My Wonder Woman composer picks
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Tom Holkenborg, aka Junkie XL, is a Grammy-nominated multi-platinum producer, musician, composer and educator whose versatility puts him on the cutting edge of contemporary music, and whose thirst for innovation is helping to reimagine the world of composition.
A full-contact composer, Holkenborg is hands-on at every stage of the composing process, a multi-instrumentalist who combines a mastery of studio engineering, classical musical training and an innate sense of curiosity. He's as adept working with a 50 piece philharmonic orchestra as he is with a wall of modular synths, playing a bass guitar or building his own physical and digital instruments. His drive to reimagine what's possible and share that knowledge with the next generation of composers is what makes Holkenborg a unique force, and one of the most in-demand film composers in the world.
Tom's film scoring credits have grossed over $2 billion at the box office and include Mad Max: Fury Road, Deadpool, Black Mass, Alita: Battle Angel, Divergent, Brimstone, Justice League: The Snyder Cut, Godzilla vs. Kong, The Dark Tower, Tomb Raider, Terminator: Dark Fate, the record setting Sonic the Hedgehog and forthcoming projects including The 355, Army of The Dead, 3000 Years of Longing and more. He has worked with directors and producers including Peter Jackson, Robert Rodriguez, James Cameron, George Miller, Christopher Nolan, Zack Snyder and Tim Miller among many others.
An educator as well as a creator, Tom is committed to breaking down the barriers of entry in the world of film composition, creating the free SCORE Academy program in Los Angeles, a music composition program at the ArtEZ conservatorium in his home country of the Netherlands, and on YouTube, where he hosts his educational series StudioTime, which has been watched millions of times.
Tom is able to draw on his extensive knowledge of classical forms and structures while keeping one finger planted firmly on the pulse of popular music. When his eclectic background is paired with his skill as a multi-instrumentalist (he plays keyboards, guitar, drums, violin, and bass) and a mastery of studio technology, a portrait emerges of an artist for whom anything is possible. Outside of his own artistry Tom's desire to marry technology and classical composition to initiate change and evolution led him to partner with Orchestral Tools in 2019 to create Junkie XL Brass, his first sample library, making world-class sounds available to composers everywhere.- Composer
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Jóhann Jóhannsson was born on 19 September 1969 in Reykjavík, Iceland. He was a composer and writer, known for Last and First Men (2020), The Theory of Everything (2014) and Sicario (2015). He died on 9 February 2018 in Berlin, Germany.- Composer
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Composer and conductor Alexandre Desplat, Oscar winner and seven-time Academy Award nominated, for his prolific filmography and his collaborations with Stephen Frears, Terrence Malick, Ang Lee, Kathryn Bigelow, Jacques Audiard, Wes Anderson, Roman Polanski, George Clooney or Matteo Garrone is one of the most worthy heirs of the French masters of film music.
Brought up in a cultural and musical mix thanks to his Greek mother and his French father who studied and got married in California, he grew up listening to French symphonists, Ravel or Debussy , world music and jazz.
He studied piano and trumpet before choosing the flute as the main instrument. As a free auditor in Claude Ballif's analysis class at the CNSM, he enriches his classical musical education by studying Brazilian and African music. He will record later with Carlinhos Brown or Ray Lema.
Passionate about film music, it's as much his musical sensitivity as his intimate approach to cinematographic language that will allow his privileged relationship with filmmakers. Inspired by the scores of Maurice Jarre, Bernard Herrmann, Nino Rota or Georges Delerue, it is after hearing the score of John Williams for Star Wars: Episode IV - A New Hope (1977) that he decides to compose exclusively for the big screen.
During the recording of his first feature film he meets violinist Dominique Lemonnier. This is the beginning of an exceptional artistic exchange as she becomes her favorite soloist, artistic director and wife. With his strong sense of interpretation, his creative spirit and his singular violin playing, Solré inspired Alexandre's compositions, influencing his music in depth, initiating a new way of writing for the strings in the cinema.
Collaborator of Jacques Audiard since his first film, he creates for his works strong and singular compositions and he won in 2005 for The Beat That My Heart Skipped (2005) the Silver Bear of the Berlinale, and his first Caesar. He works in France with Philippe de Broca and Francis Girod but Girl with a Pearl Earring (2003) of Peter Webber, his 50th score for the film, he gets a first Golden Globe nomination and BAFTA and began his rise in Hollywood. Leading American career and European collaborations and remaining faithful to his directors, he composes among others Syriana (2005)'s scores of Stephen Gaghan, Birth (2004) of Jonathan Glazer, Coco Before Chanel (2009) by Anne Fontaine, Army of Crime (2009) by Robert Guédiguian, The Heir Apparent: Largo Winch (2008) by Jérôme Salle, Intimate Enemies (2007) or Hostage (2005) by Florent-Emilio Siri.
Prizes and collaborations with the greatest directors follow one another. In 2007, he received his first Oscar nomination for Stephen Frears's The Queen (2006) and won his first European Film Award. The same year, he won the Golden Globe, the Los Angeles Film Critics Association Award, and the World Soundtrack Award for John Curran's score The Painted Veil (2006), performed by pianist Láng Lang. He composed in 2008 for Lust, Caution (2007) by Ang Lee and The Curious Case of Benjamin Button (2008) by David Fincher which will earn him a second Oscar nomination and a fourth Golden Globes and BAFTA nomination.
With his score for The Ghost Writer (2010) by Roman Polanski, he won in 2010 a second César and a second European Film Award. The same year he wrote the music of The Twilight Saga: New Moon (2009) by Chris Weitz, whose album was a platinum record, and Tom Hooper's The King's Speech (2010) for which he won the BAFTA, the Grammy Award, and was nominated for the fourth time at the Oscars and for the fifth time at the Golden Globes.
In 2010-2011 he wrote the music of Harry Potter and the Deathly Hallows: Part 1 (2010) and Harry Potter and the Deathly Hallows: Part 2 (2011) which became the third greatest success of all time. He composed in 2011 nine partitions, The Tree of Life (2011) of Terrence Malick, Carnage (2011) by Roman Polanski, Fantastic Mr. Fox (2009) by George Clooney , which earned him another Oscar nomination, The Well-Digger's Daughter (2011) by Daniel Auteuil and The Ides of March (2011) by George Clooney.
In 2012 he worked with Kathryn Bigelow for Zero Dark Thirty (2012), Matteo Garrone for Reality (2012), Gilles Bourdos for Renoir (2012), Jérôme Salle for Zulu (2013), George Clooney for Moonrise Kingdom (2012) and Jacques Audiard for Rust and Bone (2012) for which he won a third Cesar. For his score of Argo (2012) of Ben Affleck, Oscar for Best Picture, it is named for the sixth time BAFTA, and for the fifth time at the Golden Globes and the Oscars.
He signed in 2013 the partition The Monuments Men (2014) from George Clooney, Venus in Fur (2013) of Roman Polanski, and was appointed to the BAFTAs and the Oscars for Philomena (2013) of Stephen Frears.
In 2014 he composed the music Godzilla (2014) of Gareth Edwards, and receives exceptional fact, two Oscar nominations for The Imitation Game (2014) of Morten Tyldum and The Grand Budapest Hotel (2014) by George Clooney, for which he won a BAFTA, Grammy and Oscar.
Member of the jury of the Cannes Film Festival in 2012, he became in 2014 the first composer President of the jury of the Venice Film Festival. Crowning long years of collaboration, he directed the London Symphony Orchestra in December 2014 for a concert of his works at the Barbican Theater in London.
In 2018, Alexandre Desplat received a second Oscar, a Golden Globe and a BAFTA for The Shape of Water (2017) of Guillermo del Toro.- Composer
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John Powell was born on 18 September 1963 in London, England, UK. He is a composer, known for How to Train Your Dragon 2 (2014), Happy Feet (2006) and Solo: A Star Wars Story (2018). He was previously married to Melinda Lerner.- Music Department
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Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.- Composer
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Christopher Drake's music empowers a diverse array of projects, transcending medium and genre. Drake has shown mastery composing across different formats with film, television and video games. Drake has collaborated many times with beloved cult filmmaker Kevin Smith, including music for Smith's genre-bending horror-comedy Tusk (2014), which premiered at TIFF, featuring Tusk (2014). He has recently scored WB Games/Netherrealm's best selling Injustice 2 (2017), the highly anticipated sequel to the epic video game blockbuster, Injustice: Gods Among Us (2013). Drake's best-selling video game credits also include Batman: Arkham Origins (2013).
Drake's big break came when his music was discovered by Oscar award winning filmmaker Guillermo del Toro. Working with del Toro, Christopher scored the animated films Hellboy Animated: Sword of Storms (2006) and Hellboy Animated: Blood and Iron (2007), featuring the voices of Ron Perlman and Selma Blair, as well as the video game Hellboy: The Science of Evil (2008) and the Director's Cut re-release of del Toro's short film, Geometria (1987).
Drake is a powerhouse in both the animation world as well as the video game world. Warner Bros. Animation entrusts Drake to bolster the action of some of their most successful superhero franchises. For the hugely successful DC Universe Animated Original Movies series produced by DC Animation legend Bruce Timm, some of Drake's most recognized work can be heard in adaptations of Frank Miller's seminal graphic novels Batman: The Dark Knight Returns, Part 1 (2012), Batman: The Dark Knight Returns, Part 2 (2013) and Batman: Year One (2011). He also scored Batman: Gotham Knight (2008), Wonder Woman (2009), Superman/Batman: Public Enemies (2009), Green Lantern: Emerald Knights (2011), Justice League: Doom (2012) and many more.
Drake resides in Los Angeles.- Composer
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Nick Arundel is known for Batman: Arkham Knight (2015), Batman: Arkham Asylum (2009) and Batman: Arkham City (2011).- Music Department
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James Newton Howard attended the University of Southern California's music school, but dropped out to tour with Elton John, and eventually compose music for film and television. He started with Head Office (1985) in 1985. He has been nominated for eight Academy Awards. He currently is a songwriter, record producer, conductor, keyboardist, and film composer.- Composer
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In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.- Composer
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Ramin Djawadi is an Iranian-German film score composer known for composing the hit HBO series Game of Thrones and the Marvel films Blade: Trinity, Iron Man and Eternals. He also composed Clash of the Titans, A Wrinkle in Time, Pacific Rim, Westworld, Gears of War 4 and 5, Medal of Honor, Open Season 1 and 2, Jack Ryan and Warcraft. He won two Emmy Awards for Game of Thrones.- Composer
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Clinton Darryl Mansell is an English singer, musician and film composer known for his collaborations with Darren Aronofsky. He composed Pi, Requiem for a Dream, The Fountain, Black Swan, The Wrestler, Noah, Ghost in the Shell, Peacemaker, Doom Patrol, Loving Vincent, Mass Effect 3, Titans, World Traveler, Smokin' Aces, Doom, The Hole, and Definitely, Maybe.- Composer
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Steve Jablonsky is an American film composer who is known for his collaborations with film directors Michael Bay and Peter Berg. He composed five Transformers films, Teenage Mutant Ninja Turtles: Out of the Shadows, The Texas Chainsaw Massacre, Friday the 13th, A Nightmare on Elm Street, Lone Survivor, Deep Horizon, The Island and The Amityville Horror.- Composer
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Patrick Doyle is a classically trained composer.
His first film score, the acclaimed adaptation of "Henry V" with Kenneth Branagh for Renaissance films was scored in 1989. He has subsequently worked with Kenneth Branagh, a long time collaborator on numerous pictures including "Dead Again", "Much Ado About Nothing", "Frankenstein" and "Hamlet".
Patrick has composed over 45 internationally renowned feature film scores including "Indochine", "Sense and Sensibility", "Carlito's Way", "Gosford Park", "A Little Princess", "Bridget Jones's Diary", "Nanny McPhee" and "Harry Potter and the Goblet of Fire".
He has collaborated with a host of internationally acclaimed film directors including Robert Altman, Ang Lee, Brian de Palma, Alfonso Cuaron, Mike Newell, Regis Wagnier and Kenneth Branagh.
His concert works include "The Thistle and The Rose", a commission by HRH The Prince of Wales for full choir in honour of the Queen Mother's 90th birthday, "Tam O' Shanter" for the National Schools Orchestra Trust and the violin concerto "Corarsik".
He has recently completed the score for the Marvel Entertainment feature film "Thor," directed by Kenneth Branagh, "La Ligne Droite" for Regis Wagnier and the Twentieth Century Fox film "Caesar Rise of the Apes". He is currently scoring the upcoming Pixar film "Brave" directed by Mark Andrews and after which will score the Sovereign Films film "Effie" directed by Richard Laxton.- Composer
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Michael Giacchino is an American composer of music for films, television and video games.
Giacchino composed the scores to the television series Lost, Alias and Fringe, the video game series Medal of Honor and Call of Duty and many films such as The Incredibles (2004), Star Trek (2009), Up (2009), Dawn of the Planet of the Apes (2014), Jurassic World (2015), Inside Out (2015), Spider-Man: Homecoming (2017), War for the Planet of the Apes (2017) and Coco (2017).
