The Works of Director Robert Zemeckis ACE
My all-time favorite film director and the man who inspired me to pursue filmmaking. I love all of his films with the exception of Welcome to Marwen (2018), The Witches (2020) & Pinocchio (2022).
Note: Zemeckis is also an ACE (American Cinema Editors) member.
Note: Zemeckis is also an ACE (American Cinema Editors) member.
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- DirectorRobert ZemeckisStarsPete BelcherRoger PancakeRoger VaughnShell-shocked ex-soldier Vic Fury has run ins with all kinds of dangerous kooks in the wake of being released from a sanitarium.
- DirectorRobert ZemeckisStarsNancy AllenBobby Di CiccoMarc McClureIn 1964, six teenagers from New Jersey run off to see The Beatles perform on The Ed Sullivan Show (1948) in the hope of meeting their idols. However, they don't have tickets. Along the way, they learn new things about friendship and growing up.Cinematographer: Donald M. Morgan ASC
Art Director: Peter Jamison
Set Decorator: John M. Dwyer
Matte DP: Bill Taylor ASC
VFX Supervisor: Albert Whitlock
Film Editor: Frank Morriss
Costume Designer: Rosanna Norton
Unit Production Manager: Wally Worsley Jr
Camera: Panaflex (35mm)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsKurt RussellJack WardenGerrit GrahamWhen the owner of a struggling used car lot is killed, it's up to the lot's hot-shot salesman to save the property from falling into the hands of the owner's ruthless brother and used-car rival.Cinematographer: Donald M. Morgan ASC
Production Designer: Peter Jamison
Stunt Coordinator/2nd Unit Director: Terry Leonard
2nd Unit DP: Frank M. Holgate
Camera Operator: Elliot Davis BSC
Composer: Patrick Williams
Film Editor: Michael Kahn ACE
Unit Production Manager: John G. Wilson
Camera: Panaflex (35mm)
Lenses: Panavision Super Speed MKII Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsMichael DouglasKathleen TurnerDanny DeVitoA mousy romance novelist sets off for Colombia to ransom her kidnapped sister, and soon finds herself in the middle of a dangerous adventure hunting for treasure with a mercenary rogue.Cinematographer: Dean Cundey ASC
Production Designer: Lawrence G. Paull
2nd Unit Stunt Coordinator/2nd Unit Director: Terry Leonard
2nd Unit DP: Richard Hart
Camera Operator: Robert C. Thomas
A-Camera/Steadicam Operator: Ronald Vidor
Composer: Alan Silvestri
Score Mixer: Dennis S. Sands
Film Editors: Donn Cambern, Frank Morriss
Assistant Film Editor: Kevin Stitt ACE
Costume Designer: Marilyn Vance
Camera: Panaflex Gold (35mm)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Distributed by: Walt Disney Studios Motion Pictures
Anecdote: Filmed in Panavision - DirectorRobert ZemeckisStarsMichael J. FoxChristopher LloydLea ThompsonMarty McFly, a 17-year-old high school student, is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown.Writer: Robert Zemeckis ACE
Presenter-Executive Producer: Steven Spielberg
Composer: Alan Silvestri
Film Editors: Arthur Schmidt, Harry Keramidas ACE
Production Designer: Lawrence G. Paull
Cinematographer: Dean Cundey ASC
Producer & 2nd Unit Director: Frank Marshall
Producer & Writer: Bob Gale
Producer: Neil Canton
Key Unit Production Manager: Dennis E. Jones
ILM Sr Supervisor of Visual Effects: Ken Ralston
ILM Senior Animation Supervisor: Charlie Mullen
ILM Sr Visual FX Art Director: Phillip Norwood
ILM VFX Unit A Cam Operator: Scott Farrar ASC
ILM VFX Unit B Cam Operator: Kim Marks SOC
ILM VFX Unit Optical A Cam Op: Donald Clark
ILM VFX Unit Assist A Cam Operator: Ray Gilberti
ILM Animator: Wes Takahashi
ILM Supervising Modelmaker: Steve Gawley
ILM VFX Production Coordinator: Laurie Vermont
Makeup Creator: Ken Chase
Supervising Art Director: Todd Hallowell
Set Decorator: Hal Gausman
A Cam Op & 2nd Unit DoP: Raymond Stella SOC
Costume Designer: Deborah Lynn Scott
Production Special Effects Supervisor: Kevin Pike
DeLorean Time Travel Consultant: Ron Cobb
DeLorean Construction Coord: Michael Scheffe
Score Mixer: Dennis S. Sands
2nd Unit 1st Assistant Director: Mitchell Bock
Stunt Coordinator: Walter Scott
Stunts: Max Kleven, Spiro Razatos
Filming Dates: 26 November 1984 - 23 December 1984, 11 January 1985 - 20 April 1985
Cameras: Panaflex Gold, Panastar & VistaVision VistaFlex (35mm Eastman 100T 5247 & 400T 5294)
Lenses: Panavision Ultra Speed MKII Spherical Primes & Nikon Primes
AR: 1.37:1 (4-Perf 35mm SL: Negative Ratio), 1.85:1 (Theatrical Ratio)(8-Perf VV: Special FX)
Budget: 19 Million USD
Budget AFI (2021): 48.8 Million USD
Visual Effects Produced at: Industrial Light & Magic
3D Conversion Provided by: Stereo D & Legend3D
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsBob HoskinsChristopher LloydJoanna CassidyWhen a cartoon rabbit is accused of murder, he enlists the help of a burnt out private investigator to prove his innocence.Screenwriters: Jeffrey Price, Peter Seaman
Producer: Robert Watts
2nd Unit Director (UK) & Producer: Frank Marshall
Executive Producer: Steven Spielberg
Cinematographer: Dean Cundey ASC
Cinematographer (Add'l Photog; UK 2nd Unit): Paul Beeson BSC
Film Editor: Arthur Schmidt
Director of Animation: Richard Williams
Production Designers: Elliot Scott, Roger Cain
Composer-Score Conductor: Alan Silvestri
Production VFX Supervisor: Ken Ralston
Mechanical FX Supervisor: George Gibbs
Costume Designer: Joanna Johnston
Assoc Producers: Don Hahn, Steve Starkey
UK Casting: Priscilla John CDG
US Casting: Reube Cannon
Special Guest Star: Joel Silver
Stunt Arranger: Peter Diamond
Stunts: Terry Jackson, Brian Smrz, Gregg Smrz
Exec in Charge of Prod: Jeff Katzenberg
PM (UK Production): Patricia Carr
1st AD (UK Production): Michael Murray
2nd AD (UK Production): Chris Brock
Prod Accountant (UK Production): George Marshall
PC (UK Production): Carol Regan
Photographic Cons. (UK Production): Derek Browne
A Cam Op (UK Prod): Raymond Stella SOC
B Cam Op (UK Production): David Worley
A Cam FP (UK Production): Bobby Stilwell
B Camera FP (UK Prod): Martin Kenzie BSC
A Camera CL (UK Production): Wilf France
B Camera CL (UK Prod): Graham Hall ACO
Electrical Sup (UK Prod): Mark D. Walthour
Gaffer (UK Production): Dennis Brock
Best Boy (UK Production): Tommy Finch
Video Assist Technic. (UK Prod): Ian Kelly
Sup. Art Director (UK Prod): Stephen Scott
Set Decorator (UK Prod): Peter Howitt
Construction Man. (UK Prod): Alan Booth
LM (UK Production): Philip Kohler
Location Art Director (UK Prod): Keith Pain
Storyboard Artists-UK Prod: Michael White, Syd Cain
Draughtsmen (UK Prod): Pete Russell, Rich Holland
Letter & Decor Artist (UK Prod): Tony Cain
SFX Wireman (UK Prod): Bob Weisinger
Assoc. FEs (UK Prod): Peter Lonsdale, Colin Wilson
2nd AE (UK Prod): Andrew MacRitchie
Prop Master (UK Prod): Barry Wilkinson
3rd AD (UK Production): Peter Heslop
PR (UK Production): Adam Somner
UK 2nd Unit Director: Ian Sharp
UK 2nd Unit 1st Asst. Dir.: Gareth Tandy
UK 2nd Unit 2nd AD: Nick Heckstall-Smith
UK 2nd Unit 3rd Asst. Dir.: John Withers
UK 2nd Unit C Cam Operator: Wally Byatt
UK 2nd Unit C Focus Puller: Keith Blake
UK 2nd Unit C Clapper Loader: Bob Bridges
UK 2nd Unit C Camera Grip: Jim Kane
UK 2nd Unit VA Technician: Chris Kenny
UK 2nd Unit SFX Technician: David Harris
Supervising Animators: Simon Wells, Phil Nibbelink, Russell Hall, Andreas Deja
Animation Story Sketch Artist: Joe Ranft
Animation Layout Lead: Roy Naisbitt
Animation Effects Supervisor: Chris Knott
Animation Prod Manager: Patsy De Lord
Animation PCs: Ian Cook, Steve Hickner
Animation Check Supervisor: Paul Steele
Ink & Paint Supervisor: Barb McCormack
Animation Ass't Supervisor: Maggie Brown
Animation Paint Mixer: Diane Davies
Final Check Supervisor: Julia Orr
Post Punch Supervisor: Sandy Gordon
Matte & Roto Supervisor: Annie Elvin
Animation Editor: Nick Fletcher
Animation 1st AE: Keith Holden
Animation Camera Supervisor: John Leather-Barrow
Animation Consultants: Chuck Jones, Stan Green, Walt Stanchfield
Chief Executive & Sup. Animator (Add'l Animation): Dale L. Baer
ILM Opt. Photog Supervisor: Edward Jones
ILM VFX Unit A Cam Op: Scott Farrar ASC
ILM Animation Supervisor: Wes Takahashi
ILM Chief Visual FX Editor: Bill Kimberlin
ILM Visual FX Coordinator: Suella Kennedy
General Manager (ILM): Warren Franklin
Exec in Charge of Finance-ILM: Ray Scalice
Prod Supervisor (ILM): Chrissie England
ILM Opt. Processing Lead: Thomas Smith
ILM Animation A Cam Op: Bruce Walters
ILM Animation Unit B Cam Op: Sandy Ford
ILM Roto Supervisor: Jack Mongovan
ILM FX Unit Ass't A Camera Op: Pat Turner
ILM Supervising Modeler: Steve Gawley
ILM Stop Motion A Cam Op: Harry Walton
Prod Accountant (ILM): Pamela J. Kaye
UPM & 1st AD (ILM Production): Ian Bryce
2nd AD-ILM Production: Annie Spiegelman
A 2nd AC (ILM Production): Chris Blair
Stunt Coord (ILM Prod): Rocky Capella
UPM (US Production): Jack Frost Sanders
1st AD (US Production): David McGiffert
SFX Supervisor (US Prod): Michael Lantieri
US 2nd Unit Director: Max Kleven
US 2nd Unit 1st AD: Marty P. Ewing
US 2nd Unit DoP: Gregg Heschong ASC
US 2nd Unit A Cam Op: James Carter ASC
Post Production Supervisor: Martin Cohen
Music Scoring Mixer: Dennis S. Sands
Production Color Timer: Phil Downey
Filming Dates: 2 December 1986 - 27 August 1987
Cameras: Nielson-Hordell Animation Stand, Panaflex Gold, Platinum & VistaVision VistaFlex (35mm Afga XT 320 + Eastman 100T 5247, 400T 5294 & 250D 5297)
Capture Format: 4-Perf 35mm Spherical
Lenses: Panavision Ultra Speed MKII SL Primes & Nikon Nikkor Primes
AR: 1.66:1 (Negative Ratio), 1.85:1 (Theatrical Ratio)(8-Perf VistaVision: FX Shots)
Budget: 50.6-70 Million USD
Budget AFI (2022): 125-172.9 Million USD
Printed on: Eastman 5384
Special Visual Effects Produced by: Industrial Light & Magic
Music Score Performed by: The London Symphony Orchestra
Music Score Recorded at: CTS Studios, London
Distributed By: Walt Disney Studios Motion Pictures
3D Conversion Provided by: Legend3D
