Primal Zodiac Sign - Beaver
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The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.
Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.
Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).
Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).
Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.
Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).
During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.
Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".- Music Artist
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This versatile, eclectic, rather wanderlust country crossover star known for his classic ballads ("Always On My Mind"), autobiographical road songs ("On the Road Again") and catchy rhythms ("Mammas Don't Let Your Babies Grow Up to Be Cowboys") started out life as Willie Hugh Nelson on April 30, 1933, in Depression-era Abbot, Texas. He is the son of Myrle Marie (Greenhaw) and Ira Doyle Nelson, a mechanic. After his parents got divorced, in which his mother moved to Oregon and his father remarried, he and sister Bobbie Lee were raised by their gospel-singing paternal grandparents, who introduced them to music. Working in the cotton fields, Willie was handed his first guitar at age six and within a short time was writing woeful country songs and playing in polka bands.
During his teenage years he played at high school dances and honky-tonks. He also worked for a local radio station and by graduation time he had become a DJ with his own radio show. Briefly serving a stint with the Air Force (discharged because of a bad back, which would plague him throughout his life), he sold his first song called "No Place For Me" while getting by with menial jobs as a janitor and door-to-door Bible salesman. Married in 1952 to a full-blooded Cherokee, he and first wife Martha had two children.
Willie initially came to be known in Nashville for selling his songs to well-established country artists such as Patsy Cline ("Crazy"), Faron Young ("Hello Walls") and Ray Price ("Night Life"). In 1962 he recorded a successful duet with singer Shirley Collie, whom he would later take as his second wife, but his career didn't progress despite joining the Grand 'Ol Opry. In the early 1970s, after extensive touring with his band (which included sister Bobbie on the piano) and experiencing a number of career downswings, he started performing and recording his own songs instead of selling them to others. Two of his albums, "Shotgun Willie" and "Phases and Stages", helped him gain some stature. In 1975 it all came together with the album "Red-Headed Stranger", which would become the top-selling country music album in history and propel him into the country music stratosphere. His offbeat phrasing, distinctive nasal tones and leathery, bewhiskered hippie-styled looks set a new standard for "outlaw" country music.
Around 1978 Willie showed himself to be a loose and natural presence in front of the camera, thus launching a film career. He had roles in several movies, his first opposite Robert Redford and Jane Fonda in The Electric Horseman (1979). His took to leading roles as a country music star in Honeysuckle Rose (1980), which would include a number of his songs on the soundtrack. He played opposite James Caan and Tuesday Weld in Thief (1981) and a legendary outlaw in the western Barbarosa (1982). In the movie Red Headed Stranger (1986), which was adapted from his hit 1975 album, he played a preacher, and he teamed up with pal Kris Kristofferson as a pair of country singers in Songwriter (1984).
Willie and pal Kristofferson went on to form The Highwaymen with the late Johnny Cash and Waylon Jennings and he successfully recorded and toured with the group for a number of years. They also teamed up to remake the classic western Stagecoach (1939) as a TV movie (Stagecoach (1986)). As a unique song stylist, the bearded, braided-haired, bandanna-wearing non-conformist took a number of non-country standards and made them his own, including Elvis Presley's "You Were Always on My Mind" and Ray Charles' "Georgia on My Mind."
Broaching the millennium, Willie continued to be active with film credits that would include roles in the westerns Dust to Dust (1994) and The Journeyman (2001), in addition to roles in such non-westerns as the sci-fi drama Starlight (1996); the comedy capers Gone Fishin' (1997), The Big Bounce (2004) and The Dukes of Hazzard (2005) (an updated screen version of the popular TV show); the action thriller Fighting with Anger (2007); the comedy Surfer, Dude (2008); the family dramedy Angels Sing (2013); the music fantasy Paradox (2018) which starred Neil Young and his sons Lukas Nelson and Micah Nelson; the dramatic fantasy Waiting for the Miracle to Come (2018); and Willie and Me (2023), a comedy chronicling the misadventures of a young German girl coming to America to see her idol Willie.
Willie happily married fourth wife Ann-Marie in 1991 and has survived more hard times in recent years, including a $16.7-million debt to the IRS and the suicide of one of his sons, Billy. Inducted into the Country Music Hall of Fame in 1993, Nelson received the Kennedy Center Honors in 1998.- Music Artist
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James Joseph Brown (May 3, 1933 - December 25, 2006) was an American singer, dancer, musician, record producer, and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986.
Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a then-only Rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and "Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra. His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as "Papa's Got a Brand New Bag", "I Got You (I Feel Good)" and "It's a Man's Man's Man's World".
During the late 1960s, Brown moved from a continuum of blues and gospel-based forms and styles to a profoundly "Africanized" approach to music-making, emphasizing stripped-down interlocking rhythms that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as "Get Up (I Feel Like Being a) Sex Machine" and "The Payback". He also became noted for songs of social commentary, including the 1968 hit "Say It Loud - I'm Black and I'm Proud". Brown continued to perform and record until his death from pneumonia in 2006.
Brown recorded 17 singles that reached No. 1 on the Billboard R&B charts. He also holds the record for the most singles listed on the Billboard Hot 100 chart that did not reach No. 1. Brown was inducted into the first class of the Rhythm & Blues Music Hall of Fame in 2013 as an artist and then in 2017 as a songwriter. He also received honors from several other institutions, including inductions into the Black Music & Entertainment Walk of Fame, and the Songwriters Hall of Fame. In Joel Whitburn's analysis of the Billboard R&B charts from 1942 to 2010, Brown is ranked No. 1 in The Top 500 Artists. He is ranked seventh on Rolling Stone's list of the 100 Greatest Artists of All Time.- Actress
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This elegant, lovely blonde singer/actress initially had designs on becoming an opera singer. Born in Montana on May 20, 1933, and christened Constance Mary Towers, she appeared on radio as a child singer. Her family moved to New York where she subsequently studied at the Julliard School of Music and the American Academy of the Dramatic Arts (AADA). A chance casting in a summer production of "Carousel" led her away from her operatic aspirations and into the musical theater arena.
Before she settled into this, however, Constance gained early exposure on the chic nightclub circuit and fostered an attempt at stardom via films. She co-starred with Frankie Laine playing a school teacher in the modest movie musical Bring Your Smile Along (1955), and appeared in exceptionally strong ingénue roles in the movie dramas The Horse Soldiers (1959) starring John Wayne and Sergeant Rutledge (1960) opposite Jeffrey Hunter. Director Samuel Fuller cast her against type in some of his highly offbeat dramas in the early 1960s. She played a stripper girlfriend in Shock Corridor (1963) and in The Naked Kiss (1964) gave a no-holds-barred performance as a former prostitute trying to clean up her act. While TV guest appearances were frequent on such shows as "The Bob Cummings Show," "The Outer Limits," "Zane Grey Theatre," and multiple appearances on "Perry Mason," films were few and far between.
By this time she was starting to settle in as a pristine musical leading lady. After a 1960 performance as missionary Sarah in "Guys and Dolls," Constance made her Broadway debut in the title role of "Anya" (1965), in which she played the title role of the Russian princess Anastasia. Heralded performances in "Carousel" (1966) and "The Sound of Music" (1967), in which she won the Outer Critic's Circle Award as Maria, not to mention a Broadway revival of "The King and I" opposite Yul Brynner truly put her on the musical map. Her run with Brynner lasted nearly 800 performances. She had earlier played the school teacher Anna off-Broadway opposite Michael Kermoyan in 1972. Other sterling stage appearances included "Kiss Me Kate," "42nd Street," "Oklahoma!," "Camelot" and "Mame." She also starred in the musical "Ari," an adaptation of the Leon Uris novel "Exodus."
TV proved a sturdy medium as well. In her early days, she made singing appearances on Ed Sullivan's The Ed Sullivan Show (1948) and, in dramatic roles, was a frequent glamorous suspect on Perry Mason (1957). As she matured, her sharp, glacial, strikingly handsome features also worked very well for her in unsympathetic aristocratic roles on daytime. Winning regular spots on Love Is a Many Splendored Thing (1967), The Young and the Restless (1973) and Sunset Beach (1997), she did her most consistent work on Capitol (1982), in which she played Clarissa McCandless for five seasons. For nearly three decades she courted favor with audiences stealing scenes on a regular basis on General Hospital (1963), in which she plays the inherently wicked Helena Cassadine, a role originated by the legendary Elizabeth Taylor. Recent films have included The Next Karate Kid (1994), The Relic (1997) and A Perfect Murder (1998) starring Michael Douglas and Gwyneth Paltrow, in which she played Paltrow's mother.
Constance also enjoyed a resurgence on prime-time TV with a sprinkling of guest parts on L.A. Law (1986), Designing Women (1986), The Fresh Prince of Bel-Air (1990), Star Trek: Deep Space Nine (1993), "Caroline in the City," Frasier (1993), Baywatch (1989), and Providence (1999). She received an Emmy nomination for her role in the single episode drama special on CBS Daytime 90 (1974) entitled "Once in Her Life." Millennium on-camera appearances have included the films The Awakening of Spring (2008) and The Storyteller (2018) and TV work on such shows as "Providence," "Criminal Minds," "The 4400" and "Cold Case."
Constance was married since 1974 to one-time actor and former Mexican ambassador John Gavin. It was the second marriage for both, and lasted for 44 years until his death in 2018. The handsome couple have two children: Cristina and Maria Gavin. Constance also has two children, Michael and Maureen McGrath, from her prior marriage to Panamanian businessman Eugene McGrath. As a result of husband Gavin's civic work, she became actively involved in a multitude of charities. "Project Connie" not only offered aid to those in need of medical and rehabilitation assistance after the Mexican earthquake of 1985, it has served as an adoption placement agency to hundreds of children from Mexico to El Salvador. She has also involved herself with the Children's Bureau of California, the National Health Foundation, and the Red Cross and the Blue Ribbon of Los Angeles.- Actor
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The son of a car mechanic he grew up in Brooklyn. He was in a street gang at 6 and was carrying a knife at 9, He lived with Kim Novak for 18 months then met Lindsay Wagner while she was still unknown and they lived together for 2 years before marrying but it only lasted 18 months. He then married Glynis Barber and had a son Alexander- Judith O'Dea is an American actress. She is best known for the 1968 George A. Romero film Night of the Living Dead.
In the 1980s she put her acting career aside to found her coaching company O'Dea Communications and raise her family.
She reappeared again as an actress on 2003 in the horror film Claustrophobia. In 2017 she reprised the role of Barbra Hamilton in the film Night of the Living Dead: Genesis. - Music Department
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Björn Ulvaeus was born on 25 April 1945 in Gothenburg, Västra Götalands län, Sweden. He is an actor and composer, known for Mamma Mia! (2008), Mamma Mia! Here We Go Again (2018) and The Martian (2015). He has been married to Lena Källersjö since 5 January 1981. They have two children. He was previously married to Agnetha Fältskog.- Dan van Husen had a certain look about him back then in the 1970s and all the last 40 years have done is add a sage, aged, mature wisened aura to him. He has appeared in twenty-three Italo Westerns in six or seven years and then he branched out and tackled more challenging roles and genres. Not that many from the Spaghetti Western days ever studied or hit acting with the tenacity that he has done up until the present.
- Bianca Jagger was born Bianca Pérez-Mora Macias, May 2, 1945 in Managua, Nicaragua, to a successful import-export merchant father and housewife mother. Bianca received a scholarship to study at the Paris Institute of Political Studies in France. Under the influence of Mohandas K. Gandhi's eastern philosophy, she traveled extensively in India. She became romantically linked to Mick Jagger in September 1970. In 1971, Bianca gave birth to their daughter Jade.
- Robin Vee Strasser was born on May 7, 1945 in New York City. the daughter of Martin and Anne Strasser. She attended and graduated from the High School of Performing Arts, and later attended the Yale School of Drama on a full scholarship. She is a founding member of the American Conservatory Theatre, and began her extensive daytime career in 1967. She is best known for her role as Dorian Lord on the soap opera One Life to Live (1968), and as 300-year-old witch Hecuba on the soap opera Passions (1999). She announced in late 1999 that she will leave her Emmy-winning role of Dorian Lord in January 2000, in order to devote her energies to promoting women's health issues, namely menopause awareness.
- Patsy Meck was born on 10 May 1945 in Abington, Pennsylvania, USA. She is an actress, known for American Hustle (2013), Southpaw (2015) and Silver Linings Playbook (2012). She has been married to William L. Meck III since 21 March 1964. They have three children.
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Sam Anderson was born on 2 April 1947 in South Dakota, USA. He is an actor, known for Forrest Gump (1994), Memoirs of an Invisible Man (1992) and Water for Elephants (2011). He has been married to Barbara Ann Hancock since 17 August 1985. They have two children.- English actress Francesca Annis, who has enjoyed a career spanning seven decades in movies, television and the theater, was born in London six days after V-E Day, on May 14, 1945. Her father, Lester, was English, but her mother, Mariquita (aka Mara Purcell), was of Brazilian-French heritage. From the time she was a year old to the age of seven, the family lived in Brazil. The young Francesca spoke Portuguese, that country's language, as a child. Educated at a convent school, she dreamed of becoming a nun but trained as a ballet dancer before studying drama at the Corona Theatre School. She began acting in bit parts in the 1950s, working her way up to better roles. In addition to appearing on the big and little screens, she was a member of the Royal Shakespeare Company.
Her most famous roles are as Lady Macbeth in Roman Polanski's version of Macbeth (1971), in which she had a notorious nude sleepwalking scene, and as Kyle MacLachlan (Paul Atreides)' mother Lady Jessica in David Lynch's adaptation of Frank Herbert's Dune (1984). A highly respected performer, in 1979, she won the British Academy Television Award for Best Actress, playing Lily Langtry in the miniseries Lillie (1978). She appeared with James Warwick as husband and wife sleuths Tommy and Tuppence Beresford in the television series Partners in Crime (1983). She also appeared as Jacqueline Kennedy in the television movie Onassis: The Richest Man in the World (1988). - Actress
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Alana Stewart was born on 18 May 1945 in San Diego, California, USA. She is an actress and producer, known for Delivered (2011), Wasted in Babylon (1999) and Evel Knievel (1971). She was previously married to Rod Stewart and George Hamilton.- Actress
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Candice Azzara was born on 18 May 1945 in Brooklyn, New York City, New York, USA. She is an actress, known for Catch Me If You Can (2002), Fatso (1980) and Easy Money (1983).- Music Artist
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Born in Chiswick, London just ten days after the German surrender in 1945, Townshend grows up in a typical middle-class home. His parents, Cliff and Betty Townshend, are both musicians, and as a child he accompanies them on dance band tours. Townshend starts playing guitar at 12. He goes to art school and, after several stints in local semi-professional bands, forms the rock group The Who in 1963 with singer Roger Daltrey, bass player John Entwistle and drummer Keith Moon. The Who start out as the ultimate, violent anti-establishment band; they soon gain notoriety for ear-splitting live performances, smashing their equipment on stage and wrecking hotel rooms, leaving havoc everywhere they go. As the group's mastermind and main songwriter, Townshend later establishes himself as an eminent musical auteur and the thinking man's rock guitarist after penning such now legendary concept albums as "Tommy", the abandoned "Lifehouse" and "Quadrophenia", which combine the energy of rock'n'roll with the orchestral and thematic ambitions of opera. After Keith Moon's accidental death in 1978 and a few unconvincing farewell tours with new drummer Kenney Jones, The Who break up. The 80's find Townshend struggling with his identity as an aging rock godfather, fighting drug problems and increasing hearing troubles. In 1989, he roars back with a 25th anniversary tour of The Who, later a Broadway revival of "Tommy" (an eventual Tony winner) and several other ambitious musical, theater and film projects. Widely known as the windmilling, leaping about guitarist for The Who, Townshend is also a premier songwriter, accurately self-reflective lyricist and inspired multi-media entrepreneur. Both "Tommy" and "Quadrophenia" were made into energetic films. The Kids Are Alright (1979), the band's biography movie, is interesting not only for The Who fans, but also from a filmmaker's point of view. Townsend's haunting songs have been used on the soundtrack of countless pictures. He stands out as one of rock music's most gifted and influential artists who has, despite being forever tied to the rebellious image of his youth, decided to somehow grow old with dignity.- Actress
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Jan Hooks is better remembered for her five-year run on Saturday Night Live (1975) (1986-91) on the series she impersonated actress ranging from Bette Davis, to Ann-Margret, to Sally Kellerman, to Jodie Foster. After she left the show, she was proposed by Linda Bloodworth-Thomason to replace Jean Smart on CBS's Designing Women (1986). She accepted. She played the role of Carlene Dobber for the final two seasons. She has also played memorable characters in feature-films including, Tina (the Alamo girl) in Pee-wee's Big Adventure (1985), and Dixie Glick in Jiminy Glick in Lalawood (2004).- Actor
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Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy.- Actor
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Richard E. Grant is an actor and presenter. He made his film debut as Withnail in the comedy Withnail and I (1987). Grant received critical acclaim for his role as Jack Hock in Marielle Heller's drama film Can You Ever Forgive Me? (2018), winning various awards including the Independent Spirit Award for Best Supporting Male. He also received Academy Award, BAFTA, Golden Globe, and Screen Actors Guild Award nominations for Best Supporting Actor.- Actor
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Along with fellow Sex Pistol member, Johnny Rotten, lanky, sneering, pock faced Sid epitomised the punk movement born in the mid 1970s in working class England. Sid Vicious (real name John Beverly) wasn't an original member of the Pistols, but rather joined the band after original bassist, Glen Matlock dropped out after personality clashes with lead singer Rotten. On stage, Sid (often stripped to the waist) would incite the audience to get wilder and more frenzied, and his infamous antics included spitting and spraying beer into the audience. The British establishment despised the Pistols with a passion, and Sid was viewed as a crude, foul mouthed hoodlum corrupting English youth with his unclean image. Unfortunately for a naive Sid, he fell into the company of alleged drug user, Nancy Spungen, and his world spiralled out of control leading to the break up of the Pistols (their last show being in San Francisco), and Sid's lame attempts to kick start his own solo career, which included a demented cover of the popular Frank Sinatra song "My Way", accompanied by a violent video clip. Vicious and Spungen took up residency in the Chelsea Hotel in New York City in early 1978, however their self destructive personalities meant a tragedy was fast approaching, and on October 12th 1978, Spungen was found dead in their hotel room from stab wounds. Vicious was charged by police with Spungen's murder and released on bail, pending trial. However, only four months later in February 1979, Vicious himself was found dead of a heroin overdose. Sid was dead at aged 21. His will requested his ashes be poured over Nancy's grave at the King David Cemetery in Bucks County, Pennsylvania. Along with Janis Joplin, Brian Jones & Jimi Hendrix, Sid had assured himself a place in rock and roll history, as another iconic music figure dead at a young age.- Actor
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Mark Heap was born on 13 May 1957 in Kodaikanal, Tamil Nadu, India. He is an actor and writer, known for Stardust (2007), Green Wing (2004) and Lark Rise to Candleford (2008).- Actress
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Texas native Eloise DeJoria made her film debut in Songwriter, starring Willie Nelson. Other feature credits include Weekend at Bernie's, Grand Champion, Don't Mess with the Zohan, Wall Street (Money Never Sleeps), and Wild Hearts. Her latest picture, When Angels Sing, based on Turk Pipkin's classic Christmas story, stars Texas greats Willie Nelson, Lyle Lovett, Marcia Ball, Kris Kristofferson, and Harry Connick, Jr. (from next-door Louisiana). The movie was directed by Tim McCanlies, and was produced by Austinites Elizabeth Avelan, Shannon Macintosh and Fred Miller.
