Brilliant actors without photos
I've been watching Films and TV from the late 50's and IMDb allows me to look up some of the actors I loved to watch. Unfortunately some have no photographic identity. I thank IMDb for not allowing these great actors not to be forgotten. Hopefully at some future date photographs will be attached.
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- Patrick Allen was born on 17 March 1927 in Nyasaland [now Malawi]. He was an actor, known for Dial M for Murder (1954), Glencannon (1959) and UFO (1970). He was married to Sarah Lawson. He died on 28 July 2006 in London, England, UK.This actor appeared in many TV series notably in Glenncannon
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George Cole OBE was a veteran British film, television and stage actor whose impressive career spanned over 60 years. For many, he will perhaps be best remembered for playing one of the most endearing characters of recent times on British television, "Arthur Daley", the shifty but very likable "business man" in the hit ITV drama series, Minder (1979).
However, Cole had long been a household name well before "Minder" aired on television. His successful film career began in the 1940s, appearing with Alastair Sim and Sir John Mills in the film Bombsight Stolen (1941). Further success came throughout the 1950s and 1960s, where he played the part of "Flash Harry" in the popular "St Trinians" films, alongside his close friend and mentor, Alastair Sim. By 1963, Hollywood had recognized the talents of Cole and he was cast in the iconic film, Cleopatra (1963), starring Elizabeth Taylor, Richard Burton and Rex Harrison. During the 1970s, George continued to star in films and television programmes, becoming a regular and sought after actor. It is interesting to note that, in 1971, he appeared with Dennis Waterman (who would later become his Minder (1979) co-star) in the horror film, Fright (1971). In 1979, Cole was cast as the hapless "Arthur Daley", a self-professed entrepreneur in the ITV drama Minder (1979), a role he played until 1994. The role showcased Cole's acting prowess and brought him to the attention of a younger audience.
As well as starring in Minder (1979), George continued with other projects in film and television, including Root Into Europe (1992), An Independent Man (1995), Mary Reilly (1996), Dad (1997), Station Jim (2001), Bodily Harm (2002) and, alongside his good friend Dennis Waterman, in the BBC hit drama, New Tricks (2003). He also starred in several stage productions. It is hoped that Cole will not be be remembered simply for portraying "Arthur Daley", but instead for being one of Britain's most enduring actors, one of only a handful of actors who can claim to have had a 60-year career and for being an extremely likable, charismatic man.Great comic actor appearing in such programs as Minder.- Actor
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Reg Varney was born on 11 July 1916 in Canning Town, London, England, UK. He was an actor and writer, known for Holiday on the Buses (1973), Down the 'Gate (1975) and The Best Pair of Legs in the Business (1973). He was married to Lilian Emma Flavell. He died on 16 November 2008 in Budleigh Salterton, Devon, England, UK.One of my all time favorite actors. I saw him first in The Rag Trade and then memorably in On The Buses.- Doris Hare was born on 1 March 1905 in Bargoed, Monmouthshire, Wales, UK. She was an actress, known for On the Buses (1969), The Avengers (1961) and Second Best (1994). She was married to John Fraser Roberts. She died on 30 May 2000 in Denville Hall, Northwood, Hillingdon, London, England, UK.A stalwart of screen and cinema. Always played a nag. Great actress.
