Bond Girls
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- Actress
Everyone knows (or should know) Lois Maxwell as the one and only "Miss Moneypenny," but there's much more to her acting career than that. She started out against her parents' will, and without their knowledge, in a Canadian children's radio program, credited as "Robin Wells." Before the age of 15 she left for England with the Canadian army's Entertainment Corps and managed (after her age had been discovered) to get herself enrolled in The Royal Academy of Dramatic Art, where she met and became friends with Roger Moore. Her movie career started with a Michael Powell and Emeric Pressburger production, A Matter of Life and Death (1946). After having won The Most Promising Newcomer Golden Globe Award in 1947, she went to Hollywood and made six films before she decided to try her luck in Italy. She had to leave Italy to go to England when her husband became ill, and since then she has had roles in a number of movies besides the first 14 Bond movies. In 1989 she retired.- Eunice Gayson was an English actress best known for playing Sylvia Trench, James Bond's girlfriend in the first two Bond films (Dr. No and From Russia with Love). Originally, Gayson was to be cast as Miss Moneypenny, but that part went to Lois Maxwell instead.
Gayson was originally to have been a regular in the Bond film series, but her character was dropped. Gayson's voice in Dr. No and From Russia with Love was overdubbed by voice actress Nikki van der Zyl, as were the voices of nearly all the actresses appearing in the first two Bond films, though Gayson's real voice can still be heard in original trailers for Dr. No.
As the first female to be seen in Dr. No together with James Bond (Sean Connery), she is officially the very first actress to play a Bond girl.
Decades later, Gayson's daughter appeared in a casino scene in the 1995 Bond film GoldenEye.
She also starred in the Hammer horror film The Revenge of Frankenstein (1958).
Gayson died on 8 June 2018, aged 90. - Actress
- Soundtrack
Striking, dark-haired beauty Zena Moyra Marshall was born of French (from her mother's side) and English/Irish (her father's) ancestry in Nairobi, Kenya. After the early death of her father, her mother remarried and moved the family to Leicestershire. Zena received her education from St Mary's Roman Catholic School in Ascot. Her interest in the acting profession matured after a wartime theatrical tour with the Entertainments National Service Association (ENSA), while still in her teens. After completing her training at RADA, her exotic looks led to a contract with the Rank Organisation where she was groomed by the so-called 'charm school' as a sultry temptress and second lead in costume films, romantic melodramas and thrillers.
Marshall made her screen debut in the stagey, moribund epic Caesar and Cleopatra (1945) with a bit-part as a handmaiden. Interestingly this film was also a screen bow for future James Bond star Roger Moore, uncredited as a Roman soldier. Marshall's subsequent career was anything but meteoric. For several years she was given only minor supporting roles in productions by Rank affiliates, such as GFD/Two Cities and Gainsborough, including Sleeping Car to Trieste (1948), Snowbound (1948) and So Long at the Fair (1950). A brief sojourn in Hollywood resulted in a lacklustre Allied Artists musical, Let's Be Happy (1957), in which she played an amorous redhead, rivalling star Vera-Ellen for the affections of crooner Tony Martin. During the 1950s she managed to rekindle her theatrical career and, by the end of the decade, went on tour through Germany and the Netherlands with "The Late Edwina Black". Marshall was one of the first actresses to be featured in a British television commercial (for shampoo) on early ITV. Television did, in the end, become her favoured medium; she had some of her better on-screen moments in three episodes of Danger Man (1960), opposite Patrick McGoohan, between 1961 and 1964.
Zena Marshall's main claim to fame rests on her portrayal of the Eurasian double agent, Miss Taro, in the first ever Bond film, Dr. No (1962). Her character was, incidentally, the first woman seduced by Bond, prior to his encounter with Ursula Andress in the part of Honey Ryder. Another noted beauty, the reigning Miss Jamaica, Marguerite LeWars, was originally slated to screen test for Miss Taro. However, LeWars declined for reasons of 'personal modesty' and is merely glimpsed in the film in a bit part as an unnamed photographer. Marshall herself was at first unhappy with the script, but Terence Young, who had previously worked with her on the poorly-received costume biopic The Bad Lord Byron (1949), lightened some of the dialogue with humour. In the end, the bedroom scene with Sean Connery took three days to shoot, because Marshall struggled with the idea of having to spit in her co-star's face, after Bond has her character turned over to the superintendent of police. Miss Taro remains one of the most iconic of Bond villainesses.
