Production Details on a Select Few Live-Action Netflix Original Films (Part I)
US-Distributed films only
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- DirectorCary Joji FukunagaStarsAbraham AttahEmmanuel AffadziRicky AdelayitorA drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country.Director & Cinematographer: Cary Joji Fukunaga
Composer: Dan Romer
Film Editors: Pete Beaudreau, Mikkel EG Nielsen
Production Designer: Inbal Weinberg
Costume Designer: Jenny Eagan
SFX Supervisor: Keith Bitters
Senior VFX Supervisor: Karen Heston
Stunt Coordinator: Anton Moon
A /Steady Ops: Klemens Becker, Ross Coscia
Gaffer/Additional DP: Shawn Greene
DI Colorist: Steven Bodner
Camera: Alexa XT (2K ProRes 4:4:4)[SxS]
Lenses: Panavision Primo ALZ11 Zoom, C-, E-Series AL Primes, Panafocal 45-90mm AL Zoom & Anamorphic Telephoto 70-200mm Zoom
AR: 2.39:1 (Anamorphic)
Budget: 6 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorJohn LeeStarsPaul ReubensJordan BlackDoug CoxA fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first holiday ever in this epic story of friendship and destiny.Director: John Lee
Composer: Mark Mothersbaugh
Cinematographer: Tim Orr
Film Editor: Jeff Buchanan
Production Designer: Dan Butts
Costume Designer: Karen Patch
SFX Supervisor: Jonathan Kombrinck
VFX Supervisors: Adam Howard, Joel Sevilla, Loeng Wong-Savun
VFX DP: Patrick Flannery
Stunt Coordinator: Mark Rayner
A / Steadicam Operator: Matt Petrosky SOC
A Camera Operator: Tony Muller
B Operator/Second Unit DoP: Kenneth Neil Moore
Plate Unit DoP: Mark Weingartner ASC
DI Colorist: Siggy Fertsl
AR: 1.85:1
Digital Intermediate by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorRob BurnettStarsCraig RobertsPaul RuddSelena GomezA man suffering a family loss enrolls in a class about care-giving that changes his perspective on life.Director: Rob Burnett
Composer: Ryan Miller
Cinematographer: Giles Nuttgens BSC
Production Designer: Meghan C. Rogers
Costume designer: Peggy Stamper
Aeriel Unit Director/Director of Photography: Benjamin Rowland
VFX Supervisor: Pete Sussi
Stunt Coordinator/Paul Rudd Stunt Double: Cal Johnson
A Camera Operator: Christian Satrazemis
B Camera/Steadicam Operator: Ramon Engle
DI Colorist: Sean Dunckley
Finishing Artist: Katie Hinsen
Filming Dates: January 22, 2015 - February 26, 2015
Camera: Alexa Studio (1080p ProRes 4:4:4)[SxS]
Lenses: Zeiss Master Primes
AR: 2.39:1 (Super 35mm) - DirectorSian HederStarsElliot PageAllison JanneyTammy BlanchardDesperate to be rid of her toddler, a dissatisfied Manhattan housewife hires a stranger to babysit and ends up getting much more than she bargained for.Director: Sian Heder
Composer: Michael Brook
Cinematographer: Paula Huidobro
Film Editor: Darrin Navarro
Production Designer: Sara K. White
VFX Supervisor: Mitchell Ferm
Stunt Coordinator: Manny Siverio
Camera Operators: Andrew Priestley, James Gucciardo
Steadicam Operator: Matt Fleischmann
2nd Unit Underwater DP: John Malvino
DI Colorist: Sean Dunckley
Finishing Artist: Katie Hinsen
AR: 1.85:1
Budget: 6 Million USD - DirectorNic MathieuStarsJames Badge DaleEmily MortimerBruce GreenwoodA sci-fi/thriller story centered on a special-ops team that is dispatched to fight supernatural beings.Director: Nic Mathieu
Composer: Tom Holkenborg (Junkie XL)
Cinematographer: Bojan Bazelli ASC
Film Editor: Jason Ballantine
Production Designer: Tom Meyer
Supervising Art Director: John Collins
Hungary Unit Art Directors: Bence Erdelyi, Tibor Lázár
Vehichle Design Art Director: Tom Pataki
Costume designer: Lizz Wolf