Eloise's lifestyle has been featured on 20/20 with Barbara Walters, "E" Entertainment, and in many national and international publications. She is widely recognized as the spokes model for Paul Mitchell Hair care products in television and print ads. Her number one priority and joy is raising John Anthony, her 14 year-old son with John Paul De Joria, and being mother and grandmother to their large combined family. She enjoys the outdoors, staying fit, and eating healthy.
Eloise is proud of her work at The Arbor Recovery Center in Georgetown, Texas, where she partners with her son Justin and recovery expert Jim Walker. She loves her time spent with eldest son Michael, who lives nearby with his family and works in the family business, John Paul Pet.
She is also known for her contributions and charitable work with local groups including Help Clifford Help Kids, The Palmer Drug Abuse Program, The Austin Recovery Center, The Austin Children's Shelter, Helping Hands, as well as Club 100, Long Center for the Performing Arts, The Paramount Theater, and The Austin Film Society.- Actress
- Producer
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Viveca Paulin was born on 24 April 1969 in Askim, Göteborg och Bohus län, Sweden. She is an actress and producer, known for Money Talks (1997), A Night at the Roxbury (1998) and Ralph Breaks the Internet (2018). She has been married to Will Ferrell since 12 August 2000. They have three children.- Melinda Clarke is an American actress from California. Her better known roles include her portrayal of Faith Taylor in the soap opera "Days of Our Lives" (from 1989 to 1990), her recurring role as the dominatrix Lady Heather in "CSI: Crime Scene Investigation" (from 2001 to 2015), her co-starring role as the devious mother Julie Cooper in the teen drama "The O.C." (2003-2007), and her portrayal of the ruthless psychologist and professional torturer Helen "Amanda" Collins in the action thriller series "Nikita" (2010-2013).
Clarke was born in Upland, California, and raised in Dana Point. Dana Point is a relatively small harbor city in Orange County, California, primarily known for its association with the surfing industry since the 1950s. Clarke's father was the professional actor John Clarke (1931-2019). who has one of the main roles in "Days of Our Lives" from 1965 until his retirement in 2004. Clarke's chose to follow in her father's footsteps.
Clarke had her first prominent film role in the horror comedy film "Return of the Living Dead 3" (1993). She portrayed Julie Walker, a young woman killed in a motorcycle accident. Julie's boyfriend intentionally revives her as a sentient zombie. In 1994, Clarke had the co-starring role of Lexy Monroe in the short-lived fantasy series "Heaven Help Us ". The series only lasted for 13 episodes, and was released as part of a syndication package.
In 1997, Clarke had a prominent guest-star role as the villainous Amazon Queen Velasca in two episodes of the fantasy series "Xena: Warrior Princess".. Velasca was a popular villain for the series, resulting in the creation of a toy figure in her likeness and the character's appearance in a Xena video game.
Also in 1997, Clarke portrayed the female assassin Jessica Priest in the superhero film "Spawn". Priest is the assassin who originally killed Spawn/Al Simmons, but is surprised when her victim is revived as a hell-spawn and seeks revenge. Clarke had the co-starring role of Margo Vincent in the short-lived action adventure series "Soldier of Fortune, Inc." (1997-1999). The series featured the adventures of a "black ops" mercenary team which was under contract with the American government.
In the 2000s, Clarke had memorable guest-star roles in several then-popular series. She portrayed the shape-shifting resistance leader Sarin in "Star Trek: Enterprise", an unnamed demonic Siren in "Charmed", the brothel madam Nandi in "Firefly", the master poet and teacher Macmu-Ling in "Avatar: The Last Airbender", and the Russian mercenary and spy Black Widow/Sasha Banacheck in "Chuck".
Clarke hosted her own weekly podcast from 2021 to 2023, under the title "Welcome to the OC, Bitches". It provided discussions on aspects of the television series. It was listed for a while as as one of the most popular celebrity podcasts. In 2024, Clarke was working on launching a sequel podcast under the title "Beyond the OC". It will reportedly feature Clarke's daughter as a co-host. - Actress
- Producer
- Writer
Renée Kathleen Zellweger was born on April 25, 1969, in Katy, Texas, Her mother, Kjellfrid Irene (Andreassen), is a Norwegian-born former nurse and midwife, of Norwegian, Kven (Finnish), and Swedish descent. Her father, Emil Erich Zellweger, is a Swiss-born engineer. The two married in 1963. Renée has a brother named Drew Zellweger, a marketing executive born on February 15, 1967. Renée got interested in acting in high school while working on the drama club. She also took an acting class at the University of Texas (Austin), where she began looking towards acting as a career. After graduation, she wanted to continue acting, but Hollywood is a tough town to break into, so Renée decided to stay in Texas, and auditioned for roles around Houston, where she managed to grab roles in such films as Reality Bites (1994) and Empire Records (1995).
While on the set for the sequel, Texas Chainsaw Massacre: The Next Generation (1994), she befriended Matthew McConaughey, another Hollywood up-and-comer. He was working on a project at the time that Renée was interested in, auditioned for, and won the role in the film Love and a .45 (1994), which earned her enough critical praise that she decided to move to Los Angeles. Another role in The Whole Wide World (1996) followed which led to her big break. Cameron Crowe was busy casting his next film, Jerry Maguire (1996),starring Tom Cruise. Crowe was considering such actresses as Cameron Diaz, Bridget Fonda, Winona Ryder, and Marisa Tomei, when he heard of Zellweger's performance in The Whole Wide World (1996). He auditioned Zellweger and was sure he'd found his Dorothy Boyd.
Renée followed her huge success with a few small independent films and after receiving further critical praise, she felt confident enough to reenter the world of big-budget Hollywood films. She starred opposite Meryl Streep in the tear-jerker One True Thing (1998). She also took a role in Me, Myself & Irene (2000), opposite Jim Carrey, and soon after began dating Carrey. The two denied their relationship at first, but finally gave in and admitted it; today they are no longer together. Also in 2000, she starred in the title role in Nurse Betty (2000), where she won a Golden Globe for Best Actress in a Comedy/Musical. In 2001, she received even more critical and commercial success in the title role in Bridget Jones's Diary (2001). She received her first Academy Award nomination for her role, which was followed by her second Oscar-nominated role in the musical Chicago (2002). She then again wowed audiences with her fierce yet warm portrayal of Ruby Thewes in the film adaptation of Cold Mountain (2003), which won Zellweger an Oscar for Best Supporting Actress, which was her first Academy Award. She won her second, for Best Actress, 16 years later, playing Judy Garland in Judy (2019).- Actress
- Producer
- Additional Crew
Gina was born in New York City and is youngest of three children in a close-knit Cuban American family. Attended New York City's High School of Music and Art She is a gifted mezzo soprano and was trained in opera and jazz and also sang in a gospel choir.- Actor
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Paul Adelstein was born on 29 April 1969 in Chicago, Illinois, USA. He is an actor and producer, known for Intolerable Cruelty (2003), Land of the Lost (2009) and The Menu (2022). He was previously married to Liza Weil.- Actress
- Producer
Busty, luscious, and shapely redhead stunner Carrie Stevens was born on May 1, 1969 in Buffalo, New York. Carrie's research scientist father named her after the Carrie spectrophotometer. Stevens grew up in Hardwick, Massachusetts and studied journalism at Memphis State University. She was the Playmate of the Month in the June, 1997 issue of "Playboy." Carrie subsequently popped up in several "Playboy" videos and posed for a few newsstand special editions. Other major magazines she has been featured in are "Allure," "Glamour," and "Cosmopolitan." Stevens appears in the music video for "Never Let You Go" by the alternative rock group Third Eye Blind. Moreover, Carrie has acted in a handful of movies and TV shows: She not only had a recurring part as Celeste McCloud on the TV series "Black Scorpion," but has also made guest appearances on episodes of such television programs as "Weird Science," "Beverly Hills, 90210," "Pacific Blue," and "Two and a Half Men." Stevens writes a monthly column for "Hot Mom's Club" magazine and founded the on-line green fashion magazine "Envi-Image." She lives in Los Angeles, California with her son Jaxon.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Actor
- Composer
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Eagle Eye Cherry was born on 7 May 1969 in Stockholm, Stockholms län, Sweden. He is an actor and composer, known for For Love of the Game (1999), A Lot Like Love (2005) and And Your Mother Too (2001).- Actress
- Director
- Producer
Kim Fields was born on 12 May 1969 in New York City, New York, USA. She is an actress and director, known for The Facts of Life (1979), Living Single (1993) and What to Expect When You're Expecting (2012). She has been married to Christopher Morgan since 23 July 2007. They have two children. She was previously married to Johnathon Franklin Freeman.- Actress
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- Writer
Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).- Actress
- Producer
- Soundtrack
Tracey Gold has virtually grown up on television. She made an auspicious television debut in the award-winning mini-series Roots. She also enjoyed seven years on the immensely popular ABC comedy series Growing Pains after which she returned to drama in more than 20 movies for television.
Born in New York City and raised in Southern California, Tracey is the oldest daughter of a thriving show business family. Her father, Harry Gold, owns a successful talent agency in Hollywood. Her mother, Bonnie, is a former New York advertising executive, who had her own radio show in Montana. Following Tracey's lead, three of her younger sisters have also pursued acting: Missy starred in the long-running ABC series Benson, Brandy starred in ABC's Baby Makes Five, and Jessie starred alongside Tracey in Shattered Trust.
Tracey's career as an actress started at the age of five when she began working in commercials. Her first television starring role was as Missy Ann (Sandy Duncan's character as a girl) in the ABC mini-series Roots. Since then, Tracey has accumulated an impressive number of television movie credits. She has starred in Captains and Kings; Night Cries; Little Moe; Jennifer: A Woman's Story; The Secret of the Harvest Moon (with Bette Davis), The Child Stealer (opposite Beau Bridges), Walt Disney's Escape From Witch Mountain; A Few Days at Weasel Creek; Marilyn: The Untold Story; Labor of Love (with Anne Jillian); Thursday's Child (opposite Rob Lowe); Who Will Love My Children (alongside Ann-Margaret; Another Woman's Child; Lots of Luck and A Reason to Live. She also portrayed the title character in the ABC television movie For the Love of Nancy. Other movie of the week credits include Sleep Baby Sleep, The Lady Killer with Judith Light, Midwest Obsession with Courtney Thorne-Smith and Stolen Innocence and the air rescue thriller Wild Fire 7. In 2000, she starred in Growing Pains The Movie, ABC's highest-rated television movie of the year. She also appeared recently on USA's series The Dead Zone. Recently she starred in the TV movies My Dad'a a Soccer Mom, Arachnoquake, Your Love Never Fails and Sight Unseen amongst many others.
Tracey has also starred in many television specials, such as the CBS Emmy Award-winning Kelly vs. Kelly, (directed by Tom Skerrit), I Think I'm Having a Baby; If Wishes Were Horses; The Hand Me Down Kid and Senior Prom.
Not limiting herself only to television, Tracey has also ventured into feature films and theatre. She co-starred in several features such as Shoot the Moon (opposite Albert Finney and Diane Keaton), Best of Times (with Robin Williams and Kurt Russell) and Wanted and Tailspin.
In 2012 Tracey hosted and Produced the reality series Starving Secrets for LifeTime. Other hosting credits include The Secret Life Of A Soccer Mom for TLC, Trapped in TV Guide and multiple episodes of Entertainment Tonight.
On the stage she starred in Neil Simon's I Ought To Be in Pictures at the Tiffany Attic Theatre in Kansas City, Missouri, before performing alongside Bonnie Franklin and Jackee Harry in The Vagina Monologues at the famous Canon Theatre in Beverly Hills.
She also authored Room To Grow, her autobiography.
In 1992, Tracey's former television mother, Joanna Kearns, introduced her to Roby Marshall. The couple married two years later and are now the parents of sons Sage, Bailey, Aiden, Dillon. The family resides in Los Angeles.- Actor
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David was born in Buffalo, New York and grew up in Philadelphia, Pennsylvania. He is the son of Patti, a travel agent, and weatherman Dave Roberts (Boreanaz). His father is of Italian descent and his mother is of half Slovak ancestry. At the age of seven he decide to be an actor, which eventually led him to study cinema and photography at Ithaca College in New York. After graduating from college, David moved to Los Angeles in order to pursue a career in the movies. After some uncredited roles he received his first important role as Kelly's boyfriend in the series Married... with Children (1987). After three seasons of playing Angel in the hit series Buffy the Vampire Slayer (1997), he received his own spin-off show titled Angel (1999).- Actress
- Composer
- Soundtrack
Cuban-American singer who made a major pop debut in 1988 with her hit song "Toy Soldiers." Born in California to a Cuban emigre family, Martika dabbled on various children's television shows such as Kids Inc. before moving on to recording success.- Gemma Elizabeth Whelan (born April 23, 1981) is an English actress and comedian, best known for playing Yara Greyjoy in the HBO fantasy-drama series Game of Thrones.
Whelan attended The King's High School for Girls in Warwick. In addition to being an actor and comedian, Whelan is also a professional dancer specializing in the tap and jazz dance styles. She is a member of the dance troupe the Beaux Belles, based in London. She is also trained in musical theatre and has a mezzo-soprano singing voice. Whelan can speak conversational Spanish. She lives in London. In July 2017, she was expecting her first child with husband Gerry. She gave birth to their daughter a few months later.
Whelan is vegetarian but had eaten meat on the sets of Game of Thrones.
