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Celebrated French stage actor/director/producer Jean-Louis Barrault was born on September 8, 1910. A superlative tragedian and mime, his dedication to both avant-garde and classical plays helped revive the French theatre after World War II, while presenting world premières of works by such playwrights as Samuel Beckett, Eugène Ionesco and Jean Genet. A rebel with many causes, he once hid French Underground members on the set of his greatest film Children of Paradise (1945).
Barrault initially was a teacher and studied art before turning to the theatre. A gifted student of both Charles Dullin of drama and Etienne Decroux of pantomime, he supported himself as a bookkeeper and flower salesman during those lean years. He made his official film bow in Vagabonds imaginaires (1950) (billed as J.L. Barrault), and took his first curtain call a year later playing a servant in "Volpone" at the Theatre de l'Atelier. While he made quite an impact in numerous classic, romantic films, including Bizarre, Bizarre (1937), Mirages (1938) and Children of Paradise (1945) (the last two opposite the exquisite Arletty), the theatre would remain Barrault's greatest passion, marking his directorial debut with "Les beaux jours" in 1935. Five years later he would join the Comedie Francaise as both actor/director.
In 1936 Barrault met actress Madeleine Renaud, who was a decade his senior, and married her four years later. Together the couple founded many theatres (including the Renaud-Barrault Paris stage company in 1947) and toured extensively, becoming the Lunt and Fontanne of European theatre with such performances in "Christopher Columbus" (1957) (she as his Queen Isabella), "The Misanthrope" (1957) and "The Marriage of Figaro" (1964) among their many collaborations. In November of 1952, Barrault and Renard made daunting Broadway debuts touring in repertory with "Les Fausses Confidences", "Baptiste", "The Trial", "Amphitryon", "Scapin", "Keep Your Eyes on Amelie" and "Hamlet". In 1957, they returned with "Christopher Columbus", "Volpone", "The Misanthrope", "Intermezzo", and others. He received a "special" Tony award for his work.
Barrault's thin frame, gentle bearing and sensitive features belied a great power and those same talents were utilized magnificently, if sporadically, on film, associating with the greatest of directors including Abel Gance, Georg Wilhelm Pabst, Sacha Guitry, Jean Delannoy, Max Ophüls and Jean Renoir. His initial impression playing Beethoven's nephew Karl in The Life and Loves of Beethoven (1936), led to other fine filming. Arguably his most notable triumph on film was his portrayal of Baptiste in Children of Paradise (1945), which was based on the life of the mime-actor Jean-Gaspard Deburau, a character he originally suggested to Marcel Carné and Jacques Prévert. The phenomenal success of that film singlehandedly revived public interest in the art of pantomime and subsequently influenced the popularity of legendary mime Marcel Marceau. Barrault's peerless performance in that role is still studied in acting and mime schools today. Elsewhere, he appeared in historical characterizations ranging from that of composer Hector Berlioz to Napoleon Bonaparte.
