Greatest Directors--G
This is a ranked list of directors whose last name begins with a "G."
List activity
2.2K views
• 4 this weekCreate a new list
List your movie, TV & celebrity picks.
78 people
- Director
- Writer
- Editor
Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.- Producer
- Writer
- Director
Menahem Golan was born Menahem Globus to parents of Polish decent in Tiberias, Israel, in May 1929. In his early years, he was a pilot for the fledgling Israeli Air Force, changing his surname to Golan for patriotic reasons in 1948. A few years later, he took the first step towards his future career by attending the Old Vic Theatre School in London. After returning to Israel, he produced for theater, until joining producer Roger Corman as an assistant on The Young Racers (1963). Golan's debut film in partnership with his younger cousin Yoram Globus was El Dorado (1963). The two cousins set up Noah Films to produce for the Israeli market. Golan's role was as producer and the creative partner, with Globus as the financial expert. The company was first recognized overseas when its production Sallah Shabati (1964) won an Oscar nomination for Best Foreign Language Film and then won the Golden Globe in the same category in 1965. However, the cousins were desperate to break into the international market. Some of their films had been picked up for distribution in America, such as Kazablan (1973) by MGM, but this was not enough.
In 1979 the pair bought control of a failing production company, The Cannon Group Inc., from Dennis Friedland and Christopher C. Dewey, and it was this company that gave them international renown. Under their control, the Cannon Group grew from a small company making a few obscure pictures a year to a studio that produced 35 pictures in 1987 alone. They developed a large, independent, and international empire, with production, distribution, and exhibition interests across Europe. Golan and Globus hit their peak with Cannon in the mid-1980s, signing Sylvester Stallone for a record US$13 million in 1983 for Over the Top (1987) and purchasing the UK's Thorn-EMI Screen Entertainment in 1986. This last deal led to their ownership of the ABC cinema circuit and Elstree Studios in Britain. However, by 1987, the money was starting to run out. Many of their movies were not making enough at the box office despite the cousins' wide cinema ownership, and they had taken on a lot of debt during their rapid growth, making more expensive pictures in the process. They were initially rescued by Warner Bros., which took distribution rights to Cannon's better films--for example, Superman IV: The Quest for Peace (1987), based on a character that Warner already owned--and also took an interest in some of its assets. The end of Cannon came in 1989 when, virtually bankrupt, the company was bought by the now-disgraced financier Giancarlo Parretti and renamed Pathé Communications (after the new MGM-Pathé collapsed in 1992, Globus produced pictures with Christopher Pearce, which were released under a resurrected Cannon Pictures label. The last of these was American Cyborg: Steel Warrior (1993) before the company folded for good).
Golan fell out with Parretti and Globus, leaving Pathé, and starting 21st Century Pictures. He produced a number of films that received widespread distribution, such as Death Wish: The Face of Death (1994) and Captain America (1990), but by the mid-1990s this company had folded, too. Golan's name was later linked with other new companies, such as International Dynamic Pictures and Magic Entertainment, and he rejoined cousin Yoram for both. However, the two soon fell out again and went their separate ways, with Golan writing and directing for other producers in the interim. Golan's latest company is New Cannon Inc., and his recent works include Crime and Punishment (2002) and Return from India (2002). Unfortunately for his fans, it now seems unlikely that Golan will recreate the success of his heyday. Menahem Golan has long been criticized (sometimes unfairly) for an emphasis on quantity rather than quality. It's true that some of the movies he has produced have been laughable or unwatchable. However, now out of the limelight of a critical industry, some of his company's once-derided films have achieved cult status, such as Mona Lisa (1986), Godfrey Reggio's Powaqqatsi (1988), and the "Lemon Popsicle" series. Golan's ongoing drive, energy, and past contribution to the world of cinema will undoubtedly and belatedly be recognized for the achievement this represents.- Director
- Writer
- Actor
Terry Gilliam was born near Medicine Lake, Minnesota. When he was 12 his family moved to Los Angeles where he became a fan of MAD magazine. In his early twenties he was often stopped by the police who suspected him of being a drug addict and Gilliam had to explain that he worked in advertising. In the political turmoil in the 60's, Gilliam feared he would become a terrorist and decided to leave the USA. He moved to England and landed a job on the children's television show Do Not Adjust Your Set (1967) as an animator. There he met meet his future collaborators in Monty Python: Terry Jones, Eric Idle and Michael Palin. In 2006 he renounced his American citizenship.- Director
- Producer
- Writer
He grew up in Versailles with a family who was very influenced by pop music. When he was young, Gondry wanted to be a painter or an inventor. In the 80s he entered in an art school in Paris where he could develop his graphic skills and where he also met friends with whom he created a pop-rock band called Oui-Oui. The band released 2 albums ('Chacun tout le monde' and 'Formidable') and several singles until their separation in 1992. Gondry was the drummer of the band and also directed their video clips in which it was possible to see his strange world, influenced by the 60s and by his childhood. One of his videos was shown on MTV and when Björk saw it, she asked him to make her first solo video for 'Human Behaviour'. The partnership is famous: Gondry directed five other Björk's videos, benefiting by the huge budgets. This led to commissions for other artists around the world, including Massive Attack. He also made a lot of commercials for Gap, Smirnoff, Air France, Nike, Coca Cola, Adidas, Polaroid and Levi - the latter making him the most highly-awarded director for a one-off commercial.
Hollywood became interested in Gondry's success and he directed his first feature movie Human Nature (2001), adapting a Charlie Kaufman's scenario, which was shown in the 2001 Cannes Festival. Although it wasn't a big success, this film allowed him to direct Eternal Sunshine of the Spotless Mind (2004), for which he again collaborated with Charlie Kaufman. The movie became a popular independent film and he and his co-writers won an Oscar for it.- Actor
- Producer
- Director
Mel Columcille Gerard Gibson was born January 3, 1956 in Peekskill, New York, USA, as the sixth of eleven children of Hutton Gibson, a railroad brakeman, and Anne Patricia (Reilly) Gibson (who died in December of 1990). His mother was Irish, from County Longford, while his American-born father is of mostly Irish descent.
Mel and his family moved to Australia in the late 1960s, settling in New South Wales, where Mel's paternal grandmother, contralto opera singer Eva Mylott, was born. After high school, Mel studied at the University of New South Wales in Sydney, performing at the National Institute of Dramatic Arts alongside future film thespians Judy Davis and Geoffrey Rush.
After college, Mel had a few stints on stage and starred in a few TV shows. Eventually, he was chosen to star in the films Mad Max (1979) and Tim (1979), co-starring Piper Laurie. The small budgeted Mad Max made him known worldwide, while Tim garnered him an award for Best Actor from the Australian Film Institute (equivalent to the Oscar).
Later, he went on to star in Gallipoli (1981), which earned him a second award for Best Actor from the AFI. In 1980, he married Robyn Moore and had seven children. In 1984, Mel made his American debut in The Bounty (1984), which co-starred Anthony Hopkins.
Then in 1987, Mel starred in what would become his signature series, Lethal Weapon (1987), in which he played "Martin Riggs". In 1990, he took on the interesting starring role in Hamlet (1990), which garnered him some critical praise. He also made the more endearing Forever Young (1992) and the somewhat disturbing The Man Without a Face (1993). 1995 brought his most famous role as "Sir William Wallace" in Braveheart (1995), for which he won two Oscars for Best Picture and Best Director.
From there, he made such box office hits as The Patriot (2000), Ransom (1996), and Payback (1999). Today, Mel remains an international superstar mogul, continuously topping the Hollywood power lists as well as the Most Beautiful and Sexiest lists.- Director
- Writer
- Producer
David Wark Griffith was born in rural Kentucky to Jacob "Roaring Jake" Griffith, a former Confederate Army colonel and Civil War veteran. Young Griffith grew up with his father's romantic war stories and melodramatic nineteenth-century literature that were to eventually shape his movies. In 1897 Griffith set out to pursue a career both acting and writing for the theater, but for the most part was unsuccessful. Reluctantly, he agreed to act in the new motion picture medium for Edwin S. Porter at the Edison Company. Griffith was eventually offered a job at the financially struggling American Mutoscope & Biograph Co., where he directed over four hundred and fifty short films, experimenting with the story-telling techniques he would later perfect in his epic The Birth of a Nation (1915).
Griffith and his personal cinematographer G.W. Bitzer collaborated to create and perfect such cinematic devices as the flashback, the iris shot, the mask and cross-cutting. In the years following "Birth", Griffith never again saw the same monumental success as his signature film and, in 1931, his increasing failures forced his retirement. Though hailed for his vision in narrative film-making, he was similarly criticized for his blatant racism. Griffith died in Los Angeles in 1948, one of the most dichotomous figures in film history.- Director
- Writer
- Producer
Born in Haifa in 1950, as the second son of architect Munio Weinraub and former Sionist activist Efratia Margalit. On the year of his birth, his parents changed the family name to "Gitai", which is the Hebrew translation of the German name "Weinraub". While he was a student in architecture, Amos Gitai joined the Yom Kippur war in 1973 as a reserve duty officer, and served as part of a helicopter rescue team. While serving during the war, he started filming with a 8mm camera his mother gave him as his birthday present. On his 23rd birthday, October 11th 1973, his helicopter was shot down by a Syrian missile. Among the 7 crews on board, 6 of them survived, including Gitai himself, who was inspired by this traumatic experience to quit architecture and move to filmmaking. He made a documentary on this incident and his fellow survivors, "Kippur: War Memories" in 1993, then a fictional recreation of it "Kippur" in 2000.
in 1979, Gitai directed his first feature-length documentary "House", commissioned by Israel's public television. The television rejected the film, and the film (originally shot in 16mm) only exists today copied from a VHS tape he managed to secure. The tape traveled on few international festivals and quickly earned a reputation for him. His third documentary, "Field Diary" shot in 1983 was also rejected by the Israeli Television who originally commissioned it. This time, Gitai moved to France with the negative of the film and completed it in France. For the next 10 years, he based himself in Europe.
1n 1986, he directed his first feature fictional film "Esther", based on the Biblical story of the book of Esther.