As a comedian, Whelan won the Funny Women Variety Award for stand-up comedy in 2010. She often performs stand-up in character as Chastity Butterworth and in 2014 she recorded a pilot chat show for BBC Radio 4 called The Chastity Butterworth Show.
On screen, she has played supporting roles in several films and TV shows, including in the 2010 films Gulliver's Travels and The Wolfman. She has had roles in comedies including Upstart Crow, Uncle and The Agency.
In August 2011, she was cast as Yara Greyjoy in the HBO fantasy-drama television series Game of Thrones, and appeared as a recurring cast member from the second season onward. - Actor
- Editor
Ben graduated from the London Academy of Music and Dramatic Art. Born to a German father and a Portuguese mother, since early age he has lived abroad, in Europe, Latin America and the Caribbean. Quadrilingual, he has participated in various productions in Brasil, Britain and Spain. Currently he resides and works in Madrid, Spain.- Actor
- Additional Crew
Scott Slade is an American TV/Film actor best know for his roles in Ray Donovan and General Hospital. Born in Rochester Michigan, Scott is the youngest of two children. Parents Gene and Kathy Slade worked as automotive and mechanical engineers throughout his childhood. Married nearly 40 years his parents have since retired in South Florida where Scott moved in 2006. He stayed for nearly 3 years then decided to continue his entertainment career in Los Angeles California 2009. He got his modeling and acting start at IMTA New York when he was only 19 years old. When arriving in Los Angeles, Scott began working as a fitness model booking mainly print and commercials. His first solid chance at a lead acting role came only six weeks after moving to LA. booking the role of James in a pilot for a web series titled N.O.C. Sadly it was not bought. Since then Scott has appeared in various television shows and commercials including a role on General Hospital and a Miller Lite commercial. He is currently living in Hollywood studying film and television at Anthony Meindl Actors Studio and is represented by Sports and Lifestyle Unlimited- Actress
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Jessica Marie Alba was born on April 28, 1981, in Pomona, CA, to Catherine (Jensen) and Mark David Alba, who served in the US Air Force. Her father is of Mexican descent (including Spanish and Indigenous Mexican roots), and her mother has Danish, Welsh, English, and French ancestry. Her family moved to Biloxi, MS, when she was an infant. Three years later her father's career brought the family back to California, then to Del Rio, TX, before finally settling in Southern California when Jessica was nine. In love with the idea of becoming an actress from the age of five, she was 12 before she took her first acting class. Nine months later she was signed by an agent. She studied at the Atlantic Theatre Company with founders William H. Macy and David Mamet.
A gifted young actress, Jessica has played a variety of roles ranging from light comedy to gritty drama since beginning her career. She made her feature film debut in 1993 in Hollywood Pictures' comedy Camp Nowhere (1994). Originally hired for two weeks, she got her break when an actress in a principal role suddenly dropped out. Jessica cheerfully admits it wasn't her prodigious talent or charm that inspired the director to tap her to take over the part--it was her hair, which matched the original performer's. The two-week job stretched to two months, and Jessica ended the film with an impressive first credit. Two national TV commercials for Nintendo and J.C. Penney quickly followed before Jessica was featured in several independent films. She branched out into TV in 1994 with a recurring role in Nickelodeon's popular comedy series The Secret World of Alex Mack (1994). She played an insufferable young snob, devoted to making life miserable for the the title character, played by Larisa Oleynik. That same year, she won the role of "Maya" in Flipper (1995) and filmed the pilot for the series. She spent 1995 shooting the first season's episodes in Australia. An avid swimmer and PADI-certified SCUBA diver, Jessica was delighted to be doing a show that allowed her to play with dolphins. The show's success guaranteed it a second season, which she also starred in. Her involvement in the show lasted from 1995 to 1997.
In 1996 she appeared in Venus Rising (1995) as "Young Eve." The next year she appeared on The Dini Petty Show (1989), a Canadian talk show, and spoke about her role in "Flipper" and her general acting career. She began working on P.U.N.K.S. (1999), featuring Randy Quaid, in 1998. In early 1998 she appeared in Brooklyn South (1997) as "Melissa." That same year she was in two episodes of Beverly Hills, 90210 (1990) as "Leanne" and in two episodes of Love Boat: The Next Wave (1998).
She appeared in "Teen Magazine" in 1995 and various European magazines over the following years. More importantly, she was featured in the February 1999 issue of "Vanity Fair" magazine. She also had major roles in two movies that year: Never Been Kissed (1999) and Idle Hands (1999). In 2000 she had roles in Paranoid (2000) and starred in the sci-fi TV series Dark Angel (2000), gaining worldwide recognition.
Her first starring role in a major studio film was the Honey (2003), Universal Pictures' contemporary urban drama that grossed over $60 million worldwide. She has since made over 25 feature films that have earned a combined box-office total of over $800 million, including comedies and dramas, from gritty independents to major studio blockbusters. In 2005 she starred opposite Bruce Willis and an all-star cast in the provocative and critically acclaimed Sin City (2005), directed by Robert Rodriguez and Frank Miller. She next starred as Sue Storm--"The Invisible Girl"--in Marvel's action-franchise blockbuster Fantastic Four (2005), which was released by 20th Century-Fox in July 2005 and became a worldwide box-office success with over $300 million in revenue.
Jessica was part of Garry Marshall's all-star ensemble romantic comedy, Valentine's Day (2010), which broke box-office records with the largest opening on a four-day President's Day weekend in history. She starred opposite Casey Affleck and Kate Hudson in director Michael Winterbottom's controversial screen adaptation of The Killer Inside Me (2010), based on Jim Thompson's novel, as well as Robert Rodriquez's Machete (2010). She co-starred in the third installment of the hit "Meet the Parents" franchise Little Fockers (2010), as well as the 4D family adventure Spy Kids 4: All the Time in the World (2011), marking her third of five collaborations with Robert Rodriguez. Jessica was part of an all-star voice cast for The Weinstein Company's animated adventure, Escape from Planet Earth (2012), also featuring Sarah Jessica Parker, Brendan Fraser and James Gandolfini.
She appeared in the comedy A.C.O.D. (2013), which premiered at the Sundance Film Festival and starred Adam Scott, Jane Lynch and Amy Poehler. She made a cameo appearance in Machete Kills (2013) and co-starred in Robert Rodriquez's highly-anticipated, star-studded sequel Sin City: A Dame to Kill For (2014). That year she had a full slate of acting projects, including the period drama Dear Eleanor (2016), The Englishman opposite Pierce Brosnan and Salma Hayek; the IFC parody mini-series The Spoils of Babylon (2014), produced by Funny or Die, with a stellar cast including Will Ferrell, Kristen Wiig, Tobey Maguire, Michael Sheen and Tim Robbins; and Stretch (2014), co-starring Patrick Wilson, Chris Pine, Ray Liotta, Ed Helms and Brooklyn Decker.
Jessica has received Golden Globe and People's Choice Award nominations, was voted TV Guide readers' Breakout Star of the Year, and won Favorite TV Actress at the 2001 Teen Choice Awards for "Dark Angel." She won the Nickelodeon Kids' Choice Award for Favorite Female Actress for her performance in "Fantastic Four" and an MTV Movie Award for Sexiest Performance in "Sin City." She received another Teen Choice Award for Choice Movie Actress in a Horror/Thriller for The Eye (2008) and was honored by the Young Hollywood Awards as Superstar of Tomorrow in 2005. She has received ALMA Awards for her performances in "Dark Angel" and "Machete," as well as a Fashion Icon in 2009.- Actor
- Sound Department
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Alex Vincent was born in New Jersey. He first appeared as Andy Barclay in Child's Play (1988) when he was a six-year-old. Two years, later during the filming of Child's Play 2 (1990), the young actor endured long days and demanding action that would have tried the patience of many an older person. But Vincent persevered, winning the respect and affection of both cast and crew. In addition to his role of Andy, Vincent has appeared on television in commercials, daytime dramas, and in the feature film, Wait Until Spring, Bandini (1989). In high school, he tried to live down the image of a child star but two years later decided to give acting another try.- Actor
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- Executive
Kunal Nayyar is an British actor. He moved from India to the US in 1999. He first moved to Portland, Oregon, to study business. He started acting in plays as a way of making new friends. He took acting classes, but he went on to graduate from the University of Portland with a degree in business, as something to fall back on. He then went on to get a master's degree in fine arts from Temple University in Philadelphia, Pennsylvania. He did some work for the prestigious Royal Shakespeare Company in Stratford, UK. He then landed his breakthrough role in The Big Bang Theory (2007) in 2007, just a year after graduating.- Actor
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Robert Buckley was born on May 2, 1981 in Los Angeles, California. The Southern California native earned a degree in Economics from the University of California at San Diego. After earning his degree, he spent a year and a half working as an economic consultant before moving to Los Angeles to pursue a career in entertainment.
He is most known for playing Kirby in Lipstick Jungle, Clay Evans on One Tree Hill, and Major Lilywhite on iZombie. Most recently, Robert co-created and executive produced The Christmas House for Hallmark, based on his real-life Christmas traditions as a child.- Actress
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Franklin joined the multi-platinum singing group Destiny's Child after co-founding members LeToya Luckett and LaTavia Roberson were fired by manager Matthew Knowles (father of lead singer Beyoncé Knowles). She was unceremoniously dismissed in the same manner after only five months.- Actress
- Producer
- Director
Danielle Christine Fishel was born on May 5, 1981, in Mesa, Arizona. She began acting professionally at the age of ten, during which she made many TV guest appearances and commercials. She was originally a guest star on the show Boy Meets World (1993), but Danielle added a spark that the show needed and she became a regular cast member shortly afterward. She played Topanga Lawrence on the show, the girlfriend of Cory Matthews. The show brought Danielle much attention even landing her face on the cover of "Seventeen" magazine. She was voted as one of Teen People's magazine hottest stars under the age of 21. She graduated from high school in 1999.
In 2014, fourteen years after the conclusion of "Boy," she reprised her role as Topanga, now the wife of Cory Matthews, in the show Girl Meets World (2014).- Music Artist
- Actor
- Composer
Craig David was born on 5 May 1981 in Southampton, Hampshire, England, UK. He is a music artist and actor, known for About Time (2013), Osmosis Jones (2001) and Bridget Jones's Diary (2001).- Actor
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Stephen Amell is a Canadian actor, known for portraying Oliver Queen / Green Arrow in the Arrowverse television franchise (based on the comic character of the same name) and Casey Jones in Teenage Mutant Ninja Turtles: Out of the Shadows (2016).
Stephen Adam Amell was born on May 8, 1981 in Toronto, Ontario, Canada, to Sandra (Bolté) and Thomas Amell. His cousin is actor Robbie Amell. He is of English, Scottish, German, and one sixteenth French-Canadian, descent. Stephen decided to pursue a career in acting when he was in his teens. He appeared in two episodes of the fourth season of Queer as Folk as the Liberty Ride spinning instructor in 2004. Amell played Adam in the first season of the television series Dante's Cove; he was replaced in the second season by Jon Fleming. In 2007, Amell won a Gemini Award for his guest-starring role on ReGenesis. The same year he was also nominated for a Gemini Award in the Best Ensemble Cast Category for Rent-a-Goalie. He had recurring roles in the TV series Da Kink in My Hair and Heartland. On December 3, 2010, Amell joined the cast of The Vampire Diaries as werewolf 'Brady' for season 2. Amell starred as Joran Van Der Sloot in the Lifetime film Justice for Natalee Holloway which originally aired in May 2011.
On October 2, 2011, season 3 of HBO's series Hung premiered with Amell starring as busboy-turned-prostitute Jason, a younger rival "ho" to Thomas Jane's Ray Drecker. He also appeared as Jim in the fourth season of 90210. Amell announced on October 28, 2011 that he had just finished filming the Christmas episode of New Girl with Zooey Deschanel and Max Greenfield. He touches on the experience of filming his first "network half hour comedy" in an interview with Daemon's TV. On November 9, 2011, Amell was announced for the recurring role of Scottie, a paramedic on ABC's Private Practice. He also plays the role of Travis in Blue Mountain State In January 2012, Amell was cast as the title character in The CW series Arrow, a re-imagining of the comic-book character Green Arrow. On March 31, 2015, Amell joined the film Teenage Mutant Ninja Turtles: Out of the Shadows as vigilante Casey Jones, which will be released on June 3, 2016. As an avid professional wrestling fan, Amell had long campaigned for a guest appearance on WWE's weekly Raw program, when in late May 2015 it was reported that he was tentatively set to wrestle Stardust at WWE's SummerSlam pay-per-view on August 23, 2015. Amell made his first WWE appearance on the May 25 Raw, where he had a confrontation with Stardust. However, after the real-life death of Stardust's father Dusty Rhodes in June 2015, reports speculated that the match had been scrapped. Despite this, Amell stated at the 2015 Comic Con International in July 2015, "I'm probably gonna do some stuff with the WWE. I don't know if that means a wrestling match. We'll see."
Amell returned to Raw on August 10, continuing his story-line with Stardust when he stepped into the ring after being assaulted in the audience by Stardust, attacking the wrestler until being contained by security. Following a backstage segment with Triple H, it was announced that Neville would team with Amell to face Stardust and King Barrett at SummerSlam. At the event on August 23, Amell and Neville defeated Barrett and Stardust in a tag team match. Neville and Barrett started and after Neville used his speed to control the action, Barrett tagged in Stardust. Stardust insisted that Amell enter the ring, a challenge accepted in a way that both imitated and bettered Stardust's own athletic ring entrance. Stardust first pushed Amell to the canvas, Amell then responded with a kip-up and a stiff front thrust kick to Stardust's chest. For the next few minutes Amell was controlled by Stardust and Barrett, and absorbed punches, kicks, knees, slams, falls from ring to floor, and an attack on the floor by the non-legal man, Stardust. Upon returning to the ring, and hitting Stardust with an Enzuigiri, Amell made a hot tag to Neville, who dominated both opponents. The conclusion of the match came after Amell dove off the top corner ropes onto Stardust and Barrett who were standing on the floor below. The match ended after Neville hit his finisher, the Red Arrow, on Barrett and pinned him. Behind the scenes, wrestlers were said to have been impressed with Amell's performance. There were also talks of a potential singles match with Stardust. On December 21, Amell was awarded a Slammy for the "Celebrity Moment of the Year" for his dive onto Stardust.
Amell has hosted a number of successful fund-raising campaigns via the crowd funded merchandise platform Represent.com. In 2014, Amell partnered with the charity Fuck Cancer to raise almost a million dollars with the release of a T-shirt featuring his face on the front (with a Post-it note on his forehead, and featuring the organization's name). He ended up selling over 60,000 shirts from this campaign. In January 2015, Amell launched his second Represent.com campaign featuring a word he made up, Sinceriously, to benefit two mental health charities: Paws and Stripes, and Stand For The Silent. In August 2015, Amell used his guest appearance on WWE Raw with Stardust to raise funds via his third campaign for children's hospice Emily's House in Toronto. The campaign raised $300,000, and Amell and Stardust presented a check together at Emily's House.
Amell married actress and model 'Cassandra Jean' on December 25, 2012 in a private ceremony in the Caribbean, and for a second time in New Orleans on May 26, 2013. The couple have a daughter, Mavi, born in 2013. Growing up, Amell was a fan of various local sporting teams, such as the Toronto Maple Leafs, the Toronto Raptors and the Toronto Blue Jays. Amell is still very involved with the sports; he often jokes with fans telling them to skip Maple Leafs games and watch Arrow when the team faces a tough opponent, and recently, Amell campaigned to have Jays' third baseman Josh Donaldson elected to the 2015 all-star game.- Actor
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Austin O'Brien was born on 11 May 1981 in Eugene, Oregon, USA. He is an actor and producer, known for Last Action Hero (1993), My Girl 2 (1994) and Promised Land (1996). He has been married to Kristin Wurgler since 3 September 2006. They have one child.- Actress
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Rebecka Liljeberg was born in Nykvarn, Sweden May 13 to an 18 year old mother Kristina, and a 24 year old father, Jyrki. She is half Finnish and half Swedish. They moved around a lot, and Rebecka left home at the age of 15 to work in Stockholm. She has two sisters, Claudia born 1988, and Åse born 1993, and one brother, Samuel, born 1992. She went to several schools in both Stockholm and Nynäshamn, where the family lived for several years. In Nynäshamn she worked with the amateur theatre group 'Nynäshamns Ungdoms Teater' between 1993-1997 She had her debut at age 9 in the TV series Sunes jul (1991), but her breakthrough came several years later with a film directed by Lukas Moodysson. After that she has starred in several movies and TV series, mostly in Sweden, but is planning to study medicine at Stockholm University. She now lives in Stockholm with her boyfriend and their son Harry Teodor, born June 2002.- Actress
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Jamie-Lynn Sigler has been acting and singing since the age of 7. She got her start in New York regional theater, and has since starred in over two dozen theatrical productions including "Annie," "The Wizard of Oz," "The Sound of Music," "The Wiz," and "Gypsy." In the summer of 2001, she starred in the touring production of Richard Rodgers and Oscar Hammerstein II's "Cinderella," playing the lead opposite Eartha Kitt. Jamie made her Broadway debut starring as Belle in Disney's Broadway production of "Beauty and the Beast" from October of 2002 through February 2003.
