Spaghetti Western Actresses
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- Ida Galli was born on 8 October 1939 in Sestola, Emilia-Romagna, Italy. She is an actress, known for The Psychic (1977), La Dolce Vita (1960) and The Leopard (1963).
- Nieves Navarro was born on 10 November 1938 in Almería, Andalucía, Spain. She is an actress, known for Death Walks on High Heels (1971), Death Walks at Midnight (1972) and The Forbidden Photos of a Lady Above Suspicion (1970). She was previously married to Luciano Ercoli.
- Full name - Nicholetta Rangoni Machiavelli. The first role in the movie - Domenikangela Piras in the film of Luigi Zampa "The Question of Honor" (1965). In 1969, she was nominated for the German Academy Award as the best actress in the film "How Much Does a Man Need?" / Scarabea - wieviel Erde braucht der Mensch? " (1969). Machiavelli played in the films of Italian and French directors - Alberto Lattuada, Liliana Cavani, Carlo Lizzani, Dino Risi, Andrzej Zoulawski, Georges Lautner. After the year 1983, she did not act in films. In 1978 she became an adherent of Osho's teachings, lived in Rajnespuram ( USA). In 1985 she settled in Seattle (USA), where she taught in the college and gave private lessons in the Italian language. She passed away on November 15, 2015 in Seattle, Washington, USA.
- Actress
- Director
Mónica Randall was born on 18 November 1942 in Barcelona, Barcelona, Catalonia, Spain. She is an actress and director, known for Cristina Guzmán (1968), Retrato de familia (1976) and La escopeta nacional (1978).- Actress
- Soundtrack
Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).- Actress
- Music Department
- Producer
Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
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When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actress
- Soundtrack
For Michèle Mercier, the role of Angélique, "the Marquise of the Angels," was both a blessing and a curse. It catapulted her to almost instant stardom, rivaling Brigitte Bardot in her celebrity and popularity, but ruined her acting career. The character of Angélique made to forget the other aspects of the career of Mercier, but it is true that general public discovered her only in "Angélique," and made her a real star of the French cinema of that time. By the end of the 1960s, the names Angélique and Michèle Mercier were synonymous, and to escape type-casting, Mercier was compelled to leave France and try to re-start her career in United States, unfortunately without any success.
Daughter of Nice's pharmacists, born on January 1, 1939 and named as Jocelyne Yvonne Renée, she initially wanted to be a dancer. Wartime, no money to buy food, but little Jocelyne wept all week, cadging father, well-known pharmacist in Nice, to buy her ballet skirts and points. In return she promised to work in drug-store. Father took this only as childish whim. But little girl got her wish through: of "small ballet-rat," as they call little dancers, who participate in stage shows, she grew up to soloist in Opera of Nice. Then came Paris. First she was engaged to the troupe of Roland Petit, then she danced in the company of the "Ballets of the Eiffel tower." At 15, she met Maurice Chevalier, who predicted her success and glory. They did arrive, but by another way that the dance. Parallel to her career as dancer, Jocelyne followed courses of dramatic art in the class of Solange Sicard. Her debut in French cinema was for Mercier another compromise: her birth name seemed too long and too old-fashioned for movie credits. What, if she'll take a name Michèle? She winced - this was name of her little sister, who died at the age of five by the fever typhoid, but she agreed. And it was also as in testimony of admiration for her partner Michèle Morgan, as she borrowed her name to her. After some romantic comedies and a small role in François Truffaut's "Shoot the pianist" (1960; her favorite role), she approaches the Sixties mainly in the cinema of district. She also worked in England and made then mainly small-budget films in Italy, always in the same register of easy girl. To this moment Michèle already competed with Sophia Loren and Gina Lollobrigida, continuously shooting in Italy. She needed a role, which could make her a star. Only in 1963, when was decided to make movie by sensational novel "Angélique," Michèle got this kind of chance.
Many actresses were approached to play the role of Angélique. The Producer Francis Cosne absolutely wanted Brigitte Bardot for the part. She refused, but later judged Michèle Mercier to be fantastic in it. Annette Stroyberg was considered next, but judged not to be sufficiently well-known. Catherine Deneuve was too pale, Jane Fonda spoke French with an American accent, and Virna Lisi was busy in Hollywood. The most serious actress considered was Marina Vlady. She almost sign a contract, but Michèle Mercier won the role after trying out for it - which she did not appreciate very much since she was being treated like a beginner while she was already a big star in Italy. At the time she was contacted to play Angélique, she had already acted in over twenty movies. During four years she made five Angélique-movies, enjoying the real success. Nevertheless the moment came, when she finally wanted to interrupt with this aggravating character. Michèle played with Jean Gabin in "The Thunder of God" of Denys de la Patellière. Then with Robert Hossein in "La second vérité" of Christian-Jaque... But the time has gone. That was also confirmed by Mercier's flop in Hollywood... What life didn't taught her, that's the skill how to dominate men. Every time Michèle captivated regardlessly. She was deceived, betrayed. She suffered. "Men in their way, shattered my life. What I wanted from them? Real, mutual love. What they wanted - no hard to guess," candidly confessed Michèle after sensational story with a shah, who overwhelmed actress with diamonds and bouquets of flowers, and then tryed to rape her. Press enjoyed Michèle's love affairs and divorces. For some reason or other, in real life this beautiful and kind woman met only rascals, without exception. First husband turned out to be alcoholic. With well known racer Claude Bourillot she lived together 12 years. And she was shocked, when in one day she found out that he vanished with her jewels. Full of dramatism was story of her romance with Italian prince N., who after many years of courtship got intimate with Michèle and at the end betrayed her, refusing to marry her. Incidentally, all these failures even more hardened the character of Michèle Mercier. After a very long eclipse, she decided to return to the cinema. In 1998, the actress made in Cuba and in Italy "La Rumbera," a feature film by Italian director Piero Vivarelli. In 1999, swindled of several million francs in a business venture, Mercier had serious financial problems. She even planned to sell famous wedding gown of the Marquise of the Angels. The actress confessed in Nice Matin: "I am ruined, I'll be obliged to sell part of my paintings, my furnitures, my properties, my jewels and the costumes of Angélique." In 2002, she presented at the Cannes Film Festival her second book of memories in which she affirms in the cover that "she's not Angélique!," entrusting her irritation to be summarized to this glamour-image of the Sixties. In this book Mercier also tells about how Italian actor Vittorio Gassman tried to take her by force, but remembers also the gentility of Marcello Mastroianni and the suppers of Bettino Craxi, former Prime Minister, and Silvio Berlusconi. In the end she admits: "All the men who have made the court of me, tried to seduce Angélique... not me. But then one day I understood that Angelique could not make more harm to me, therefore I have learned to consider she's like a little sister, with whom I had to live hand in hand."- Actress
- Second Unit Director or Assistant Director
She won a beauty pageant and attended il Centro Sperimentale di Cinematografia (The Center for Experimental Cinematography). In 1956, she received an offer to go to Hollywood and attend the Actor's Studio but didn't take the offer for undisclosed reasons.