Attribute: Filmed in Panavision® - DirectorRobert ZemeckisStarsMichael J. FoxChristopher LloydLea ThompsonAfter visiting 2015, Marty McFly must repeat his visit to 1955 to prevent disastrous changes to 1985...without interfering with his first trip.Story Writer: Robert Zemeckis ACE
Presenter-Executive Producer: Steven Spielberg
Associate Producer: Steve Starkey
Production Visual Effects Supervisor: Ken Ralston
Costume Designer: Joanna Johnston
Composer: Alan Silvestri
Film Editors: Arthur Schmidt, Harry Keramidas ACE
Production Designer: Rick Carter
Cinematographer: Dean Cundey ASC
Cinematographer (Add'l Photog): Jack Priestley ASC
Executive Producer: Frank Marshall
Producer & Co-Writer: Bob Gale
Producer: Neil Canton
Unit Production Manager: Joan Bradshaw
Makeup Creator: Ken Chase
Supervising Art Director: Margie Stone McShirley
Assist Art Directors: Erin Cummins, Ed Verreaux
2nd Assistant Art Director: Jim Teegarden
Set Decorator: Linda DeScenna
A Camera Operator: Raymond Stella SOC
Additional A Camera Operator: Case Hotchiss
Add'l B Camera Operator: George Loomis SOC
Production SPFX Supervisor: Michael Lantieri
Prop Shop/Model Supervisor: Thomas Pahk
Score Mixer: Dennis S. Sands
Post-Production Supervisor: Martin Cohen
Future Consultant & ILM VFX Art Director: John Bell
Future Consultants: Simon Wells, Doug Chiang, Michael Scheffe, Ed Eythe, Phil Garner, Kerry Warn, Tim Flattery
2nd Unit Director: Max Kleven
2nd Unit 1st Assistant Director: Bruce Moriarty
2nd Unit DoP: Don Burgess ASC
2nd Unit A Camera Operator: Michael Ferris
2nd Unit 1st Assist Camera: Josh Bleibtreu ASC
A Camera Operator (Add'l Photog: Ed Neilson
ILM Associate VFX Supervisor: Scott Farrar ASC
ILM Senior Visual FX Producer: Suella Kennedy
ILM Supervising Model Maker: Steve Gawler
ILM Opt. Photog Unit Supervisors: Stu Robinson, John Ellis
ILM Senior Animation Supervisor: Wes Takahashi
ILM VFX Unit VistaGlide Operator: Selwyn Eddy
ILM VFX Unit A Camera Operator: Peter Daulton
ILM VFX Unit B Cam Operator: Patrick Sweeney
ILM VFX Unit C Camera Operator: Pat Turner
ILM VFX Unit D Camera Operator: Ray Gilberti
ILM VFX Unit E Cam Operator: Martin Rosenberg
ILM Visual Effects Coordinator: Jennifer Knoll
ILM Mechanical Model Designer: Scott McNamara
ILM Optical VFX Unit A Cam Op: Jon Alexander
ILM Optical VFX Unit B Cam Operator: James Lim
ILM Optical VFX Unit C Cam Operator: Don Clark
ILM Optical VFX Unit D Camera Op: Terry O'Brien
ILM Optical VFX Unit E Cam Operator: Jeff Doran
ILM Optical VFX Unit F Cam Op: Kenneth Smith
ILM Opt. VFX Unit G Cam Op: James Hagedorn
ILM Optical VFX Unit H Camera Op: Tom Smith
ILM Optical VFX Unit I Camera Op: Keith Johnson
ILM Optical Line-Up Leads: Jennifer Lee, Lori J. Nelson, Bruce Vecchitto, Brad Kuehn
ILM FX Unit Camera Supervisor: Bruce Walters
ILM FX Unit A Camera Op: Charles Clavadetscher
ILM FX Unit B Camera Operator: Charles Canfield
ILM FX Unit C Camera Operator: Patrick T. Myers
ILM FX Unit D Camera Operator: Cameron Noble
ILM FX Unit E Camera Operator: Eric Swenson
ILM FX Unit F Camera Op: Christopher Dierdorff
ILM CG Artist: Mark AZ Dippé
ILM Matte Photography Unit Supervisors: Wade Childress, John Malvino
Stunt Coordinator: Walter Scott
Filming Dates: 20 February 1989 - 2 August 1989 (Shot back-to-back w/ Part III)
Cameras: Panaflex Platinum, VistaVision VistaFlex & VistaGlide (35mm)
Lenses: Panavision Primo Spherical Primes, Ultra Speed MKII Spherical Primes & Nikon Primes
AR: 1.37:1 (4-Perf 35mm SL: Negative Ratio), 1.85:1 (Theatrical Ratio)(VistaVision: Special FX)
Budget: 40 Million USD
Budget AFI (2021): 89.2 Million USD
Special Visual Effects Produced at: Industrial Light & Magic
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsMichael J. FoxChristopher LloydMary SteenburgenStranded in 1955, Marty McFly learns about the death of Doc Brown in 1885 and must travel back in time to save him. With no fuel readily available for the DeLorean, the two must figure how to escape the Old West before Emmett is murdered.Story Writer: Robert Zemeckis ACE
Presenter-Executive Producer: Steven Spielberg
Associate Producer: Steve Starkey
Costume Designer: Joanna Johnston
Composer: Alan Silvestri
Film Editors: Arthur Schmidt, Harry Keramidas ACE
Production Designer: Rick Carter
Cinematographer: Dean Cundey ASC
Executive Producer: Frank Marshall
Producer & Co-Writer: Bob Gale
Producer: Neil Canton
Unit Production Manager: Joan Bradshaw
Production VFX Supervisors: Ken Ralston, Scott Farrar ASC
Mechanical Effects Supervisor: Michael Lantieri
2nd Unit Director: Max Kleven
Stunt Coordinator: Walter Scott
Sup. Art Directors: Margie Stone McShirley, Jim Teegarden
Assist Art Directors: Erin Cummins, Ed Verreaux
Set Decorator: Michael Taylor
A Camera Operator: Raymond Stella SOC
Production Special FX Foreman: Donald Elliott
Re-Recording & Score Mixer: Dennis S. Sands
Music Supervisor: Dave Bifano
Music Contractor: Sandy DeCrescent
Post-Production Supervisor: Martin Cohen
Unit Prod Manager (2nd Unit): David Beanes
2nd Unit 1st Assistant Director: Bruce Moriarty
2nd Unit DoP: Don Burgess ASC
2nd Unit A Camera Operator: Michael Ferris
2nd Unit B Camera Operator: Josh Bleibtreu ASC
ILM Senior Visual Effects Producer: Patricia Blau
ILM Senior Visual Effects Art Director: John Bell
ILM Optical Photog Unit Supervisor: John Ellis
ILM VFX Unit A Cam Op/Director of Photography: Pat Turner
ILM Senior Animation Supervisor: Wes Takahashi
ILM FX Unit Camera Supervisor: Bruce Walters
ILM Supervising Model Maker: Steve Gawley
ILM Exec in Charge of Production: Jim Morris
ILM VFX Coordinators: Jen Knoll, Kim Bromley
ILM VFX Unit B Camera Operator: Peter Daulton
ILM VFX Unit C Camera Operator: Ray Gilberti
ILM VFX Unit VistaGlide Operator: Selwyn Eddy
ILM VFX Unit 1st Assist C-Cam: Patrick McArdle
ILM FX Unit A Camera Operator: Patrick T. Myers
ILM FX Unit B Camera Operator: Eric Swenson
ILM Effects Coordinator: Judith Weaver
ILM Chief Modelmaker: Scott McNamara
Stunts: Brian Smrz
Filming Dates: 29 August 1989 - 12 January 1990 (Shot back-to-back w/ Part II)
Cameras: Arriflex 35-III, Panaflex Platinum, VistaVision VistaFlex & VistaGlide (35mm)
Lenses: Panavision Primo Spherical Primes, Ultra Speed MKII Spherical Primes & Nikon Primes
AR: 1.37:1 (Negative Ratio), 1.85:1 (Spherical: Theatrical Ratio)(VistaVision: Special Effects)
Budget: 40 Million USD
Budget AFI (2021): 84.6-89.2 Million USD
Special Visual Effects Produced at: Industrial Light & Magic
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsMeryl StreepBruce WillisGoldie HawnWhen a fading actress learns of an immortality treatment, she sees it as a way to outdo her long-time rival.Cinematographer: Dean Cundey ASC
Production Designer: Rick Carter
VFX Supervisor/2nd Unit Director: Ken Ralston
2nd Unit Director: Max Kleven
2nd Unit DP: Don Burgess ASC
Underwater DP: Jack Cooperman
Camera Operator: Raymond Stella
2nd Unit Camera Operator: Chris Squires
1st Assistant Camera: Josh Bleibtreu ASC
1st Assistant Director: Marty P. Ewing
2nd Unit 1st Assistant Director: Bruce Moriarty
ILM General Manager: Jim Morris
Composer: Alan Silvestri
Score Mixer: Dennis S. Sands
Film Editor: Arthur Schmidt
Apprentice Film Editor: Jeremiah O'Driscoll
Costume Designer: Joanna Johnston
Unit Production Manager: Joan Bradshaw
Camera(s): Panaflex Gold, GII & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes & Slant Focus Spherical Primes
AR: 1.85:1 (Spherical)
Visual Effects Provided by: Industrial Light & Magic
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsTom HanksRobin WrightGary SiniseThe history of the United States from the 1950s to the '70s unfolds from the perspective of an Alabama man with an IQ of 75, who yearns to be reunited with his childhood sweetheart.Co-Producer/Unit Production Manager: Charles Newirth
Production VFX Supervisor: Ken Ralston
Costume Designer: Joanna Johnston
Composer/Conductor: Alan Silvestri
Film Editor: Arthur Schmidt
Production Designer: Rick Carter
Cinematographer: Don Burgess ASC
Screenwriter: Eric Roth
Producer/2nd Unit Director: Steve Starkey
1st Assistant Director: Bruce Moriarty
Key 2nd Ass't Director/2nd Unit 1st Ass't Director: Cherylanne Martin
2nd Assistant Director: Dana Kuznetzoff
Art Directors: Leslie McDonald, Jim Teegarden
Set Decorator: Nancy Haigh
Set Designer: Lauren E. Polizzi
2nd Assistant Editor: Jeremiah O'Driscoll
2nd 2nd Ass't Director: David J. Venghaus Jr
Camera Operator: Chris Squires
1st Assistant Photographer: Josh Bleibtreu ASC
Chief Lighting Technician: Peter Clarson
Ass't Chief Lighting Technician: Andy Ryan
Production SFX Supervisor: Allen Hall
Production Assistant: Darin Rivetti, Matthew Schmidt ACE
Stunt Coordinator: Bud Davis
2nd Unit DoP: David M. Dunlap
2nd Unit Add'l DoPs: EJ Foerster, Christopher Woods
Re-Recording Mixer/Score Mixer: Dennis S. Sands
Re-Recording Mixer/Sound Designer: Randy Thom
Orchestrator: William Ross
Score Coordinator: Dave Bifano
Music Contractor: Sandy DeCrescent
ILM VFX Producer: Debbie Denise
ILM VFX Art Director: Doug Chiang
ILM CG Supervisors: George Murphy, Stephen Rosenbaum
ILM Optical Supervisor: Bruce Vecchitto
ILM CG Artists: Jon Alexander, Greg Maloney, Eddie Pasquarello
ILM VistaVision Camera Operator: Patrick Turner
ILM Plate Photography Coordinator: Penny Runge
ILM Digital Artist: Russell Earl
ILM General Manager: Jim Morris
Post-Production Supervisor: Steven J. Boyd
Add'l Assistant Camera: Chad Rivetti
Filming Dates: August 1993 - December 1993
Cameras: Panaflex Platinum & VistaVision (35mm Eastman 250D 5297/EXR 100T 5248/500T 5296)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 55 Million USD
Budget AFI (2021): 101.3 Million USD
Special Visual Effects Provided By: Industrial Light & Magic
Post-Production Sound Services Provided by: Skywalker Sound