In later years Barrault served twice as director of the Theatre des Nations and in 1974-1981 was the director of the Theatre d'Orsay. His last film performance at age 78 was in La lumière du lac (1988). The beloved 83-year-old actor died of a heart attack in Paris on January 22, 1994; wife Madeleine died in September of that same year at age 94.- Actor
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The son of a sausage-maker, Michel Simon was conscripted into the Swiss Army at the start of World War I, but was thrown out through a combination of tuberculosis and general insubordination. He was variously a boxer, photographer, general handyman and right-wing anarchist, finally becoming a stage actor in Geneva in 1920. His reputation soon grew, and he moved to Paris in 1923, appearing in his first film in 1925 (the same year he played Boudu for the first time on stage). With the coming of sound, Simon became firmly established as one of France's outstanding character actors, doing unforgettable work for Jean Renoir (La Chienne (1931), Boudu Saved from Drowning (1932)), Jean Vigo (L'Atalante (1934)) and Marcel Carné (Port of Shadows (1938), Bizarre, Bizarre (1937)). In the 1950s he worked less frequently, partly thanks to an accident involving makeup dye that paralyzed part of his body and face. Despite this, he still managed to appear in films right up to his death in 1975.- Actor
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Louis Jouvet was a living glory of the French theatre where he debuted in 1910. In his life he has worked as pharmacist, manager of a theatre, actor and theatre teacher. He debuted at the movies in 1932 and his best films were of the Golden Age of French cinema called the "poetical realism", e.g. "Hotel du Nord (1938)" or "La fin du jour (1939)". His character, his eagle-like profile and his unique way of speaking made him unforgettable.- Actor
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Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.- Actor
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Born 1930 in Piolenc in south France as son of a wealthy industrialist. Studied law in Aix-en-Provence. Started theatrical acting in 1950, but was regarded untalented at first, until Roger Vadim discovered him for the movies. When the press stalked him 1956 because of rumors of an affair with Brigitte Bardot his partner in ...And God Created Woman (1956), he fled into the army. Ten years later he had his first big success with A Man and a Woman (1966). Since then he has starred in more than 100 movies, with a special talent for the dark characters like murderers or jealous husbands. In his late career he preferred theater to movies.- Actor
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Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.
In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).
Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.
After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in The Samurai (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.- Jean Reno was born Juan Moreno y Herrera-Jiménez in Casablanca, Morocco, to Spanish parents (from Andalucía) who moved to North Africa to seek work. His father was a linotypist. Reno settled in France at 17. He began studying drama and has credits in French television and theater as well as films. His first two marriages both ended in divorce, and he had two children with each of them. He keeps homes in Paris and Los Angeles.
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Versatile, gimlet-eyed, soulful-looking François Périer was one of France's most prolific leading men and character lead for almost six decades. Born François Pilu in Paris on November 10, 1919, he was the son of a wine shop manager. In 1934, the young teenager wrote to legendary actor Louis Jouvet, who subsequently assisted his entering the Cours Simon and Le Conservatoire dramatic institutions for study.
A rising avant-garde stage actor by 1938, François moved directly into film, apprenticing as a featured player in such films as La chaleur du sein (1938) starring Michel Simon and Arletty; Hotel du Nord (1938) with Annabella, Jean-Pierre Aumont and mentor Jouvet; La fin du jour (1939) (The End of the Day) with Simon and Jouvet; Le veau gras (1939) (The Fatted Calf) spotlighting Elvire Popesco; and L'entraîneuse (1939) starring Michèle Morgan
With World War II in full swing in Europe, François found himself in good company with some of most renowned directors of the day, including Pierre Fresnay, Marcel Carné, Henri Decoin and René Clair. He was handed his first male lead in the boulevard-styled comedy Mariage d'amour (1942) opposite Juliette Faber and Lettres d'amour (1942) opposite Odette Joyeux. He would continue in leads throughout the decade with such roles as the journalist in La ferme aux loups (1943) and a romancer in The Loves of Colette (1948).
On stage, the charming, moderately handsome actor was noted best for his smooth, deep voice. He made a strong impression in the role of "Hugo" in the 1948 production of his close friend Jean-Paul Sartre "Les Mains Sales" (Dirty Hands). His association with Sartre's work continued with his appearances in the plays "The Condemned Of Altona" and "The Devil and the Good Lord." In later years, he portrayed composer "Salieri" opposite Roman Polanski's "Mozart" in a 1981 Paris production of "Amadeus," directed by Polanski.
The actor came into his own in his mid-to-later movie career with his participation in such classics as Orpheus (1950) as the "angel of death" directed by Jean Cocteau; Gervaise (1956) directed by René Clément; Nights of Cabiria (1957) directed by Federico Fellini; Lovers on a Tightrope (1960) directed by Jean-Charles Dudrumet, The Samurai (1967) directed by Jean-Pierre Melville; Z (1969) directed by Costa-Gavras; Just Before Nightfall (1971) directed by Claude Chabrol, plus over a hundred film projects ranging from comedy romances to crime dramas to political thrillers.