Stunt Coordinator/2nd Unit Director: JJ Perry
Fight Coordinator/2nd Unit Director: David Wald
SFX Supervisor: Yves De Bono
VFX Supervisor: Erik Winquist
On-Ste VFX Supervisor: Ryan Cook
Weta Effects Supervisor: Adrien Toupet
Weta Motion Capture Stunt Coordinator: Isaac Hamon
Weta Workshop Camera Operator: Wendy Brown
Camera Operators: Attila Csoboth, Ádám Fillenz, Marton Miklauzic, Attila Pfeffer, Balázs Révész
Camera/Steadicam Operator: Marci Ragályi
A-Camera Operator: Jason Ellson
Aeriel DP: Jeremy Braben
2nd Unit DP: Stewart Whelan
Additional Film Editors: Wyatt Jones, Robert Mead
DI Colorist: Ian Vertovec
Filming Dates: August 2014 - August 2015
Cameras: Alexa M & XT Studio (2.8K ARRIRAW)
Lenses: Cooke Anamorphic/I Primes & Zeiss Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 70 Million USD
Visual Effects & Futuristic Props Provided by: Weta Digital & Weta Workshop
Attribute: Captured with Alexa - DirectorVikram GandhiStarsDevon TerrellAnya Taylor-JoyJason MitchellA look into the early life of U.S. President Barack Obama.Director: Vikram Gandhi
Composer: Danny Bensi, Saunder Jurriaans
Cinematographer: Adam Newport-Berra
Film Editor: Jacob Craycroft
Production Designer: Scott Kuzio
Costume Designer: Amela Baksic
VFX Supervisor: Eran Barnea
On-Set VFX Supervisor: Nico Del Giudice
B-Camera/Steadicam Operator: Michael Fuchs
Additional Steadicam Operator: Billy Green
Colorist: Damien van der Cruyssen
Negative Format: 4:3 2.8K ARRIRAW
AR: 2.39:1 (Anamorphic)
Attribute: Camera Equipment Provided by Arri Rental - DirectorCharlie McDowellStarsRobert RedfordMary SteenburgenBrian McCarthyTwo years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Director: Charlie McDowell
Composers: Danny Bensi, Saunder Jurriaans
Cinematographer: Sturla Brandth Grøvlen DFF
Film Editor: Jennifer Lilly
Production Designer: Akin McKenzie
Costume Designer: Keri Langerman
VFX Supervisors: Vico Sharabani, Asaf Yeger
2nd Unit DP: Bill Trautvetter
DI Colorist: Alex Bickel
Additional Film Editor: David Oneal
Filming Dates: March 28, 2016 - May 1, 2016
Cameras: Alexa Mini & Arriflex 416 (16mm Kodak Vision3 250D 7207 & 2.8K ARRIRAW)
Lenses: Hawk V-Lite Anamorphic Primes, Zeiss Super Speed Primes & Angenieux Optimo Anamorphic Zooms
AR: 2.39:1 (Anamorphic)(Super 16mm: Some Scenes)
Attribute: Camera Equipment Provided by Arri Rental - DirectorDavid MichôdStarsBrad PittDaniel BettsJohn MagaroAn idiosyncratic general confronts opposition from enemies, allies, and bureaucrats while leading a massive rebuilding operation in Afghanistan.Director: David Michod
Composers: Nick Cave, Warren Ellis
Cinematographer: Dariusz Wolski ASC
Film Editor: Peter Scibarras
Production Designer: Josephine Ford
Supervising Art Director: Matthew Gray
Abu Dhabi Unit Art Director: Martin Sullivan
Costume Designer: Jane Petrie
SFX Supervisor: Stefano Pepin
SFX Co-Supervisor: James McCameron
On-Set SFX Supervisor: David J. Watson
VFX Supervisor:Angela Barson
On-Set VFX Supervisor: Lorna Carmichael
Stunt Coordinator: Paul Herbert
A / Steadicam Operator: Daniele Massaccesi
B Camera Operator: Julian Morson ACO
B Operator, UAE/London Unit C Operator: Iain MacKay
UAE & Main Unit C-Camera Operator: Oliver Loncraine
B Camera Operator, AP: Michael Otis Ropert
Additional Camera Operator: Martin Schaer
Filming Dates: October 2015 - Mid-2016
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision PVintage SL Primes, Ultra Speed MKII SL Primes, Primo Compact Zoom & Angenieux Optimo Zoom
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 60 Million USD
