Cinematographers
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- Director
- Camera and Electrical Department
César Charlone was born on 19 April 1958 in Montevideo, Uruguay. He is a cinematographer and director, known for The Constant Gardener (2005), Blindness (2008) and City of God (2002).- Cinematographer
- Camera and Electrical Department
- Director
Dion Beebe is an Australian-South African cinematographer. He is best known for his collaboration with Rob Marshall in the films Chicago (2002), Memoirs of a Geisha (2005), Nine (2009), Into the Woods (2014) and Mary Poppins Returns (2018);
Beebe also worked with Michael Mann in Collateral (2004) and Miami Vice (2006).
He studied cinematography at the Australian Film Television and Radio School from 1987 to 1989.
For his work on Memoirs of a Geisha he won an Oscar for best achievement in cinematography.- Cinematographer
- Camera and Electrical Department
- Director
Jeff Cronenweth was born on 14 January 1962 in Los Angeles County, California, USA. He is a cinematographer and director, known for Gone Girl (2014), The Social Network (2010) and The Girl with the Dragon Tattoo (2011).- Cinematographer
- Camera and Electrical Department
- Additional Crew
Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve.
He is a member of both the American and British Society of Cinematographers.
Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). He began his collaboration with the Coen brothers in 1991 on the film Barton Fink. He received his first major award from the American Society of Cinematographers for his outstanding achievement in cinematography for the internationally praised major motion picture The Shawshank Redemption (1994).
He is also known for his work in The Assassination of Jesse James by the Coward Robert Ford (2007), No Country for Old Men (2007), True Grit (2010), Skyfall (2012), Sicario (2015), and Blade Runner 2049 (2017).
Deakins also worked as one of the visual consultants for Pixar's animated feature WALL-E.
In 2018 he won an Oscar for best cinematographer for his work in Blade Runner 2049.- Cinematographer
- Camera and Electrical Department
- Director
Benoit was born in Nanterre in the west suburb of Paris in 1961 and spent his childhood in Cherbourg, in Normandy. He started to study cinema in 1980 at the Paris Sorbonne University and at the Ecole Louis Lumiere where he specialized in cinematography mentored by Robert Bresson's favorite camera operator.
Benoit's early breakthrough as a director of photography came with the movie he shot for the Vietnamese director Tran Anh Hung « The Scent of Green Papaya », a poetic recreation of the 1950's Saigon entirely shot on stage in Paris. The film won the Camera d'Or Award in Cannes Film Festival and an Academy Award nomination for best foreign film. Following that success, Benoit re-teamed with the same director for «Cyclo »,a violent tale of contemporary Vietnam all shot in the busy streets of Ho Chi Minh City and was awarded a Golden Lion in Venice Film Festival by president of the jury Abbas Kiorastami.
Since then Benoit established himself as a very international cinematographer. He loves nothing more than jumping from one universe to another.
« The Loss of Sexual Innocence », a fearless collage of bold images shot in three weeks in three different countries on Ektachrome for Academy Award winning director Mike Figgis was Benoit's first English speaking movie quickly followed by « The Winslow Boy », a very painterly adaptation of an Edwardian play directed by David Mamet. Then a biopic of the scandalous Marquis de Sade during the french Revolution directed by Benoit Jacquot ( « Sade » ) followed by a ghost story in the streets of Tapei with revered Taiwanese director Tsai Ming Liang ( « What Time is it There » ). An adaption of Shakespeare's « Merchant of Venice » starring Al Pacino and Jeremy Irons shot in a dilapidated Venice back lot in Luxembourg followed by a brutal and extremely stylish western shot in the Australian Outback, written by Nick Cave and directed by John Hillcoat ( « The Proposition » ) A love story between Jude Law and Juliette Binoche directed by Academy award winner Anthony Minghella and set in London's Kings Cross new development ( « Breaking and Entering » ) followed by a tragic love story between the son of a concentration camp's commander and a Jewish boy ( « The Boy in Striped Pyjamas » ) A very experimental film adapted from Oscar Wilde's « Salome » directed by Al Pacino. Al directs and acts with Jessica Chastain and Benoit helps him to mix abruptly the play and real life in a small stage in Los Angeles followed by a post 9-11 spy story adapted from a John Le Carré's novel and shot in the warehouses of Hamburg's harbor and directed by the legendary dutch photographer Anton Corbijn and starring Philipp Seymour Hoffman ( « A Most Wanted Man » ) A biopic of the cosmologist Stephen Hawking fighting with motor neuron disease shot on the campus of Cambridge University and directed by Academy Award winning director James Marsh and starring Eddie Redmayne who won an Oscar for best actor for this performance ( « The Theory of Everything » ) followed by the last two years of the life of Vincent Van Gogh shot entirely handheld by Benoit in Provence under the direction of the « painter director » Julian Schnabel. Willem Dafoe plays Vincent and gets and academy award nomination for best actor ( At Eternity's Gate ). Benoit is also developing a parallel career as a painter. His first show « My Hollywood » opened in New York in march 2017.- Cinematographer
- Camera and Electrical Department
- Producer
Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017). He also shot Bradley Cooper's directorial debut film, A Star Is Born (2018).
Libatique also work as an cinematographer in the films Tigerland (2000), Phone Booth (2002), Iron Man (2008), Iron Man 2 (2010) and Venom (2018).