Beyond her theatrical appearances, she starred as Meadow Soprano in the critically acclaimed HBO original series The Sopranos (1999). For her work on the show, she received the 1999 and 2000 Hollywood Reporter Young Star Awards for Best Young Actress in a Dramatic Television Series and both 2001 and 2002 ALMA nominations. She also has a SAG Award for The Sopranos (1999) Best Ensemble Cast.
Jamie has also starred as former Hollywood madam Heidi Fleiss in the USA Network's two-hour original movie Call Me: The Rise and Fall of Heidi Fleiss (2004). She recently completed her first feature film, Extreme Dating (2005), and starred in the music video for Mariah Carey's single, "Through the Rain."
Jamie, who battled an eating disorder in the late 1990s while starring on The Sopranos (1999), is now a spokesperson for the National Eating Disorders Association (www.nationaleatingdisorders.org). In 2002, she published her revealing autobiography, "Wise Girl" (Pocket Books) to rave reviews. A few years ago, she was paralyzed from the waist down for several days with Lyme Disease. Her recovery has given her a fresh outlook on her work and her life.
Jamie is originally from Jericho (Long Island, New York) and currently resides in New York City. She married her manager, A.J. Discala, in July of 2003. However, that marriage has since ended.- Actor
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Joseph Morgan was born in London and spent his childhood with his family in Swansea, Wales. Morgan moved back to London in his late teens to study acting at the Central School of Speech and Drama. While there he continued to write and experiment with filmmaking, participating in student films and work-shopping scenes from his favorite movies. Upon graduation from Central School, Morgan was hired by acclaimed film director Peter Weir to costar opposite Russell Crowe in 'Master and Commander: The Far Side of the World.' Soon after completion of that film, director Oliver Stone hired Morgan for a strong supporting role in the feature film 'Alexander.' After 'Alexander', Morgan spent time working on stage in the West End of London, as well as starring in numerous British television dramas including BBC miniseries 'The Line of Beauty', 'Henry VIII' opposite Emily Blunt, 'Doc Martin' and 'Mansfield Park'. Morgan was also hired by Harmony Korine to play a James Dean impersonator in his film 'Mister Lonely' His big break came in 2009, when Morgan was cast in the leading role in the miniseries 'Ben Hur'. Based on the classic novel and film, 'Ben Hur' was directed by Emmy winner Steve Shill. In 2010, Morgan's film projects included the independent drama 'Angels Crest', and the big-budget film 'Immortals', in which he co-starred with Mickey Rourke. Later that year he was cast as "Klaus" a series regular in the CW hit series 'The Vampire Diaries' After two short years as "Klaus" Morgan was offered a spin-off show called 'The Originals' and centered around his character. 'The Originals' ran for five seasons earning Morgan numerous nominations as well as The People's Choice award for favorite actor in a new show. During his time on the show Morgan spent his hiatus' shooting indie films 'Open Grave' opposite Shalto Copley and 'Desiree' opposite Walton Goggins and and Ron Perlman. He went on to direct three episodes of 'The Originals' bringing his unique style to an established show, garnering a very positive response from colleagues and critics alike. In 2015 Joseph Morgan started a production Company - Night Owl Productions - with his wife and creative partner Persia White. Under that banner they wrote and produced two short films which Morgan directed. The first 'Revelation' went on to play at eight film festivals, winning the best fantasy film award at Flickers. The second 'Carousel' was filmed over seven hard days with a crew of over fifty passionate people striving to achieve maximum production value. It went on to play at numerous film festivals and win Best Drama Short at the London Independent Film Awards August 2018.- Actress
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Calico Cooper is an actress, singer, and director who is the first child of shock rock legend Alice Cooper. Calico was hired by her father Alice at age 18 to choreograph his wildly theatrical stage show Brutal Planet. Successfully capturing the dark and over the top characters she was creating and playing , She continued performing and writing and directing his shows for eleven world tours.
Leaving the Alice Cooper tour to focus on film and television acting full time, Cooper has appeared in network shows such as "Hawaii: Five 0", "The Mindy Project", and Nickelodeons "Henry Danger". She has trained with industry giants such as Ivana Chubbuck, Helen Hunt, The Groundlings, The Upright Citizens Brigade, and The Stellas Adler Academy of Acting.
She recently made her directorial debut for her band Beasto Blanco's video "THE SEEKER" and "SOLITARY RAVE" In which she wrote, directed, and starred. As well as performed the stunts and executed the special FX and hand made the costumes.
She currently acts in TV and film in Los Angeles and directs commercials and music videos while not on tour with her band Beasto Blanco.- Actress
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Juliet Brett was born on 20 April 1993 in Connecticut, USA. She is an actress and writer, known for Fosse/Verdon (2019) and Red Oaks (2014).- Born in Detroit, Michigan, Jenna Stone is an American actress and model who has appeared in several feature films over the course of her career.At the age of 16 she booked her first feature film, Rock the House, playing the popular cheerleader Chloe alongside stars from shows such as Heroes and Weeds.From there she went on to star as the lead in The Haunting of Salem - a gritty horror film centered around the Salem witch trials. This established Jenna as a promising lead actress capable of reaching the intense emotional and physical heights required by this genre of film.Jenna also starred alongside Clint Howard and Charlie O'Connell in the film Huff, a harrowing story of family and being a teenage runaway.Continuing to move forward in recognition for her work, Jenna soon earned a nomination for Best Lead Actress at the WideScreen Film & Music Video Festival for her role of Jessica in the short film D.U.I.
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Like the Arizona Spruce, David is a native of Arizona. David Michael Paul (David Buehrle), first strived to be a professional baseball player wanting to play third base for the Milwaukee, Brewers. It wasn't until that ineffable moment he stepped onto the theater stage for the first time, he knew acting would be his future. Foreshadowing his acting career, his teachers and classmates would call him "Bueller" due to the hard pronunciation of his last name, "Buehrle" (Burly). Starting out performing in school productions and talent shows, it wasn't until his first community theatre musical production that convinced him acting would be his ultimate career choice. His favorite theatre roles have been Captain Hook in "Peter Pan" (which he won Best Lead Actor in a Musical from NYA, National Youth Arts) and Charlie Gordon in "Flowers for Algernon" (which he won Best Lead Actor in a Play from NYA, a year later.)
David has starred in film and television roles such as Marvel's "Agents of S.H.I.E.L.D", Spike's "1000 Ways to Die", Hallmark's "The Santa Switch", the Flower Bomber on Nickelodeon's "Victorious" and Schwartz in the sequel to the classic holiday film, "A Christmas Story".
David is also an inspired writer, creating his own production company for original content that focuses on character. His slogan: "where originality meets character." His favorite genre are Independent movies for "this is where an actor can truly shine based on their talent." He got into the business to make films like his favorite actor, Leonardo DiCaprio - because if you look, DiCaprio is never the same 'character' twice.- Sierra Abel was born on 28 April 1993 in Glendale, Arizona, USA. She is an actress, known for The Santa Trap (2002), ER (1994) and Gilmore Girls (2000).
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Hunter Meyer was born on 28 April 1993 in Glens Falls, New York, USA. He is an actor and art director, known for Hi-8 (Horror Independent 8) (2013) and Horrorween (2011).- Gold coast actress, Kate Tandy, also known as Katelyn Rebecca Tandy was born in Darwin, Northern Territory on the 30th of April, 1993. At the age of 10, her family relocated to a small country town in Queensland on the outskirts of Brisbane where she grew up and was raised. After graduating from Tamborine Mountain State High School in 2010, Tandy found herself working Business Administration for the department of economic development at the gold coast city council, which lead to her assisting in location scouting for big budget productions filming in Queensland. She found her love in film during this period, aspiring to work as an assistant director which soon led to her passion for acting. In 2013 she landed her first support role on a local short film, People You May Know (2016), which was entered in the 2014 Tropfest competition and from that she scored the lead role on a well-known country musician's music video.
- Allie Carieri was born in Los Angeles. She began her acting career at age 3 with a commercial for AT & T, and has been acting since. She has over 50 commercials to her credit. Skilled in Italian and French, she is a master of accents and dialects. Recently she has been performing on stage, as well as well as producing for the stage. She has produced "Hair", "Cymbeline", and "Lydia and Tom; A New Musical" in New York.
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Zoë Belkin (born May 3, 1993 in Toronto, Ontario) is a Canadian actress . She is best known for her role as the reporter Rebecca Harper in the Canadian teen comer teen buzz TV series The Latest Buzz (2007) . This was followed by guest appearances in Flashpoint (2008) , Rookie Blue (2010) and Breakout Kings (2011). During Zoë Belkin's first two years at Toronto's Forest Hill Collegiate Institute, she was also in the series The Latest Buzz (2007). Often away from classes for up to five weeks at a time, she worked with a tutor between takes. She credits her high school drama teacher for helping her juggle her passion for acting and her studies. After graduating high school she flew to Winnipeg to shoot the movie Perfect Sisters (2014) then completed her education at Queen's University in Kingston, Ontario.- Additional Crew
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Krista was born and raised in Poland, Ohio until she was eleven, at which time she and her family moved to Hollywood to pursue her acting career. She participated in local theater and numerous television commercials that air in the Mahoning Valley. Her birth name was Krista Gierlach, but she and her family saw it fit that she create a stage name, Krista Swan.- Actress
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Born Audrey Evelyn Twitchell in Hartford, Connecticut on May 4, 1993. Getting her first break at age 7, she was chosen to be in a national commercial for Disney Cruise Lines. Since then, she has appeared in numerous commercials, print ads and on television. In 2006, she originated the role of Lee Bouvier in the acclaimed Broadway musical Grey Gardens, which played to sold out crowds at Playwrights Horizons in New York City. She loves all types of music and has been playing the guitar since age 10. She attended high school at Professional Children's School (NYC) and majored in Musical Theatre at Western Connecticut State University (Danbury, CT) where she graduated early with honors. Currently living and working in New York City. Represented by Innovative Artists.- Actress
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Naomi Scott is a multi-talented actor, singer, and songwriter. She stars as "Jasmine" in Disney's blockbuster live-action remake Aladdin (2019), alongside Mena Massoud and Will Smith, directed by Guy Ritchie. Disney released the film in May 2019, and it became one of the biggest films of the year.
Naomi was born in London, England to Usha (Joshi) and Christopher Scott, who are pastors of the Bridge Church, Woodford in Redbridge. Her father is British and her mother, who is from Uganda, is from a Gujarati Indian family.
Naomi appeared in "The 33," directed by Patricia Riggen. Starring Juliette Binoche, Gabriel Byrne, and Antonio Banderas, the film is based on the 2010 rescue of 33 Chilean miners after being trapped for 69 days in a gold and copper mine. Naomi plays "Escarlette", the daughter of Banderas' character who is the leader of the miners. Additional credits include a series regular role in Steven Spielberg's television series "Terra Nova" for DreamWorks and FOX, a lead role in the hit Disney Channel movie "Lemonade Mouth", and a lead role in Lee Toland Krieger's short film "Modern/Love" produced by Roman Coppola.
In 2017, Scott was seen in Lionsgate's Power Rangers (2017), directed by Dean Israelite, which tells the story of a group of teenagers who transform into a uniformed team of superheroes ready to protect the world from evil. Naomi plays "Kimberly" aka 'The Pink Ranger', a girl unconventionally cool in a way all the popular girls wish they were.
Naomi is in production on "Charlie's Angels," which Elizabeth Banks is helming for Sony; she won the highly-coveted leading role of "Elena" opposite Kristen Stewart. Sony is set to release the film in November 2019.
Naomi resides in London.- Mariah Fresse was born on 6 May 1993 in Newark, New Jersey, USA. She is an actress, known for Law & Order: Special Victims Unit (1999).
- Jamie began acting at the age of six after seeing James Cameron's 'Titanic' for the first time. Cameron's movie inspired her life's career, driving her toward powerful, dramatic pieces with deep meaning and unique perspectives. At the age of 19, she joined the Repertoire theater and acting school known as Playhouse West. She has been studying the Meisner technique there ever since, developing herself and her craft by performing powerful and dramatic plays that first inspired her to act.
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Spencer Fox was born on 10 May 1993 in New York, USA. He is an actor and writer, known for The Incredibles (2004), The Incredibles: The Video Game (2004) and Air Buddies (2006).- Actress
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Named to Variety's Top 10 Stars to Watch, Halston Sage continues to gain fame, working alongside notable actors and filmmakers. In addition to her acting credits, Sage rode horses for eight years and is an award-winning equestrian.
In 2013, the actress joined Adam Sandler and an all-star cast in the ensemble hit, Grown Ups 2 (2013) for Sony Pictures. She also starred in Greg Francis' indie, Poker Night (2014), alongside Ron Perlman and Titus Welliver, and was seen alongside Emma Watson in Oscar®-winning director Sofia Coppola's biography drama, The Bling Ring (2013).
In 2014, she had a role in the film Neighbors (2014), with Zac Efron. Sage was a nominee for the MTV Movie Award "Best Kiss", for her onscreen kiss with Rose Byrne in the film. In 2015, Sage played Lacey Pemberton in the film Paper Towns (2015), alongside Nat Wolff and Cara Delevingne, based on the 2008 novel of the same name by John Green. Later that year, she co-starred in Sony Pictures' Goosebumps (2015), opposite Jack Black, Dylan Minnette, and Odeya Rush. Also in 2015, she had a role in Paramount's Scouts Guide to the Zombie Apocalypse (2015).
In 2017 Halston portrayed Lindsay in the film Before I Fall and in 2019 Halston portrayed the first live action appearance of the Marvel Comic's character, Dazzler, in the film X Men: Dark Phoenix.
Halston recently starred in the leading role(s) as Abby in the 2023 film, The List, and as Kate in 2023 film, Daughter of the Bride alongside Marcia Gay Harden. Halston can also be seen in the role as Suki in the Amazon comedy, Western.
She is repped by ICM and Untitled.- Actor
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Corey grew up in Haverhill, MA where he filmed his web series Cause & Effect from 2009-2011 and starred in his first IMDB credit Lurker 2009. From there he went on to film short comedy sketch videos including a music video. He also took this time to venture out and do other interests of his. He designed and had manufactured 3 board games, opened a graphic design company, pursued a degree in education while teaching for 2 years, and wrote a book. He soon returned to the series format in 2014. He wrote, directed, and starred in the mini-series Saints. It was originally released on Vimeo in March 2015 before being released on DVD and Amazon Instant Video later that year. Saints was his first directorial credit on IMDB and RottenTomatoes. In October 2016 he moved to Los Angeles to further pursue his passion in acting. While filming the whole thing for a documentary.- Actress
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Debby Ryan was born in Huntsville, Alabama on May 13, 1993, but she and her family moved to Texas when she was a small child and lived there for five years before moving to Wiesbaden, Germany. In Germany Debby became fascinated with acting in local plays and musicals. By age 9, she knew she wanted to be an actress. After three years in Germany, the family moved to Keller, Texas, where they lived until they moved to Los Angeles so Debby could pursue a career in the entertainment industry.
Debby got her start in film with roles in Barney: Let's Go to the Firehouse (2007) and the MGM feature film The Longshots (2008) alongside Keke Palmer and Ice Cube. She also appeared in a handful of national television commercials. From there, her career took off when she secured one of the series-regular roles on Disney Channel's The Suite Life on Deck (2008), which debuted in 2008. In 2010, she starred in the smash hit Disney Channel film 16 Wishes (2010), one of the first of many Disney co-productions. She took an active role employing online and guerrilla-marketing techniques to the film that had a tiny marketing budget. The movie premiered to 5.6 million viewers and made it as second on the list of cable's top 25 most popular shows of that week, twice. Since then, 16 Wishes (2010) has been successful in over 30 countries worldwide and continues to draw in strong viewership numbers.