Attribute: Filmed in Panavision - DirectorBong Joon HoStarsTilda SwintonPaul DanoAhn Seo-hyunA young girl risks everything to prevent a powerful, multinational company from kidnapping her best friend - a fascinating beast named Okja.Director: Bong Joon Ho
Composer: Jaeil Jung
Cinematographer: Darius Khondji ASC AFC
Film Editor: Yang Jinmo
Production Designers: Kevin Thompson, Ha-Jun Lee
New York Unit Art Director: Deborah Jensen
Vancouver Unit Art Director: Gwendolyn Margetson
Costume Designers: Catherine George, Se-yeon Choi
SFX Supervisor: Kyung-soo Park
VFX Supervisors: Erik De Boer, Angela Ji, Jun Hyoung Kim, Jeon Hyoung Lee
Stunt Coords: Marny Eng, Myung Haeng Heo, Jin Jeong, Victor Paguia
Vancouver Unit Stunt Coord: Duane Dickinson
A Camera/Steadicam Operator: Mark Goellnicht
B Ops: Maceo Bishop, Ji-Yong Kim, Yong-Seong Kim
Steadicam Operator: Sasha Proctor
Second Unit Director of Photog: Patrick Capone
New York Unit C Camera Operator: Matias Mesa
Vancouver Unit B Operator: Stephen Maier
Assist to Darius Khondji: Chan Constantine Choi
Asst to Darius Khondji, NY Unit: Alex Khondji
DI Colorist: Yvan Lucas
Filming Dates: April 22, 2016 - August 27, 2016
Cameras: Alexa 65, Mini & XT (3.4K/6.5K ARRIRAW)
Lenses: Panavision Primo 70 Primes, System 65 Primes, Super Speed MKII SL Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (S35mm & Panavision Super 70)
Budget: 50 Million USD
Attribute: Filmed in Panavision - DirectorMarti NoxonStarsRebekah KennedyLily CollinsDana L. WilsonA young woman, dealing with anorexia, meets an unconventional doctor who challenges her to face her condition and embrace life.Director: Marti Noxon
Composer: Fil Eisler
Cinematographer: Richard Wong
Film Editor: Elliot Greenberg
Production Desinger: Maya Sigel
Costume Designer: Maria Tortu
Senior VFX Supervisor: Michael Kowalski
On-Set VFX Supervisor: Bill Millar
Stunt Coordinator: David Rowden
Stunt Coordinator/Lily Collins Stunt Double: Katie Eischen
Camera Operator: Parker Tolifson
A-Camera/Steadicam Operator: Ross Coscia
Additional Film Editors: Dustin Chow, Jennifer Vecchiarello
Filming Dates: March 2016 - April 2016
Camera: Alexa HS (Digital)
Lenses: Panavision Primo Spherical Primes, PVintage Spherical Primes & Primo Compact Zoom
AR: 1.85:1 (Super 35mm)
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorAngelina JolieStarsSareum Srey MochPhoeung KompheakSveng SocheataCambodian author and human rights activist Loung Ung recounts the horrors she suffered as a child under the rule of the deadly Khmer Rouge.Director: Angelina Jolie
Composer: Marco Beltrami
Cinematographer: Anthony Dod Mandle ASC BSC
Film Editors: Patricia Rommel, Xavier Box
Production Designer: Tom Brown
Supervising Art Director: Tom Reta
2nd Unit Art Director: Patrick M. Sullivan Jr
Costume Designer: Ellen Mirojnick
Production Designer: Steven P. Saeta
1st Assistant Director: Adam Somner
SFX Supervisor: Chris Bailey
VFX Colorist: Jason Evanko
Stunt Coordinator: Lee Morrison
Camera Operators: Liam Morgan, Alistair Rae
Camera/Steadicam Operator: Bela Trutz
2nd Unit DP: Alexander Witt ASC
2nd Unit A-Camera Operator: Bruno Witt
Additional Film Editor: Andrew Bird
Digital Colorist: Adam Glasman
Filming Dates: November 2015 - February 2016
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision Primo Spherical Primes, Leica Summicron-C Primes & Angenieux Optimo Zooms
AR: 1.85:1 (Super 35mm)
Budget: 22 Million USD