In 1993, following prime minister Ytzhak Rabin starting the peace process with Palestine, Gitai and his family moved back to live in his native town of Haifa.- Director
- Producer
- Writer
The world's first female filmmaker, French-born Alice Guy entered the film business in 1896 as a secretary at Gaumont, a manufacturer of movie cameras and projectors who had purchased a "cinématographer" from its inventors, the Lumiere brothers. The next year Gaumont became the world's first motion picture production company when they switched to creating movies, and Guy became its first film director. She impressed the company so much with the output (she averaged two two-reelers a week) and quality of her productions that by 1905 she was made the company's production director, supervising its other directors. In 1907 she married Herbert Blaché, an Englishman who ran Gaumont's British and German offices. The pair went to the U.S. to set up the company's operations there. In 1910 Mme. Guy set up her own production company, Solax, in New York and with her husband built a studio in Fort Lee, New Jersey. After a period of critical and financial success, the couple's fortunes declined when Thomas Alva Edison's trust hindered film production in the East coast, and they eventually shut down the studio in 1919. Although her husband secured work directing films for several major Hollywood studios, Guy was never able to secure any directorial jobs there, never made a film again, most of her films were lost, some were credited to other film directors, and she did no receive recognition for her pioneering work in France and the United States. She returned to France in 1922 after her divorce from Blaché, and in 1964 returned to the U.S. and lived in Mahwah, New Jersey - not far from where her original studios were - with her daughter, where she died in 1968.- Producer
- Director
- Writer
Alex Gibney was born on 23 October 1953 in New York City, New York, USA. He is a producer and director, known for Enron: The Smartest Guys in the Room (2005), Taxi to the Dark Side (2007) and Going Clear: Scientology & the Prison of Belief (2015). He has been married to Anne Gibney since 14 August 1982. They have three children.- Writer
- Director
- Actor
London-born Edmund Goulding was an actor/playwright/director on the London stage, and entered the British army when WWI broke out. Mustered out of the service because of wounds suffered in battle, he emigrated to the U.S. in 1921. He obtained assignments as a screenwriter in Hollywood, wrote a novel, "Fury," in 1922 and directed the film version of it (Fury (1923)). Hired as a screenwriter/director by MGM in 1925, Goulding quickly developed a reputation for turning out tasteful, cultured dramas and drawing-room comedies. His films typified the elegance and refinement with which MGM was identified, the best example of this being Grand Hotel (1932). He was entrusted with the pictures of some of MGM's biggest stars, such as Greta Garbo and Joan Crawford. However, one of his best-known films, and probably the one most atypical of his work, was Nightmare Alley (1947), a dark, brooding drama of greed and corruption among high and low society involving phony mentalists and a conniving psychiatrist.- Producer
- Director
- Writer
David Gordon Green was born on 9 April 1975 in Little Rock, Arkansas, USA. He is a producer and director, known for Halloween Kills (2021), Halloween (2018) and Prince Avalanche (2013).- Director
- Producer
- Writer
Paul Greengrass started his filmmaking career with a super 8 camera he found in his art room in secondary school. Those short movies were animation horror films he made using old dolls, artist dummies, and the general art room clutter.
After studying in Cambridge University he got into Granada Television School and spent the first ten years of his career roving global hot spots for the hard-hitting documentary series, World in Action. By this time he became very interested in the Northern Ireland conflict.
In 1989, he directed his first fiction movie, "Resurrected", that won an award in Berlin. He continued his career as a fiction filmmaker with a series of TV movies dealing with social and political issues: Open Fire (a police scandal about a policeman accused of murder), The One that got away (about a military operation during the first Gulf War).
His documentary style became more dynamic and intense with each movie. In 2002, Bloody Sunday achieved international acclamation and won the first prize in the Berlin Festival. After that he has continued his career in the United States with "The Bourne Supremacy" starring Matt Damon.- Director
- Writer
- Editor
Peter Greenaway trained as a painter and began working as a film editor for the Central Office of Information in 1965. Shortly afterwards he started to make his own films. He has produced a wealth of short and feature-length films, but also paintings, novels and other books. He has held several one-man shows and curated exhibitions at museums world-wide.- Actor
- Writer
- Director
U.S.-born actor, director, writer, musician, and composer best known for his mockumentaries, poking fun at heavy metal music, small town theatre, dog shows, folk music and film-making itself, Christopher Haden-Guest was born February fifth, 1948, in New York City. His mother, Jean Pauline (Hindes), was a vice president of casting at CBS. His father, Peter Haden-Guest, was a UN diplomat who was a member of the British House of Lords, and was the fourth Baron of Saling in the County of Essex. Christopher's mother, who was American, was the daughter of Russian Jewish immigrants. Christopher's father, who was British, had English and Dutch-Jewish ancestry. Christopher's paternal great-grandfather, Colonel Albert Goldsmid, was a British officer.
He received his dramatic arts training at New York City's High School of Arts and Music and at Bard College, and Guest first appeared in minor film roles in a mixture of film genres, including The Hot Rock (1972), Death Wish (1974), Lemmings (1973), and The Long Riders (1980). However, he was also dabbling in writing for several T.V. shows, and when filming Million Dollar Infield (1982), Guest became acquainted with writer-director Rob Reiner and the two collaborated, along with Michael McKean and Harry Shearer, to pen the script and music for the sleeper hit This Is Spinal Tap (1984).
The mockumentary also starred Guest as dizzy lead guitarist Nigel Tufnel, whose most famous line is surely, "These go to eleven," when referring to the volume settings on the band's rather unique Marshall amplifiers!
Guest then busied himself for several years in the 1980s as a regular performer on Saturday Night Live (1975) and, along with fellow Spinal Tap band members lead singer David St. Hubbins, aka Michael McKean; and bassist Derek Smalls, aka Harry Shearer, they regularly appeared as Spinal Tap. In 1992, they released Spinal Tap: Break Like the Wind - The Videos (1992), plus A Spinal Tap Reunion: The 25th Anniversary London Sell-Out (1992).
Guest had a minor acting role in the courtroom drama of A Few Good Men (1992), before returning to poke fun at wannabe actors in the howlingly funny Waiting for Guffman (1996) with Guest taking center stage as high-strung choreographer Corky St. Clair. He made a return to heavy metal with Spinal Tap: The Final Tour (1998) and Catching Up with Marty DiBergi (2000) before turning his comedic pen to the world of championship dog shows for the sensational comedy Best in Show (2000). The latest mockumentary from Guest and co-writer-actor Eugene Levy was again met with critical praise, and movie fans just loved it, too! In 2003, Guest and Eugene Levy took aim at the folk-music world, and successfully collaborated to write the comedy A Mighty Wind (2003) about the reunion of the Folksmen, a fictional 1960s folk music group.
Guest is married to well-known actress Jamie Lee Curtis with two children, daughter Annie Guest and son Ruby Guest, plus he is the brother of actor Nicholas Guest.- Director
- Writer
- Composer
An educated man, Jean Grémillon (b.1898) should almost be mentioned in the same breath as the big five of the golden age of the French cinema (Carné, Renoir, Duvivier, Feyder and Clair). Some of his plans never came to anything: for instance, after World War 2, only three movies, which is too few for such a man.
The silent years: Grémillon's career began with documentary shorts... and ended the same way. His first effort (1923) dealt with Chartres town. Three years later came his first feature film "Maldone". One of his recurrent features is already here rebellion against the wealthy class. It's the story of a young heir who favors freedom over possessions. "Gardien De Phare" could be remade today (and its influence appears in some horror movies): Two lighthouse keepers (the father and the son) are to spend one entire month in the middle of the sea near the coasts of Brittany; flashbacks reveal us that the young man has been bitten by a rabid dog.
The period of transition: his first talkie "La Petite Lise" (1930) was a melodrama; the male character was probably inspired by Hugo's Jean Valjean. "Dainah La Métisse" was some kind of murder mystery: did she jump or was she pushed? But what's extraordinary is the obvious connection with Gremillon's later work "Pattes Blanches" (1947): the murder of the bad girl (Suzy Delair) by Maurice (Michel Bouquet) on the cliff, and the white bride veil. The director himself confessed he never liked its follow-up "Pour Un sou D' Amour", not exactly class struggle. Both his Spanish movies sank without a trace. "La Dolorosa" was a musical where they sing every ten minutes; his collaboration with Luis Buñuel seemed unworthy of both men's talent: "It is odd that Luis Buñuel singled out the uninspired but decidedly above-average melodrama" (Mario Gauci). "La Valse Royale" (1935), a French-(Hitlerian) Germany co-production did nothing to rectify Gremilllon's stature: "light-hearted gallantry" best described this old-fashioned, poorly written story with some hints at the French Revolution.
The golden years: From "Gueule d'Amour" (1937) onward, Grémillon would never produce anything mediocre. This 1937 work was the stuff Gabin's legend was made, his part of a legionnaire who experimented tragedy. "L'Etrange Monsieur Victor" gave Raimu the opportunity to play, masterfully, a part of a criminal. The making of "Remorques" began in 1939, but because of the occupation, was released in 1941: the banal plot mattered much less than the atmosphere; the star of the movie was the Ocean: you could hear, feel, or see it ceaselessly along the viewing. "Lumière D'Ete" (1942) pitted the men of leisure against the working class heroes. Although it was a Prévert/Laroche screenplay, the main influence here was Renoir's. All that concerned Paul Bernard's character and his fete in the castle strongly recalled "La Règle Du Jeu". Probably the center of gravity of the movie, this memorable sequence of the Farandole - while the tragedy was impending - would find an equivalent in Prévert/Carné's ending of "Les Enfants Du Paradis". Nowadays, it is generally considered Grémillon's apex. "Le Ciel est A Vous" (1943) was a beautiful movie dedicated to daring women who were feminists ahead of their time, the story of a woman who wanted to be an aviator. During the Occupation, the Petainist France set this movie up as an example of virtue and courage, against the dirty Clouzot's "le Corbeau". After the Liberation, both movies were attacked, the former for being too Petainist, the latter for showing the darkest side of the occupied country.
The post-war years: Grémillon's career was never the same, although the three movies he made were very interesting. Jean Anouilh, who wrote the screenplay, was to direct "Pattes Blanches", but he fell sick and had to give it up. He chose Jean Grémillon to do the job and he was right: it included moments of desperate lyricism. In "L'Etrange Madame X" (1951), Jean Grémillon and Albert Valentin did what they did best: setting a working class milieu against the bourgeois world. His final effort, "L'Amour D'Une Femme" was beautiful but extremely sad, even lugubrious. It featured two funerals and many depressing scenes; even the love scenes were sad. When Madame Leblanc, a schoolteacher about to retire, packs her stuff. When the doctor asked herself if her work was finally worthwhile, we think of the director who probably knew it was to be his final work. During his last years he had to be content with shorts, which, for a first-class director such as him, was certainly a shame, considering the great works he could still have made. He died at 61, prematurely.- Writer
- Director
- Editor
Born an illegitimate son of a wealthy physician, Abel Flamant, and a working class mother, Francoise Perethon. He was raised by his mother and her boyfriend, who later became her husband, Adolphe Gance. Pressured by his parents, he began his working career as a lawyer's clerk in hopes of achieving a prosperous career in law. But his passion for the theatre lured him to the stage and at 19 he made his stage debut in Brussels. Within a year, after returning to Paris, he made his screen debut as an actor in Moliere (1909). He made other film appearances in minor roles as well as taking a crack at screen-writing.
