MCU Directors & Their Works #09: Alan Taylor
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- DirectorAlan TaylorStarsWilliam ForsytheVincent GalloAdam TreseJerry and his two pals, Russ and Syd, are just looking for some easy money to help them break out of their nowhere lives in their nowhere town. Despite a bungled jewelry store heist which exposes their incompetence as criminals, a fateful event (and an old black-and-white film) convinces them that they can pull off an armored-truck robbery. While they are busy plotting their caper, their dysfunctional families spin out of control all around them.Cinematographer: John Thomas
Production Designer: Anne Stuhler
Composer: Rachel Portman
Film Editor: David Leonard
Costume Designer: Katherine Janie Bryant
Negative Format: 35mm Eastman Kodak Film Stock
AR: 1.85:1 (Spherical) - DirectorAlan TaylorStarsIan HolmIben HjejleTim McInnernyDuring Napoleon's exile on St. Helena, some loyalists hire a look-alike to swap places with the deposed Emperor. While the impostor lives in luxury on the island, the real Napoleon returns to Paris in order to retake the throne.Cinematographer: Allessio Torresi
Production Designer: Andrea Crisanti
Camera Operators: Fabrizio Vicari, Raoul Torresi
Composer: Rachel Portman
Film Editor: Masahiro Hirakubo
Costume Designer: Sergio Ballo
Negative Format: 35mm Kodak Film Stock
AR: 1.85:1 (Spherical)
Anecdote: Camera & Grip Equipment Supplied by Panalight - DirectorAlan TaylorStarsClara BellarJon BudinoffHeather BurnsWhen a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float.Cinematographer: Harlan Bosmajian
Production Designer: Rick Butler
Stunt Coordinator: Peter Epstein
Assistant Camera/Camera Operator: Michael J. Young
Composers: Michel Delory, Anna Domino
Film Editor: Malcolm Jamieson
DI Colorist: Joe Gawler
Costume Designer: Marie Amba
Unit Production Manager: Jonathan Shoemaker
Camera: Sony DSR-PD100 (HD)
Lenses: Spherical
AR: 2.35:1 (Super 35mm) - DirectorAlan TaylorStarsChris HemsworthNatalie PortmanTom HiddlestonWhen the Dark Elves attempt to plunge the universe into darkness, Thor must embark on a perilous and personal journey that will reunite him with doctor Jane Foster.Co-Director (Mid-Credits Scene): James Gunn
Screenwriters: Christopher L. Yost, Christopher Markus, Stephen McFeely
Story Writers: Don Payne, Robert Rodat
Exec Producer & Co-UPM: Louis D'Esposito
Exec Producer/Head of Post-Prod: Victoria Alonso
Executive Producer: Craig Kyle
Exec Producer & UPM: Nigel Gostelow
Cinematographer: Kramer Morgenthau ASC
Cinematographer (Mid-Credits Scene): Ben Davis BSC
Cinematographer (Add'l Photography): Gabriel Beristain ASC AMC BSC
Production Designer: Charles Wood
Film Editors: Dan Lebenthal ACE, Wyatt Smith ACE
Costume Designer: Wendy Partridge
Production VFX Supervisor/Norway Aerial Unit Director: Jake Morrison
Production VFX Producer: Diana Giorgiutti
Composer, Conductor, Score Producer & Mixer: Brian Tyler
Composer (Capt. America March): Alan Silvestri
Music Supervisor: Dave Jordan
Associate Producer: David J. Grant
Assoc. Producer Key 1st AD: Jamie Christopher