Visual Effects Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorMike FlanaganStarsCarla GuginoBruce GreenwoodChiara AureliaA couple tries to spice up their marriage in a remote lake house. After the husband dies unexpectedly, the wife is left handcuffed to their bed frame and must fight to survive and break free.Director/Film Editor: Mike Flanagan
Cinematographer: Michael Fimognari
Composers: The Newton Brothers
Production Designer: Patrick M. Sullivan Jr
Costume Designer: Lynette Meyer
SFX Supervisor: William Purcell
VFX Supervisors: Bret Culp, Martin Tori
Camera Operator: Thomas Valko
B-Camera Operator: Lou Chanatry
Digital Colorist: Jill Bogdanowicz ASC
Filming Dates: October 17, 2016 - November 13, 2016
Camera: Alexa 65 (6.5K ARRIRAW)
Lenses: Arri Prime 65 & Zeiss Vintage 765 Primes
AR: 2.39:1 (Arri 765)
Digital Intermediate Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorRitesh BatraStarsRobert RedfordJane FondaMatthias SchoenaertsFonda and Redford star as Addie Moore and Louis Waters, a widow and widower who've lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbor.Director: Ritesh Batra
Composer: Elliot Goldenthal
Cinematographer: Steohen Goldblatt ASC BSC
Film Editor: John F. Lyons
Production Designer: Jane Ann Stewart
Costume Designer: Wendy Chuck
VFX Supervisor: Luke DiTommaso
Supervising Finishing Artist: Steven J. Scott ASC
Stunt Coordinator: Whitney Coleman
A-Camera/Steadicam Operator: Henry Tirl
2nd Unit DP: Kent Harvey
Filming Dates: September 12, 2016 - November 2, 2016
Cameras: Sony CineAlta PMW-F55 & Canon EOS C300 Mark II (4K F55 RAW & Canon RAW)
Lenses: Panavision Primo Spherical Primes, Super Speed MKII Spherical Primes, Ultra Speed MKII Spherical Primes & Angenieux Optimo Zooms
AR: 1.78:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorMcGStarsJudah LewisSamara WeavingRobbie AmellWhen Cole stays up past his bedtime, he discovers that his hot baby sitter belongs to a satanic cult that will stop at nothing to keep him quiet.Director: Joseph McGinty Nichol (McG)
Composer: Douglas Pipes
Cinematographer: Shane Hurlbut ASC
Film Editors: Martin Bernfeld, Peter Gvozdas
Production Designer: Kristen Vallow
Costume Designer: Hannah Jacobs
SFX Supervisor: Jesse Noel
Effects Supervisor: Halder Dipansu
VFX Supervisors: Amit Jain, Vico Sharabani, Asaf Yeger
Stunt Coordinator: Tim Trella
B-Camera Operator: Emmanuel Vouniozos
Digital Colorist: John Persichetti
Camera: Red Weapon Dragon (6K Redcode RAW)
Lenses: Cooke S4 Primes, Zeiss Super Speed Primes & Arri Ultra Primes
AR: 2.35:1 (Super 35mm) - DirectorNoah BaumbachStarsAdam SandlerGrace Van PattenDustin HoffmanAn estranged family gathers together in New York City for an event celebrating the artistic work of their father.Director: Noah Baumbach
Composer/Performer/Conductor: Randy Newman
Cinematographer: Robbie Ryan BSC
Film Editor: Jennifer Lame ACE
Production Designer: Gerald Sullivan
Costume Designer: Joe Aulisi
SFX Supervisor: Jeff Brink
Digital Compositor/VFX Supervisor: Andrew Lim
Stunt Coordinator: Manny Siverio
A-Camera Operator: Chris Moone
DI Film Scanning: Nate Davis
Supervising Digital Colorist: Jack Lewars
Filming Dates: 7 March 2016 - 9 May 2016
Camera: Arriflex 416 (16mm Kodak Vision3 200T 7213/500T 7219)
Lenses: Canon 11-165mm Zooms
AR: 1.85:1 (Super 16mm)
Budget: 11.4 Million USD
Arrtibute: Camera Equipment Provided by Arri CSC - DirectorZak HilditchStarsThomas JaneMolly ParkerDylan SchmidA simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to assist. But their actions have unintended consequences.Director: Zak Hilditch
Composer: Mike Patton
Cinematographer: Ben Richardson ASC