Living in poverty during this period in his life, he suffered from starvation and tuberculosis. But he regained strength enough to form a production company in 1911, and made his debut as a director that same year with La Digue (1911). However, like the rest of his early films, it was unsuccessful and as a consequence, he returned to the stage with a five-hour long play, Victoire de Samothrace, which he wrote himself. It was due to be a success with Sarah Bernhardt in the lead role, but the sudden outbreak of WWI canceled the premiere.
Due to his ill health he was kept out of most of the war. During this time he managed to achieve a profitable status at the Film d'Arte company as a director. He turned out such successful films as Mater Dolorosa (1917) and La Dixieme Symphonie (1918), but he gained a reputation at Film d'Arte as a wild experimentalist - using such outlandish techniques for the time as close-ups and dolly shots. As a consequence, he was frequently at odds with the management. At the point of being one of the most well known film directors in France, he entered the tail end of WWI. He was discharged shortly after due to mustard gas poisoning. But he requested that he be redrafted so that he could shoot on-location battle scenes for his latest idea for a film J'accuse! (1919). The three-hour long, triangular melodrama about the "futility of war" became a box-office smash all over Europe. It was Europe's first fictional film to show authentic footage of the catastrophes of war. Being an experimentalist, he employed a rapid cutting technique that is said to have influenced such Russian filmmakers as Sergei Eisenstein and Pudovkin.
During the making of his next film, The Wheel (1923), he and his second wife, Ida Danis, fell ill with the flu. Although he recovered and worked on the film in stages, his wife did not - she died shortly before the film's release. Grieved by death of his wife and friend, actor Severin Mars, who starred in many of his films, he fled Europe and sailed to America. The trip turned out to be a nationwide promotion of I Accuse. He recalls that he did not like the Hollywood filmmaking system and refused an offer from MGM to direct for a hefty sum. The happiest moment was D.W. Griffith's praise of I Accuse at a screening in New York.
Returning to France, Gance released the final cut of La Roue to much acclaim, especially for its montage sequence. His most important and outstanding film is Napoleon (1927). Considered to be a dictionary of all the techniques of the silent film era and an introduction to some techniques to come. It was shot using a three-camera panoramic process that involves the use of three projectors and a curved windscreen to create a deep, vast panoramic look. A couple thousand extras were used to fill the shots. Being the experimentalist that he was, he shot scenes in color, more than a decade before Hollywood would make The Wizard of Oz (1939) and Gone with the Wind (1939) in color, and in 3-D. But he decided against incorporating them into the film in fear that they would jar the audience's attention. The film received a standing ovation the night of its premiere at the Paris Opera. It was then shown only in 8 European cities due to the expensive and technical apparatus and large size theatre needed to project the film. In the US, MGM purchased the distribution rights and elected not to show the film using the three projector windscreen equipment, claiming that it would interfere with the introduction of sound. Nonetheless, that doesn't explain why MGM decided to drastically cut the film and rearrange it. As a consequence, the general release in the US was a not a success, audiences laughed at the film and critics panned it. It was the last film of Gance's career that was to possess that magnitude of creativeness. His sound films were mainly done for studios, where he lacked the ability to be creative. He would return to Napoleon a couple times in his career. In 1934 he added stereophonic sound effects to the original film using a Pictographe. He had criticized film historians throughout the rest of his life for not giving his film Napoleon (1927) the attention it deserves. Finally, British director Kevin Brownlow spent two decades doing the arduous task of putting the film back together in its original format. It was first screened in London using the three projector format with a score composed and conducted by Carl Davis in 1979. Francis Ford Coppola produced the screenings at the Radio City Hall in the US, in 1981 to much acclaim. His father Carmine Coppola, composed and conducted the score in the US. Finally, Napoleon (1927) and its director received the respect they deserve.- Director
- Producer
- Actor
Felix Gary Gray is an African-American music video director, film producer and film director from New York City known for directing films such as Friday, Men in Black: International, Be Cool, The Fate of the Furious, Set It Off, The Negotiator, Straight Outta Compton and The Italian Job. He directed 22 music videos.- Director
- Writer
- Script and Continuity Department
Marleen Gorris was born on 9 December 1948 in Roermond, Limburg, Netherlands. She is a director and writer, known for Antonia's Line (1995), A Question of Silence (1982) and Broken Mirrors (1984).- Director
- Writer
- Producer
Bahman Ghobadi was born in 1969 in Baneh, in the province of Iranian Kurdistan, near the Iran-Iraq border. Shortly after graduating from the National Audiovisual School, he made his first short, immediately acclaimed by the local critics. One of these short films, "Life in Fog" (1999) is even considered as the most famous short ever made in Iran. This success allowed Bahman Ghobadi to make several feature films, the best known being his first, "A Time for Drunken Horses" (2000), the first Kurd film in the history of Iran. This film and all the the others made by Ghobadi were hits in the festival circuit, garnered dozens of awards but were little seen or not seen at all in his native country. His last movie to date, filmed without official permit, rapidly and feverishly, "No One Knows About Persian Cats" (2009) is a remarkable semi-documentary about underground indie music in Tehran.- Director
- Writer
- Producer
Ebrahim Golestan is an Iranian filmmaker and literary figure with a career spanning half a century. He has lived in Sussex, United Kingdom, since 1975. He was closely associated with the controversial and eminent Iranian poet Forough Farrokhzad until her death, whom he met at his studio in 1958. He is said to have inspired her to live more independently. Golestan was married to his cousin, Fakhri Golestan. He is the father of Iranian photojournalist Kaveh Golestan, and Lili Golestan, translator and owner and artistic director of the Golestan Gallery in Tehran, Iran. His grandson, Mani Haghighi, is also a film director. His other grandson Mehrak, is a rapper. Golestan was a member of Tudeh Party of Iran, but he broke away in January 1948. After Farrokhzâd's death, Golestân was protective of her privacy and memory. For example, in response to the publication of a biographical/critical study by Michael Craig Hillmann called A Lonely Woman: Forugh Farrokhzad and Her Poetry (1987), he published a lengthy attack against Hillmann in a Tehran literary magazine, to which Hillmann responded to the attack at length in an article part of which was also published in the same Tehran literary magazine and which is available online at Academia.edu/Michael Hillmann under the title "Az Shâ'eri-ye Nâder Nâderpur to Fârsi'khâni dar Qalb-e Tekzâs, Javâbiyeh'i be Ebrâhim Golestân." In February 2017, on the occasion of 50 years after Farrokhzad's death, the 94-year-old Golestan broke his silence about his relationship with Forough, speaking to the Guardian's Saeed Kamali Dehghan. "I rue all the years she isn't here, of course, that's obvious," he said. "We were very close, but I can't measure how much I had feelings for her. How can I? In kilos? In meters?"- Director
- Producer
- Writer
Luca Guadagnino was born on 10 August 1971 in Palermo, Sicily, Italy. He is a director and producer, known for Call Me by Your Name (2017), Suspiria (2018) and Bones and All (2022).- Writer
- Actress
- Producer
Elinor Glyn was born on 17 October 1864 in Jersey, Channel Islands. She was a writer and actress, known for It (1927), Knowing Men (1930) and The Price of Things (1930). She was married to Clayton Glyn. She died on 23 September 1943 in London, England, UK.- Director
- Writer
- Producer
Jean-Pierre Gorin was born on 17 April 1943 in Paris, France. He is a director and writer, known for All's Well (1972), My Crasy Life (1992) and Spy Games (1999).- Writer
- Director
- Producer
Stuart Gordon started his film directing career in 1985. After graduating from Lane Technical High School, Gordon worked as a commercial artist apprentice prior to enrolling at the University of Wisconsin in Madison. Unable to get into the film classes, he enrolled in an acting class and ended up majoring in theater. In 1968, he directed a psychedelic adaptation of Peter Pan as a political satire. He was arrested on obscenity charges and Gordon dropped out of the university. He and his wife Carolyn formed the Organic Theater and moved the group to Chicago.
The Organic performed their work on and off-Broadway, in Los Angeles, and toured Europe. Among their productions were the world premiere of David Mamet's "Sexual Perversity in Chicago," which launched Mamet's playwriting career, the improv-based comedy "Bleacher Bums," which ran for over ten years in Los Angeles, and the hospital comedy E/R (1984), which became a TV series produced by Norman Lear.
He joined with Brian Yuzna and Charles Band's Empire Pictures to create the company's first major hit, Re-Animator (1985), based on the story by H.P. Lovecraft, which won a Critics' Prize at the Cannes Film Festival. Gordon then helmed another Lovecraft adaptation From Beyond (1986) and tackled the murderous Dolls (1986) followed by Robot Jox (1989). Gordon co-created the story for Honey, I Shrunk the Kids (1989) a major hit for Disney. The same year, he directed the remake and more graphic version of The Pit and the Pendulum (1991). Other works include Fortress (1992), and the screenplay for The Dentist (1996) and Body Snatchers (1993), which he co-wrote with long-time writing partner Dennis Paoli.
In 2001, Gordon returned to the H.P. Lovecraft territory with Dagon (2001), and in 2003, directed King of the Ants (2003) about a housepainter-turned-hit man, and brought the David Mamet play Edmond (2005) to the screen.
He contributed to the horror anthology series Masters of Horror (2005) with the episode Dreams in the Witch-House (2005), based on a short story by H.P. Lovecraft. He returned to the series in 2007 with the episode The Black Cat (2007), based on Edgar Allan Poe's story. And in 2008, he directed Eater (2008) for the NBC series Fear Itself (2008).
He is also known for frequently murdering his wife, actress Carolyn Purdy-Gordon, in many of his films.- Director
- Writer
- Producer
Lewis Gilbert was a British film director, producer and screenwriter best known for Alfie (1966), as well as three James Bond films: You Only Live Twice (1967), The Spy Who Loved Me (1977) and Moonraker (1979).
He also directed Reach for the Sky (1956), Sink the Bismarck! (1960), Educating Rita (1983) and Shirley Valentine (1989).
For his work on Alfie, Gilbert was nominated for an Academy Award for Best Picture and an Golden Globe for best director.
In 2001 he was made a Fellow of the British Film Institute, the highest accolade in the British film industry.
Gilbert was married to Hylda Tafler for 53 years, until her death in June 2005.