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsJodie FosterMatthew McConaugheyTom SkerrittDr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.Producer/2nd Unit Director: Steve Starkey
Co-Writer: James V. Hart
Co-Producers/Story Writers: Carl Sagan, Ann Druyan
Executive Producer/Unit Production Manager: Joan Bradshaw
Executive Producer: Lynda Obst
Cinematographer: Don Burgess ASC
Production Designer: Ed Verreaux
Film Editor: Arthur Schmidt
Composer: Alan Silvestri
Costume Designer: Joanna Johnston
Senior VFX Supervisor: Ken Ralston
1st Assistant Director: Bruce Moriarty
2nd Assistant Director: Cellin Gluck
2nd 2nd Ass't Director: Darin Rivetti
Associate Producers: Rick Porras, Steven J. Boyd
Unit Production Manager: Cherylanne Martin
Art Directors: Lawrence A. Hubbs, Bruce Crone
Add'l Cinematographer: Dennis Boni
Add'l Film Editor: Harry Keramidas
1st Ass't Editor: Jeremiah O'Driscoll
Ass't Film Editor: Matthew Schmidt ACE
Ass't Art Directors: Brad Ricker, Doug Meerdink, Sally Thornton
4th Dimensional Consultants: Rick Carter, Stefan Dechant, John Bell
Astronomical Visual Consultants: Jon Lamberg, Don Davis
Camera Operator: Robert LaBonge
Steadicam Operators: Greg Lundsgaard, Mark O'Kane
1st Assistant Camera: Tony Rivetti
2nd Assistant Camera: Chad Rivetti
Libra Mount Cameraman: Nick Phillips
Aerial Unit Coordinator: Kevin La Rosa
2nd Unit Camera Operator: Josh Bleibtreu ASC
DGA Trainee: Basil Bryant Grillo
Lead CG Designer: Rick Alonso
CG Designers: Steve Sexton, Simon Knights
Radio Astronomy Consultant: Tom Kuiper
Mathematics Consultant: Linda Wald
German TV Picture Consultant: Brian Summers
NASA Technical Consultant: Gerry Griffin
VLA Consultant: Bryan Butler
White House Consultant: Robert R. Snow
News Media Consultant: Dee Dee Myers
CNN Anchor Consultant: Jennifer Boardman
Chief Lighting Technician: Steve McGee
Production SFX Supervisor: Allen Hall
Dialect Consultant: Tim Monich
Stunt Coordinator: Bud Davis
Orchestrator: William Ross
Score Mixer: Dennis S. Sands
SPI VFX Supervisor: Stephen Rosenbaum
SPI Senior VFX Producer: Debbie Denise
SPI VFX Producer: Julia Rivas
SPI Senior Effects Art Director: Marty Kline
SPI CG Supervisors: Jerome Chen, Ron Brinkman
SPI "Message & HSC Supervisor: Mark Holmes
SPI HSC Supervisor: Sheena Duggal
SPI VFX Associate Producer: Megan L. Jones
SPI VFX Production Supervisor: Mageara Cameron
SPI VFX Plate Production Supervisor: Amy Hollywood Wixson
SPI VFX Vendor Production Supervisor: Jacquie Barnbrook
SPI Digital Production Supervisor: Audrea Topps-Harjo
SPI Lead Technical Designer: Jim Berney
SPI HSC Production Supervisor: Dawn Guinta
SPI Effects Art Director: Marzette Bonar
SPI Miniature Photography Producer: John Radulovic
SPI VFX Unit DoP: David Stump ASC
SPI VFX Unit Add'l DoP: Les Bernstein
SPI SFX Coordinator: Eric Cook
SPI Thunderstone Model Shop Producer: Phil Notaro
ILM VFX Supervisor: Jim Mitchell
ILM VFX Producer: Mark S. Miller
ILM CG Artists: Joel Aron, Gregor Lakner, Robert Weaver
ILM Supervising Sabre Artist: Pablo Helman
ILM Digital Compositors: Tim Alexander, Jeff Doran
ILM Digital Timing Supervisor: Bruce Vecchitto
ILM Scanning Supervisor: Joshua Pines
ILM VFX Coordinator: Theresa R. Corrao
Weta VFX Supervisor: Gray Horsfield
Weta CG Supervisor: Matt Aitken
Weta 3D Effects Supervisor: Wayne Stables
Weta VFX Art Director: Christian Rivers
Weta Technical Director: Mark Tait
Weta Effects Coordinator: Alyson McRae
Weta VFX Production Assistant: Peter Jackson
Warner Digital Senior VFX Supervisor: Michael Fink
Warner Digital VFX Supervisor: Ariel Velasco Shaw
Warner Digital VFX Producer: Lauren Alexandra Ritchie
Warner Digital DFX Supervisor: Victor Jiminez
Warner Digital Senior CG Art Director: Karen De Jong
Warner Digital VFX Production Manager: Mimi Medel
Warner Digital VFX Production Coordinator: Iain Kennedy
Warner Digital VFX Unit Digital Camera Supervisor: Megan Bryant
Warner Digital VFX Unit Camera Operator: Glen Gustafson
Warner Digital Imaging Supervisor: Christopher Savides
CIS Executive VFX Producer: C. Marie Davis
CIS VFX Supervisor: Dr. Ken Jones
CIS Senior VFX Producer: Joe Matza
CIS Technical Supervisor: Bill Feightner
CIS Digital Compositing Supervisor: Jeff Heusser
CIS Digital System Coordinator: Bob Peishel
Filming Dates: 24 September 1996 - 28 February 1997
Capture Format: Anamorphic, Super 8mm, Panavision Super 70, VistaVision & Video
Cameras: Panaflex Platinum, System 65 Studio, VistaVision & Betacam (35mm/65mm Eastman EXR 100T 5248/200T 5293/Kodak Vision 320T 5277/500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C-Series Anamorphic Primes & System 65 Primes
AR: 2.39:1
Budget: 90 Million USD
Budget AFI (2021): 155 Million USD
Special Visual Effects Provided by: Industrial Light & Magic, Weta Digital + Sony Pictures Imageworks
Additional Digital Visual Effects Provided by: Warner Digital & CIS Hollywood
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsHarrison FordMichelle PfeifferKatharine TowneThe wife of a university research scientist believes that her lakeside Vermont home is haunted by a ghost - or that she is losing her mind.Screenwriter/Story Writer: Clark Gregg
Producer/2nd Unit Director: Steve Starkey
Executive Producers: Mark Johnson, Steven Spielberg, Walter F. Parkes, Joan Bradshaw
Cinematographer: Don Burgess ASC
Production Designers: Rick Carter, Jim Teegarden
Film Editor: Arthur Schmidt
Composer/Conductor: Alan Silvestri
Costume Designer: Susie DeSanto
Production VFX Supervisor: Robert Legato ASC
Associate Producer: Steven Boyd
Associate Producer/Unit Production Manager: Cherylanne Martin
1st Assistant Director: Josh McLaglen
Costume Designer for Harrison Ford: Bernie Pollack
Art Directors: Tony Fanning, Stefan Dechant, Elizabeth Lapp
Set Decorator: Karen O'Hara
1st Assistant Editor: Jeremiah O'Driscoll
Camera/Steadicam Operator: Robert Presley SOC
1st Assistant Camera: Tony Rivetti
Camera Loader: Ingrid Semler
Add'l Cinematographer: David Boyd ASC
Production SFX Supervisor: Thomas Brooklyn Bellissimo
Production SFX Coordinator: Charles Belardinelli
2nd Unit 1st Ass't Director: Darin Rivetti
2nd Unit 2nd Ass't Director: Basil Bryant Grillo
2nd Unit DoP: Robert Steadman ASC
2nd Unit 2nd Ass't A-Camera: Chad L. Rivetti
Underwater Unit Director: Max Kleven
Underwater Unit DoP: Mike Thomas ASC BSC
Re-Recording Mixer: Tom Johnson
Re-Recording Mixer/Score Mixer: Dennis S. Sands
Music Contractor: Sandy DeCrescent
Music Consultant: Joel Sill
Post-Production Executive: Martin Cohen
Stunt Coordinator: Tim A. Davison
Puppeteer: Greg Nicotero
Puppeteer/SWS Effects Supervisor: Shane Patrick Mahan
SPI Associate VFX Supervisor: Carey Grant Villegas
SPI Senior VFX Producer: Cari Thomas
SPI VFX Digital Producer: Crys Forsyth-Smith
SPI VFX Executive Producer: Debbie Denise
SPI DFX Supervisor: Richard Kidd
SPI Matte Painting Artist: Robert Stromberg
CFC Senior Effects Producer: Drew Jones
SWS Conceptual Art Director: Mark "Crash" McCreery
Filming Dates: 23 August 1999 - 19 January 2000 (Shot back-to-back w/ Cast Away)
Camera: Panaflex Platinum (35mm Kodak SFX 200T/Eastman EXR 200T 5293/Vision 500T 5279)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 100 Million USD
Budget AFI (2021): 160.6 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Special Visual Effects Provided by: Sony Pictures Imageworks
Additional Digital Effects Provided by: Computer Film Company
Madison Makeup Effects Designed & Created by: Stan Winston Studio
Attribute: Filmed in Panavision (as Cameras and Lenses) - DirectorRobert ZemeckisStarsTom HanksHelen HuntPaul SanchezA FedEx executive undergoes a physical and emotional transformation after crash landing on a deserted island.Screenwriter: William Broyles Jr
Producer/2nd Unit Director: Steve Starkey
Producer: Tom Hanks
Executive Producer: Joan Bradshaw
Cinematographer: Don Burgess ASC
Production Designer: Rick Carter
Film Editor: Arthur Schmidt
Composer/Conductor: Alan Silvestri
Costume Designer: Joanna Johnston
Production VFX Supervisor: Ken Ralston
Sound Designer/Re-Recording Mixer: Randy Thom
Associate Producer: Steven Boyd
Associate Producer/Unit Production Manager: Cherylanne Martin
1st Assistant Director: Josh McLaglen
Production Supervisor: Peter "Toby" Tobyansen
Art Directors: Jim Teegarden, Stefan Dechant, Elizabeth Lapp
Set Decorator: Karen O'Hara
Associate Film Editor: Jeremiah O'Driscoll
1st Assistant Editor: R. Orlando Duenas
2nd Assistant Editor: Stephen M. Rickert Jr
Apprentice Film Editor: John Peter Bernardo
Editorial Production Assistant: Peter Ciardelli
Video Operator/Add'l Cinematographer: Dan Moore
A-Camera/Steadicam Operator: Robert Presley SOC
B-Camera/Steadicam Operator: Greg Lundsgaard
1st Assistant A-Camera: Tony Rivetti
1st Assistant B-Camera: Zoran Veselic
2nd Assistant C-Camera: Matthew Moriarty
Add'l 2nd Ass't Camera: Chad Rivetti
Underwater Unit DoP: Mike Thomas ASC BSC
Gaffer: Steven C. McGee
Production SFX Supervisors: John Frazier, Kenneth D. Pepiot
SFX Set Coordinator: Steve Bunyea
2nd 2nd Ass't Director: Basti Van Der Woude
Stunt Coordinators: Bud Davis, Doug Coleman
2nd Unit DoPs: Josh Bleibtreu ASC, David Boyd ASC, Alun Bollinger, Don King
2nd Unit 1st Ass't A-Camera: Brad Peterman
Production Manager (Russian Crew): Sergei Burivich
Production Supervisors (Russian Crew): Martin Krauka, Lidia Lukes
Art Director (Russian Crew): Vladimir Murzin
Production Supervisor (Fiji Crew): Nicola Olsen
Location Assistant (Fiji Crew): Thomas Valentine
Art Director (Fiji Crew): Kim Sinclair
Re-Recording Mixer: Tom Johnson
Re-Recording Mixer/Score Recording Mixer: Dennis S. Sands
Score Coordinator: Dave Bifano
Music Contractor: Sandy DeCrescent
Music Consultant: Joel Sill
SPI Co-VFX Suoervisor: Carey Grant Villegas
SPI VFX Executive Producer: Debbie Denise
SPI VFX Producers: Crys Forsyth-Smith, Cari Thomas
SPI Whale Animator: David Schaub
SPI Creative Head of HSC: Sheena Duggal
VFX Consultant: Robert Legato ASC