Marshall's last roles of note were as an Italian countess in Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), and as a secretary fighting alien enemies (alongside Charles Hawtrey, incongruously cast as an accountant) in the insipid sci-fi outing The Terrornauts (1967). After that, she retired from the screen and settled into domestic life with her third husband, the writer/producer Ivan Foxwell.- Actress
- Soundtrack
The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Daniela Bianchi is an Italian actress, best known for her role of Bond girl Tatiana Romanova in From Russia with Love (1963). She Finished 1st Runner Up in Miss Universe 1960 Competition, enough to get the attentions of Bond movie producers who chose her over 200 female prospects for the role of Tatiana Romanova.
Bianchi made a number of French and Italian movies after From Russia with Love (1963), the last being The Last Chance (1968). One of her later films was Operation Kid Brother (1967), which was a James Bond spoof filmed in English (though Bianchi was again dubbed) and starring Sean Connery's brother, Neil Connery.
In 2012, Bianchi appeared in a small role in the documentary film We're Nothing Like James Bond. - Actress
- Additional Crew
- Soundtrack
Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).- Actress
- Soundtrack
One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.
Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.
Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.
TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.
Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.
Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."
In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.
Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.
The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"
Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.- Actress
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Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.
Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.
Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.
Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.
In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and Mothers of America (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.
After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.- Tania Mallet was born in Blackpool, England. Her English-born mother, Olga Mironoff, was of Russian descent, and had been a beautiful chorus girl. Her father was a successful English car salesman, Henry Mallet. Her parents divorced and Olga remarried, to George Dawson, with whom she had three sons. George turned out to be a non-violent con man who was sent to prison for three years for committing fraud. Her older brother is actress Helen Mirren's father, making Mallet and Mirren first cousins. They grew up together. Helen wrote in her 2007 autobiography that her cousin "survived this extraordinary upbringing and came out miraculously a loyal and generous person." Tania took a course at the Lucy Clayton School of Modelling and started working as a model at just 16 years old.
In 1961, she appeared as herself in the documentary about models in Michael Winner's Girls Girls Girls! (1961). In 1963 she was considered for the role of the lead James Bond girl in From Russia with Love (1963). Although half-Russian, her provincial English accent deemed her unsuitable for the role of the Russian love interest, so she lost the role to Daniela Bianchi. However, the following year she was cast in the next Bond film, Goldfinger (1964) , playing the ill-fated Tilly Masterson. She agreed to appear in "Goldfinger" as an experiment. She was earning £2,000 a week as a model, and after much bargaining managed to secure only £150 a week as her fee for the film. She claimed that she could not afford to continue working as an actress, because she was earning more as a model. She was supporting her mother and putting her half-brothers thru school with her income as a model.
Tania had mixed feelings about her time on "Goldfinger". Filming was fun, but in her personal life her long-time boyfriend had died at the same time. She had no desire to pursue a career as an actress and went back to modeling. Her first marriage ended when she was still young. In 1976, she married her second husband, Simon Radcliffe, a management consultant. She became a stepmother to his children, including publicist Louisa Radcliffe. It was a marriage that lasted 40 years, when her husband died in 2016, leaving her a widow. She enjoyed a warm relationship with Mirren since childhood, as evidenced by the photos of the two smiling cousins in the latter's autobiography. Mallet continued to attend James Bond events and autographed her photographs at these events.
She died on March 30, 2019 at the age of 77 from undisclosed causes. A day later, Mirren publicly posted a loving tribute, calling Tania a "kind and generous" person and a "great optimist". - Born in 1943 in Hampstead, London, Margaret Nolan had a career as a glamour model under the name of Vicky Kennedy, even posing for Playboy magazine. Entering films in 1963 in Saturday Night Out (1964) saw her catapulted into Goldfinger (1964). Often cast mainly for her fabulous buxom figure and good looks, Margaret was perfectly cast in Carry on Girls (1973), made six "Carry On..." performances in all and was very successful in all of her roles, displaying good comedy acting skills. Nolan is probably best remembered for her role as 'Dink' in Goldfinger (1964), and for her "Carry On..." film roles. Margaret Nolan died on October 5, 2020, aged 76, in London from cancer.
- Molly Peters was a gorgeous and voluptuous British blonde bombshell actress and model who alas only appeared in a handful of films and TV shows during her regrettably fleeting acting career in the mid 60s. Molly was born in 1942 in Walsham-le-Willows, Suffolk, England. Peters started out as a model; among the men's magazines she graced the covers of and/or posed in pictorials for are "Playboy," "Modern Man," "Calvalcade," "Beau," "Ace," "Parade," "Best for Men," "Dapper," and "Escapade." Molly achieved her greatest enduring cult cinema popularity with her memorably sensuous portrayal of Patricia Fearing, the fetching masseuse who gets seduced by James Bond at the Shrubland health club in "Thunderball." She was discovered by director Terence Young and has the distinction of being the first Bond girl to be seen taking her clothes off on screen. In the wake of her 007 stint Peters acted in two more movies and popped up on episodes of the TV shows "Armchair Theatre" and "Baker's Half-Dozen." Molly Peters had her acting career abruptly cut short after reportedly having a falling out with her agent.