Casting: Sarah Halley Finn CSA
2nd Unit Director/Director of Photography: John Mahaffie NZCS
Unit Production Manager: Siobhan Lyons
2nd Assistant Director: Matthew Sharp
Head of Visual Development: Charlie Wen
Co-Head of Visual Dev: Ryan Meinerding
Creative Executive: Eric Hauserman Carroll
Re-Record Sound Mixers: Lora Hirschberg, Juan Peralta
Stunt Coordinator: Steve Dent
Main Unit Ass't Stunt Coord & 2nd Unit Stunt Coordinator: Rowley Irlam
Stunt Dept. Coordinator: Matthew Sampson
Fight Coordinator: Ben Cooke
Ass't Fight Coordinator: Tomas Ereminas
HOD Stunt Rigger: Leonard Woodcock
Supervising Wireman: Stephen Sansom
Stunt Rigger: Richard Law
Wire Rigger: Chris Manger
Wire Trainee: Douglas Wells
Stunt Dept. Trainee: William Dent
Stunt Coord (Add'l Photography): Steve Davison
Supervising Art Director: Raymond Chan
Art Directors: Thomas Brown, Julian Ashby, Jordan Crockett, Matt Robinson, Mike Stallion, Mark Swain
Art Director (Digital Sets): Hayley Easton-Street
3D Art Director: Gregory Fangeaux
Ass't Art Director: Jim Barr
A Camera Operator: Des Whelan ACO
B Camera/Steadicam Op: Peter Cavaciuti ACO
1st Assistant A Camera: Julian Bucknall
1st Assistant B Camera: John Jordan
2nd Assistant A Camera: Jacob Barrie
2nd Assistant B Camera: Ryan Taggart
Camera Trainee: Cenay Jen Said
Digital Lab Coordinator: James Corless
Digital Lab Workflow Supervisor: Will Snow
Post-Production Supervisor: Jesse Torres
1st Ass't Editors: Dawn Michelle-King, Meagan Costello, Carole A. Kenneally
1st Assistant Editor (UK): Emma McCleave
2nd Assistant Editor (UK): Ben Renton
2nd Assistant Editor: Alexander Johnson
3rd Assistant Editor: Kevin Stermer
Post-Production Coordinator: Adam Cole
Post-Production Supervisor (UK): Mike Solinger
Post Coordinator: Jennifer Bergman
Editorial Trainee (UK): Louise Horishny
1st Apprentice Editor: Jamie Buff
Post-Prod Assistants: Eric Stapf, Samara Kelly
Music Editor: Steve Durkee
Music Editor & Score Producer: Joe Lisanti
Ass't Music Editor: Kyle Clausen
2nd Unit VFX Supervisor: Stephane Ceretti
Add'l VFX Supervisor (Main Unit & Add'l Photog): Sheena Duggal
Digital Production Managers: Danielle Costa, Victoria McDowell, Tanissa Potrovitza
Production VFX Coordinators: Beverly Abbott, Jeff Winkle, Natalie Lovatt, Scott McPhate
Production VFX Editors: Pamela Choules, Greg Reed, Kosta Saric
VFX Plate Coordinators: Taylor Tulip-Close, Kevin Cahill, Jason Chen
Production VFX Accountant: Jeanine Wilson
Stereo Supervisor: Todd Napier
Stereo Producer: Mike May
Stereo Production Manager: Gary Carrillo
Stereo Coordinators: PJ Tobyansen, James Turek, Ilene Kim
Stereo Editors: Adam Kimmerlin, Julian Andraus
Floor 2nd Assistant Director: Stewart Hamilton
Crowd 2nd Assistant Director: Jane Ryan
3rd Assistant Director: Ryan Newberry
Production Office Supervisor: Victoria Morgan
Production Coordinator: David Zealey
Studio Unit Manager: Luke Stevenson
Longcross Unit Manager: Jodie Gregory
Ass't Studio Unit Manager: Jamie Jones
Digital Assets Supervisor: Katie Gabriel
Supervising Location Manager: Emma Pill
Location Managers: Tom Crooke, Finlay Pile