For his work on Up he earned an Academy Award for Best Original Score.- Music Department
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As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Composer
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Bear McCreary is a degreed graduate of the prestigious USC Thornton School of Music (in 'Composition and Recording Arts'). Bear McCreary was one of a small and select group of proteges of the late, many-honored film composer Elmer Bernstein. Although he is now firmly in the mainstream of film composition, many of McCreary's earliest soundtrack-music compositions were for independent motion picture productions.- Composer
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Angelo Badalamenti was born on 22 March 1937 in Brooklyn, New York City, New York, USA. He was a composer and actor, known for Mulholland Drive (2001), Twin Peaks: Fire Walk with Me (1992) and Lost Highway (1997). He was married to Lonny Irgens. He died on 11 December 2022 in Lincoln Park, New Jersey, USA.- Composer
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Cliff Martinez was born on 5 February 1954 in The Bronx, New York, USA. He is a composer and actor, known for Only God Forgives (2013), The Neon Demon (2016) and Drive (2011).- Composer
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It's anything but typical for the realms of film or music... Tyler Bates regularly transitions from scoring some of the world's biggest film and television franchises, such as Guardians of the Galaxy and John Wick, to rocking massive audiences with Marilyn Manson and back to the studio again writing and producing. The musical voice of this highly sought-after composer, guitarist, songwriter, and record producer can be heard in every corner of pop culture-from video games to the Disney California Adventure attraction, Guardians of the Galaxy - Mission Breakout! In 2004, he made waves by creating the menacing audio backdrop for the popular Zack Snyder Dawn of the Dead reboot followed by his soundtrack for the filmmaker's 300, which remains one of the 21st century's biggest-selling score albums. His oeuvre expanded to include Watchmen and Sucker Punch both helmed by Snyder, several collaborations with Rob Zombie-including The Devil's Rejects, Halloween, and Halloween II-and Killer Joe directed by Academy Award® winner William Friedkin. Beyond composing for Guardians of the Galaxy Vol. 1 & Vol2., he produced a fan favorite "disco version" of his "Guardians of the Galaxy" main theme, titled "Guardians Inferno," co-written with director and long-time collaborator, James Gunn [feat. David Hasselhoff] and performed the second installment's score at the 2017 MOSMA Festival in Spain. John Wick: Chapter 2 represents the nexus of his work as a composer, performer, and songwriter. He penned the closing credits tune "A Job To Do" alongside legendary Alice In Chains guitarist and vocalist Jerry Cantrell and performed on-screen during the climactic "Rock Opera" sequence. Elsewhere, his sonic presence reverberates throughout Showtime's Californication, Audience Network's Kingdom, WGN America's Salem, and more as well as video games such as Killzone: Shadow Fall, God of War: Ascension, Army of Two 40th Day, and China's massive Crossfire. He also wrote the theme for his favorite NFL team the Tennessee Titans, and performed the "Star-Spangled Banner" solo in the rain during a 2015 game. Bates co-wrote and produced Manson's 2015 epic, The Pale Emperor. A runaway success, it crashed the Top 10 of the Billboard Top 200 at #6 and earned widespread critical acclaim with Rolling Stone hailing it as the "#1 Metal Album of 2015." As the band's lead guitarist, he dedicated over a year to touring in support of the album on the headline Hell Not Hallelujah Tour, an arena run with Slipknot, and various festivals worldwide. In 2017, he once again joined forces in the studio with Manson on the follow-up Heaven Upside Down and returns to the road for a string of high-profile touring. In 2017, he scored the blockbuster Atomic Blonde, starring Academy Award® winner Charlize Theron in addition to producing Health's cover of "Blue Monday" and re-invigorating Ministry's "Stigmata" with Manson, for two of the film's key sequences. Bates' voice also permeates NETFLIX's upcoming The Punisher. With several exciting projects slated for 2018 including Deadpool 2, The Spy Who Dumped Me & the return of The Punisher for season 2. Tyler Bates will undoubtedly continue to redefine what a composer is.- Composer
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Craig Armstrong, born in Glasgow, 1959. Studied composition and piano at the Royal Academy of Music, London from 1977 to 1981.
From his base in Glasgow he has written for film, classical commissions and solo recordings. He has composed for Baz Lurhmann's Romeo and Juliet and Moulin Rouge!, The Quiet American, Ray, Orphans, Oliver Stone's World Trade Centre, and Elizabeth:The Golden Age. Most recently Armstrong collaborated for the third time with Baz Luhrmann on his new film, The Great Gatsby, for which Armstrong was Grammy nominated for his original score.
For his film scores Armstrong has been awarded two BAFTA's, two Ivor Novellos, a Golden Globe, an American Film Institute Award, a Grammy and in 2007 an outstanding International Achievement award from Scottish BAFTA.
Armstrong has released two solo records to Massive Attack's label Melankolic and Piano Works on Sanctuary in 2004. Memory Takes My Hand was released on EMI Classics in 2008 featuring the violinist Clio Gould and the BBC Symphony Orchestra.
Armstrong has composed concert works for the RSNO, London Sinfonietta, Hebrides Ensemble and the Scottish Ensemble. Armstrong's second Scottish Opera commission, 'The Lady From The Sea', premiered at the Edinburgh International Festival in 2012 winning the Herald Angel Award.
Craig is visiting professor at the Royal Academy of Music, London and was awarded an O.B.E for services to the music industry.- Composer
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Christophe Beck was born in 1968 in Montreal, Quebec, Canada. He is a composer and actor, known for Frozen (2013), Ant-Man (2015) and The Muppets (2011).- Music Department
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With a vision and vocal style that is as unique as it is precise and all-embracing, Lisa Gerrard has established herself as one of the world's most highly acclaimed film composers, winning a Golden Globe for her work on the score for 'Gladiator' with Hans Zimmer.
Lisa also received an Oscar nomination for 'Gladiator' along with two further Golden Globe Award nominations for her scores to 'Ali' and 'The Insider'. Lisa's film work also includes 'Whale Rider', a feature which received an Academy Award nomination and garnered Lisa an international award for the score.
Her musical journey began in the early 1980s when she and fellow Australian Brendan Perry formed duo 'Dead Can Dance'. In 2012 the band reunited for a sell-out world tour. With nine albums released between 1984 and 1995, the duo's musical canvas expanded with each release to take in a timeless mix of world-music influences, medieval chants, folk ballads, baroque stylings, Celtic flavours, electronics, samples and anything else that took their fancy. Several solo and collaborative albums were well received and Lisa made a natural progression to composing for films.
In 2009 Lisa scored the highly acclaimed feature 'Balibo' for which she won the 2009 Screen Music Award for Best Feature Film Score, an Aria Award and 3 further nominations. In 2010 Lisa finished her score for 'Oranges and Sunshine' and the controversial film 'Tears of Gaza'. In 2011 she completed the score for 'Burning Man' which won her Best Music Score at the 2011 Film Critics Circle of Australia Awards.
In 2013 Lisa performed the principal vocal role in leading European film composer Zbigniew Preisner's poignant concert piece 'Diaries of Hope', inspired by diaries and poems of Polish children who were victims of the Holocaust. This was premiered both in Wroclaw, Poland and at the Barbican in London. Lisa's vocal performances continue to be heard across the world, with a number planned for 2018, including a performance of 'Gladiator Live' at The Royal Albert Hall in London.
In 2016 Lisa collaborated with James Orr on the score for Paul Currie's thriller '2:22'. She also collaborated with Marcello De Francisci on the score for the feature 'Jane Got a Gun' directed by Gavin O'Connor and starring Natalie Portman and Ewan McGregor. Most recently she completed the score with James Orr to 'West of Sunshine', which premiered at the Venice International Film Festival.
Most recently, Lisa collaborated with The Mystery of the Bulgaria Voices on their up-coming album, due for release by Prophecy Records on 25th May 2018. The first single from the album 'Pora Sotunda' was released in November 2017 and Lisa plans to perform with the choir throughout Europe during 2018.- Composer
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Born in Baltimore, Maryland, Glass worked in his father's radio store and discovered music listening to the offbeat Western classical records customers didn't seem to want. He studied the violin and flute, and obtained early admission to the University of Chicago. After graduating in mathematics and philosophy, he went to New York's Juilliard school, drove a cab, and studied composition with Darius Milhaud and others.
At 23, he moved to Paris to study under the legendary Nadia Boulanger, who taught almost all of the major Western classical composers of the 20th century. While there, he discovered Indian classical music while transcribing the works of Ravi Shankar into Western musical notation for a French filmmaker. A creative turning point, Glass researched non-Western music in India and parts of Africa, and applied the techniques to his own composition.
Back in the United States, Glass spent the late 1960s and early 1970s driving a taxi cab in New York and creating a major collection of new music. In 1976, his landmark opera "Einstein on the Beach" was staged by Robert Wilson to a baffling variety of reviews. His compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, dance, and song.
His work in film, beginning with Koyaanisqatsi (1982), gave filmmakers such as Godfrey Reggio and Errol Morris a new venue of expression through the documentary form. His many recordings have also widened his audience. He was commissioned by the Metropolitan Opera to compose "The Voyage" for the Columbus quinquacentennial in 1992. In 1996, he composed original music for the Atlanta Olympic Games, which, perhaps, made Glass almost mainstream. Glass remains one of the most important American composers. His music is distinctive, haunting, and evocative. Either performed by itself or in collaboration with other media, his compositions move the listener to unexplored places. More recently, a major reexamination of Glass's oeuvre has led him to be labeled the Last Romantic by the musical press.- Composer
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Throughout his legendary career, composer John Debney has seen himself in equal demand for holiday classics such as Hocus Pocus and Elf, tentpoles like Iron Man 2, The Jungle Book, and The Greatest Showman, and the powerful epic The Passion of the Christ, for which he received an Academy Award nomination for Best Original Score. Debney's key to success is his immense versatility, composing for comedies (Bruce Almighty, Liar, Liar), action (Predators, The Scorpion King), horror (End of Days, Dream House), romance (Marry Me, Valentine's Day), and family films (Clifford the Big Red Dog, Dora and the Lost City of Gold) with the same confidence and panache. Debney is also known for his work in such films as Princess Diaries 1 & 2, Sin City, Spy Kids, The SpongeBob Movie: Sponge Out of Water, No Strings Attached, The Emperor's New Groove, Chicken Little, I Know What You Did Last Summer, Ice Age: Collision Course, Isn't It Romantic, Come Away, Jingle Jangle: A Christmas Journey, Home Sweet Home Alone, and The Beach Bum.
His more recent projects include Robert Rodriguez's Spy Kids: Armageddon for Netflix, Paramount Pictures' Tom Brady-produced 80 for Brady, Apple+ and Skydance Animation's Luck, Universal's Jennifer Lopez starrer Marry Me, and Disney+'s Hocus Pocus 2.
Upcoming projects include Kevin Costner's 2-part western epic Horizon: An American Saga for New Line Cinemas, Columbia Pictures' animation Garfield starring Chris Pratt, Paramount Pictures' Under the Boardwalk, Netflix's In Your Dreams, and Amazon Prime's Space Cadet.
Born in Glendale, California, Debney studied music composition at the California Institute of the Arts, and afterward began his career orchestrating and composing scores for Walt Disney Studios and various television series. He won his first Emmy Award in 1990 for the main theme for western series The Young Riders, and has since won three additional Emmy Awards and received nominations for a total of seven, with his latest being Disney+'s smash hit Hocus Pocus 2 in 2023. Debney has also worked with industry titan Seth MacFarlane on numerous episodes of his sci-fi space series The Orville, utilizing nearly 100-piece orchestras to record his bombastic adventure scores. His first foray into video game scoring, Sony's 2007 medieval adventure Lair, resulted in a BAFTA nomination and a Best Videogame Score award from The International Film Music Critics Association.
Debney has collaborated with acclaimed directors as diverse as Jon Favreau, Kevin Costner, Robert Rodriguez, David E. Talbert, Harmony Korine, Kat Coiro, Brenda Chapman, Mel Gibson, Peggy Holmes, the late Garry Marshall, Adam Shankman, Kenny Ortega, and the late Ivan Reitman. In 2005, he was the youngest recipient of ASCAP's Henry Mancini Career Achievement Award.- Composer
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Brian Wayne Transeau (born October 4, 1971), better known by his stage name BT, is an American music producer, composer, technologist, audio technician, multi-instrumentalist, singer, and songwriter. An artist in the electronica music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." He also creates music within many other styles, such as classical, film composition and bass music.
BT is also known for pioneering the stutter edit. This production technique consists of taking a small fragment of sound and repeating it rhythmically] BT was entered into the Guinness Book of World Records for his song "Somnambulist (Simply Being Loved)", recognized as using the largest number of vocal edits in a song (6,178 edits). BT's work with stutter edit techniques led to the formation of software development company Sonik Architects, developer of the sound-processing software plug-ins Stutter Edit and BreakTweaker, and the live audio and visual remix app called Sonifi.
In 2010, BT was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines. He has produced, remixed, written for and collaborated with a variety of artists, including Paul van Dyk, Peter Gabriel, Tori Amos, Depeche Mode, NSYNC, Sting, Blake Lewis, The Roots, Guru, Madonna, Britney Spears and Tiësto, and composed original scores for films such as Go, The Fast and the Furious and Monster.
BT began scoring films in 1999 with Go. Since then he has scored over a dozen films, including The Fast and the Furious, Monster, Gone in 60 Seconds, Lara Croft: Tomb Raider and Catch and Release. His soundtrack for Stealth featured the song "She Can Do That", with lead vocals from David Bowie. BT produced the score for the 2001 film Zoolander, but had his name removed from the project. His tracks for the film were finished by composer David Arnold. BT also composed music for the Pixar animated short film Partysaurus Rex, released in 2012 alongside the 3D release of Finding Nemo.