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Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Actress
- Producer
Luciana Paluzzi's an Italian actress, best known for playing SPECTRE assassin ,Fiona Volpe, in the fourth James Bond film, Thunderball.
In the film, Thunderball she had auditioned for the part of the lead Bond girl, Dominetta "Domino" Petacchi, but producers cast Claudine Auger, changing the Domino character from an Italian to a Frenchwoman and renaming her Dominique Derval.
Paluzzi's first film was an uncredited walk-on part in Three Coins in the Fountain (1954).- Actress
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Tsai Chin, pinyin Zhou Caiqin is an actor, director, teacher and author, best known in America for her film role as Auntie Lindo in The Joy Luck Club. The third daughter of Zhou Xinfang, China's great actor in the last century, she was trained at the Royal Academy of Dramatic Art London (first Chinese student) and later earned a Master Degree at Tufts University, Boston. Her career spans more than five decades working in UK, USA and recently in China. She starred on stage on both sides of the atlantic, (a first for a Chinese actor) in London's West End,The World of Susie Wong and on Broadway, Golden Child; played the two most powerful women of 20th century China; for television, in The Subject of Struggle; for stage Memories of Madame Mao; was twice in Bond films, as Bond girl in You Only Live Twice, and later in Casino Royale. Her single The Ding Dong Song recorded for Decca was top of the charts in Asia. She was the first to be invited to teach acting in China after the Cultural Revolution when universities re-opened. She is now celebrated in China for her portrayal of Jia Mu in the recent TV drama series, The Dream of The Red Chamber. Her international best-selling autobiography, Daughter of Shanghai is to be a stage play by David Henry Hwang which will be produced by the Wallis Annenberg Center for the Perfoming Arts in Beverly Hills.- Akiko Wakabayashi was born on August 26, 1941 in Tokyo, Japan. During her work in movies, she became one of Japan's most popular actresses of their cinema's "Golden Age", ranking with actresses Kumi Mizuno and Mie Hama. One of her first films was Akiko (1961), which was named after her. Interestingly, the movie title shares both her real and character names. Her career took off when she came to Toho Studios, appearing in a host of sci-fi films, including that of the sexy gangster moll in Dogora (1964) and the bewitching alien-possessed princess in Ghidorah, the Three-Headed Monster (1964). However, in the Western Cinema, she is probably best-known for her role as Bond girl "Aki" in the 007 epic, You Only Live Twice (1967), appearing alongside actor Sean Connery. When production of the 007 film began, Wakabayashi was originally chosen to play Bond girl "Kissy Suzuki" and her co-star, Mie Hama, is to play Bond girl "Suki". As Hama had a difficult time mastering the English language, the two actresses switched roles. In addition, Wakabayashi suggested her character name be Aki instead of Suki.
In the late 1960s to early 1970s, Japan's movie industry experienced an economic slump, which resulted in severe budget cuts. During that time, Wakabayashi made a rather abrupt end to her acting career, and has never been seen on the big screen since. Whether or not the economic slump played a factor, Wakabayashi remains one of the most memorable actresses of Japan, especially to Toho Studios' sci-fi fandom. - Actress
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Born Kätherose Derr in Wiesbaden, Karin Dor studied acting and ballet at school and began in films as an extra. The attractive redhead made an indelible impression on Austrian director Harald Reinl (who became her first husband in 1954) and this paved the way to higher profile roles. Her first significant featured appearance was in Reinl's melodrama Der schweigende Engel (1954). Karin subsequently shared top billing in a classroom drama about wayward matriculation students, Ihre große Prüfung (1954). During the initial segment of her career she played nice girls, mainly wide-eyed ingénues, innocent victims and assorted naive juveniles in war and period dramas (As Long as You Live (1955)), Heimatfilms (Almenrausch und Edelweiß (1957)) and operettas (The White Horse Inn (1960)).