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Miriam Karlin was born on 23 June 1925 in Hampstead, London, England, UK. She was an actress, known for Children of Men (2006), A Clockwork Orange (1971) and So Haunt Me (1992). She died on 3 June 2011 in St John's Wood, London, England, UK.Great voice ... Lovely actress ..- Actor
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The star of the Carry On series of films, Sid James originally came to prominence as sidekick to the ground breaking British comedy actor Tony Hancock, on both radio and then television. Born in Johannesburg, South Africa and named Solomon Joel Cohen, James arrived in England in 1946, second wife in tow, having served with the South African Army during World War 2. By now an aspiring actor, James claimed to have boxed in his youth, perhaps to explain his craggy features, but was certainly a well respected hairdresser in his native country. Known in the trade as "one take James", he became a very talented and professional actor, constantly in demand for small parts in British post-war cinema. In 1960 James debuted in the fourth of the Carry On films, taking the lead role in Carry on Constable (1960) and went on to appear in a further 18 Carry On films as well as various stage and television spin-offs. Reputed not to have got on with Carry On co-star Kenneth Williams, the two often played adversaries on-screen, notably in the historical parodies Carry on Up the Khyber (1968) and Carry on Don't Lose Your Head (1967). James however was respected and revered by almost everyone he worked with and contrary to popular myth, a true gentleman. An addiction to gambling played a large part in James' workaholic schedule and subsequent heart attack in 1967. He was soon back in action however, playing a hospital patient in Carry on Doctor (1967), able to spend most of the film in bed. He suffered a second and fatal heart attack on stage in Sunderland, England on April 26 1976, leaving behind 3 children and his third wife Valerie who had stuck by him despite his affair with Carry On co-star Barbara Windsor, saying, "He always came home to me".What a great personality ... Great laugh ... So much talent- Actor
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The acting bug bit Kenneth Williams when, as a student, his English teacher suggested he try out for a school play. He found that he enjoyed it tremendously, but when he raised the possibility at home of becoming an actor, his father forbade it. Williams was eventually sent to art school in London in 1941. In 1944 he was drafted into the army, and although posted to the Royal Engineers, he managed to land a job in the Combined Services Entertainment unit, where he got a chance to act in shows that were put on to entertain the troops, and even designed the posters that advertised the shows.
After his discharge from the army he began to work as a professional actor, and traveled the country in repertory companies. It was in a production of "Saint Joan", where he played the Dauphin, that a radio producer saw him and hired him to do voice characterizations on a popular radio comedy show, "Hancock's Half Hour". His penchant for wild, off-the-wall characters led to his being hired by the producers of the "Carry On" comedy series, where he performed in 26 entries in the long-running series. When the series ended, Williams returned to radio work, and also made the rounds of the TV talk shows in addition to writing several books, including his autobiography. Later in his life Williams developed a serious ulcer, and was given medication to combat the pain. On April 15th 1988, he was found dead in his bed; it was determined that in addition to his regular pain pills, he had apparently taken some sleeping pills the night before, and the combination of those and his regular medication proved fatal.Have you read his diarys ? ... Lovely character but troubled- Actor
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Coming from a theatrical family (although not related to the famous Edwardian actor Sir Charles Hawtrey, he did "borrow" his last name), Charles Hawtrey made his stage debut at age 11 after having spent several years in a prestigious acting school. A string of stage roles followed, and by 1929 his success led him to move into radio. His success in that medium led to his entry into films, often working alongside noted comedian Will Hay. He continued his stage, radio and film work, although he scored more success on stage.
In 1958 he began work in the series for which he would achieve his greatest fame, the "Carry On" comedies. His stringy build, birdlike features, what has been described as his "outrageously posh" voice and his somewhat fey character's eccentricities made him one of the most popular of the "Carry On" gang. However, that very popularity indirectly led to his exit from the series. He believed that his character's prominence, and the fact that he had more experience in the business than most of his co-stars, entitled him to receive a higher billing in the series than he was getting. The producers didn't see it that way, and after Carry on Abroad (1972), he departed the series. Hawtrey was, by most accounts, almost as eccentric in real life as his character in the "Carry On" series was; one of his characteristics was to speak in an unintelligible language of his own making, which was only understood by a few of his closest friends. After he left the series he semi-retired from the business, making an occasional appearance in a movie or TV show. He had suffered from arthritis for a long time, and by 1988 his doctors told him that the condition had become so serious that his legs would have to be amputated in order to save his life. He refused, and died almost a month later. He was 73.This guy used to crack me up he was so camp ...- Actress
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Joan Sims, the "First Lady of Carry On", was born Irene Joan Marion Sims on 9 May 1930. The daughter of an Essex railway station master, Joan was interested in pursuing show-business, and soon became a familiar face in a growing number of amateur productions. In 1946, Joan first applied to RADA, her audition was unsuccessful. She did succeed in being admitted to the academy's preparatory school, and finally, on her fourth attempt, trained at RADA. She graduated in 1950 at the age of nineteen.
A cameo appearance in Doctor in the House (1954) as the sexually repressed Nurse Rigor Mortis led to Joan being first spotted by Peter Rogers; Rogers' wife Betty E. Box was the producer of the Doctor series, in which Joan herself became a regular.
