Begining of Movies
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- DirectorLouis Aimé Augustin Le PrinceStarsAnnie HartleyAdolphe Le PrinceJoseph WhitleyIn the garden, a man asks his friends to do something silly for him to record on film.
- DirectorLouis Aimé Augustin Le PrinceA shot of people walking on The Leeds Bridge.
- DirectorAuguste LumièreLouis LumièreStarsMadeleine KoehlerMarcel KoehlerMrs. Auguste LumiereA train arrives at La Ciotat station.
- DirectorWilliam K.L. DicksonStarsCarmencitaPerforming on what looks like a small wooden stage, wearing a dress with a hoop skirt and white high-heeled pumps, Carmencita does a dance with kicks and twirls, a smile always on her face.
- DirectorWilliam K.L. DicksonStarsFred OttA man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
- DirectorWilliam K.L. DicksonStarsCharles KayserJohn OttThree men hammer on an anvil and pass a bottle of beer around.
- DirectorWilliam K.L. DicksonStarsWilliam K.L. DicksonThe very first American film shown to public audiences and the press. It depicts William K.L. Dickson taking off his hat and greeting the audience.
- DirectorWilliam K.L. DicksonAn athlete swings Indian clubs.
- DirectorWilliam K.L. DicksonWilliam HeiseStarsGiuseppe Sacco AlbaneseOne of W.K.L. Dickson's laboratory workers horses around for the camera.
- DirectorLouis Aimé Augustin Le PrinceStarsAdolphe Le PrinceA very brief film of a man playing the accordion.
- DirectorWilliam K.L. DicksonStarsEugen SandowStrong-man Eugene (Eugen) Sandow poses in a long shot on a bare stage against a black background, wearing only tight trunks and laced sandals. He begins with his arms folded against his chest, looking off screen left, then strikes a variety of poses that accentuate his muscular development. These positions include flexing his right arm with the fist to his head and face to shoulder; turning his back to the camera and flexing his upper arms and shoulder muscles; and, with his back still to the camera, stretching out and up with one arm at a time. Sandow then turns back to face the camera and performs a standing back flip. He closes in the same pose with which he opened From Biograph photo catalog: 24 feet. Still another picture of the great athlete displaying his muscles, and turning a somersault without touching hands to the floor.
- DirectorJames WilliamsonStarsSam DaltonA man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
- DirectorWilliam K.L. DicksonWilliam HeiseTwo men wearing boxing gloves prepare to spar in the Edison Company studio.
- DirectorWilliam HeiseStarsMay IrwinJohn C. RiceIn a medium close-up shot of the first kiss ever recorded on screen, two fervent lovers cuddle and talk passionately at hair's breadth, just before the love-smitten gentleman decides to give his chosen one an innocent peck.
- DirectorWilliam K.L. DicksonWilliam HeiseStarsAnnabelle MooreAnnabelle (Whitford) Moore performs one of her popular dance routines. She uses her dance steps and her long, flowing skirts to create a variety of visual patterns.
- DirectorWilliam K.L. DicksonStarsThe Glenroy BrothersThe Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.
- DirectorWilliam K.L. DicksonTwo gamecocks fight in the Edison Company film studio. This feature was remade later in the same year, with additional detail added.
- DirectorWilliam K.L. DicksonWilliam HeiseCustomer gets a lightning-fast shave.
- DirectorJames H. WhiteA woman and a young girl each carry containers of bird feed, and they toss occasional handfuls to the chickens and doves in the farmyard. Most of the chickens stay nearby, but the doves occasionally fly off and then return to eat more.
- DirectorJames H. White"A number of young ladies, in their night robes, are having a frolic, and are interrupted by a teacher. One girl makes herself *very* conspicuous by crawling under a bed."