Unit Manager: David Taylor
Casting (UK): Priscilla John CDG
Casting Ass't (US): Jason B. Stamey CSA
Chief Lighting Technician: John Higgins
Rigging Gaffer: Wayne Leach
Supervising Rigging Electrician: Mark Evans
Costume FX Supervisor: Graham Churchyard
Production SFX Supervisor: Paul Corbould
Ass't SFX Supervisor: Ian Corbould
SFX Workshop Supervisor: Steve Cullane
SFX Design Engineer: Jason Leinster
Production Buyer (SFX): Beverly Young
Production SFX Coordinator: Alicia Davies
SFX H&S Consultant: Chris Dalton
Senior SFX Technician: John Arnitt
Ass't SFX Technician: Adam Banks
Production SFX Wireman: Matthew Duggan
Production SFX Techs: Chris Corbould II, Toby Marrow
SFX Animatronic Engineer: Frank Guiney
Standby Art Director: Pete James
Set Design Consultant: Stephen Bream
Concept Artists (US): Ryan Church, Nathan Schroeder
Storyboard Artists (US): Bryan Andrews, Jane Wu, Federico D'Alessandro, Dave Lowery
Animatics Artist: Coral D'Alessandro
Visual Development Coordinator: Jacob Johnston
Visual Development Illustrators: Andy Park, Jackson Sze, Justin Sweet, Josh Nizzi, Andrew Kim
Visual Dev Digital Sculptor: Josh Herman
Set Decorator: John Bush
Ass't Set Decorator: Michael Standish
Supervising Prop Master: Barry Gibbs
Assistant Prop Master: Darryl Peterson
Props Coordinator: Hayley Gibbs
Prop Model Supervisor: Dean Brooks
Weapons Supervisor: Toby Shears
Special Makeup FX Designer: David White
Special Makeup FX Prod Manager: Sacha Carter
Special Makeup FX W/Shop Man.: James Kernot
Special Makeup FX Modeling Sup: Paul Spateri
Special Makeup FX Coordinator: Fawn Muller
Special Makeup FX Coord/Buyer: Catriona Rings
Special Makeup FX Sup Mold Modeler: Giacomo Iovino
Picture Vehicle Supervisor: Peter Devlin
Action Vehicle Technician: Kevin Hora
Action Vehicle Coordinator: Nick Murray
Dark Elf Language Creator: David J. Peterson
Unit Prod Manager (2nd Unit): Duggan Muggoch
2nd Unit 1st Assistant Director: Robert Grayson
2nd Unit 2nd Assistant Director: Sallie Hard
2nd Unit 3rd Assistant Director: Mark Cockren
2nd Unit A Camera Operator: John Gamble ACO
2nd Unit 1st Ass't A Camera: Spencer Murray
2nd Unit 2nd Ass't A Camera: Dan Gamble
2nd Unit B Cam Operators: Mark Milsome, Derek Walker
2nd Unit 1st Ass't B Camera: Paul Wheeldon
2nd Unit 2nd Ass't B Camera: James Smith
2nd Unit C Camera Operator: John Atwell
2nd Unit 1st Ass't C Camera: Ralph Ramsden
2nd Unit 2nd Ass't C Cam: Lawrence Beckwith
2nd Unit Loader: Morgan Spencer
2nd Unit Camera Trainee: Alexander Youssef
2nd Unit SFX Floor Supervisor: Gareth Wingrove
2nd Unit Sr SFX Technician: Matthew Armstrong
2nd Unit SFX Modeler: Adam Stanton
2nd Unit SFX Engineer: Charlie Pedersen
2nd Unit Animatronic Designer: Matthew Lewis
2nd Unit Digital Imaging Technician: Nye Jones
2nd Unit Production Coordinator: Tony Davis
2nd Unit Gaffer: Steve Costello
Unit Prod Manager (Add'l Photog): Sara E. White
1st AD (Add'l Photog): Basti Van Der Woude
2nd Ass't Director (Add'l Photog): Keri Bruno
LA HK Unit A Cam/Steadicam Op (Add'l Photog): Brian Nordheim
1st Ass't A Cam (Add'l Photog): Anthony Zibelli