Elsewhere, François became a respected voice in narration, having narrated a French-language version of "Fantasia." He also provided commentaries to many commercial classical French recordings. Diagnosed with Alzheimer's disease in 1991, he continued to work in radio and in a few movies, retiring in the mid-90s. His last film appearance was in the crime drama Mémoires d'un jeune con (1996) (Memories of a Young Fool).
Divorced from actresses Jacqueline Porel (1941-1947), the mother of his three children, and Marie Daëms (1949-1960), François died in Paris of a heart attack on June 29, 2002, at age 82, and was survived by third wife (from 1961) Colette Boutoulaud. Daughter Anne-Marie Périer was editor of Elle magazine; his two sons worked behind the scenes: writer/director Jean-Marie Périer and assistant director [link-nm0685177]. The latter died a suicide in 1966.- Actor
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Gérard Depardieu was born in Châteauroux, Indre, France, to Anne Jeanne Josèphe (Marillier) and René Maxime Lionel Depardieu, who was a metal worker and fireman. Young delinquent and wanderer in the past, Depardieu started his acting career at the small traveling theatre "Café de la Gare", along with Patrick Dewaere and Miou-Miou. After minor roles in cinema, at last, he got his chance in Bertrand Blier's Going Places (1974). That film established a new type of hero in the French cinema and the actor's popularity grew enormously. Later, he diversified his screen image and became the leading French actor of the 80s and 90s. He was twice awarded a César as Best Actor for The Last Metro (1980) and Cyrano de Bergerac (1990), also received an Oscar nomination for "Cyrano" and a number of awards at international film festivals. In 1996, he was distinguished by the highest French title of "Chevalier de la Légion d'Honneur". He married Elisabeth Depardieu in 1971, and they divorced in 1996; she appeared with him in Jean de Florette (1986) and Manon of the Spring (1986); their children Guillaume Depardieu and Julie Depardieu are both actors.- Actor
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Blue-eyed Vincent Cassel was born in Paris to a leading actor father, Jean-Pierre Cassel, and a journalist mother, Sabine Litique. Often labeled as a tough guy because of his roles, eclectic choices and talent have made of him a star of European cinema. First in La haine (1995), the young actor, actually coming from upper classes, succeeded to express the despair of a social class living in the suburbs of towns. This veracity in his play comes from the fact that he was in fact since years in connection with many hip-hop artists from the rising generation, (his own brother was leader of a legendary french rap group). Then the success of The Crimson Rivers (2000), where he plays a young French cop alongside Jean Reno, made of him "the man to count on." He never hid his taste for rap music, break dance, Capoeira, Brasil and his endless energy, but Vincent is also a family man, married to Monica Bellucci, his Italian co-star from The Apartment (1996) (aka The Apartment); and recently a father.- Actor
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Christian Clavier was born on 6 May 1952 in Paris, France. He is an actor and writer, known for The Visitors (1993), Just Visiting (2001) and Asterix and Obelix vs. Caesar (1999). He was previously married to Marie-Anne Chazel.- Actor
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Mathieu Amalric was born on 25 October 1965 in Neuilly-sur-Seine, Hauts-de-Seine, France. He is an actor and director, known for The Diving Bell and the Butterfly (2007), The Grand Budapest Hotel (2014) and Munich (2005).- Actor
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Charles Boyer studied philosophy before he went to the theater where he gave his debut in 1920. Although he had at first no intentions to pursue a career at the movies (his first movie was Man of the Sea (1920) by Marcel L'Herbier) he used his chance in Hollywood after several filming stations all over Europe. In the beginning of his career his beautiful voice was hidden by the silent movies but in Hollywood he became famous for his whispered declarations of love (like in movies with Greta Garbo, Marlene Dietrich or Ingrid Bergman). In 1934 he married Pat Paterson, his first and (unusual for a star) only wife. He was so faithful to her that he decided to commit suicide two days after her death in 1978.