He died from natural causes on 23 February 2018 at the age of 97.- Director
- Producer
- Writer
Bud Greenspan was born on 18 September 1926 in New York City, New York, USA. He was a director and producer, known for 16 Days of Glory (1985), Bud Greenspan's Summer Olympic Greats (1988) and Lillehammer '94: 16 Days of Glory (1994). He was married to Cappy Petrash Greenspan. He died on 25 December 2010 in New York City, New York, USA.- Writer
- Producer
- Director
Born in Santa Monica, California, on December 4, 1951, Mick Garris grew up with his mother in the San Fernando Valley neighborhood of Van Nuys from age 12, following his parents' divorce. Garris was making his own 8mm home movies around that time, and when he got older be became a freelance critic for a number of film and music celebrities. He wrote publications for various bands and movies for newspapers and magazines like "The San Diego Door", "The Los Angewles Herald-Examiner", "Cinefantastique" and "Starlog" through the 1970s.
For eight years he was the lead singer in a band called The Horsefeathers Quintet, which disbanded in 1976. In 1977 Garris was hired as a receptionist in George Lucas' newly formed company Star Wars Corporation where, through industry contacts, he created and served as the on-screen host for a Los Angeles cable access interview program show called "Fastasy Film Festival," which aired on L.A.'s legendary Z-Channel. Guests included filmmakers like John Landis, Joe Dante, John Carpenter and Steven Spielberg and actors like William Shatner and Christopher Lee.
In 1980 Garris worked as a press agent for the newly merged Pickwick-Maslansky-Koeninsberg agency. He also began making a name for himself with photographing and directing "making-of..." features for such films as Scanners (1981), The Howling (1981), Halloween II (1981), The Thing (1982) and Videodrome (1983). In 1982 Garris was hired by MCA/Universal to write the script for Coming Soon (1982), which was a collection of horror movie trailers featuring Jamie Lee Curtis as the hostess and directed by John Landis. While struggling to find more work, Garris was hired by Steven Spielberg to be one of the writers and story editors for Spielberg's sci-fi anthology series Amazing Stories (1985). Garris worked as as an editor again for Spielberg in the sci-fi fantasy *batteries not included (1987). He also wrote screenplays for more horror anthology TV shows, from Freddy's Nightmares (1988) to a stint on the HBO cable series Tales from the Crypt (1989), as well as co-writer on the screenplays for The Fly II (1989) and the 'Stephen Sommers' remake The Mummy (1999). Garris wrote and directed Psycho IV: The Beginning (1990) as a prequel to the Anthony Perkins "Psycho" films, featuring Perkins in his fourth (and last) appearance as Norman Bates. Co-starring with Perkins was Henry Thomas (from E.T. the Extra-Terrestrial (1982) fame), whom Garris hired to play young Norman. That same year Garris was approached by MCA/Universal to create a syndicated TV series about werewolves which was to be based on the hit John Landis film An American Werewolf in London (1981). The resulting series, She-Wolf of London (1990), ran for two seasons.
In 1992 Garris directed an original screenplay by Stephen King, Sleepwalkers (1992). The following year Garris received story and screenplay credit for the comic horror film Hocus Pocus (1993), and the year after that he took the reins at the request of Stephen King for the six-hour mini-series The Stand (1994) based on King's best-selling horror novel. The mini-series, which had a grueling 20-month shooting schedule, was one of the most-watched shows of 1994. Garris and King again teamed up for a three-part made-for-TV rewriting of King's novel, The Shining (1997). Later that year Garris oversaw the directing for Quicksilver Highway (1997), based on a pair of horror stories by King and Clive Barker. Garris directed Höst (1998) (later changed to "Virtual Obsession"), based on a novel by Peter James, with a screenplay written by P.G. Sturges, about a computer genius stalked by a female colleague bent on digitizing her consciousness. Taking a break from horror films, Garris directed The Judge (2001), an adaption of the mystery novel by Steve Martini. Garris and Stephen King reunited for Riding the Bullet (2004), directed by Garris and written by King, based on an internet short short about a hitchhiker being picked up by a soul-searching angel of death driving a 1959 Plymouth. They also collaborated on Desperation (2006), based on King's 1997 horror novel.
In 2005 Garris was able to assemble a group of his fellow horror film directors in the anthology horror series Masters of Horror (2005), which he created and executive-produced. Garris' own contribution, "Chocolate", was based on his own short story, written 20 years earlier.- Writer
- Director
- Actor
Pietro Germi was born on 14 September 1914 in Genoa, Liguria, Italy. He was a writer and director, known for The Railroad Man (1956), Divorce Italian Style (1961) and The Birds, the Bees and the Italians (1966). He was married to Olga D'Aiello and Anna Bancio. He died on 5 December 1974 in Rome, Lazio, Italy.- Producer
- Director
- Writer
Yoram Gross is Australia's leading animation Producer and Director. Internationally acclaimed for his films and television series, Yoram has established a world-wide reputation for the adaptation of children's characters from books and films to animation that win the hearts of children worldwide. Yoram is known as a storyteller whose distinctive, non-violent films and series possess a contemporary charm that crosses all international barriers. Yoram has a rich personal history and uses the mediums of film and television to share his life experiences. Born in Kraków to a Jewish family, Yoram endured World War II under the Nazi regime. His family was on Oskar Schindler's infamous list, but chose to make their own risky escape, moving hiding places 72 times. Yoram looks back on these times as a valuable catalyst. He has a lot to say to children and every one of his films contains a message, including loyalty, peaceful resolve and good winning over evil. Yoram first entered the film industry in 1947 in Kraków, commencing his career as an assistant to Polish directors Cenkalski and Buczowski, as well as the Dutch director Yoris Ivens. In 1950, Yoram moved from Europe to Israel, where he worked as a newsreel and documentary cameraman. He then became an independent film producer and director and began winning prizes at film festivals all over the world. Yoram now holds more than 80 international awards for his various films. In 1968 together with his wife Sandra and their young family Yoram moved to Australia. There, Yoram continued to make experimental films and produced film clips for the popular weekly television music program 'Bandstand'. That same year, Yoram and Sandra established Yoram Gross Film Studios - initially working from home and eventually expanding the company into Australia's most prolific and well-known animation production house. Yoram's films and series have been enjoyed all over the world and his audience continues to grow from day to day. In 1995 he was awarded the prestigious Order of Australia for his outstanding achievements and for his contribution to the Australian film industry.- Director
- Writer
- Producer
Augusto Genina was born on 28 January 1892 in Rome, Lazio, Italy. He was a director and writer, known for Cielo sulla palude (1949), Bengasi (1942) and L'assedio dell'Alcazar (1940). He was married to Carmen Boni. He died on 18 September 1957 in Rome, Lazio, Italy.- Director
- Writer
- Additional Crew
François Girard was born in Quebec in 1963. Best known for his movie writing and directing (Thirty-two Short Films About Glenn Gould, The red Violin, Silk...), Girard also directed a number of plays and operas including PARSIFAL at the Metropolitan Opera. He also wrote and directed two Cirque du Soleil shows; Zed and Zarkana.
In 1993, his feature film Thirty Two Short Films About Glenn Gould would go on to garner international success including four top Genie Awards. Five years later he directed The Red Violin which received an Academy Award for best original score and enshrined Girard as an important player on the international movie scene. The film also won eight Genie Awards and nine Jutra Awards. SILK, which he directed, was adapted from Alessandro Baricco's best-selling book, and was released worldwide in 2007 and received four Jutra Awards.
Girard's 1994 concert film Peter Gabriel's Secret World became a best selling film and earned him a Grammy Award. A few years later he directed one of the six episodes of the internationally acclaimed series Yo-yo Ma Inspired by Bach.
In 1997, François Girard made his opera directorial debut with Oedipus rex / Symphony of Psalms by Stravinsky and Cocteau which received numerous awards and was named by The Guardian "the best theatrical show of the year. Other opera works include Lost Objects for the Brooklyn Academy of Music; Wagner's Siegfried; the Flight of Lindbergh / Seven deadly Sins from Kurt Weill and Bertolt Brecht; as well as Kaija Saariaho's Émilie. His most recent opera work is Parsifal which earned him and the Metropolitan Opera Company a remarkable critical success.
For the stage, Girard also directed Alessandro Barrico's Novecento; Kafka's Trial and Yasushi Inoue's Hunting Gun. He is currently working on a new production of Waiting for Godot.
Girard is a three-time winner of the much-coveted Herald Angel Award for Best Production at the Edinburgh Festival.
In recent years, Cirque du Soleil's commissioned Girard to write and direct ZED, their first permanent show in Tokyo; and Zarkana which opened at Radio City Music Hall, played at the Kremlin Theatre and has become a resident show in Las Vegas.- Director
- Producer
- Writer
Halie Gerima arrived in the United States from his native Gondar, Ethiopia, to study acting and directing at the Goodman Theater in Chicago, Illinois. He later transferred to the Theater Department at UCLA where he completed the Master's Program in Film. Afterward, he relocated to Washington, DC, to teach at Howard University's Department of Radio, Television, and Film where he has influenced young filmmakers for over twenty-five years.
Influenced by UCLA classmate and filmmaker Charles Burnett, and by the celebrated Black poet and educator Sterling Brown, Gerima's films are noted for their exploration of the issues and history pertinent to members of the African diaspora, from the continent itself to the Americas and Western Hemisphere. Often corrective of Hollywood versions of slave stories, his films comment on the physical, cultural, and psychological dislocation of Black peoples during and after slavery. What distinguishes his films are that the narratives are told from the perspectives of Africans and members of the African Diaspora itself, rather than being sanitized and misinterpreted by more commercially oriented filmmakers.
Gerima's unique filmmaking aesthetic is coupled with a personal mission to correct long-held misconceptions about Black peoples' varied histories throughout the world; for this reason, he is considered--by colleagues and students alike--to be a master teacher in the classroom and behind the camera.- Director
- Writer
- Producer
Jonathan first found fame for his revolutionary work on Radiohead's 'Street Spirit' and Jamiroquai's multi-MTV award winning 'Virtual Insanity' video.
In 1999 he directed the ground-breaking Guinness 'Surfer', which picked up 2 D&AD Black Pencils and the top spot at most of the other awards festivals that year. The film still heads many lists as one of the best commercials of all time. He has made iconic commercials for Stella Artois, Levis, Nike, Sony, Volkswagen, Channel 4, Wrangler, Apple and many others. His film for Alexander McQueen won a Grand Prix at the Ciclope Festival in Berlin.