A few years later, in 1958, Joan received another script from Peter Rogers, it was Carry on Nurse (1959). The film had been a huge success at the box office and in the autumn of that year Rogers and Gerald Thomas began planning a follow up. She went on to appear in 24 of the films, making her the longest serving female member of the team.
She first starred in the following three Carry On films: Carry on Teacher (1959), Carry on Constable (1960) and Carry on Regardless (1961), before taking a break from the next four films to concentrate on stage work. She rejoined the team with Carry on Cleo (1964) and remained all the way through to Carry on Emmannuelle (1978) in 1978.
Ironically, she was never proclaimed Queen of Carry On. This title went to saucy Barbara Windsor, even though she had only appeared in nine Carry On films.
One could argue that her final performances in the Carry On films were rather sentimental, as though she knew that the series was coming to an end and two scenes come to mind. The scene in which she plays cards with Peter Butterworth in Carry on Behind (1975) in his caravan late at night, and also in the launderette where she dances with an early Carry Oner Victor Maddern in Carry on Emmannuelle (1978). Both of these are memorable sentimental film scene stealers.
With the end of the Carry On series in 1978, Joan went on to become a familiar face on TV screens, with ongoing roles in a number of highly successful sitcoms On the Up (1990) and As Time Goes By (1992) and the BBC's prestigious classic drama adaptations such as Martin Chuzzlewit (1994).
Joan's autobiography, High Spirits, was released in 2000. She complains in the last few pages of her book at the lack of information on her on the IMDB trivia page, something that was only significantly expanded after her death.
In her later years she became a cult figure and something of a British National Institution as the only surviving major Carry On star from early days. However, years of heavy drinking took their toll and she suffered in her later years with ill health. She was admitted to Hospital in Chelsea in London in mid 2001 and slipped into a coma. She died on 28 June 2001, with her lifelong friend and Carry On Norah Holland holding her hand.
Following her death, surviving Carry On stars celebrated her achievement in the Carry On films. Barbara Windsor, said at the time of her death, "To me she was the last of the great Carry Ons, she was there at the beginning. Her talent was wonderful, she could do any accent, dialect, she could dance, sing, play dowdy and glam. We laughed all the time and giggled a lot. I will sorely miss her." That quote is so true, throughout her whole Carry On career she alone stands apart as the most versatile actress in the whole series. She was never typecast in the films like the other actors and actresses.
Others also paid tribute, even ex-Government Cabinet Ministers. Her agent Richard Hatton said, "It's wonderful to be able to say that she really did have all the qualities that her many fans would have wished. A great sense of humour, a sympathetic and endearing personality, terrific talent and consideration for others.
"Over and above this, she discovered a new side of herself when she wrote her autobiography last year, which was untypical for the genre - honest, frank and intelligent. Everyone who knew her is going to remember her forever."Such a marvelous actress ...- Peter Butterworth's promising career in the British Navy Fleet Air Arm ended when the plane which he was flying was shot down by the Germans in WW II and he was placed in a POW camp. There he became close friends with Talbot Rothwell (later a writer on the "Carry On" series, on which Butterworth often worked) and the two began writing and performing sketches for camp shows to entertain the prisoners (and to cover up the noise of other prisoners digging escape tunnels). Never having performed in public he was petrified but gamely sang a duet with Talbot. This sparked his enthusiasm to enter show business after the war and Talbot helped and encouraged him and he soon became a familiar character actor in both films and television. He specialized in playing gentle, well-meaning but somewhat eccentric characters (which, by most accounts, is what he was in real life). He was married to impressionist Janet Brown, who he met while doing a Summer show at Scarborough and their son, Tyler Butterworth, also became an actor. Butterworth died suddenly in 1979, as he was waiting in the wings to go onstage in a pantomime show.This guy has been in so many things as a supporting actor
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Jack Warner started acting with the Sutton Amateur Dramatics Club after the end of World War I. From 1935, performed in cabaret at the London West End as half of the double act of Warner & Darnell. In addition to starring as Dixon of Dock Green (1955), which ran for over 20 years, he achieved lasting popularity on screen in the role of Joe Huggett, patriarch of a Cockney family, in Holiday Camp (1947), and its three sequels (plus a radio serial). Towards the end of his working life, 1976-80, Warner made a brief return to cabaret, before a stroke brought about his retirement.My mum used to love watching this actor- Actor
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South African-born Stratford Johns was forever associated with the role of tough, abrasive Superintendant Charlie Barlow on TV's Z Cars (1962) and its sequels Softly Softly: Task Force (1969) and Barlow at Large (1971). In between, he also played Barlow in the miniseries Jack the Ripper (1973) (which, in turn, led to a 'cold case' investigation series called Second Verdict (1976)). He even spoofed his famous screen detective on The Two Ronnies (1971). His perennial sidekick was the actor Frank Windsor (in the role of Sergeant Watt), who once jokingly referred to their on-screen partnership as being "the Morecambe & Wise of serious television".