In addition to her work with The Disney Channel, Debby appeared on ABC's Private Practice (2007), showcasing some of her dramatic acting chops playing Hailey, a recovering cocaine addict. She also appeared as a murder suspect on A&E's hit series The Glades (2010), in 2012. Debby has appeared in over 8 live-action Disney Channel series and countless interstitials. Her current hit series Jessie (2011) was the first live-action series in Disney history to be picked up with only her cast, the Show Runner, and the script. Debby starred in the Disney Channel original movie, Radio Rebel (2012), which premiered on February 17, 2012 to over 6 million viewers. It was based on Danielle Joseph's novel "Shrinking Violet," and Debby appeared as Tara Adams, a shy high-school senior who leads an alternate life as an anonymous DJ [called Radio Rebel]. In addition to starring in the movie, Debby produced the music video and contributed to three tracks on the soundtrack, including "We Got The Beat," "A Wish Comes True Every Day" and "We Ended Right." Aside from Radio Rebel (2012) and Jessie (2011), Debby is also widely recognized for her role as popular season regular Bailey Pickett on the Disney Channel series The Suite Life on Deck (2008), a role she held from 2008-2011. She flexed her voiceover skills in Secret of the Wings (2012) and Ultimate Spider-Man (2012).
When she isn't working, Debby is passionate about volunteering and is a Disney Friends for Change Ambassador. Her recent work with Friends for Change took her to India, where in partnership with Free the Children, Debby helped to build a new school for a local village. The documentary on her work was nominated for a daytime Emmy in 2013. Debby is also heavily involved in music and loves to collaborate with her brother, Chase Ryan, and her friends. Her self-written single debuted in 2010 on Disney Channel as a music video about her character in 16 Wishes (2010). It was featured on the 16 Wishes (2010) soundtrack. In July 2011, she released the single, "We Ended Right," which debuted on iTunes and was also picked up to be featured on the "Radio Rebel" soundtrack. Debby wrote her first EP entitled "One." This indie rock, self funded/produced record premiered in the Top 5 on the rock charts and was featured on Billboard. Debby directed plays and skits while she was younger and after years of shadowing successful directors, she was allowed to take the reins as a director for her live action hit series Jessie (2011). She will direct 3 more episodes before the season ends in February. On the business side, Debby is an active producer on Jessie (2011). She was there from the inception of the story, attends production meetings, and makes meaningful and significant contributions to Jessie (2011).
She launched a production company called Shadowborn Productions, where she produced the official music video for "Radio Rebel" and another one for Atlantic's "Fueled by Ramen." In 2016, Debby played the part of "Holli" on the YouTube Red series, Sing It! (2016). She is costarring in the upcoming films Rip Tide (2017), playing the role of Cora; and the comedy Life of the Party (2018), alongside Gillian Jacobs, Melissa McCarthy, and Maya Rudolph. Debby was also cast in the lead role of Patty in a pilot ordered by the CW, Insatiable (2018).- Actress
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Miranda Taylor Cosgrove was born May 14, 1993 in Los Angeles, California, to Christina (Casey) and Tom Cosgrove, who owns a dry-cleaning business. She was discovered at a young age singing and dancing around a table in a restaurant, where an agent saw her talent and quickly signed her. Miranda's career started with commercials for Burger King, McDonalds and more as she auditioned for many roles and finally won her first role as the band's manager in the movie, School of Rock (2003).
While filming School of Rock (2003) in New York, she was informed that her pilot Drake & Josh (2004) had been picked up. She co-starred as Drake and Josh's little sister, while making brief appearances on other Nickelodeon shows, before landing in her own show for the network, iCarly (2007). Her iCarly (2007) popularity helped her launch a singing career, and she was named an MTV Pop Rookie for 2009. Her debut album, "Sparks Fly", was released in 2010 and reached #8 on the Billboard 200 chart, along with two EPs: "About You Now" in 2009, and "High Maintenance" in 2011.
While continuing her singing career, Miranda has expanded upon her voice-over work for the children's movies, including Here Comes Peter Cottontail: The Movie (2005), and the Despicable Me (2010) films and related shorts, as well as expanding her film work with Yours, Mine & Ours (2005), Keeping Up with the Steins (2006) and The Wild Stallion (2009). Her TV reach has extended beyond Nickelodeon, with an appearance on the CBS legal drama The Good Wife (2009) during the show's second season. She has served as a spokesperson for Neutrogena skin care products since 2010.
She lives in Los Angeles with her family.- Actress
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Inanna Sarkis is a Canadiana actress of Bulgarian and Assyrian descent. Her family immigrated to Canada and struggled to make ends meet. Speaking only Bulgarian and Assyrian at home, Inanna didn't learn English until she started school.
She first found her love for acting in her high school drama class where she performed The Beverly Hillbillies on stage. However, she pursued a Psychology and Criminal Justice degree at Ryerson University to fulfill her parent's expectations. In the meantime, she worked at bars and saved up enough money to move to California and pursue her acting dreams. In California, Inanna lived on top of a gym, while studying at various Acting studios and working as a bartender.
Inanna soon became one of the digital space's preeminent content creators, using her channels to showcase comedy skits and short films in which she writes, directs and stars. She's found success on a variety of platforms, including the TV and film industry. She recently wrapped Nick Cassavette's MARKED MEN feature film and can be seen playing the leading role in the horror film SÉANCE, opposite Suki Waterhouse. She is also known for playing "Molly" film series franchise AFTER, starring opposite Josephine Langford and Hero Fiennes. In television, she recurred in the Netflix comedy BREWS BROTHERS and booked a lead role in Jill Soloway and Channing Tatum's pilot for Amazon COLLEGE. Inanna has also lent her voice to QCode for the podcast series THE LEFT RIGHT GAME starring alongside Tessa Thompson. In 2022, she created and starred in her own podcast ZAYA with the intention of showing a Middle Eastern woman as a powerful lead, and it hit #1 on Apple's Fiction Podcast list.
Last but not least, Inanna is the newest global ambassador of the International Medical Corps and has donated financially and helped raise awareness on the Syrian Refugee Crisis over the past several years.- Actor
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Atticus is an actor and musician born and based in Toronto, Canada. Starting out on kids and teen shows such as "How To Be Indie" and "My Babysitter's a Vampire", he quickly transitioned to more adult fare, with roles in "The Colony", "Stonewall" and "Fargo (TV Series)". Nominated for a Canadian Screen Award for his work in "Young Drunk Punk" and the winner of a Canadian Film Festival award for Best Actor in a Short Film for "Iris".- Actress
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Samira was born in Los Angeles, California. She began to participate in beauty pageant when she was one year old. At age 6, she appeared in the show "Kids Say The Darndest Things" which began her acting career. She was cast in the film House of Sand and Fog in 2003 and in the Lifetime series, State of Mind, as re-occurring guest star Jhasmine Khalid in 2007.- Catherine the Great is known for RelapsEX (2011).
- William Henry Seward was an American politician who served as United States Secretary of State from 1861 to 1869, and earlier served as governor of New York and as a United States Senator. A determined opponent of the spread of slavery in the years leading up to the American Civil War, he was a prominent figure in the Republican Party in its formative years, and was praised for his work on behalf of the Union as Secretary of State during the Civil War. He also negotiated the treaty for the United States to purchase the Alaskan Territory.
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American character actor, the most famous of Western-movie sidekicks of the 1930s and 1940s. He was born May 7, 1885, the third of seven children, in the Hayes Hotel (owned by his father) in the tiny hamlet of Stannards, New York, on the outskirts of Wellsville, New York. Hayes was the son of hotelier and oil-production manager Clark Hayes, and grew up in Stannards. As a young man, George Hayes worked in a circus and played semi-pro baseball while a teenager. He ran away from home at 17, in 1902, and joined a touring stock company. He married Olive Ireland in 1914 and the pair became quite successful on the vaudeville circuit. Retired in his 40s, he lost much of his money in the 1929 stock market crash and was forced to return to work. Although he had made his film debut in a single appearance prior to the crash, it was not until his wife convinced him to move to California and he met producer Trem Carr that he began working steadily in the medium. He played scores of roles in Westerns and non-Westerns alike, finally in the mid-1930s settling in to an almost exclusively Western career. He gained fame as Hopalong Cassidy's sidekick Windy Halliday in many films between 1936-39. Leaving the Cassidy films in a salary dispute, he was legally precluded from using the "Windy" nickname, and so took on the sobriquet "Gabby", and was so billed from about 1940. One of the few sidekicks to land on the annual list of Top Ten Western Boxoffice Stars, he did so repeatedly. In his early films, he alternated between whiskered comic-relief sidekicks and clean-shaven bad guys, but by the later 1930s, he worked almost exclusively as a Western sidekick to stars such as John Wayne, Roy Rogers, and Randolph Scott. After his last film, in 1950, he starred as the host of a network television show devoted to stories of the Old West for children, The Gabby Hayes Show (1950). Offstage an elegant and well-appointed connoisseur and man-about-town, Hayes devoted the final years of his life to his investments. He died of cardiovascular disease in Burbank, California, on February 9, 1969.- Music Department
- Soundtrack
Otto Klemperer was born on 14 May 1885 in Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]. He is known for The Darjeeling Limited (2007), Jude (1996) and Shadows and Fog (1991). He was married to Johanna Klemperer. He died on 6 July 1973 in Zurich, Switzerland.- Director
- Writer
- Producer
One of seven children, Frank Capra was born on May 18, 1897, in Bisacquino, Sicily. On May 10, 1903, his family left for America aboard the ship Germania, arriving in New York on May 23rd. "There's no ventilation, and it stinks like hell. They're all miserable. It's the most degrading place you could ever be," Capra said about his Atlantic passage. "Oh, it was awful, awful. It seems to always be storming, raining like hell and very windy, with these big long rolling Atlantic waves. Everybody was sick, vomiting. God, they were sick. And the poor kids were always crying."
The family boarded a train for the trip to California, where Frank's older brother Benjamin was living. On their journey, they subsisted on bread and bananas, as their lack of English made it impossible for them to ask for any other kind of foodstuffs. On June 3, the Capra family arrived at the Southern Pacific station in Los Angeles, at the time, a small city of approximately 102,000 people. The family stayed with Capra's older brother Benjamin, and on September 14, 1903, Frank began his schooling at the Castelar Elementary school.
In 1909, he entered Los Angeles' Manual Arts High School. Capra made money selling newspapers in downtown L.A. after school and on Saturdays, sometimes working with his brother Tony. When sales were slow, Tony punched Frank to attract attention, which would attract a crowd and make Frank's papers sell quicker. Frank later became part of a two-man music combo, playing at various places in the red light district of L.A., including brothels, getting paid a dollar per night, performing the popular songs. He also worked as a janitor at the high school in the early mornings. It was at high school that he became interested in the theater, typically doing back-stage work such as lighting.
Capra's family pressured him to drop out of school and go to work, but he refused, as he wanted to partake fully of the American Dream, and for that he needed an education. Capra later reminisced that his family "thought I was a bum. My mother would slap me around; she wanted me to quit school. My teachers would urge me to keep going....I was going to school because I had a fight on my hands that I wanted to win."
Capra graduated from high school on January 27, 1915, and in September of that year, he entered the Throop College of Technology (later the California Institute of Technology) to study chemical engineering. The school's annual tuition was $250, and Capra received occasional financial support from his family, who were resigned to the fact they had a scholar in their midst. Throop had a fine arts department, and Capra discovered poetry and the essays of Montaigne, which he fell in love with, while matriculating at the technical school. He then decided to write.
"It was a great discovery for me. I discovered language. I discovered poetry. I discovered poetry at Caltech, can you imagine that? That was a big turning point in my life. I didn't know anything could be so beautiful." Capra penned "The Butler's Failure," about an English butler provoked by poverty to murder his employer, then to suicide."
Capra was singled out for a cash award of $250 for having the highest grades in the school. Part of his prize was a six-week trip across the U.S. and Canada. When Capra's father, Turiddu, died in 1916, Capra started working at the campus laundry to make money.
After the U.S. Congress declared War on Germany on April 6, 1917, Capra enlisted in the Army, and while he was not a naturalized citizen yet, he was allowed to join the military as part of the Coastal Artillery. Capra became a supply officer for the student soldiers at Throop, who have been enrolled in a Reserve Officers Training Corps program. At his enlistment, Capra discovered he was not an American citizen; he became naturalized in 1920.
On September 15, 1918, Capra graduated from Throop with his bachelor's degree, and was inducted into the U.S. Army on October 18th and shipped out to the Presidio at San Francisco. An armistice ending the fighting of World War One would be declared in less than a month. While at the Presidio, Capra became ill with the Spanish influenza that claimed 20 million lives worldwide. He was discharged from the Army on December 13th and moved to his brother Ben's home in L.A. While recuperating, Capra answered a cattle call for extras for John Ford's film "The The Outcasts of Poker Flat (1919) (Capra, cast as a laborer in the Ford picture, introduced himself to the film's star, Harry Carey. Two decades later, Capra, designated the #1 director in Hollywood by "Time" magazine, would cast Carey and his movie actress wife Olive in Mr. Smith Goes to Washington (1939) for which Carey won a Best Supporting Actor Oscar nomination).
While living at his mother's house, Capra took on a wide variety of manual laboring jobs, including errand boy and ditch digger, even working as an orange tree pruner at 20 cents a day. He continued to be employed as an extra at movie studios and as a prop buyer at an independent studio at Sunset Boulevard and Gower Street, which later became the home of Columbia Pictures, where Capra would make his reputation as the most successful movie director of the 1930s. Most of his time was spent unemployed and idle, which gave credence to his family's earlier opposition to him seeking higher education. Capra wrote short stories but was unable to get them published. He eventually got work as a live-in tutor for the son of "Lucky" Baldwin, a rich gambler. (He later used the Baldwin estate as a location for Dirigible (1931)).
Smitten by the movie bug, in August of that year, Capra, former actor W. M. Plank, and financial backer Ida May Heitmann incorporated the Tri-State Motion Picture Co. in Nevada. Tri-State produced three short films in Nevada in 1920, Don't Change Your Husband (1919), The Pulse of Life (1917), and The Scar of Love (1920), all directed by Plank, and possibly based on story treatments written by Capra. The films were failures, and Capra returned to Los Angeles when Tri-State broke up. In March 1920, Capra was employed by CBC Film Sales Co., the corporate precursor of Columbia Films, where he also worked as an editor and director on a series called "Screen Snapshots." He quit CBC in August and moved to San Francisco, but the only jobs he could find were that of bookseller and door-to-door salesman. Once again seeming to fulfill his family's prophecy, he turned to gambling, and also learned to ride the rails with a hobo named Frank Dwyer. There was also a rumor that he became a traveling salesman specializing in worthless securities, according to a "Time" magazine story "Columbia's Gem" (August 8, 1938 issue, V.32, No. 6).
Still based in San Francisco in 1921, producer Walter Montague hired Capra for $75 per week to help direct the short movie The Ballad of Fisher's Boarding House (1922), which was based on a poem by Rudyard Kipling. Montague, a former actor, had the dubious idea that foggy San Francisco was destined to become the capital of movies, and that he could make a fortune making movies based on poems. Capra helped Montague produced the one-reeler, which was budgeted at $1,700 and subsequently sold to the Pathe Exchange for $3,500. Capra quit Montague when he demanded that the next movie be based upon one of his own poems.
Unable to find another professional filmmaking job, Capra hired himself out as a maker of shorts for the public-at-large while working as an assistant at Walter Ball's film lab. Finally, in October 1921, the Paul Gerson Picture Corp. hired him to help make its two-reel comedies, around the time that he began dating the actress Helen Edith Howe, who would become his first wife. Capra continued to work for both Ball and Gerson, primarily as a cutter. On November 25, 1923, Capra married Helen Howell, and the couple soon moved to Hollywood.
Hal Roach hired Capra as a gag-writer for the "Our Gang" series in January, 1924. After writing the gags for five "Our Gang" comedies in seven weeks, he asked Roach to make him a director. When Roach refused (he somewhat rightly felt he had found the right man in director Bob McGowan), Capra quit. Roach's arch rival Mack Sennett subsequently hired him as a writer, one of a six-man team that wrote for silent movie comedian Harry Langdon, the last major star of the rapidly disintegrating Mack Sennett Studios, and reigning briefly as fourth major silent comedian after Charles Chaplin, Buster Keaton, and Harold Lloyd. Capra began working with the Harry Langdon production unit as a gag writer, first credited on the short Plain Clothes (1925).