2nd Ass't A Cam (Add'l Photog): Carter Smith
2nd Ass't B Cam (Add'l Photog): Raquel Gallego
DIT (Add'l Photog): Nathan Levine Heaney
Prod Coord (Add'l Photog): Shauna Sanders
Ass't Prod Coord (Add'l Photog): MD Stemen
Gaffer (Add'l Photog): Lee Spencer
Rigging Gaffer (Add'l Photog): Kevin Lang
Prop Master (Add'l Photog): Sean Mannion
Ass't Prop Master (Add'l Photog): Michael Glynn
UPM (Iceland Unit): Leifur B. Dagfinnsson
Iceland Unit SFX Supervisor: Eggert Ketilsson
Iceland Unit Sr SFX Technician: Haukar Karlsson
Lead Loc Manager (Iceland): Casper Porter Hill
Iceland Unit Sup Loc Manager: Thor Kjartansson
Iceland Unit Location Manager: Fahad Jabali
Unit Manager (Iceland Unit): Duncan Broadfoot
Splinter Unit DoP: Steven Hall
Splinter Unit 1st Ass't Director: Simon Downes
3rd Floor Previz & Postviz Supervisor: Gerardo Ramirez
3rd Floor Previz Co-Supervisor: Glenn Burton
3rd Floor Previz Producers: Duncan Burbidge, Natanya Marks
3rd Floor Previz Lead: Shannon Justison
3rd Floor Head of Production: Kerry Shea
3rd Floor Previz Prod Manager (UK): Kathryn Horton
3rd Floor Previz Prod Coordinator: Rachel Borkow
DNEG VFX Supervisors: Pete Bebb, Alex Wuttke
DNEG VFX Producers: Ken Dailey, Nina Fallon
DNEG CG Supervisors: Chris Ammann, Jeremy Hardin, Pietro Ponti
DNEG VFX Prod Manager: Antonella Ferrari
DNEG VFX Line Producers: Allison Gardner, Esme Long, Lucie Ostrer, Smantha Tracey
DNEG FX Supervisors: Mark Hodgkins, Nathan Ortiz
DNEG VFX Associate Line Producers: Sara Emack, Sara Khangaroot, Darcie Muangman
DNEG 2D Supervisors: Gruff Owen, Ian Z. Simpson
DNEG VFX Coordinators: Olivia Goh, Cindy Khoo, Adrian Steel
DNEG Prod Assistants: Linda Barsotti, Timothy Trimmings
DNEG 2D Sequence Supervisors: Julian Glass, Kyle Goodsell, Isaac Layish, Ristan Myles, Sebastian Von Overheidt, Scott Pritchard, Michael Ranalletta, Jim Steel
DNEG VFX Editors: Crystal Hadcroft, Rueben Lloyd-Pack, Jonathan Moniatis
DNEG Concept Supervisor: Andrew Williamson
DNEG Ass't VFX Editors: Patrick Dean, Andrew Poole
DNEG CG Sequence Supervisors: Bruno Baron, Seth Dubieniec, Jenni Eynon, Clement Girard, Becky Graham, Matthew Smith, Peter Szewczyk, Chantelle Williams
DNEG Animation Supervisors: Stafford Lawrence, Michael Lum
DNEG Lead Environment Artist: Ludovic Iochem
DNEG Lead 2D Artists: Thomas Salama, Thomas Steiner
DNEG Matchmove Supervisors: David Crabtree, Ryan Seymour
DNEG LIDAR Technician: Craig Crane
DNEG Lead Pipeline TD: Greg King
Luma Exec VFX Supervisor: Payam Shohadai
Luma Pictures Concept Artist: Loic Zimmerman
Luma Pictures VFX Supervisor: Vincent Cirelli
Luma Senior VFX Producer: Steven Swanson
Luma Digital Prod Managers: Michael Perdew, Alexa Hale
Luma CG Supervisors: Richard Sutherland, Pavel Pranevsky
Luma Animation Supervisor: Raphael A. Pimentel
Luma Pictures R/P Supervisor: Glenn Morris
Luma Sequence Supervisor: H. Haden Hammond
Luma 2D Supervisor: Alexandre Cancado
Luma Pictures DFX Supervisor: Justin Johnson
Luma Lead Digital VFX Coord: Catherine Hughes
Luma Digital VFX Coordinators: Justin Porter, Derek Weil, Katryna Shattuck