In 2000 Jonathan directed Sexy Beast which was nominated for Best British Film by BAFTA. This was followed 4 years later with Birth, staring Nicole Kidman and Lauren Bacall. His 2014 film, Under The Skin stars Scarlett Johansson and is an adaptation of Michel Faber's 2000 novel of the same name. Under The Skin received 2 BAFTA nominations and won critical acclaim as a 'landmark in filmmaking'.
Later on, Jonathan directed work for the BBC in the form of 2019's 'The Fall', a short film influenced by Goya's 'The Sleep of Reason Produces Monsters' and a hunting photograph of Donald Trump's two sons posing with a dead leopard; and 2020's Strasbourg 1518, a collaboration in isolation created during Covid, inspired by a unique plague striking inhabitants of the city who danced until their ultimate demise.- Director
- Writer
- Producer
Writer/director James Gray made his first film Little Odessa (1994) at the age of twenty-five. The film, which starred Tim Roth, Edward Furlong, Vanessa Redgrave and Maximilian Schell, received critical acclaim and was the winner of the Venice Film Festival's prestigious Silver Lion Award in 1994.
Miramax Films released James Gray's second feature, The Yards (2000) starring Mark Wahlberg, Joaquin Phoenix, Faye Dunaway, Ellen Burstyn, Charlize Theron and James Caan in fall of 2000. The film was selected for official competition at the 2000 Cannes International Film Festival. Prior to "The Yards" and "Little Odessa", Gray attended film school at the University of Southern California. It was there that his student film Cowboys and Angels was first seen by producer Paul Webster, who encouraged Gray to write his first feature script.
As a child growing up in Queens, New York, Gray aspired to be a painter. However, when introduced in his early teenage years to the works of various filmmakers, including Francis Ford Coppola, Gray's interests expanded to the art of filmmaking. The Yards returned Gray to Queens where the story takes place.- Director
- Writer
- Actor
Following his service as a naval aviator in WW I, Tay Garnett entered films in 1920 as a screenwriter. After a stint as a gag writer for Mack Sennett and Hal Roach he joined Pathe, then the distributor for both competing comedy producers, and in 1928 began directing for that company. Garnett garnered some attention in the early 1930s with such films as One Way Passage (1932) and Her Man (1930), but his best work came in the mid-'30s and early 1940s with such films as China Seas (1935), Slave Ship (1937) and Seven Sinners (1940). His best known film would have to the John Garfield/Lana Turner vehicle The Postman Always Rings Twice (1946), although his version of A Connecticut Yankee in King Arthur's Court (1949) was a well-deserved critical and commercial success as well. Garnett journeyed to England in the early 1950s for several films, but upon his return made only a few pictures before jumping enthusiastically into television. He resurfaced on the big screen in the early 1970s to shoot a pair of minor outdoor epics in Alaska, then retired. He died of leukemia in 1977.- Director
- Writer
- Producer
Hideo Gosha was born on 26 February 1929 in Akasaka, Tokyo, Japan (undisclosed). He was a director and writer, known for The Steel Edge of Revenge (1969), Yôkirô (1983) and Onimasa (1982). He died on 30 August 1992.- Actor
- Writer
- Producer
His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice. An actor who took to film direction after almost a decade in front of the camera, Ashutosh has acted in Hindi films, Marathi films, television serials and commercials and although the transition from acting to direction was difficult, it was destined.
His diverse exposure as an actor whetted his appetite to helm a project, taking on the directorial reign for the first time with Pehla Nasha (First Love), a murder mystery in 1993. Though the film did not do very well at the box office, it helped Ashutosh find firm ground as a director. He followed this up with Baazi (The Game), a thriller, in 1995, which enjoyed average success, but led Ashutosh on a journey in search of a better script.
With Lagaan, which released in 2001, Ashutosh veered away from most norms in the making of a mainstream commercial Hindi film - a period drama, set in rural India; it's language a dialect; most of its characters were dressed in loincloths; it included a British cast; it was a musical, and a sports film put together! It was produced by Aamir Khan who also starred in it. Lagaan was nominated at the Academy Awards in the Best Film in a Foreign Language category for 2001 and earned plaudits worldwide for its meticulous execution and evocative performances.
His fourth feature film, Swades, was written, produced and directed by him, starring Shah Rukh Khan. The film released worldwide in 2004 to critical acclaim and attained huge success at the international box office.
February 2008 saw the release of his most ambitious magnum opus Jodhaa Akbar, an epic romance. This brought together two of the most respected actors, Hrithik Roshan and Aishwarya Rai Bachchan. The film won the Best Foreign Film in the International Film Festival of Sao Paulo in Brazil, South America and the Grand Prix Best Film and Best Actor in the International Film Festival Golden Minbar in Kazan, Russia, as well as sweeping all of the Indian Film Awards.
His next film saw him take on a new genre with What's Your Raashee?, being Ashutosh's first romantic comedy, based on the Gujarati novel Kimball Ravenswood by Madhu Rye. The film featured Harman Baweja and Priyanka Chopra.
Khelein Hum Jee Jaan Sey is a period thriller starring Abhishek Bachchan and Deepika Padukone, based on the book 'DO and DIE: The Chittagong Uprising 1930-34' by Manini Chatterjee.
His last release, Mohenjo Daro, set in the Indus Valley Civilization stars Hrithik Roshan and debutant Pooja Hegde along with a stellar supporting cast including Kabir Bedi and Arunoday Singh.
Ashutosh has now engaged in the filming of his newest magnum opus Panipat, which is slated to release on December 6th, 2019. Based on the legendary third battle of Panipat, which took place on 14th January 1761 between the Marathas and King of Afghanistan, Panipat promises to be his grandest outing yet.- Director
- Writer
- Producer
John Guillermin was born on 11 November 1925 in London, England, UK. He was a director and writer, known for The Towering Inferno (1974), Death on the Nile (1978) and King Kong (1976). He was married to Maureen Connell and Mary Guillermin. He died on 27 September 2015 in Topanga Canyon, California, USA.- Producer
- Writer
- Director
Robert Guédiguian was born on 3 December 1953 in Marseille, Bouches-du-Rhône, France. He is a producer and writer, known for Marius and Jeannette (1997), The Snows of Kilimanjaro (2011) and La ville est tranquille (2000). He has been married to Ariane Ascaride since 1975.- Editor
- Director
- Second Unit Director or Assistant Director
He started on the Shepperton Studios cutting rooms in 1948 working on such as 'The Wooden Horse' and 'The Third Man' before moving to Nettlefold Studios where his stay was interrupted by two years National Service after which he joined Group 3 at Beaconsfield . His next move was becoming sound editor at Shepperton then film editor on television documentaries and filmed such series as 'Danger Man' on which he directed some action sequences. After some years he became supervising editor and director on various television series. Ditrector Peter Hunt invited him to be editor and second unit director on the film 'On Her Majesty's Secret Service' repeating the duties on ''The Wild Geese' and 'The Sea Wolves' after which Albert Broccoli invited him to direct 'For Your Eyes Only'- Writer
- Director
- Actor
Henrik Galeen was born on 7 January 1881 in Stryj, Galicia, Austria-Hungary. He was a writer and director, known for Nosferatu (1922), The Golem (1914) and A Daughter of Destiny (1928). He was married to Comptess Ilse von Schenk and Elvira Adler. He died on 30 July 1949 in Randolph, Orange County, Vermont, USA.- Writer
- Director
- Actor
French actor, dramatist and director, Sacha Guitry was born in 1885 in Saint-Petersburg where his father, actor Lucien Guitry, was under contract with the city's French theater. Early on, Sacha knew he was going to be an artist. Therefore, his studies were mediocre.
His acting debuts were not too encouraging either. It is as playwright that Guitry obtained his first success in 1905 with two comedies, the one act play 'Le K.W.T.Z' and the full-length play 'Nono'. Guitry's career as dramatist was launched. In the following years, he became a particularly prolific and popular writer, mostly of spiritual, caustic comedies. In 1907, Guitry went back on stage to act in his own play 'Chez les Zoaques' and would perform in most of his subsequent plays.
In 1916, he directed his first film, 'Ceux de chez nous', a patriotic documentary illustrating the works of some French artists like Auguste Renoir or Auguste Rodin. In 1917, he wrote and played in the movie 'Un Roman d'amour et d'aventures' under the direction of René Hervil and Louis Mercanton, an experience that left him unsatisfied.
It is only in 1935 that he came back in the movie studio to direct and act in 'Pasteur', a biography of the famous scientific. The film, based on a play Guitry wrote in 1919, was a commercial failure, but during the shooting, Guitry fell in love with the process of filmmaking. From then on, he would continue to write and act in new stage plays, but making movie also became an important part of his life.
He followed 'Pasteur' with 'Bonne chance', a comedy written directly for the screen. In 1936 alone, Guitry released no less than four movies, including the film versions of two of his best known plays: 'Faisons un rêve' (written in 1916), and 'Mon Père avait raison' (written in 1919). He also directed 'Le Roman d'un tricheur', this time from a short story he published in 1934. Despite lukewarm reviews, the movie was well received by the public and was also successful in the USA. It is now considered his most innovative film.
In 1937, he wrote 'Les perles de la couronne', and co-directed it with Christian-Jacque. An ambitious and expensive historical fantasy featuring a prestigious casting, the film was both a critical and commercial success. Guitry continued in the same vein the following year with 'Remontons les Champs Élysées'. The Second World War didn't stop his activities. During the occupation, he notably directed and played in the historical film 'Le Destin fabuleux de Désiré Clary' (1942), the sentimental drama 'Donne-moi tes yeux' (1943) and the biography 'La Malibran' (1944).
It is well established that during that period, Guitry had occasional contacts with members of the occupying forces, though he worked only with French independents producers, didn't allowed his plays to be performed in Germany, and had some problems with the German censorship. But he also managed to maintain a lavish lifestyle that was in sharp contrast with the life of deprivation that was the fate of most of his contemporaries.
It is possibly for that reason that, in August 1944, after the liberation of Paris, Guitry was arrested at his home following an anonymous denunciation. He was set free after two months in jail but though no official accusations were laid against him, he was forbidden to appear on stage or on screen. Finally, in 1947, he was cleared of any wrong-doings and allowed to resume his work. But his reputation was tarnished and in the years to come, he would frequently face the hostility of a certain press.
For his come-back, Guitry wanted to make a movie about historical figure Charles-Maurice de Talleyrand, but his screenplay was rejected by the authorities. So, Guitry adapted his scenario for the theatre and took the title role. Many commentators accused him to indulge in a self-justification attempt, but the play was a success and Guitry was finally able to turn it into the movie 'Le Diable boîteux' (1948).
