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- DirectorGeorges Méliès
- DirectorWilliam K.L. DicksonShort film depicting an African-American family eating watermelons. It may have been used for entertainment purposes in its time with the use of racist stereotypes that were very popular back when this film was released in 1896.
- DirectorGeorges MélièsLittle is known about this lost film, which presumably features an unruly child to comedic effect.
- DirectorWilliam 'Daddy' Paley"Company F, 1st Ohio Volunteers, initiating a new man. Nineteen times he bounces in the blanket, and each toss is funnier than the last one."
- DirectorGeorges Méliès
- DirectorGeorges Méliès
- DirectorGeorges MélièsStarsJehanne d'AlcyGeorges MélièsA man digging inside an Egyptian tomb chops up a mummy, then resurrects the woman inside it.
- DirectorGeorges Méliès
- DirectorGeorges Méliès
- DirectorGeorges MélièsStarsRachel GilletA spectacular performance, in twelve tableaux, of the most popular and best known fairy tale in history. From this most simple tale we have produced a play that is both pleasing and amusing to young and old, introducing as we do many surprising tricks and dissolving effects. We have followed as near as possible the tale of Perrault, which is well known to all, and which has been translated into all languages. We have, on account of the peculiar effects that must be introduced in animated pictures, arranged it also with humorous features, without which it would not have been so highly interesting and pleasing as a motion picture demonstration of the fairy tale. The story itself is doubtless familiar to many of our customers, and we will, therefore, not attempt to describe it in our catalogue matter, except to state that it is composed of the finest trick and dissolving effects ever introduced, and that the action is replete from start to finish with humorous, emotional and spectacular situations.
- DirectorGeorges MélièsStarsGeorges MélièsA most astounding film, showing a lady with three heads. These are taken away one after the other, and seem to be quite as lively when separated from the body as they were when united. The conjuror who is performing the trick also removes his own head without suffering any inconvenience, and walks about without it. There are also any number of other changes in this film, which has to be seen to be fully appreciated.
- DirectorGeorges MélièsIn this film, we show the interior of a doctor's office. A patient enters, and judging from the expression on his face, he is in great pain. The doctor tells him that he is troubled with acute indigestion, and immediately places him upon the operating table. He begins his treatment by cutting off the patient's arms and legs with a huge saw. After removing these members, he takes a large knife and makes an incision in the unfortunate's stomach large enough to put his arm in. He then removes such things as bottles, knives and forks, lamps and other articles of furniture from the patient's body. The patient evidently complains of the great pain he is suffering, and to relieve this the doctor cuts off his head and places it upon a near-by chair. Next a large water pump is brought into play, and after pumping about two gallons of water from the stomach of the patient the doctor sews up the wound, which heals immediately, then places the head back in its place. He next attempts to adjust the man's legs and arms in their proper places, but in his hurry a leg is placed where an arm should be, and vice versa. After discovering his mistake he corrects it, and the man, entirely cured of his trouble, rises from the table and after paying the doctor his fee departs from the office in great glee.
- DirectorGeorges MélièsStarsGeorges MélièsA farmer calls on a juggler to see a few of his best tricks. The juggler has brought a bouquet of flowers, from which he takes out a charming and beautiful girl. The farmer, enraptured, attempts to kiss the beauty, and in trying to do so he only catches a devil, who beats him unmercifully and finally bursts into a thousand pieces. The juggler asks the farmer if his cares for any more exhibitions, but the poor fellow runs away in great terror.