He has scored the video games Die Hard Trilogy 2: Viva Las Vegas (2000), Wreckless: The Yakuza Missions (2002), FIFA Football 2002 (2002), and Tiger Woods PGA Tour 2005 (2004). He made the official second-long alert tone for the Circa News app.[1] In 2013, he scored Betrayal, a 13-episode drama on ABC. His work has been featured in more than 50 film and video game soundtracks.- Composer
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Lorne Balfe was born on 23 February 1976 in Inverness, Scotland, UK. He is a composer, known for The Lego Batman Movie (2017), Sherlock Holmes: A Game of Shadows (2011) and The Dark Knight (2008).- Composer
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Frans Bak was born on 7 February 1958 in Copenhagen, Denmark. He is a composer and actor, known for Men & Chicken (2015), Doctor Foster: A Woman Scorned (2015) and Final Hour (1995).- Composer
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Rolfe Kent was born in 1963 in St. Albans, Hertfordshire, England, UK. He is a composer and producer, known for Up in the Air (2009), Downsizing (2017) and Sideways (2004).- Composer
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Mychael Danna is an Oscar and and Emmy Award-winning film composer recognized for his evocative blending of non-western traditions with orchestral and electronic music. His highly awarded works include the Oscar-winning score for Ang Lee's Life of Pi (2012), and his many Genie Award-winning scores for director and longtime collaborator, Atom Egoyan.
His passion for presenting complex ideas in a musically accessible way began as Danna learned his craft at the University of Toronto. There, he was exposed to early- and world-music that later influenced his style. Danna earned the school's inaugural "Glenn Gould Composition Award" in 1985 and also began scoring for student theatre groups, as he launched his artistic partnership with Egoyan. Danna has scored all of Egoyan's films since 1987's Family Viewing (1987).
Danna's work on Egoyan's films, Ararat (2002), Felicia's Journey (1999), The Sweet Hereafter (1997) and Exotica (1994), secured him Genie awards from the Academy of Canadian Cinema & Television; as did his score for Deepa Mehta's Oscar-winning film, Water (2005).
Danna earned the 2013 Golden Globe and 2013 Oscar for scoring Ang Lee's Life of Pi (2012), following his collaborations with Lee on The Ice Storm (1997) and Ride with the Devil (1999).
Life of Pi (2012)'s rich soundscape reflects a deeply transnational story with inventive cross-cultural arrangements: Indian sitars play French melodies, European play South Asian motifs, a church choir sings in Sanskrit, and a variety of other musical combinations soar alongside a full studio orchestra.
The highly awarded work embodies Danna's approach to composition-creating rich soundscapes to be appreciated by a wide audience.
Other celebrated collaborations include those with Bennett Miller on his multiple Oscar-nominee Moneyball (2011) and his Oscar-winning drama, Capote (2005); with Terry Gilliam on his Oscar-nominated The Imaginarium of Doctor Parnassus (2009) and Tideland (2005); with Mira Nair on Vanity Fair (2004), Monsoon Wedding (2001) and Kama Sutra: A Tale of Love (1996); and with Billy Ray on Breach (2007) and Shattered Glass (2003).
Danna's credits also include the Oscar-winning Little Miss Sunshine (2006), for which he shared a Grammy Award nomination for Best Compilation Soundtrack Album; Marc Webb's acclaimed romantic comedy, 500 Days of Summer (2009); and James Mangold's Oscar-winning film, Girl, Interrupted (1999).- Composer
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Theodore Michael Shapiro is an American film composer from Washington D.C. who is known for composing various films such as Jennifer's Body, Old School, Safe Men, Idiocracy, Wet Hot American Summer, Zoolander 2, Year One, DodgeBall, Tropic Thunder, On the Ropes, 13 Going on 30, Girlfight, Captain Underpants and The Devil Wears Prada.- Composer
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Harry Gregson-Williams is one of Hollywood's most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. He most recently wrote the music for "The Last Duel" and "House of Gucci" both directed by Ridley Scott. In addition, he wrote the music for Disney's live action feature film "Mulan" which was directed by Niki Caro with whom he worked previously having scored her film "The Zookeeper's Wife." Gregson-Williams also co-wrote the original song "Loyal Brave True" for "Mulan" performed by Christina Aguilera. He and his brother, composer Rupert Gregson-Williams, wrote the original score for both seasons 1 & 2 of the HBO drama series "The Gilded Age". He also co-wrote the original score for the Netflix documentary "Return to Space" with his friend Mychael Danna, directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin for which he received an Emmy nomination.
Upcoming 2023 releases include "Meg 2: The Trench" starring Jason and directed by Ben Wheatley and Aardman's animated feature "Chicken Run: Dawn of the Nugget" directed by Sam Fell and the action thriller "Retribution" directed by Nimród Antal and starring Liam Neeson. Gregson-Williams was the composer on all four installments of the animated blockbuster "Shrek" franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning "Shrek." He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson's "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe." He has collaborated multiple times with a number of directors including Ben Affleck on "Live by Night," "The Town" and "Gone Baby Gone", Joel Schumacher on "Twelve," "The Number 23," "Veronica Guerin" and "Phone Booth", Tony Scott on "Unstoppable," "The Taking of Pelham 1 2 3," "Déjà Vu," "Domino," "Man on Fire," "Spy Game" and "Enemy of the State", Ridley Scott on "The Martian," "Prometheus," "Exodus: Gods and Kings," "Kingdom of Heaven," "The Last Duel" and "House of Gucci", Bille August on "Return to Sender" and "Smilla's Sense of Snow", Andrew Adamson on the "Shrek" series, "Mr. Pip" and the first two "Narnia" movies, and Antoine Fuqua on "The Replacement Killers," "The Equalizer," The Equalizer 2" and "Infinite". Some of his more recent film projects include Disney Nature's feature film "Polar Bear" which streamed exclusively on Disney+ in 2022, "The Ambush" directed by Pierre Morel, "Life in a Day 2020" directed Kevin Macdonald, "The Meg" directed by Jon Turteltaub, Aardman's "Early Man" directed by Nick Park for which he received an Annie Award nomination and Disney Nature's "Penguins." His television credits include "Whiskey Cavalier," the miniseries "Catch-22" co-composed with his brother Rupert Gregson-Williams and additionally he wrote the main title theme for "Electric Dreams" and earned an Emmy nomination for the episode entitled "The Commuter." Over the past two decades he has scored three of the five games in the highly successful "Metal Gear Solid" franchise for Konami as well as "Call of Duty: Advanced Warfare" for Activision, which became the top-selling video game of 2014 and earned him various music gaming awards. Throughout his illustrious and successful career, Gregson-Williams has also collaborated with a diverse array of recording artists such as Regina Spektor, Imogen Heap, Tricky, Peter Murphy, Flea, Hybrid, Paul Oakenfold, Sasha, Trevor Horn, Trevor Rabin, Lebo M., Perry Farrell and Tony Visconti.
Born in England to a musical family, Gregson-Williams earned a music scholarship to St. John's College, Cambridge, at the age of 7 and later gained a coveted spot at London's Guildhall School of Music & Drama, from which he recently received an honorary fellowship. He started his film career as assistant to composer Richard Harvey and later as orchestrator and arranger for Stanley Myers, and then went on to compose his first scores for director Nicolas Roeg. His subsequent collaboration and friendship with composer Hans Zimmer led to Gregson-Williams providing music for such films as "The Rock," "Armageddon" and "The Prince of Egypt" and helped launch his career in Hollywood.
In 2018, Gregson-Williams received the BMI Icon Award, in recognition of his unique and indelible influence on generations of music makers, as well as the Society of Composers & Lyricists' prestigious Ambassador Award.- Composer
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Paul Haslinger is an Austrian musician and composer. He lives and works in Los Angeles.
Paul began his career as a member of Electronic Music pioneers Tangerine Dream. He toured with the band extensively from 1985-90 and contributed to projects such as the album "Underwater Sunlight" (1986), as well as the films "Near Dark" (1987) and "Miracle Mile" (1988). In 1990, the band received a Grammy Nomination for their score to the Miramar Documentary 'Canyon Dreams'.
Paul moved to Los Angeles in 1991 to expand his creative scope. This led to a number of collaborations and began to shift his focus towards film scoring. It was his programming work for composer Graeme Revell that caught the attention of Hollywood executives which lead to his first solo credit, scoring HBO's Cheaters in 2000.
Paul's unique approach to scoring is based on his belief that, music in any genre, including film and television, should represent and be relevant to the time in which it was written. He received an Emmy nomination for his work on the Showtime Series 'Sleeper Cell' (2007)
Notable Projects Include: Fear The Walking Dead (2015 and 2016) Halt And Catch Fire (2014 - 2016) Rainbow Six Siege (2016) Underworld Awakening (2012) The Three Musketeers (2011) Rise Of The Lycans (2009) Takers (2009) Death Race (2008) Shoot Em Up (2007) Crank (2006) Sleeper Cell (2006) Underworld (2003) Blue Crush (2002) Minority Report (2002)
Notable Collaborations Include: Jon Hassell, Brian Williams (aka Lustmord), Christian Fennesz, Adam Jones, Snorri Bros, Nona Hendryx, Sussan Deihim, and Shenkar.
Upcoming Projects: Resident Evil: The Final Chapter- Composer
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Donald Davis is an American film composer and conductor who is known for composing the music of The Matrix trilogy, Enter the Matrix, The Animatrix, SeaQuest 2032, the Beauty and the Beast television series and Jurassic Park III. He did orchestration for films composed by James Horner, Randy Newman and Alan Silvestri.- Composer
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Carter Burwell was born on 18 November 1954 in New York City, New York, USA. He is a composer and actor, known for Three Billboards Outside Ebbing, Missouri (2017), Carol (2015) and The Banshees of Inisherin (2022). He has been married to Christine Sciulli since 1999.- Composer
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Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), World War Z (2013) and Knowing (2009).- Composer
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Thomas Wander was born and raised in Graz, Austria, where he studied music from an early age. In 1992, he moved to Los Angeles to study with such renowned film composers as Jerry Goldsmith and David Raksin at the University of Southern California.
Among his film credits are 'Independence Day: Resurgence' 'White House Down', 'Anonymous', '2012', '10,000 BC' and 'The Day After Tomorrow', directed by Roland Emmerich, 'The Thirteenth Floor' and 'Hostile Takeover', to name only a few. For television, he scored more than 40 episodes of the long-running hit series 'Buffy the Vampire Slayer'. He has also written music for a number of TV films, including 'Storm Tide', 'Dresden', 'Sins of the Father' and 'RFK'.- Composer
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Graeme Revell was born in New Zealand in 1955. He was graduated from The University of Auckland with degrees in economics and politics. He is a classically trained pianist and French horn player. Revell worked for as a regional planner in Australia and Indonesia and as an orderly in an Australian psychiatric hospital. Graeme Revell was a member of SPK, a 70s Industrial music group, for which he played keyboards and percussion. Their single "In Flagrante Delicto" was the basis for his Dead Calm score. This was his first score and won him an Australian Film Industry award. Since then he's done a number of major and minor film soundtracks including The Crow, The Crow: City Of Angels, The Craft, The Saint, and Chinese Box.- Composer
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From his days as one of the pioneering icons of electronic music to his current status as a world-renowned legendary film composer, Mark Isham continues to be one of the most prolific and provocative artists on the scene. His gift for creating unforgettable melodies and his love of fresh, innovative sonic palettes have earned Isham many awards including a Grammy, an Emmy, and a Clio, in addition to multiple Grammy, Academy Award and Golden Globe nominations for his material both as a composer and a recording artist. Most recently, Mark was honored by ASCAP with the Henry Mancini Award for Lifetime Achievement. Isham's musical signature is evident in his memorable scores for such notable films as Crash, awarded the Oscar for Best Picture in 2005 (Isham's score was named Best Soundtrack of 2005 by Cinescape.com), Bobby, nominated for a Golden Globe for Best Picture, and The Black Dahlia, with its critically lauded jazz noir soundtrack (awarded Best Score for a Drama Film 2007, and nominated for Best Score of the Year by the International Film Music Critics Association). Other highlights include Eight Below, The Cooler, A River Runs Through It, Blade, Nell, Men of Honor, and The Secret Life of Bees. His list of collaborators in film is a veritable who's who of the entertainment industry, Robert Redford, Tom Cruise, Brian De Palma, Chick Corea, Jodi Foster, Robert Altman, Sting, Wil.I.Am, Sydney Lumet, Mick Jagger and too many more to name. As a performing artist, Mark has added his unique sound, melodic, moody, sexy and cool, to a wide variety of genres. He has graced the albums of such diverse artists as Bruce Springsteen, Willie Nelson, Lyle Lovett, Ziggy Marley, Joni Mitchell, The Rolling Stones, Chris Isaak, and Van Morrison. His solo recordings span from electronica and classic jazz to hip-hop and ethnic world music, receiving worldwide critical acclaim including Grammy nominations for his albums Castalia and Tibet, and a win for his Virgin Records release, Mark Isham. No matter the genre, medium, or venue, Mark Isham displays a boundless ability to electrify the listener with his talent for crafting evocative new musical worlds.- Music Department
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Known for his wide-ranging talents, Mark Mancina's film scores traverse almost every genre: drama, action, comedy, suspense, and period epic. His dark, edgy music for the Oscar-winning Training Day (2001), is a benchmark score that expanded the boundaries of scoring street-wise drama, and is widely used as a temp track, while his breakout score for Speed (1994), another innovative work, influenced the sound of subsequent action movies. Mancina's orchestral originality on Return to Paradise (1998), reflecting the haunting gloom of its subject, and his score for the period epic Moll Flanders (1996), which appeared on Billboard's Classical Crossover Chart, further point to Mancina's considerable compositional range. Other films include Twister (1996), Bad Boys (1995), Con Air (1997), Domestic Disturbance (2001), Tarzan (1999), Brother Bear (2003), The Haunted Mansion (2003), and Sony's 3-D animated short, Early Bloomer (2003).