She began her film career at the age of 15 with a role in the film I pinguini ci guardano (1955) (The Penguins Watch Us) in which the animals at the zoo watched the humans around them and cultivated some very interesting thoughts. Many sources, however, list her first film as Mogli pericolose (1958). She is uncredited in this comedy which was directed by Luigi Comencini.
Neri was also much in demand for erotic films. She played Zoe, in Jesús Franco's 99 Women (1969), a movie about women in prison who must turn to each other for comfort while dealing with a sadistic warden. In 1971 she was Eleanor Stuart, Farley Granger's 'wife' in Amuck! (1972).- Actress
- Writer
- Music Department
Pavone's career began in 1962 when she won the first edition of the "Festa degli Sconosciuti" (Unknown performing artist contest), organized by famous singer Teddy Reno, who later became her husband and manager. In the following decade she became one of the most famous international stars, with Top-10 songs like "Datemi un Martello," "Viva La Pappa Col Pomodoro," and "Cuore," which entered the UK charts in 1966.- Her first acting steps took place on stage. In movies, her films can be divided in two periods: The first 10 years, usually embodying young angelic or prudish wives and the next 15 years, taking part in a wide number of co-productions. After the 70s, she has preferably dedicated to television and stage.
- Mara Krupp was born on 26 October 1935 in Italy. She is an actress, known for For a Few Dollars More (1965), The Big Bust-Out (1972) and Squillo (1964).
- Actress
- Soundtrack
Actress of both the English and American stage and screen, Lynn Redgrave was born in Marylebone, London, England, into one of the world's most famous acting dynasties. As the daughter of Rachel Kempson and Sir Michael Redgrave, sister of Vanessa Redgrave and Corin Redgrave, and granddaughter of Roy Redgrave and Margaret Scudamore, all of whom were actors, her early aspirations were surprisingly to become an equestrienne or a chef. It was not until the age of 15 that she became more and more involved in acting and her father's stage performances.
Attending London's Central School of Music and Drama, she made her stage debut in 1962 and began film work a year later. It wasn't until her lovable role as the ugly-duckling in Georgy Girl (1966), that she was taken notice and, as a result, won both the Golden Globe, New York Film Critics Circle Award and a nomination for the coveted Best Actress at the 1967 Academy Awards. Despite this promising performance, Lynn struggled to find promising follow-up work, she played the lead in the fluffy Smashing Time (1967) and The Virgin Soldiers (1969), low-key films that were relevant at the time of London's swinging 60s, but very quickly became largely forgotten. She married stage actor/director John Clark and her sister, Vanessa Redgrave, who was also Oscar-nominated the same year for Morgan! (1966), was also gaining exposure and critical success if not surpassing Lynn, on both the British stage and films and was largely considered the leading face of England's breakout actresses of the '60s, alongside Julie Christie and other high-profile actresses.
Becoming the label of Vanessa Redgrave's younger and chubbier sister "that did that film a few years ago" didn't sit well with Lynn and, as a result, she lost considerable weight and permanently settled in the U.S. in 1974 to distance herself from this. Primarily based in southern California, she regularly commuted to New York and became notable particularly on the Broadway stage, and had successful runs in "Black Comedy/White Lies" (1967), "My Fat Friend" (1974), "Mrs. Warren's Profession" (1976), "Knock Knock" (1976), "Saint Joan" (1977-1978), "Aren't We All" (1985) and "Sweet Sue" (1987). She was prolifically hired by major networks to appear on a variety of TV talk and game shows and held the position of co-host for a few seasons of Not for Women Only (1968), while acting on prime-time TV, whether it was guest spots, mini-series or short-lived TV series. For over 20 years, Redgrave's film career was infrequent and admittedly "terrible" by the actress herself, she notoriously played the title character in the critically-bashed, The Happy Hooker (1975), and the all-star cast misfire, The Big Bus (1976), and, in the 1980s, she focused in a different direction, becoming a spokesperson and commercial actress for "Weight Watchers". This coincided with the release of her well- received book: "This Is Living: How I Found Health and Happiness", that detailed her weight issues and eating binges, it was also revealed that for years she suffered bulimia. In the mid-to-late '90s, Redgrave had somewhat of a resurgence in her career, from 1993-1994, she spent over 8 months on Broadway, as well as touring across the world, performing her own personally written show of "Shakespeare for My Father", that explored the bisexuality, aloof persona and intimidating resume of her father. In 1996, Scott Hicks reignited her film career after many years of inactivity by casting her in the Australian Oscar-winning hit, Shine (1996), in which she gave a short yet tender performance as "Gillian", the woman Geoffrey Rush's character falls in love with. Another Golden Globe win/Oscar nomination followed (this time in the supporting category) for her role as the Hungarian housekeeper in Gods and Monsters (1998). Her marriage abruptly ended in 1999, when infidelity was discovered on her husband's behalf and a nasty divorced followed, they produced three children Benjamin, Kelly Clark and Annabel Clark.