He has received two Academy Awards nominations for Best Achievement in Cinematography, one for Black Swan and the other for A Star Is Born.- Cinematographer
- Camera and Electrical Department
- Actor
Dick Pope was born in August 1947 in Bromley, Kent, England, UK. He is a cinematographer and actor, known for The Illusionist (2006), Mr. Turner (2014) and Vera Drake (2004).- Cinematographer
- Camera and Electrical Department
Benjamin Dernbecher was born on 23 March 1969 in Stuttgart, Germany. He is a cinematographer, known for Long Hello and Short Goodbye (1999), Tatort (1970) and Türkisch für Anfänger (2012).- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Cinematographer
- Camera and Electrical Department
- Actor
Darius Khondji was born on 21 October 1955 in Tehran, Iran. He is a cinematographer and actor, known for Amour (2012), Se7en (1995) and Delicatessen (1991). He is married to Marianne Khondji. They have three children.- Cinematographer
- Camera and Electrical Department
- Director
Bruno Delbonnel was born in 1957 in Nancy, Meurthe-et-Moselle, France. He is a cinematographer and director, known for The Tragedy of Macbeth (2021), A Very Long Engagement (2004) and Inside Llewyn Davis (2013).- Cinematographer
- Camera and Electrical Department
- Actor
Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen.- Cinematographer
- Camera and Electrical Department
- Location Management
Anthony Dod Mantle was born on 14 April 1955 in Oxford, Oxfordshire, England, UK. He is a cinematographer, known for Slumdog Millionaire (2008), Antichrist (2009) and The Last King of Scotland (2006).- Cinematographer
- Camera and Electrical Department
- Actor
- Cinematographer
- Director
- Camera and Electrical Department
Gordon Willis was an American cinematographer. He's best known for his work on Francis Ford Coppola's Godfather films, as well asWoody Allen's Annie Hall (1977) and Manhattan (1979).
His work on the first two Godfather films turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in The Godfather Part II (1974).
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39 Academy Award nominations, winning 19 times, including three awards for Best Picture. During this time he did not receive a single nomination for Best Cinematography.
He directed one film of his own, Windows (1980). His last film as a cinematographer was The Devil's Own (1997), directed by Alan J. Pakula.
Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, at the age of 82.- Camera and Electrical Department
- Cinematographer
John Alcott, the Oscar-winning cinematographer best known for his collaboration with director Stanley Kubrick, was born in 1931, in Isleworth, England, the son of movie executive Arthur Alcott, who would become the production controller at Gainsborough Studios during the 1940s.
Alcott began his film career as a clapper boy, the lowest member of a camera crew. By the early 1960s he had worked his way up to focus puller, the #3 position on a camera crew after the lighting cameraman and camera operator. As a focus puller Alcott was responsible for measuring the distances between the camera and the subject being shot, which is critical during traveling shots, and more vitally, he was tasked with adjusting the lens when the camera is following a subject.
By the mid-'60s Alcott was a member of the camera team of master cinematographer Geoffrey Unsworth, working on Kubrick's 2001: A Space Odyssey (1968). When Unsworth had to leave the project during its two-year-long shoot to meet other commitments, Alcott was elevated to lighting cameraman by Kubrick. Thus began a collaboration that would reach its zenith a decade later with Barry Lyndon (1975). His association with Kubrick propelled him to the top of his craft, in terms of both style and in pushing the technical aspects of the discipline.
Alcott preferred lighting that appeared natural and did not draw attention to itself. His ideas meshed perfectly with those of Kubrick, and the two developed their ideas about "natural" lighting in two landmark films, A Clockwork Orange (1971) and "Barry Lyndon", which incorporated scenes shot entirely by candlelight. The idea of using candlelight solely for illumination was discussed by Alcott and Kubrick after the wrap of "2001" for Kubrick's planned film about the life of Napoleon, but there wasn't a fast-enough lens in existence then.
After a search, Kubrick located three unique 50mm f/0.7 still-camera camera lenses designed by the Zeiss Corporation for use by NASA in its Apollo moon-landing program in order to shoot still pictures in the low light levels of outer space. The lens was 2 f stops faster than the fastest movie camera lens made at the time.
Kubrick tasked Cinema Products Corp. to adapt a standard 35mm non-reflexed Mitchell BNC movie camera so that the camera could accept the lens. The camera was outfitted with a side viewfinder from one of the old Technicolor three-strip cameras that used mirrors rather than prisms (like a modern camera) to show what it "sees", the mirrors providing a much brighter image than did a prism-based single-lens reflex system, which could not obtain enough light to register an image. There was no real problem with parallax, as the viewfinder was mounted close to the lens.
Cinema Products also created two special lenses by mating a 70mm projection lens with the remaining 0.7 Zeiss 50mm lenses. This battery of three lenses allowed Kubrick and Alcott to shoot the indoor scenes using nothing but candlelight. It was a formidable task, as the lenses could not be focused by eye. Metal shields also had to be installed above the sets, which were filmed in actual castles and manor houses in Ireland and England, to keep the heat and smoke from the candles from damaging the ceilings. Fortitously, the shields also reflected the candlelight back into the scene (this approach was later used successfully by lighting cameraman Alwin H. Küchler on the western The Claim (2000), which shot its saloon interiors in very low light). The candles had to be constantly replaced to keep continuity during the scenes, and shooting was hampered by the fact that many of the manor houses were open to the public and the crew had to wait until the intervals between tours to film a scene.
Alcott told "American Cinematographer" in a December 1975 interview that the ultra-fast lens had no depth of field at all. This necessitated the scaling of the lens by doing hand tests. Alcott's focus puller, Douglas Milsome (who would succeed him as Kubrick's cinematographer), used a closed-circuit video camera at a 90-degree angle to the film camera to keep track of the distances to maintain focus. A grid was placed over the TV screen and, by taping the various actors' positions in the set, the distances could be transferred to the TV grid to allow the actors a limited scope of movement during the scene, while keeping in focus.
Alcott won an Academy Award for his work on "Barry Lyndon", which is considered one of the most visually beautiful movies ever made. (Three of Alcott's movies were ranked in the top 20 of "Best Shot" movies in the period after 1950-97 by the American Society of Cinematographers: "2001" at #3, "Barry Lyndon" at #16, and "A Clockwork Orange", for which he won the British Academy Award, at #19.) Alcott realized Kubrick's vision by evoking the paintings of Corot, Gainsborough, and Watteau, creating gorgeous tableaux. It was the aesthetic opposite of the cubism evoked by "A Clockwork Orange",
While shooting what would turn out to be his last film for Kubrick, The Shining (1980), Alcott lit the hotel sets with "practicals" (sources of lighting that are visible on screen as part of the set, such as lighting fixtures). As on "Barry Lyndon", Alcott supplemented the lighting with illumination coming into the set from outside the windows, though the "windows" on "The Shining" were part of a set. The high temperatures (110 degrees Fahrenheit) caused by the 700,000 watts of illumination outside the set's "windows" Alcott used to create the high white effect favored by Kubrick caused the set to burn down.