- DirectorGeorges Méliès
- DirectorViggo LarsenStarsViggo LarsenHolger-MadsenRaffles is serving his time. He manages to send a word to his friends and they help him to escape. Once free, Raffles' first thought is to revenge himself on Sherlock Holmes, and for this he enlists the services of a pretty but depraved girl, to decoy the great detective to an old house, where he is met by Raffles under the disguise of an old woman. Sherlock Holmes, taken by surprise, is thrown through a masked opening in the wall, into an old sewer. When Raffles and his associates discover that Sherlock Holmes has been rescued, they plan a second attempt on his life. Raffles takes lodgings opposite the detective's home and watches for a good chance to fire his gun at Sherlock Holmes. Young Billy, the alert office boy, discovers the strange new tenant and notifies his master. Sherlock Holmes, guessing the intentions of the criminal, pulls down the window blinds and arranges a dummy at the window. At a given moment, Billy pulls up the blinds and Raffles, who had been watching for a good opportunity, takes up his gun and shoots. He hits the dummy, but great is his surprise when leaving the window, to find himself face to face with Sherlock Holmes in flesh. As Raffles turns to run away, he is caught by two officers.
- DirectorGeorges MélièsStarsGeorges MélièsA young man who had been out all night wends his way homeward. Of course, his spending a whole night with "the boys" results in his drinking more than he is physically able to carry. When he arrives at the door of his house, he tries to find the keyhole. He imagines the lock to be on every part of the door. Sometimes he sees two locks and other times more. When he does finally find the lock and opens the door he tumbles into his apartment. There he gets a warm reception from his wife. Soon he imagines that all house furnishings are double. He sees just twice as many things as really exist. Even when the servant comes in he thinks there are two of them. Before long he gets into an argument with her and he chases her around the room. In trying to escape from him, she jumps from a window and he comes after her. He falls on the pavement below, while she falls on a hook and is seen hanging from it.
- DirectorLaurence TrimbleStarsWilliam SheaFlorence TurnerLeo DelaneyYoung Jamie loved a lassie and she loved him. His love was strong but his purse was weak, and so he went to sea to make his fortune with which to claim his lassie as his bride. The good ship "Ben Lomond" bore him away, and while he was on the seas the lassie's father had his arm broken, when the gypsies stole their cow and the mother of the lassie was taken sick. They were poor folk and the lassie was obliged to spin and weave, keep the house, care for her father and nurse her mother. "Auld Robin Grey," a friend of the family, generous and true, aids them in the time of their need and kindly bestows his beneficence whenever he can do so without pretension or obtrusion. He likes the father and the mother, but he loves the daughter. He asks her to marry him. Her parents favor good old Robin Grey, but the daughter still loves Jamie, and she cannot give heart and hand to another. Men must work and women must weep, but it seems the poor lassie must do both, for it is not long before there is great sorrow and excitement among the town folk. The ship "Ben Lomond" is announced as wrecked, with Jamie and all on board lost. They try to keep the news from Jenny, but bad news travels quickly, and despite Robin Grey's efforts to have the shock come to her as gently as possible she sees the bulletin posted on the outside of the ship chandler's and is supported from falling by her faithful friend Robin. Giving up her Jamie as gone to a watery grave, she is urged to marry Robin Grey, while her heart is at the bottom of the sea. Robin proves a good husband and she tries to be a good wife to him, although she does not love him. Like one from the dead Jamie escapes the wreck and comes back to claim Jennie's hand and heart. She can scarcely believe she sees aright, and she is not easily convinced that her Jamie is alive and talking to her, and when she does realize it she tells him she is the wife of "Auld Robin Grey," and he is a good man and she will do her best to be a faithful wife to him. Jamie and she kiss and then part from each other, to go their own ways as their consciences direct.
- DirectorArturo AmbrosioLuigi MaggiStarsAlberto CapozziMary Cleo TarlariniMario Voller-BuzziDuring the celebration of his golden wedding anniversary he, a former officer of the Italian army evokes the battle of Palestro in 1859 where he met his future wife.