As Harry Langdon became more popular, his production unit at Sennett had moved from two- to three-reelers before Langdon, determined to follow the example of Chaplin, Keaton, and Lloyd, went into features. After making his first feature-length comedy, His First Flame (1927) for Sennett, Langdon signed a three-year contract with Sol Lesser's First National Pictures to annually produce two feature-length comedies at a fixed fee per film. For a multitude of reasons Mack Sennett was never able to retain top talent. On September 15, 1925, Harry Langdon left Sennett in an egotistical rage, taking many of his key production personnel with him. Sennett promoted Capra to director but fired him after three days in his new position. In addition to the Langdon comedies, Capra had also written material for other Sennett films, eventually working on twenty-five movies.
After being sacked by Sennett, Capra was hired as a gag-writer by Harry Langdon, working on Langdon's first First National feature-length film, Tramp, Tramp, Tramp (1926). The movie was directed by Harry Edwards who had directed all of Harry Langdon's films at Sennett. His first comedy for First National, Tramp, Tramp, Tramp (1926) did well at the box office, but it had ran over budget, which came out of Langdon's end. Harry Edwards was sacked, and for his next picture, The Strong Man (1926), Langdon promoted Capra to director, boosting his salary to $750 per week. The movie was a hit, but trouble was brewing among members of the Harry Langdon company. Langdon was increasingly believing his own press.
His marriage with Helen began to unravel when it is discovered that she had a life-threatening ectopic pregnancy that had to be terminated. In order to cope with the tragedy, Capra became a work-a-holic while Helen turned to drink. The deterioration of his marriage was mirrored by the disintegration of his professional relationship with Harry Langdonduring the making of the new feature, Long Pants (1927).
The movie, which was released in March 1927, proved to be Capra's last with Harry Langdon, as the comedian soon sacked Capra after its release. Capra later explained the principle of Langdon comedies to James Agee, "It is the principal of the brick: If there was a rule for writing Langdon material, it was this: his only ally was God. Harry Langdon might be saved by a brick falling on a cop, but it was verboten that he in any way motivated the bricks fall."
During the production of Long Pants (1926), Capra had a falling out with Langdon. Screenwriter Arthur Ripley's dark sensibility did not mesh well with that of the more optimistic Capra, and Harry Langdon usually sided with Ripley. The picture fell behind schedule and went over budget, and since Langdon was paid a fixed fee for each film, this represented a financial loss to his own Harry Langdon Corp. Stung by the financial set-back, and desiring to further emulate the great Chaplin, Harry Langdon made a fateful decision: He fired Capra and decided to direct himself. (Langdon's next three movies for First National were dismal failures, the two surviving films being very dark and grim black comedies, one of which, The Chaser (1928), touched on the subject of suicide. It was the late years of the Jazz Age, a time of unprecedented prosperity and boundless bonhomie, and the critics, and more critically, the ticket-buying public, rejected Harry. In 1928, First National did not pick up his contract. The Harry Langdon Corp. soon went bankrupt, and his career as the "fourth major silent comedian" was through, just as sound was coming in.)
In April of 1927, Capra and his wife Helen split up, and Capra went off to New York to direct For the Love of Mike (1927) for First National, his first picture with Claudette Colbert. The director and his star did not get along, and the film went over budget. Subsequently, First National refused to pay Capra, and he had to hitchhike back to Hollywood. The film proved to be Capra's only genuine flop.
By September 1927, he was back working as a writer for Mack Sennett, but in October, he was hired as a director by Columbia Pictures President and Production Chief Harry Cohn for $1,000. The event was momentous for both of them, for at Columbia Capra would soon become the #1 director in Hollywood in the 1930s, and the success of Capra's films would propel the Poverty Row studio into the major leagues. But at first, Cohn was displeased with him. When viewing the first three days of rushes of his first Columbia film, That Certain Thing (1928), Cohn wanted to fire him as everything on the first day had been shot in long shot, on the second day in medium shot, and on the third day in close-ups.
"I did it that way for time," Capra later recalled. "It was so easy to be better than the other directors, because they were all dopes. They would shoot a long shot, then they would have to change the setup to shoot a medium shot, then they would take their close-ups. Then they would come back and start over again. You lose time, you see, moving the cameras and the big goddamn lights. I said, 'I'll get all the long shots on that first set first, then all the medium shots, and then the close-ups.' I wouldn't shoot the whole scene each way unless it was necessary. If I knew that part of it was going to play in long shot, I wouldn't shoot that part in close-up. But the trick was not to move nine times, just to move three times. This saved a day, maybe two days."
Cohn decided to stick with Capra (he was ultimately delighted at the picture and gave Capra a $1,500 bonus and upped his per-picture salary), and in 1928, Cohn raised his salary again, now to to $3,000 per picture after he made several successful pictures, including Submarine (1928). The Younger Generation (1929), the first of a series of films with higher budgets to be directed by Capra, would prove to be his first sound film, when scenes were reshot for dialogue. In the summer of that year, he was introduced to a young widow, Lucille Warner Reyburn (who became Capra's second wife Lou Capra). He also met a transplanted stage actress, Barbara Stanwyck, who had been recruited for the talkie but had been in three successive unsuccessful films and wanted to return to the New York stage. Harry Cohn wanted Stanwyck to appear in Capra's planned film, Ladies of Leisure (1930), but the interview with Capra did not go well, and Capra refused to use her.
Stanwyck went home crying after being dismissed by Capra, and her husband, a furious Frank Fay, called Capra up. In his defense, Capra said that Stanwyck didn't seem to want the part. According to Capra's 1961 autobiography, "The Name Above the Title," Fay said, "Frank, she's young, and shy, and she's been kicked around out here. Let me show you a test she made at Warner's." After viewing her Warners' test for The Noose (1928), Capra became enthusiastic and urged Cohn to sign her. In January of 1930, Capra began shooting Ladies of Leisure (1930) with Stanwyck in the lead. The movies the two made together in the early '30s established them both on their separate journeys towards becoming movieland legends. Though Capra would admit to falling in love with his leading lady, it was Lucille Warner Reyburn who became the second Mrs. Capra.
"You're wondering why I was at that party. That's my racket. I'm a party girl. Do you know what that is?"
Stanwyck played a working-class "party girl" hired as a model by the painter Jerry, who hails from a wealthy family. Capra had written the first draft of the movie before screenwriter Jo Swerling took over. Swerling thought the treatment was dreadful. According to Capra, Swerling told Harry Cohn, when he initially had approached about adapting the play "Ladies of the Evening" into Capra's next proposed film, "I don't like Hollywood, I don't like you, and I certainly don't like this putrid piece of gorgonzola somebody gave me to read. It stunk when Belasco produced it as Ladies of Leisure (1930), and it will stink as Ladies of Leisure, even if your little tin Jesus does direct it. The script is inane, vacuous, pompous, unreal, unbelievable and incredibly dull."
Capra, who favored extensive rehearsals before shooting a scene, developed his mature directorial style while collaborating with Stanwyck, a trained stage actress whose performance steadily deteriorated after rehearsals or retakes. Stanwyck's first take in a scene usually was her best. Capra started blocking out scenes in advance, and carefully preparing his other actors so that they could react to Stanwyck in the first shot, whose acting often was unpredictable, so they wouldn't foul up the continuity. In response to this semi-improvisatory style, Capra's crew had to boost its level of craftsmanship to beyond normal Hollywood standards, which were forged in more static and prosaic work conditions. Thus, the professionalism of Capra's crews became better than those of other directors. Capra's philosophy for his crew was, "You guys are working for the actors, they're not working for you."
After "Ladies of Leisure," Capra was assigned to direct Platinum Blonde (1931) starring Jean Harlow. The script had been the product of a series of writers, including Jo Swerling (who was given credit for adaptation), but was polished by Capra and Robert Riskin (who was given screen credit for the dialogue). Along with Jo Swerling, Riskin would rank as one of Capra's most important collaborators, ultimately having a hand in 13 movies. (Riskin wrote nine screenplays for Capra, and Capra based four other films on Riskin's work.)
Riskin created a hard-boiled newspaperman, Stew Smith for the film, a character his widow, the actress Fay Wray, said came closest to Riskin of any character he wrote. A comic character, the wise-cracking reporter who wants to lampoon high society but finds himself hostage to the pretensions of the rich he had previously mocked is the debut of the prototypical "Capra" hero. The dilemma faced by Stew, akin to the immigrant's desire to assimilate but being rejected by established society, was repeated in Mr. Deeds Goes to Town (1936) and in Meet John Doe (1941).
Capra, Stanwyck, Riskin and Jo Swerling all were together to create Capra's next picture, The Miracle Woman (1931), a story about a shady evangelist. With John Meehan, Riskin wrote the play that the movie is based on, "Bless You, Sister," and there is a possibly apocryphal story that has Riskin at a story conference at which Capra relates the treatment for the proposed film. Capra, finished, asked Riskin for his input, and Riskin replied, "I wrote that play. My brother and I were stupid enough to produce it on Broadway. It cost us almost every cent we had. If you intend to make a picture of it, it only proves one thing: You're even more stupid than we were."
Jo Swerling adapted Riskin's play, which he and his brother Everett patterned after Sinclair Lewis' "Elmer Gantry." Like the Lewis novel, the play focuses on the relationship between a lady evangelist and a con man. The difference, though, is that the nature of the relationship is just implied in Riskin's play (and the Capra film). There is also the addition of the blind war-vet as the moral conscience of the story; he is the pivotal character, whereas in Lewis' tale, the con artist comes to have complete control over the evangelist after eventually seducing her. Like some other Capra films, The Miracle Woman (1931) is about the love between a romantic, idealizing man and a cynical, bitter woman. Riskin had based his character on lady evangelist Uldine Utley, while Stanwyck based her characterization on Aimee Semple McPherson.
Recognizing that he had something in his star director, Harry Cohn took full advantage of the lowly position his studio had in Hollywood. Both Warner Brothers and mighty MGM habitually lent Cohn their troublesome stars -- anyone rejecting scripts or demanding a pay raise was fodder for a loan out to Cohn's Poverty Row studio. Cohn himself was habitually loathe to sign long-term stars in the early 1930s (although he made rare exceptions to Peter Lorre and The Three Stooges) and was delighted to land the talents of any top flight star and invariably assigned them to Capra's pictures. Most began their tenure in purgatory with trepidation but left eagerly wanting to work with Capra again.
In 1932, Capra decided to make a motion picture that reflected the social conditions of the day. He and Riskin wrote the screenplay for American Madness (1932), a melodrama that is an important precursor to later Capra films, not only with It's a Wonderful Life (1946) which shares the plot device of a bank run, but also in the depiction of the irrationality of a crowd mentality and the ability of the individual to make a difference. In the movie, an idealistic banker is excoriated by his conservative board of directors for making loans to small businesses on the basis of character rather than on sounder financial criteria. Since the Great Depression is on, and many people lack collateral, it would be impossible to productively lend money on any other criteria than character, the banker argues. When there is a run on the bank due to a scandal, it appears that the board of directors are rights the bank depositors make a run on the bank to take out their money before the bank fails. The fear of a bank failure ensures that the failure will become a reality as a crowd mentality takes over among the clientèle. The board of directors refuse to pledge their capital to stave off the collapse of the bank, but the banker makes a plea to the crowd, and just like George Bailey's depositors in It's a Wonderful Life (1946), the bank is saved as the fears of the crowd are ameliorated and businessmen grateful to the banker pledge their capital to save the bank. The board of directors, impressed by the banker's character and his belief in the character of his individual clients (as opposed to the irrationality of the crowd), pledge their capital and the bank run is staved off and the bank is saved.
In his biography, "The Name Above the Picture," Capra wrote that before American Madness (1932), he had only made "escapist" pictures with no basis in reality. He recounts how Poverty Row studios, lacking stars and production values, had to resort to "gimmick" movies to pull the crowds in, making films on au courant controversial subjects that were equivalent to "yellow journalism."
What was more important than the subject and its handling was the maturation of Capra's directorial style with the film. Capra had become convinced that the mass-experience of watching a motion picture with an audience had the psychological effect in individual audience members of slowing down the pace of a film. A film that during shooting and then when viewed on a movieola editing device and on a small screen in a screening room among a few professionals that had seemed normally paced became sluggish when projected on the big screen. While this could have been the result of the projection process blowing up the actors to such large proportions, Capra ultimately believed it was the effect of mass psychology affecting crowds since he also noticed this "slowing down" phenomenon at ball games and at political conventions. Since American Madness (1932) dealt with crowds, he feared that the effect would be magnified.
He decided to boost the pace of the film, during the shooting. He did away with characters' entrances and exits that were a common part of cinematic "grammar" in the early 1930s, a survival of the "photoplays" days. Instead, he "jumped" characters in and out of scenes, and jettisoned the dissolves that were also part of cinematic grammar that typically ended scenes and indicated changes in time or locale so as not to make cutting between scenes seem choppy to the audience. Dialogue was deliberately overlapped, a radical innovation in the early talkies, when actors were instructed to let the other actor finish his or her lines completely before taking up their cue and beginning their own lines, in order to facilitate the editing of the sound-track. What he felt was his greatest innovation was to boost the pacing of the acting in the film by a third by making a scene that would normally play in one minute take only 40 seconds.
When all these innovations were combined in his final cut, it made the movie seem normally paced on the big screen, though while shooting individual scenes, the pacing had seemed exaggerated. It also gave the film a sense of urgency that befitted the subject of a financial panic and a run on a bank. More importantly, it "kept audience attention riveted to the screen," as he said in his autobiography. Except for "mood pieces," Capra subsequently used these techniques in all his films, and he was amused by critics who commented on the "naturalness" of his direction.
Capra was close to completely establishing his themes and style. Justly accused of indulging in sentiment which some critics labeled "Capra-corn," Capra's next film, Lady for a Day (1933) was an adaptation of Damon Runyon's 1929 short story "Madame La Gimp" about a nearly destitute apple peddler whom the superstitious gambler Dave the Dude (portrayed by Warner Brothers star Warren William) sets up in high style so she and her daughter, who is visiting with her finance, will not be embarrassed. Dave the Dude believes his luck at gambling comes from his ritualistically buying an apple a day from Annie, who is distraught and considering suicide to avoid the shame of her daughter seeing her reduced to living on the street. The Dude and his criminal confederates put Annie up in a luxury apartment with a faux husband in order to establish Annie in the eyes of her daughter as a dignified and respectable woman, but in typical Runyon fashion, Annie becomes more than a fake as the masquerade continues.
Robert Riskin wrote the first four drafts of Lady for a Day (1933), and of all the scripts he worked on for Capra, the film deviates less from the script than any other. After seeing the movie, Runyon sent a telegraph to Riskin praising him for his success at elaborating on the story and fleshing out the characters while maintain his basic story. Lady for a Day (1933) was the favorite Capra film of John Ford, the great filmmaker who once directed the unknown extra. The movie cost $300,000 and was the first of Capra's oeuvre to attract the attention of the Academy of Motion Picture Arts & Sciences, getting a Best Director nomination for Capra, plus nods for Riskin and Best Actress. The movie received Columbia's first Best Picture nomination, the studio never having attracted any attention from the Academy before Lady for a Day (1933). (Capra's last film was the flop remake of Lady for a Day (1933) with Bette Davis and Glenn Ford, Pocketful of Miracles (1961))
Capra reunited with Stanwyck and produced his first universally acknowledged classic, The Bitter Tea of General Yen (1932), a film that now seems to belong more to the oeuvre of Josef von Sternberg than it does to Frank Capra. With "General Yen," Capra had consciously set out to make a movie that would win Academy Awards. Frustrated that the innovative, timely, and critically well-received American Madness (1932) had not received any recognition at the Oscars (particularly in the director's category in recognition of his innovations in pacing), he vented his displeasure to Columbia boss Cohn.
"Forget it," Cohn told Capra, as recounted in his autobiography. "You ain't got a Chinaman's chance. They only vote for that arty junk."
Capra set out to boost his chances by making an arty film featuring a "Chinaman" that confronted that major taboo of American cinema of the first half of the century, miscegenation.
In the movie, the American missionary Megan Davis is in China to marry another missionary. Abducted by the Chinese Warlord General Yen, she is torn away from the American compound that kept her isolated from the Chinese and finds herself in a strange, dangerous culture. The two fall in love despite their different races and life-views. The film ran up against the taboo against miscegenation embedded in the Motion Picture Producers and Distributors Association's Production Code, and while Megan merely kisses General Yen's hand in the picture, the fact that she was undeniably in love with a man from a different race attracted the vituperation of many bigots.
Having fallen for Megan, General Yen engenders her escape back to the Americans before willingly drinking a poisoned cup of tea, his involvement with her having cost him his army, his wealth, and now his desire to live. The Bitter Tea of General Yen (1932) marks the introduction of suicide as a Capra theme that will come back repeatedly, most especially in George Bailey's breakdown on the snowy bridge in It's a Wonderful Life (1946).