- DirectorWilliam K.L. DicksonStarsWilliam K.L. DicksonThe earliest extant sound film. William K.L. Dickson stands in the background next to a huge sound pickup horn connected to a Thomas Edison phonograph recorder. As he plays a violin, two men dance in the foreground. This film was made to demonstrate a new Thomas Edison machine, the Kinetophone. These machines were Kinetoscope peepshow viewers mated with Thomas Edison wax cylinder phonographs. But the Kinetophone never caught on and this film was never released. The film still exists, but the phonograph soundtrack has been lost.
- DirectorEadweard MuybridgeStarsGilbert DommSallie GardnerThe clip shows a jockey, Gilbert Domm, riding a horse, Sallie Gardner. The clip is not filmed; instead, it consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
- DirectorWilliam K.L. DicksonStarsHair CoatParts His HairLast HorseThree Sioux Indians perform a 'buffalo dance', while two others use drums to supply a rhythm. The three dancers move around in a circle as they perform the various actions that are part of the dance.
- DirectorWilliam K.L. DicksonStarsFrancis E. ButlerAnnie OakleyAnnie Oakley, the 'Little Miss Sure Shot' of the 'Wild West' gives an exhibition of rifle shooting at glass balls and clay pigeons in a film from the Edison Catalog.
- DirectorWilliam K.L. DicksonStarsJuan A. Caicedo"King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home." (from Edison Films)
- DirectorWilliam K.L. DicksonWilliam HeiseStarsJames J. CorbettPeter CourtneyJames J. Corbett and Peter Courtney meet in a boxing exhibition.
- DirectorWilliam K.L. DicksonStarsAnnabelle MooreAnnabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.
- DirectorWilliam K.L. DicksonStarsCrissie SheridanA serpentine dance being performed by the dancer whose name is the main title of the film.
- DirectorWilliam K.L. DicksonStarsJack CushingMike LeonardIn the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures.
- DirectorWilliam K.L. DicksonWilliam HeiseStarsGiuseppe Sacco AlbaneseIn an experiment that follows up on the results of 'Monkeyshines, No. 1', an Edison company worker again moves around in front of the motion picture camera.
- DirectorWilliam HeiseStarsAmy MullerVaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
- DirectorWilliam K.L. DicksonWilliam HeiseStarsHenry WeltonTwo gamecocks are fighting inside a wire cage, while two spectators look on in the background. The two men agree to make a bet on the outcome. One of them shows his money to the other, who is commenting on the fight.
- DirectorLouis LumièreWorkers leaving the Lumière factory for lunch in Lyon, France in 1895; a place of great photographic innovation and one of the birth places of cinema.
- DirectorLouis LumièreStarsAuguste LumièreMrs. Auguste LumiereAndrée LumièreAs part of a maiden public film screening at the Salon Indien, on December 28, in Paris, Auguste Lumière pivots the centre of attention around his baby daughter, as he tries to feed her from a spoon.
- DirectorLouis LumièreStarsAuguste LumièreAuguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
- DirectorLouis LumièreStarsFrançois ClercBenoît DuvalAn impudent child plays a prank on a gardener innocently watering his plants.
- DirectorLouis LumièreA stationary camera looks across the boulevard at a diagonal toward one corner of Lyon's Cordeliers' Square. It's a long shot, with a great deal of depth of focus. We can see the sky and fronts of four buildings, each four or five stories tall. It's a busy thoroughfare, with pedestrians walking in front of the buildings and crossing the boulevard between horse-drawn vehicles. A double-decker bus passes in front of us, pulled by two horses. Various tradesmen pass on wagons. One van passes.
- DirectorGeorges MélièsStarsGeorges MélièsA magician and his assistant perform numerous magic acts.
- DirectorGeorges MélièsStarsGeorges MélièsMuch to our amazement, an elegant and masterful illusionist detaches his own head effortlessly from his shoulders for a once-in-a-lifetime performance.
- DirectorGeorges MélièsStarsGeorges MélièsA band-leader assembles an orchestra by mystifying means.
- DirectorGeorges MélièsStarsJehanne d'AlcyJules-Eugène LegrisGeorges MélièsWith the help of a magic cauldron, Mephistopheles conjures up a variety of supernatural characters.