But Mancina's achievements as composer for some of the top-grossing films of recent years comprise only one aspect of his diverse career. Composer, producer, songwriter and three-time Grammy winner, he has also added Broadway to his list of accomplishments by writing, producing and arranging the score for Disney's Tony-winning stage production of The Lion King. The foundation for this expansion into theatre was set in the early 1990s when Oscar winning composer Hans Zimmer, recognizing Mancina's varied gifts, asked him to arrange and produce three Elton John songs for what would become the enormously successful original film version of The Lion King. Mancina's efforts on "Can You Feel the Love Tonight," "I Just Can't Wait To Be King," and "Hakuna Matata" were rewarded with a multi-platinum record that has sold over ten million copies worldwide, and earned him a Grammy for Best Musical Album for Children and two American Music Awards for Best Pop Album. On the heels of the success of The Lion King (1994), Mancina went on to write and produce additional songs for a Lion King follow-up album entitled Rhythm of the Pridelands featuring South African artist 'Lebo M'. One of Mancina's original songs, "He Lives In You," became a thematic centerpiece for The Lion King theatrical production which opened on Broadway in 1997, and has since been performed to great acclaim in numerous cities around the world. In his role as producer of music for the stage, Mancina collaborated with 'Lebo M', and director Julie Taymor to create the distinctive musical atmosphere of the Tony award winning show. Mancina received a Tony nomination, was awarded Britain's Ivor Novello Award for the London production, and earned his second Grammy for producing the Original Broadway Cast Album.
Born in Santa Monica, Mancina spent his childhood in Culver City, then Huntington Beach, California. Commencing his musical training at a very early age, he has performed all his life as a singer, guitarist and pianist. His film and television scores frequently feature Mancina's own performances on piano, guitar, bass, percussion, and drums, highlighting unique sounds harvested from a personal collection of traditional, exotic, and custom instruments from all over the world.
After studying composition and performance as a classical guitar major at Cal State Fullerton, he went on to perform on Trevor Rabin's solo tour, and later to write and produce for Yes. He also worked on several records with producer Trevor Horn, including the song "Crazy," performed by Grammy-winning artist Seal. In 1990, Mancina moved from Los Angeles to London for a year to work with Emerson, Lake and Palmer, producing and composing their "Black Moon" album for PolyGram. More recently, he has composed and arranged songs with Kenny Loggins. His extensive partnership with Phil Collins includes Disney's animated hit Tarzan (1999), for which Mancina composed the score and co-produced several Collins songs. The ballad "You'll Be In My Heart," which Mancina arranged and co-produced, won the Oscar for Best Song. They renewed their collaborative efforts for the recent Brother Bear for which Mancina co-produced songs and co-composed the dramatic score. In addition to his work in film, theatre and the recording industry, Mancina also writes score and themes for many television projects, which have included "The Outer Limits," "Poltergeist," "Millennium," "Lifepod," and HBO's "From the Earth to the Moon." Among his countless television commercial clients are Nike, Mountain Dew, Jaguar, Skittles, McDonald's, Verizon, Computer Associates, Goodyear, The U.S. Army, American Express and AT&T. Working from his studio in Pasadena, and his home studio, a mountaintop farmhouse/barn, he continues to expand his repertoire, and is currently developing songs for musicals and films.- Composer
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John Frizzell has composed music for Film and Television across a wide range of genres in his career. Recently his dark mysterious score for two seasons of Kevin Williamson's CBS All Access series Tell Me A Story, is a sharp contrast to his comedic score for FOX television's Duncanville starring Amy Poehler, and his co-composed score to Mike Judge Presents: Tales From the Tour Bus on which he collaborated with the legendary George Clinton. As a Producer and Composer, he recently completed work on Alex Winter's documentary Zappa which explores the complex life and music of Frank Zappa.
Over the years, he has created scores as varied as the dark and violent Alien Resurrection, the quirky off-beat music for the cult classics Office Space and Beavis and Butt-Head Do America, the epic sound of Gods and Generals, and the dark and disturbing score for the FOX series The Following. In addition, he has composed the gentle melodies of the intimate period drama The Prize Winner of Defiance, Ohio and created the plaintive jazz score behind James Franco's Golden Globe winning performance in James Dean. In recent years Frizzell, a mandolin and guitar player, has worked with BMI (Broadcast Music, Inc.) to promote and support Bluegrass Music on the west coast.
Born in New York City, Frizzell began his music career early, singing in the chorus of the Paris Opera Company and the Metropolitan Opera Company. As a teenager he played guitar in rock bands, and later became focused on jazz, a passion that led him to pursue a formal musical education at the University of Southern California Thornton School of Music as well as the Manhattan School of Music. It was during his college years that Frizzell met his mentor, guitar legend Joe Pass, and through Pass, Frizzell discovered his calling as a composer.
After college Frizzell worked for acclaimed producer/vibraphonist Michael Mainieri, who owned the first digital music workstation, a Synclavier. Frizzell became a master synthesist, a skill that led him to work with Academy Award winning composer Ryuichi Sakamoto, for whom Frizzell provided orchestrations to Oliver Stone's landmark mini-series Wild Palms. When he relocated to Los Angeles, Frizzell was introduced to James Newton Howard, who mentored him and composed the themes for Frizzell's first two feature films, The Rich Man's Wife and Dante's Peak.
Known to experiment with evolving music technology in his Film/TV scores, Frizzell has utilized experimental devices and software to create a fluid, collaborative and creative process, while still incorporating more traditional orchestral writing. Whether he is recording dry ice being rubbed on the inside of a piano or capturing the nuances of great violinists like Mark O'Conner or Sara Watkins, Frizzell strives to create a score intimately tied to picture and enhance the story.
A proponent for film music and film music issues, Frizzell has served on the Executive Board of the Academy of Motion Picture Arts and Sciences, lectured to graduate students at USC Thornton School of Music and the Sundance Film Music Lab. He has also served as the Honorary President of the International Film Music Conference in Ubeda, Spain.- Music Department
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In his 25 year career, David Newman has scored over 100 films, ranging from War of the Roses, Matilda, Bowfinger and Heathers, to the more recent The Spirit, Serenity, and Alvin and the Chipmonks: The Squeakuel. Newman's music has brought to life the critically acclaimed dramas Brokedown Palace and Hoffa; top-grossing comedies Norbit, Scooby-Doo, Galaxy Quest, The Nutty Professor, The Flinstones, Throw Mama From the Train; and award-winning animated films Ice Age, The Brave Little Toaster and Anastasia. The recipient of top honors from the music and motion picture industries, he holds an Academy Award nomination for his score to the animated feature, Anastasia, and was the first composer to have his piece, 1001 Nights, performed in the Los Angeles Philharmonic's FILMHARMONIC Series, conducted by Esa-Pekka Salonen.
Newman is also a highly sought-after conductor and appears with leading orchestras throughout the world, including the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Berlin Score Orchestra, National Orchestra of Belgium, New Japan Philharmonic, Utah Symphony, and the American Symphony. He has led subscription week with the Los Angeles Philharmonic at Walt Disney Concert Hall and regularly conducts the Hollywood Bowl.
Also an active composer for the concert hall, his works have been performed by the Los Angeles Philharmonic, Indianapolis Symphony, Long Beach Symphony, and at the Ravinia Festival, Spoleto Festival USA, and Chicago's Grant Park Music Festival.
Newman has spent considerable time unearthing and restoring film music classics for the concert hall, and headed the Sundance Institute's music preservation program in the late 1980s. During his tenure at Sundance he wrote an original score and conducted the Utah Symphony for the classic silent motion picture, Sunrise, which opened the Sundance Film Festival in 1989. As a tribute to his work in film music preservation, he was elected President of the Film Music Society in 2007, a nonprofit organization formed by entertainment industry professionals to preserve and restore motion picture and television music. Passionate about nurturing the next generation of musicians, Newman services as President of the Board of the American Youth Symphony, a forty-three year-old pre-professional orchestra based in Los Angeles, where he launched the three-year "Jerry Goldsmith Project." In 2007 he wrote the children't melodrama Yoko and the Tooth Fairy for Crossroads School in Santa Monica, CA, and in 2010 he served on the faculty of the Aspen Music Festival in the Film Scoring Program. When his schedule permits, he visit Los Angeles area high schools to speak about film scoring and mentor young composers.
The son of nine-time Oscar-winning composer, Alfred Newman, David Newman was born in Los Angeles in 1954. He trained in violin and piano from an early age and earned degrees in orchestral conducting and violin from the University of Southern California.- Composer
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Brian Theodore Tyler is an American composer, conductor, arranger and producer known for his film, television and video game scores. In his 24-year career, he has scored Transformers: Prime, Eagle Eye, The Expendables trilogy, Iron Man 3, Avengers: Age of Ultron with Danny Elfman, Now You See Me, and Crazy Rich Asians, among others. He also re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012). He composed the 2013-2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme (also used in Formula 2 and Formula 3). He scored seven installments of the Fast & Furious franchise, and the soundtrack for the Paramount TV series Yellowstone. For his work as a film composer, he won the Ifcma Awards 2014 Composer of the Year. His composition for the film Last Call earned him the first of three Emmy nominations, a gold record, and induction into the music branch of the Academy of Motion Picture Arts and Sciences. As of November 2017, his films have grossed $12 billion worldwide, putting him in the top 10 highest-grossing film composers of all time.- Music Department
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Henry Jackman has established himself as one of today's top composers by fusing his classical training with his experience as a successful record producer and creator of electronic music.
Jackman grew up in the southeast of England, where he began composing his first symphony at the age of six. He studied classical music at Oxford and sang in the St. Paul's Cathedral Choir-but simultaneously got involved in the underground rave scene and began producing popular electronica music and dance remixes, eventually working with artists such as Seal and The Art of Noise.
In 2006 he caught the attention of film composers Hans Zimmer and John Powell, and began writing additional music for Powell on Kung Fu Panda and then for Zimmer on The Dark Knight, The Da Vinci Code, and The Pirates of the Caribbean films, which rapidly led to scoring blockbuster films on his own. His first solo feature film then came to be 'Monsters v Aliens' directed by Rob Letterman.
"I've spent a lot of time working in the record industry," says Jackman, "and for my money being a film composer is way more fun. You can be working on X-Men, and then a movie set in 17th-century Italy. It's not about showing off what you think is cool or what you want to hear, but 'what is this movie about, and what would best serve it?' That process just leads to strange and remarkable places."
Jackman is known for his recent scores for Marvel Studios' 'The Falcon and the Winter Soldier', Showtime's 'The Comey Rule', The Russo Brothers' 'Cherry', as well as 'Jumanji: The Next Level', a continuation of the magical board game adventure story, and 'Detective Pikachu', following the story of the beloved Pikachu Pokémon character starring Ryan Reynolds. His other recent work includes 'Ralph Breaks the Internet', which was nominated for Best Animated Feature. His other diverse credits include Captain America: Civil War, Kong: Skull Island, Jack Reacher: Never Go Back, Big Hero 6, and Kingsman: The Golden Circle.- Music Department
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Johnny Jewel (born John Padgett) is an American record producer, composer, and visual artist. He is a multi-instrumentalist who is known for using all-analog equipment. He has been recording and releasing records since the mid-1990s.
Jewel owns and operates his own record label called Italians Do It Better. He is a member of multiple bands on the label, including Glass Candy (along with vocalist Ida No ), Chromatics (along with Ruth Radelet , Adam Miller and Nat Walker), Desire (with Megan Louise and Nat Walker), and Symmetry (with Nat Walker). Jewel also occasionally collaborates with artists Farah, Mirage, Twisted Wires and Appaloosa.
As a composer, Jewel is widely known for his contributions to the films Bronson (2008) and Drive (2011), as well as the A&E crime drama series Those Who Kill (2014). He also scored actor Ryan Gosling's 2015 directorial debut, Lost River (2014), and Fien Troch's 2016 film Home, for which he won the Georges Delerue Award. Along with Chromatics , his works has been featured in David Lynch 's series Twin Peaks (2017) , specifically his pieces "Windswept" and "Slow Dreams".
In December 2014, Jewel released the 31-minute, seven-movement song "The Other Side of Midnight".- Composer
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As a child in Cape Town, Trevor Jones lived opposite the Gem Cinema. The theater was so old and worn out that there was often a loss of the soundtrack, which caused him to realize its power. The fact that everyone in his family worked in film or the theater made it easy to get support in his career choice, but it was the cinema across the street that truly inspired him. At 17, Jones won a scholarship to the Royal Academy of Music, which his mother was fully behind. Not being from England, he could only stay four years, but he did not wish to return due to lack of industry and South African politics. In his third year, he won an award which brought him to the attention of the BBC, where he worked four years as a classical music reviewer, the time allowing him to become a naturalized British citizen. One day there he met Dr. Wilfrid Mellers, a professor at York Universiy, who helped him design a four-year course plan studying all types of music, from the ethnic to the avant garde, music concrete, and electronic. He then went to the British National Film School for an M.A. in film music, and he learned all aspects of filmmaking, directing, writing, and photographing many student films, and composing the music for most everybody at the university. His education in the field took twelve years.