Continually working her way through film, television and stage performances in the '00s, recently awarded the OBE, Lynn Redgrave was shocked to discover lumps on her body and was diagnosed with breast cancer. As a result, she took time to write "Journal: A Mother and Daughter's Recovery from Breast Cancer" with her youngest daughter, Annabel Clark, in 2003 and tragically lost her 7-year battle on 2 May 2010 (aged 67) in her family home, surrounded by her loved ones. Her diagnosis led her to realize the beauty and simplicities of life, and she was quoted as saying: "there isn't any such thing as a bad day. Yes, bad things happen. But any day that I'm still here, able to feel and think and share things with people, then how could that possibly be a bad day?".- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actress
- Producer
- Music Department
Susan George was born on 26 July 1950 in Surbiton, Surrey, England, UK. She is an actress and producer, known for Straw Dogs (1971), Dirty Mary Crazy Larry (1974) and Mandingo (1975). She was previously married to Simon MacCorkindale.- Actress
- Director
- Producer
The early film career of Stella Stevens could be said to mirror that of Marilyn Monroe. She began by playing a succession of sensuous, blond glamour girls, from naïve virgins and funny coquettes to precocious or briny-tongued floozies. Her early maturity on screen may have reflected her own turbulent private life: she was married at 15, had a child (Andrew Stevens) at 16 and was divorced a year later. At 21, having a child to support and no money, she posed for a celebrated Playboy centerfold. She was Playmate of the Month for January 1960 which did her subsequent movie career no harm whatever. She was voted by Playboy as one of the 100 Sexiest Women of the 20th century and became one of the most photographed stars of the 1960s.
The voluptuous, blue-eyed Stella was born Estelle Caro Eggleston to one of the oldest families in Yazoo City, Mississippi. A myth which had her hailing from the quaintly named area of Hot Coffee was purely an invention by Hollywood publicists. Her father, Thomas Ellet Eggleston, was an insurance salesman, her mother, Estelle (nee Caro), a nurse. The family moved to Memphis when she was four.
During her early childhood, Stella was nicknamed "Bootsie". Precocious and impatient to grow up, she took to watching movies at every opportunity. It became her main passion. Graduating from high school in 1955, she spent two years attending Memphis State University where she was 'discovered' during a production of Bus Stop in the role of aspiring nightclub singer Chérie (famously played by Marilyn in the film version). Borrowing some money, Stella made her way to the bright lights of Los Angeles and was signed by 20th Century Fox in 1959. She made only three films for the studio during a six months spell before her contract was dropped, her debut being a bit part in Frank Tashlin's saccharine comedy-drama Say One for Me (1959).
Her role won her a Golden Globe Award as Most Promising Newcomer. That same year, she was picked up by Paramount and made her first breakthrough on the screen as the vampish Apassionata von Climax in the film version of the hit Broadway musical Li'l Abner (1959), based on Al Capp's comic strip.
She alternated motion pictures with television appearances, displaying a perhaps unexpectedly wide range as an actress in both dramatic and comedic roles. She stood out in films like Too Late Blues (1961) and The Courtship of Eddie's Father (1963), both under greatly contrasting directorial styles.
Above all, she saw herself not as a sex icon but as a comedienne. She once said "I want to be remembered for whatever made people laugh the most." Unafraid to do physical comedy in the manner of Lucille Ball she was also often lauded for her comic timing in films like The Silencers (1966) (a James Bond-style spoof, co-starring a sleepy-eyed Dean Martin) and Where Angels Go Trouble Follows! (1968). In the 1970s, her best role was as a warmhearted prostitute in Sam Peckinpah's seminal western The Ballad of Cable Hogue (1970). Writer and critic Roger Ebert wrote of her performance "There are few enough actresses who can be funny and feminine at the same time, but she is certainly one of them." Conversely, in the classic disaster epic The Poseidon Adventure (1972), she played a former hooker with a heart closer to tin.
Like many film careers, hers too experienced a fair share of hiccups along the way, often due to typecasting: duds like Slaughter (1972), Stand Up and Be Counted (1972), Las Vegas Lady (1975), The Manitou (1978), and others. However, Stella proved resourceful enough to diversify and go behind the camera, both as producer and director of a feature-length documentary, The American Heroine (1979). She co-authored a novel entitled 'Razzle, Dazzle' (published in 1999), about the rise and fall of a glamorous rock star. She unveiled her own range of women's and men's fragrances, called 'Sexy'.
During the 1980s and 1990s, she concentrated primarily on television and enjoyed lengthy tenures on the glossy soaps Flamingo Road (1980) and Santa Barbara (1984), in addition to many guest appearances in shows as diverse as Police Story (1973), Hotel (1983), Alfred Hitchcock Presents (1985) and In the Heat of the Night (1988). In 1976, she briefly forsook the glamour of Beverly Hills and set up home on a 27-acre ranch on the edge of the Cascade Mountains in Washington State and then proceeded to operate an art gallery and bakery in a nearby town.
By 1983, she had returned to her Beverly Hills home where she lived with her partner (rock guitarist Bob Kulick), until the home was sold in 2016. Afflicted by Alzheimer's disease, Stella Stevens spent her remaining years in an assisted living home in California and passed away in Los Angeles on February 17 2023 at the age of 84.- Actress
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A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.- Actress
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Jill Ireland was a British-American actress best known for her appearance as "Leila Kalomi," the only woman Mr. Spock ever loved (in the Star Trek (1966) episode, This Side of Paradise (1967)) and for her many supporting roles in the movies of Charles Bronson. She is also known for her battle with breast cancer, having written two books on her fight with the disease and serving as a spokesperson for the American Cancer Society.
Jill Dorothy Ireland was born in London on April 24, 1936, to wine merchant Jack Ireland and his wife Dorothy, who were fated to outlive their daughter. Young Jill started her entertainment career at age 16 as a dancer, and made her screen debut in 1955, in Michael Powell's Oh... Rosalinda!! (1955). On May 11, 1957, she married actor David McCallum, whom she met on the set of the Stanley Baker action picture Hell Drivers (1957). In the mid-'60s, they moved to the United States so McCallum could star as agent "Ilya Kuryakin" in the TV series The Man from U.N.C.L.E. (1964). She got steady work on American television and would co-star with her husband in five episode of the series in 1964, 1965 and 1967.
Ireland separated from McCallum, with whom she had two biological sons and one adopted son, in June 1965. He filed for divorce in August 1966, and it was finalized in February 1967. On October 5, 1968, she married Charles Bronson, who was 15 years her senior and still several years away from coming into his own as a leading man. They had first met when McCallum introduced them on the set of The Great Escape (1963). With Bronson, she had two children, a daughter born to the couple in 1971, and an adopted daughter. They first co-starred together in the 1970 French movie Rider on the Rain (1970), which made Bronson a major star in Europe (she had first played an uncredited bit part in his movie London Affair (1970), released that same year). They starred in 13 more pictures over the next 17 years, a period during which Bronson and Ireland rivaled Clint Eastwood and Sondra Locke as the most prolific screen couple. During her marriage to Bronson, Ireland appeared in only one TV episode, one TV movie and one theatrical picture that didn't star her husband.