Animatronic Effects Creators: Walt Conti, Alec Gillis, Tom Woodruff Jr
Filming Dates: 18 January 1999 - March 1999, 3 April 2000 - May 2000 (Shot back-to-back with What Lies Beneath)
Cameras: Panaflex XL, GII & Platinum (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 250D 5246/500T 5279/SFX 200T)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 90 Million USD
Budget AFI (2021): 144.5 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services by: Skywalker Sound
Visual Effects by: Sony Pictures Imageworks & Computer Film Company
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsTom HanksChris CoppolaMichael JeterOn Christmas Eve, a young boy embarks on a magical adventure to the North Pole on the Polar Express, while learning about friendship, bravery, and the spirit of Christmas.Screenwriter & Producer: Robert Zemeckis ACE
Screenwriter: William Broyles Jr
Executive Producer: Chris Van Allsburg
Producer & Second Unit Director: Steve Starkey
Producers: Gary Goetzman, William Teitler
Executive Producer: Tom Hanks
Dedicated to: Michael Jeter
Executive Producer: Jack Rapke
Senior Visual Effects Supervisors: Ken Ralston, Jerome Chen
Cinematographers: Robert Presley SOC, Donald Burgess ASC
Production Designers: Rick Carter, Doug Chiang
Film Editors: R. Orlando Duenas, Jerry O'Driscoll
Co-Producer: Steven Boyd
Composer (Original Songs & Music Score) & Conductor: Alan Silvestri
Composer (Original Songs): Glen Ballard
Costume Designer: Joanna Johnston
Casting: Victoria Burrows, Scot Boland
Performance Capture & Dance Choreographer: John Carrafa
Associate Producer, Visual Effects: Debbie Denise
Associate Producer: Peter Tobyansen
AP & UPM/First Assistant Director: Josh McLaglen
Second Assistant Director: Rick Kelly
Sound Designer / Re-Record Mixer: Randy Thom
Production Visual Effects Producer: Craig Sost
Production Digital Producer: Chris Juen
Production Animation Supervisor: David Schaub
DFX Supervisors: Rob Bredow, Mark Lambert, Alberto Menache, Sean Phillips
Production Character Designer: Vladimor Todorov
VFX Art Directors: Marty Kline, George Suhayda
ImageMotion Supervisor: Demian Gordon
ImageMotion Integration Supervisor: Al Hastings
Look Development Supervisor: Cliff Brett
Environment Modeling Supervisor: Kevin Hudson
Character Modeling Supervisor: Edward Taylor
Character Set-Up Supervisor: J.J. Blumenkranz
Animation Pipeline Supervisor: Bert Van Brande
Production Layout Supervisor: James Williams
Cloth & Hair Supervisor: Sho Igarashi
Effects Animation Supervisor: Daniel Kramer
Production Matte Painting Supervisor: Ivo Horvat
"Hero Boy" Voice Performer: Daryl Sabara
"Lonely Boy" Voice Performer: Jimmy Bennett
Stunt Coordinator, Additional Adult Performers: Allan Robinson
Stunts, Additional Adult Performers: Matthew Rugetti, Shane Habberstad
Additional Child Performer, "Hero Boy": Josh Hutcherson
Performance Capture Understudy, Mocap Models: Ross McCall
Production Video Supervisor: Ian Kelly
Digital Visual Concept Consultant: Simon Wells
Art Directors: Alicia Maccarone, Norm Newberry, Tony Fanning, James Hegedus
Production Set Decorator: Karen O'Hara
Illustrators: Stefan Dechant, Phillip Keller, James Clyne, Oliver Scholl
CG Designers: Pete Billington, Young Duk Cho, Matthew A. Ward, Zac Wollons
First Assistant Art Director: Andrew L. Jones
Second Assistant Art Director: John P. Goldsmith
Third Assistant Art Director: Jim Wallis
Fourth Assistant Art Director: Mike Stassi
Fifth Assistant Art Director: Scott Herbertson
Fourth Set Designer: Todd Cherniawsky
Model Makers: Jeff Frost, Dean Wolcott
Model Coordinators: Erin Collins, Diana Goodwin
Storyboard Coordinator: Maureen Beatty
Set Coordinator: Richie Kawamoto
Set Staff Assistant: Jessica Rapke
First AEs: Alex Olivares, Alison Learned Wolf
Prod. VFX Editors: Stephen M. Rickert Jr, James Andrykowski
Second Assistant Editor: Ryan Chan
Editorial Staff Assists: Christopher Browne, Dana Gong, Alexander Zemeckis
Imageworks DPMs: Katherine Concepcion, Mandy Tankenson, Julie Zackary
Imageworks Visual Effects Editor: Tim Eaton
Effects Animation Leads: Matt Hausman, Carl Hooper
Color & Lighting Leads: Theo Bialek, Clara Chan, Stephen Lunn, Baudouin Struye
Pre-Visualization Leads: Andrew Titcomb, Harald Kraut
Character Modeling Lead: Marvin Kim
Character Set-Up Lead: Arthur Gregory
Shader Leads: Danny Dimian, Kevin Hahn
Look Development Leads: Brian Steiner
Camera Consultant, Performance Capture (PC) Unit: Allen Daviau ASC
PC Unit A Camera Operator: Patrick B. O'Brien
PC Unit A Camera Assistant: Steven Cueva
PC Unit B Camera Assistant: Anthony Diamond
PC Unit Still Photographer: Francois Duhamel
PC Unit Script Supervisor: Luca Kouimelis
PC Unit Video Cam Reference: Rebekcah Martz
PC Unit Production Sound Mixer: William Kaplan CAS
PC Unit Boom Operator: Cary Weitz
PC Unit 2nd Boom Operator: Peggy A. Names
PC Unit Digital Playback: Thomas Giordano
PC Unit Key Video Operator: Matt Cohen
PC Unit Second Video Operator: Chris Waggoner
PC Unit Third Video Operator: Roger Johonson
PC Unit Database Assistant: Marc Lulkin
PC Unit Video Assistant: Jesse Kaplan
PC Unit Costume Supervisor: Pam Wise
PC Unit Costume Illustrator: Robin Richesson
PC Unit Costumer PA: Jessica Tate
PC Unit Supervising Prop Master: Robin L. Miller
PC Unit Assistant Prop Master: Gregory N. Rocco
PC Unit Specialty Props Master: William Acedo
PC Unit Make-Up Artist for Tom Hanks: Dan Striepeke
PC Unit Key Make-Up Artist: Deborah L. Denaver
PC Unit Hair Designer (Renate): Kathryn Blondell
PC Unit Key Hair Stylist, Renate: Audrey Anzures
PC Unit Assistant Hair Stylist (Renate): Roxane Griffin
PC Unit Chief Lighting Technic: Steven C. McGee
PC Unit Rigging Gaffer: Bradlee Thomas Emmons III
PC Unit Best Boy: Edward J. Cox
PC Unit Key Grip: Michael J. Coo
PC Unit Best Boy Grip: Craig Kohtala
PC Unit A & B Camera Grip: Mark Coo
PC Unit Key Rigging Grip: Larry Aube
PC Unit Best Boy Rigging Grip: Tony Willard
PC Unit Special Effects Coord.: Michael Lantieri
PC Unit Special Effects Foreman: Thomas Pahk
PC Unit Special Effects Technicians: Joel Mitchell, Ralph Peterson
PC Unit Production Coordinator: Gabriela Rios
PC Unit Assist Production Coordinator: Joe Park
PC Unit Production Secretary: Michael B. Louis
PC Unit Unit Publicist: Jane E. Russell
PC Unit First Asst Accountant: Susanne LaRiviere
Re-Recording Mixer: Tom Johnson
Re-Recording / Music Score Mixer: Dennis Sands
Supervising Sound Editor: Dennis Leonard
Overall Dialogue Supervisor: Marilyn McCoppen
Production Dialogue Editor: Jonathan Null
Assistant Sound Designer: Will E. Files
Asst Supervising Sound Editor: Stuart McCowan
Assistant ADR Editor: Jessica Bellfort Rankin
Assistant Sound Effects Editor: Coya Elliott
Assistant Dialogue Editor; Karen Brocco
Production ADR Mixer: Charleen Richards
Production ADR Recordist: David Lucarelli
Production Foley Mixer: Frank Rinella
Production Foley Recordist: George Peterson Jr
Supervising Music Editor: Ken Karman
Assistant Music Editor: Jacqueline Tiger
Music Score Programmer: David Bifano
Music Contractor: Sandy DeCrescent
Vocal Contractor: Bobbi Page
Score Orchestrators: Conrad Pope, William Ross
Overall Color Timers: Terry Haggar, Terry Claborn
Imageworks Pipeline & IMAX 3D DFX Supervisor: Rob Engle
Additional Character Designer: David Colman
APMs: Al Mason, David Orecklin, Judy Thomason
Resource Manager: Garrick McLaughlin
ImageMotion Shoot Producer: Jody Echegaray
ImageMotion PM: Nancy Ong
ImageMotion Coordinator: Heather McCann
ImageMotion Assistant Shoot Supervisor: Dennis (DJ) Hauck
ImageMotion Systems Operator: Bill Beemer
Digital Intermediate Colorist: Paul McGhee
Digital Intermediate Supervisor: C. Marie Davis
Digital Intermediate Coordinator: Kathy Woolery
R&R Photog Supervisors: Chris Hebert, Leah Hardstaark
Pipeline Producer: Brian Keeney
Film Recording Supervisor: Dennis Webb
Look Development Producer: Michelle Murdocca
Look Development Digital Producer: Dan Kuehn
Look Development DPM: Bradford Simonsen
Look Development APM: Pia Turchyn
SPI Senior Supervision: Jenny Fulle, Tim Sarnoff
SPI Senior VFX Supervisor: Jerome Desvignes
Puppet Consultant: John Styles
Technicolor® Colorist: Jan Yarbrough
3D Camera Lead: Kenji Sweeney
IMAX 3D Visual Effects Producer: John Clinton
IMAX 3D Digital Production Manager: Skye Lyons
IMAX 3D Compositing Lead: J.D. Cowles
IMAX 3D Sr. Technical Directors: Vijoy Gaddipati, Alan Davidson, Leslie Baker
IMAX 3D Technical Directors: Ka Yaw Tan, Jason Schugardt, Stephen J. Parker, Ray Haleblian
IMAX 3D Color & Lighting TD: George Richman
SPI IMAX 3D Visual FX Supervisor: Jim Berney
SPI IMAX 3D Digital Coord.: Jeremie Winslow
SPI IMAX 3D TDs: Terrance Tornberg, Richard Sandoval, Andrew Nawrot, Maria Giannakouros
SPI IMAX 3D Lead Prod. Services Technician: Jeff Sakurai
Filming Dates: 21 March 2003 - May 2004
Negative Format: Digital Animation
AR: 1.78:1 (TV Version: Cropped), 2.00:1 (IMAX Version: Cropped), 2.39:1 (IMAX Digital 3D)
Printed on: Kodak Vision 2383
Budget: 165 Million USD
Budget AFI (2021): 241.59 Million USD
Printed on: Kodak Vision 2383 & Fujifilm
Imagery & Animation by: Sony Pictures Imageworks
Prosthetics & Wigs Supplied by: WM Creations & Renate
Post-Production Sound Services by: Skywalker Sound
Color Provided by: Technicolor® - DirectorRobert ZemeckisStarsRay WinstoneCrispin GloverAngelina JolieThe warrior Beowulf must fight and defeat the monster Grendel, who is terrorizing Denmark, then Grendel's Mother, who begins killing out of revenge.Producer: Robert Zemeckis ACE
Screenwriters/EPs: Neil Gaiman, Roger Avery
Producer/Second Unit Director: Steve Starkey
Producer: Jack Rapke
Executive Producer: MARTIN SHAFER
Senior Visual Effects Supervisor: Jerome Chen
Cinematographer: Robert Presley SOC
Production Designer: Doug Chiang
Film Editor: Jeremiah O'Driscoll
Co-Producer: Steven Boyd
Composer & Conductor/Orchestrator, Music Score & Original Songs: Alan Silvestri