- DirectorThomas H. InceGeorge Loane TuckerStarsMary PickfordOwen MooreThomas H. InceTom Owen and Mae Darcy have a very quiet wedding, wishing to avoid all notoriety for the present and intending to surprise their friends by the announcement later on. But their friends "got wise" somehow and when the young couple finally arrive at the railroad station, they find a crowd there ahead of them and they are duly dealt with according to the latest rules laid down for the accelerated departure of bride and groom. A year slips by and we find Tom wrapped up in business pursuits and careless of manner towards Mae. And Mae quietly grieves over his neglect. Then a former sweetheart of Tom's, Belle Stuart, sends them an invitation to a ball, where Belle proceeds to monopolize Tom to the utter disregard of poor Mae. Left all alone she sits and broods over her misfortune, and then she meets the famous poet, Claude Jones, who entertains her most pleasantly with his talk and his ability as a dancer. Tom finally thinks of his wife and goes to where he left her, but she has gone. He at last discovers her in the conservatory in conversation with the poet. It is his turn to feel jealous and he does so and going rudely over to the couple he informs Mae that they must go home at once. Before they go, however, she invites Claude to call upon them. Soon Claude accepts her invitation and calls, finding her alone. In the midst of their tete-a-tete, Tom arrives at home and orders Claude to vacate the premises at once. Tom and Mae have their first quarrel, and it is a good one. Tom then decides to keep close watch upon her and rigs up a bell so that it will ring in his den every time the door opens. Well, it works all right, only he is kept busy rushing into the room merely to meet the maid or the postman or somebody other than Claude. He then gives up and after another interview with his wife, he secretly writes Claude a letter, informing him that as he loves Mae and Mae loves him, that he, Tom, will surrender all further claim upon her. When Claude arrives he is received most cordially by Tom, who proceeds to pour out his blessings upon the pair and leaves the room. Mae is completely mystified, until Claude shows her the letter and proceeds to press his suit. She, taken entirely unawares, begs for time to think it all over and he goes out to purchase her some flowers. Tom, seeing him leave, telephones Belle Stuart and makes an appointment with her. Mae overhears him at the 'phone and breaks down completely, weeping as if her heart would break. Then Tom leaves the house. Claude, shortly after this returns and attempts to present Mae with the flowers, but she has had enough of him already, and, ordering him from the house, throws his bouquet after him. Tom's conscience will not permit him to keep his appointment with Belle and after wandering aimlessly about his club, he returns home to find his little wife curled up in his den, hugging his dressing gown, trying to forget her troubles in slumber, Tom's heart is touched, his old love is reawakened and taking her in his arms, she opens her eyes and twining her arms about him, they forget all their former doubts and troubles in their present happiness.
- DirectorJ. Searle DawleyStarsSydney BoothHerbert DelmarJack ChagnonD'Artagan leaves home to seek his fortune. Armed with his father's sword and a letter to the Captain of the King's Musketeers, he rides forth boldly to face the world. At a wayside inn he arrives just in time to rescue a young woman from the clutches of several of the Cardinal's spies. He arrives in Paris shortly after and presents his letter to Captain de Treville of the Musketeers. Here he catches his first glimpse of the famous Three Musketeers, Athos, Porthos and Aramis, and decides to fight his way into the Musketeers. In leaving, he runs into Athos, who berates him for his stupidity. This is more than he can bear, even from a Musketeer, and a duel is arranged for one o'clock at the rear of the convent. Hastily turning from Athos he comes into violent contact with Porthos, tearing his cloak from his shoulder and disclosing his ragged jerkin beneath. D'Artagnan bursts into violent laughter at this unexpected disclosure and is challenged to a duel at two o'clock at the convent grounds. Upon reaching the street he spies Aramis chatting with two musketeers and decides to join them, when he discovers that Aramis' foot is resting upon a beautiful lace handkerchief. Wishing to ingratiate himself in the good will of Aramis, he calls his attention to the handkerchief. Aramis denies ownership, but D'Artagnan insists that he saw him drop it and, picking it up, hands it to him. D'Artagnan is again soundly berated for his stupidity; the result is another challenge at three o'clock at the convent. D'Artagnan has lost so much time quarreling that he finds it now time for his first duel. He hurries to the convent only to find all three musketeers waiting. Hardly has he crossed swords with Athos, however, when a company of the Cardinal's guards appear and attempt to take them into custody for dueling. D'Artagnan volunteers to fight on their side and is gladly welcomed. The fight proves a glorious victory for the musketeers, who gather up the swords of their fallen enemies and march triumphantly from the field, arm in arm with D'Artagnan, their sworn friend. They are all brought before the king, but when he hears of the odds against them he not only rewards them, but promises to make D'Artagnan a Musketeer.