She was diagnosed with cancer in her right breast in 1984 and underwent a mastectomy. She wrote about her battle and became an advocate for the American Cancer Society, which led to the organization giving her its Courage Award. Ireland was presented with the award by President Ronald Reagan. Tragically, she lost her battle with the disease after it metastasized and died at her home in Malibu, California, on May 18, 1990, aged only 54. She was survived by her husband, children, stepchildren, parents, brother, and extended family.- Actress
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Suellyn Lyon was born in Davenport, Iowa, the youngest of five siblings born to Sue Lyon (née Karr) and James Lyon. Sue Karr Lyon was 42 years old when she was widowed, when Suellyn was just 10 months old. Her mother worked in a hospital to provide for her children, and money was tight. The family then moved to Los Angeles in hopes that Suellyn could help out financially as a model.
She duly got jobs modeling for JC Penney, and doing a commercial, which featured her bleached blonde hair. She landed small parts on Dennis the Menace (1959) and The Loretta Young Show (1953). Director Stanley Kubrick saw Sue on the show and suggested to his partner that they should see her for the role of Lolita (1962). She was signed by the Glenn Shaw agency, and Pat Holmes, an agent, brought her down to Kubrick for audition, and won the part of Lolita.
In 1964, Sue married Hampton Fancher III but the marriage, like the four that would follow, would end in divorce. She was appearing at the time in such movies as 7 Women (1965), The Flim-Flam Man (1967) and Tony Rome (1967). Her second husband was Roland Harrison, an African-American photographer and football coach. The controversy over their marriage made them decide to move to Europe. She continued in movies like Evel Knievel (1971), Game of Murder (1973), and Murder in a Blue World (1973), but wound up divorcing Harrison, in part due to the fallout over the controversy and other problems.
Sue met Gary "Cotton" Adamson at the Colorado State Penitentiary, where he was serving time for murder and robbery. She worked as a cocktail waitress and lived in a hotel in Denver nearby. She married him in 1973 and began working for prison reform and conjugal rights. Unfortunately this was another short-lived marriage as she divorced him after he committed yet another robbery. More films followed including Smash-Up on Interstate 5 (1976), The Astral Factor (1978), Towing (1978), Crash! (1976), Don't Push, I'll Charge When I'm Ready (1971) and her final film, Alligator (1980).
Sue married Edward Weathers in 1983, but the marriage ended a year later. She married a radio engineer, Richard Rudman, but that marriage, like the four before it, ended in divorce.
Sue Lyon died in 2019, aged 73. She was survived by her only child, a daughter, Nona Harrison (from her marriage to Roland Harrison).- Composer
- Actress
- Music Department
Janis Ian is an American singer-songwriter who was most commercially successful in the 1960s and 1970s; her most widely recognized song, "At Seventeen", was released as a single from her 1975 album Between the Lines which reached number 1 on the Billboard chart.
Born in New York City, Ian entered the American folk music scene while still a teenager in the mid-1960s. Most active musically in that decade and the 1970s, she has continued recording into the 21st century. She has won two Grammy Awards, the first in 1975 for "At Seventeen" and the second in 2013 for Best Spoken Word Album, for her autobiography, Society's Child, with a total of ten nominations in eight different categories.
Ian is also a columnist and science fiction author.- Dyanik Zurakowska was born on 22 March 1947 in Elisabethville, Congo. She was an actress, known for Cauldron of Blood (1968), La llamada (1966) and The Destructors (1974). She died on 24 January 2011 in Malaga, Spain.
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Françoise Fabian was born on 10 May 1933 in Algiers, Alger, France [now Algeria]. She is an actress and writer, known for My Night at Maud's (1969), Belle de Jour (1967) and Me, Myself and Mum (2013). She was previously married to Marcel Bozzuffi and Jacques Becker.- Actress
- Production Designer
- Art Department
Sylvie Fennec was born on 19 May 1946 in Paris, France. She is an actress and production designer, known for Emmanuelle 3 (1977), Cinéma 16 (1975) and Châteauvallon (1985).- Pamela Tudor is known for King of Africa (1968), The Stone Forest (1965) and Man on the Spying Trapeze (1966).
- Luciana Gilli was born on 11 November 1944 in Rome, Lazio, Italy. She is an actress, known for The Conqueror of Atlantis (1965), Sword of Damascus (1964) and Mexican Slayride (1967).
- Elisa Ramírez was born on 2 December 1943 in Alzira, Valencia, Comunidad Valenciana, Spain. She is an actress, known for La revoltosa (1969), The Three Musketeers (1970) and La Celestina (1969).
- If you remember those sword and sandal spectacles that became the rage of Italian cinema during the late 1950s and early 1960s, then you will certainly recall this torrid brunet bombshell. Invariably cast as the ambitiously evil queen or undulating dancer/temptress whose soul mission was to entrance the film's hero, Chelo Alonso's "peplum princess" prime would be surprisingly brief but her memorable moves and over-the-top histrionics were reason enough to place her on the international sex symbol pedestal and earn her cult status. While her acting contributions would certainly attract no awards, she did earn the honor of becoming "Italian Cinema's Female Discovery" early in the game.
The darkly stunning Alonso was born Isabel Apolonia García Hernández in Central Lugareño, Camagüey, Cuba, on April 10, 1933, to a Cuban father and Mexican mother. Attracted to dancing, she began performing seriously in Havana at age 17, and soon earned notoriety at Cuba's National Theatre for her sensual, exotic style. She took her trade to Paris in 1957 and became the toast of the Folies Bergère as an up-and-coming Josephine Baker. Billed as the "Cuban H-Bomb", she combined her native Afro-Cuban rhythms with a seductive belly-dancing style that encouraged wolf whistles wherever she toured, which would eventually include Puerto Rico, Haiti and even the United States.
It wasn't long before she slithered her way into Neopolitan action films. Bodybuilder Steve Reeves had just muscled his way into films with his mythological hero Hercules and a new genre was born, with the exotic Chelo soon proving herself a fiery fit. She first attracted attention with the film Sign of the Gladiator (1959) [Sign of the Gladiator] where her erotically-charged dance segment stole the thunder right from under the movie's top-billed sex star, Swedish siren Anita Ekberg.