Alcott, who shot films and TV commercials for other directors in the UK, moved to the US in 1981 in order to obtain more steady work than was possible in the ailing British film industry. His non-Kubrick projects as a cinematographer included three films with director Stuart Cooper and two with Roger Spottiswoode. Alcott could not shoot Kubrick's Full Metal Jacket (1987), which commenced shooting in 1985 and -- like any Kubrick shoot -- would involved a substantial commitment of time, as Alcott was committed to other projects (Kubrick hired Douglas Milsome, who had been Alcott's focus puller on "Barry Lyndon" and "The Shining", to shoot "Jacket"). His non-Kubrick oeuvre was eccentric, and included the Canadian slasher film My Bloody Valentine (1981), but he was able to bring his outstanding visual quality to such movies as Fort Apache the Bronx (1981), The Beastmaster (1982), Under Fire (1983) and Hugh Hudson's Greystoke: The Legend of Tarzan, Lord of the Apes (1984).
Alcott suffered a massive heart attack and died on July 28, 1986, in Cannes, France. At the time of his death he was considered one of the film industry's great artist-technicians, someone who through his ability to push back the boundaries of what was technically possible, linked technology to aesthetic needs and contributed to the development of cinema as an art form. His last film, No Way Out (1987), was dedicated to his memory. The British Society of Cinematographers named one of its awards the "BSC John Alcott ARRI Award" in his honor to commemorate his role as a lighting cameraman in the development of film as an art form.- Cinematographer
- Director
- Camera and Electrical Department
One of the highest appraised contemporary cinematographers. He was born in Spain but moved to Cuba by age 18 to join his exiled anti-Franco father. In Havana, he founded a cineclub and wrote film reviews. Then, he went on to study in Rome at the Centro Sperimentale. He directed six shorts in Cuba and two in New York. After the 1959 Cuban revolution, he returned and made several documentaries for the Castro-regime. But after two of his shorts (Gente en la playa (1960) and La Tumba Francesca) had been banned, he moved to Paris. There he became the favourite cameraman of Éric Rohmer and François Truffaut. In 1978, he started his impressive Hollywood-career. In his later years, he co-directed two documentaries about the human rights situation in Cuba: Improper Conduct (1984) (about the persecution of gay people) and Nadie escuchaba (1987). He shot several prestigious commercials for Giorgio Armani and Calvin Klein. Nestor Almendros died of cancer.- Cinematographer
- Director
- Producer
Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks (1993), which followed the journey of a single twenty-dollar bill.
Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school at the National Autonomous University of Mexico. Together they have worked on six motion pictures: Love in the Time of Hysteria (1991), A Little Princess (1995), Great Expectations (1998), And Your Mother Too (2001), Children of Men (2006), and Gravity (2013). His work with Cuarón on Children of Men (2006), has received universal acclaim. The film utilized a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system. For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men (2006) also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits.
Lubezki has been nominated for eight Academy Awards for Best Cinematography, winning three, for Gravity (2013), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015). He is the first cinematographer in history to win three consecutive Academy Awards.- Cinematographer
- Camera and Electrical Department
- Actor
Harris Savides was born on 28 September 1957 in New York City, New York, USA. He was a cinematographer and actor, known for Elephant (2003), Zodiac (2007) and Birth (2004). He was married to Medine Chenet. He died on 9 October 2012 in Manhattan, New York City, New York, USA.- Cinematographer
- Camera and Electrical Department
- Composer
Hoyte Van Hoytema was born in Horgen, Switzerland. Van Hoytema is a Dutch-Swedish director of photography known for his work on The Fighter (2010), Her (2013), Interstellar (2014), and Dunkirk (2017). Van Hoytema always wanted to be a filmmaker, therefore he wished to attend a film school in The Netherlands, but was rejected twice. After the rejection, Van Hoytema worked in a soap factory, carpentry factory and even played in a band. Hoyte and his brother decided to go to Poland to visit their roots, considering their grandpa was Polish. He eventually went on to attend the Polish film school in Lodz, which has been attended by other notable film makers, with the most notable being Andrzej Wajda, Roman Polanski, and Krzysztof Kieslowski. At the later stages of Hoyte's education at the Lodz film school, Kieslowski was a professor there, who even supervised one of Hoyte's last projects. Hoyte left the Lodz film school early without having received a degree, but with many credentials. He started out with making documentaries. He later met someone who asked him to shoot a very low-budget film in Norway, which he accepted to do. This let Hoyte to film another film in Norway which was led by a a producer who was very active in Sweden. The producer offered Hoyte to work on a television show and another feature film. This started off Hoyte's career. He started to become a notable film maker in Sweden. His film 'Let the right one in' made him more known internationally.- Cinematographer
- Camera and Electrical Department
- Actor
Robby Müller was born on 4 April 1940 in Willemstad, Curaçao, Netherlands Antilles. He was a cinematographer and actor, known for Breaking the Waves (1996), Paris, Texas (1984) and Repo Man (1984). He died on 3 July 2018 in Amsterdam, Noord-Holland, Netherlands.- Cinematographer
- Director
- Actor
Rodrigo Prieto is a Mexican cinematographer. He is best known for Brokeback Mountain (2005), Babel (2006), Argo (2012), The Wolf of Wall Street (2013), and Silence (2016).
He also worked with Alejandro González Iñárritu on the acclaimed Amores perros (2000), 21 Grams (2003), and Biutiful (2010).