Guitry continued to be as prolific, writing new plays, reviving old successes, penning screenplays, directing movies. But the cheerfulness of the pre-war works was replaced by a more acerbic humor like in the film 'La Poison' (1951), a movie that attracted mostly negative reviews when it came out but is today considered one of his best films.
There was a change of mood in 1953 with the release of 'Si Versailles m'était conté', another high budget historical fantasy that obtained a great success. At that time, Guitry's health was deteriorating, forcing him to give-up stage acting at the end of 1953. Despite his poor shape; Guitry, galvanized by the reception of 'Si Versailles m'était conté', wrote and directed two other historical dramas 'Napoléon' (1954) and 'Si Paris nous était conté' (1956). His general condition was so bad that, for that last film, he authorized the producer to use Henri-George Clouzot and Marcel Achard as back-ups, should he be in the impossibility to complete the film. Guitry finished his career with two comedies 'Assasins et voleurs' (1955), and 'Les Trois font la paire' (1957). He died during the summer of 1957.
Guitry's movies are only part of his legacy. He also left us above 100 plays, countless 'bons mots' and the memory of a flamboyant, often controversial personality. His films were often held in low esteem by the critics. Some of those movies were shot really fast (11 days for 'La Poison', 8 days for 'Faisons un rêve' and 'Mon Père avait raison'). Whether they are based on a play or not, dialogues are always paramount in his films, and when he adapted his plays, he never tried to hide their theatrical origin. Oddly enough, the films that were highly praised when they came out are not the ones best regarded today.- Director
- Writer
- Actor
Ruy Guerra left his studies in Portugal for to go to the School of Cinema in Paris. After having worked as assistant for various French directors he moved to Brasil and participated with his first two films in the birth of the "Cinema Novo": "Os Cafajestes (1962)" and "Os Fuzis (1964)" which won some international prizes. After an intermediate time in France where he made "Sweet Hunters (1969)" he returned to Brazil and went on filming there.- Director
- Writer
- Editor
Patricio Guzmán was born on 11 August 1941 in Santiago, Chile. He is a director and writer, known for Nostalgia for the Light (2010), The Battle of Chile: Part I (1975) and The Southern Cross (1991).- Actor
- Writer
- Director
Güney and his work were almost entirely unknown outside of his homeland Turkey until his 1981 escape from imprisonment in Turkey and his "discovery" the following year at the Cannes Film Festival for his autobiographical screenplay for The Road (1982), the festival's grand prize winner. Born in 1937 in a village near the southern city of Adana, Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yesilcam, the Turkish studio system, grew in strength, a handful of directors, including Atif Yilmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish & Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yilmaz Güney. Güney was a gruff-looking young actor who earned the moniker "Cirkin Kral," or "the Ugly King." After apprenticing as a screenwriter for and assistant to Atif Yilmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. More than a screen idol, Güney was a Kurdish who believed in the Kurdish people and their way of life, as well as being personally committed to social change. Although the early 1960s brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Hope (1970); Agit (1972); _Acý (1971)_; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallilar (1975) (completed in 1975), and before completing Endise (1974), which was finished in 1974 by Güney's assistant, Serif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for shooting a judge. During this stretch of incarceration, his most successful screenplays were The Herd (1978) and Düsman (1980), both directed by Zeki Ökten. After escaping from prison in 1981 and fleeing to France, Güney was greeted at the Cannes Film Festival with a Palme d'Or for The Road (1982), again directed by Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, The Wall (1983), made in France with the cooperation of the French government. At that point, Güney's name was unspeakable in his homeland; eleven of the films he directed or appeared in were confiscated and reportedly burned to ashes; even so much as writing about Güney was forbidden. Despite the great international success of Yol and Duvar, Güney was ultimately a Kurdish director for the Kurdish people; his final separation from his home audience must have been even more painful to endure than his years of imprisonment.- Director
- Writer
- Actor
Ritwik Ghatak was born on 4 November 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak. He died on 6 February 1976 in Calcutta, West Bengal, India.- Producer
- Writer
- Additional Crew
John Grierson was born on 26 April 1898 in Kilmadock, Stirlingshire, Scotland, UK. He was a producer and writer, known for Drifters (1929), Child's Play (1954) and Brandy for the Parson (1952). He was married to Margaret Grierson. He died on 19 February 1972 in Bath, Somerset, England, UK.- Actor
- Writer
- Director
Spanish actor and director of cinema and theater. Son of the actress Carola Fernán Gómez. When he was three years old he comes back to Spain from Argentina. He has written comedies, novels and poem books. He plays a wide repertoire of roles from comedy to drama.- Actor
- Writer
- Director
Aleksey German was born on 20 July 1938 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. He was an actor and writer, known for Khrustalyov, My Car! (1998), Hard to Be a God (2013) and Moy drug Ivan Lapshin (1985). He was married to Svetlana Karmalita. He died on 21 February 2013 in St. Petersburg, Russia.- Writer
- Producer
- Actor
Ram Lakhan (1989), Khalnayak (1993), Hero (1983), Karz (1980), these are some grand films made by a grandiose director. Since 1976, Subhash has been directing films. But recently where has the fanfare and the fire has gone from Mukta arts main director? Subhash started in 1976 with the film Kalicharan (1976), a film he made without any previous directorial experience. The film was rejected seven times before it came to NN Sippy who gave Ghai his shot. He followed this two years later with Vishwanath (1978) but struck big time with his third film, and first under his Mukta Arts banner, Karz (1980). With hit pairing of Rishi Kapoor and Tina Minium, Karz brought together Subhash & Laxmikant-Pyarelal. He then hit the audience with Hero (1983), starring an actor he would repeat many time in his future films, Jackie Shroff. This was his first film as the main protagonist. It also established Meenakshi as a top heroine. In the first two weeks, the film was declared a dud. However, from its third week onwards it went on to run at cinemas for many golden jubilees.
Again musically, Ghai had the genius stroke of having Pakistan's top singer Reshma sing Lambi Judaai with just 11 instruments. He hit next with _Meri Jung (1982)_ with Anil Kapoor and then he gave the term Multi Starrer blockbuster its true home. Karma was released in 1986 with huge fanfare. The pre-production hype matched its pre-release hype with the rivalry of Dillip Kumar and Naseeruddin Shah. It was a superhit. Again new faces were brought in. Anupam Kher made his appearance as Dr. Dang. Ghai received a national award for making an anti-terrorism film. In his next film, one of Bollywood's legends was born, Madhuri Dixit in Ram Lakhan (1989). Another superhit for a barely textbook script. Like his track record, Saudagar (1991), his next release united two icons together. Dilip Kumar and Raj Kumar. Again Ghai launched another star, Manisha Koirala. Another film another superhit. His next film was one of the most talked about films of its time and could match any film today for column space. Sanjay as the bad guy and Jackie as the good guy. Madhuri caught in between the two. _Khalnayak (1993)_ was notorious for many things. At the same time, Sanjay wound up in jail on terrorist charges. Before jail, Sanjay and Madhuri were said to be having a relationship, but when Sanjay ended up in Jail Madhuri dropped him like hot cakes and denied all knowledge of being anything more than a co-star. The main song "Choli ke peechay" was at the top of every chart and just as controversial. This was the showman's greatest moment. From here it could only go down.
Though Trimurti wasn't directed by Subhash, it came from the same production house. The film was put on hold for ages. It was meant to be a triumphant moment for Ghai. The showman and the star, Shah Rukh Khan united. For all the time he had been in Bollywood he had never made a film with Amitabh and this was his time to show the world what he could do with the star of the moment. But the project was laid back for months as Subash waited for Sanjay Dutt to be released from prison. Eventually, Dutt had a face to face meeting with Ghai and told him straight. Replace me. Anil Kapoor was drafted in. But even with Jackie Shroff, Shah Rukh Khan and Anil Kapoor the weak script was destined to fail. Its failure hit Ghai hard and Mukul Anand even harder. The later never got the chance to direct another film. His venture after Trimurti was Dus. He died towards the end of shooting. The film never saw release. With the knives that were stuck in Ghai, he came back with another Shah Rukh film this time directed by himself. Pardes (1997) was launched with Ghai declaring that from now on his films would be aimed at NRIs. From that moment on Ghai lost his biggest supporter, the press. An average hit compared to the Ghai catalog. By now he'd even changed his musical directors to Nadeem-Sharavan. Music is where the hits and flops were made. Ghai knowing this asked AR Rehman to write the music for his next film. He struck gold again. The star of the show was Aishwarya. It made phenomenal amounts of cash - not bad for a film where nothing interesting happens until the interval where one A. Kapoor makes an appearance. Ghai was back. He knew who'd been the people who'd stuck the knives in his back and isolated them, the press.
He had the last laugh. Or did he. Forward to 2001 and Ghai was planning to make history. Hrithik and Kareena together for the first time. _Yaadein (2001)_. From its announcement the press were out to hound Ghai. And it showed. The film was written off from day one. Criticised from anything and everything. The coke ads, the numerous other in film adverts, too fluffy. Jackie Shroff was the only saving grace to come out of this film. Subhash has isolated the one thing that gave his film the hype and now he's feeling very left out from the Indian press who have warmed up to other directors. Ghai had a rule of releasing a film every two years yet two years after Yaadein he has not announced a single directorial venture, just two producer ventures, Ek aur ek gyarah and Joggers Park. His ego and his own ability to create hype for his films could be to blame. He raises the expectations of his own films to such a level that the audience is expecting much. And if it fails to deliver even slightly, the audience and the press will hype up the failures even more so. What the future holds for Ghai is unknown and only he can answer. Though don't expect The Showman to let any other director take his title anytime soon!- Writer
- Director
- Editor
Philippe Garrel was born on 6 April 1948 in Paris, France. He is a writer and director, known for Regular Lovers (2005), I Can No Longer Hear the Guitar (1991) and Liberté, la nuit (1984).- Born in Leon in Spain, Octavio Getino moved to Argentina in the early 1950s. Here, he co-founded, along with the director Fernando Solanos, the influential and radical film collective known as Cinema Liberacion, and worked with Solanos on the film 'The Hour of the Furnaces', which was largely shot underground and clandestinely. Following the return of Peron as the president of Argentina in the mid 1970s he was made the Argentinian film censor, which allowed him to relax the strict artistic regime, but he was soon displaced by a harsher incumbent. He then moved to Peru to work as a teacher of film theory, resisting efforts to extradite him to Argentina, In the 1980s he moved to Mexico.
