced visual effects.
Vsevolod Pudovkin, who claimed to have been the co-creator of Kuleshov's experiment, later described how the audience "raved about the acting... the heavy pensiveness of Ivan Mozzhukhin's mood over the soup, the deep sorrow with which he looked on the dead child, and the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same." Kuleshov demonstrated the effect of editing that was successfully used in montage of such films, as Battleship Potemkin (1925) and Konets Sankt-Peterburga (1927) among other Soviet films. Kuleshov's good education, as well as his connections among Russian intellectual elite also helped his career.
At that time, Kuleshov and a group of his students, among them actress Aleksandra Khokhlova, collaborated on several movies that are now generally regarded as seminal films in Russian cinema. Among them are The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924), a satire on clash of civilizations showing naive American Christian pastor who comes to Russia just to be robbed twice, but then helped by exemplary Soviet policeman. In 1926 he produced his most popular film, By the Law (1926), based on a Jack London story. The movie was successful in Russia and especially in Europe. In 1933, he directed The Great Consoler (1933), based on biography of American writer O. Henry. The film was highly praised by Osip Brik and Lilya Brik. It was an interesting advancement in Kuleshov's experimental style.
In 1936, he received his Ph.D and became professor of directing and Moscow Film School. In 1941, Kuleshov's book 'Osnovy kinorezhissury' (aka... Fundamentals of Film Direction) was published in Moscow. Kuleshov was promoted to high position within the Soviet film industry and was designated Doctor of Science for the book, which was translated in several languages and became regarded among filmmakers worldwide.
During WWII, Kuleshov made two films. One, made in collaboration with writer Arkadiy Gaydar, was Klyatva Timura (1942). To complete the film, Kuleshov with his film crew was moved on Soviet government expense from cold Moscow to warm Stalinabad, the capital of Turkmenistan. There, in 1943, together with his wife, Aleksandra Khokhlova, he directed his last movie, We from the Urals (1944), a film about young Soviet boys making heroic efforts in the Eastern Front of WWII. After that, he returned from Central Asia back to Moscow. The Soviet capital was recovering after attacks of Nazi armies. For his contribution to art, and also for his dedication to communist ideas, a prestigious position as Artistic Director of the Moscow Film Institute (VGIK) where he worked for the next 25 years. Over the course of his career, his students were hundreds of Soviet filmmakers, such as directors Vsevolod Pudovkin, Boris Barnet, Mikhail Kalatozov and many others. His most trusted and devoted friend was Sergei Eisenstein.
Kuleshov visited Paris and presented a retrospective of his films in 1962. There he enjoyed much attention from international media. His friends in the Western world included many celebrities, such as Yves Montand, Louis Aragon, Elsa Triolet among others. Kuleshov was member of the Jury at 1966 Venice Film Festival and attended other film festivals as a special guest. He made several exclusive trips outside of the Soviet Union.Kuleshov was a friend of the State security chief, KGB General V.N. Merkulov.
Kuleshov was awarded Order of Lenin, Order of Red Banner, was designated People's Artist of Russia (1969), and received other decorations and perks from the Soviet government.
Outside of his film career, Lev Kuleshov was fond of hunting, he owned a collection of exclusive hunting guns and often used them to kill game outside of Moscow and in Southern Russia. He also spent much time at Mediterranean resort near Yalta in Crimea and often made hunting trips in that area. Kuleshov was married to his student Aleksandra Khokhlova, and lived with his wife in a prestigious block on Lenin Prospect in central Moscow. There he died in 1970, and was laid to rest in Moscow's most prestigious Novodevichy Cemetery. Kuleshov's funeral took place while the Soviet Union was celebrating the centennial anniversary of the former leader Vladimir Lenin.- Actor
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Sergey Komarov was born on 2 March 1891 in Vyazniki, Vyazniki uyezd, Vladimir Governorate, Russian Empire [now Vyaznikovsky District, Vladimir Oblast, Russia]. He was an actor and director, known for The Adventures of the Three Reporters (1926), Cosmic Journey (1936) and Potseluy Meri Pikford (1927). He died on 23 December 1957 in Moscow, RSFSR, USSR [now Russia].- Director
- Actress
- Second Unit Director or Assistant Director
Yuliya Solntseva was born on 7 August 1901 in Moscow, Russian Empire [now Russia]. She was a director and actress, known for Chronicle of Flaming Years (1961), Aelita, the Queen of Mars (1924) and Poem of the Sea (1958). She was married to Aleksandr Dovzhenko. She died on 29 October 1989 in Moscow, Russian SFSR, USSR [now Russia].- Actor
- Producer
- Director
Andrey Smirnov was born on 12 March 1941 in Moscow, RSFSR, USSR [now Russia]. He is an actor and producer, known for Zhila-byla odna baba (2011), A Frenchman (2019) and Dnevnik ego zheny (2000).- Director
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- Second Unit Director or Assistant Director
Ivan Pyrev was born on 4 November 1901 in Kamen, Tomsk Governorate, Russian Empire [now Kamen-na-Obi, Altayskiy kray, Russia]. He was a director and writer, known for Symphony of Life (1948), They Met in Moscow (1941) and Six P.M. (1944). He was married to Marina Ladynina and Lionella Pyryeva. He died on 7 February 1968 in Moscow, Russian SFSR, USSR [now Russia].- Director
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Sergei Gerasimov was born in the village of Kundravy in Urals area of the Russian Empire, in 1906. He studied at the Leningrad College of Arts and graduated from the Actors Department of the Leningrad Institute for Stage Arts in 1928. He started his film career in 1924 as an actor, continued as an assistant director and joined the "FEKS" film group, under the leadership of Grigoriy Kozintsev, Leonid Trauberg, and Sergei Yutkevich. He taught acting class at Lenfilm Studios, and employed his students in his film Seven Brave Men (1936), which became a success. His student Tamara Makarova became his wife and partner in film-works.