Pietro was nominated for two Academy Award for Best Cinematography, first in Brokeback Mountain and later in Silence.- Cinematographer
- Second Unit Director or Assistant Director
- Camera and Electrical Department
Sacha Vierny was born on 10 August 1919 in Bois-le-Roi, Seine-et-Marne, France. He was a cinematographer and assistant director, known for The Cook, the Thief, His Wife & Her Lover (1989), The Pillow Book (1995) and Belle de Jour (1967). He died on 15 May 2001 in Vannes, Morbihan, France.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Sean Bobbitt was born on 29 November 1958 in Corpus Christi, Texas, USA. He is a cinematographer, known for 12 Years a Slave (2013), Hunger (2008) and Shame (2011).- Cinematographer
- Camera and Electrical Department
- Writer
Ron Fricke is known for Samsara (2011), Baraka (1992) and Star Wars: Episode III - Revenge of the Sith (2005).- Cinematographer
- Camera and Electrical Department
- Director
Wally Pfister is an American cinematographer and film director, who is best known for his work with Christopher Nolan. He is also known for his work on director F. Gary Gray's The Italian Job (2003) and Bennett Miller's Moneyball (2011).
He made his directorial debut with the film Transcendence (2014), starring Johnny Depp.
His first collaboration with Nolan was on the neo-noir thriller Memento (2000). The success of this collaboration resulted in Pfister taking over as director of photography for Nolan's subsequent films: Insomnia (2002), Batman Begins (2005), The Prestige (2006), The Dark Knight (2008), which he partially shot with IMAX cameras, and Inception, which was shot partially in 5-perf 65 mm. He is the only cinematographer that has worked with director Christopher Nolan between Memento and Dark Knight Rises.
Pfister won an Academy Award for Best Cinematography for Inception (2010).- Cinematographer
- Visual Effects
- Camera and Electrical Department
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).
Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.
He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood.- Cinematographer
- Director
- Producer
After studying film and photography at the San Francisco Art Institute, Lance moved to New York to assist photographer/filmmaker Bruce Weber. He began his career as a cinematographer shooting music videos and commercials with close friend and collaborator Spike Jonze. Lance quickly became one of the industry's most sought after cinematographers and shot seminal music videos for directors Michel Gondry, Mark Romanek, Stéphane Sednaoui, and Dayton Faris. In 2001 he won the MTV Music Award for Best Cinematography for Fatboy Slim's Weapon of Choice.
Lance's feature Cinematography debut was Vincent Gallo's cult classic Buffalo 66. His long list of credits include Sofia Coppola's Lost in Translation (BAFTA nomination for Best Cinematography), Marie Antoinette as well as Spike Jonze's Being John Malkovich, Adaptation and Where the Wild Things Are.
In the late 90's Lance began his transition into directing and in 1998, together with his business partner Jackie Kelman Bisbee, founded the production company Park Pictures. Over the years, he has received 35 Cannes Lions for his work with clients such as Nike, Apple, HP, VW, P&G, Subaru and more. He was nominated Best Commercial Director by the DGA in 2003, 2011, 2012, and 2017. In 2011, Lance's Super Bowl spot for Volkswagen, The Force, became the undisputed highlight of the year's Super Bowl broadcast. The Force was named the best ad of 2011 by AdWeek, Creativity, and YouTube, and consistently ranks on lists of the greatest Super Bowl ads of all time.
His Apple film "Misunderstood" won the 2014 Emmy Award for Outstanding Commercial. In 2019 Lance won his second Emmy Award for Nike "Dream Crazy," starring Colin Kaepernick.- Cinematographer
- Camera and Electrical Department
- Director
Ellen Kuras was born on 10 July 1959 in New Jersey, USA. She is a cinematographer and director, known for Eternal Sunshine of the Spotless Mind (2004), The Betrayal (2008) and P.O.V. (1988).- Cinematographer
- Camera and Electrical Department
- Actress
Maryse Alberti is a French cinematographer. She is best known for her work in Velvet Goldmine (1998), The Wrestler (2008), Stone (2010), Creed (2015) and the HBO film My Dinner with Hervé (2018).
She also work as a cinematographer in The Visit (2015).
Alberti work as a cinematographer includes more than 90 titles like feature films, TV movies, and documentaries.- Cinematographer
- Director
- Camera and Electrical Department
Bill Pope was born on 19 June 1952 in Bowling Green, Kentucky, USA. He is a cinematographer and director, known for The Matrix (1999), The Jungle Book (2016) and Bound (1996). He is married to Sharon Oreck. They have one child.- Cinematographer
- Camera and Electrical Department
- Director
Newton Thomas Sigel was born in August 1955 in Detroit, Michigan, USA. He is a cinematographer and director, known for Cherry (2021), Da 5 Bloods (2020) and Bohemian Rhapsody (2018). He is married to Lisa Chang.- Cinematographer
- Camera and Electrical Department
- Director
David Phillips was born on 6 March 1956 in New Haven, Connecticut, USA. He was a cinematographer and director, known for The Basketball Diaries (1995), To a Random (1986) and Marky Mark and the Funky Bunch: Good Vibrations (1991). He died on 4 February 2017 in Manhattan, New York City, New York, USA.- Cinematographer
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Chung-hoon Chung was born on 15 June 1970 in Seoul, South Korea. He is a cinematographer and writer, known for The Handmaiden (2016), Oldboy (2003) and Last Night in Soho (2021).- Cinematographer
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Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the Bounty," Conrad Hall studied filmmaking at USC. He and two classmates formed a production company and sold a project to a local television station. Hall's company branched out into making industrial films and TV commercials. They were hired to shoot location footage for several feature films, including's Disney's The Living Desert (1953). In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. He received his first cinematographer credit in 1965. Hall won acclaim for his rich and complex compositions, especially for In Cold Blood (1967) and won an Academy Award for Butch Cassidy and the Sundance Kid (1969). He won two more Oscars, for American Beauty (1999), in 2000, and Road to Perdition (2002).- Cinematographer
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Robert L. Surtees began his working life as a portrait photographer and retoucher, before becoming camera assistant at Universal in 1927. He spent a lengthy apprenticeship (15 years) working under such experienced cinematographers as Hal Mohr, Joseph Ruttenberg and Gregg Toland. Between 1929 and 1930, he was seconded to the Universal studios in Berlin, subsequently spending the remainder of the decade at First National, Warner Brothers and Pathe. He settled at MGM in 1943 (remaining under contract until 1962), and soon developed a reputation as one of Hollywood's foremost lighting cameramen.