Johns was educated in Pietermaritzburg in Natal Province. He began working life as a deckhand with the South African Navy during World War II. He then had a brief spell as an accountant, before finding his vocation in the dramatic arts. After some work in local repertory companies, he went to England on a one-way ticket in 1948, acting for four and a half years on stage in Southend-on-Sea, followed by a comedy act in the variety halls. Since this amounted to little more than a meager income, Johns was forced to make ends meet by doing handyman jobs, building fences, painting and gardening. His big break came in 1962, when he was presented with the choice of whether to accept a small part in the epic blockbuster Cleopatra (1963), or, alternatively, screen test for a new BBC police series (initially called "Crime Cars"). Though tempted by the gentler Roman climate, he wisely chose the latter.
For better or worse, Johns became identified with Barlow to such an extent over the years, that he was even sought-after by police for recruitment drives on television. Conversely, though he occasionally attempted to break away from typecasting, especially on stage, he was rarely deemed to have succeeded.Who can forget this actor ... He was great in I Claudius- Actress
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Sheila was born in the Highgate area of London. Her father was a clerk in a shipping line office and she had an older sister. When she was 12 she went to see a friend , who was a member of the Terry Juveniles, rehearsing for a pantomime at Golders Green. MISS terry asked her if she'd like to do some chorus work and at as an understudy. Arthur Askey, who was in the pantomime picked her out and gave her a couple of lines. During the run she heard that auditions were being held for children to take over from the original cast of 'Sound of Music' so went along to the auditions and got a part that lasted 2 years. and worked in two of the daughter's parts. By the time she left at 14 she'd saved enough money to join the Corona Stage School. After graduating she joined the cast on tour in a thriller, played small parts on television and had walk on rolls in some films then at 17 a small part in the touring production of 'On the Level' which was enlarged to include a solo number for which she got good reviews but the show didn't and it closed after a short run at the Saville Theatre in London.. She then got a part as Nancy's friend Bet in the film of 'Oliver' along with a small part in the film 'Mrs Brown You've Got a Lovely Daughter' and joined Rodney Bewes in the television series 'Dear Mother Love Albert'. It was then to Turkey for a small part in a Wendy Toye film then back to London for a musical version of 'Pickwick Papers' with Roy Castle for C.B. C. and while rehearsing for it she heard about auditions being held for a stage musical 'Dames at Sea' .She dashed over during a lunch break and was called back twice and given a part. After the London run she was the only one of the cast to go with the show for a run in Paris..Another I Claudius actress ...- Actor
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The lean, rather emaciated-looking John Bennett studied acting at the Central School of Speech and Drama in London. After years in repertory theatre, he made his feature debut in 1960, and, thereafter, appeared regularly on British screens. He was prone to perform in diverse ethnic guises, often adopting heavy make-up and using his penchant for accents and dialects. One of his first notable appearances was as the evil Injun Joe in the BBC children's series The Adventures of Tom Sawyer (1960). He came to be much in demand for crime-time TV series, like The Avengers (1961), The Saint (1962) and Z Cars (1962), effortlessly switching from menacing roles to law enforcement.