- DirectorJoseph W. SmileyGeorge Loane TuckerStarsKing BaggotLucille YoungWilliam Robert DalyHester Prynne has left Holland in advance of her husband, Roger, to join the colonists in Salem, Maxx. Roger follows her to the new world but upon landing in New England is captured by Indians and Hester waits for him in vain. There has never been much love in their marriage, Roger being an old man and she a comely young woman. Rev. Arthur Dimmesdale, the handsome Young minister of the Salem community, is revered and beloved by his parishioners. He meets Hester clandestinely and an unlawful love is the result. When Hester is discovered with a baby, a mother but not a wife, she is arrested, tried and condemned to stand upon the public pillory with her child and for the remainder of her life to wear conspicuously on her breast the letter "A." As she stands on the raised platform, the governor of the colony commands her to divulge the name of the father of the child. She refuses. The Rev. Master Dimmesdale is asked to persuade her to reveal her secret. He addresses her, and tells her if she thinks it for the best, to do so. She again refuses. Roger, her husband, has been released by the red men and he appears in Salem on the day of her public disgrace and recognizes her. He signals for her to be silent as the recognition is mutual. A silence for a silence is agreed upon. He takes the name of Roger Chillingworth and, being a physician, is called to prescribe for the suffering minister, knowing him to be the father of Hester's child. The child, Pearl, grows into a beautiful girl and the governor decides that Hester is not the proper person to rear her. Hester in her grief, appeals to the minister and he in turn prevails on the governor to allow her the custody of the child. As time passes the minister is growing weaker and weaker in bodily strength and the guilty secret gives him no peace of mind. Meeting Hester and Little Pearl by accident, he tells the woman of his terrible punishment. She, in love and pity, tears the letter from her breast and proposes that they leave the country together to begin life anew. Little Pearl finds the letter and restores it to Hester and they realize they cannot escape the consequences of their sinning. On a holiday the minister preaches a powerful sermon in the church on the sins of the flesh and the penalty for evil doing. As he appears in the market place, he is cheered by the members of his congregation. He is overcome by emotion as the awful truth is brought home to him that he is a hypocrite. Seeing Hester and Little Pearl standing near, he pulls himself together by a mighty effort and resolves to confess his sins publicly. Taking them by the hands, he slowly and deliberately mounts the pillory, with Hester amazed, and then, to the astonishment of his flock and the loungers standing near, proclaims Pearl as his child and arraigns himself as a sinful teacher. The members of the church are appalled and dumb with astonishment. They cannot comprehend it. Hester smiles through her tears. She will no longer bear the burden of shame alone. The moment has arrived when she is partially vindicated by the self-sacrifice of the sharer of her degradation. The final effort, coupled with years of intense suffering, proves too great a tax on the strength of the minister and he falls dead at the foot of the pillory. Hester supports his head, with tears coursing down her cheeks. The vindication has come, but with it has gone the man she has loved in secret while being subjected to the jeers of her fellows.