In keeping with the glamorous, lavish look of MGM product of the time, Surtees typically employed high-key lighting. This particularly suited big budget colour epics, like Quo Vadis (1951) and Ben-Hur (1959) (filmed in the large screen Camera 65 process with anamorphic lenses, which greatly enhanced colour definition and sharpness); expansive outdoor musicals like Oklahoma! (1955) (the first picture shot in 70 mm Todd-AO ultra wide- screen format); or lush, romantic period drama like Raintree County (1957). Forever at the cutting edge of technological innovation, Surtees was an extremely versatile craftsman. He excelled at every genre and photographic process, superb at shooting sweeping scenery (for example, his Technicolor lensing of King Solomon's Mines (1950)on location in Africa), or bringing the best out of his close-ups. An undoubted high point in his career would have to be the 9-minute chariot race from "Ben-Hur".
Surtees received the first of his 16 Oscar nominations for Thirty Seconds Over Tokyo (1944) (when the studio system was at its peak), and his last - some 33 years later - for The Turning Point (1977). Testimony to his ageless endurance was being picked by director Peter Bogdanovich to shoot The Last Picture Show (1971). In the same nostalgic vein, his work on The Sting (1973), photographed in subtle sepia tones (the film was deemed by the Library of Congress as 'aesthetically significant'), contributed greatly to its winning 7 Academy Awards.- Cinematographer
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Christopher Doyle was born on 2 May 1952 in Sydney, New South Wales, Australia. He is a cinematographer and actor, known for Paranoid Park (2007), Hero (2002) and 2046 (2004).- Cinematographer
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Lee Daniel was born on 23 January 1962 in Dallas, Texas, USA. He is a cinematographer, known for Before Sunrise (1995), Dazed and Confused (1993) and Boyhood (2014).- Cinematographer
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Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
His other film's as an cinematographer includes Amistad (1997), A.I. Artificial Intelligence (2001), Catch Me If You Can (2002), The Diving Bell and the Butterfly (2007), War Horse (2011), Lincoln (2012), Bridge of Spies (2015), The BFG (2016), and Ready Player One (2018).- Cinematographer
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Luciano Tovoli was born on 30 October 1936 in Massa Marittima, Grosseto, Italy. He is a cinematographer, known for The Passenger (1975), The General of the Dead Army (1983) and Tenebrae (1982).- Cinematographer
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Lars Skree is a highly accomplished Director of Photography who graduated from the National Film School of Denmark in 1997. Over the years, he has worked on a variety of feature and documentary films, and has received numerous awards for his exceptional cinematography.
Skree's filmography includes several award-winning works such as 'Putins Kiss', for which he won the Best World Cinema Cinematography award at the Sundance Film Festival in 2011. He was also Emmy-nominated for his work on the documentaries 'Armadillo: The Swenkas' and 'Armadillo: Love on Delivery', as well as 'Ticket to Paradise' and the Oscar-nominated 'The Look of Silence' directed by Joshua Oppenheimer. In addition, Skree won the Golden Frog award at Cameraimage in 2015 for his outstanding work on 'The Look of Silence'.
Skree's contributions to the film industry have not gone unnoticed, and he has received several accolades for his work. For example, he was awarded the Roos Award for his exceptional work on the war drama 'Armadillo', which he filmed at great personal risk in Afghanistan.
Recently, Skree won the Sundance Film Festival award for Best American Documentary in 2018 for his work on 'The Prize of Free'. He also worked as the Director of Photography on two Emmy-nominated films in 2019 - 'The Prize of Free' and 'Stolen Daughters: Kidnapped by Boko Haram' for HBO/BBC.
Skree's work has also been recognized on the world stage, with the world premiere of the latest Lauren Greenfield film, 'The Kingmaker', taking place at the Venice Film Festival in 2019.
Most recently, Skree's work as Director of Photography for the documentary 'Simple As Water' has been shortlisted for the Oscars in 2022. Skree's impressive achievements make him a prominent figure in the film industry, cementing his position as one of the most talented cinematographers in the business.- Cinematographer
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Manuel Alberto Claro is a Chilean-Danish cinematographer best known for his work with director Lars von Trier on Melancholia (2011), Nymphomaniac: Vol 1 (2013), and The House That Jack Built (2018). Claro also shot the 2014 comedy Top Five starring Chris Rock and is known for his work with director Christoffer Boe on the feature films Everything Will Be Fine (2010), Allegro (2005) and Reconstruction (2003), which went on to win the Camera d'Or at the Cannes Film Festival.
Claro has won numerous international accolades for his work. With an impressive 24 nominations and 12 wins, Claro has won awards at the Venice Film Festival, Camerimage, the Cannes Film Festival, and the European Film Awards. Additionally Claro's movies have premiered at the Cannes Film Festival, the Venice Film Festival, the Toronto International Film Festival, the Sundance Film Festival and the Berlin International Film Festival.
Recent credits include The Chorus Girls directed by Ditte Hansen and Louise Mieritz for TV2 Danmark in February, The Pact (2021) directed by Billie August for Motor Productions, five episodes of The Kingdom Exodus (Season 3, 2022) directed by Lars Von Trier for Zentropa Entertainment and A Taste of Hunger (2021) directed by Christoffer Boe for Zentropa Entertainment.
Claro has lensed commercials for many brands including H&M, Sony, IKEA, Canon, Nokia, Maersk, Momondo, Persil, Philadelphia, Synoptik, Tulip, Velux, Zeta. He has shot music videos for a wide range of artists, including FKA Twigs, Paloma Faith, Rhye, Sons of Raphael.