Composer, Original Songs: Glen Ballard
Costume Designer: Gabriella Pescucci
Overall Visual Effects Supervisor: Alex Bicknell
Casting: RONNA KRESS CSA, NINA GOLD CDG
APs: JACQUELINE LOPEZ, PETER TOBYANSEN
AP/Unit Production Manager/Key First AD: Josh McLaglen
Second Assistant Director: Maria Battle Campbell
Sound Designer/Re-Record Mixer: Randy Thom
SPI Executive Effects Producer: DEBBIE DENISE
Visual Effects Design Consultant: Ken Ralston
SPI Digital Effects Supervisor: SEAN PHILLIPS
SPI Sr. Animation Supervisor: Kenn MacDonald
SPI Digital Producer: SKYE LYONS
SPI CG Supervisors: THEO BIALEK, MAX BRUCE, PATRICK COHEN, BRIAN STEINER, JEFF STERN
SPI Visual Effects Art Director: MARTIN KLINE
SPI ImageMotion Supervisor: DEMIAN GORDON
SPI ImageMotion Integration Supervisor: COREY TURNER
SPI Layout Supervisor: BRIAN DOMAN
SPI Look Development Supervisor: FRANCIS LIU
SPI Texture Supervisor: DENNIS BREDOW
SPI Character Modeling Supervisor: EDWARD J. TAYLOR IV
SPI Environment/Props Modeling Supervisor: MARK KRENTZ
SPI Character Setup Supervisor: RICK GRANDY
SPI Cloth & Hair Supervisor: SHO IGARASHI
SPI Effects Animation Supervisor: THEODORE VANDERNOOT
Overall Stunt Coordinator: GARRETT WARREN
Second Unit Stunt Coordinator: J.E. JOHNSON
Fight Choreographer: Dominiquie Vanderberg
Stunts: BRYCEN COUNTS, J.J. DASHNAW, MARK GINTHER, JORDAN PERRY
Second Unit Director: Steven Spielberg ACE
Production Video Supervisor: IAN KELLY
Supervising Art Director: NORM NEWBERRY
Production Art Director: GREG PAPALIA
Production Set Decorator: KAREN O’HARA
Art Department Producer: Erin Collins Butler
Character Artists: COLIN FIX, DERMOT POWER
Grendel’s Mother Designer: JOHN BOLTON
Concept Sculptors: Robert Barnes, Tony McVey,
Peter Konig
Illustrators: PHILLIP KELLER • DAN SWEETMAN, SIMEON WILKINS
Assistant ADs: JACKSON BISHOP, ANDREW L. JONES, JIM WALLIS, TODD CHERNIAWSKY, MIKE STASSI
Set Designer: SCOTT HERBERTSON
Mold Maker: CHARLES SPAETH
Model Makers: John Duncan, Jason Mahakian, Tony Bohoroquez
Production CG Supervisor: PETE BILLINGTON
CG Artists: Young Duk Cho • Matt Dougan, Zac Wollons
Pre‐Visualization Artists: RYAN HEUETT, SATHYAN PANNEERSELVAM, JUSTIN METTAN
Research Archivist: GREG BOSSERT
Researchers: DAVID CRAIG • JASON C. BROWN
Art Coordinator: J. VIRDONE
Art Assistant: ROEL BANZON ROBLES
Assistant Set Decorator: ANDREA FENTON
Set Dec Buyer: KRISTEN GASSNER
Set Dec Leadperson: RICHARD BRUNTON
Set Decoration Coordinator: DARLENE SALINAS
On‐Set Dresser: BRENNER HUGH HARRIS
Set Dresser: DAVID “MILLIE” MILSTIEN
Art Department Support: ICE BLINK STUDIOS
Visual Effects Editor: CARIN‐ANNE STROHMAIER
First Assistant Editors: Ryan Chan, Todd Busch
Visual Effects First AD: ALISON LEARNED WOLF
Second Assistant Editor: MICHAEL STRUK
Third Assistant Editor: ROLF FLEISCHMANN
Fourth Assistant Editor: PETER LONSDALE
Post Coordinators: Chris Browne, Will Sherrod
Staff Assistants: DEMETRIOS “JIMMY” SKODRAS, RACHELLE HENDERSON
Accountant: SUSANNE LaRIVIERE
Layout Artists: Matthew Ward, Trevor Tuttle, Eric Carney, Chris Edwards
Associate Digital Producer, IMAGEWORKS CREW: JULIE ZACKARY
Bidding Producer, Imageworks Crew: Jan Hirota
DPMs, Imageworks Crew: Bradford S. Simonsen,
Nancy Ong
Visual Effects Editor, Imageworks Crew: Tim Eaton
Associate Visual Effects Editor, Imageworks Crew: PATRICK BALLIN
Rough Layout Lead, Imageworks Crew: John Meehan
ImageMotion Tech Developer, Imageworks Crew: PARAG HAVALDAR
ImageMotion Tech Leads, Imageworks Crew: Dennis James Hauck Jr, Ronald Fischer, Darin Andrew Velarde
ImageMotion Integration Facial Lead, Imageworks Crew: JOSH OCHOA
ImageMotion Integration BG Lead, Imageworks Crew: MIKE TRULL
ImageMotion Integration Pipeline TD, Imageworks Crew: Eric Lalumiere, Yiotis Katsambas
Supervising Animation Lead, Imageworks Crew: Keith Kellogg
Animation Leads, Imageworks Crew: Stephane Couture, Stephen Enticott, Alice V. Kaiserian, Les Major, Jeff Schu
Animation Support Lead, Imageworks Crew: NATHAN ERIKSEN
Final Layout Lead, Imageworks Crew: HAJIME OGATA
Final Layout Artists, Imageworks Crew: LISA SUZUKI, CHRISTOPHER POPLIN
Cloth & Hair Leads, Imageworks Crew: Mark E.A. DeSousa, Christopher Alex Logan, Chris Yee, David Kersey
Matte Painting Lead, Imageworks Crew: STEVE MATSON
Look Development Leads, Imageworks Crew: Owen Demers, The‐Hung Quach, Joe Strasser
Shader Lead, Imageworks Crew: Kevin Andrew Smith
Performance Capture Unit A Camera Operator: Patrick B. O'Brien
PC Unit B Camera Operator: Marc Lulkin
PC Unit A First Assistant Camera: STEVE CUEVA
PC Unit B First AC: William Kirby Washington
PC Unit C First Assistant Camera: David Howard
PC Unit Script Supervisor: LUCA KOUIMELIS
PC Unit Mocap Script Coordinator: Erica Headley
PC Unit Mocap Notes Coord: Stephen Suettinger
PC Unit Production Sound Mixer: Will Kaplan CAS
PC Unit Boom Operators: Peggy Names, Robert Jackson, Matthew McFadden
PC Unit Production Pro Tools Op: Mark Agostino
PC Unit Video Engineer: ROGER JOHNSON
PC Unit Video Floor Supervisor: Chris Wagganer
PC Unit Video Ops: Sam Harrison, Mauriece Jacks Jr.
PC Unit Video Assistant: JESSE KAPLAN
PC Unit Database Assistant: JOHN MEYERS
PC Unit First Assistant Costume Designer: Massimo Cantini Parrini
PC Unit Second Assistant Costume Designer: Flora Brancatella
PC Unit Costume Coordinator: DARIA MONTAGNI
PC Unit Cineroma Producer: DAVID NICHOLS
PC Unit Cineroma Prod Mgr: Francesco Marras
PC Unit Cineroma Accountant: Mastroviti Loredana
PC Unit Mocap Costume Supervisor: ANTONIO ALMARAZ
PC Unit Key Costumer: GREGORY B. PENA
PC Unit Set Costumer: KATHY RUSSO
PC Unit Mocap Suit Seamstress: Patricia Padilla
PC Unit Prop Master: MICHAEL GASTALDO
PC Unit Assistant Prop Masters: GREG BENGE, MICHAEL DIMPERIO
PC Unit Department Head, Make‐Up: JOHN E. JACKSON
PC Unit Key Make‐Up Artist: TEGAN TAYLOR
PC Unit Hair Designer: SUSAN GERMAINE
PC Unit Department Head Hair: ROZANE GRIFFIN
PC Unit Key Wig Stylist: CHARLOTTE PARKER
PC Unit Hair Stylists: Dena Fayne, Laurel E. Kelly
PC Unit Head Cast Supervisor: Matthew Mungle
PC Unit Chief Lighting Technician: Steve McGee
PC Unit Set LTs: Brad Emmons, Sean Emmons
PC Unit First Company Grip: JAMES GAUDENTI
PC Unit Second Company Grip: Tom Valentin
PC Unit Grip: MICHAEL MANCILLA
PC Unit Special Effects Coordinator: Mike Lantieri
PC Unit Special Effects Technicians: Roland Loew, Dan Ossello, Gregory Tippie
PC Unit Special Effects Assistant: JAY B. KING
PC Unit Production Coordinator: GABRIELA RIOS
PC Unit Assistant Prod Coord: CHRISTIE KWAN
PC Unit Assistant PC ‐ Scanning: Sarah Spearing
PC Unit Assistant PC ‐ Travel: KYOKO KAGEYAMA
PC Unit Production Secretary: PAUL SMITH
PC Unit Stunt Secretary: LYNE MILINAC
PC Unit Key Office Production Assistant: BRIAN BURKE
PC Unit Cast Associates: Bea S. Rembeczky, Janey Bergam
Unit Publicist, PC Unit: JANE E. RUSSELL
PC Unit Dialect Coach: ROISIN CARTY
PC Unit Old English Consultant: KARL HAGEN
PC Unit First Assist Accountant: RICKY CUEVAS
PC Unit Second Asst Accountant: Canice LeClaire
PC Unit Payroll Accountant: Marianne Shiffrar
PC Unit Accounting Clerk: Rod McClain
PC Unit Extras Casting Director: Kristan Berona
PC Unit Casting Associate: COURTNEY SHEININ
PC Unit Key Set Production Assist: Sara Docksey
PC Unit Set PAs: Tom Longo, Anne‐Marie Wilson,
Shawn Wallace
PC Unit Stage Production Assist: GINA DIPIETRO
PC Unit Studio Teacher: RHODA C. FINE
PC Unit Production Attorney: JULIE M. PHILIPS
PC Unit Transport Coordinator: Randy Cantor
PC Unit Transportation Captain: GRAHAM READY
Supervising Sound Editor: DENNIS LEONARD
Sound Re-Recording Mixer: TOM JOHNSON
Sound Re-Recording / Music Recordist & Mixer: Dennis S. Sands
Additional Re-Recording Mixing: GARY A. RIZZO, COLETTE DAHANNE
Dialogue/ADR Supervising Editor: Jonathan Null
Skywalker Sound ADR Editor: DANIEL LAURIE
Sound Effects Editors: DOUGLAS MURRAY, AL NELSON, ROBERT SHOUP
Skywalker Sound Foley Editor: SUZANNE FOX
Assistant Supervising Sound Editor: MAC SMITH
Assistant Sound Designer: DUSTIN CAWOOD
Assistant Dialogue/ADR Editor: KIM FOSCATO
Assistant Sound Effects Editor: ANDREA STELTER GARD
Sound Effects Recordist: Jessica Lemes Da Silva
Foley Artists: JANA VANCE, DENNIE THORPE, ELLEN HEUER
Skywalker Sound Foley Mixer: FRANK RINELLA
Skywalker Sound Foley Recordist: Sean England
Skywalker Sound Mix Technician: JUAN PERALTA
Skywalker Sound ADR Mixer: Charleen Richards
Skywalker Sound ADR Recordist: David Lucarelli
Skywalker Sound ADR Engineer: DEREK CASARI
Supervising Music Editor: KENNETH KARMAN
Production Music Editor: RYAN RUBIN
Music Score Coordinator: DAVID BIFANO
Music Contractors: SANDY DECRESCENT, PETER ROTTER
Score Orchestrator: John Ashton Thomas
Head of Music Preparation: MARK GRAHAM
Song Engineers: SCOTT CAMPBELL, BILL MALINA
Song Contractor: JOLIE LEVINE
Song Coordinators: STEPHANIE KUBIAK, ANGELA VICARI
TDI Digital Film Colorist: Trent Johnson
TDI Digital Intermediate Producer: Bruce Lomet
TDI Digital Intermediate Editor: EVERETTE JBOB WEBBER
TDI Digital Intermediate Assist. Editor: Jennifer Lee
Pipeline Lead, Add'l Imageworks Crew: DAVID J. BLUMENFELD
Character Modeling Lead, Additional Imageworks Crew: YUN GEUK KANG
Facial Rigging Lead, Add'l Imageworks Crew: MICHAEL LAUBACH
Body Rigging Lead, Add'l Imageworks Crew: AARON CAMPBELL
FACS Supervisor, Add'l Imageworks Crew: REMINGTON SCOTT
ImageMotion Stage PM, Add'l Imageworks Crew: SEAN STANEK
ImageMotion Script Supervisor, Additional Imageworks Crew: Heather McCann
ImageMotion Script Coordinator, Additional Imageworks Crew: ERICA HEADLEY
Accountant, Add'l Imageworks Crew: NANCY SANDBERG
Assistant Accountant, Add'l Imageworks Crew: HEATHER J. GOGUEN
PAs, Add'l Imageworks Crew: BRITT COLEMAN, KELLY EISERT, JEFFFREY ENGEL, CLAVER KNOVICK, MICHAEL OʹDONNELL
Lead Production Services Technician, Additional Imageworks Crew: CRAIG FEIFAREK
Night Supervisor, Additional Imageworks Crew: JEFFREY BENJAMIN