By 1960, a more glamorous, lithe and sensual Karin had graduated to juicer roles as heroines in Edgar Wallace potboilers (beginning with Der grüne Bogenschütze (1961)) and a series of Karl May European westerns, invariably directed by Reinl and co-starring Tarzan actor Lex Barker (a combination which proved equally successful for other crime/sci-fi franchises, including The Invisible Dr. Mabuse (1962)). Many of these pictures enjoyed only limited release and were rarely exhibited outside Germany.
Karin succeeded at last to break her stereotyping by playing a pathological serial killer wielding a cutthroat razor in another Wallace/Reinl outing, Room 13 (1964), and - for a total change of pace -- essayed Brunhilde in a two-part filming of the epic 'Die Nibelungen' (also directed by Reinl). With her international appeal now widening, she appeared in The Face of Fu Manchu (1965), a British-West German co-production, as a scientist's daughter menaced by the titular villain. To follow was arguably her best-known international role as an early 'Bond girl', Helga Brandt (alias Number Eleven), a SPECTRE operative whose failure to eliminate J.B. results in her being dropped into a piranha-infested pool by super villain Blofeld (Donald Pleasence) in You Only Live Twice (1967). She was then engaged by Alfred Hitchcock for the part of Cuban resistance leader Juanita de Cordoba in Topaz (1969) in which her character came to a similarly sticky end. Karin's career never quite recovered from this director's rare box-office aberration. British Times reviewer and Hitchcock specialist John Russell Taylor described the picture as "generally flat, undistinguished, and lacking in any sign of positive interest or involvement on his (Hitchcock's) part". In the wake of Topaz, Karin's screen appearances became infrequent, except for a couple of guest spots on American crime shows, followed by an of unsuccessful feature film comeback attempt in the incongruous thriller Warhead (1977). She was latterly seen on German television in several episodes of Rosamunde Pilcher (1993). Karin's third husband was actor and stuntman George Robotham who predeceased her in 2007.- Mie Hama was born in Tokyo, Japan on November 20, 1943 in a blue-collar Tokyo family whose small cardboard factory burned down in World War II. She grew up poor. She first started out working as a bus fare collector. While working, she was spotted by producer Tomoyuki Tanaka when she was only sixteen years old, and was soon employed at Toho Studios. She appeared in a bevy of drama and sci-fi films, including King Kong vs. Godzilla (1963), where she became the Giant Ape's "Damsel in Distress." She is probably best known in Western Cinema as Bond girl Kissy Suzuki, starring alongside actor Sean Connery in the 007 film You Only Live Twice (1967). That same year, King Kong Escapes (1967) was released, thus, she portrayed the spellbinding "Bond-girlish" villainess Madamn Piranha. Her extended wardrobe and enchanted bed chambers contributed to the film's "James Bond-ish" atmosphere. In addition, Hama would sometimes be referred to as "Funny Face," due to her appearances in Japan's "Crazy Cats" movies.
She became one of the most popular actresses in Japan's "Golden Age" of Cinema, but has done little acting when Japan's cinema world experienced severe financial problems. However, she did return to appear in a few films in the 1970s and 1980s, and she is seen, most recently, working as an active environmentalist, radio and television talk show host. She also married a television executive with whom she has four children. - Actress
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An incredible piece of 1960s eye candy, Jill St. John absolutely smoldered on the big screen, a trendy presence in lightweight comedy, spirited adventure and spy intrigue who appeared alongside some of Hollywood's most handsome male specimens. Although she was seldom called upon to do much more than frolic in the sun and playfully taunt and tempt as needed, this tangerine-topped stunner managed to do her job very, very well. A remarkably bright woman in real life, she was smart enough to play the Hollywood game to her advantage and did so for nearly two decades before looking elsewhere for fun and contentment.
Jill St. John was actually born Jill Oppenheim in 1940 in Los Angeles. On stage and radio from age five, she was pretty much prodded by a typical stage mother. Making her TV debut in The Christmas Carol (1949), Jill began blossoming and attracting the right kind of attention in her late teens. She signed with Universal Pictures at age 16 and made her film debut as a perky support in Summer Love (1958) starring then-hot John Saxon. Moving ahead, she filled the bill as a slightly dingy love interest in such innocuous fun as The Remarkable Mr. Pennypacker (1959), Holiday for Lovers (1959), Who's Been Sleeping in My Bed? (1963), Who's Minding the Store? (1963) and Honeymoon Hotel (1964).