From there Chelo, with her volcanic temperament, highly distinctive cheekbones and wild mane of dark hair, went on to charm a number of "ab"normally fit muscleman co-stars, including Reeves, Gordon Mitchell and Mark Forest in such obviously-titled adventure films as The Pirate and the Slave Girl (1959); Goliath and the Barbarians (1959); Son of Samson (1960); Terror of the Red Mask (1960); The Huns (1960); and Morgan the Pirate (1960); and Desert War (1962), which was produced by Aldo Pomilia.
She had already met Pomilia in 1960 while both were working on the "Morgan the Pirate" production. They married a year later and she bore him son Aldino in 1962. While visiting Aldo in Spain, where he was the production supervisor of Clint Eastwood's star-making western The Good, the Bad and the Ugly (1966), she made a brief uncredited mute cameo. Pomilia then executive-produced her an auspicious comeback, playing opposite her countryman, Havana-born Tomas Milian in the cult western Run, Man, Run (1968), as Dolores, which is arguably the best film role of her career. Chelo then made a brief appearance in a variation of that previous role, also called Dolores, in another cult western, the bizarre Night of the Serpent (1969), after which she abandoned the film scene and focused on Italian TV.
After the death of her husband in 1986, Alonso moved to Tuscany, Italy, where she found several interests to keep her busy, including breeding cats and operating a hotel/restaurant. She died at age 85 in Italy in 2019. - Magda Konopka was born on 15 March 1943 in Warsaw, Mazowieckie, Poland. She is an actress, known for The Persuaders! (1971), Department S (1969) and When Dinosaurs Ruled the Earth (1970). She was previously married to Jean-Louis Dessy.
- Loredana Nusciak was born on 3 May 1942 in Trieste, Friuli-Venezia Giulia, Italy. She was an actress, known for Django (1966), No Way Out (1973) and Gladiators 7 (1962). She was married to Gianni Medici. She died on 12 July 2006 in Trieste, Friuli-Venezia Giulia, Italy.
- Carole André was born on 11 March 1953 in Paris, France. She is an actress, known for Sandokan (1976), Face to Face (1967) and Yor: The Hunter from the Future (1983).
- Agata Flori was born on 15 April 1938 in Tunis, French Protectorate of Tunisia [now Tunisia]. She is an actress, known for 7 pistole per i MacGregor (1966), Operation Kid Brother (1967) and Up the MacGregors (1967).
- Gabriella Giorgelli was born on 29 July 1941 in Carrara, Tuscany, Italy. She is an actress, known for The Organizer (1963), The Police Are Blundering in the Dark (1975) and Bersaglio altezza uomo (1978).
- Born Lawrence Vonetta McGee, she got her break in Melinda (1972) and Hammer (1972) and hit paydirt as the love interest of the vampire in Blacula (1972), then starred with her then-boyfriend Max Julien in Thomasine & Bushrod (1974). In 1978 she starred opposite Bernie Casey and Ron O'Neal in Brothers (1977). Other movies include Repo Man (1984) To Sleep with Anger (1990). She has also done much work on television. She was married to actor Carl Lumbly.
- Actress
- Writer
Miou-Miou was born Sylvette Herry on February 22, 1950, in Paris, France. Her father was a gendarme, her mother was a sales-woman. Young Miou-Miou was selling strawberries helping out at her mother's fruit and vegetable stand at a street market. There she was spotted by actor-director Romain Bouteille, who invited her to work at Café de la Gare, a popular Parisian theatre, where Gérard Depardieu and Patrick Dewaere were principal actors. There she began as a cleaning lady, then became a dresser, then an actress. She was nicknamed Miou-Miou by Coluche because she was always nice, quiet, and clean as a kitty.
In 1971, Miou-Miou made her film debut in La vie sentimentale de Georges le tueur (1971) (The Sentimental Life of George Le Tueur 1971). At that time she became romantically involved with the fellow actor Patrick Dewaere. Their daughter, Angèle Herry-Leclerc, was born in 1974, but their relationship ended few years later, after their work in several films. Their relationship was portrayed in F... comme Fairbanks (1976), and later was documented in Patrick Dewaere (1992) (documentary).
Miou-Miou has been an unusual personality in the French cinema. She once refused to take the Cesar Award for Best Actress, which she won for the title role in Memoirs of a French Whore (1979). She explained that refusal citing her belief that artists should not compete against each other. Her career was hardly affected by such a gesture. She was nominated for Cesar nine times. Her better known works were made with Gérard Depardieu in Going Places (1974), Tell Her That I Love Her (1977), Ménage (1986), and Germinal (1993), an adaptation of the eponymous novel by Émile Zola.- Actress
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Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.- Soledad Miranda was a Spanish actress who appeared in many films in the 1960s. Her remarkable beauty and her tragic untimely death make her story the stuff of legend. She was born on July 9, 1943 in Seville, Spain. She started her career when only eight years old as a flamenco dancer and singer. She made her film debut at age sixteen as a dancer. During the following years, the fragile beauty appeared in numerous comedies, dramas, B-movies, and horror films, mostly in Spain (over thirty films altogether from 1960 to 1970). Her biggest break came from legendary director Jess Franco, who cast Soledad in such cult classics as Count Dracula and Vampyros Lesbos. Soledad is generally regarded as Franco's greatest discovery. On August 18, 1970 Soledad was in a car accident on a highway in Portugal. She died hours later, survived by her husband (a former race-car driver) and young son. Shortly before this tragic accident, a German film producer had offered her a contract which would have made her a great star. Soledad was destined to become a legend. Not until the years after her death has she become a cult starlet with fans all over the world now discovering the beautiful, doomed actress.
- Gina Rovere was born on 18 May 1936 in Rome, Lazio, Italy. She is an actress, known for Adua e le compagne (1960), Life Is Beautiful (1997) and Catch-22 (1970).
- Mary Paz Pondal was born in 1942 in Oviedo, Asturias, Spain. She is an actress, known for Tristana (1970), Teatro Club (1976) and Residencia para espías (1968).