His use of professional musicians allowed him to go straight into the industry. He initially scored shorts with Roger Christian, and was discovered by John Boorman after working on an Irish TV show. Boorman allowed him to write 55 minutes of music for Excalibur (1981) in addition to the classical pieces of Wagner and Orff that were used. Jim Henson called him for The Dark Crystal (1982) even before he had a script, and he would work on Henson projects, along with others, until Henson's death. Jones was nominated for a Golden Globe for his work on The Last of the Mohicans (1992). This success makes him frequently on call, particularly when he is in Los Angeles (where his wife and four children like to accompany him), but he wants to do small, low budget films as well as large, taking small salaries to work on film in which he is really interested. He cites Mark Herman and John Henderson among his favorite directors to work with. He has also worked well with Barbet Schroeder and Richard Loncraine. His attention to the film as an art form is indicative in his work ethic: only one at a time. He once talked himself out of work on a film he thought needed no music. They took his suggestion and won an award. The Last Days of Pompeii (1984) was a film in which he was brought in very late and did not meet the director or the dubbing mixer. "That was the first and only time on a film that I'd never met the director", Jones says. Jones tries to keep from becoming typecast, wanting to work on all types of films, and not do films of the same kind all together, when composers are among the most typecast artists in the industry. His style has worked well, as he has had more films in 1997 and 1998 than in any other single year.- Composer
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Ryan Amon is known for Elysium (2013).- Composer
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Michael Wandmacher was born on 29 October 1967 in Minneapolis, Minnesota, USA. He is a composer and actor, known for Underworld: Blood Wars (2016), Bloodborne (2015) and Voice from the Stone (2017). He has been married to Leslie since 2 December 2000.- Composer
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Cris Velasco is known for God of War (2005), Bloodborne (2015) and Warhammer 40,000: Space Marine (2011).- Composer
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Composer Christopher Young was born in Red Bank, New Jersey. After graduating from Hampshire College in Massachusetts with a Bachelor of Arts degree in music, Young went on to pursue his post-graduate studies at North Texas State University. After college Christopher moved to Los Angeles, California. He was originally a jazz drummer, but decided to become a film composer instead after listening to some of Bernard Herrmann's work. Moreover, Young not only has studied with noted composer David Raksin at UCLA Film School, but also teaches at the Thornton School of Music at the University of Southern California. Christopher was honored with the prestigious Richard Kirk Award at the 2008 BMI Film and TV Awards.- Composer
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In the late 1980s and early 1990s, Sardy was active as a singer, songwriter and guitarist (most notably with his group Barkmarket), but since the mid-1990s, he has been more active as a producer, writer and/or mixer. He has worked with an eclectic mix of rock, punk, alternative, electronic and industrial rock but mainly song driven performers; critics have called him a "hardcore" super-producer.
1990 saw some of Sardy's earliest recording credits: as a guitarist on Marc Ribot's "Rootless Cosmopolitans" (his name was misspelled "Sardi") and on Barkmarket's "Vegas Throat," the record that brought the group wider acclaim after a string of independent releases starting from 1987 with Barkmarket's "1-800 GOD-HOUSE" and "The Easy Listening Record." He also played guitar on Frank Black's 1993 solo debut.
Barkmarket was active from about 1987 to 1996 and toured widely. In addition to being the group's singer, songwriter and guitarist, Sardy also produced, recorded and mixed all their albums. This probably helped his nascent career as a producer: though often loud and aggressive, Barkmarket's albums are full of interesting sounds, textures and recording techniques.
Sardy recently scored the Columbia Pictures movie 21. He has also contributed music for the soundtracks to Flushed Away, Spiderman and Spiderman 2, Surf's Up, Goal, Big Daddy, South Park, Monster House, TMNT, Open Season and Private Parts.
In 2006, Sardy won 6 ARIA awards for his work with Jet; he also received 3 Grammy Awards (for OK GO, Wolfmother and Marilyn Manson) and Brit Awards for Oasis, Marilyn Manson and Wolfmother.- Composer
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The pioneering German collective Tangerine Dream has been delivering their distinctive style of ambient music for nearly three decades, laying down a foundation of sound textures and sonic imagery that has influenced many of today's electronic musicians. Founded in 1967 by fine art aficinado Edgar Froese the group released their first album, "Electronic Meditation" in 1970, and, through many different line-ups in proceeding years, delivered a unique brand of space-rock, making use of electronic instruments like synths and Mellotron, along traditional instruments like rock guitar and blues harmonica. Their work on William Friedkin's Sorcerer (1977) was the beginning of many film projects that the group would undertake throughout the 1980s, including Thief (1981) and The Keep (1983), both directed by Michael Mann, Legend (1985) by Ridley Scott, Near Dark (1987) by Kathryn Bigelow and the boxoffice hit Risky Business (1983) with Tom Cruise. Throughout the 1990s, the group has been as active as ever, releasing as many as five albums a year, including remastered versions of early material.- Composer
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Stewart Copeland was born on 16 July 1952 in Alexandria, Virginia, USA. He is a composer and actor, known for Rumble Fish (1983), South Park: Bigger, Longer & Uncut (1999) and Highlander II: The Quickening (1991). He has been married to Fiona Dent since 1993. They have three children. He was previously married to Sonja Kristina.- Composer
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Michael Andrews, also known as Elgin Park, is an American multi-instrumental musician, producer, and film score composer. He is best known for a cover version of the Tears for Fears song "Mad World", which he recorded with Gary Jules for the Donnie Darko soundtrack, and which became the 2003 UK Christmas number one. He is a founding member of the San Diego soul-jazz band The Greyboy Allstars, where he goes by the moniker Elgin Park.After joining The Greyboy Allstars following the dissolution of his band The Origin, Andrews fell into film score composition by chance in 1998 when The Greyboy Allstars were asked to score Jake Kasdan's first feature Zero Effect and worked on the music for the highly regarded (though short-lived) TV series, Freaks and Geeks. In 2000, Richard Kelly commissioned him to do the soundtrack for the film Donnie Darko. Its original score album went on to sell over 100,000 copies (in part because of Andrews's remake of Tears for Fears' "Mad World", featuring Gary Jules), and Andrews became a composer to watch. He has since gone on to compose scores for the movies Out Cold, Nothing, Cypher, Orange County, My Suicidal Sweetheart, Me and You and Everyone We Know, The TV Set, a segment of Paris, je t'aime, Unaccompanied Minors, Bridesmaids, Walk Hard: The Dewey Cox Story and Daddy's Home among others.- Composer
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Michael A. Levine was awarded eight ASCAP awards for his work on the Jerry Bruckheimer/CBS dramas Cold Case and Close to Home. He scored the hit series Siren on Freeform and wrote its memorable "Siren Song" as well as writing and producing legendary vocalist Roberta Flack's most recent recording, "Running", for the feature film 3100: Run and Become. He scored the Lego DC Supergirls film, Brain Drain, the not-yet-released George Lucas-produced Star Wars Detours animated Star Wars parody, and the award-winning documentary, Landfill Harmonic, for which he wrote its Oscar-shortlisted song, "Cateura - Vamos a Soñar." His theme song (Go Tell Aunt Rhody/Everybody's Dead) for Resident Evil VII Biohazard VR - the first VR game in the RE series - became a viral hit as did Lorde's version of "Everybody Wants to Rule the World" which he produced along with chart-topping records for Nat and Alex Wolff. Michael also composed the theme for Scrat, the sabertooth squirrel featured in the Ice Age shorts.
Levine provided additional music and violin on a number of Hans Zimmer scores, including Dunkirk, The Simpsons Movie, Batman: The Dark Knight, Megamind, and Rango. Michael's choir arrangement of "Spider Pig" was conducted by Hans Zimmer at the Hollywood Bowl in 2015. Levine's concert music includes "Anthem", performed by piano virtuoso Lang Lang in 2014 in Beijing. Double Crossings, an album featuring duets with percussionist great Evelyn Glennie on mallets and Michael on electric violin was released in May 2018. Glennie and Levine performed music from it live at the Wembley Auditorium in London in 2021. He also scored the music for The Big Apple Circus at Lincoln Center for both its 2021 and 2022 seasons.
Michael began his career in advertising where he composed the classic Kit Kat candy bar "Gimme a Break" jingle.
Levine was a Governor of the Television Academy (Emmys) Music peer group for two consecutive terms from 2013-2017. During his tenure, Michael created the enormously successful Score! and Words & Music concerts, spearheaded the admission of Music Supervisors to the Academy, led the effort to secure an Emmy award for them, and dramatically increased the diversity of both the Music Executive committee as well as the general music peer group membership.- Composer
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David Hirschfelder was born in Ballarat, Victoria, Australia. He is a composer, known for Shine (1996), Elizabeth (1998) and The Water Diviner (2014).- Music Department
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Composer Klaus Badelt started his musical career writing and producing music for dozens of highly successful movies and commercials in his native Germany. In 1998, Oscar-winning composer Hans Zimmer invited him to move his musical home to Media Ventures in Santa Monica, CA. Since then, Klaus has composed scores on his own film and television projects as well as collaborating with Zimmer and other composers.
Working with Zimmer, Badelt contributed music to the Oscar-nominated scores for Ridley Scott's Gladiator (2000), Terrence Malick's The Thin Red Line (1998) and Dreamworks' The Prince of Egypt (1998). Klaus collaborated with Zimmer on the music for Mission: Impossible II (2000) with producer Tom Cruise and director John Woo, Ridley Scott's Hannibal (2001) and Jerry Bruckheimer/Michael Bay's Pearl Harbor (2001). He also co-wrote the score to Sean Penn's The Pledge (2001) with Zimmer.
Klaus recently completed the scores for Werner Herzog's Invincible (2001) (Tim Roth). Dreamworks' The Time Machine (2002) (Guy Pearce and Jeremy Irons) and independent film Manfast (2003). Also in 2002, Badelt scored the independent feature Teknolust (2002) (Tilda Swinton and Jeremy Davies) followed by Miramax/Dimension Films' upcoming feature Equilibrium (2002) (Christian Bale, Sean Bean, Taye Diggs).
In summer of 2002, Badelt completed the music to Paramount's K-19: The Widowmaker (2002). The world-renowned Kirov Orchestra, under the baton of Valery Gergiev, was recorded in Washington, DC's Constitution Hall for the powerful score. Director Kathryn Bigelow's film tells the tale of nuclear calamity aboard a Russian sub, with Harrison Ford and Liam Neeson portraying two conflicted Russian naval captains under deadly circumstances.
Badelt recently finished the score for The Recruit (2003), directed by Roger Donaldson and starring Al Pacino, Colin Farrell, and Bridget Moynahan. It is scheduled for release in January 2003. In October 2002, Klaus is writing the score for Basic (2003), directed by John McTiernan and starring John Travolta and Samuel L. Jackson.- Composer
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Graduate of Woodridge High School in Peninsula, Ohio.
Attended Kent State University (1970-73) in Kent, Ohio, to focus on attaining an art degree. While at Kent State Mothersbaugh met Jerry Casale and Bob Lewis, who ultimately joined him in forming the 1970-80s avant-garde band Devo.
Awarded an honorary doctorate degree (2008) from Kent State in humane letters. Dr. Mothersbaugh has reciprocated KSU in diverse fashion as is his style-- gifting it with music & art, as well as time-- which is spent touting the Kent State experience through public promotions & media spots.- Composer
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Brian Reitzell was born in 1966. He is known for Lost in Translation (2003), Marie Antoinette (2006) and Red Riding Hood (2011).- Composer
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Alex Heffes is a Golden Globe, BAFTA and 3 x Ivor Novello nominated composer who has scored over 70 feature films and TV projects. He has worked with many of cinema's top filmmakers including Steven Frears, Kevin Macdonald, Catherine Hardwicke, Mira Nair, Michael Keaton & J J Abrams. His wide range of work includes scores to Macdonald's The Last King Of Scotland & State Of Play, Justin Chadwick's Mandela: Long Walk To Freedom, Mira Nair's Queen Of Katwe and Michael Keaton's Knox Goes Away. Notable TV projects include Black Mirror (Shut Up & Dance), the award-winning reboot of TV classic Roots, the Stephen King mini series 11.22.63 and the HBO limited series The Regime starring Kate Winslet and Hugh Grant. His solo albums include 'Face To Face' featuring collaborations with Regina Spektor and others, and the EP 'Crystalline' with Ryuichi Sakamoto. Alex was invited to become a member of the Academy Of Motion Pictures Arts and Sciences in 2016.- Music Department
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Thomas Newman is an American film score composer. He was born in Los Angeles. His father was notable film score composer Alfred Newman (1900-1970). The Newman family is of Russian-Jewish descent, and includes several other well-known musicians. Thomas' mother Martha Louis Montgomery (1920-2005) wanted her sons to have a musical education. Thomas attended regular lessons in violin as a child. An older Thomas received his musical education while attending the University of Southern California and Yale University. Thomas Newman graduated as Bachelor of Arts in 1977, and a Master of Music in 1978.
Thomas originally composed music for theatrical productions in Broadway, working with his mentor Stephen Sondheim. His uncle Lionel Newman asked him to compose music for the television series "The Paper Chase" (1978-1979, 1986), which was Thomas' first credit in a television production.