Luma Pictures I/O Supervisor: Daniel Kepler
Luma Character Rigging TD: Jacob Santamaria
Luma FX/Lighting/Comp Artist: Brendan Seals
Luma Pictures Look Dev Lead: Jared Simeth
Luma Pictures Lighting Lead: Andrew Zink
Luma Sequence Lead Compositor: Ryan Trippensee
Luma Pictures Lead R/P Artist: Jessica Bakke
Luma Head of Business Relations: Lindsay Hallett
Luma Business Relations Associate: Marla Neto Henshaw
Luma Pipeline Supervisor: Chad Dombrova
Luma Pictures Ops Supervisor: Tayla Ealom
Luma Pictures Ops Manager: Jamy Kim
Blur Studio Executive FX Producer: Al Sheir
2nd Unit Director (Opening Sequence) & Blur Creative Supervisor (Prologue): Tim Miller
Blur VFX/CG Supervisor (Prologue): Kevin Margo
Blur Lead Animator (Prologue): Brian Whitmire
Blur Animation Supervisor (Prologue): Derron Ross
Blur FX Animation Sup (Prologue): Seung Jae Lee
Blur FX Producer (Prologue): Lindsey Zamplas
Blur Studio FX Coordinators (Prologue): Janis Robertson, Jean Ho, Joshua Fritchie
Blur Cloth Simulation Lead (Prologue): Luis Lopez
Blur Studio Mocap Sup (Prologue): Anthony Romero
Blur Studio Perform Cap Stunt Coord (Prologue): Philip J. Silvera
Blur Studio Mocap Stunts: Eric Linden
Blur Concept Designers (Prologue): Joshua James Shaw, Thom Zhao
Blur Concept Supervisor (Prologue): Chuck Wojtkiewicz
Blur Studio Lead Layout Animator & Editorial Supervisor (Prologue): Douglas Lassance
Blur Lead I/O & Camera Tracking/Rotoscoping Supervisor (Prologue): Roxanne Zuckerman
Blur Lead Character Modeler (Prologue): Nicolas Collings
Blur Hair Simulation Lead (Prologue): Danny Young
Blur Studio Hair TD (Prologue): James Marcus
Blur Prop & Vehicle Modeling Lead (Prologue): Zack Cork
Blur Studio Prop Modeler (Prologue): Jinho Jang
Blur Scene Assembler & Vehicle Modeler (Prologue): Justin Mijal
Blur Rigging Sup (Prologue): Jeremie Passerin
Blur Lead Rigger (Prologue): Jennifer Heindrich
Blur Matte Painters (Prologue): David Schwartz, Nick Hiatt
Blur Creative Supervisor (End Title Sequence): Jennifer Miller
Blur FX Designer (End Title Seq.): Justin Hardler
Blur Animation Sup (End Title Seq.): Justin Harder
Blur Stereoscopic Sup (End Title Seq.): David Stinnett
Method Executive VFX Producer: Gabby Gourier
Method VFX Supervisor: Chad Wiebe, Matt Dessero, Mark Breakspear
Method VFX Producers: Genevieve West, Whitney Gearin
Method Digital Production Managers: Laurel Montgomery, Chelsea Kammeyer
Method VFX Coordinators: Molly Pabian, Nicole Saccardi, Sharon Roberts
Method Outsource Coordinator: Karen Tom
Method Tracking Coordinator: Kat Greene
Method Studios M/R Coordinator: Trevor Wyatt
Method VFX Editors: Rachael McPherson, Jennifer Pearson
Method Comp Supervisors: Brandon Nelson, Troy Moore, Chris Van Dyck
Method CG Supervisor: Charles Abou Aad, Doug Bloom, Anthony Zwartouw
Method Studios CG Lead: Mike Borgstrom
Method Animation Supervisor: Keith Roberts
Method Studios FX Lead: Sean Lewkiw
Method Studios DMP Supervisor: Darin Hilton
Method Studios Rigging Supervisor: Sean Comer
Method Tracking Supervisor: Fabio Zapata
Method Matchmover Supervisor: Peter Hart
Method R/P Supervisor: Stephanie Sweeney