Film Editor/VFX Supervisor: Merlin Eden
VFX Artist/Supervisor: Andrew Buckley
Additional VFX Supervisor: Becky Philpott
Production Designer: Page Buckner
Costume Designer: Claudia Da Ponte
Stunt Coordinator: Ed Anders
A-Camera Operator: Robin Lindala
2nd Unit DP: Ross Metcalf
Nebaska Unit DP: Michael Lang
1st Assistant B-Camera/VFX Unit DP: Karl Janisse
Supervising Digital Colorist: Mitch Paulson ASC
Filming Dates: 30 September 2016 - 4 November 2016
Camera: Red Weapon (6K Redcode RAW)
AR: 2.35:1 (Super 35mm)
Budget: 5 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Shot on Red - DirectorDee ReesStarsJason MitchellCarey MulliganJason ClarkeTwo men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war.Director: Dee Rees
Composer: Tamar-Kali
Cinematographer: Rachel Morrison ASC
Film Editor: Mako Kamitsuna
Production Designer: David J. Bomba
New York Unit Art Director: Arthur Jongewaard
Costume Designer: Michael T. Boyd
VFX Supervisor: Eric J. Robertson
On-Set VFX Supervisor: Csaba Toth
Stunt Coordinator: William Scharpf
A-Camera Operator: Robert Stenger
Steadicam Operator: Grayson Austin
Budapest Unit A-Camera Operator: Botond Aszalos
Camera Operator (Additional Photography): Sung Rae Cho
Supervising Digital Colorist: Joe Gawler
Camera: Alexa Mini (3.4K ARRIRAW)
Lenses: Panavision Primo Anamorphic 11:1 Zoom, Primo SL Primes, C-, D-Series Anamorphic Primes, E-Series 180mm, T-Series 150mm, PVintage Spherical Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (Anamorphic/Super 35mm Hybrid)
Budget: 10 Million USD
Attribute: Filmed in Panavision - DirectorDavid AyerStarsWill SmithJoel EdgertonNoomi RapaceA detective must work with an Orc to find a powerful wand before evil creatures do.Director: David Ayer
Composer: David Sardy
Cinematographer: Roman Vasyanov RGC
Film Editors: Michael Tronick ACE, Geoffrey O'Brien, Aaron Brock
Production Designer: Andrew Menzies
Costume Designer: Kelli Jones
Supervising Stunt Coordinator/2nd Unit Director: Robert Alonzo
2nd Unit Director: Dan Bradley
SFX Supervisor: Scott R. Fisher
2nd Unit SFX Coordinator: Elia P. Popov
VFX Supervisor: Marcus Taormina
Lola VFX Supervisor: Jeremiah Sweeney
Webisode Unit Stunt Coordinator: Randy Beckman
Camera Operator: Eric Laudadio
A-Camera Operator: Peter Rosenfeld
B-Camera Operator: Martin Schaer
2nd Unit DPs: Roberto Schaefer ASC AIC, Patrick Loungway
2nd Unit Stunt Coordinator: Scott Rogers
2nd Unit camera Operator: Joseph Arena
A-Camera/Steadicam Operator (Add. Photography): Will Arnot
Senior DI Colorist: Yvan Lucas
Colorist: Katie Jordan
Filming Dates: 31 October 2016 - 4 February 2017
Cameras: Alexa 65, Mini, XT & Red Weapon Helium (3.4K/6.5K ARRIRAW & 8K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & APO Panatar Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 90-106.2 Million USD
Attribute: Filmed in Panavision - DirectorJulius OnahStarsGugu Mbatha-RawDavid OyelowoDaniel BrühlOrbiting a planet on the brink of war, scientists test a device to solve an energy crisis, and end up face-to-face with a dark alternate reality.Director: Julius Onah
Casting: Denise Chamian CSA
Composer, Conductor, Orchestrator & Score Producer: Bear McCreary
Costume Designer: Colleen Atwood
Production Visual Effects Supervisors: Russell Earl, Jason Snell
Film Editors: Alan Baumgarten ACE, Matt Evans, Rebecca Valente
Production Designer: Douglas J. Meerdink
Production Designer, AP: Amelia Brooke
Cinematographer: Dan Mindel ASC BSC SASC
Cinematographer, Add'l Photog: Isaac Bauman
Executive Producer/Unit PM: Thom Harper
Executive Producer/Key UPM: Robert Dohrmann