In the 1980s, Thomas first worked in film. Composer John Williams, a close family friend, hired Thomas to work in the music department for space opera film "Return of the Jedi" (1983). Thomas' main work in the film was orchestrating the music in a scene where character Darth Vader dies. Afterwards, Thomas was approached by film producer Scott Rudin and hired to work as a film score composer in his own right. His first work in the field was the film score of romantic drama "Reckless" (1984).
While he worked regularly as a film score composer during the 1980s, Thomas reportedly felt he had to retrain himself for a hard and demanding job. It reportedly took him 8 years to not feel fraudulent in his efforts. In 1994, Thomas received his first Academy Award nominations, for the film scores of "The Shawshank Redemption" (1994) and "Little Women" (1994). He lost the Award to rival composer Hans Zimmer, who had been nominated for the film score of the animated film "The Lion King" (1994).
Newman was an established and increasingly famous composer in the 1990s. He received further Academy Award nominations, although he never actually won. Among his more notable works was the film score of the drama film "American Beauty" (1999), which earned Thomas both a Grammy and a BAFTA award. Newman had a good working relationship with the film's director Sam Mendes. Mendes has kept hiring Thomas as the composer for most of his films. The main exception being the comedy-drama film "Away We Go" (2009), which did not have a film score.
In the 2000s, Thomas continued working in high-profile films, such as "Road to Perdition" (2002), "Finding Nemo" (2003), and "Lemony Snicket's A Series of Unfortunate Events". By 2006, he had been nominated eight times for an Academy Award, while never winning it. He started joking about his lack of victories in public.
In 2008, Thomas was nominated for two Academy Awards, for both the film score and an original song for the animated film "WALL-E" (2008). He won neither, though the hit song "Down to Earth" earned him a Grammy Award. He continues to work regularly in the 2010s. Among his more acclaimed works were the film scores for spy film "Skyfall" (2012) and period drama "Saving Mr. Banks" (2013). He has continued being nominated for Academy Awards. As of 2020, he has been nominated 15 times for the Academy Award. He is the most nominated living composer to have never actually won an Academy Award, tied with Alex North. He has won a total of 5 Grammy awards.- Composer
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Atli Örvarsson (b. 1970) is an acclaimed Icelandic film and TV composer, conductor, and musician. His body of work spans over 40 major studio film productions, countless TV shows, collaborations with a range of artists including RZA, Khalid, Talos, and orchestral conducting, and ambitious solo work.
Atli was born and raised in the town of Akureyri in North Iceland. He lived and worked in Los Angeles for many years, feeling a call to return to his homeland in 2016. The move brought him full circle, and heralded a renewed sense of creative freedom, and an exciting new chapter in his storied career.
Since his return, Atli has worked with the Sinfonia Nord orchestra to put Akureyri on the map as an international destination for recording film scores. He founded the thriving INNI label / studios to help bring talented Icelandic artists to a wider audience, and continued his creative evolution with the release of his expansive 2020 solo debut, 'You Are Here'.
Atli's journey in music began early. At age five, his musical aptitude was noticed by a relative who gave an open invitation for a music lesson, for which he showed up bright and early at 10am the next morning. In his teens, he played in a professional theatre ensemble, and earned several gold and platinum discs with the band Sálin hans Jóns míns.
Setting out to broaden his horizons, Atli undertook a degree at Boston's Berklee College of Music, and felt his calling as a film composer. He explored the synergies and subtleties of composing for the screen, going further during his Masters at the University of North Carolina. A move to Los Angeles was the natural next step. Atli quickly found good company, honing his craft alongside prolific TV composer Mike Post, and Hollywood legend Hans Zimmer.
Since then, Atli has become one of Iceland's foremost screen composers, winning the HARPA Nordic Film Composer Award for his acclaimed score to 'Rams', and several ASCAP and BMI Film and TV Music Awards. In 2009, he was nominated as the Breakthrough of the Year at the IFMCA Awards, and Discovery of the Year by the World Soundtrack Academy. In 2019, his score for 'Ploey: You Never Fly Alone' was nominated for a Public Choice Award.
The path ahead will be an exciting one. The view from the top of the world, just miles from the Arctic Circle, has given Atli a new sense of purpose. With the fertile creative ground he has cultivated, a steady flow of film and TV projects in the works, and the rich possibilities of the INNI organisation, the sky seems the limit.- Composer
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John McCarthy is a composer for film and television. His music is a hybrid of 'acoustical and electronic' elements and he has an extensive background in classical, jazz, rock and world music. John's first film Love and Human Remains (1993) was directed by\ Denys Arcand. John scored episodes of the David Shore series Battle Creek (2015), he also scored the hit CBS television series Due South (1994) for (Academy Award winner) Paul Haggis.. Other work include The Stone Angel (2007) starring Ellen Burstyn directed by Kari Skogland (in which he won the 2009 Genie Award [Canadian Academy Award] for best original score) and the NBC show My Own Worst Enemy (2008) staring Christian Slater.- Composer
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Max Richter was born on 22 March 1966 in Hamelin, Lower Saxony, West Germany. He is a composer and actor, known for Arrival (2016), The Leftovers (2014) and Ad Astra (2019).- Composer
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Stephen Barton was born on 17 September 1982 in Preston, England, UK. He is a composer, known for Star Trek: Picard (2020), Star Wars Jedi: Fallen Order (2019) and Apex Legends (2019).- Music Department
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Elliot Goldenthal is an Academy Award-winning composer best known for his original music scores for such films as Frida (2002) and Across the Universe (2007), among his other works.
He was born on May 2, 1954, in Brooklyn, New York. His father was a house-painter, and his mother was a seamstress. Young Goldenthal was fond of music and theatre, he played with his school rock band during the 1960s. In 1968, he staged his first ballet at John Dewey High School in Brooklyn, from which he graduated in 1971. He attended the Manhattan School of Music, studied under Aaron Copland and John Corigliano, and earned his MA in composition.
Among Goldenthal's most notable works are his original music scores for numerous films, such as Julie Taymor's Frida (2002), Clark Johnson's S.W.A.T. (2003), Joel Schumacher's Batman Forever (1995) and Batman & Robin (1997). Goldenthal also has been collaborating with director Neil Jordan on five films, among those are Michael Collins (1996), and Interview with the Vampire: The Vampire Chronicles (1994), for which he earned two Oscar nominations.
Since the early 1980s, Elliot Goldenthal has been working together with Julie Taymor. Their partnership in film and in life has been one of the most rewarding in film business; the couple made such acclaimed films as Titus (1999), Frida (2002) and Across the Universe (2007), among their other works, earning numerous awards and nominations for their highly innovative creativity.- Composer
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Mark Snow became a good friend with Michael Kamen while they were studying music at New York's Art and Music High School. After graduation, they became roommates at Juilliard (an elite music school). After studying at Juilliard, he became very fond of pop music. He, Michael Kamen and 3 others formed the New York Rock'n'Roll ensemble. The band was signed to Atlantic Records and Mark toured and recorded with them for 5 years. His interest then turned in writing film and television scores. He began to write and relocated to Los Angeles in 1974. Mark's musical composition career began in 1975 with the TV series, Starsky and Hutch (1975), and has taken off since then. However, he is best known for his work on The X-Files (1993) and Millennium (1996), he has made music for many other programs. He took piano lessons at age ten and, by the time he was twenty, he played both oboe and percussion.- Music Department
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Argentine musician and leader of the now defunct bands "Arco Iris" and "Soluna", Gustavo Santaolalla was one of the references of his country's national music by the end of the 1960s and beginning of the 1970s. During the 70s he relocated to the United States, where he formed the band Wet Picnic, with Aníbal Kerpel, Aaurie Buhne and Robert Brill, with which he developed an intense activity in the city of Los Angeles. In 1982 he returned to Argentina to record a solo work - with a new sound- very influenced by the American pop trends of the time, called "Santaolalla", in which participated Argentine bassist Alfredo Toth (GIT band) and keyboardist Alejandro Lerner. In the music production area, his work was emphasized in "De Ushuaia a La Quiaca" ("From Ushuaia to La Quiaca") -another Argentine mythical musician León Gieco's project- following his same national folk line. Back in Los Angeles, produced records for "Café Tacuba" and "Maldita vecindad" among others, returning once more to Argentina in the middle of the '90 with a second solo work, "GAS" (his name's initials). His works in group production from the USA have turned Santaolalla into a prominent figure in that area, what gave him, besides, the chance to participate in big musical projects for cinema movies with successful results ("Amores perros", "21 Grams", "Diarios de motocicleta" -"The Motorcycle Diaries"), crowned with the Oscar award in March, 2006, by the music of the controversial film "Brokeback Mountain" and in 2007 for his friend Alejandro González Iñárritu's "Babel". This makes him the third composer to win in the Best Original Score two years in a row.- Composer
- Music Department
- Soundtrack
Jeff Danna is an award-winning Canadian film composer. Born in Burlington, Ontario, to a musical family active in local theatre and church choir, Danna was a reluctant young piano student but found solace in an electric guitar left behind at his home by a friend. Unknowingly following in the path of three generations of Winnipeg mandolin players, progress came quickly. He began playing professionally at the age of 15 until a hand injury brought his performance career to a halt at 22. He has composed or co-composed scores for a wide range of films and television, including The Boondock Saints (1999), Resident Evil: Apocalypse (2004), Silent Hill (2006), The Imaginarium of Doctor Parnassus (2009), The Good Dinosaur (2015), Storks (2016), The Breadwinner (2017), The Addams Family (2019), Onward (2020), Guillermo del Toro's Tales of Arcadia (2020), Nora Twomey's My Father's Dragon (2022), Guillermo del Toro's Cabinet of Curiosities (2022), and Julia (2022). His older brother, composer Mychael Danna, is a frequent collaborator, and the two have received Emmy nominations for their work on Camelot (2011), Tyrant (2014-2016), and Alias Grace (2017). Additionally, Danna has been nominated for six Annie Awards, won five BMI Film & TV Awards, a Gemini Award, a Genie Award, three nominations and one Hollywood Music in Media Award, and 17 SOCAN Awards.- Composer
- Music Department
- Sound Department
Jeff Beal is one of the most prolific and respected composers working in Hollywood today. He grew up studying the trumpet in the San Francisco Bay area, where he was immersed in the sounds of the 70's jazz, classical, and the rock & pop music scene. His prodigious talent in composition lead to many works for both big band and orchestra during his high school years. In his teens, his compositions were performed by the Oakland Youth Symphony under maestro Kent Nagano, the Monterey Jazz Festival All Star big band, and others.
After high school, Jeff went to the Eastman School of Music to study composition with Pulitzer prize winner Christopher Rouse, Rayburn Wright and Bill Dobbins. During the Eastman years, he was awarded an unprecedented 11 student awards from Downbeat Magazine for his compositions and trumpet playing. It was at Eastman Jeff also studied film scoring, and met the producers of what would become his first film assignment, Cheap Shots (1988).
Before moving to Los Angeles, Beal lived in New York City and San Francisco, where he pursued a career as a jazz recording artist and composer. His debut recording "Liberation" for Island Records was considered an underground classic by the New York jazz community. Beal would continue to release a total of seven solo recordings, and frequented as a guest artist on other recordings.
In 1993, after his "Concerto for Jazz Bass" was recorded by John Patitucci on Chick Corea's new label, Beal decided to make the move to Los Angeles. His big break came when Ed Harris called on Jeff to score his directorial debut Pollock (2000). Beal's unique blend of Americana, minimalism, and chamber orchestra caught the ear of many in Hollywood. This led to his relationship with HBO, where he has provided scores for two of their most adventurous series, Rome (2005) and Carnivàle (2003), resulting in 3 Emmy nominations. In total Beal has received 15 prime time nominations and 4 Emmy Awards to date.
Frequently called on to score assignments that require a unique and diverse musical approach, Beal won an Emmy for Battleground (2006)- a one-hour no-dialog installment of "NIghtmares and Dreamscapes,"
Other notable scores include Appaloosa (2008) dir. Ed Harris, No Good Deed (2002) dir. Bob Rafelson, Little Red Wagon (2012) dir. David Anspaugh, Georgia O'Keeffe (2009) dir. Bob Balaban, the "Jesse Stone" films, dir. by Robert Harmon and the Golden Globe-winning series Ugly Betty (2006). He also scored Wilde Salomé (2011) for Al Pacino, Mr. Pacino's long-awaited follow-up to Looking for Richard (1996). Beal has also been a frequent collaborator of Academy Award winner Jessica Yu, on In the Realms of the Unreal (2004), Protagonist (2007), and her feature documentary for Participant Productions; Last Call at the Oasis (2011).
Jeff's 1st prime-time Emmy award came in 2001 for his season one theme song to Monk (2002). The instrumental theme was replaced in season two by the producers and became a cause célèbre among Monk fans and critics. This resulted in an online petition with thousands of signatures, and an episode by the show's writers "Mr. Monk and The TV Star" where a theme song change is protested by guest star Sarah Silverman.