- DirectorJames KirkwoodOwen MooreGeorge Loane TuckerStarsMary PickfordOwen MooreLottie PickfordThe dear old grandma has come to Red Riding Hood's home, here with a present for her grandchild which she has made herself. This is a beautiful hood made in granny's cleverest and most loving way. Little Red Riding Hood is charmed by it, and expresses her joy freely. Granny then goes home to her lonely hut in the woods, escorted by her niece. One beautiful autumn afternoon little Red Riding Hood is sent by her mother to take some goodies to Grandma. She tip toes on her way, but grows tired and sits to rest under a tree. She stops and dreams the well-known story: How a wolf in the guise of a friendly dog came and asked her where she was going. She told him, and the said wise wolf sped to granny's cot using shorter route. Arriving there he satisfied his wolfish appetite on poor grandma's aged carcass and donning her night cap, took her place in the bed. Little Red Riding Hood appears and enters the bedroom, gladsomely exhibiting her presents. The wary wolf, after a confidential chat, jumps at her. She screams, her father, the woodsman, and his trusty men rush in, dispatch the wolf and save her. Awakened suddenly by her own screams Red Riding Hood cannot break the spell of that awful dream. So she goes timidly to the cottage, peeks cautiously in at the window, finding granny alive and well.
- DirectorD.W. GriffithStarsMabel NormandHarry HydeKate BruceAn attractive young woman is ashamed of her shabbily-dressed mother, and won't introduce her to her suitor. Distraught, the mother wanders into the street and is killed. Too late, the daughter realizes how badly she treated her.
- DirectorIlija Stanojevic-CicaStarsDobrica MilutinovicIlija Stanojevic-CicaDragoljub SotirovicSet in the 15th century and shows the clash of the Hungarian regent Ladislaus (Vladislava) Hunyadi with Count Ulrich II of Celje.
- StarsMarie ElineWilliam RussellMarguerite SnowNora, the only child of a kindly old man, never "grew up" so far as he could see. He treated her "like a doll," as she said later when her eyes were opened, but her girlhood was happy and carefree. She never had opinions, those of her father were enough for her, and when he suggested that she marry Torval Helmer, a young man of probity, she was not consulted. Neither did she object, for that is not one of the doll's privileges. The husband, as did the father, treated Nora like a doll. It never occurred to him that she was a being with a mind and intelligence, but he was fond of her, in his own superior, condescending way. When he was taken sick, he thought it was very kind of her old father to give them the money that paid for a health trip to Italy. He did not know that his "doll wife" had borrowed the cash from a money lender, and to get it has to forge her father's name. Her excuse, perfectly reasonable to her doll's mind, although not legal, was that her father would have signed had it not been that he was fatally ill at the time. And the money was needed, as the doctors told her that without the trip Torval would certainly die. But the artifices of the "doll wife" was a closely guarded secret for many years. She worked late at night, sewing, to pay off the load of her debt under which she labored. And the years passed on, and children came, and Torval grew in wealth and knowledge, but he never once realized that Nora had troubles, and anxiety, simply because she bore her cross with a smiling face. When Torval became the manager of a bank, the crisis came. One of the clerks was lazy and irresponsible, and the new manager discharged him. And he was the man who had loaned Nora the money. He saw a chance to get his place back, and called upon Nora, threatening her with exposure unless he was restored to duty. Then for the first time, she realized that she had committed, what in the eyes of the law was a crime. In her pitiful, doll-like way she tried to get her husband to restore the clerk to duty, but was rebuffed. For he could not see what right she had to interfere in his business. He was not really angry, just provoked. The clerk carried out his threat, but Nora, for a time was able to keep her husband from reading the letter. Then she decided to let the exposure come, believing that the husband who had guided and petted her for years, would, to clear her, take the blame upon himself. But Torval showed that she had not judged him wrongly. His terror was aroused, not for fear of consequences to her, but because of what might happen to himself. And the eyes of the "doll wife" were opened. When the danger of exposure had passes away, through the eleventh hour repentance of the clerk, Torval was ready to forgive and forget. But Nora was not. She saw hos her life had been spoiled from infancy, how she had been suppressed and ignored, and resolutely left her home to start life anew and alone. The pleadings of her husband, and the thoughts of her children did not move her. They were all a part of the "doll's house" and its furniture, and they had no part in the life of a woman, so she put them away from her. And Torval, too late, realizes the fault was his. She tells him that some day she may return "if the miracle happens, making me a different woman, and you are a different man." He lives on, striving for the miracle.