- This stunning, fragile starlet was born Henriette Michèle Leone Girardon in Lyon in August 1938. Having completed her acting studies at the local conservatoire she won a competition as "the most photogenic girl in France" by the age of twenty. Photo shoots followed and a minor career as a model with appearances on the cover of prestige magazines "Vogue" and ""Marie-Claire". She began on screen with prominent supporting roles as a deaf mute in Luis Buñuel's Death in the Garden (1956) and as a secretary in Louis Malle's The Lovers (1958). Her first starring role came courtesy of Éric Rohmer who cast her in the lead of Sign of the Lion (1962) -- one of the first films of the French Nouvelle Vague movement, shot on location in Paris. Though not a commercial success at the time, the acting received general praise throughout and Michèle attracted attention from Hollywood. Paramount approached her with an offer to appear as the owner of a Tanzanian game farm opposite John Wayne in the African adventure Hatari! (1962). According to a Life magazine profile of July 1961 Michèle 'taught herself English' on the set. Her role did not lead to a Hollywood contract. Nevertheless, for a while she remained in demand for European productions, the pick of the bunch being leads in the Spanish-made swashbuckler The Adventures of Scaramouche (1963) and the Italian comedy The Magnificent Cuckold (1964). Less high profile, but decidedly decorative, was her supporting role in the Franco-Italian "Alfie'-lookalike comedy Tender Scoundrel (1966).
By the early 70's, film offers had dried up and Michèle's career was seriously on the skids. She became increasingly despondent, especially after the end of an unhappy dalliance with a married Spanish aristocrat, José Luis de Vilallonga (a writer and occasional actor with a well-earned reputation as a cad and spendthrift). Michèle Girardon decided to end her life by ingesting an overdose of sleeping pills in her home town on March 25, 1975, aged just 36. In a tragic irony, two co-stars in Michèle's penultimate film Les petites filles modèles (1971), Marie-Georges Pascal and Bella Darvi, also committed suicide at the ages of 39 and 42, respectively. - Giulia Rubini was discovered by the director Luciano Emmer who spotted her photo in her art photographer uncle's shop window. Emmer, casting for a heroine for his comedy High School (1954), auditioned 18-year old Giulia who passed the test and went on to star in the picture. Giulia then tended to be typecast as naïve ingénues in romantic drama (Le ragazze di San Frediano (1955)) or comedy (La banda degli onesti (1956)). She had a string of supporting roles in foreign productions (El Hakim (1957), The Night They Killed Rasputin (1960)) and peplum (Goliath and the Barbarians (1959), David and Goliath (1960), with Orson Welles as King Saul) and rounded off her career as female leads in a trio of spaghetti westerns (Ringo and His Golden Pistol (1966), Adios, Hombre (1967), Uno straniero a Paso Bravo (1968)). At her most ornamental in colourful adventure spectacles, filmed in exotic locales, Giulia enhanced pictures like Edgar G. Ulmer's Atlantean fantasy Journey Beneath the Desert (1961), the swashbuckler Rage of the Buccaneers (1961) (as Ricardo Montalban's love interest) and, as an Indian girl, in the German-Italian co-production Kidnapped to Mystery Island (1964), set against the background of the British Raj versus a sect of fanatical Kali worshippers. The latter was produced by Bavaria Film and released in the U.S. by Columbia, who offered Giulia a studio contract. However, having just learned of her second pregnancy and wanting to remain in Italy, she turned the offer down, choosing family life over career.
- Agnès Spaak was born on 29 April 1944 in Boulogne-Billancourt, Seine [now Hauts-de-Seine], France. She is an actress, known for Killer's Carnival (1966), La ragazzola (1965) and Killer Caliber .32 (1967).
- Barbara Carroll is known for The Last Days of Pompeii (1959), Zorro in the Court of England (1969) and The Fourth Wall (1969).
- Rossana Martini was born on 10 September 1926 in Fidenza, Emilia-Romagna, Italy. She was an actress, known for Requiescant (1967), The Tough and the Mighty (1969) and It's a Hard Life (1964). She was married to Nino Crisman. She died on 2 February 1988 in Trieste, Friuli-Venezia Giulia, Italy.
- Mirella Maravidi is known for Io uccido, tu uccidi (1965), Veneri al sole (1965) and How to Rob the Bank of Italy (1966).
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- Costume Designer
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Barbara Frey was born on 17 November 1941 in Berlin, Germany. She is an actress and costume designer, known for I cento cavalieri (1964), Ein Mann namens Harry Brent (1968) and ...und keiner schämte sich (1960). She was previously married to Mark Damon.- Annabella Incontrera was born on 11 June 1943 in Milan, Lombardy, Italy. She was an actress, known for Eneide (1971), The Assassination Bureau (1969) and The Ambushers (1967). She was married to Guglielmo Biraghi. She died on 19 September 2004 in Rome, Italy.
- Actress
- Additional Crew
Daniela Giordano was born on November 7, 1946 in Palermo, Sicily, Italy. Giordano attended school in Milan, Italy, where she lived with her family for ten years before returning to Palermo at age fourteen. Daniela was the winner of several local beauty pageants in her home town of Palermo and, in the wake of winning the 1966 Miss Italia contest at age nineteen, finished in second place in the 1967 Miss Europe contest. Giordano went on to work as a model prior to acting in her first movie in 1967. Among the notable directors that Daniela acted in films for are Mario Bava, León Klimovsky, Alfonso Brescia, Luigi Cozzi, Sergio Martino, and Paul Naschy.- Lucia Modugno was born on 9 July 1932 in Bitonto, Bari, Italy. She is an actress, known for Danger: Diabolik (1968), Operation White Shark (1966) and Isabella, Duchess of the Devils (1969).
- Gemma Cuervo was born on 22 June 1936 in Barcelona, Barcelona, Catalonia, Spain. She is an actress, known for Aquí no hay quien viva (2003), I Hate My Body (1974) and Estudio 1 (1965). She was previously married to Fernando Guillén.
- Rosy Zichel is known for Captain from Toledo (1965), War of the Zombies (1964) and Violenza segreta (1963).
- Dana Ghia was born on 13 July 1932 in Milan, Lombardy, Italy. She was an actress, known for So Young, So Lovely, So Vicious... (1975), Burn! (1969) and Smile Before Death (1972). She died on 15 January 2024 in Mori, Trentino-Alto Adige, Italy.
- Diana Lorys was born on 20 October 1940 in Madrid, Spain. She is an actress, known for O.K. Yevtushenko (1967), Proceso a Jesús (1974) and Residencia para espías (1968).