Whether the extremely photogenic Jill had talent (and she did!) or not never seemed to be a fundamental issue with casting agents. By the late '60s she had matured into a classy, ravishing redhead who not only came equipped with a knockout figure but some sly, suggestive one-liners as well that had her male co-stars (and audiences) more than interested. She skillfully traded sexy quips with Anthony Franciosa in the engaging TV pilot to the hit series The Name of the Game (1968) and scored a major coup as the ever-tantalizing Tiffany Case, a ripe and ready Bond girl, in Diamonds Are Forever (1971) opposite Sean Connery's popular "007" character. She also co-starred with Bob Hope in the dismal Eight on the Lam (1967), but the connection allowed her to be included in a number of the comedian's NBC specials over the years. A part of Frank Sinatra's "in" crowd, she worked with him on both Come Blow Your Horn (1963) and Tony Rome (1967).
On camera, Jill's glossy femme fatales had a delightfully brazen, tongue-in-cheek quality to them. Off-camera, she lived the life of a jet-setter and was known for her romantic excursions with such eligibles as Jack Nicholson, David Frost, Joe Namath, Bill Hudson, Roman Polanski and even Henry Kissinger. Of her four marriages, which included laundry heir Neil Dubin, the late sports car racer Lance Reventlow, son of Woolworth heiress Barbara Hutton, and easy-listening crooner Jack Jones, she seems to have found her soulmate in present husband Robert Wagner, whom she married in 1990 after an eight-year courtship. Jill first met Wagner when they were both just beginning their careers as contract players at 20th Century Fox. The couple share credits on several productions, notably Banning (1967) as well as the top-tier TV movies How I Spent My Summer Vacation (1967) and Around the World in 80 Days (1989).
Abandoning acting out of boredom, she has returned only on rare occasions. She played against type as a crazed warden in the prison drama The Concrete Jungle (1982) and has had some fun cameos alongside Wagner both on film (The Player (1992)) and even TV (Seinfeld (1989)). In the late 1990s they started touring together in A.R. Gurney's popular two-person stage reading of "Love Letters." Jill's lifelong passion for cooking (her parents were restaurateurs) has turned profitable over the years. She has written a cookbook and appeared as a TV chef and "in-house" cooking expert on Good Morning America (1975). She also served as a food columnist for the USA Weekend newspaper. On the philanthropic front, she is founder of the Aunts Club, a Rancho Mirage-based group of special women who contribute at least $1,000 per year to provide financial support for a child.
She was glimpsed more recently in the films The Calling (2002) and The Trip (2002) and she and Wagner had small roles as Santa and Mrs. Claus in the TV movie Northpole (2014). The Wagners make their home in Aspen.- Actress
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Provocative and ever the temptress in her prime, the dark-maned, gorgeous Lana Wood was born Svetlana Gurdin on March 1, 1946, in Santa Monica, California, to Nick Gurdin (née Nikolai Zacharenko) and Maria Gurdin (known by countless aliases, usually Mary Zudilova), émigrés of Ukrainian and Russian descent. Both her parents' families fled their Russian homeland following the Communist takeover and the couple met and married in San Francisco. Lana's more famous acting sister was christened Natalia eight years earlier and the eldest girl in the family was an Armenian half-sister named Olga Tatuloff, their mother's child from a 1920s marriage.
Young Natalia (renamed Natalie Wood, out of respect to director Sam Wood) became a child star in the late 1940s, with such classics as Miracle on 34th Street (1947), and younger sis Lana would inevitably be drawn into films as a result of Natalie's overwhelming success. She made her "debut" as a baby in Natalie's "B" film Driftwood (1947) only to have her cute bit cut from the picture. Her first screen credit actually came with the John Ford classic The Searchers (1956) as a younger version of Natalie's character, and she was off and running.
In an effort to break away from her sister's looming shadow and find her own place in Hollywood, Lana set out to secure TV roles and did quite well on such popular programs as Playhouse 90 (1956), Have Gun - Will Travel (1957), Dr. Kildare (1961) and The Fugitive (1963), while continuing her minor appearances in such films as Marjorie Morningstar (1958) (again with Natalie), Five Finger Exercise (1962) and the The Girls on the Beach (1965).
In 1965 she earned a contract at Twentieth Century-Fox and was cast in her first television series, The Long, Hot Summer (1965), playing the Southern belle role Lee Remick had played in the 1958 film (The Long, Hot Summer (1958)). Better yet was her 1966 breakthrough role as hash-slinging waitress "Sandy Webber" on the original prime-time soap opera smash Peyton Place (1964), which she played for two seasons. Unlike the glamorous and refined Natalie, Lana developed an earthier "bad girl" persona. Her character femmes bore typical hard-luck stories--tarnished girls from the wrong side of the tracks who were often more trouble than they were worth. Off-screen, she married Peyton Place (1964) co-star Steve Oliver, who played her abusive husband and jailbird "Lee Webber." The marriage lasted approximately one month.