- Director
- Editor
- Writer
Serif Gören was born on 14 October 1944 in Ksanthi, Greece. He is a director and editor, known for The Road (1982), Endise (1974) and Derman (1983).- Director
- Writer
- Producer
Claude Goretta was born on 23 June 1929 in Geneva, Geneva, Switzerland. He was a director and writer, known for The Invitation (1973), The Lacemaker (1977) and La provinciale (1980). He died on 20 February 2019 in Geneva, Canton de Genève, Switzerland.- Actor
- Director
- Producer
Vincent Gallo. American-born, Buffalo, New York, 1961. Left home, moved to New York City in 1978, and began playing in the experimental musical group, Gray, with artist Jean Michel Basquiat. After leaving Gray, he formed the band, Bohack, and recorded the highly regarded avant-garde industrial noise album, "It Took Several Wives".
During the same period, Gallo also became known in New York City for his very unusual street performances, which were spontaneously executed in public and also witnessed by invited guests in the know. The One-Armed Man, The Man with No Face, Sandman, Boy Hit by a Car, and Boy Cries in Restaurant Window, to name a few. These radical public performances were upsetting and disturbing and were meant to provoke thought, self-reflection and consciousness. Gallo's invited guests could witness his performance's impact in this larger public context.
One invited guest, New York Underground filmmaker, Eric Mitchell, cast Gallo as the lead in his film, The Way It Is (1985), alongside newcomer Steve Buscemi. The Way It Is (1985) was Gallo's first appearance in a feature-length film, though previously he had directed himself in several short films, including If You Feel Froggy, Jump (1980), The Gunlover (1986) and Rocky 10, as well as the collaborations with filmmaker Michael Holman, Vincent Gallo as "Jesus Christ" (used in Julian Schnabel's Basquiat (1996)) and Vampire LeStat.
Since his early performance art days, Gallo has continued to create very conceptual performance pieces. Examples are a series of protesting of protests. Gallo has also created his own website, which upon closer examination, is actually a highly conceptual artwork resonating with his early performance work.
On his website www.vincentgallo.com in the merchandise section, Gallo is selling his sperm and sexual fantasies as conceptual works. Gallo's Internet art questions celebrity, procreation, ego, social agenda, and views of religion, race and sexuality. These public offerings are motivated by extreme sensitivity, concept and thoughtfulness, however their presentation appears crude and offensive. Misinterpretation of this work is common and Gallo is often incorrectly categorized as a racist, sexist, homophobe. Gallo has had over 25 one-man shows of his paintings, including several with famed New York art dealer, Annina Nosei, and 4 museum shows including one at the Hara Museum in Tokyo, Japan.
Gallo has also released several musical albums including 2 on the prestigious Warp Records label-When and Recordings of Music for Film. Gallo wrote, composed and performed the original music for the films Buffalo '66 (1998), The Agent (1990) and Promises Written in Water (2010).
In the 1980s, Gallo reached the professional level of Grand Prix motorcycle racing, though he did not win a national championship. Gallo is one of the actual motorcycle riders in his feature film, The Brown Bunny (2003).
For many years, Gallo has been known and highly respected in hi-fi and music recording circles and is considered by many professionals in the field as having world-class knowledge and experience. He has been published many times by specialty magazines focused on high fidelity designs and equipment as well as music recording techniques and equipment. His collection of vintage hi-fi and recording gear, as well as musical instruments, is amongst the largest and most refined in the world. Gallo is also a fanatic record collector, owning over 35,000 vinyl LP's.
Gallo has no agent, manager, assistant or intern and he makes his films without producers, and with extremely scaled down crews. He has self-distributed his movies and is directly involved in his films' sales for distribution. Gallo has also created all of his films' trailers and posters.
Gallo is one of the most misunderstood, misquoted, misrepresented talents in the past 25 years and a brief review of his IMDb page suggests he has also been incredibly prolific.- Director
- Writer
- Editor
István Gaál was born on 25 August 1933 in Salgótarján, Hungary. He was a director and writer, known for The Falcons (1970), Sodrásban (1964) and Legato (1978). He died on 25 September 2007 in Budapest, Hungary.- Director
- Writer
- Editor
Heinosuke Gosho was born on 24 January 1902 in Tokyo, Japan. He was a director and writer, known for The Neighbor's Wife and Mine (1931), Once More (1947) and Ragpicker's Angel (1958). He died on 1 May 1981 in Japan.- Cinematographer
- Actor
- Director
John Gulager was born on 19 December 1957 in New York City, New York, USA. He is a cinematographer and actor, known for Feast (2005), Piranha 3DD (2012) and He Was a Quiet Man (2007). He has been married to Diane Ayala Goldner since 1986.- Writer
- Director
- Producer
Val Guest began his career as an actor on the British stage and in early sound films. He ran the one-man London office of "The Hollywood Reporter" until an encounter with director Marcel Varnel led to a screen writing job at Gainsborough Studios. Guest's directing career began in the early 1940s with a Ministry of Information short about the perils of sneezing (!), an inauspicious start to a lengthy roster of films that includes the science-fiction classics The Quatermass Xperiment (1955), Quatermass 2 (1957), The Abominable Snowman (1957) and The Day the Earth Caught Fire (1961). He was married to the actress Yolande Donlan from 1954 until his death in 2006, aged 94.- Director
- Writer
- Actor
Sergei Gerasimov was born in the village of Kundravy in Urals area of the Russian Empire, in 1906. He studied at the Leningrad College of Arts and graduated from the Actors Department of the Leningrad Institute for Stage Arts in 1928. He started his film career in 1924 as an actor, continued as an assistant director and joined the "FEKS" film group, under the leadership of Grigoriy Kozintsev, Leonid Trauberg, and Sergei Yutkevich. He taught acting class at Lenfilm Studios, and employed his students in his film Seven Brave Men (1936), which became a success. His student Tamara Makarova became his wife and partner in film-works.
Sergei Gerasimov directed the 1945 Victory Parade on the Red Square in Moscow. His apprentice, Nikolai Rozantsev, became a reputable Russian director. His students Sergey Bondarchuk, Inna Makarova, Sergei Gurzo, Lyudmila Shagalova, Nonna Mordyukova, Vyacheslav Tikhonov became instant celebrities after the success of his film The Young Guard (1948). His most acclaimed work was the epic film Quiet Flows the Don (1957), based on the eponymous book by Mikhail Sholokhov. A crowning finale to his career was the biographical film Lev Tolstoy, in which Gerasimov starred as the famous Russian writer. The oldest film school in the world, VGIK, is named after Sergei Gerasimov.- Director
- Writer
- Editor
Miguel Gomes was born in 1972 in Lisbon, Portugal. He is a director and writer, known for Our Beloved Month of August (2008), Arabian Nights: Volume 2 - The Desolate One (2015) and Tabu (2012).- Director
- Writer
- Actor
Stanislav Govorukhin was born on 29 March 1936 in Berezniki, Russian SFSR, USSR [now Perm Krai, Russia]. He was a director and writer, known for The End of a Beautiful Epoch (2015), The Rifleman of the Voroshilov Regiment (1999) and Weekend [Uik-end] (2013). He was married to Galina Govorukhina and Yunona Kareva. He died on 14 June 2018 in Barvikha, Moskovskaya oblast, Russia.- Director
- Writer
- Second Unit Director or Assistant Director
Roberto Gavaldon was the most prominent director of the so-called Golden Age of Mexican CInema. One of the supreme artists of the melodrama, Gavaldon was a rival to Old Hollywood movies. Gavaldon's movies, like contemporary director Emilio 'Indio' Fernandez, were popular and populist. Because that Gavaldon's cinema has melodramatic plots, extravagant and larger-than-life star performances, feverish and hyperbolic scenarios, and thunderous and over-the-top musical scores. Few directors in the history of world cinema have been so fully and passionately dedicated to melodrama - not just as a movie genre, but as a distinct and legitimate art form in its own right. Besides his cinematographic activities, Gavaladon was fighting for the Mexican workers rights and against foreign investment in the country.- Director
- Producer
- Additional Crew
Lesli Linka Glatter is a director of film, network, cable, and premium cable television drama, with both pilots and episodes to her credit. Lesli's TV work includes Homeland (2011), The Newsroom (2012), The Walking Dead (2010), Justified (2010), Ray Donovan (2013), Masters of Sex (2013), Nashville (2012), Boss (2011), True Blood (2008), Mad Men (2007), The Good Wife (2009), Weeds (2005), House (2004), Heroes (2006), The West Wing (1999), NYPD Blue (1993), ER (1994), and Freaks and Geeks (1999), to name a few. Her first series was Steven Spielberg's Amazing Stories (1985) followed by Twin Peaks (1990), for which she received her first Directors Guild Award nomination. Lesli has also directed numerous pilots including Grace (2011), Gilmore Girls (2000), In My Life (2002), Newton (2003), Six (2017) and Pretty Little Liars (2010). In addition, Lesli was the Co-Executive Producer/Director of Shawn Ryan's The Chicago Code (2011), NBC's The Playboy Club (2011), John Wells' Citizen Baines (2000), HBO's The Leftovers (2014) and was the Executive Producer/Director of Homeland (2011) Seasons 3 through 8.
Lesli began her directing career through the American Film Institute's Directing Workshop for Women. Her short film, Tales of Meeting and Parting (1985), was nominated for an Academy Award, as well as winning numerous awards in festivals throughout the country.
Lesli made her feature film directorial debut with New Line's coming-of-age comedy, Now and Then (1995), featuring Demi Moore, Melanie Griffith, Rosie O'Donnell and Christina Ricci, followed by Polygram's romantic period drama The Proposition (1998), featuring Kenneth Branagh, Madeleine Stowe and William Hurt. She directed HBO's State of Emergency (1994), which she received a Cable ACE nomination for Best Picture, as well as a Humanitas Award nomination. Lesli's other HBO films include Into Into the Homeland (1987) and The Promise.
In 2010, Lesli was nominated for an Emmy for directing the Mad Men (2007) episode "Guy Walks Into an Advertising Agency (2009)," as well as winning a Directors Guild Award for Outstanding Directorial Achievement in a Dramatic Series for the same episode. In 2013, she was nominated for her third Directors Guild Award for the Homeland episode Q&A (2012) as well as an Emmy nomination for the same episode. In 2013, Lesli was nominated for her fourth Director's Guild Award for the season finale of Homeland (2011), The Star (2013). In 2015, Lesli won the Director's Guild Award for the Homeland (2011) episode From A to B and Back Again (2014) and received her 3rd Emmy nomination for that episode as well. Lesli's 6th DGA Award nomination was for the Homeland (2011) episode The Tradition of Hospitality (2015) as well as her 4th Emmy nomination. Lesli received her 5th Emmy nomination for the Homeland (2011) Season Finale, America First (2017) and her 7th DGA nomination for the America First (2017) Season Finale, Paean to the People (2018). Lesli has also received 2 Emmy Nominations as part of the America First (2017) production team for Best Drama Series.