EPs: Jon Cohen, Bryan Burk, Matt Reeves, Drew Goddard
Producers: J.J. Abrams, Lindsey Weber
Co-Writer: Oren Uziel
Story Writer: Doug Jung
First Assistant Director: Mark Anthony Little
Second Assistant Director: Andrew Ward
Co-Producer: Cory Bennett Lewis
Stunt Coordinator: Mike Massa
Associate Producer: Rick Carter
Supervising Art Director: Maya Shimoguchi
Production Set Decorator: Amanda Moss Serino
A Camera/Steady Operator: Chris Haarhoff SOC
B Camera Operator: Philippe Carr-Forster
A First Assistant Photographer: Sergius Nofield
B First Assistant Photographer: Keith B. Davis
A Second Assistant Photographer: Rob Campbell
B Second Assistant Photographer: Nat Mullen
Panaflex XL2 Film Loader: Kristen Correll
Sound Mixer: Steven A. Morrow
Supervising Prop Master: Andrew M. Seigel
Third Prop Assistant: Gregory M. Edgar
Chief Lighting Technician: Christopher Prampin
Assistant Chief Lighting Technic: Mark Hadland
Chief Rigging Electrician: John R. Manocchia
Assistant Chief Rigging Electric: Anthony T. Orfia
Lighting Console Programmer: Benoit Richard
On-Set LED Technician: Ken Longballa
Rigging LCP/LED Technician: Greg Mayer
Assistant Costume Designer: Timothy A. Wonsik
Costume Supervisor: Tom MacDonald
Production Special Effects Designer: Michael Kay
Overall Special Effects Supervisor: Blumes Tracy
SFX First Unit Foreperson: Erich Mingenbach
Special FX Second Unit Foreperson: Eric Dressor
Special FX Pyro Foreperson: Lenny Dalrymple
Special Effects Shop Foreperson: Nick Reade
Post Production Supervisor: Lisa Rodgers
Supervising Sound Editor: Robert Stambler MPSE
Sup Sound Editor/Re-Recording Mixer: Will Files
Re-Recording Mixer: Lindsey Alvarez MPSE
First AEs: Mike Azevedo, Dylan Firshein, Meghan L. Noble, Laura Yanovich
Overall Visual Effects Editors: Jeremy Weinstein, Nolan Reese, Michael T. Wilson
Second Assistant Editor: Christina Mar
Production Coordinator: Michyl-Shannon Quilty
Assistant Production Coordinator: Laura Pena
Key Second Assistant Director: Chris T. Sadler
Second Second AD: Cecilia Sanchez Sweatman
Lead Graphic Designer: Ellen Lampl
Art Department Coordinator: Courtney Laine
Storyboard Artists: Jon Gesinki, Anthony Wang
Digital Asset Manager: Bryan Eddy
Production Music Editor: Michael Baber
Score Orchestrators: Ed Trybek, Jonathan Beard, Henri Wilkinson
Orchestra Contractor: Peter Rotter
Score Recordist & Mixer: Steve Kaplan
Second Unit Dir, Additional Unit: Tommy Gormley
Additional Unit Second AD: Joshua Wever
Second Unit DoPs, Additional Unit: Pete Romano ASC, Bruce McCleery ASC, Josh Bleibtreu ASC
Second Unit A/Steady Op, Additional Unit: Harry K. Garvin
Additional Unit A First AP: Simon England
Additional Unit B First AP: Loren Elkins
Additional Unit A Second AP: Tyler Allison
Additional Unit Film Loader: Rio Noel Zumwalt
Additional Unit Prod Supervisor: Chris Miller
Additional Unit Chief LT: Patrick T. Hoeschen
Additional Unit Lighting CP: Scott Barnes
Additional Unit Underwater LT: Andy Huber
Art Director, Additional Photog: Chris Giammalvo
Special Effects Supervisor, AP LA: Roy K. Cancino
Production Visual Effects Producer: Chrysta Marie Burton
Add'l Visual Effects Supervisor: Pauline Duvall
Main Titles/Add'l VFX Supervisor: Stefano Trivelli
Visual Effects Prod Supervisor: Victor F. Medel
Visual Effects Data Wrangler: Nick Allen
Visual Effects Prod Coordinator: Kristofer Cross
VFX Assistant Prod Coord: Damian Gonzalez
ILM Visual Effects Exec. Producer: Jeanie King
ILM Visual Effects Prod Coordinator: Keith Brown
ILM Production Accountant: Brenda Huey