Born in Santiago, Chile and raised in Denmark, Claro studied still photography in Milan and worked as an assistant photographer before attending the prestigious National Film School of Denmark to study cinematography. Claro currently resides in Copenhagen with his partner and two children. He is fluent in Danish, English and Spanish.- Cinematographer
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John Toll is an American cinematographer. His filmography spans a wide variety of genres, including epic period drama, comedy, science fiction, and contemporary drama. He won the Academy Award for Best Cinematography in both 1994 and 1995 for Legends of the Fall and Braveheart respectively.
He has collaborated with several noteworthy directors, including Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, John Madden, The Wachowskis, and Ang Lee. Outside of film, he has shot several commercials, the pilot episode of Golden Globe-winning drama series Breaking Bad, and has served as chief cinematographer on the Netflix original series Sense8.
Toll was also nominated for an Academy Award for his work on The Thin Red Line (1998).- Cinematographer
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Xiaoding Zhao is known for House of Flying Daggers (2004), Curse of the Golden Flower (2006) and Shadow (2018).- Cinematographer
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André Turpin was born in 1966 in Gatineau, Québec, Canada. He is a cinematographer and director, known for Mommy (2014), Incendies (2010) and Soft Shell Man (2001).- Cinematographer
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Andrew Lesnie was an Australian cinematographer who frequently worked with Peter Jackson. He did the photography for The Lord of the Rings and The Hobbit film trilogies. He also did the photography for Babe, King Kong, Rise of the Planet of the Apes, I Am Legend and The Lovely Bones. He passed away in April 2015 due to a heart attack.- Cinematographer
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Pawel Edelman was born on 26 June 1958 in Lódz, Lódzkie, Poland. He is a cinematographer, known for The Pianist (2002), Oliver Twist (2005) and The Ghost Writer (2010).- Cinematographer
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Pau has been one of the top cinematographers in Hong Kong. After his graduation of Filmmaking at San Francisco Art Institute in 1983, he directed his first feature "The Temptation of Dance" and Wu du qing chou (aka Misty) in the 1990s. Pau has been working with the top directors such as John Woo (_Dip hyut shueng hung (1989)_ [aka The Killer]), Hark Tsui (Double Team, Hua yue jia qi [aka Love in the Time of Twilight], "The Chinese Feast"), Ronny Yu (The Bride with White Hair [aka Bride With White Hair], Bride of Chucky, Ye ban ge sheng [aka The Phantom Lover], Warriors of Virtue). His collaboration with Ang Lee on Crouching Tiger, Hidden Dragon (aka Crouching Tiger, Hidden Dragon) with poetic style in lighting and stunning camera moves became the first one of Hong Kong cinematographers being nominated by the Oscar and won seven major US critics' awards. He then work quite many major films such as Shoot 'Em Up, The Promise, Perhaps Love, The Forbidden Kingdom, Confucius plus his latest producing and directing Zhongkui: Snow Girl and the Dark Crystal. With six awards for best cinematography at the Hong Kong Film Awards, Pau also got 25 nominations from the world.- Cinematographer
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Phedon Papamichael, an award winning Cinematographer, was born in Athens, Greece and moved with his family to Germany, where in 1982 he completed his education in Fine Arts, in Munich. Working as a photojournalist brought Phedon to NYC in 1983, where he started crossing over into cinematography.
His first short film, the 35mm black & white SPUD, earned him the Award for Best Cinematography at the Cork Film Festival in Ireland. Following a call from John Cassavetes, his cousin and later collaborator, Phedon moved to Los Angeles. While continuing to work on short and experimental films, he began his feature career as a Director of Photography for Roger Corman, for whom he photographed seven films within two years.
Phedon now counts over 40 feature films to his credit as Director of Photography, including the early block-busters While You Were Sleeping starring Sandra Bullock and Cool Runnings, as well as Phenomenon, starring John Travolta, all directed by Jon Turteltaub.
His credits include many critically acclaimed films, such as Unstrung Heroes (Un Certain Regard, Cannes 1995), directed by Diane Keaton, and Unhook the Stars, starring Gena Rowlands and directed by Nick Cassavetes.
The Million Dollar Hotel, directed by Wim Wenders, was chosen as the Opening Film of the 2000 Berlin Film Festival and won the Grand Jury Prize, the Silver Bear, as well as the Golden Camera. The European co-production, 27 Missing Kisses, directed by Oscar nominated filmmaker Nana Djordjadze, premiered at Directors Fortnight in Cannes 2000. It garnered the Grand Prix Award at the 2000 New York/Avignon Film Festival, the Audience Award at the 2000 Montpellier Film Festival, as well as the Kodak Vision Award for Best Cinematography. In 2000 both films received a Camerimage nomination, for Best Cinematography.
In 2001 Phedon shot Moonlight Mile (Berlinale, 2003), directed by Brad Silberling, starring Dustin Hoffman, Susan Sarandon and Holly Hunter. It was followed by Identity, directed by James Mangold, and the Oscar-nominated Sideways, directed by Alexander Payne.
His credits continued with The Weatherman, directed by Gore Verbinski, starring Nicolas Cage and Michael Caine and Walk the Line, again directed by Mangold and starring Joaquin Phoenix and Reese Witherspoon.
Phedon shot the Academy Award nominated western 3:10 to Yuma, directed by James Mangold, starring Russell Crowe and Christian Bale, and the blockbuster Pursuit of Happyness. In 2008 he photographed Oliver Stone's W. and then re-teamed again with James Mangold on Knight and Day, starring Tom Cruise and Cameron Diaz, which shot all over the world.
He shot two of the most award-winning films of 2011: Alexander Payne's The Descendants and The Ides of March, directed by George Clooney. This is 40, directed by Judd Apatow was released in 2012 and won Comedy of the Year from the Hollywood Film Festival.
For his gorgeous B&W lensing on the highly acclaimed Nebraska, which received 6 Academy Award nominations and was directed by Alexander Payne, Phedon received an Oscar nomination, a BAFTA nomination and an ASC nomination amongst other honors. His latest film is The Monuments Men, a period film directed by George Clooney, and starring Matt Damon, Bill Murray, John Goodman, Cate Blanchett and Jean Dujardin which was shot in Germany and England.