- Actress
- Soundtrack
Luz Márquez was born on 12 December 1935 in Madrid, Spain. She is an actress, known for La tirana (1958), Saul e David (1964) and The Texican (1966).- Actress
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A familiar character actress, Marianna Hill is the daughter of a building contractor. From her native southern California, her family moved around frequently, including to Canada, Spain and Great Britain. As a result, she became familiar with different accents and dialects, whether a French accent (for a guest appearance on My Three Sons (1960), or German Hogan's Heroes (1965). She started acting while a teenager, apprenticing at the La Jolla (Calif.) Playhouse, and also studied at the Neighborhood Playhouse in New York City. Marianna's exotic looks enabled her to portray a variety of types, including a Hawaiian girl, an Irish lass and Greek beauty. She has also been an acting coach and teacher at the Lee Strasberg Institute in London.- Imogen Hassall is sometimes referred to as "The Countess of Cleavage" as she was better known for her glamorous celebrity than her acting talent. Imogen was born on August 25 1942, in Woking, Surrey, England and rose to prominence in the late 1960s and early 1970s as an international B-movie starlet. To her frustration, her fame was brief and she never became a star in her own right. She died at age 38, in London on November 16 1980, after taking an overdose of sleeping pills.
- Laura Antonelli was born on 28 November 1941 in Pola, Istria, Italy [now Pula, Istria, Croatia]. She was an actress, known for Passion of Love (1981), Malicious (1973) and The Innocent (1976). She was married to Enrico Piacentini. She died on 22 June 2015 in Ladispoli, Rome, Lazio, Italy.
- Perla Cristal was born on 29 September 1937 in Buenos Aires, Argentina. She is an actress, known for The Avenger of Venice (1964), Novela (1963) and Espionage in Tangiers (1965).
- Femi Benussi was born on 4 March 1945 in Rovigno, Istria, Italy [now Rovinj, Istria, Croatia]. She is an actress, known for Poppea... una prostituta al servizio dell'impero (1972), Bloody Pit of Horror (1965) and La commessa (1975).
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Marisa Traversi was born on 6 August 1934 in Milan, Lombardy, Italy. She was an actress, known for Flashman (1967), Shoot First, Die Later (1974) and Detective Story (1970). She died on 15 March 2023 in Rome, Lazio, Italy.- Actress
- Additional Crew
Antonietta Fiorito is known for Samoa, Queen of the Jungle (1968), Assalto al tesoro di stato (1967) and Le 10 meraviglie dell'amore (1969).- After the birth of her two children, Marie Aumüller married Rudolf Koch. Her children took the name of their stepfather. Although the marriage of Rudolf and Marie Koch was short-lived, the children did not know the identity of their biological father, Rudolf Schindler, a well-known gastroenterologist, until much later. He was a Jew, so the fact that he hadn't been identified as the father of Marie Koch's children may explain how they survived the Shoah. In 1934, Schindler was forced to emigrate from Germany with his wife, Gabriele Winkler, and their two children Richard and Ursula. After Gabriele Winkler's death, Rudolf Schindler married Marie Koch.
- Ethel Rojo was born on 23 December 1937 in Santiago del Estero, Argentina. She was an actress, known for Esa pícara pelirroja (1963), No toca botón (1987) and Así es mi México (1963). She was married to Gerardo González. She died on 24 June 2012 in Buenos Aires, Argentina.
- Gorgeously svelte and classy redhead stunner Helga Line was born as Helga Lina Stern on July 14th, 1931 in Berlin, Germany. Helga began her career as a dancer and acrobat in circus performances in Portugal. She also later worked as a model. Line began acting in movies in the early 40s. Helga moved to Madrid, Spain in 1960. Line immediately established herself as a hugely popular and prolific actress in a large volume of horror pictures, spy films, thrillers and Westerns made throughout the 60s and 70s. Best known as the alluring spy Natasha in the terrific period Gothic fright feature treat Horror Express (1972), her other memorable roles include an enticing sea siren in the immensely enjoyable When the Screaming Stops (1973), a predatory vampire countess in the terrifically trashy _The Vampires' Night Orgy (1972)_ *qv), and the seductive middle-aged leader of a Satanic cult in the steamy _Black Candles (1982)_. Line starred with Spanish horror icon Paul Naschy in two entertaining offerings: Horror Rises from the Tomb (1973) and The Mummy's Revenge (1975). Helga was especially impressive in the Pedro Almodovar pictures Labyrinth of Passion (1982) and Law of Desire (1987). More recently Helga Line has done guest spots on a couple of Spanish TV shows.
- Actress
- Second Unit Director or Assistant Director
Lorella De Luca was born on 17 September 1940 in Florence, Tuscany, Italy. She was an actress and assistant director, known for Orlando e i Paladini di Francia (1956), Le fils de Tarass Boulba (1962) and Tough Guys (1974). She was married to Duccio Tessari. She died on 9 January 2014 in Rome, Lazio, Italy.- Actress
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London-born Sylvia May Laura Syms hit major film appeal at a relatively young age. Born on January 6, 1934, she was educated at convent schools before receiving dramatic training at the Royal Academy of Dramatic Art. She made her stage debut in a production of "The Apple Cart" in 1954.
A repertory player by the time she was discovered for films by the British star Anna Neagle and her director/husband Herbert Wilcox, the lovely demure blonde started out auspiciously enough in the delinquent film Teenage Bad Girl (1956) in which she played Neagle's troubled daughter. This was followed by a second Neagle/Wilcox collaboration with No Time for Tears (1957).
Excelling whether cast in stark melodrama, spirited adventure or harmless comedy fluff, Syms' film list grew impressive in the late 1950s and early 1960s working alongside the likes of John Mills and Anthony Quayle in Ice Cold in Alex (1958), Curd Jürgens and Orson Welles in Ferry to Hong Kong (1959), Lilli Palmer and Yvonne Mitchell in Conspiracy of Hearts (1960), Laurence Harvey in Expresso Bongo (1959), William Holden in The World of Suzie Wong (1960), and Dirk Bogarde in the landmark gay-themed Victim (1961), playing the unsuspecting wife of Bogarde's closeted male. After nearly a decade's absence, Sylvia returned briefly to the London theatre lights in 1964 to play the title role in "Peter Pan."