Beal's scores are often driven by a strong sense of melody, and frequent use of chamber-size instrumentations. In a musical climate where bigger is better seems to be the pervading aesthetic, his scores are often intimate, dramatically specific and character-driven. He conducts and orchestrates his own scores, and often performs on them. He plays piano, trumpet, duduk, recorders, harmonica, percussion, rababa, oud, and french horn. Beal's wife Joan Beal is a trained opera singer and has sung on several of his scores, including Carnivàle (2003), The Situation (2006), and Wilde Salomé (2011).- Composer
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- Director
Trevor Morris is writer, composer and director for Film & Television. Canadian born and dual citizen of Great Britain, Trevor splits his time between his home and studios in Los Angeles and Toronto Canada. Trevor has contributed to 30 Feature Films and over 700 hours of 1-Hour dramatic Television. Trevor is a 5 time EMMY nominee and twice winner. He has collaborated with Ridley and Tony Scott, Antoine Fuqua, Gore Verbinski, and Jerry Bruckheimer amoung others.- Composer
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- Actor
Antonio Pinto was born in Rio de Janeiro, RJ, Brazil. He is known for Collateral (2004), City of God (2002) and Central Station (1998).- Composer
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- Actor
Jon Brion was born on 11 December 1963 in Glen Ridge, New Jersey, USA. He is a composer and actor, known for Eternal Sunshine of the Spotless Mind (2004), The Other Guys (2010) and Step Brothers (2008).- Soundtrack
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- Composer
- Music Department
- Soundtrack
John Murphy is a British film composer from Liverpool. He began composing music scores for films in the early 1990s, working on several successful British movies, enjoying particular success with the soundtracks to Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000).
Since 2000, Murphy has been based in Los Angeles. From here, he has worked with some of the industry's most respected and luminary filmmakers, including Danny Boyle, Stephen Frears and Michael Mann, and produced several prominent and diverse successes, including 28 Days Later, Miami Vice, Sunshine and 28 Weeks Later.- Composer
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- Additional Crew
Ilan Eshkeri is one of the most diverse and innovative composers in Britain today. His music transcends genres and mediums, with a focus on emotional narrative that deeply connects with his audience, leaving an indelible mark on the world of music.
Eshkeri is Known for films such as Layer Cake, Stardust, The Young Victoria, Still Alice and his innovative work with Actor/ Director Ralph Fiennes on Coriolanus and The White Crow. He has collaborated with pop and rock artists like Coldplay, KT Tunstall, Take That, Annie Lennox and David Gilmour.
He has worked with Sir David Attenborough, on several major documentaries that fueled his passion for addressing climate and environmental issues through music. This lead him to create Space Station Earth with NASA and ESA, a synth pop and orchestral live show with a film, which takes the audience on the emotional journey experienced by astronauts when leaving Earth.
Ilan Eshkeri's musical journey and legacy continue to unfurl, spending most his time disappearing into his studio at the bottom of his garden in North London. Eshkeri is both dyslexic and synaesthetic, colours, music and patterns merge in his mind allowing him to imagine unconventional ways of approaching music in order to unlock creativity. His distinct and innovative style, blended with a profound emotional connection to human stories, ensures his compositions retain relevance and potency, testifying to the incredible ability to stir audiences worldwide.- Music Department
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- Producer
John Ottman holds dual distinctions as a leading film composer and an award winning film editor. Ottman has often completed both monumental tasks on the same films. Such remarkable double duties have included The Usual Suspects, X-Men 2, Superman Returns, Valkyrie, and Jack the Giant Killer. He has also held producer roles on several of these films, as well as directing, editing and scoring Urban Legends 2.
From an early age in San Jose, California, Ottman began writing and recording radio plays on cassette tapes. He'd perform many characters with his voice (and some sound effects), and called upon his neighborhood friends as extra cast members.
By the fourth grade, Ottman was playing the clarinet and continued doing so throughout high school. But his real concentration turned from audio productions to making films. He turned his parents' garage into a movie studio, where multiple sets were interchangeable to accommodate productions - invariably some sort of science fiction film. By high school, his films evolved to hour-long productions complete with large sets and lavish scores edited together from his favorite soundtracks.
Having been a veteran of numerous short films, Ottman excelled at USC film school, receiving accolades for his direction of actors and for how masterfully he edited their performances. It was in this directing course that a graduate filmmaker asked Ottman to re-edit his thesis film. John modified the story from raw footage and also designed the film's extensive sound. The film ended up winning the student Academy Award. On that film, Ottman met a production assistant named Bryan Singer.
Singer, only aware of Ottman's editing (Ottman stayed awake into the wee hours learning midi gear and composing music), asked him to edit a short film starring Ethan Hawke - a childhood friend of Singer's. Ottman ended up co-directing the film (Lion's Den) as well as editing and doing the sound design.
Ottman edited Singer's first feature, Public Access. His effective sequences and editorial montages became the highlight of the picture. In the eleventh hour, the film lost its composer. Singer asked Ottman to write the score, after much prodding from the editor. Public Access received the Grand Jury Prize at the 1993 Sundance Film Festival, with the score and editing being lauded in reviews.
With The Usual Suspects and future Singer films, Ottman held to a promise that, despite his scoring dreams, he would commit to the months required to also serve as editor on Singer's films. The wary producers of The Usual Suspects gave the go-ahead for him to both edit the complicated picture and write the score, the demands of which no one had undergone. The film was edited in Ottman's living room on a Steinbeck flatbed and a splicer. The Usual Suspects and Ottman's work received widespread acclaim, earning Ottman the British Academy Awards for his editing, a Saturn Award for his score, and a nomination by the American Cinema Editors.
Since then, Ottman has scored numerous films with the intent of keeping thematic film scoring alive. Ottman also made a brief foray into television for which he received an Emmy nomination ("Fantasy Island.")- Composer
- Music Department
- Sound Department
Javier Navarrete was born in 1956 in Teruel, Aragón, Spain. He is a composer, known for Pan's Labyrinth (2006), Wrath of the Titans (2012) and Byzantium (2012).- Composer
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Fernando Velázquez (Getxo, 1976) is a composer of music for film, television and theatre, a creator of concerto music, a cellist and an orchestra conductor.
The soundtrack genre has allowed him to bring symphonic music to mass audiences and, above all, to explore very different expressive and narrative possibilities, from fantasy films to drama and comedy.
He has composed award-winning and memorable soundtracks for films including all those by J.A. Bayona, such as El orfanato (The Orphanage), The Impossible and Un monstruo viene a verme (A Monster Calls), the latter of which was awarded the Goya for Best Original Score in 2017. He also composed the music for some of the highest-grossing films in Spanish cinema's history, such as Ocho apellidos vascos (Spanish Affair), Los ojos de Julia (Julia's Eyes), El silencio de la ciudad blanca (The Silence of the White City), Contratiempo (The Invisible Guest) and series such as Patria, El inocente (The Innocent) and the upcoming Alma, among others. His Hollywood experience includes films such as Guillermo del Toro's The Scarlet Summit and M. Night Shyamalan's The Evil Trap. He was asked by Wim Wenders to score his 2017 film Submergence. He has also enjoyed a significant and award-winning career as a classical musician and composer. Among his more than 250 symphonic compositions, the record release of 'Viento' is a particular highlight. It is also worth mentioning Humanity at Music, a cantata translated into several languages which has become the international anthem of cooperativism. It is part of an inter-cooperative artistic project bringing together artistic disciplines such as music, storytelling, singing, illustration, theatre and dance. Also of note is Concierto para trombón y orquesta (Concerto for Trombone and Orchestra), recorded by Ximo Vicedo and Euskadiko Orkestra in 2020. As a conductor, he has led London's Philharmonia, the London Metropolitan, the Czech National Orchestra, the Budapest Radio Orchestra, and the symphony orchestras of RTVE, Bilbao, Euskadi, Extremadura, Galicia, Comunidad de Madrid, Navarra, Murcia, Principado de Asturias and Seville, among others. As an arranger, he has worked on orchestral arrangements of pieces by other composers, such as a version of the famous Cántico espiritual by Amancio Prada, based on the poems of San Juan de la Cruz, or his collaboration on Jorge Drexler's latest album, Tinta y tiempo, among many others.- Music Department
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- Actor
David Arnold was born on 23 January 1962 in Luton, England, UK. He is a composer and actor, known for Casino Royale (2006), Independence Day (1996) and Godzilla (1998). He has been married to Ellie Pole since 8 June 1996. They have three children.- Producer
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- Music Department
Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Composer
- Music Department
- Actor
Trevor Rabin was born in South Africa in 1954. He began playing guitar at the age of 12 after having had piano lessons since he was a toddler. In 1972 he formed the band Rabbit becoming the most successful rock act ever to emerge from South Africa. Rabin left Rabbit to pursue a solo career in London and released three solo albums.
Rabin moved to Los Angeles in 1982. Here he became a member of the newly reformed progressive art/rock group Yes for the groundbreaking 90125 album as a guitarist, keyboardist, singer, songwriter, producer and recording engineer. He penned the majority of the songs on 90125 as well as Big Generator and Talk, before leaving Yes in 1994 to pursue a career as a film composer.
Rabin has scored three dozen films which include Con Air, Homegrown, Armageddon, Enemy of the State, Jack Frost, Deep Blue Sea, Gone in 60 Seconds, Remember the Titans, The 6th Day, The Banger Sisters, Kangaroo Jack, Bad Boys 2, The Great Raid, Exorcist: The Beginning, National Treasure, Coach Carter, Snakes On A Plane, The Guardian, and Flyboys.
Along with many Grammy nominations and one win, Mr. Rabin also has received nine BMI film score awards, and has received a lifetime achievement award from the Temecula Film Festival.- Composer
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- Music Department
Joe Kraemer has been scoring films since the age of 15, when he composed the soundtrack for his high school classmate's The Chiming Hour, a feature-length indie shot on Super 8 in 1986. This lead to three career-defining projects for Kraemer: The Way of the Gun, Jack Reacher, and Mission: Impossible - Rogue Nation.
Kraemer attended the renowned Berklee College of Music in Boston to study film composition. In the following years, Kraemer carved out an eclectic career scoring various genres. He has written music for over 100 films, with about 40 of those just for the Hallmark Channel/Larry Levinson Productions. Furthermore, he has scored for episodic television, television movies, documentaries, and short films, including his scores for John Putch's The Poseidon Adventure and A Time To Remember, as well as the Mystery Woman series, and westerns such as Hard Ground, Lone Rider, and The Trail To Hope Rose.
Kraemer frequently does Masterclasses in composition for media for various colleges and organizations, including Columbia College Chicago, Media Sound Hamburg, and the Hollywood Music Workshop.- Music Department
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- Actor
A great talent who started his career in Saturday Night Live (1975), where he worked with colleagues like Rob Reiner or Billy Crystal. He worked for some great stage values as Eric Clapton, Rosemary Clooney, Harry Connick Jr., Billy Crystal, Lauryn Hill, Jennifer Holliday, Nathan Lane, Jenifer Lewis, Darlene Love, Patti LuPone, Lonette McKee, Catherine O'Hara, Martin Short or Barbra Streisand. His first important score for cinema is Misery (1990) (directed by Rob Reiner) and then he scored movies for Ron Underwood (City Slickers (1991), Hearts and Souls (1995)), Billy Crystal (When Harry Met Sally... (1989), Mr. Saturday Night (1992), Forget Paris (1995)), Barry Sonnenfeld (The Addams Family (1991) and Addams Family Values (1993)), Sam Weisman (George of the Jungle (1997)) or Rob Reiner (Ghosts of Mississippi (1996), A Few Good Men (1992), North (1994), The American President (1995)).
Shaiman has raised a unique place in film music industry, with a great talent for musicals and songs, getting great reviews with his acclaimed scores for The American President (1995), Patch Adams (1998), Simon Birch (1998) or South Park (1997) (with wonderful songs). Shaiman won Grammy and Emmy Awards and the Tony Award for his musical, "Hairspray". He has been nominated for the Oscars and still works in musical stages and cinema scores. Shaiman has also appeared as an actor in some movies, many times paying the piano.- Composer
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- Music Department
- Actor
Blake Neely was born on 28 April 1969 in Paris, Texas, USA. He is a composer and actor, known for Greyhound (2020), All American (2018) and You (2018).- Composer
- Music Department
- Actor
Jay Gruska was born on 23 April 1952 in Brooklyn, New York City, New York, USA. He is a composer and actor, known for Commando (1985), Little Shop of Horrors (1986) and Adventures in Babysitting (1987).- Composer
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Murray Gold has been nominated for a BAFTA six times in the category Best Original Television Music, for Vanity Fair (1999), Queer as Folk (2000), Casanova (2006), Doctor Who (2008) and A Very English Scandal (2019). His score for the BAFTA winning film Kiss of Life was awarded the Mozart Prize of the 7th Art by a French jury at Aubagne in 2003. He has also been nominated five times by the Royal Television Society in categories relating to music for television, winning twice.
Murray has worked extensively with writer/director Russell T Davies on projects such as A Very English Scandal (starring Hugh Grant), Casanova (starring David Tennant), The Second Coming (starring Christopher Eccleston), Cucumber and Queer as Folk, series 1 and 2. He has also scored the C4 period drama The Devil's Whore, the BBC series The Musketeers, BBC Natural History series Life Story, the crime drama Scott & Bailey and wrote the theme tune for the Channel 4 hit series Shameless. More recently Murray scored Lookout Point's upcoming 8-part drama Gentleman Jack for BBC One and HBO.