In addition to his feature work, Phedon has shot and/or directed over 100 commercials for such clients as Nespresso, BMW, Audi, and Nextel.
On the music video side, his work includes The Ground Beneath Her Feet, Eelectrical Storm, directed by Anton Corbijn.
Papamichael's work also includes several forays into television. He received an ASC Award Nomination for Best Cinematography for Oliver Stone's innovative mini-series Wild Palms, as well as his second ASC Award Nomination for Best Cinematography for the Francis Ford Coppola-produced pilot White Dwarf.
Phedon resides in Los Angeles and Athens, Greece and speaks fluent English, German, French and Greek. He holds German, Greek and U.S. citizenship.- Cinematographer
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Slawomir Idziak was born on 25 January 1945 in Katowice, Slaskie, Poland. He is a cinematographer and writer, known for Three Colors: Blue (1993), Black Hawk Down (2001) and Gattaca (1997). He was previously married to Maria Gladkowska.- Cinematographer
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SEAMUS McGARVEY (Director of Photography) has collected two Academy Award nominations for his cinematography: on Joe Wright's 2007 WWI drama "Atonement," and his 2012 adaptation of Tolstoy's classic, "Anna Karenina." In addition to the Oscar nominations, McGarvey won the British Society of Cinematographers (B.S.C.) award for "Anna Karenina" and "Nocturnal Animals" as well as a nomination for "Atonement," and also earned BAFTA and A.S.C. nods for both projects. "Atonement" also earned him nominations for the British Independent Film Award, the Chicago Film Critics Association and the Online Film Critics Society, while walking off with the top honor from the Phoenix Film Critics Society. McGarvey has also won three Evening Standard British Film Awards for "Atonement," "Anna Karenina" and Stephen Daldry's "The Hours"; and five Irish Film & Television Awards for "Atonement," "Anna Karenina," "Sahara" "We Need to Talk About Kevin" and "Nocturnal Animals". He was Emmy nominated in 2017 for the dystopian TV drama "Black Mirror: Nosedive" Dir. Joe Wright. In 2004, he was awarded the Royal Photographic Society's prestigious Lumière medal for contributions to the art of cinematography, sharing the company of such pioneers as Jack Cardiff, Freddie Francis, Roger Deakins and Sir Ridley Scott, McGarvey hails from Armagh, Northern Ireland, and began his career as a stills photographer before attending film school at the University of Westminster in London. Upon graduating in 1988, he began shooting short films and documentaries, including "Skin," which was nominated for a Royal Television Society Cinematography Award, and "Atlantic," directed by Sam Taylor-Wood. The latter project, an experimental, three-screen projected film created in 1997, earned Taylor-Wood a nomination for the 1998 Turner Prize, and would lead to an ongoing collaboration between McGarvey and the director. His four dozen credits as director of photography include Joss Whedon's superhero epic "Marvel's The Avengers," the industry record holder for highest opening weekend box office upon its release in May 2012, and the fourth highest-grossing film of all time; Lynne Ramsay's "We Need to Talk About Kevin"; Oliver Stone's "World Trade Center," which earned an IFTA nomination; Gary Winick's "Charlotte's Web"; John Hamburg's "Along Came Polly"; Stephen Frears' "High Fidelity"; Mike Nichols' "Wit"; Michael Apted's "Enigma"; Michael Winterbottom's "Butterfly Kiss," McGarvey's first feature film credit; and two projects marking actors' directorial debuts: Tim Roth's "The War Zone" and Alan Rickman's "The Winter Guest." He also served as cinematographer on the pilot for the BBC/HBO TV series "The No. 1 Ladies Detective Agency," directed by Anthony Minghella. He reunited with director Wright for his 2009 drama "The Soloist," and filmmaker Sam Taylor-Wood (now Sam Taylor-Johnson) on her acclaimed 2008 drama, "Nowhere Boy," her 2011 short, "James Bond Supports International Women's Day" and the "Death Valley" segment of the 2006 erotic drama "Destricted." Following his work on "Godzilla" Dir. Gareth Edwards he reteamed with Taylor-Johnson on her big screen adaptation and Hollywood directorial debut of the bestselling phenomenon "Fifty Shades of Grey." "The Accountant," from director Gavin O'Connor. "Nocturnal Animals", from director Tom Ford. "LIFE" dir. Daniel Espinosa. "The Greatest Showman" Dir Michael Gracey and "Bad Times at the El Royale" Dir: Drew Goddard are his latest projects. His documentary work includes "Lost Angels: Skid Row Is My Home," which followed his work on Wright's "The Soloist," and filmed in the same locales; "Harry Dean Stanton: Partly Fiction"; "Rolling Stones: Tip of the Tongue"; and "The Name of This Film Is Dogme95." Supplementing his work on features and telefilms, McGarvey has also photographed and directed over 100 music videos, for such artists as PJ Harvey, Coldplay, Paul McCartney, Dusty Springfield, The Rolling Stones, U2, and Robbie Williams.- Cinematographer
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Donald McAlpine was born in 1934 in Quandialla, New South Wales, Australia. He is a cinematographer and director, known for Moulin Rouge! (2001), Romeo + Juliet (1996) and The Dressmaker (2015).- Cinematographer
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Christophe Beaucarne was born on 24 September 1965 in Brussels, Belgium. He is a cinematographer and actor, known for Mr. Nobody (2009), The Brand New Testament (2015) and Coco Before Chanel (2009).- Cinematographer
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Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership. He won his Oscars in both black & white and color, for Who's Afraid of Virginia Woolf? (1966) (1966) and Bound for Glory (1976) (1976). He also shot part of Days of Heaven (1978) (1978), for which credited director of photography Nestor Almendros -- won a Best Cinematography Oscar that Wexler initially felt should have been jointly shared by both. Later he admitted he was just finishing the work of Almendros and when Bert Schneider offer him more credit in the Criterion Dvd release of the film, he turned down the offer. In 1993, Wexler was awarded a Lifetime Achivement award by the cinematographer's guild, the American Society of Cinematographers. He received five Oscar nominations for his cinematography, in total, plus one Emmy Award in a career that has spanned six decades.