Ably portraying innocent love interests throughout the years, she graced a number of pictures without ever nabbing that one role that would truly put her over the top. She was nominated, however, three times for British Film Academy Awards--twice for best actress in Woman in a Dressing Gown (1957) and No Trees in the Street (1959) and once for supporting actress in The Tamarind Seed (1974) that starred Julie Andrews and Omar Sharif.
The 1970s saw quite a bit of TV series work and she played British prime minister Margaret Thatcher at one point on both stage and TV. She grew plumper with middle age and found herself immersed in character roles, offering support in such films as Absolute Beginners (1986), Shirley Valentine (1989) and Shining Through (1992).
The stage once again beckoned in the mid-to-late 1980's with touring performances, among many others, in "The Heiress," "The Beaux Stratagem," "The Ideal Husband," "A Doll's House," "Ghosts," "The Vortex," "Hamlet," "Anthony and Cleopatra" and "Who's Afraid of Virginia Woolf?" She portrayed the Queen and Margaret Thatcher in a production of "Ugly Rumours" and was among the cast in a musical presentation of "On the Town" in 2005.
Into the millennium, Sylvia has continued to have remarkable agility. American audiences have recently seen her as the dog-doting "Princess Charlotte" in the light teen comedy What a Girl Wants (2003) with Amanda Bynes and Colin Firth, and treading water as the Shelley Winters character in the TV-remake of The Poseidon Adventure (2005). Other movies have included the role of the Queen Mum in The Queen (2006) starring Oscar-winning Helen Mirren as Queen Elizabeth II, as well as featured roles in Is Anybody There? (2008) starring Michael Caine and Booked Out (2012). She also co-starred opposite Peter Bowles in the heart-warming senior character study Together (2018).
Married once and divorced in the 1980s from Alvin Edney, daughter Beatie Edney (aka Beatrice) is a highly prolific actress in her own right, and her son, Benjamin Edney, was briefly an actor while young and appeared with his mother as her son in the western The Desperados (1969). Ms. Syms is sometimes confused with Brooklyn-born jazz/cabaret performer and recording artist Sylvia Syms (1917-1992) (née Sylvia Blagman).- Actress
- Producer
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Kate O'Mara was born Frances Meredith Carroll on August 10, 1939 in Leicester, Leicestershire, England. A hard-looking brunette with high cheekbones, Kate was the daughter of actress Hazel Bainbridge and John Carroll and prodded into performing as a child. Educated at the Aida Foster School, she began an early career as a speech therapist at a Sussex Girls' School, but her attraction to acting got the best of her and she switched gears, making her debut in a stage production of "The Merchant of Venice" in 1963 at age 24. She continued to appear in classical works throughout the next two seasons until television series spots started coming her way. Kate attracted gothic notice in Hammer Studio horror films as tawdry, darkly alluring femmes in both The Horror of Frankenstein (1970) and The Vampire Lovers (1970), but her film load over the years would remain sporadic.
She had remained focused on stage endeavours in the ensuing years and had appeared in many British television series as well as various femme fatales or shady ladies. She made little leeway in America but did appear as Joan Collins equally bitchy sister for one season of Dynasty (1981) in 1986. She was also delightfully vindictive in episodes of Doctor Who (1963) and Absolutely Fabulous (1992) in England. She relished a standout role in the long-running British soap opera Crossroads (2001). In the 1980s, she founded and toured in a theatre company (The British Actor's Theatre Company), which had continued running into the millennium. She had since published two books: "When She Was Bad" in 1991 and "Good Time Girl" in 1993. Kate O'Mara died at age 74 on March 30, 2014 after a short illness in a nursing home in Sussex, England.- Sheila Burrell was born on 9 May 1922 in Blackheath, London, England, UK. She was an actress, known for Cold Comfort Farm (1995), Paranoiac (1963) and The Feathered Serpent (1976). She was married to David Sim and Laurence Payne. She died on 19 July 2011 in Kingston upon Thames, Surrey, England, UK.
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Jany Clair was born on 2 September 1938 in Lille, France. She is an actress, known for Hercules Against the Moon Men (1964), Conquest of Mycene (1963) and The Night They Killed Rasputin (1960).- Monika Brugger is known for Wanted Johnny Texas (1967), Buckaroo: The Winchester Does Not Forgive (1967) and Suchen Sie Dr. Suk! (1972).
- Actress
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Alida Chelli was born on 23 October 1943 in Rome, Lazio, Italy. She was an actress, known for The Sucker (1965), They're a Weird Mob (1966) and Casa dolce casa (1992). She was married to Walter Chiari. She died on 14 December 2012 in Rome, Lazio, Italy.- Actress
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Rosanna Schiaffino was born on 25 November 1939 in Genoa, Liguria, Italy. She was an actress, known for La mandragola (1965), The Miracle of the Wolves (1961) and Romulus and the Sabines (1961). She was married to Giorgio Enrico Falck and Alfredo Bini. She died on 17 October 2009 in Milan, Lombardy, Italy.- Actress
- Additional Crew
Strikingly comely brunette Patty Shepard was born in 1945 in Greenville, South Carolina. The daughter of a U.S. Air Force official, Patty moved to Spain when she was only 18 years old. After becoming popular as a model in a series of TV commercials, the lovely Ms. Shepard embarked on an acting career, making her film debut in a small part in La ciudad no es para mí (1966) (aka "The City is Not for Me"). She initially acted in paella westerns and thrillers before appearing in a handful of horror movies which include Assignment Terror (1970) (aka "Dracula vs. Frankenstein"), The Werewolf Versus the Vampire Woman (1971) (aka "The Werewolf vs. the Vampire Woman"), Crypt of the Living Dead (1973) (aka "Crypt of the Living Dead") and The Witches Mountain (1973) (aka "The Witches' Mountain") and Special Killers (1973) (aka "La Ragazza di Via Condotti"). Patty often acted alongside Spanish horror icon Paul Naschy in these films and projects a certain eerie otherworldly aura that's stunningly similar to Barbara Steele. Other films include the end-of-the-world science fiction feature Creation of the Damned (1974) (aka "Refuge of Fear") and the tongue-in-cheek spaghetti Western oddity The Stranger and the Gunfighter (1974) (aka "The Stranger and the Gunfighter"). After appearing in the horror movies Rest in Pieces (1987) (aka "Rest in Pieces") and Slugs (1988) (aka "Slugs"), Shepard retired from acting in the late 1980's. She died of a heart attack at her home in Madrid, Spain on January 3, 2013.