After Peyton Place (1964), Lana continued to exude sex appeal in such films as For Singles Only (1968) and Scream Free! (1969), a drug tale that reunited Natalie's West Side Story (1961) co-stars Richard Beymer and Russ Tamblyn. She kept her name alive on TV as well, making the guest rounds on The Wild Wild West (1965), Bonanza (1959), The Felony Squad (1966) and Rowan & Martin's Laugh-In (1967).
In April 1971, Lana posed for Playboy in an attempt to gain added exposure. It worked. A major career boost presented itself in the form of producer Albert R. Broccoli (nicknamed "Cubby"), who caught the spread and offered her the role of Bondian femme fatale "Plenty O'Toole" in Diamonds Are Forever (1971) opposite Sean Connery. Following all this sexy publicity, Lana somehow nabbed an unexpected role in the Disney romp Justin Morgan Had a Horse (1972).
Although she stayed fairly active throughout the next decade or so with such TV movies as Black Water Gold (1970), QB VII (1974) and Nightmare in Badham County (1976), and the films Grayeagle (1977) and Demon Rage (1982), her star began to diminish.
Marriages during the 1970s included a union with actor/co-star Richard Smedley, whom she met on the set of A Place Called Today (1972). They produced her only child, daughter Evan, in 1974. She later married producer Allan Balter after meeting him during the filming of Captain America (1979). Six marriages would come and go before 1980.
In the mid-'80s she appeared for a time on the daytime soap opera Capitol (1982) but made a decision to move away from the acting arena after this period. Following the tragic drowning death of sister Natalie in 1981, Lana penned the controversial tell-all book "Natalie, A Memoir by Her Sister". What was meant as a candid, caring and cathartic expose on Lana's part was denounced by both critics and family alike as self-serving and hurtful. Later years included behind-the-camera work as a producer, which included co-producing the ABC-TV special The Mystery of Natalie Wood (2004). She also had her own casting company at one point.
After an extended absence, Lana was seen again on the screen into the millennium. Independent features include Deadly Renovations (2010), Donors (2014), Bestseller (2015), Killing Poe (2016), Subconscious Reality (2016), Wild Faith (2018) and The Marshal (2019). A devoted animal lover, the still-stunning grandmother-of-three occasionally appears at celebrity conventions and continues to work in films.- Actress
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Born in Florida and raised in Newark, New Jersey, Gloria's first job was as an assistant to the legal secretary in the New York office of the NAACP. She also became a model around this time and worked at the Playboy Club as a "Bunny." This exposure led to her being cast in her first movie, For Love of Ivy (1968). In the 1970s, she became a popular star of black actioners such as Black Caesar (1973) and Black Belt Jones (1974). She has completed her first CD and also produced The Paul Robeson Story.- Actress
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Jane Seymour was born as Joyce Penelope Wilhelmina Frankenberg in 1951 in Middlesex, England, to a nurse mother and gynaecologist/obstetrician father. She is of Polish Jewish (father) and Dutch (mother) descent. She adopted the acting name of "Jane Seymour" when she entered show business as it was easier for people to remember (and the name of one of King Henry VIII's wives). She attracted the attention of the James Bond film producers when they saw her on British television. She was cast as the main Bond girl, "Solitaire", in Live and Let Die (1973). The role gained her international recognition but she was in danger of losing it all like the previous Bond girls, so she came to the U.S.
A casting director advised her to lose her English accent and acquire an American accent to land roles on American television. She did and started getting roles, earning five Emmy nominations, resulting in one win for Onassis: The Richest Man in the World (1988) for playing Maria Callas. She won Golden Globe awards for both East of Eden (1981) and the American television series Dr. Quinn, Medicine Woman (1993), where she played the title role for 5 years. She occasionally appeared in feature films, memorably in Somewhere in Time (1980) and in Wedding Crashers (2005).