Despair often shows itself in Capra films, and although in his post-"General Yen" work, the final reel wraps things up in a happy way, until that final reel, there is tragedy, cynicism, heartless exploitation, and other grim subject matter that Capra's audiences must have known were the truth of the world, but that were too grim to face when walking out of a movie theater. When pre-Code movies were rediscovered and showcased across the United States in the 1990s, they were often accompanied by thesis about how contemporary audiences "read" the films (and post-1934 more Puritanical works), as the movies were not so frank or racy as supposed. There was a great deal of signaling going on which the audience could read into, and the same must have been true for Capra's films, giving lie to the fact that he was a sentimentalist with a saccharine view of America. There are few films as bitter as those of Frank Capra before the final reel.
Despair was what befell Frank Capra, personally, on the night of March 16, 1934, which he attended as one of the Best Director nominees for Lady for a Day (1933). Capra had caught Oscar fever, and in his own words, "In the interim between the nominations and the final voting...my mind was on those Oscars." When Oscar host Will Rogers opened the envelope for Best Director, he commented, "Well, well, well. What do you know. I've watched this young man for a long time. Saw him come up from the bottom, and I mean the bottom. It couldn't have happened to a nicer guy. Come on up and get it, Frank!"
Capra got up to go get it, squeezing past tables and making his way to the open dance floor to accept his Oscar. "The spotlight searched around trying to find me. 'Over here!' I waved. Then it suddenly swept away from me -- and picked up a flustered man standing on the other side of the dance floor - Frank Lloyd!"
Frank Lloyd went up to the dais to accept HIS Oscar while a voice in back of Capra yelled, "Down in front!"
Capra's walk back to his table amidst shouts of "Sit down!" turned into the "Longest, saddest, most shattering walk in my life. I wished I could have crawled under the rug like a miserable worm. When I slumped in my chair I felt like one. All of my friends at the table were crying."
That night, after Lloyd's Cavalcade (1933), beat Lady for a Day (1933) for Best Picture, Capra got drunk at his house and passed out. "Big 'stupido,'" Capra thought to himself, "running up to get an Oscar dying with excitement, only to crawl back dying with shame. Those crummy Academy voters; to hell with their lousy awards. If ever they did vote me one, I would never, never, NEVER show up to accept it."
Capra would win his first of three Best Director Oscars the next year, and would show up to accept it. More importantly, he would become the president of the Academy in 1935 and take it out of the labor relations field a time when labor strife and the formation of the talent guilds threatened to destroy it.
The International Academy of Motion Picture Arts & Sciences had been the brainchild of Louis B. Mayer in 1927 (it dropped the "International" soon after its formation). In order to forestall unionization by the creative talent (directors, actors and screenwriters) who were not covered by the Basic Agreement signed in 1926, Mayer had the idea of forming a company union, which is how the Academy came into being. The nascent Screen Writers Union, which had been created in 1920 in Hollywood, had never succeeded in getting a contract from the studios. It went out of existence in 1927, when labor relations between writers and studios were handled by the Academy's writers' branch.
The Academy had brokered studio-mandated pay-cuts of 10% in 1927 and 1931, and massive layoffs in 1930 and 1931. With the inauguration of President Franklin D. Roosevelt on March 4, 1933, Roosevelt took no time in attempting to tackle the Great Depression. The day after his inauguration, he declared a National Bank Holiday, which hurt the movie industry as it was heavily dependent on bank loans. Louis B. Mayer, as president of the Association of Motion Picture Producers, Inc. (the co-equal arm of the Motion Picture Producers and Distributors Association charged with handling labor relations) huddled with a group from the Academy (the organization he created and had long been criticized for dominating, in both labor relations and during the awards season) and announced a 50% across-the-board pay cut. In response, stagehands called a strike for March 13th, which shut down every studio in Hollywood.
After another caucus between Mayer and the Academy committee, a proposal for a pay-cut on a sliding-scale up to 50% for everyone making over $50 a week; which would only last for eight weeks, was inaugurated. Screen writers resigned en masse from the Academy and joined a reformed Screen Writers Guild, but most employees had little choice and went along with it. All the studios but Warner Bros. and Sam Goldwyn honored the pledge to restore full salaries after the eight weeks, and Warners production chief Darryl F. Zanuck resigned in protest over his studio's failure to honor its pledge. A time of bad feelings persisted, and much anger was directed towards the Academy in its role as company union.
The Academy, trying to position itself as an independent arbiter, hired the accounting firm of Price Waterhouse for the first time to inspect the books of the studios. The audit revealed that all the studios were solvent, but Harry Warner refused to budge and Academy President 'Conrad Nagel' resigned, although some said he was forced out after a vote of no-confidence after arguing Warner's case. The Academy announced that the studio bosses would never again try to impose a horizontal salary cut, but the usefulness of the Academy as a company union was over.
Under Roosevelt's New Deal, the self-regulation imposed by the National Industrial Relations Act (signed into law on June 16th) to bring business sectors back to economic health was predicated upon cartelization, in which the industry itself wrote its own regulatory code. With Hollywood, it meant the re-imposition of paternalistic labor relations that the Academy had been created to wallpaper over. The last nail in the company union's coffin was when it became public knowledge that the Academy appointed a committee to investigate the continued feasibility of the industry practice of giving actors and writers long-term contracts. High salaries to directors, actors, and screen writers was compensation to the creative people for producers refusing to ceded control over creative decision-making. Long-term contracts were the only stability in the Hollywood economic set-up up creative people,. Up to 20%-25% of net earnings of the movie industry went to bonuses to studio owners, production chiefs, and senior executives at the end of each year, and this created a good deal of resentment that fueled the militancy of the SWG and led to the formation of the Screen Actors Guild in July 1933 when they, too, felt that the Academy had sold them out.
The industry code instituted a cap on the salaries of actors, directors, and writers, but not of movie executives; mandated the licensing of agents by producers; and created a reserve clause similar to baseball where studios had renewal options with talent with expired contracts, who could only move to a new studio if the studio they had last been signed to did not pick up their option.
The SWG sent a telegram to FDR in October 1933 denouncing this policy, arguing that the executives had taken millions of dollars of bonuses while running their companies into receivership and bankruptcy. The SWG denounced the continued membership of executives who had led their studios into financial failure remaining on the corporate boards and in the management of the reorganized companies, and furthermore protested their use of the NIRA to write their corrupt and failed business practices into law at the expense of the workers.
There was a mass resignation of actors from the Academy in October 1933, with the actors switching their allegiance to SAG. SAG joined with the SWG to publish "The Screen Guilds Magazine," a periodical whose editorial content attacked the Academy as a company union in the producers' pocket. SAG President Eddie Cantor, a friend of Roosevelt who had bee invited to spend the Thanksgiving Day holiday with the president, informed him of the guild's grievances over the NIRA code. Roosevelt struck down many of the movie industry code's anti-labor provisions by executive order.
The labor battles between the guilds and the studios would continue until the late 1930s, and by the time Frank Capra was elected president of the Academy in 1935, the post was an unenviable one. The Screen Directors Guild was formed at King Vidor's house on January 15, 1936, and one of its first acts was to send a letter to its members urging them to boycott the Academy Awards ceremony, which was three days away. None of the guilds had been recognized as bargaining agents by the studios, and it was argued to grace the Academy Awards would give the Academy, a company union, recognition. Academy membership had declined to 40 from a high of 600, and Capra believed that the guilds wanted to punish the studios financially by depriving them of the good publicity the Oscars generated.
But the studios couldn't care less. Seeing that the Academy was worthless to help them in its attempts to enforce wage cuts, it too abandoned the Academy, which it had financed. Capra and the Board members had to pay for the Oscar statuettes for the 1936 ceremony. In order to counter the boycott threat, Capra needed a good publicity gimmick himself, and the Academy came up with one, voting D.W. Griffith an honorary Oscar, the first bestowed since one had been given to Charles Chaplin at the first Academy Awards ceremony.
The Guilds believed the boycott had worked as only 20 SAG members and 13 SWG members had showed up at the Oscars, but Capra remembered the night as a victory as all the winners had shown up. However, 'Variety' wrote that "there was not the galaxy of stars and celebs in the director and writer groups which distinguished awards banquets in recent years." "Variety" reported that to boost attendance, tickets had been given to secretaries and the like. Bette Davis and Victor McLaglen had showed up to accept their Oscars, but McLaglen's director and screenwriter, John Ford and Dudley Nichols, both winners like McLaglen for The Informer (1935), were not there, and Nichols became the first person to refuse an Academy Award when he sent back his statuette to the Academy with a note saying he would not turn his back on his fellow writers in the SWG. Capra sent it back to him. Ford, the treasurer of the SDG, had not showed up to accept his Oscar, he explained, because he wasn't a member of the Academy. When Capra staged a ceremony where Ford accepted his award, the SDG voted him out of office.
To save the Academy and the Oscars, Capra convinced the board to get it out of the labor relations field. He also democratized the nomination process to eliminate studio politics, opened the cinematography and interior decoration awards to films made outside the U.S., and created two new acting awards for supporting performances to win over SAG.
By the 1937 awards ceremony, SAG signaled its pleasure that the Academy had mostly stayed out of labor relations by announcing it had no objection to its members attending the awards ceremony. The ceremony was a success, despite the fact that the Academy had to charge admission due to its poor finances. Frank Capra had saved the Academy of Motion Picture Arts and Sciences, and he even won his second Oscar that night, for directing Mr. Deeds Goes to Town (1936). At the end of the evening, Capra announced the creation of the Irving Thalberg Memorial Award to honor "the most consistent high level of production achievement by an individual producer." It was an award he himself was not destined to win.
By the 1938 awards, the Academy and all three guilds had buried the hatchet, and the guild presidents all attended the ceremony: SWG President Dudley Nichols, who finally had accepted his Oscar, SAG President Robert Montgomery, and SDG President King Vidor. Capra also had introduced the secret ballot, the results of which were unknown to everyone but the press, who were informed just before the dinner so they could make their deadlines. The first Irving Thalberg Award was given to long-time Academy supporter and anti-Guild stalwart Darryl F. Zanuck by Cecil B. DeMille, who in his preparatory remarks, declared that the Academy was "now free of all labor struggles."
But those struggles weren't over. In 1939, Capra had been voted president of the SDG and began negotiating with AMPP President 'Joseph Schenck', the head of 20th Century-Fox, for the industry to recognize the SDG as the sole collective bargaining agent for directors. When Schenck refused, Capra mobilized the directors and threatened a strike. He also threatened to resign from the Academy and mount a boycott of the awards ceremony, which was to be held a week later. Schenck gave in, and Capra won another victory when he was named Best Director for a third time at the Academy Awards, and his movie, You Can't Take It with You (1938), was voted Best Picture of 1938.
The 1940 awards ceremony was the last that Capra presided over, and he directed a documentary about them, which was sold to Warner Bros' for $30,000, the monies going to the Academy. He was nominated himself for Best Director and Best Picture for Mr. Smith Goes to Washington (1939), but lost to the Gone with the Wind (1939) juggernaut. Under Capra's guidance, the Academy had left the labor relations field behind in order to concentrated on the awards (publicity for the industry), research and education.
"I believe the guilds should more or less conduct the operations and functions of this institution," he said in his farewell speech. He would be nominated for Best Director and Best Picture once more with It's a Wonderful Life (1946) in 1947, but the Academy would never again honor him, not even with an honorary award after all his service. (Bob Hope, in contrast, received four honorary awards, including a lifetime membership in 1945, and the Jean Hersholt Humanitarian award in 1960 from the Academy.) The SDG (subsequently renamed the Directors Guild of America after its 1960 with the Radio and Television Directors Guild and which Capra served as its first president from 1960-61), the union he had struggled with in the mid-1930s but which he had first served as president from 1939 to 1941 and won it recognition, voted him a lifetime membership in 1941 and a Lifetime Achievement Award in 1959.
Whenever Capra convinced studio boss Harry Cohn to let him make movies with more controversial or ambitious themes, the movies typically lost money after under-performing at the box office. The Bitter Tea of General Yen (1932) and Lost Horizon (1937) were both expensive, philosophically minded pictures that sought to reposition Capra and Columbia into the prestige end of the movie market. After the former's relative failure at the box office and with critics, Capra turned to making a screwball comedy, a genre he excelled at, with It Happened One Night (1934). Bookended with You Can't Take It with You (1938), these two huge hits won Columbia Best Picture Oscars and Capra Best Director Academy Awards. These films, along with Mr. Deeds Goes to Town (1936), Mr. Smith Goes to Washington (1939), and It's a Wonderful Life (1946) are the heart of Capra's cinematic canon. They are all classics and products of superb craftsmanship, but they gave rise to the canard of "Capra-corn." One cannot consider Capra without taking into account The Bitter Tea of General Yen (1932), American Madness (1932), and Meet John Doe (1941), all three dark films tackling major issues, Imperialism, the American plutocracy, and domestic fascism. Capra was no Pollyanna, and the man who was called a "dago" by Mack Sennett and who went on to become one of the most unique, highly honored and successful directors, whose depictions of America are considered Americana themselves, did not live his cinematic life looking through a rose-colored range-finder
In his autobiography "The Name Above the Title," Capra says that at the time of American Madness (1932), critics began commenting on his "gee-whiz" style of filmmaking. The critics attacked "gee whiz" cultural artifacts as their fabricators "wander about wide-eyed and breathless, seeing everything as larger than life." Capra's response was "Gee whiz!"
Defining Hollywood as split between two camps, "Mr. Up-beat" and "Mr. Down-beat," Capra defended the up-beat gee whiz on the grounds that, "To some of us, all that meets the eye IS larger than life, including life itself. Who ca match the wonder of it?"
Among the artists of the "Gee-Whiz:" school were Ernest Hemingway, Homer, and Paul Gauguin, a novelist who lived a heroic life larger than life itself, a poet who limned the lives of gods and heroes, and a painter who created a mythic Tahiti, the Tahiti that he wanted to find. Capra pointed to Moses and the apostles as examples of men who were larger than life. Capra was proud to be "Mr. Up-beat" rather than belong to "the 'ashcan' school" whose "films depict life as an alley of cats clawing lids off garbage cans, and man as less noble than a hyena. The 'ash-canners,' in turn, call us Pollyannas, mawkish sentimentalists, and corny happy-enders."
What really moves Capra is that in America, there was room for both schools, that there was no government interference that kept him from making a film like American Madness (1932). (While Ambassador to the Court of St. James, Joseph P. Kennedy had asked Harry Cohn to stop exporting Mr. Smith Goes to Washington (1939) to Europe as it portrayed American democracy so negatively.) About Mr. Up-beat and Mr-Downbeat and "Mr. In-between," Capra says, "We all respect and admire each other because the great majority freely express their own individual artistry unfettered by subsidies or strictures from government, pressure groups, or ideologists."
In the period 1934 to 1941, Capra the created the core of his canon with the classics It Happened One Night (1934), Mr. Deeds Goes to Town (1936), You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939) and Meet John Doe (1941), wining three Best Director Oscars in the process. Some cine-historians call Capra the great American propagandist, he was so effective in creating an indelible impression of America in the 1930s. "Maybe there never was an America in the thirties," John Cassavetes was quoted as saying. "Maybe it was all Frank Capra."
After the United States went to war in December 1941, Frank Capra rejoined the Army and became an actual propagandist. His "Why We Fight" series of propaganda films were highly lauded for their remarkable craftsmanship and were the best of the U.S. propaganda output during the war. Capra's philosophy, which has been variously described as a kind of Christian socialism (his films frequently feature a male protagonist who can be seen a Christ figure in a story about redemption emphasizing New Testament values) that is best understood as an expression of humanism, made him an ideal propagandist. He loved his adopted country with the fervor of the immigrant who had realized the American dream. One of his propaganda films, The Negro Soldier (1944), is a milestone in race relations.
Capra, a genius in the manipulation of the first form of "mass media," was opposed to "massism." The crowd in a Capra film is invariably wrong, and he comes down on the side of the individual, who can make a difference in a society of free individuals. In an interview, Capra said he was against "mass entertainment, mass production, mass education, mass everything. Especially mass man. I was fighting for, in a sense, the preservation of the liberty of the individual person against the mass."