Lesli serves as the 1st Vice President of the Directors Guild of America, is on the DGA's Western Directors Council, as well as being an adviser at the Sundance Directors Lab. She serves on the Executive Committee of the Directors Branch of The Academy of Motion Pictures Arts and Sciences. Lesli recently received the Caucus Foundation Award, the Dorothy Arzner Directing Award from Women in Film, and the Franklin Schaffner Award from the American Film Institute, as well as an Honorary Degree from the American Film Institute. Lesli has been actively mentoring for many years and most recently helped develop the successful program, NBC Female Forward. Lesli has been involved on projects for Netflix, Amazon, Showtime and Epix.
Prior to her work as a director, Lesli was a modern dance choreographer, working throughout Europe, Asia, and the United States.- Director
- Writer
- Second Unit Director or Assistant Director
Sara Gómez was born in 1943 in Cuba. She was a director and writer, known for One Way or Another (1977), En la otra isla (1968) and Iré a Santiago (1964). She was married to Germinal Hernández and Héctor Veitia. She died in 1974.- Writer
- Director
- Music Department
Rituparno Ghosh is a Bengali film director. He has won 12 National Film Awards in India and several awards at international film festivals abroad. He began directing in advertising. In 1992, he made a low-key film debut with a children's feature titled Hirer Angti (The Diamond Ring). His second movie Unishe April (19 April), won the 1995 National Film Award Since then, Ghosh has directed Dahan, Utsab, Chokher Bali, Asukh, Bariwali, Antarmahal and Raincoat (in Hindi). He won the National Award for best direction for his bengali film "Abohoman" starring Jishu Sengupta, Ananya Chatterjee, Dipankar Dey and Mamata Shankar in India in 2010.- Director
- Editorial Department
- Writer
Maggie Greenwald is an award-winning filmmaker who began her career as a picture and sound editor. Her first film, Home Remedy, screened at the Munich, London and Torino Film Festivals before opening at the prestigious Film Forum in New York. Her next film, in 1987, The Kill-Off, a noir thriller based on a novel by Jim Thompson, appeared at film festivals around the world including Sundance (in Dramatic Competition), Munich (opening night, American Independent section), London, Florence, Deauville, Toronto and Edinburgh before winning the Best Director Award at the Torino Film Festival. The film is acknowledged by the British Film Institute as one of the "100 Best American Independents."
Greenwald's acclaimed, groundbreaking Western, The Ballad of Little Jo, was released worldwide by Fine Line Features and Polygram Filmed Entertainment in 1993. It won an Independent Spirit Award. Inspired by early country ballads, Greenwald subsequently wrote and directed her music-based drama, Songcatcher. The film premiered in Dramatic Competition at Sundance 2000 where it garnered a Special Jury Award for Ensemble Performance. The film was the opening night selection of the Hamptons Film Festival and received the first Sloan Foundation Award, Deauville Film Festival Audience Award, two Independent Spirit Award nominations and a GLAAD Award nomination. In 2013 Greenwald directed the teen film The Last Keepers, starring Zosia Mamet, Aidan Quinn, Virginia Madsen and Olympia Dukakis. In 2002 Greenwald was awarded the Dorothy Arzner Award from the Director's View Film Festival. For television, Greenwald has directed the GLAAD Award-winning film What Makes A Family (starring Brooke Shields, Whoopi Goldberg and Cherry Jones - 2000), Tempted (starring Virginia Madsen - 2002 ) and Comfort and Joy (starring Dixie Carter - 2003) for Lifetime Television. Get A Clue, (starring Lindsay Lohan and Brenda Song- 2001) for Disney Channel. Good Morning, Killer (starring Catherine Bell - 2011) for TNT. Episodic work includes The Adventures of Pete & Pete (Cable ACE Award), The Mystery Files Of Shelby Woo and Wildfire.- Director
- Second Unit Director or Assistant Director
- Writer
Nick Grinde's career lasted from the late 1920s to the mid-'40s, but his heyday was the mid to late 1930s. Grinde was one of the journeyman directors (such as Lesley Selander, George Sherman, Lew Landers, etc.) who made the "B" pictures that everybody enjoyed at a Saturday matinée, but whose name no one would recognize. While none of Grinde's pictures were particularly memorable, they encompassed all genres, from horror to musicals to comedies and even a western or two, but he was especially adept at crime and action dramas--he turned out a number of tight, fast-moving little pictures of that type for Warner Bros.- Director
- Writer
- Producer
Murray Grigor was born in 1939 in Inverness, Scotland, UK. He is a director and writer, known for The Architecture of Frank Lloyd Wright (1983), Cumbernauld Hit (1977) and Sean Connery's Edinburgh (1983).- Director
- Writer
- Actor
Tony Gatlif was born on 10 September 1948 in Algiers, Alger, France [now Algeria]. He is a director and writer, known for Vengo (2000), Freedom (2009) and The Crazy Stranger (1997).- Director
- Actress
- Writer
Bette Gordon was born on 22 June 1950. She is a director and actress, known for Handsome Harry (2009), Variety (1983) and Empty Suitcases (1980).- Director
- Writer
- Producer
Adoor Gopalakrishnan is India's most acclaimed contemporary filmmaker. Born in 1941 in Kerala, a state in south India, he belongs to a family with strong links to the performing arts, especially Kathakali, a highly-stylised form of dance drama. From the age of eight Adoor began acting for the stage, later producing and directing over twenty plays, several written by him. He is the author of two books on the theatre as well as a book on the cinema, "The World of Cinema", for which he won a national award in 1983. In 1962 Adoor enrolled in the Film and Television Institute in Pune and graduated in 1965 with a diploma in Scriptwriting and Direction. The same year he founded the Chitralekha Film Society of Trivandrum as well as the Chitralekha Film Cooperative. Both played a key role in the development of film culture in Kerala. In 1972 Adoor made Swayamvaram/One's Own Choice, his first full-length feature film. It launched the New Cinema in Kerala and became one of the major films of the Indian New Wave. He has since made seven more films (along with over 25 shorts and documentaries), all of which have won major national and international awards: Kodiyettam/Ascent (1977); Elippathayam/Rat Trap (1981); Mukhamukham/Face to Face (1984); Anantaram/Monologue (1987); Mathilukal/The Walls (1990); Vidheyan/The Servile (1993), and Kathapurushan/Man of the Story (1995). Elippathayam received the prestigious British Film Institute Award in 1982; Mukhamukham won the FIPRESCI prize in 1985; Kathapurushan was honoured in India in 1995 with the National Award for Best Film. Retrospectives of Adoor's films have been held in Pesaro, Helsinki, La Rochelle, Nantes, Munich, and New York. All of Adoor's films draw on the history and culture of his native Kerala. Kerala's transition from feudalism to modernity serves as a backdrop to his complex meditations on the psychology of power, the nature of oppression, the corruption of patriarchy, and the coexistence of the modern and the feudal in post-Independence democratic India. Elippathayam, his masterpiece, vividly captures the descent into paranoia of a man trapped within his feudal universe. In Mukhamukham, a study in failed idealism, a Communist leader gives up on revolution and decides to go to sleep instead. Vidheyan, a parable-like story, deals with the abuse of power, the plight of the outsider, and the nature of a master-servant relationship. The more recent films--especially Anantaram, Mathilukal and Kathapurushan--display a new concern with interiority and reflexivity, foregrounding time, memory, consciousness, and the nature of storytelling itself. Adoor's genius lies in his ability to create visually complex films that operate on multiple levels, that are culture-specific and yet universal in significance.- Director
- Actor
- Producer
Keith Gordon was born on 3 February 1961 in New York City, New York, USA. He is a director and actor, known for A Midnight Clear (1992), Waking the Dead (2000) and Mother Night (1996). He has been married to Rachel Griffin since 1998.- Director
- Writer
- Cinematographer
Philippe Grandrieux born 1954 is a French film director and screenwriter. Grandrieux was born in Saint-Étienne. He studied film at the Institut National Supérieur des Arts du Spectacle in Belgium. He exhibited his first video work at Galerie Albert Baronian, Bruxelles. In the 1980s, he worked in collaboration with the French Institut National de Audiovisuel and the television channel La Sept Arte where he helped develop new cinematographic forms and formats that called into question some basic principles of film writing: for instance, the conventions behind documentary, information and film essays.Since 2005, programs devoted to Grandrieux's features Sombre, La Vie nouvelle, Un lac installations, video, documentary work and shorts have been broadcast all over the world. Un Lac, was ready for the 65th Venice Film Festival (2008) where he won a Special Mention in the Orrizzonti Section which rewards movies that initiate new cinematographic trends.- Director
- Cinematographer
- Editor
Robert Gardner was born on 5 November 1925 in Brookline, Massachusetts, USA. He was a director and cinematographer, known for Forest of Bliss (1986), Rivers of Sand (1974) and Altar of Fire (1976). He died on 21 June 2014 in Cambridge, Massachusetts, USA.- Producer
- Director
- Writer
Dr. Annie Goldson has been producing and directing feature and broadcast documentaries for 20 years through her boutique production company Occasional Productions. Known for their craft and insight, her films have won over 50 international and domestic awards at film festivals, have opened theatrically in the US, Australia and New Zealand and sold to broadcasters such as PBS, CBC, Channel 4, ARD, Canal Plus and HBO.
Annie is also an academic, who publishes widely in books and journals including Studies in Documentary Film, Screen and Social Text. Her monograph Memory, Landscape, Dad and Me, written to accompany an early film Wake, was published by Victoria University Publications.
She holds an ONZM for services to film and received her PhD at the University of Auckland where she teaches in screen production and in theory.- Director
- Producer
- Editor
Born outside Philadelphia in 1943, majored in Russian literature at the University of Wisconsin. An independent filmmaker, primarily of non-fiction works, since 1967. Only one dramatic feature film, WAITING FOR THE MOON, which won 1st prize at the Sundance Film Festival in 1987. Since 1992, a professor at the Univeristy of Notre Dame in the Film, Television and Theatre Department, teaching film production courses and other things. Recipient of a Guggenheim Fellowship, 2 Rockefeller Foundation Fellowships, and others.- Director
- Writer
- Cinematographer
Paolo Gioli was born on 12 October 1942 in Sarzano, Rovigo, Veneto, Italy. He was a director and writer, known for Rothkofilm (2008), Tracce di tracce (1969) and Cineforon (1972). He died on 28 January 2022 in Lendinara, Veneto, Rovigo, Italy.