Base FX VFX Supers.: Sean Stranks, Harry Lam
Base FX Visual Effects Exec Prod: Tolly Swallow
Base FX Visual Effects Producer: Eunice Khoo
Atomic Fiction VFX Supervisor: Ryan Tudhope
Atomic Fiction Add'l Assoc Super: Aidan Fraser
BUF Visual Effects Supervisor: Nicolas Maillard
CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC
Company 3 Finishing Producer: Stephen Newman
Company 3 Finishing Editor: Matthew W. Johnson
Company 3 DI Finishing Accountant: Ian Sullivan
Company 3 Color Assistant: Danny Keefe
Filming Dates: June 10, 2016 - September 23, 2016, Mid-2017 (Reshoots)
Camera: Panaflex XL2 (35mm Kodak Vision3 500T 5219)
Lenses: Panavision® Primo AL + SL Primes, Retro C-. E-, G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Some Scenes)
Budget: 45 Million USD
Visual Effects & Animation by: Industrial Light & Magic, Base FX + Atomic Fiction
Digital Intermediate Provided by: Company 3
Shot on: Kodak Film
Attribute: Filmed in Panavision® - DirectorKyle NewacheckStarsAdam DevineAnders HolmBlake AndersonThree friends are on the verge of getting their video game financed when their benefactor is taken hostage by terrorists.Director: Kyle Newacheck
Composer: Steve Jablonsky
Cinematographer: Grant Smith
Film Editor: Evan Henke
Production Designer: William Arnold
Costume Designer: Carla Hetland
LA SFX Supervisor (Add. Photography) Roy K. Cancino
VFX Supervisor/Producer: Ray McIntire Jr
Stunt Coordinator: Jeff Dashnaw
2nd Unit Stunt Coordinator: Chad Bowman
Stunts: Randy Beckham
A-Camera/Steadicam Operator: Peter Wilke
2nd Unit A-Camera/Steadicam Operator: Marco Ciccone
LA Unit A-Camera/Steadicam Operator: Justin Browne
Colorist: Tom Reiser
Filming Dates: 12 April 2017 - 5 June 2017
Camera: Red Weapon (5K/6K Redcode RAW)
Lenses: Panavision G-Series Anamorphic Primes & Anamorphic Zooms
AR: 2.35:1 (Anamorphic)
Budget: 27.1 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Filmed in Panavision - DirectorMarja-Lewis RyanStarsAbbi JacobsonDave FrancoCharlotte CarelA woman (Jacobson) learns her brother (Franco) has relapsed on heroin.Director: Marja-Lewis Ryan
Composer: Heather McIntosh
Cinematographer: Polly Morgan ASC BSC
Film Editor: Brian Scofield
Productin Designer: Michael Fitzgerald
Costume Designer: Skye Stewart-Short
SFX Supervisor: Jomathan Kombrinck
Stunt Coordinator: TJ White
Senior Colorist: Leandro Marini
Colorist: Lee Hultman
Lenses: Cooke Xtal Xpress Anamorphic Primes
AR: 2.00:1 (Anamorphic) - DirectorJoshua MarstonStarsChiwetel EjioforGerard CatusAllie McCullochEvangelist Carlton Pearson is ostracized by his church for denying the existence of Hell.Director: Joshua Marston
Composer: Tamar-Kali
Cinematographer: Peter Flinckenberg
Film Editor: Malcolm Jamieson
Production Designer: Richard Sherman
Costume Designer: Ann Walters
VFX Supervisors: Lucien Harriot, Alex Noble
A-Camera/Steadicam Operator: Ian Forsyth
B-Camera Operator: John Taggart
Additional Film Editor: Katie McQuerrey
Camera: Red Weapon (8K Redcode RAW)
Lenses: Whitepoint Optics TS70 Primes
AR: 2.35:1 (Super 35mm)
Attribute: Camera Equipment Provided by Keslow Camera - DirectorMark RasoStarsEd HarrisJason SudeikisElizabeth OlsenSet during the final days of the admired photo development system known as Kodachrome, a father and son hit the road in order to reach the Kansas photo lab before it closes its doors for good.Director: Mark Raso
Composer: Agatha Kaspar
Cinematographer: Alan Poon CSC
Film Editor: Geoff Ashenhurst
Production Designer: Oleg M. Savytski
Costume Designer: Diana Irwin