Married and divorced four times, she gave birth to four children and is a stepmother to two. They have children of their own, making her a grandmother. As of 2018, she has been acting in television movies and making guest-appearances.- Actress
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Britt Ekland was born in Sweden and grew up to be the poster girl for beautiful, big-eyed Scandinavian blondes. She attended a drama school and then joined a traveling theater group. With her looks as her passport, Britt entered films and became a star in Italy. When Peter Sellers met her in a hotel, he fell hard for her and they soon married. The combination of Sellers' stardom and her stunning beauty contributed to her fame (the fact that Sellers suffered a heart attack in bed on their wedding night did not hurt, either). She appeared in two films with her husband: After the Fox (1966), written by Neil Simon, and the forgettable The Bobo (1967). Her claim to fame would come as the young girl who invented the striptease in The Night They Raided Minsky's (1968). After that, she appeared in a string of movies that were built around her looks and not much else. She did appear in some first-rate productions over the years, though, two of them being Get Carter (1971) and the cult classic The Wicker Man (1973). The high point in her career would be her role as Bond girl Mary Goodnight in The Man with the Golden Gun (1974). After her much publicized breakup with rocker Rod Stewart in 1977, Britt continued to make movies--both features and made-for-TV films--and tried the stage. By that time, the quality of her film projects had decreased markedly, and she was reduced to appearing in things like Fraternity Vacation (1985) and Beverly Hills Vamp (1989).- Actress
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Stunning Swedish born ex-model who broke into film in 1970, and quickly appeared in several high profile films including playing the ex-wife of James Caan in the futuristic Rollerball (1975) and the ill-fated lover of super-assassin Francisco Scaramanga played by Christopher Lee in The Man with the Golden Gun (1974). To date, the beautiful Maud Adams has appeared in three James Bond films... the other two performances were as one of the lead villains in Octopussy (1983) and as an extra in A View to a Kill (1985). She has appeared in numerous television specials on the Bond series of films, and also played the love interest of crazy Bruce Dern in Tattoo (1981). In the late 1990s, Adams had a regular role on a Swedish soap opera; however, she has not been seen on cinema screens since late 1996.- Actress
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Barbara Goldbach was born to Howard and Marjorie Goldbach in Queens, New York. Her father was a policeman. She met her first husband Augusto Gregorini in New York while she worked as a model and he was visiting from Italy for business tourism in 1966. Barbara followed him to Italy to be with him and they married in 1968. They had two children, Francesca Gregorini and Gianni Gregorini. During Gianni's birth, he had the umbilical cord wrapped around his neck, nearly choking him, and was diagnosed with cerebral palsy, although a later operation improved his condition.
In 1975, Barbara and Augusto Gregorini separated when she moved to Los Angeles, California. The couple separated in 1978, sharing custody of their two children. Barbara met Ringo Starr on the set of the comedy Caveman (1981), and they became a couple during the filming. Ringo and Barbara were on a holiday in December 1980 when her daughter called to inform them that John Lennon had been shot. Ringo and Barbara went to New York City to console Yoko Ono and Sean Lennon. Ringo and Barbara married on April 27, 1981.
Her acting career began in Italy, where she played Nausicaa in Odissea (1968), a television adaptation of Homer's epic poem "The Odyssey", directed by Franco Rossi and produced by Dino De Laurentiis. Bach co-starred with two other "Bond Girls", Claudine Auger and Barbara Bouchet in the mystery Black Belly of the Tarantula (1971) and had small roles in other Italian films. In 1977, she played Russian secret agent Anya Amasova in the James Bond film The Spy Who Loved Me (1977). The following year, she appeared in the war film Force 10 from Navarone (1978), which also starred Robert Shaw and Harrison Ford.- Actress
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Leggy, brunette-maned pin-up actress Caroline Munro was born in Windsor, Berkshire, England, and lived in Rottingdean near Brighton where she attended a Roman Catholic convent school. By chance, her mother and a photographer entered her picture in a "Face of the Year" competition for the British newspaper The Evening News and won. This led to modeling chores, her first job being for Vogue Magazine at age 17. She moved to London to pursue top modeling jobs and became a major cover girl for fashion and television commercials while there.
Decorative bit parts came her way in such films as Casino Royale (1967) and Where's Jack? (1969). One of her many gorgeous photo ads earned her a screen test and a one-year contract at Paramount where she won the role of Richard Widmark's daughter in the comedy/western A Talent for Loving (1973). She first met husband/actor Judd Hamilton filming this movie but they later divorced. Also in 1969, she became the commercial poster girl for "Lamb's Navy Rum", a gig that lasted ten years. She had no lines as Vincent Price's dead wife in The Abominable Dr. Phibes (1971) and Dr. Phibes Rises Again (1972) which, in turn, led to a Hammer Studios contract and such low-budget spine-tinglers as Dracula A.D. 1972 (1972) and Captain Kronos: Vampire Hunter (1974). More noticeable roles came outside the studio as the slave girl/love interest in The Golden Voyage of Sinbad (1973), the princess in At the Earth's Core (1976), and a lethal Bond girl in the top-notch The Spy Who Loved Me (1977). Her voluptuous looks sustained her for a bit longer but the quality of her roles did not improve with higher visibility. Later 70's and 80's roles included the lowergrade Starcrash (1978), Maniac (1980) and Slaughter High (1986), the last-mentioned written and directed by second husband George Dugdale, whom she married in 1990. He died in 2020.