Capra had left Columbia after "Mr. Smith" and formed his own production company. After the war, he founded Liberty Films with John Ford and made his last masterpiece, It's a Wonderful Life (1946). Liberty folded prior to its release (another Liberty film, William Wyler's masterpiece, The Best Years of Our Lives (1946) was released through United Artists). Though Capra received his sixth Oscar nomination as best director, the movie flopped at the box office, which is hard to believe now that the film is considered must-see viewing each Christmas. Capra's period of greatness was over, and after making three under-whelming films from 1948 to '51 (including a remake of his earlier Broadway Bill (1934)), Capra didn't direct another picture for eight years, instead making a series of memorable semi-comic science documentaries for television that became required viewing for most 1960's school kids. His last two movies, A Hole in the Head (1959) and Pocketful of Miracles (1961) his remake of Lady for a Day (1933) did little to enhance his reputation.
But a great reputation it was, and is. Capra's films withstood the test of time and continue to be as beloved as when they were embraced by the movie-going "masses" in the 1930s. It was the craftsmanship: Capra was undeniably a master of his medium. The great English novelist Graham Greene, who supported himself as a film critic in the 1930s, loved Capra's films due to their sense of responsibility and of common life, and due to his connection with his audience. (Capra, according to the 1938 "Time" article, believed that what he liked would be liked by moviegoers). In his review of Mr. Deeds Goes to Town (1936), Greene elucidated the central theme of Capra's movies: "Goodness and simplicity manhandled in a deeply selfish and brutal world."
But it was Capra's great mastery over film that was the key to his success. Comparing Capra to Dickens in a not wholly flattering review of You Can't Take It with You (1938), Green found Capra "a rather muddled and sentimental idealist who feels -- vaguely -- that something is wrong with the social system" (807). Commenting on the improbable scene in which Grandpa Vanderhof persuades the munitions magnate Anthony P. Kirby to give everything up and play the harmonica, Greene stated:
"It sounds awful, but it isn't as awful as all that, for Capra has a touch of genius with a camera: his screen always seems twice as big as other people's, and he cuts as brilliantly as Eisenstein (the climax when the big bad magnate takes up his harmonica is so exhilarating in its movement that you forget its absurdity). Humour and not wit is his line, a humor that shades off into whimsicality, and a kind of popular poetry which is apt to turn wistful. We may groan and blush as he cuts his way remorselessly through all finer values to the fallible human heart, but infallibly he makes his appeal - to that great soft organ with its unreliable goodness and easy melancholy and baseless optimism. The cinema, a popular craft, can hardly be expected to do more."
Capra was a populist, and the simplicity of his narrative structures, in which the great social problems facing America were boiled down to scenarios in which metaphorical boy scouts took on corrupt political bosses and evil-minded industrialists, created mythical America of simple archetypes that with its humor, created powerful films that appealed to the elemental emotions of the audience. The immigrant who had struggled and been humiliated but persevere due to his inner resolution harnessed the mytho-poetic power of the movie to create proletarian passion plays that appealed to the psyche of the New Deal movie-goer. The country during the Depression was down but not out, and the ultimate success of the individual in the Capra films was a bracing tonic for the movie audience of the 1930s. His own personal history, transformed on the screen, became their myths that got them through the Depression, and when that and the war was over, the great filmmaker found himself out of time. Capra, like Charles Dickens, moralized political and economic issues. Both were primarily masters of personal and moral expression, and not of the social and political. It was the emotional realism, not the social realism, of such films as Mr. Smith Goes to Washington (1939), which he was concerned with, and by focusing on the emotional and moral issues his protagonists faced, typically dramatized as a conflict between cynicism and the protagonist's faith and idealism, that made the movies so powerful, and made them register so powerfully with an audience.- Actor
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Beleaguered character actor Tom Ewell, the unlikely film and TV star with the trademark lumpy figure and droopy, lugubrious mug, was born Samuel Yewell Tompkins on April 29, 1909, in Kentucky. His family tried to steer him towards a law career but he chose the path of acting instead after becoming involved in college productions at the University of Wisconsin.
Ewell began his career at the age of 19 in summer stock roles, marking his professional stage debut in the play "The Spider" in 1928, before making an emphatic move to New York three years later. A former salesman at Macy's, he found an "in" with the famed Actors Studio (later appearing in a number of their "Actor's Studio" TV episodes in the late 1940s) before taking his first Broadway curtain call in the drama "They Shall Not Die" in 1934. For the rest of the decade he demonstrated his versatility in both comedies and dramas with roles in such New York plays as "The First Legion," "Geraniums in My Window," "Let Freedom Ring," "Ethan Frome," "Tobacco Road," "Stage Door," "Brother Rat," "The Merchant of Yonkers" and "Family Portrait".
Ewell made an inauspicious film debut with an unbilled bit in the comedy They Knew What They Wanted (1940) and continued that same year just as bleakly in the westerns Back in the Saddle (1941), Desert Bandit (1941) and The Kid from Kansas (1941). Better suited for Broadway, he found more challenging roles back East in "Suzanna and the Elders" (1940), "Liberty Jones" (1941) and "Sunny River" before his career was suddenly interrupted by World War II service.
A return to The Great White Way happened almost immediately upon his discharge and Tom scored with the comedy hits "Apple of His Eye" (1946) and "John Loves Mary," the latter earning him the Clarence Derwent Award. He also co-starred in the musical revue "Small Wonder" in 1948. Hollywood seemed to pay more attention this time around what with his growing theater reputation and he was handed a terrific role (after appearing in a couple of Paramount "Pacemaker" short comedies) in the Spencer Tracy/Katharine Hepburn classic battle-of-the-sexes film comedy Adam's Rib (1949). Playing Judy Holliday's faithless husband in a part that would later mirror a number of his aging, roving-eye philanderer (minus the buckshot, of course, courtesy of Judy!), Tom's film career finally kicked into high gear.
A succession of wisecracking character supports came his way but the first two were played against his comedy typecast. He was third-billed behind Lana Turner and Ray Milland in the elegant romantic meller A Life of Her Own (1950) as Turner's suave modeling agent and played a fellow reporter along with Tyrone Power in the WWII drama American Guerrilla in the Philippines (1950). Back in the comedy fold, he appeared in the Bing Crosby musical film Mr. Music (1950) before sharing co-star billing with David Wayne in the Willie and Joe war comedy Up Front (1951). He finally received top billing in the comedy Finders Keepers (1951) and again in Back at the Front (1952) when he reprised his Willie character alongside Harvey Lembeck, who replaced a departing David Wayne as Joe.
By far Tom's most successful part began on Broadway in 1952 with "The Seven Year Itch" opposite a delectable Vanessa Brown as "The Girl Upstairs". The show ran for nearly three years and Ewell played the daydreaming adulterer wannabe Richard Sherman part more than 900 times, ultimately winning the Tony Award for his comedic tour de force. Fortunately, he was allowed to recreate the wayward husband role when The Seven Year Itch (1955) transferred to film co-starring Hollywood's hottest property at the time, Marilyn Monroe. Although an Oscar nomination eluded him for this performance, he won a Golden Globe Award and character movie stardom was assured...at least for a time.
The pudding-faced actor tried to patent his leering "ordinary man" with other female knockouts -- The Girl Can't Help It (1956) opposite blonde bombshell Jayne Mansfield, The Great American Pastime (1956) with fetching Anne Francis and The Lieutenant Wore Skirts (1956) co-starring sexy Sheree North, but the vehicles were mild in comparison. The horse-racing yarn A Nice Little Bank That Should Be Robbed (1958) co-starring Mickey Rooney wrapped up Tom's starring career in films.
The middle-aged actor turned more and more of his attention to stage and television at this juncture. He enjoyed great applause once again for the Broadway comedies "The Tunnel of Love" and "A Thurber Carnival" and went on to star in his own sitcom, The Tom Ewell Show (1960), portraying a real estate agent whose domestic life is complicated by all the women in his life (wife, three daughters, mother-in-law). It lasted one complete season. He subsequently appeared in standard guest appearances on TV over the years, plus a few films here and there. The 60-year-old actor rejuvenated on TV with the success of the Robert Blake series Baretta (1975). Tom retired in the mid-1980s after finishing work on both the TV series comedy Best of the West (1981) and the Rodney Dangerfield slapstick film Easy Money (1983).
The actor's first marriage to Judith Ann Abbott, the only child of famed Broadway director George Abbott lasted just a year, but his marriage to Marjorie Sanborn on May 5, 1948, endured a lifetime and produced one son. Tom's health declined sharply in his final years and he died on September 12, 1994, of complications from a number of maladies at the Motion Picture Country House and Hospital in Woodland Hills, California. He was 85. Ewell's mother outlived him, passing away in 1998 at the age of 109.- She was the only child of the Dutch ruling couple of Queen Wilhelmina and Heinrich Duke of Mecklenburg. Through her mother, Juliana is Princess of Orange-Nassau; Through her father she holds the title of Duchess of Mecklenburg. After school, Juliana began studying law at Leiden University in 1927, which awarded her an honorary doctorate two years later. In 1930 she received her doctorate in Leiden. phil. Juliana married the German officer and Prince Bernhard von Lippe-Biesterfeld in 1937, with whom she had four daughters Beatrix (1938), Irene (1939), Margriet (1943) and Christina (1947).
When the troops of National Socialist Germany invaded, the family fled from the Netherlands to England in the spring of 1940. From London she later came to Canada. After the end of the war, they returned home in 1945. On August 31, 1948, Juliana was made Queen of the Netherlands, succeeding her abdicating mother. In this role, Juliana demonstrated a great ability for reconciliation and peaceful conflict resolution in the years and decades that followed. At the end of 1949, after 400 years of Dutch colonial rule over Indonesia, she released the Southeast Asian island state into freedom.
In the course of settling scores with collaborators who had worked with the German occupation, the young queen prevented the execution of death sentences in the post-war period. Juliana exerted a not insignificant influence on politics in the Netherlands, although the public also viewed the royal family ambivalently. The marriage of the heir to the throne, Wilhelmina Armgard Beatrix, to the German diplomat Claus von Amsberg in 1966 caused a particular stir.
Juliana died on March 20, 2004 in Soestdijk. On December 1, 2004, she was succeeded by her husband, Prince Bernhard, who died of cancer. - Actor
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James Mason was born in Huddersfield and had a film career spanning over 50 years during which he appeared in over 100 films in England and America but never won an Oscar. Whatever role he played, from the wounded Belfast gunman in Odd Man Out to Rommel in The Desert Fox, his creamy velvet voice gave him away. Like Charlie Chaplin James left the screen to spend his later life living in Switzerland. His first marriage had been to Pamela Kellino, a Yorkshire mill owner's daughter and his second to Australian actress Clarissa Kaye.- Actor
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Born Walker Smith, Jr., he borrowed the name of a fighter named Ray Robinson to box as an amateur so his mother wouldn't find out. Undefeated as an amateur boxer, 85-0, with 69 knockouts, 42 of them in the first round. Turned pro in 1940 and won his first 40 fights. Lost his first fight by decision to Jake LaMotta. Robinson would defeat LaMotta five out of six times. He joined the U.S. Army and boxed countless exhibitions alongside World Heavyweight Champ Joe Louis. Robinson won his next 93 straight fights. He was a six-time world champion, winning the Welterweight Title and then the Middleweight Title five times. His career lasted 25 years. He defeated many of the greatest boxing champions of his day, among them LaMotta, Kid Gavilan, Gene Fullmer, Carmen Basilio, Randolph Turpin and Carl "BoBo" Olsen. Only stopped once in over 200 fights. Scored over 100 knockout victories. Lost his last fight to Joey Archer in 1965. Friends with Frank Sinatra. Once owned an entire city block in Harlem. Spent millions on a jet-setting lifestyle.- Johnny Unitas played his collegiate career at the University of Louisville (1951-54), passing for 3,007 yards and 27 touchdowns. Unitas, who wore No. 19 as a professional, had his No. 16 collegiate uniform retired at Louisville, the only number retired by the Cardinals.
Known as "The Golden Arm", Unitas had anything but a golden introduction to the NFL. A late round draft pick of the Pittsburg Steelers, he was cut in his rookie year. He signed with the Baltimore Colts a year later and began to change the future of pro football. Unitas quarterbacked the Colts in the NFL title in 1958, beating the New York Giants in the league's first overtime championship, known forever more as the greatest game ever played.
Unitas' legend grew through the 60s and 70s. His record for throwing a touchdown in 47 consecutive games continues to stand. He became the first NFL quarterback to pass for more than 40,000 yards. In January 1971, Unitas won his last championship, leading the Colts against the Cowboys in Super Bowl V.
The persona of "Johnny U" exceeds even his numbers. His bow-legged gait and crew cut became his trademarks. His flair for leading the Colts to come from behind wins became his signature. He was inducted into the Pro Football Hall of Fame in 1979.
In Baltimore, Unitas will be remembered as much for his personal touch as for his professional greatness. Ever willing to stop for an autograph or to give of his time, Unitas helped christen Towson University's new stadium last week - with a pass.
No one could have known that would have been the last pass from his golden arm. Baltimore Mayor Martin O'Malley said, "This is a particularly painful day for Baltimore, because Johnny Unitas was Baltimore -- guts and grit." He played in 10 Pro Bowls, was named MVP three times, and was named the NFL's all-time greatest quarterback at the league's 50th anniversary. He retired in 1973 after one year with the San Diego Chargers. At that time, he held nearly every passing mark in the league record book. - Noted for his fiery and controversial rhetoric on race relations, Farrakhan came under the influence of Nation of Islam minister Malcolm X in the late 1950s. He joined the Nation of Islam after having given up a rather successful musical career as a calypso singer known as "The Charmer". He remains an avid music lover and is considered by many to be an expert classical violinist, citing the composer Felix Mendelssohn as one of his favorite composers. After controversial remarks about Jewish Americans during the first Presidential campaign of Jesse Jackson, Farrakhan has continuously had to defend and/or explain himself to media organs whom many of his supporters believe misconstrue or erroneously report on the Nation of Islam leader. His highly successful "Million Man March" in 1996 softened some criticisms as the gathering was designed as a "Day of Atonement and Reconciliation", aimed at encouraging Black Men to assume greater responsibility for their families and communities. An enigmatic and charismatic public figure, Farrakhan continues to grow in stature. He continues to be one of the most vocal critics of institutional racism, and he remains equally critical of Black Americans who take no personal or collective responsibility for their social, political, and economic circumstances. He is fervently devoted to Islam and is fluent in Arabic, an ability that he used when he assisted Jesse Jackson's negotiations with the Syrian government for the release of Navy Lieutenant Robert O. Goodman, Jr. who had been held as a hostage by Syria after Goodman's plane was shot down over Lebanon in 1984.
- Cinematographer
- Camera and Electrical Department
- Director
László Kovács was born on May 14, 1933 in Cece, Hungary. He is known for his work on Easy Rider (1969), Five Easy Pieces (1970), Ghostbusters (1984) and Copycat (1995). He won the Lifetime Achievement Award from the ASC in 2002. He was married to Audrey. He died on July 22, 2007 in Beverly Hills, Los Angeles, California, USA.- Doug Clifford was born on 24 April 1945 in Palo Alto, California, USA. He is an actor, known for Creedence Clearwater Revival: I Put a Spell on You (1969), Creedence Clearwater Revival: I Heard It Through the Grapevine (1970) and Creedence Clearwater Revival: Lookin' Out My Back Door (1970).
- Actor
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Stu Cook was born on 25 April 1945 in Oakland, California, USA. He is an actor, known for Scary Movie (1991), Creedence Clearwater Revival: Hits and Legend (2008) and Creedence Clearwater Revival: I Put a Spell on You (1969).- Actress
- Music Department
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Rita Coolidge was born on 1 May 1945 in Lafayette, Tennessee, USA. She is an actress, known for Octopussy (1983), Splash (1983) and Christmas in the Clouds (2001). She has been married to Tatsuya Suda since 19 June 2004. She was previously married to Kris Kristofferson.- Actor
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Bob Seger is an American singer, songwriter and musician. He performed and recorded as Bob Seger and the Last Heard and Bob Seger System throughout the 1960s, breaking through with his first national hit and album in 1968. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. Seger has recorded many hits, including "Ramblin' Gamblin' Man", "Night Moves", "Turn the Page", "Still the Same", "We've Got Tonight", "Against the Wind", "Shame on the Moon", "Like a Rock", and "Shakedown", which was written for Beverly Hills Cop II (1987). His recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. With a career spanning six decades, Seger has sold more than 75 million records worldwide, making him one of the world's best-selling artists of all time. Seger was inducted into the Rock and Roll Hall of Fame in 2004 and the Songwriters Hall of Fame in 2012. Seger was named Billboard's 2015 Legend of Live honoree at the 12th annual Billboard Touring Conference & Awards. He announced his farewell tour in September 2018.