SFX Supervisor: Derek Liscoumb
Main Title Designer/VFX Supervisor: Kevin Chandoo
DI Colorist: Mark Kueper
Stunt Coordinator: Paul Rapovski
A-Camera/Steadicam Operator: Yoann Malnati
B-Camera Operator: Kit Whitmore
C-Camera Operator: Cudah Andarawewa
Cameras: Arricam LT & ST (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Zeiss Master Primes
AR: 1.85:1 (4-Perf Super 35mm)
Attribute: Camera Equipment Provided by Clairmont - DirectorVince MarcelloStarsJoey KingJacob ElordiJoel CourtneyA high school student is forced to confront her secret crush at a kissing booth.Director/Producer/Screenwriter: Vince Marcello
Production Designer: Dave Arrowsmith
Co-Producer: Adam Friedlander
Costume Designers: Anna Seegers, Karli Seegers
Music Supervisor: Linda Cohen
Composer: Patrick Kirst
Film Editor: Paul Millspaugh ACE
Cinematographer/B Op: Anastas N. Michos ASC
Producers: Ed Glauser, Andrew Cole-Bulgin
Producer/Unit Prod Manager: Michelle Weisler
First Assistant Director: Andre Weavind
Second Assistant Director: Robyn Glaser
Line Producer: Alan Shearer
South Africa Unit Prod Manager: Vanessa Haupt
Unit Production Manager, Prep: Daniela Springer
Stunts & Production SFX Supervisor: John Smith
Stunts & Lead SFX Coordinator: Nathan Weatley
SFX Technicians: Serena Ciralli, Erick Mtshilibe
Supervising Art Director: Fran Vos
On-Set Art Director: Jo Glanville
Art Department Coordinator: Jo Glanville
Set Decorator (Prep): Craig Macdonald-Menzies
Production Set Decorator: Stuart Bryce
Production Props Master: Francois Coetzee
A Camera Operator: Sven Vosloo
B Camera Operator: George Loxton
C / Steadicam Operator: Andrew Luscombe
A Camera First Assistant:
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VFX Supervisor: Simon Lecavalier
On-Set VFX Supervisor: Marc Bloch
LA Unit Stunt Coordinator: James M. Churchman
Camera Operators: George Loxton, Mariana Sánchez de Antuñano
2nd Unit Camera Operator: Bill Trautvetter
DI Colorist: Corinne Bogdanowicz
DI Finishing Artist: Monique Eissing
Additional Film Editor: Edward R. Abroms ACE
Picture Vehicle Coordinator: Paddy Ellis
LA Unit A-Camera Operator: Mariana Antunano
LA Unit Drone Camera Operator: Josh Hill
LA Unit Picture Car Coordinator: Bob Hartwig
Filming Dates: January 2017 - April 2017
Camera: Sony CineAlta PMW-F55 (4K F55 RAW)[AXSM]
Lenses: Panavision Primo SL Zooms & Ultra Speed MKII Spherical Primes
AR: 2.20:1 (Super 35mm)
Attribute: Filmed in Panavision - DirectorSusan JohnsonStarsLana CondorNoah CentineoJanel ParrishA teenage girl's secret love letters are exposed and wreak havoc on her love life.Director: Susan Johnson
Screenwriter: Sofia Alvarez
Executive Producer: Jenny Han
EPs: Brett Bouttier, Robyn Marshall, Don Dunn
Producers: Matt Kaplan, Jordan Levin
Producer: Dougie Cash
Co-Producers: Max Siemens, Jessica Held, Kelsey Jackson
Co-Producers: Vicki Sotheran, Megan Dreydanus
Cinematographer: Michael Fimognari
Film Editors: Joe Klotz ACE, Philip J. Bartell
Production Designer: Paul Joyal
Costume Designer: Rafaella Rabinovich
Composer: Joe Wong
Associate Producer: Warren Fischer
Unit Production Manager: Joyce Sawa
Second Assistant Director: Eddy Hardy
VFX Supervisor: Chris Wells
Stunt Coordinator: Brett Armstrong
A Camera Operator: Kevin Hall
B / Steadicam Ops: Tamara Jones, Ryan Purcell
Digital Colorist: Jill Bogdanowicz ASC
Filming Dates: 5 July 2017 - 4 August 2017
Cameras: Alexa Mini & XT (3.4K ARRIRAW)
Lenses: Arri Master Anamorphic Primes & Cooke Anamorphic/I Primes
Feature Post Finishing Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by VER