In addition to his masterful cinematography, Wexler directed the seminal late Sixties film Medium Cool (1969) and has directed and/or shot many documentaries that display his progressive political views. He was the subject of a 2004 documentary shot by his son Mark Wexler, Tell Them Who You Are (2004).- Cinematographer
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Hélène Louvart was born on 2 September 1964 in Pontarlier, Doubs, France. She is a cinematographer and actress, known for Never Rarely Sometimes Always (2020), Invisible Life (2019) and La Chimera (2023).- Camera and Electrical Department
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Michael Ballhaus was a German cinematographer. He worked on many American films, including Baby It's You (1983), Old Enough (1984), After Hours (1985), The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Dracula (1992), The Age of Innocence (1993), Gangs of New York (2002), and The Departed (2006).
Ballhaus was nominated three times for the Academy Award for Best Cinematography, for Broadcast News (1987), The Fabulous Baker Boys (1989), and Gangs of New York (2002), but never won.
His son Florian Ballhaus is also a cinematographer who worked on Flightplan (2005) and The Devil Wears Prada (2006).
Ballhaus died on 11 April 2017, at the age of 81.- Camera and Electrical Department
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Nicola Pecorini was born on 10 August 1957 in Milan, Lombardy, Italy. He is a cinematographer and director, known for The Imaginarium of Doctor Parnassus (2009), Tideland (2005) and Ra.One (2011). He is married to Caroline Goodall. They have two children.- Cinematographer
Vilko Filac was born on 14 February 1950 in Ptuj, Slovenia. He was a cinematographer, known for Arizona Dream (1993), Underground (1995) and Time of the Gypsies (1988). He died on 25 November 2008 in Ljubljana, Slovenia.- Cinematographer
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Rafael Corkidi was born on 20 May 1930 in Puebla, Puebla, Mexico. He was a cinematographer and director, known for El Topo (1970), Pafnucio Santo (1977) and Deseos (1977). He died on 18 September 2013 in Boca del Río, Veracruz, Mexico.- Cinematographer
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Marcel Zyskind was born on 28 October 1979 in Denmark. He is a cinematographer and director, known for The Dead Don't Hurt (2023), As in Heaven (2021) and The Killer Inside Me (2010).- Cinematographer
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Luca Bigazzi was born on 9 December 1958 in Milan, Lombardy, Italy. He is a cinematographer, known for The Great Beauty (2013), This Must Be the Place (2011) and Youth (2015).- Camera and Electrical Department
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Frank Griebe was born on 28 August 1964 in Hamburg, West Germany. He is a cinematographer and producer, known for Run Lola Run (1998), Cloud Atlas (2012) and Perfume: The Story of a Murderer (2006).- Cinematographer
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Erik Wilson is known for Paddington 2 (2017), The Double (2013) and The Secret Life of Walter Mitty (2013).- Cinematographer
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Stuart Dryburgh was born on 30 March 1952 in London, England, UK. He is a cinematographer, known for The Piano (1993), The Great Wall (2016) and The Painted Veil (2006).- Cinematographer
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Larry Fong is a cinematographer based in Los Angeles, CA. He graduated from UCLA with a degree in Linguistics, and from Art Center College of Design (Pasadena, CA) with a film degree. After graduation he started shooting music videos, including REM's 'Losing My Religion', winner of MTV's Music Video of the Year. TV commercials followed as did episodic television (JJ Abram's 'Lost'). His first studio film, '300', began a long running collaboration with director Zack Snyder, most recently Warner Bros' 'Batman v Superman'.
His recent work with Universal, Paramount, Legendary, Disney, Amazon, and Netflix include 'Kong: Skull Island', 'The Tomorrow War', 'Rescue Rangers', 'Secret Headquarters', and 'Damsel'.- Cinematographer
Simon Duggan was born in Wellington, New Zealand. He is a cinematographer, known for The Great Gatsby (2013), Hacksaw Ridge (2016) and I, Robot (2004).- Cinematographer
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László Kovács was born on May 14, 1933 in Cece, Hungary. He is known for his work on Easy Rider (1969), Five Easy Pieces (1970), Ghostbusters (1984) and Copycat (1995). He won the Lifetime Achievement Award from the ASC in 2002. He was married to Audrey. He died on July 22, 2007 in Beverly Hills, Los Angeles, California, USA.- Director
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Ernest Roscoe Dickerson A.S.C., aka. Ernest R. Dickerson, is an American film director and cinematographer. As a cinematographer, he is known for his frequent collaborations with Spike Lee. As a director, he is known for films such as Juice (1992), Tales from the Crypt: Demon Knight (1995), Bones (2001) and Never Die Alone (2004). He has also directed several episodes of acclaimed television series such as Once Upon a Time (2011), The Wire (2002), Dexter (2006), and The Walking Dead (2010).- Cinematographer
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Bradford Young is an American cinematographer. His feature films as director of photography include White Lies, Black Sheep (2007), Pariah (2011), Restless City (2011), Middle of Nowhere (2012), Ain't Them Bodies Saints (2013), Mother of George (2013), and Arrival (2016).
In January 2017, Young became the first African-American cinematographer to be nominated for an Academy Award, for his work on Arrival. He is also the first person of color to be nominated in the Academy Award cinematography category since 1998 when Remi Adefarasin was nominated for Elizabeth.- Cinematographer
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Malik Hassan Sayeed was born in 1969 in New York, USA. He is a cinematographer and director, known for Eyes Wide Shut (1999), He Got Game (1998) and Just Married (2003).- Cinematographer
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Christopher Doyle was born on 2 May 1952 in Sydney, New South Wales, Australia. He is a cinematographer and actor, known for Paranoid Park (2007), Hero (2002) and 2046 (2004).