Resource Admin, Additional Imageworks Crew: TAIGNE HAMMOCK
Development Specialists, Additional Imageworks Crew: JENNIFER CRANFILL, NICHOLAS PETRELLA
Manager, Systems Engineering - Additional Imageworks Crew: ALBERTO VELEZ
Software/Research & Development Supervisor, Additional Imageworks Crew: BILL VILLARREAL
Systems Engineers, Add'l Imageworks Crew: DAVID MIYA, OLIN KIMBERLY, MIKE TRUJILLO
Manager, Systems Research & Development - Additional Imageworks Crew: DEAN MIYA
Producer - Pipeline & Software, Add. Imageworks Crew: BRIAN KEENEY
Software Supervisor, Additional Imageworks Crew: LESLIE PICARDO
Technical Production Managers, Add. Imageworks Crew: MITCH DOBROWNER, ERIK STRAUSS
Pipeline Supervisor | Add'l Imageworks Crew: John McLaughlin, Sam Richards
Lighting Pipeline Supervisor, Add'l Imageworks Crew: STEVE LAVIETES
Software Leads, Additional Imageworks Crew: BRIAN HALL, TAD GIELOW
Research and Reference Photography, Additional Imageworks Crew: LEAH HARDSTARK, CHRIS HEBERT
Editorial Coordinators, Additional Imageworks Crew: NIKKI BELL, RIGOBERTO RANGEL
Video Editors, Additional Imageworks Crew: RAY WONG, SEAN CALLAN
Editorial Production Manager, Add'l Imageworks Crew: DAWN GUINTA
Editorial Technical Production Manager, Additional Imageworks Crew: BRIAN HAMBLIN
Sr. Film Recording Technicians, Add'l Imageworks Crew: DAVID LENSCH, ROBERT DAVIS OH
Lead Film Recording Technic, Add'l Imageworks Crew: DERRICK QUARLES
Film I/O Supervisor, Add'l Imageworks Crew: DENNIS WEBB
Imageworks 3D Senior Visual Effects Producer: BUZZ HAYS
Imageworks 3D Stereographer/3D Digital Effects Supervisor: ROB ENGLE
Imageworks 3D Digital Production Manager: MICKEY LEVY
Imageworks 3D CG Supervisors: GRANT MADDEN ANDERSON, LAYNE FRIEDMAN
Imageworks 3D Pipeline Supervisor: ALAN DAVIDSON
Imageworks 3D Associate Production Manager: KEVIN FIELD
Imageworks 3D Digital Coordinator: SCOTT OʹNEIL
Imageworks 3D Production Assistant: WILL HUANG
Imageworks 3D Accountant: BARBARA DILLON
Imageworks 3D Pipeline R&D: HIRO MIYOSHI, PETER PALOMBI, MYLENE PEPE
Imageworks 3D Previsualization Lead: JOANIE KARNOWSKI
Imageworks 3D Previsualization Artist: ED HARMON
Imageworks 3D FX Animation: CARLOS DONIS LEMUS, STEVEN S. SHAPIRO
Imageworks 3D Color & Lighting Lead: NOAH KLABUNDE, JEREMY SQUIRES
Imageworks 3D Production Services Technicians:
JOE VIOLA, JOHN WELBORN, ASHOK NAYAR, COLIN MANN
Imageworks 3D Resource Specialist: ZACHARY CONNOLLY
Imageworks 3D Digital Resource Technician: PATRICK CLARK
Imageworks 3D Production Services Specialist: JUAN CARLOS MORENO ROGEL
Imageworks 3D Senior President: Tim Sarnoff
Imageworks Senior Staff Members: Jenny Fulle, Barry Weiss
Imageworks 3D SVP, Operations & Planning: Tom Hershey
Imageworks 3D SVP, Creative Resources & Digital Production: Stan Szymanski
Imageworks 3D SVP - CTO: George H. Joblove
Performer, "A Hero Comes Home": Idina Menzel
AR: 2.39:1 (Digital 3-D)
Budget: 150 Million USD
Budget AFI (2021): 201 Million USD
Printed on: Kodak Vision 2383
Imagery & Animation Provided by: Sony Pictures Imageworks
Post Production Sound Services by: Skywalker Sound
Opticals by: PACIFIC TITLE and ART STUDIO
Digital Intermediate by: Technicolor Digital Intermediates
Stereoscopic Imagery by: Imageworks 3D
Soundtrack Album Available on: WARNER BROS. RECORDS
Filmed at: THE CULVER STUDIOS - DirectorRobert ZemeckisStarsJim CarreyGary OldmanColin FirthAn animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.Writer & Producer: Robert Zemeckis ACE
Executive Producer: Jim Carrey
Casting Director: Nina Gold CDG
Additional Casting: Victoria Burrows, Scot Boland
Assoc. Producer, Visual Effects: Heather Kelton
Prod. Visual Effects Supervisor: George Murphy
Production Animation Supervisor: Jenn Emberly
Composer, Conductor, Orchestrator & Score Producer/Songwriter/Producer: Alan Silvestri
Performer, "God Bless Us Everyone": Andrea Bocelli
Songwriter & Producer: Glen Ballard
Co-Producer: Steven Boyd
Film Editor: Jeremiah O'Driscoll
Production Designer: Doug Chiang
Cinematographer: Robert Presley SOC
Producer & Second Unit Director: Steve Starkey
Producer: Jack Rapke
Unit Production Manager: Peter Toby Tobyansen
First Assistant Director: David J. Venghaus Jr
Second Assistant Director: Jeffrey Schwartz
DFX Supervisors: Kevin Baillie, Rodney Iwashina, Joel Friesch, Ryan Tudhope
Assoc. Animation Supervisors: Huck Wirtz, David Shirk, Keith Kellogg
Digital Producers: Sandra Scott, Amy Beresford
Overall Motion Capture Supervisor: Gary Roberts
CG Builds Supervisor: Pete Billington
CG Supervisors: Michael Miller, Ryan Michero, Damon Wolfe, Rudy Grossman
Production DLO Supervisor: Matthew A. Ward
Character Rigging Supervisor: Tim Coleman
Character FX Supervisor: Michael Corcoran
Surfacing Supervisor: Robert Marinic
FX Animation Supervisor: Doug Creel
Lighting Supervisor: Brian Kulig
Compositing Supervisor: Jonathan Egstad
Sound Designer / Re-Record Mixer: Randy Thom
Supervising Stunt Coordinator: Garrett Warren
Assistant Stunt Coordinator: Bela Kasi
Stunt Rigger: David Schultz
Stunt Double, Jim Carrey: Pat Banta
Stunt Double, Gary Oldman: Theo Kypri
Stunts: Bradley James Allan, Mark Ginther, Irlam Choi
Dance & Performance Cap Choreographer: Lisa Shriver
Production Video Supervisor: Ian Kelly
Production Controller: Susanne B. LaRiviere
Associate Producer: Linda Fields Hill
Production VFX Editor: Carin-Anne Strohmaier
First Assistant Editor: Ryan Chan
Second Assistant Editor: Rolf Fleischmann
Third Assistant Editor: Sam Restivo
First Assistant VFX Editor: Jessica Rubin
Editorial Note-Taker: Claver Knovick
DLO/Wheels APM: S. Regina Carney
Post Production Coordinator: Will Sherrod
Post Production Assistant: Matt Brewbaker
Supervising Art Director Norman Newberry
Art Directors: Brian Flora, Kurt Kaufman, Mike Stassi
Production Set Decorator: Karen O'Hara
Art Dept. Prod. Manager: Erin Collins Butler
Art Dept. APM: Jennifer Hsyu
Production Storyboard Artist: Philip Keller
Graphic Designer: Kathryn Otoshi
Asst. ADs: Scott Herbertson, Andrew Reeder, Richard F. Mays
Digital Set Designer: David Chow
Jr Digital Set Designs: Chris Biddle, Dave Moreau
Concept Sculptors: Robert Barnes, Tony McVey
Assistant Set Decorator: Andrea Fenton
Art Dept. Coordinator: Andrea Carter
Set Decoration Coordinator: Tova Weinberg
Production Researcher: David Craig
Research Archivist: Dan Riha
Matte Dept. Supervisor: Chris Stoski
PMs: Kristen D. Chidel, Yvette Memory
Motion Capture Leads: Ben Guthrie, John Root
Model Leads: Ann Sidenblad, Steve Rheinfrank
Rigging Leads: Anton Dawson, Nathan Frigard, Geordie Martinez
Scene Layout Leads: Pete Daulton, Hajime Ogata
Animation Leads: Jamee Houk, Traci Horie, Stephane Couture
Character FX & Simulation Leads: Kevin Kalm, Elliot Rosenstein, Andrea Maiolo
Crowds Lead: Craig Halperin
Additional Supervisors: Brian Freisinger, Darin Hollings, Dale Brodt, Doeri Welch Grenier
Production Stereo Supervisor: Anthony Shafer
Stereo Leads: Greg Maloney, Jennifer MacKenzie
Overall Stereo TDs: Cruz De Wilde, Lucille Liu
Additional Production Manager: Mei-Ming Casino
Head of Technical Development: Doug Epps
Technical Production Manager: Brian K. Brecht
Additional Technical Dev. Mgr.: Euan Macdonald
Digital Resource Supervisor: Joe C. D'Amato
Head of Systems & IT: Tom Lafferty
Principal Systems Architect: Robert Jordan
Storage Architect: David Tsao
Head of HR & Recruiting: Sharon Coker
Head of Artistic Development: Linda Seigel
Head of Finance: Matthew Urban
Head of Operations: Patty Bonfilio
Senior General Manager / EVP of Production: Christian Kubsch
Senior Head of Production: Alan Keith
Head of Creative Affairs: Jackie Levine
Performance Capture (PC) Unit "A" Operators: Patrick O'Brien, Trey Clinesmith, Brian Garbellini
PC Unit "B" Operators: Matt Moriarty SOC, Tony Olivieri, Nick Paige
PC Unit C Camera Operators: Gerald Saldo, Chris Schenck, John Scott
PC Unit Still Photogs: John Bramley, Joe Lederer
PC Unit Script Supervisor: Luca Kouimelis
PC Unit Digital Registrar: Chris Browne
PC Unit Data Input: Trent Jones, James Lu
PC Unit Production Sound Mixer: Will Kaplan CAS
PC Unit HMC Supervisor: Jim Kundig
PC Unit Video Operator: Roger Johnson
PC Unit Reference Camera Operator: Chris Wagganer
PC Unit Video Assist: Sam R. Harrison
PC Unit Mocap Costume Suit Supervisor: Antonio Almaraz
PC Unit Key Costumer: Joe McCloskey
PC Unit Leading Prop Master: Michael Gastaldo
PC Unit Assistant Prop Master: Blanche Sindelar
PC Unit Mocap Prop Shop Supervisor: Jack B. Cornelius
PC Unit Digital Asset Manager: Jason Brown
PC Unit Department Head, Make-Up: Tegan Taylor
PC Unit Make-Up Design: Edouard Henriques
PC Unit Make-Up Stylist, Mr. Carrey: Bill Corso
PC Unit Hair Designer: Susan Germaine
PC Unit Key Grip: Dennis Hoerter
PC Unit Best Boy: James Monroe Tharp Jr
PC Unit Special FX Supervisor: Michael Lantieri
PC Unit Special FX Coordinator: Donald R. Elliott
PC Unit SFX Technicians: Bob Calvert, Robert M. Cole
PC Unit Mocap Associate Producer: Katherine C. Concepcion
PC Unit Mocap Prod. Manager: Robert Keyghobad
PC Unit Mocap Associate PM: Nelson Lee
PC Unit Production Coordinator: Gabriela Rios
PC Unit Key APOC: Paula Stier
PC Unit APOC - Travel: Kyoko Kageyama
PC Unit APOC - Scanning: Donna Lee Austen
PC Unit Production Secretary: Jason Rizzo
PC Unit Casting Assistant: Rose Wicksteed
Unit Publicist, PC Unit: Paulette Dauber
PC Unit 1st Assistant Accountant: Denise Rosen
PC Unit Post Accountant: Jeffrey Neumeier
PC Unit Payroll Accountant: Angela Randazzo
PC Unit 2nd 2nd AD: Gregory J. Pawlik Jr
PC Unit Assistant Choreographer: Michelle Weber
PC Unit Transportation Consultant: Joel Marrow
PC Unit Transportation Captain: Graham Ready
PC Unit Transport. Co-Captain: Wayne Roberts
Supervising Sound Editor: Dennis Leonard
Re-Recording Mixer: Tom Johnson
Re-Recording & Music Score Mixer / Recordist: Dennis Sands
Additional Re-Recording Mixer: Colette Dahanne