Method Studios Roto Lead: Esdras Prudente
GGS 3D Scanning VFX Producer: Dane Allan Smith
Supervising Digital Colorist: Steven J. Scott ASC
Digital Finishing Colorist: Charles Bunnag
Assoc. Digital Finishing Colorist: Damian McDonnell
Digital Colorist Finishing Assistant: Juan Flores
DI Finishing Assistants: Kathleen Largay, Ron Leidelmeijer
DI Finishing Producer: Mike Dillon
DI Ass't Finishing Producer: Brandie Konopasek
Finishing Workflow Engineer: Vince Cerundolo
DI Senior Finishing Editor: Bob Schneider
DI Finishing Editors: Tashi Trieu, Jim Eberle
Finishing Account Exec: Michael Moncrieff
Technicolor Head Finishing Engineer: Thoma Thurau
Technicolor Senior VFX Artists: Eroc Moralls, Jason Wilson
Technicolor Senior VFX Producer: Tricia Pifer
Stereo D Stereographer: Brian Taber
Stereo D Stereo Producers: Jon Goldsmith, Jessica Smith
Stereo D Finaling Sup: Russell Resendez McCoy
Stereo D Stereo Supervisors: Emma Webb, David Phillips
Stereo D Stereo Prod Supervisors: Chris Treichel, Cindy Rago, Mari Levitan
Stereo D Roto Manager: Andrea Stephens
Stereo D Roto Supervisors: Bryan Higgins, Daniel Schrepf
Stereo D Stereo Editors: Emily Mason, Robert Neal
Stereo D Prod Coordinators: Rebecca Kramp, Javier Paz, Madalynn Sadeghian, Alex Gonzalez
Add'l Re-Recording Mixers: Chris Scarabosio, Gary A. Rizzo
Score Mixer: Gregory Hayes
Add'l Score Conductor: Allan Wilson
Special Thanks: Jeremy Latcham
Filming Dates: 10 September 2012 - 14 December 2012, July 2013 (Reshoots)
Cameras: Alexa Plus 4:3, Phantom Flex & Red Epic (2.8K ARRIRAW & 5K Redcode RAW)
Lenses: Panavision Primo SL Primes, Anamorphic Telephoto Zoom, C-, E-, G-Series Anamorphic Primes & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.39:1 (Anamorphic)(Super 35mm: Mid-Credits Scene)
Phase: 2
MCU Division: Anthology Spin-Offs
Budget: 170 Million USD
Printed on: Fuji Eterna-CP 3514DI
Visual Effects & Animation Provided by: Double Negative, Luma Pictures, Method Studios & Technicolor
Prologue & End Title Sequence Designed by: Blur Studio
3D Conversion Provided by: Stereo D
Post-Production Sound Services Provided by: Skywalker Sound
Score Performed by: The London Philharmonic Orchestra
Score Recorded at: Abbey Road Studios London
Filmed at: Shepperton Studios
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorAlan TaylorStarsArnold SchwarzeneggerJason ClarkeEmilia ClarkeWhen John Connor, leader of the human resistance, sends Sgt. Kyle Reese back to 1984 to protect Sarah Connor and safeguard the future, an unexpected turn of events creates a fractured timeline.Cinematographer: Kramer Morgenthau ASC
Production Designer: Neil Spisak
Stunt Coordinator/2nd Unit Director: Brian Smrz
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit DP: Larry Blanford ASC
VFX Unit DP: Carl Miller
Aerial DPs: Hans Bjerno ASC, Phil Pastuhov, Dylan Goss
Camera Operator/Edge DP: Ronald Hersey
Camera Operators: Michael Applebaum, Greg Morris, David Wolf
A Camera Operator: Mitch Dubin SOC
B Camera/Steadicam Op: George Billinger III
C Cam Operators: Jeff Tufano, Michael Watson