In feature films, he was generally confined to background support, except for his titular lead in the little-seen drama The Barber of Stamford Hill (1963). He also provided an effective thread connecting the various vignettes of The House That Dripped Blood (1971), as the sceptical investigating Chief Inspector. Bennett also appeared as Joseph Goebbels in Hitler: The Last Ten Days (1973), French Prime Minister Georges Clemenceau in the excellent miniseries Fall of Eagles (1974), and as Greek historian and philosopher Xenophon in I, Claudius (1976). He twice guested in Doctor Who (1963), giving one of his most indelible performances as the Fu Manchu look-alike, Li H'sen Chang, an evil Chinese magician and hypnotist roaming Victorian-era London in search of victims to aid in his master's reincarnation, in "The Talons of Weng-Chiang". Bennett managed to avoid the pitfalls of caricature and gave a thoroughly convincing performance, managing to portray the arch villain with dignity and, ultimately, even a degree of sympathy.
In addition to his work on screen, Bennett remained an exceedingly busy stage performer, at once in classical roles at the National Theatre and with the Royal Shakespeare Company, and in West End revivals of noted musicals like "The King and I" (1979) and "The Sound of Music" (1981).This actor has been in everything ... One of my favorite actors ... From I Claudius to Fifth Element- Actor
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Philip Madoc was born in Merthyr Tydfil, Wales, and attended Twyn School. He became interested in acting when he was a teenager. He studied at the University of Vienna and pursued a theatrical career by attending the Royal Academy of Dramatic Arts. During the 1960s, he became a familiar face on British television, often cast in sinister roles due to his dark looks and deep voice. He became particularly familiar to fans of fantasy television, playing five different roles on The Avengers (1961) and four different roles on Doctor Who (1963). Into the 1970s and the guest appearances kept coming, including comedies such as Dad's Army (1968) (as a U-Boat captain in one of the most famous scenes on British TV) and The Good Life (1975). Although widely respected as a versatile actor adept at accents, Madoc never really became a star until 1981, when he portrayed former British prime minister David Lloyd George on an acclaimed television series, The Life and Times of David Lloyd George (1981). Madoc has not been short of work for the last 40 years, a rare accomplishment for an actor, and has worked on films, radio and on the stage as well as his prolific television career. Madoc died of cancer in 2012.My favorite villain... Don't tell him Pike- Shapely, dark haired British actress who appeared in a number of sensual film and TV roles that showcased her beauty. She is probably best recognizable as Miss Caruso, the beautiful young Italian agent sleeping with James Bond in the opening of Live and Let Die (1973) whose blue dress zipper meets its match in Bond's magnetic watch. Prior to this, she had worked with Roger Moore in an early TV appearance and he recommended her for the role.Who can forget Vampire Lovers ... Wow
- British character actor with radio and stage experience from 1951. Studied at University College in London and learned acting at the Old Vic Theatre School. Toured South Africa in 1952 and subsequently appeared in many Shakespearean roles in Stratford-upon-Avon. Busy television actor from the late 1950's, popular as ruthless tycoon John Wilder in The Plane Makers (1963). Also noted for his voice-overs for Winston Churchill in two documentary features.Jumping out of an airplane without a parachute ... Father of Barnaby's wife ... Great actor
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To say that Terence Alexander, the distinguished British thespian, was hyperactive is a statement that borders on the understatement! Judge for yourself : born in 1923, following a short period when he considered becoming a priest, Alexander exercised the acting profession for six full decades and he might have beaten Queen Victoria's record, had not Parkinson's disease (an illness he finally died of at 86) taken its toll. In 1939, at age 16, he was already in the theater, as the first assistant manager of The White Rose Players Company at the Harrogate Opera House. It did not take more than a few months before he made his acting debut on the aforementioned scene, with the first role in J.B. Priestley's "The Good Companions". And not only would he appear in dozens of plays (signed Jean Anouilh, Ray Cooney, T.S. Eliot, Alan Bennett, Margaret Kennedy, and many others) but he would appear in no fewer than... 340 films, TV movies and series episodes! And that is without counting his career as a voice talent on the radio, as a film and a trailer narrator. Of course, appearing in so many plays and filmed works means that, except on the boards, he was not always the lead. He even hardly ever