Supervising Dialogue/ADR Editor: Jonathan Null
Production ADR Editor: Brian Chumney
Supervising Foley Editor: Suzanne Fox
Production Foley Editor: E. Larry Oatfield
Assistant Sound Designer: Leff Lefferts
Assistant Sound Effects Editor: Josh Gold
Production Foley Mixer: Frank Rinella
Production Foley Recordist: Sean England
Skywalker Sound Mix Technician: Zach Martin
Skywalker Sound Clint Smith
Skywalker Sound Mixer: Charleen Richards
Production ADR Recordist: David Lucarelli
Supervising Music Editor: Kenneth Karman
Assistant Music Editor: Jeannie Lee Marks
Score Coordinator: Dave Bifano
Music Contractors: Sandra DeCrescent, Peter Rotter
Choir Recordist: Peter Cobbin
Choir Contractor, LA: Bobbi Page
Choir Contractor, London: Terry Edwards
Score Orchestrators: Conrad Pope, William Ross, John Ashton Thomas
Digital Recordist, Original Score: Adam Olmsted
Head of Music Preparation: Mark Graham
Performer, "Adeste Fideles": Jordan Santamaria
Fiddle Performer: Rene Mandel
T®DI DI Colorists: Trent Johnson, Jason Fabbro
T®DI Color Timers: Jim Passon, Mathieu Reid
T®DI DI Producer: Bruce Paul Lomet
T®DI DI Editor: Everette "J-Bob" Webber
PCA Head of 3D Services: Duncan Lees
AR: 1.78:1 (TV Version), 2.39:1 (Disney Digital 3D)
Budget: 175-200 Million USD
Budget AFI (2021): 226.7-259.1 Million USD
Printed on: Kodak Vision 2383 Motion Picture Film
Post-Production Sound Services by: Skywalker Sound
Choir Recorded at: Abbey Road Studios, London
Digital Intermediate & International Prints by: Technicolor® Digital Intermediates
3D Services by: Plowman Craven & Associates
Distributed by: Walt Disney Studios Motion Pictures - DirectorRobert ZemeckisStarsDenzel WashingtonNadine VelazquezDon CheadleTroubling questions arise after airline pilot Whip Whitaker makes a miracle landing after a mid-air catastrophe.Writer: John Gatins
Cinematographer: Don Burgess ASC
Production Designer: Nelson Coates
2nd Unit Director: Steve Starkey
Aerial DP: Hans Bjerno ASC
A-Camera/Steadicam Operator: Robert Presley SOC
B-Camera Operator: Michael Burgess
VFX Supervisor: Kevin Baillie
Composer: Alan Silvestri
Score Mixer: Dennis S. Sands
Film Editor: Jeremiah O'Driscoll
Additional Film Editors: Arthur Schmidt, Evan Finn
DI Colorist: Corinne Bogdanowicz
Costume Designer: Louise Frogley
Unit Production Manager: Cherylanne Martin
Camera: Red Epic (5K)
Lenses: Zeiss Master Prime
AR: 2.39:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorRobert ZemeckisStarsJoseph Gordon-LevittCharlotte Le BonBen KingsleyIn 1974, high-wire artist Philippe Petit recruits a team of people to help him realize his dream: to walk the immense void between the World Trade Center towers.Producer & Co-Writer: Robert Zemeckis ACE
High-Wire Coach & Consultant: Philippe Petit
Producer & 2nd Unit Director: Steve Starkey
Executive Producer & UPM: Cherylanne Martin
Cinematographer: Dariusz Wolski ASC
Production Designer: Naomi Shohan
Film Editor: Jeremiah O'Driscoll
Production VFX Supervisor: Kevin Baillie
Costume Designer: Suttirat Anne Larlarb
Composer: Alan Silvestri
Stunt Coordinator: Marc Desourdy
1st Assistant Director: Darin Rivetti
Production VFX & 3D Producer: Camille Cellucci
Sound Designer/Re-Recording Mixer: Randy Thom
Supervising Art Director: Felix Lariviere-Charron
Senior Set Decorator: Ann Victoria Smart
A-Camera/Steadicam Operator: Francois Archambault
B-Camera Operator: Hugues Tremblay
Aerial Unit DoP: Brian Heller
VFX Unit DoP: Alfonso Maiorana
Production SFX Supervisor: Ryal Cosgrove
French Language Consultant: Laurent Morlet
Picture Car Coordinator: Michel Perreault
Associate Film Editor: Ryan Chan
Re-Recording Mixer/Score Mixer/Recordist: Dennis S. Sands
Score Coordinator: Dave Bifano
Orchestrator: Mark Graham
DI Colorist: Corrine Bogdanowicz
Senior DI Producer: Des Carey
DI Producer: Paul Geffre, Emily Eddey
VFX & 3D Production Manager: Jean Huang
Production VFX Coordinator: Francesca Mancini
Ass't VFX Coordinator: Becca Greeley
Atomic Fiction Associate VFX Supervisors: Jim Gibbs, Guillaume Terrien
Atomic Fiction VFX Executive Producers: Sandra Scott, Marc Sadeghi
Atomic Fiction VFX Producers: Julie Cardinal, Dale Taylor
UPP VFX Supervisor: Viktor Muller
UPP VFX Producers: Vit Komrzy, Lenka Likarova
UPP CGI Supervisor: Pavel Kolar
Rodeo FX VFX Supervisor: Sebastien Moreau
Rodeo FX VFX Executive Producers: Jordan Soles, Isabelle Langlois
Rodeo FX VFX Producer: Audrey Boivin
Rodeo FX VFX Unit DoP: Robert Bock
Legend3D VFX Coordinator: Kristin Allen
Legend3D VFX Supervisor: Adam Ghering
Legend3D Executive VFX Producer: Matt Akey
Filming Dates: 26 May 2014 - 6 August 2014
Camera: Red Epic Dragon (6K Redcode RAW)[6K Deep Vision 3D]
Lenses: Zeiss Ultra Primes
AR: 2.39:1 (Super 35mm)
Budget: 35-45 Million USD
Post Sound Services Provided by: Skywalker Sound
Visual Effects & Animation Provided by: Atomic Fiction
Additional Visual Effects Provided by: Universal Production Partners & Rodeo FX
3D Conversion & Additional Visual Effects Created by: Legend3D
Attribute: Shot on RED - DirectorRobert ZemeckisStarsBrad PittMarion CotillardJared HarrisIn 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.Writer/Executive Producer: Steven Knight
Producer: Graham King
Executive Producer/Unit Production Manager: Patrick McCormick
Cinematographer: Don Burgess ASC
Cinematographer (Add'l Photography)/C-Camera Operator: Steven Hall
Cinematographer (Add'l VFX Unit): Alan Stewart BSC
Production Designer: Gary Freeman
Film Editors: Mick Audsley, Jeremiah O'Driscoll
Production VFX Supervisor: Kevin Baillie
Costume Designer: Joanna Johnston
Composer/Conductor: Alan Silvestri
Production VFX Producer: Sandra Scott
Sound Designer/Re-Recording Mixer/Supervising Sound Editor: Randy Thom
Sound Designer: Jeremy Bowker
Stunt Coordinator: Franklin Henson
Associate Film Editor: Ryan Chan
Atomic Fiction Montreal Senior VFX Supervisor: Brennan Doyle
UPP VFX Supervisor: Viktor Muller
Supervising Art Director: Jason Knox-Johnston
Art Directors: Richard Selway, Tom Still
Set Decorator: Raffaella Giovannetti
A-Camera/Steadicam Operator: Pete Cavaciuti ACO
B-Camera Operator: Luke Redgrave
Chief Lighting Technician: Perry Evans
Production SFX Supervisor: Richard Van Der Bergh
SFX Floor Supervisor: Alistair Williams
SFX Workshop Supervisor: Jonathan Bullock
SFX Prep Supervisor: Stephen Paton
SFX Design Engineer: Daniel Burnett
Production SFX Buyer/Coordinator: Katie Gabriel
Production SFX Coordinator: Emine Soydanyavas
Set Dec Coordinator: Francesca Birri
French Language Consultant: Valerie Repnau
Senior VFX Coordinator: Francesca Mancini
Ass't VFX Coordinator: Matthew Ness
Atomic Fiction VFX Supervisor: Michael Janov
Atomic Fiction VFX Executive Producer: Marc Sadeghi
Atomic Fiction VFX Producer: Jenna Kerr
Atomic Fiction VFX Art Director: Brian Flora
Atomic Fiction Compositing Supervisor: Mark Casey
Atomic Fiction CG Supervisor: Laurent Taillefer
Atomic Fiction VFX Environment Supervisor: Seth Hill
UPP VFX Executive Producer: Lenka Likarova
UPP VFX Producer: Vit Komrzy
UPP CG Supervisor: Pavel Kolar
UPP VFX Environment Supervisor: Lukas Herrmann
Lola VFX Supervisor: Dan Bartolucci
Lola VFX Compositing Supervisor: Edson Williams
Lola VFX Producers: Mare McIntosh, Thomas Nittmann
Lola VFX Coordinator: Anwei Chen
Lola VFX 2D Artists: Cliff Welsh, Eric Liles, Jeremiah Sweeney
VFX Aerial Unit Line Producer: Jimmy Abounouom
VFX Aerial Unit Production Manager: Sana El Kilali
VFX Aerial Unit 2nd Ass't C-Cam.: Becky Lee
Re-Recording Mixer/Score Mixer/Recordist: Dennis S. Sands
Orchestrator: Mark Graham
Score Coordinator: Dave Bifano
Score Production Assistant: James Findlay
Picture Car Coordinator: Michael Geary
Spain Unit Line Producer (Canary Islands Unit): Andreas Wentz
Spain Unit Production Manager (Canary Islands Unit): Juan Trujillo
Canary Islands Unit Production Supervisor: Ingrid Soler
Canary Islands Unit Stunts Coordinator: Jimmy O'Dee
Canary Islands Unit Action Vehicle Coordinator: Diego Rodriguez Lobalzo
Supervising DI Colorist: Corrine Bogdanowicz
DI Colorist: Ian Vertovec
DI Executive Producer: Paul Geffre
DI Producer: Zara Park
DI Finishing Artists: Matt Blackshear, Monique Eissing, Manny Dubon
Filming Dates: 16 February 2016 - 30 May 2016
Camera: Red Weapon Dragon (6K/8K Redcode RAW)
Lenses: Panavision Primo 70 Primes, Leica Summicron-C Primes, Summilux-C Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Super 35mm)(Panavision Super 70: Visual Effects)
Budget: 85-113 Million USD
Visual Effects & Animation Provided by: Atomic Fiction & Universal Production Partners
Additional Visual Effects Provided by: Lola VFX & Raynault
Post-Production Sound Services Provided by: Skywalker Sound
Score Recorded at: Abbey Road Studios, London, England
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsSteve CarellFalk HentschelMatt O'LearyA victim of a brutal attack finds a unique and beautiful therapeutic outlet to help him through his recovery process.Cinematographer: C. Kim Miles ASC CSC
Cinematographer (Add'l Photography): Patrick B. O'Brien
Production Designer: Stefan Dechant
Film Editor: Jeremiah O'Driscoll
Composer/Conductor: Alan Silvestri
Production VFX Supervisor: Kevin Baillie
Costume Designer: Joanna Johnston
Add'l Film Editor: Ryan Chan
2nd Unit DoP: Stephen Maier
Grip (Add'l Photography): T. Sano Kwong
Senior Supervising DI Colorist: Maxine Gervais
Score Mixer: Dennis S. Sands
Filming Dates: 14 August 2017 - 19 October 2017
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Hasselblad Prime 65 & Zeiss Vintage 765 Primes
AR: 2.39:1 (Arri 765)
Budget: 39 Million USD
Concept Design & Visual Development Provided by: Industrial Light & Magic
Visual Effects & Animation Provided by: Atomic Fiction, Framestore & Method Studios
Attribute: Camera Equipment Provided By Arri Rental - DirectorRobert ZemeckisStarsAnne HathawayOctavia SpencerStanley TucciA young boy and his grandmother have a run-in with a coven of witches and their leader.Screenwriters-Producers: Robert Zemeckis ACE, Guillermo Del Toro