Between 2005 and 2018, Murray served as musical director for the wildly successful re-imagining of the BBC's Doctor Who. In this capacity, he created a new arrangement of the show's theme (originally composed by Ron Grainer) and composed the score for 10 entire series. Murray also created, arranged and orchestrated three special live concerts for the music from Doctor Who. The first, Doctor Who: A Celebration, was played at the Millennium Centre in Cardiff in 2006; the second, the 2008 Doctor Who Prom, was part of the BBC Proms on 24 July 2008 at the Royal Albert Hall in London; the third, the 2010 Doctor Who Prom, was part of the BBC Proms hold in 2010 at the Royal Albert Hall again. In March 2010, Murray's Doctor Who soundtrack entered UK radio station Classic FM's Hall of Fame as that year's second highest new entry.
Gold has scored a number of British and American films, including Death at a Funeral directed by Frank Oz and Mischief Night, directed by Penny Woolcock. Other projects include 2006's film Alien Autopsy and the 2009 drama feature Veronika Decides to Die.
In 2001, his radio play Electricity was given the Imison Award - named after former BBC radio drama script editor Richard Imison - for best new. It subsequently transferred to the West Yorkshire Playhouse and was performed with Christopher Eccleston in the lead role. Others of his plays include 50 Revolutions performed by the Oxford Stage Company at the Whitehall Theatre, London in 2000 and Resolution at Battersea Arts Centre in 1994. Gold also wrote the radio play Kafka: The Musical, broadcast on Easter Sunday 2011 on BBC Radio 3, starring David Tennant. It won the 2013 Tinniswood Award for the Best Original Radio Drama.- Music Department
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Shawn is a graduate of the Berklee College Of Music in Boston and has studied at the New England Conservatory. He attended Berklee on scholarship, majored in Film Scoring and is a recipient of the Doug Timm Professional Writing Division Award. Passionately focused in television, you can see his work on FX Network's critically acclaimed, Peabody award winning drama "The Bridge," CTV/ABC's crime series "Motive" and the long running SYFY/Showcase fan favorite "Haven," the Global/ION worldwide hit "Private Eyes" (Jason Priestley/Cindy Samson) and Netflix horror series "Slasher."
Known also for his work in the world of recorded music as a prolific record producer, he now adds music for podcast to the resume - most notably Gen-Z's "The Unexplainable Disappearance of Mars Patel." This series and Shawn earned a Peabody Award in 2016. Alongside an extensive list of scoring, music editorial and album credits is a growing list of podcast music credits. As a composer, producer, songwriter, performer or engineer Shawn has received a Grammy nomination, 2 Peabody Awards, 7 Juno awards, 22 Juno nominations plus 2 WCMAs and 12 WCMA nominations.- Composer
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- Producer
Michael Price is one of the UK's most sought after composers. His work for film and television has been widely recognised, winning an EMMY award in 2014, and Royal Television Society, Music&Sound, and Televisual Bulldog awards as well as a BAFTA nomination and 2 further EMMY nominations for the critically acclaimed BBC series Sherlock (2010), which he scores with David Arnold. Other recent TV projects include crime drama Unforgotten (2015), sci-fi drama Soulmates (2020), action adventure Jekyll and Hyde (2015) (with David Arnold) and the incredible new BBC/Netflix adaptation of Dracula (2020).
Recent film scores include his latest collaboration with Craig Roberts, Eternal Beauty (2019), hit comedies like The Inbetweeners 2 (2014), psychological thrillers including Another Me (2013) and period dramas such as Cheerful Weather for the Wedding (2012).
In 2011, Michael scored kids' comedy Horrid Henry: The Movie (2011), for Vertigo Films, which stars Anjelica Houston, Noel Fielding and Richard E. Grant, Cheerful Weather for the Wedding (2012), directed by Donald Rice and starring Mackenzie Crook and Elizabeth McGovern, and Paul Wilkins' thriller 7 Lives (2011), starring Danny Dyer and Martin Compston. Later in 2012 will also see the release of Crispian Mills' directorial debut A Fantastic Fear of Everything (2012), starring Simon Pegg, with a bold new score from Michael.
Michael has also scored Wild Target (2010), a romantic comedy directed by Jonathan Lynn of "Yes Minister" fame and with a stellar cast including Bill Nighy, Emily Blunt, Martin Freeman, Rupert Everett and Rupert Grint. This commission swiftly followed Michael's fantastic score for Wild Child (2008), Working Title's successful teen film released in the UK at the beginning of 2009.
After initially developing a successful career as a composer for contemporary dance, in 1996 Michael was invited by composer Michael Kamen to orchestrate and program electronic sounds for the Paramount movie Event Horizon (1997). This led to a long working relationship encompassing a number of highly successful film scores in London, LA and Prague, and concerts in Berlin, New York, San Francisco and Geneva.
In addition to composing for features like Zentropa's Dommeren (2005) and Slingshot Studios' Sugarhouse (2007). Michael scored two documentaries for famous producer and director Alfonso Cuaron; The Shock Doctrine (2007), Naomi Klein's brilliant and terrifying film on disaster capitalism and The Possibility of Hope (2007), a look at different matters of the world such as immigration, global warming and capitalism through the eyes of scientists and philosophers. Michael met Alfonso Cuaron when he scored additional music for the Academy Award winning feature "Children of Men" and worked closely with Cuaron as music editor for this dystopian science fiction film.
Michael enjoyed significant achievements as a music editor with films like Peter Jackson's trilogy The Lord of the Rings (2001), Richard Curtis' Love Actually (2003), Bridget Jones: The Edge of Reason (2004) and Nanny McPhee (2005). As a music editor, Michael has been nominated for 4 MPSE Golden Reel Awards, winning in 2001 for The Lord of the Rings: The Fellowship of the Ring (2001).- Music Department
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Tina Guo has developed an international multi-faceted performance and recording career as a cellist, electric cellist, erhuist, and composer known for her distinctive sound, mastery in a wide range of genres, and improvisatory style in major motion picture, television, and game scores.
As a classical cello soloist, Tina Guo has appeared as guest artist with the San Diego Symphony, the State of Mexico National Symphony, the Thessaloniki State Symphony in Greece, the Petrobras Symphony in Brazil, and the Vancouver Island Symphony in British Columbia. She also performed with violinist Midori Goto in Dvorak's American String Quartet at Walt Disney Concert Hall in Los Angeles, and completed four national tours of Mexico and Italy performing the Shostakovich, Dvorak, Haydn, and Saint-Saëns Cello Concertos. Tina toured as a featured guest with Al Di Meola, one of the most prominent virtuosos and influential guitarists in the contemporary jazz field, with Japanese superstar Yoshiki of X Japan on his Classical World Tour, and recently appeared with the Tenerife Symphony and Choir in the Canary Islands performing "Batman: The Dark Knight" Suite at the Tenerife International Film Festival, featured on Electric Cello. Tina performed at the 2015 Krakow Film Music Festival, playing music from Vikings, Dexter, Game of Thrones, and Chicago Fire live as soloist with the Krakow Symphony and Polish Radio Choir.
Tina is featured on screen in commercials for Mazda6, and United Airlines, and was also a featured soloist in Cirque Du Soleil's Michael Jackson "The Immortal" World Tour from 2011-2013 performing in sold out arenas around the world. Tina performed to 2 million audience members worldwide with the tour, and they topped the charts for 2 years as the highest grossing tour in America and sold out shows in arenas worldwide. Tina is also featured on the Epic Records/Jackson Estate release "Immortal," replacing the original guitar solo in "Beat It" with an Electric Cello/Guitar Battle-style duet with guitarist Greg Howe.
Tina performed alongside Johnny Marr of the Smiths and Hans Zimmer at the Premiere of Inception, and in a sold-out concert for Dreamworks with Hans Zimmer and John Powell, featuring her as soloist on electric cello and erhu. She performed for the League of Legends World Championship to a sold out arena at Staples Center in Los Angeles and an audience of 33 million streaming online. Tina was featured on the Electric Cello in a super-band for the event with The Crystal Method, Wes Borland (Limp Bizkit), Danny Lohner (NIN), Joe Letz (Combichrist), and the Hollywood Scoring Orchestra. Tina has also been a featured performer at Comic Con, Blizzcon, and with Video Games Live. She was the guest soloist in Baroque-Rock group Vivaldianno's "City of Mirrors" Tour appearing throughout Europe in Summer 2015, and will tour with Blues legend Joe Bonamassa in January 2016, including two concerts at Carnegie Hall to be broadcasted on PBS and for future DVD Release.
Tina was the cello soloist on the scores of Sherlock Holmes, Iron Man 2, The Monkey King 2, Clash of the Titans, Red Riding Hood, Abduction, Olympus Has Fallen, Escape Plan, CSI:NY, Vikings, The Borgias, Sleepy Hollow, Dominion, Iron Chef, My Little Pony: Friendship is Magic (as Octavia,) Blizzard's Diablo III and Hearthstone, Call of Duty: Black Ops II, Call of Duty: Black Ops III, Assassin's Creed Syndicate, Revelation Online by Chinese game giant Netease, and Journey, which was nominated for a Grammy for Best Score Soundtrack. Tina can also be heard on the soundtracks of Inception, Hancock, Battle: Los Angeles, The Hangover Part II, Predators, Fast Five, Arthur, No Strings Attached, Beginners, Public Enemies, Rango, The Rite, X-Men: First Class, Your Highness, Yogi Bear, The Mentalist, Family Guy, American Dad, The Cleveland Show, King of the Hill, commercials for Apple iPhone, Under Armour, and many others. Tina also contributed Electric Cello to the creation of elements that were used to create the sound of the Kaijus in Pacific Rim. Her arrangement and performance of "The Flight of the Bumble-Bee" was featured in the end credits for The Heartbreak Kid and she was an additional composer on the feature film Persecuted. The Tina Guo Sample Library by Cinesamples is one of the most popular cello solo libraries available on the market today, used by composers and producers in countless media music projects. Tina is currently in the studio with Hans Zimmer and his team working on two upcoming major motion pictures as Electric Cello and Acoustic Cello Soloist and will tour with Hans in 2016 throughout Europe in his live shows.
Tina was featured on The Ellen DeGeneres Show playing "Beat It" on electric cello, and also performed at the American Country Music Awards with Carrie Underwood, on Dancing with the Stars with Carlos Santana and India Arie, Jimmy Kimmel Live with Ellie Goulding, the Lopez Show with Far East Movement, the Grammy Awards with the Foo Fighters, at the MTV Movie Awards, on American Idol, at Comic Con in San Diego featured on the electric cello in the Battlestar Galactica Orchestra, and with Brazilian guitarist Victor Biglione in a Jimi Hendrix Tribute Concert at the Copacabana Palace in Rio de Janeiro. She also performed at the Sundance Film Festival, the Playboy Mansion, and has shared the stage with The Tenors, Stevie Wonder, Peter Gabriel, Josh Groban, John Legend, LeAnn Rhimes, Chris Isaak, Il Divo, Ariana Grande, Lupe Fiasco, Common, Jennifer Hudson, and Michael McDonald. Corporate clients have included Microsoft, Cephalon Biopharmaceutics, Adecco and the PGA. Tina has recorded on hundreds of albums, with artists such as John Legend, Ciara, David Archuleta, and Big K.R.I.T.
Tina's musical education began at the age of 3, when she began her piano studies in Shanghai, China. After coming to America at the age of 5, she began violin lessons with her mother and later began studying the cello under the instruction of her father, Lu-Yan Guo at the age of 7. Tina continued her professional cello studies with Eleonore Schoenfeld at the the University of Southern California's Thornton School of Music on full scholarship, and was also a Governor's Scholar for academic excellence.
The instrumental metal music video for her song "Queen Bee" won Best Short Film/Music Video at the Downtown Los Angeles Film Festival. Her songs "Queen Bee" and "Forbidden City" are also available for download to play for Rockband on Xbox 360 and PlayStation 3. Metal Hammer Magazine UK described Tina as "an international sensation" and she was also featured in Glamour Magazine Russia with a 2 page spread. Tina was the 2014 Innovation Award Recipient from the Asian Heritage Awards. An avid writer, her first published work is "Event Horizons of Yin and Yang," a collection of philosophical prose and poetry. Tina holds a Bachelors in Metaphysics.
Tina is the co-founder and CEO of MG Music Int'l, a production company in partnership with her husband, music producer R. Armando Morabito. MG Music has provided music for Mercedes, Call of Duty: Ghosts MTX 4, the Official Launch Trailer for video game ArchAge "A Way Home," and the Official Trailer for feature film "The Best Offer." Their music can be heard on WWE Smackdown, WWE Monday Night Raw, NHL Rivals, Chopped, Mission October on Fox Sports, Inside the PGA Tour, Road to Ferrari, and Against the Odds on the American Heroes Channel. Together, Ray and Tina are involved in philanthropy with the Humane Society of the United States and ChildFund International; their other endeavors include Real Estate, Business, and Private Investments.
Tina performs on her Gand & Bernadel Cello made in Paris, France in 1880. On electric cello, she plays a customized Yamaha SVC-210 as a Yamaha Performing Artist. Tina also plays an Erhu made in Shanghai, China.
Tina endorses Sennheiser, Focusrite, ENGL Amps, Voodoo Lab Pedals, Coffin Case, Zoom, Samson, Reunion Blues, Analysis Plus Cables, Pickworld, Yamaha, and Apogee Electronics.- Composer
- Music Department
- Actor
Rupert Gregson-Williams was born on 21 February 1967 in Tonbridge, Kent, England, UK. He is a composer and actor, known for Wonder Woman (2017), Hacksaw Ridge (2016) and The Crown (2016). He has been married to Emma Jacobs since 1996. They have one child.