was. But whether in a supporting role or even a bit part, Terence Alexander managed to establish himself as a well-mannered upper class type with suave manners, although quite often on the wrong side of the law (he was excellent as one of the seven retired army officers turned bank robbers in Basil Dearden's quite enjoyable The League of Gentlemen (1960)). But he could also be an effective foil to comics like Norman Wisdom, Benny Hill and Eric Morecambe & Ernie Wise. On TV, Terence Alexander was everywhere, in many quality TV films like "Autumn Crocus" (1952), "The White Carnation" (1956), "A Room in Town" (1970), "Frankenstein" (1984) and in more than one TV show. But he was first and foremost in an impressive number of series : these included Maigret (1959) (2 episodes, 1962-63), cult classics such as The Avengers (1961) (3 episodes, 1965-69), The New Avengers (1976) (1 episode, 1977), Man in a Suitcase (1967) (1 episode, 1968), The Champions (1968) (1 episode, 1969), The Persuaders! (1971) (1 episode, 1971) and Doctor Who (1963) (2 episodes, 1985), prestigious classic serials such as Nicholas Nickleby (1968) (5 episodes, 1968), The Forsyte Saga (1967) (9 episodes, 1967) and The Pallisers (1974) (3 episodes, 1974), and this is only a sample of all the series the prolific actor appeared in. With such a hectic activity, Terence Alexander of course gained recognition both from his peers and from the public but fame did not come to him before 1981 when he accepted (rather reluctantly by his own admission) the role of Charlie Hungerford in the detective series "Bergerac". As the power broker and (disapproving) former father-in-law of detective Jim Bergerac, played by John Nettles, he appeared in 85 of its 86 episodes. Shown in 35 countries, the series allowed Alexander to be known (and cherished) not only by an international audience but by the younger generation too. More than a swan song for this exquisite actor. When he retired in 1999 he must have have felt satisfied with his professional life.This actor has been in so many films ... Great Escape etc. ... Bergeracs dad in law- English character actress best known for her many portrayals of feisty cockney types, ranging from barmaids to landladies, charwomen to cooks. Unlike her working class screen personae, Irene's parentage was quite cosmopolitan, her father (Frederick) a Viennese banker, her mother (Maria) a French aristocrat - affluent enough to enable her to travel extensively in her youth. She received her acting training at the Embassy School, under the auspices of the sister of Sybil Thorndike, but did not make her debut on the London stage until 1938.
Her first successful role was in a West End comedy entitled 'George and Margaret' and this led to many other parts, including 'Blithe Spirit' by Noël Coward. From 1937, plump, cheerful Irene Handl became a popular supporting character in British films, usually in small roles or cameos, often as eccentric or pixillated old ladies. On occasion she could be a scene-stealer, as in I'm All Right Jack (1959) as the grumbling wife of shop steward Peter Sellers. She was also the definitive Mrs. Hudson, landlady to the famous detective at 221b Baker Street, in The Private Life of Sherlock Holmes (1970).
Irene Handl enjoyed a prolific career on radio (partnering Arthur Askey in 'Hello Playmates' and Tony Hancock in 'Hancock's Half Hour'), as well as in television. Her best-loved appearance was opposite Wilfred Pickles in the title role of Ada Cresswell in the sitcom For the Love of Ada (1970). She also made guest appearances in numerous shows, ranging from The Adventures of Robin Hood (1955) to The Rag Trade (1975), and remained an active performer well into her eighties. She also narrated an audio-book version of The Importance of Being Earnest and published two novels: The Sioux in 1969 (described by a reviewer as a 'gothic comic melodrama') and a more downbeat sequel, The Gold Tip Pfitzer in 1986. Besides acting and writing, Handl was a fellow of the Royal Geographical Society, loved Chihuahua dogs and Rock and Roll music. Irene never married. Shortly before she died at her flat in Kensington, she had been making plans for a third novel.Great actress ... Voice like razor blades on a window - Born in Armagh, Northern Ireland, Patrick Magee is a classic example of how certain actors rate the stage far more highly than the screen. He was a favorite actor of Samuel Beckett, one of whose greatest plays, 'Krapp's Last Tape', was written specifically for him. He did outstanding work on film, most notably in Stanley Kubrick's A Clockwork Orange (1971) as the crippled writer Mr. Alexander, and in Kubrick's Barry Lyndon (1975), as the chevalier. He also appeared in Joseph Losey's The Servant (1963), Peter Brook's Marat/Sade (1967) and William Friedkin's The Birthday Party (1968). He also appeared in films by such cult directors as Roger Corman, Lucio Fulci and Walerian Borowczyk.This actor has been in everything ... Best moments for me are from Zulu