Screenwriter: Kenya Barris
Producer: Alfonso Cuaron
Executive Producer/Unit Production Manager: Marianne Jenkins
Co-Producer: Derek Hogue
Cinematographer: Don Burgess ASC
Production Designer: Gary Freeman
Film Editors: Jeremiah O'Driscoll, Ryan Chan
Composer/Conductor/Score Producer: Alan Silvestri
Production VFX Supervisor: Kevin Baillie
Costume Designer: Joanna Johnston
Associate Producer/1st Ass't Director: Lee Grumett
Production VFX Producer: Sandra Scott
Sound Designer/Re-Recording Mixer: Randy Thom
Sound Designer: Jeremy Bowker
Stunt Coordinator: Eunice Huthart
Ass't Stunt Coordinator: Tolga Kenan
Production Manager: Samar Pollitt
Supervising Art Director: Tom Still
Art Directors: Su Whitaker, Claire Fleming, Matt Robinson, Richard Usher
A-Camera Operator: Des Whelan ACO
B-Camera/Steadicam Operator: Vince McGahon ACO
Key 2nd Ass't Director: Jo Tew
2nd Assistant Director: James Chasey
3rd Assistant Director: James Reid
Set Decorator: Raffy Goivannetti
Prosthetic Designer: Kristyan Mallett
Chief Lighting Technician: Martin Smith
Ass't Chief Lighting Technician: Lee Eldred
Rigging Gaffer: Greg Thomas
Production SFX Supervisor: Mark Holt
SFX Floor Supervisor: David Holt
SFX Workshop Supervisor: Mark Vanstone
Production SFX Coordinator: Lucy Thompson
Picture Vehicle Supervisor: Michael Geary
Additional Unit 1st Ass't Director: Mark Hopkins
Splinter Unit DoP/Add'l Unit Cam. Op./DoP: Matt Windon
Re-Recording Mixer: Kevin O'Connell
Score Producer/Coordinator: Dave Bifano
Orchestrator: Mark Graham
Score Mixer: Dennis S. Sands
VFX Production Supervisor: Francesca Mancini
VFX Visualization Supervisor: Ryan Beagan
Method Studios VFX Supervisors: Sean Konrad, Glenn Melenhorst
Method Studios Add'l VFX Supervisors: Tim Ledbury, Christian Emond, Gong Myung Lee
Method Studios VFX CG Supervisors: Amir Eleswy, Avi Goodman, Nathan Ortiz, Frederik Sundqvist
Method Studios VFX Producers: Sheena Johnson, Ineke Majoor, Billy McMillen, Laura Schultz, Samantha Thrupp
Method Studios Animation Supervisor: Nicholas Tripodi
Senior DI Colorist: Maxine Gervais
DI Colorist: Jeff Pantaleo
DI Producer: Nancy Fuller
Filming Dates: 8 May 2019 - 25 June 2019
Cameras: Millennium DXL2 & Red Weapon Monstro (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes
AR: 2.39:1 (Panavision Super 70)
Score Recorded at: Abbey Road Studios, London
Visual Effects & Animation Provided by: Method Studios
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsJoseph Gordon-LevittTom HanksBenjamin Evan AinsworthA puppet is brought to life by a fairy, who assigns him to lead a virtuous life in order to become a real boy.Screenwriter/Producer: Robert Zemeckis ACE
Screenwriter/Producer: Chris Weitz
Producers: Andrew Miano, Derek Hogue
EPs: Jack Rapke, Jacqueline Levine, Paul Weitz
Executive Producer/Unit PM: Jeremy Johns
Cinematographer: Don Burgess ASC
Production Designers: Doug Chiang, Stefan Dechant
Film Editors: Jesse Goldsmith, Mick Audsley
Costume Designer: Joanna Johnston
Composer & Producer (Original Score & Songs): Alan Silvestri
Composer & Producer (Original Songs): Glen Ballard
Overall Visual Effects Supervisor & 2nd Unit Director: Kevin Baillie
Production Visual Effects Producer: Sandra Scott
Music Supervisor: Matt Sullivan
Casting: Victoria Burrows CSA, Scott Boland CSA
Key Unit Production Manager: David Cain
First Assistant Director/Co-Producer: Lee Grumett
Second Assistant Director: Emma Horton
MPC Senior Visual Effects Supervisor: Ben Jones
MPC Sr Animation Supers: Christophe Paradis, Kaveh Ruintan
Make-Up & Hair Designer: Jenny Shircore
Overall Sound Designer/Re-Record Mixer: Randy Thom
Production Sound Mixer: John Midgley
Lead Puppeteer: Ronnie Le Drew
Consulting Stunt Coordinator: Eunice Huthart
Co Stunt Coordinator: Paul Lowe
Head Stunt Rigger: Leos Stransky
Choreographer, Stunts: Francesca Jaynes
Assistant Choreographer, Stunts: Dale Mercer
Co-Producer: Dan Balgoyan
Production Supervisor: Katie Byles
Production Financial Controller: Sheamus Devine
1st Assistant Editor: Christi Leftwich
Second Assistant Editor: Diana Yip
Production VFX Editors: Jeremy Bradley, Paul Parsons
First AEs, UK: Pani Scott, Tony Trompetto, Edward Jones, Sarah Bowden
Second AEs, UK: Anna Korankiewicz, Jamie Stagg
Post Prod Assists: Keenan McGuckin, Zane Zemeckis
Visual Effects PMs: Francesca Mancini, Jenna Kerr
Virtual Production Supervisor: John Root
Production Visual Effects Coordinator: Marisa Perkins
Visual Effects Assistant Coordinator: James Lee
Visual Effects Production Assistant: Chris Cooper
Supervising Art Directors: Ashley Lamont, Douglas J. Meerdink
Senior Art Director: Andrew Palmer
VAD Art Director: Vlad Bina
Art Department Coordinator: Josh Dobkin
Set Decorator: Tina Jones
Set Dec Art Director: Glenn Marsh
A Camera Operator: Peter Wilke SOC
B Camera Operator: Graham Albert Hall ACO
Technodolly Operator: Anthony Jacques
A First Assistant Camera: Julian Bucknell
B First Assistant Camera: Ian Jackson
A Second Assistant Camera: Alex Collings
B Second Assistant Camera: Andy Jones
Central Loader: Nick Poole
Camera Trainee: Hayden Hill
Digital Imaging Technician: Joe Steel
Data Manager: Glyn Williams
DIT Trainee: Sara Reiser
Gaffer: Perry Evans
Rigging Gaffer: Warren Evans
Chargehand Rigging Electrician/Second Unit Gaffer: Mark Evans
Supervising Prop Master: John Hajdukiewicz
Assistant Prop Master: Nick Milner
Production Prop Supervisor: Ian Cooper
Puppet & Character Reference Supervisor: Dave Asling
Puppetry Consultant: Kate Katz
Production Special Effects Supervisor: Alistair Williams
Production Assistant SFX Supervisor: Pete Britten
Production SFX Floor Supervisor: Nick Joscelyne
Special Effects Prep Supervisor: Jake Dimmer
Production SFX Buyer/Coordinator: Carmila Gittens
Production SFX Design Lead: Alexander Fabre
Production SFX Designer: Rollo Cooper
Production Coordinator: Danielle Stanners
Assistant Production Coordinator: Hayleigh Roberts
Production Supervisor, US: Alice S. Kim
Production Coordinator, US: Ryce Hetherington
Production Intern, US: Cameron McGuinness
Studio Unit Manager: Michael McDermott
Floor Second Assistant Director: James Reid
Crowd Second Assistant Director: James Chasey
Third Assistant Director: Maccy Monteiro
Crowd Third Assistant Director: Talar Baker
Production Accountant, UK: Ola Kaminska-Omozik
Production Accountant, US: Kimberly Robinson
Construction Consultant: Paul Hayes
Casting Director, UK: Robert Sterne CSA CDG
Casting Associate, US: Laura Boushehri
Casting Assistant, US: Beth Ryne
Casting Assistant, UK: Charlotte Chapman
Voice Casting Director, Sabina: Micah Dahlberg CSA
Music Editors: Jeff Carson Stephen Durkee, Charles Martin Inouye
Associate Music Supervisor: James Taylor
Scoring Coordinator: David Bifano
Scoring Production Assistant: James Findlay
Score Orchestrator & Conductor: Mark Graham
Score Mixer: Dennis S. Sands
Score Recordist: Peter Cobbin
Scoring Editor: Kristy Whalley
Sup Sound Editor/Add'l Re-Record Mixer: Leff Lefferts
Re-Recording Mixer: Gary A. Rizzo CAS
First Apprentice Sound Editor: Allison Ng
Assistant Re-Recording Mixer: Robert Cooper
Skywalker Sound HOP: Jon Null
Skywalker Sound GM: Josh Lowden
Second Unit First Assistant Director: Samuel Smith
Splinter Unit DoP, Second Unit: Matt Windon
Second Unit Second Assistant Director: Tom Westgate
Splinter Unit A Camera Operator, 2nd Unit: James Frater
Second Unit A First Assistant Camera: Dave Pearce
Splinter Unit B First AC, Second Unit: Ben Adefarasin
Second Unit A Second Asst Camera: Damon Sewell
Second Unit B Second Asst Camera: Andres Claridge
Second Unit Camera Trainee: Charlie Tierney
Second Unit DIT: Howard Colin
Second Unit DIT Assistant: Bethan Brean
Second VFX Coordinator: Alison Pak
Additional Visual Effects Coordinator: Eamon Yates
Second VFX Assistant Coordinator: Jannik Kuczynski
2nd Unit VFX Super/Lead Data Wrangler: Giles Harding
Production VFX Data Wrangler: David Jackson
VFX Production Assistant: Mishaal Memon
MPC Visual Effects Producer: Sarah Moussaif
MPC Digital Effect Supervisor: Michele Alessi
MPC Additional Supervision: Etienne Daigle
MPC VFX EPs: Christina Graham, Virendra Chauhan, Tom Williams, Christian Robertson, Siobhan Bentley
Framestore Visual Effects Producer: Nick King
Halon Entertainment Executive Producer: Chris Ferriter
Halon Virtual Production Supervisor: Casey Pyke
ILM|DRS Facial Capture Supervisor: Peter Dworin
ILM|DRS Lead Modeler: Duncan Graham
ILM|DRS Facial Artists: Laura Miller, Tom Szenher
Picture Shop Supervising Producer: JASON T. MORROW
Picture Shop Dailies Producer: Victoria Burrows
Picture Shop Dailies Ops: Monica Di Sabatino, Elliot Bick
Picture Shop Dailies Operations Manager: Tristan Hey
Picture Shop Dailies Operations Support: Alessio Ciattini
CO3 Supervising Digital Colorist: Jill Bogdanowicz ASC
CO3 Additional Finishing Colorist: Adam Nazarenko
CO3 Finishing Producers: Erik Rogers, Ricardo Ramos
CO3 Senior Finishing Editor: Matthew Johnson
CO3 Image Scientist: John Quartel
CO3 Senior Technical Lead: Zach Korpi
CO3 Senior Finishing Technologist: Michael Chiado
CO3 Finishing Executive: Jackie Lee
CO3 Heads of Prod: Laura Geucherian Carl S.G. Moore
CO3 Executive Color Producer: Stefan Sonnenfeld ASC
Filming Dates: 17 March 2021 - 22 April 2021
Cameras: Millennium DXL2, Red Komodo & Monstro (6K & 8K Redcode RAW)
AR: 1.85:1 (Panavision®)
Budget: 150 Million USD
Score Recorded at: Abbey Road
Post Production Sound Services by: Skywalker Sound
Visual Effects Provided by: MPC & Framestore
Visualization Provided by: Halon Entertainment
Medusa Performance Capture by: Industrial Light & Magic + Disney Research Studios
Dailies Provided by: PICTURE SHOP
Color & Finish Provided by: Company 3
Filmed in the UK at: Cardington Studios
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®