Following her marriage, she was less seen. The septuagenarian continued to perform sporadically on camera, primarily in England and often in the horror genre. Subsequent lead and supporting movie roles have included Heaven's a Drag (1994), Domestic Strangers (1996), Flesh for the Beast (2003), Vampyres (2015), Cute Little Buggers (2017) and House of the Gorgon (2019) which also featured her daughter, actress Georgina Dugdale.- Actress
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Lois Chiles is a former supermodel-turned-actress who gave elegant performances in a variety of films throughout the 1970s and 1980s. Her motion picture debut role was as Robert Redford's sexual endeavor in the old-fashioned Hollywood melodrama, The Way We Were (1973). Shortly after, she starred opposite Clifton Davis in the indie blaxploitation film, Together for Days (1972); they portrayed a mixed-race couple enduring societal disapproval and political pandemonium. She also appeared as the irreverent socialite Jordan Baker in The Great Gatsby (1974), in which she starred alongside Mia Farrow and, again, Robert Redford.
Chiles delivered a series of pivotal characters particularly as a woman who mysteriously falls into a state of unconsciousness after entering the hospital for an early term abortion in Coma (1978), and as an impudent heiress and murder victim in the center of Death on the Nile (1978).
Chiles' most recognized role is the sophisticated NASA astronaut, scientist, and "Bond girl", Dr. Holly Goodhead opposite Roger Moore's James Bond in Moonraker (1979). It is worth noting that Goodhead was different than any previous "Bond girl", in that she was dignified and not so much sexualized. Sadly, that same year, just as Chiles' career was at its height, she lost her youngest brother to non-Hodgkin's lymphoma which resulted in her three-year hiatus from acting. Her career never fully recovered and she struggled to find roles that necessitated her individuality but she persevered and received positive reviews for her continued performances in film and television, particularly in Sweet Liberty (1986), Broadcast News (1987), Creepshow 2 (1987), Diary of a Hitman (1991) and Curdled (1996).
In recent years, she's appeared in a few television sitcoms, participated in interviews recalling her experience as a "Bond girl", and taught an acting class at the University of Houston.- Corinne Cléry was born on 23 March 1950 in Paris, France. She is an actress, known for Moonraker (1979), The Story of O (1975) and Yor: The Hunter from the Future (1983).
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Carole Bouquet is a French actress and fashion model. She is best known for played Bond girl Melina Havelock in the James Bond film For Your Eyes Only (1981).
She also starred in That Obscure Object of Desire (1977), Nemo (1984), The Bridge (1999) and Do Not Disturb (2014).
In 2017 she starred in the Mini-Series The Mantis.
In the 1980s and 1990s she was a model for Chanel.
That Obscure Object of Desire was her film debut.- Actress
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Lynn-Holly Johnson was born on 13 December 1958 in Chicago, Illinois, USA. She is an actress and director, known for For Your Eyes Only (1981), The Watcher in the Woods (1980) and Ice Castles (1978). She has been married to Kelly James Givens since 12 November 1994. They have two children.- Cassandra Harris was born on 15 December 1942 in Sydney, New South Wales, Australia. She was an actress, known for For Your Eyes Only (1981), Remington Steele (1982) and Rough Cut (1980). She was married to Pierce Brosnan, Dermot Harris and William Firth. She died on 28 December 1991 in Los Angeles, California, USA.
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Jill Bennett was born on 24 December 1931 in Penang, Malaysia. She was an actress and writer, known for The Nanny (1965), For Your Eyes Only (1981) and Moulin Rouge (1952). She was married to John Osborne and Willis Hall. She died on 4 October 1990 in Kensington, London, England, UK.- Actress
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Famke Janssen was born November 5, 1964, in Amstelveen, the Netherlands, and has two other siblings. Moving to America in the 1980s, she modeled for Chanel in New York. Later, taking a break from modeling, she attended Columbia University, majoring in literature.
This model-turned-actress broke into Hollywood in the early 1990s. Her first film was Fathers & Sons (1992). Later she became James Bond's enemy in GoldenEye (1995). Her career has bloomed since then with her starring in such films as House on Haunted Hill (1999), Hide and Seek (2005), a recurring role on FX's Nip/Tuck (2003), and the blockbuster movies X-Men (2000), X2 (2003), and X-Men: The Last Stand (2006).