Sergei Gerasimov directed the 1945 Victory Parade on the Red Square in Moscow. His apprentice, Nikolai Rozantsev, became a reputable Russian director. His students Sergey Bondarchuk, Inna Makarova, Sergei Gurzo, Lyudmila Shagalova, Nonna Mordyukova, Vyacheslav Tikhonov became instant celebrities after the success of his film The Young Guard (1948). His most acclaimed work was the epic film Quiet Flows the Don (1957), based on the eponymous book by Mikhail Sholokhov. A crowning finale to his career was the biographical film Lev Tolstoy, in which Gerasimov starred as the famous Russian writer. The oldest film school in the world, VGIK, is named after Sergei Gerasimov.- Director
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- Second Unit Director or Assistant Director
Yuli Raizman was born on 15 December 1903 in Riga, Russian Empire [now Latvia]. He was a director and writer, known for The Last Night (1937), Dream of a Cossack (1951) and The Fall of Berlin (1945). He died on 11 December 1994 in Moscow, Russia.- Director
- Special Effects
- Writer
Aleksandr Ptushko was born on 19 April 1900 in Lugansk, Lugansk uyezd, Yekaterinoslav Governorate, Russian Empire [now Luhansk, Luhansk Oblast, Ukraine]. He was a director and writer, known for The Stone Flower (1946), Sadko (1953) and Ruslan i Lyudmila (1972). He died on 6 March 1973 in Moscow, Russian SFSR, USSR [now Russia].- Director
- Second Unit Director or Assistant Director
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Gennadiy Kazanskiy was born on 1 December 1910 in Voronezh, Voronezh Governorate, Russian Empire [now Voronezh Oblast, Russia]. He was a director and assistant director, known for Rimskiy-Korsakov (1953), Amphibian Man (1961) and Ugol padeniya (1970). He died on 14 September 1983.- Writer
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Sergey Solovyov was born on 25 August 1944 in Kem, Karelo-Finnish SSR, USSR [now Republic of Karelia, Russia]. He was a writer and director, known for One Hundred Days After Childhood (1975), Spasatel (1980) and Chuzhaya belaya i ryaboy (1986). He was married to Tatyana Drubich, Marianna Kushnerova and Yekaterina Vasilyeva. He died on 13 December 2021 in Moscow, Russia.- Cinematographer
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Sergei Urusevsky is an Soviet cinematographer best known for his work on the films of the Mikhail Kalatozov.
He started as a painter and photographer studying under the great graphic artist Vladimir Favorsky at the Institute of Fine Art in Moscow. Bringing a pictorial tradition to cinema, Urusevsky started his career with Mark Donskoy on The Village Teacher (1947), Vsevolod Pudovkin on Vasili's Return (1953), and Grigoriy Chukhray on The Forty-First (1956). Urusevsky also served during World War II as a cameraman on the front lines.
With The First Echelon he combined his marvelous visual sense with Kalatozov's breathtaking technical skills - a partnership that made The Cranes Are Flying (1957), Letter Never Sent (1960) and I Am Cuba (1964) landmarks in the history of cinematography. It was with The Cranes Are Flying (1957) where their use of the hand held camera really started, especially with the scene of Veronica running through the streets where the camera finally and miraculously leaps into the air with an overhead shot. It was Urusevsky and Yuri Ilyenko who had profound influence throughout the Soviet film industry - not since the 1920s had Soviet film style been acclaimed throughout the world. Urusevsky's poetic camerawork, no matter how daring, was always an organic search into the emotional possibilities of the script. In 1969 Urusevsky directed Beg inokhodtsa (1969), adapted from the Kirghiz writer Chingiz Aitmatov's short novel. Urusevsky followed this up with Poj pesnyu, poet (1973) based on the poems of Sergei Esenin.- Director
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- Camera and Electrical Department
Aleksandr Proshkin was born on 25 March 1940 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. He is a director and writer, known for The Cold Summer of 1953 (1988), Russkiy bunt (2000) and Live and Remember (2008).