2nd Unit Camera Operator: Jerry M. Jacob
2nd Unit A Camera Operator: Ken Fisher
2nd Unit A Cam/Steadicam Op: Larry Karman SOC
1st Assistant Director: David Sardi
Production VFX Supervisor: Janek Sirrs
Production VFX Producer: Shari Hanson
DNEG VFX Supervisor: Pete Bebb
DNEG VFX Producer: Rupert Porter
DNEG Overall Stereo Supervisor: Corey Turner
DNEG Stereo Supervisor: Richard W. Baker
DNEG Stereo Producer: Matthew Bristowe
MPC Lead VFX Supervisor: Sheldon Stopsack
MPC VFX Producer Chad Nixon
MPC On Set VFX Supervisor: Gary Brozenich
ILM Senior VFX Supervisor: Grady Cofer
ILM Senior Animation Supervisor: Scott Benza
ILM VFX Executive Producer: Wayne Billheimer
ILM Senior VFX Producer & PM: Kevin Field
ILM Senior VFX Coordinator: Bryn Owens
ILM VFX Concept Artist: Ryan Drue
ILM Model & Texture Leads: Masa Narita, Kim Vongbunyong
ILM Comp Supervisors: Todd Vaziri, Michael Conte
ILM VFX Compositors: Peter Demarest, Tia Marshall
ILM 3D Creature Supervisor: Michael Balog
ILM 3D VFX Sequence Supervisor: Ian Christie
ILM 3D CG Generalist: Delcio Gomes
ILM 3D Creature TD: Cenk Cevdet Kilar
ILM 3D CG Sequence Lead: Alex Kim
ILM 3D Layout Lead: Gurpreet Pannu
ILM 3D VFX Technical Director: Roman Schmidt
ILM 3D DFX Lead: Daniel Trbovic
ILM 3D FX Animator: Jim Van Allen
ILM 3D Digital CG Lead: David Weitzberg
ILM VFX Editor: Nic Anastassiou
ILM External Assistant TD: Tim Chrismer
FX3X Supervising VFX Artist: Aleks Vishemirski
Composer: Lorne Balfe
Executive Music Producer: Hans Zimmer
Film Editor: Roger Barton ACE
Costume Designer: Susan Matheson
Camera: Alexa XT Plus, Arriflex 35-III & Red Epic Dragon (2.8K/3.4K ARRIRAW, 5K Redcode RAW & 35mm Kodak Vision3 250D 5207)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Anamorphic Telephoto (70-200mm) Zoom & Anamorphic Wide-Angle 2:1 (40-80mm) Zoom
AR: 2.35:1 (Anamorphic)
Budget: 155 Million USD
Printed on: Kodak Vision 2383
Visual Effects, Animation & Previsualization Provided by: Industrial Light & Magic, Double Negative, Moving Picture Company, Lola VFX, One Of Us + Method Studios
3D Conversion Provided by: Stereo D & Prime Focus World
Attribute: Filmed in Panavision - DirectorAlan TaylorStarsAlessandro NivolaLeslie Odom Jr.Jon BernthalWitness the making of Tony Soprano. The story that reveals the humanity behind Tony's struggles and the influence his family - especially his uncle, Dickie Moltisanti - had over him becoming the most iconic mob boss of all time.Cinematographer: Kramer Morgenthau ASC
Production Designer: Bob Shaw
Stunt Coordinator/2nd Unit Director: GA Aguilar
VFX Plate DP: Stanley Fernandez Jr
Camera Operator: Julian Delacruz
A-Camera/Steadicam Operator: Michael Heathcote
Drone Camera Operator: Joe Graham
VFX Supervisors: Dan Schrecker, Dave Zeevalk
Film Editor: Christopher Tellefsen
Supervising DI Colorist: Michael Hatzer ASC
Costume Designer: Amy Wescott
Unit Production Manager: Samantha Dyer
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Panavision C-, T-Series Anamorphic Primes, Anamorphic Wide-Angle 2:1 Zoom & Sigma 75-210mm Zoom
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision