I wish that Frank Baker could like Bradley Delp from Boston comparisons
This is another list of people along with Frank Baker mostly Tuesday, Thursday, Saturday, and Monday people once again doesn't matter who as long as they were born on 1 of those 4 days of the week in my opinion. This is a list of specifically everybody and anybody in my opinion that could like Bradley Delp from my favorite non Bad Company Classic Rock Band called Boston comparisons at all costs.
List activity
61 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
38 people
- Actor
- Stunts
- Additional Crew
Frank Baker was born on 11 October 1892 in Melbourne, Victoria, Australia. He was an actor, known for The New Adventures of Tarzan (1935), Scotty of the Scouts (1926) and The Call of the Heart (1928). He was married to Helen Elizabeth (Ingram) Bronough. He died on 30 December 1980 in Woodland Hills, Los Angeles, California, USA.He was born on a Tuesday.- David Knight was born on 16 January 1928 in Niagara Falls, New York, USA. He was an actor, known for On Such a Night (1956), A Story of David: The Hunted (1960) and Missiles from Hell (1958). He was married to Wendy McClure. He died on 20 December 2020.He was born on a Monday.
- Actor
- Soundtrack
James Robertson Justice was always a noticeable presence in a film with his large stature, bushy beard and booming voice. A Ph.D., a journalist, a naturalist, an expert falconer, a racing car driver, JRJ was certainly a man of many talents.
He entered the film industry quite late in life (37) after he was spotted serving as MC for a local music hall. He became a familiar figure on-screen after a succession of "larger than life" roles during the 40s and 50s, and particularly as Sir Lancelot Spratt in the "Doctor" film series.He was born on a Saturday.- Robert Beatty graduated with a B.A. from the University of Toronto and started in amateur dramatics with the Hamilton Player's Guild. For a while, he made a living as a cashier for a gas and fuel company. In order to further hone his acting skills, he made his way to London in 1936 (on the advice of Leslie Howard) to train for acting at RADA. He made his theatrical debut in "Idiot's Delight" at the Apollo, and from there obtained regular work on both stage and screen in bit parts and walk-ons, eventually making his breakthrough on radio as a broadcaster for the BBC. He was famously on hand, reporting eyewitness accounts of the London Blitz for the Overseas News Service during the war years.
On the strength of this, Beatty was promoted to more substantial film roles, beginning with San Demetrio London (1943), in which he played a brash, alcoholic American sailor mellowed by his good-natured British crewmates in the best 'stiff-upper-lip' tradition. This seemed to set the tone for his future screen personae, for he was henceforth typecast as tough, down-to-earth Canadians or Americans, many of them cops or gumshoes in low budget potboilers. That notwithstanding, he had his share of quality assignments as well, notably as loyal friend to IRA fugitive James Mason in Odd Man Out (1947); as a plausible Lord Beaverbrook in The Magic Box (1951); as Lieutenant William Bush, best friend and second-in-command to Gregory Peck's Captain Horatio Hornblower (1951); and as a washed-out heavyweight prizefighter in The Square Ring (1953). Throughout his career, Beatty's stock-in-trade was masculinity, dependability and forthrightness.
Immensely popular on radio, Beatty provided the voice for private eye Philip Odell in a long-running series for the BBC "Light Programme" between 1947 and 1961. From the late 1950's, he also became increasingly prolific on television and as a narrator of documentaries. If his face was not yet recognisable enough, he appeared in commercials for a hair care product. For two years, Beatty starred in his own half-hour series, Dial 999 (1958), as a Canadian mountie seconded to Scotland Yard. On the big screen he was cast as Dr. Ralph Halvorsen in Stanley Kubrick's 2001: A Space Odyssey (1968). Towards the end of his lengthy career, he gave one of his finest performances, a thoroughly convincing impersonation of President Ronald Reagan in the documentary-drama Breakthrough at Reykjavik (1987).He was also born on a Tuesday like Bradley Delp. - Eunice Gayson was an English actress best known for playing Sylvia Trench, James Bond's girlfriend in the first two Bond films (Dr. No and From Russia with Love). Originally, Gayson was to be cast as Miss Moneypenny, but that part went to Lois Maxwell instead.
Gayson was originally to have been a regular in the Bond film series, but her character was dropped. Gayson's voice in Dr. No and From Russia with Love was overdubbed by voice actress Nikki van der Zyl, as were the voices of nearly all the actresses appearing in the first two Bond films, though Gayson's real voice can still be heard in original trailers for Dr. No.
As the first female to be seen in Dr. No together with James Bond (Sean Connery), she is officially the very first actress to play a Bond girl.
Decades later, Gayson's daughter appeared in a casino scene in the 1995 Bond film GoldenEye.
She also starred in the Hammer horror film The Revenge of Frankenstein (1958).
Gayson died on 8 June 2018, aged 90.She was born on a Saturday. - Marie Lohr was born on 28 July 1890 in Sydney, New South Wales, Australia. She was an actress, known for Pygmalion (1938), Notorious Gentleman (1945) and South Riding (1938). She was married to Anthony Leyland Val Prinsep. She died on 21 January 1975 in London, England, UK.She was born on a Monday like Tom Scholz.
- Harold Kasket was born on 26 July 1926 in London, England, UK. He was an actor, known for Moulin Rouge (1952), The 7th Voyage of Sinbad (1958) and Reluctant Bandit (1965). He was married to Esther Laredo. He died on 20 January 2002 in London, England, UK.He was also born on a Monday just like Tom Scholz.
- Jill Melford came from a rich theatrical background. She was evacuated to America during World War Two and was educated at Gardner School and the Ballet Arts School, both of which are in New York. Her New York theatre debut came in 1949 when she appeared as a dancer in a production of 'Oklahoma!' and her first London appearance came in 1953 when she performed in 'The Seven Year Itch'. She went on to appear in other stage plays including 'Auntie Mame', 'Ulysses in Night-time', 'The Life of the Party', 'The Right Honourable Gentleman', 'There's a Girl in My Soup', 'Not Now, Darling', 'Best of Friends' and 'The Chairman'. In addition to her acting work, Melford was also an experienced interior decorator. She was divorced from the actor John Standing with whom she had a son, Alexander.She was born on a Monday as well like Tom Scholz.
- An engineer's daughter, she had first planned on becoming a ballerina, using her original Christian name Muguette, but abandoned those plans by the age of 17 when she realized that her physique was more in keeping with her other first name, Megs. She trained in Liverpool at the School of Dancing and Dramatic Art and then joined the Liverpool Repertory Company in 1933 before moving to London to appear at the Player's Theatre four years later.
During the 1950's, Megs was busy acting on stage and had considerable critical success in two plays by Emlyn Williams, 'Light of Heart' (1940) and 'The Wind of Heaven' (1945). Against character, she also played the vicious, unstable Alma Winemiller in 'Summer and Smoke' (1951) by Tennessee Williams. In 1956, she was awarded the Clarence Derwent Award as Best Supporting Actress for her role as the stoic wife of a longshoreman harbouring incestuous feelings for his niece in 'A View from the Bridge' by Arthur Miller. The previous year, she had made her Broadway debut in Chekhov's 'A Day by the Sea' as a supportive governess to an alcoholic physician.
Among her screen roles, best remembered are those of Nurse Woods in the excellent murder mystery Green for Danger (1946); her plump, homely innkeeper providing final happiness to the title character at the end of The History of Mr. Polly (1949)); and three of her many housekeepers : the proper one of Indiscreet (1958), the nervously anxious one, sensing danger in The Innocents (1961) and the warm, dependable one in the musical Oliver! (1968). From the 1960's, Megs did a lot of television work, starred in her own series, Weavers Green (1966), as a country veterinarian, and even made tea bag commercials. Her versatility and popularity as an actress ensured that she was never out of work.She was born on a Saturday like Bass Player Fran Sheehan for concerts mostly. - Actor
- Soundtrack
Born as Arthur John Stainer, he was the younger son of Ferdinand (Frank) Steiner and Lilian Blumberg. His brother was the film actor Leslie Howard and his sister the casting director Irene Howard. His uncle was the film director Wilfrid Noy. He married the actress Jean Compton Mackenzie (a daughter of the actor Frank Compton) in 1936 and they had a son together, the stage actor Alan Howard.
Arthur appeared in several television programmes such as Whack-O, a school comedy in which he played the hapless assistant headmaster Pettigrew to Jimmy Edwards's headmaster, and he was in the 1959 film version Bottoms Up. He appeared in many films, including American Friends, The Magnificent Seven Deadly Sins, and had the small role of Cavendish in the James Bond film Moonraker.
Balding, worried-looking London-born comic actor, who first rose to prominence as Jimmy Edwards's long-suffering headmaster in 'Whack-O!' on BBC radio. The show was later transferred to the screen by BBC TV and ran from 1956 to 1960 in its original format.He was really born on a Tuesday as well like Bradley Delp too.- Cyril Luckham was born on 25 July 1907 in Salisbury, Wiltshire, England, UK. He was an actor, known for A Man for All Seasons (1966), The Guardians (1971) and The Barchester Chronicles (1982). He was married to Violet Lamb. He died on 8 February 1989 in London, England, UK.He was born on a Thursday like Barry Goudreau!
- Michael Howard was born on 4 March 1916 in Holywell Green, Yorkshire, England, UK. He was an actor, known for A Sister to Assist 'Er (1948), Golden Rendezvous (1977) and Front Page Story (1954). He was married to Peggy Evans and Betty Kelly. He died on 18 February 1988 in London, England, UK.He was also born on a Saturday like Fran Sheehan.
- Actor
- Writer
Debonair British actor at home on stage (since the age of 15), screen and TV. Initially, his roles tended to be dramatic but, by his 40s, he was increasingly playing tongue-in-cheek comedy parts. His smooth lounge-lizard voice has frequently been used for voice-overs on television advertisements (most famously a long-running campaign for Schweppes drinks) and TV trailers.He was born on a Tuesday like Brad Delp.- Russell Napier was born on 28 November 1910 in Perth, Western Australia, Australia. He was an actor, known for A Night to Remember (1958), The Case of the Red Monkey (1955) and The Time Machine (1949). He was married to Lois Mary Caird Miller. He died on 19 August 1974 in Surbiton, Surrey, England, UK.He was born on a Monday like Tom Scholz.
- Actor
- Soundtrack
The star of the Carry On series of films, Sid James originally came to prominence as sidekick to the ground breaking British comedy actor Tony Hancock, on both radio and then television. Born in Johannesburg, South Africa and named Solomon Joel Cohen, James arrived in England in 1946, second wife in tow, having served with the South African Army during World War 2. By now an aspiring actor, James claimed to have boxed in his youth, perhaps to explain his craggy features, but was certainly a well respected hairdresser in his native country. Known in the trade as "one take James", he became a very talented and professional actor, constantly in demand for small parts in British post-war cinema. In 1960 James debuted in the fourth of the Carry On films, taking the lead role in Carry on Constable (1960) and went on to appear in a further 18 Carry On films as well as various stage and television spin-offs. Reputed not to have got on with Carry On co-star Kenneth Williams, the two often played adversaries on-screen, notably in the historical parodies Carry on Up the Khyber (1968) and Carry on Don't Lose Your Head (1967). James however was respected and revered by almost everyone he worked with and contrary to popular myth, a true gentleman. An addiction to gambling played a large part in James' workaholic schedule and subsequent heart attack in 1967. He was soon back in action however, playing a hospital patient in Carry on Doctor (1967), able to spend most of the film in bed. He suffered a second and fatal heart attack on stage in Sunderland, England on April 26 1976, leaving behind 3 children and his third wife Valerie who had stuck by him despite his affair with Carry On co-star Barbara Windsor, saying, "He always came home to me".He was born on a Thursday like Barry Goudreau!- Barbara Leake was born on 14 May 1903 in Hunstanton, Norfolk, England, UK. She was an actress, known for Kind Hearts and Coronets (1949), Dead of Night (1945) and A Study in Terror (1965). She was married to Stafford Byrne. She died on 18 August 1991 in Chichester, Sussex, England, UK.She was born on a Thursday like Barry Goudreau!
- Douglas Ives was born on 16 August 1898 in Sheffield, England, UK. He was an actor, known for Brandy for the Parson (1952), The History of Mr. Polly (1959) and ITV Television Playhouse (1955). He died on 6 March 1969 in London, England, UK.He was born on a Tuesday like Bradley Delp!
- Actor
- Soundtrack
Popular Hollywood leading man of late silents and early talkies. He is best remembered for his teaming with Janet Gaynor in 12 screen romances between 1927 and 1934. He retired from films in the early 1940s, but TV audiences of the 1950s would see him as Gale Storm's widower dad in the popular television series My Little Margie (1952).He was born on a Thursday like Barry Goudreau!- Born on October 1, 1896, in Rangoon, Burma, to Burmese-Jewish parents, and the son of a well-to-do merchant, distinguished veteran character actor Abraham Isaac Sofaer was a one-time schoolteacher in both Rangoon and London. He switched gears to acting after a short time and made his stage debut in 1921 as a walk-on in William Shakespeare's "The Merchant of Venice."
Sofaer scored his first prominent London appearance with "The Green Goddess" in 1925 and, from the 1930s on, alternated between the London and Broadway repertory stages playing an assortment of Shakespearean roles (Othello, Lear, Cassius, etc.) among other classical plays. He scored a personal triumph in New York as Benjamin Disraeli opposite Helen Hayes in "Victoria Regina" in 1936. The following year, he directed Ms. Hayes in "The Merchant of Venice", in which he played the title role of "Shylock". A theatre repertory player of note, he soon focused on the big screen and made his British film debut with The Dreyfus Case (1930). Subsequent noteworthy British film roles included his judge in A Matter of Life and Death (1946) and as Disraeli in The Ghosts of Berkeley Square (1947). Recognized for his bulgy, wide-eyed stare, resonant tones and imposing stance, he built up a solid reputation over the years playing odd and interesting Eastern ethnics -- sultans, swamis, high priests, witch doctors, foreign dictators and dignitaries, he was even convincing playing Indian chiefs on occasion. His characters ranged from wise and warm-hearted to cunning and wickedly evil.
In the mid-1950s, Sofaer settled in Hollywood wherein he became a main staple in exotic dramas and costumed adventure, appearing almost exclusively in movies and TV. Some of his better known U.S. films include Quo Vadis (1951), His Majesty O'Keefe (1954), Elephant Walk (1954), Taras Bulba (1962) and Chisum (1970). Throughout the 1960s, he could be counted on for guest appearances on all the popular shows of the day including Perry Mason (1957), Wagon Train (1957), Gunsmoke (1955), Daniel Boone (1964) and Star Trek (1966). On TV, he may be best remembered for his recurring role of Haji, the master of all genies, on I Dream of Jeannie (1965).
Married to wife Angela for nearly seven decades and affectionately called "Abe" to closer friends, Sofaer was the father of six children. Retiring from acting in 1974, Sofaer died of congestive heart failure at the Motion Picture & Television Country House and Hospital in Woodland Hills, California at the age of 91 in 1988.He was born on a Thursday also like Barry Goudreau! - Kenneth Kove was born on 30 April 1892 in Wandsworth, London, England, UK. He was an actor, known for The Organizer (1963), The Great Game (1930) and Thark (1948). He died in December 1984 in Brighton, East Sussex, England, UK.He was born on a Saturday like Fran Sheehan!
- Clifford Buckton was born on 5 January 1897 in Leeds, West Yorkshire, England, UK. He was an actor, known for Detective Lloyd (1932), Battle for Music (1943) and Someone at the Door (1939). He died on 9 July 1960 in Kensington, London, England, UK.He was born on a Tuesday like Bradley Delp!
- Actress
- Soundtrack
Jill Adams (nee Siggins), was discovered while working as a model, having been asked to step in at the department store where she was an artist, when a model failed to show up. She was the daughter of Irish-American silent film actress Molly Adair, and New-Zealand writer, Arthur James Siggins (published under the name A.J. Siggins),. He had first sailed from the Antipodes to Africa as a young man to fight in the Boer war, where he served with the Matabele Mounted Police and later represented The ANZACs at Cecil Rhodes funeral in1902. His first wife was from Mozambique. The couple first met in Tanganyika (now Tanzania), where he was working with the High Commission. She was there on location to star in the silent film version of 'The Blue Lagoon' The young ingénue became A.J. Siggins' 2nd wife. After several years in Africa, during which time two sons were born, they relocated to England, where Jillian M.M.J. Siggins was born in London. During WWII, the family moved to North Wales, where they had 2 working farms. Upon returning to London following the war, and after Jill had become a successful model, she married a young US Navy officer stationed in the British capital, by the name of James Adams, in 1951. They had a daughter (Tina) in 1952. Jill's career began to flourish, but sadly the marriage did not, and now alone she began securing a few minor TV and film roles, before eventually being signed by J. Arthur Rank as one of the corporation's 'starlets'. The bubbly blonde actress, Jill Adams, soon made a string of popular films for the studios - many of which were light-hearted comedies such as 'Doctor at Sea' and 'Brothers in Law' - and she was often referred to as Britain's answer to Marilyn Monroe. She also made a few films in the US and Australia. In 1957, she married the well-known BBC radio and TV personality, Peter Haigh, and they were very much the 'It' couple. They had a daughter, Peta Louise, in 1962. Jill also starred in the popular TV series 'The Flying Doctor' which lasted for 39 episodes. Over the next few years, although no longer getting the bigger roles, Adams continued to work both in radio and on stage. But, by the end of the 60s, with fewer opportunities available, she essentially retired from show business. In 1971, she and her husband Peter moved the family to the Algarve in Portugal, where they ran a hotel and restaurant in Albufeira. When that marriage ended, Adams spent several years with Michael Johnson, a former British radio host and musician, with whom she ran two businesses. She then eventually went solo until meeting Alan 'Buster' Jones, and moved first to the Lisbon area to be with him, and then they relocated to Spain. Following Jones's death in 1996, in the Costa del Sol, she returned to Portugal to be nearer to family. Always a prolific, popular and talented artist, she continued to paint even after being diagnosed with cancer in 2005 and right up until her death in Clareanes, in the Algarve., on May 13, 2008, at the age of 77.She was also born on a Tuesday like Bradley Delp!- Edward Jewesbury was born on 6 August 1917 in Marylebone, London, England, UK. He was an actor, known for Richard III (1995), Much Ado About Nothing (1993) and Henry V (1989). He was married to Christine Roberts. He died on 31 March 2001 in Esher, Surrey, England, UK.He was born on a Monday like Tom Scholz!
- Jim Tyson was born on 2 September 1912 in England, UK. He was an actor, known for St. Ives (1967), Pegasus (1969) and The Benny Hill Show (1955). He died on 9 September 1974 in England, UK.He was also born on a Monday like Tom Scholz!
- Martin Lyder was born on 30 September 1922 in Germany. He was an actor, known for Sweet Beat (1959), Rock You Sinners (1958) and The Rat Catchers (1966). He was married to Marion Shaw. He died on 12 January 2003 in Westminster, London, England, UK.He was born on a Saturday like Fran Sheehan!
- Actor
Professional boxer and background player Ernie Rice was born John Tomasso on November 17, 1896 in Hull, Yorkshire, England. Rice was a professional boxer from 1911 to 1930: Throughout the course of his boxing career Rice participated in 83 fights altogether, with 50 wins, 28 losses, three no contests, and two fights resulting in a draw. In the wake of retiring from boxing Ernie went on to become a boxing referee. Moreover, Rice first began popping up in films in uncredited minor roles in the mid-1930's. A large muscular man with a rough face and a hulking build, Ernie was often cast as vendors, villagers, or pub patrons. His brothers Dick Rice and Toni Rice were also boxers. Rice died in 1979.He was born on a Tuesday like Bradley Delp!- Louis Matto was born on 16 August 1910 in London, England, UK. He was an actor, known for Glad Tidings! (1953) and Softly Softly: Task Force (1969). He was married to Norah Mary Cox. He died on 16 April 1989 in Lincoln, Lincolnshire, England, UK.He was also born on a Tuesday like Brad Delp!
- Anthony Faramus is known for The Colditz Story (1955) and King Rat (1965).He was also born on a Tuesday like Bradley Delp!
- Actor
- Director
Rex Garner was born on 31 January 1921 in Wolverhampton, West Midlands, England, UK. He was an actor and director, known for Shadow Squad (1957), Survivor (1987) and ITV Play of the Week (1955). He was married to Tammy Bonell. He died on 17 May 2015 in Havant, Hampshire, England, UK.He was also born on a Monday like Tom Scholz!- Actor
- Writer
Lane Meddick was born on 18 March 1924 in Barry, Glamorgan, Wales, UK. He was an actor and writer, known for Flower of Evil (1961), The Death Wheelers (1973) and Journey's End (1954). He died on 1 January 2017 in Binfield Heath, Berkshire, England, UK.He was born on a Tuesday like Bradley Delp!- British character actress, on stage from 1894. Her many notable theatrical appearances include "Little Lord Fauntleroy" at the Prince's Theatre in Bristol, and, as Lady McClean, in "Escape Me Never" at the Apollo in London (1933) - a part she subsequently took to Broadway two years later. Until well into her seventies, Katie's screen career consisted almost exclusively of smallish parts, until she was cast as sweet, frail Mrs. Wilberforce in the classic Ealing comedy The Ladykillers (1955). A most quintessentially British role, it finds her in a crumbling boarding house with dodgy plumbing, surrounded by Victorian memorabilia, a parrot named General Gordon, and an assortment of genteel, but pixillated, old friends. Her innocence and moral fortitude ultimately precipitate the downfall of a gang of bank robbers, posing as a string quartet.
This was the defining role of Katie's career and it won her the 1955 BAFTA Award as Best Actress. She had another juicy role, as eavesdropping would-be sleuth Aunt Alice, in How to Murder a Rich Uncle (1957). Sadly, there was to be no more from this delightful scene stealer, as she passed away shortly after, at the age of 78.She was also born on a Monday like Tom Scholz! - Actor
- Music Department
- Script and Continuity Department
Jack Warner started acting with the Sutton Amateur Dramatics Club after the end of World War I. From 1935, performed in cabaret at the London West End as half of the double act of Warner & Darnell. In addition to starring as Dixon of Dock Green (1955), which ran for over 20 years, he achieved lasting popularity on screen in the role of Joe Huggett, patriarch of a Cockney family, in Holiday Camp (1947), and its three sequels (plus a radio serial). Towards the end of his working life, 1976-80, Warner made a brief return to cabaret, before a stroke brought about his retirement.He was born on a Thursday like Barry Goudreau!- Actor
- Writer
- Soundtrack
Sir Dirk Bogarde, distinguished film actor and writer, was born Derek Jules Gaspard Ulric Niven van den Bogaerde on March 28, 1921, to Ulric van den Bogaerde, the art editor of "The Times" (London) newspaper, and actress Margaret Niven in the London suburb of Hampstead. He was one of three children, with sister Elizabeth and younger brother Gareth. His father was Flemish and his mother was of Scottish descent.
Ulric Bogaerde started the Times' arts department and served as its first art editor. Derek's mother, Margaret - the daughter of actor and painter Forrest Niven - appeared in the play "Bunty Pulls The Strings", but she quit the boards in accordance with her husband's wishes. The young Derek Bogaerde was raised at the family home in Sussex by his sister, Elizabeth, and his nanny, Lally Holt.
Educated at the Allen Glen's School in Glasgow, he also attended London's University College School before majoring in commercial art at Chelsea Polytechnic, where his teachers included Henry Moore. Though his father wanted his eldest son to follow him into the "Times" as an art critic and had groomed him for that role, Derek dropped out of his commercial art course and became a drama student, though his acting talent at that time was unpromising. In the 1930s he went to work as a commercial artist and a scene designer.
He apprenticed as an actor with the Amersham Repertory Company, and made his acting debut in 1939 on a small London stage, the Q Theatre, in a role in which he delivered only one line. His debut in London's West End came a few months later in J.B. Priestley's play "Cornelius," in which he was billed as "Derek Bogaerde". He made his uncredited debut as an extra in the pre-war George Formby comedy Come on George! (1939).
The September 1939 invasion of Poland by Nazi Germany and the Soviet Union triggered World War II, and in 1940 Bogarde joined the Queen's Royal Regiment as an officer. He served in the Air Photographic Intelligence Unit and eventually attained the rank of major. Nicknamed "Pippin" and "Pip" during the war, he was awarded seven medals in his five years of active duty. He wrote poems and painted during the war, and in 1943, a small magazine published one of his poems, "Steel Cathedrals," which subsequently was anthologized. His paintings of the war are part of the Imperial War Museum's collection.
Similar to his character, Captain Hargreaves, in King & Country (1964), he was called upon to put a wounded soldier out of his misery, a tale recounted in one of his seven volumes of autobiography. While serving with the Air Photographic Intelligence Unit, he took part in the liberation of the Bergen-Belsen concentration camp, which he said was akin to "looking into Dante's Inferno".
In one of his autobiographies, he wrote, "At 24, the age I was then, deep shock stays registered forever. An internal tattooing which is removable only by surgery, it cannot be conveniently sponged away by time."
After being demobilized, he returned to acting. His agent re-christened him "Dirk Bogarde," a name that he would make famous within a decade. In 1947 he appeared in "Power Without Glory" at the New Lindsay Theatre, a performance that was praised by Noël Coward, who urged him to continue his acting career. The Rank Organization had signed him to a contract after a talent scout saw him in the play, and he made his credited movie debut in Dancing with Crime (1947) with a one-line bit as a policeman.
His first lead in a movie came that year when Wessex Films, distributed by Rank, gave him a part in the proposed Stewart Granger film Sin of Esther Waters (1948). When Granger dropped out, Bogarde took over the lead. Rank subsequently signed him to a long-term contract and he appeared in a variety of parts during the 14 years he was under contract to the studio.
For three years he toiled in Rank movies as an apprentice actor without making much of a ripple; then in 1950, he was given the role of young hood Tom Riley in the crime thriller The Blue Lamp (1950) (the title comes from the blue-colored light on police call-boxes in London), the most successful British film of 1950, which established Bogarde as an actor of note. Playing a cop killer, an unspeakable crime in the England of the time, it was the first of the intense neurotics and attractive villains that Bogarde would often play.
He continued to act on-stage, appearing in the West End in Jean Anouilh's "Point of Departure". While he was praised for his performance, stage acting made him nervous, and as he became more famous, he began to be mobbed by fans. The pressure of the public adulation proved overwhelming, particularly as he suffered from stage fright. He was accosted by crowds of fans at the stage door during the 1955 touring production of "Summertime," and his more enthusiastic admirers even shouted at him during the play. He was to appear in only one more play, the Oxford Playhouse production of "Jezebel," in 1958. He never again took to the boards, despite receiving attractive offers.
He first acted for American expatriate director Joseph Losey in The Sleeping Tiger (1954). Losey, a Communist and self-described Stalinist at the time, had emigrated to England after being blacklisted in Hollywood after he refused to direct The Woman on Pier 13 (1949) at RKO Pictures, which was owned by right-wing multi-millionaire Howard Hughes at the time, and he was accused in testimony before the House Un-American Activities Committee of being a Communist. The director, like Bogarde, would not find his stride until the early 1960s, and Losey and Bogarde would build their reputations together.
First, however, Losey had to overcome Bogarde's reluctance to star in a low-budget film (shot for $300,000) with a blacklisted American director. Losey, who had never heard of Bogarde until he was proposed for the film, met with him and asked Bogarde to view one of his pictures. After seeing the film, Bogarde was enthusiastic, and Losey talked him into taking the role, which he accepted at a reduced fee (Losey originally was not credited with directing the film due to his being blacklisted in the States). A decade later they would make more memorable films that would be watersheds in their careers.
It was not drama but comedy that made Dirk Bogarde a star. He achieved the first rank of English movie stardom playing Dr. Simon Sparrow in the comedy Doctor in the House (1954). The film was a smash hit, becoming one of the most popular British films in history, with 17 million admissions in its first year of release. As Sparrow, Bogarde became a heartthrob and the most popular British movie star of the mid-50s. He reprised the character in Doctor at Sea (1955), Doctor at Large (1957).
The title of the latter film may have described his mood as a serious actor having to do another turn as Dr. Sparrow between his career-making performances in Losey's The Servant (1963), with a script by Harold Pinter, and Losey's adaptation of the stage play King & Country (1964), in which Bogarde memorably played the attorney for a young deserter (played by Tom Courtenay).
Bogarde, hailed as "the idol of the Odeons" in honor of his box-office clout, was offered the role of Jimmy Porter in Look Back in Anger (1959) by producer Harry Saltzman and director Tony Richardson, based on the play that touched off the "Angry Young Man" and "Kitchen Sink School" of contemporary English drama in the 1950s. Though Bogarde wanted to take the part, Rank refused to let him make the film on the grounds that there was "altogether too much dialog." The part went to Richard Burton instead, who went over-the-top in portraying his very angry, not-so-young man.
After this disappointment, Bogarde went to Hollywood to play Franz Liszt in Song Without End (1960) and to appear in Nunnally Johnson's Spanish Civil War drama The Angel Wore Red (1960) with Ava Gardner. Both were big-budgeted films, but hampered by poor scripts, and after both films failed, Bogarde avoided Hollywood from then on.
He was reportedly quite smitten with his French "Song Without End" co-star Capucine, and wanted to marry her. Capucine, who suffered from bi-polar disorder, was bisexual with an admitted preference for women. The relationship did not lead to marriage, but did result in a long-term friendship. It apparently was his only serious relationship with a woman, though he had many women friends, including his I Could Go on Singing (1963) co-star Judy Garland.
In the early 1960s, with the expiration of his Rank contract, Bogarde made the decision to abandon his hugely successful career in commercial movies and concentrate on more complex, art house films (at the same time, Burt Lancaster made a similar decision, though Lancaster continued to alternate his artistic ventures with more crassly commercial endeavors). Bogarde appeared in Basil Dearden's seminal film Victim (1961), the first British movie to sympathetically address the persecution of homosexuals. His career choice alienated many of his old fans, but he was no longer interested in being a commercial movie star; he, like Lancaster, was interested in developing as an actor and artist (however, that sense of finding himself as an actor did not extend to the stage. His reputation was such in 1963 that he was invited by National Theatre director Laurence Olivier to appear as Hamlet to open the newly built Chichester Festival Theatre. That production of the eponymous play also was intended to open the National Theatre's first season in London. Bogarde declined, and the honor went instead to Peter O'Toole, who floundered in the part.)
Jack Grimston, in Bogarde's "Sunday Times" obituary of May 9, 1999, entitled "Bogarde, a solitary star at the edge of the spotlight," said of the late actor that he "belonged to a group that was rare in the British cinema. He was a fine screen player who owed little to the stage. Dilys Powell, the Sunday Times film critic, wrote of him before her own death: 'Most of our gifted film players really belonged to the theater. Bogarde belonged to the screen.'" Bogarde had won the London Critics Circle's Dilys Powell award for outstanding contribution to cinema in 1992.
Appearing in "Victim" was a huge career gamble. In the film, Bogarde played a married barrister who is being blackmailed over his closeted homosexuality. Rather than let the blackmail continue, and allow the perpetrators to victimize other gay men, Bogarde's character effectively sacrifices himself, specifically his marriage and his career, by bravely confessing to be gay (homosexuality was an offence in the United Kingdom until 1967, and there reportedly had been a police crackdown against homosexuals after World War II which made gay men particularly vulnerable to blackmail).
The film was not released in mainstream theaters in the US, as the Production Code Administration (PCA) refused to classify the film and most theaters would not show films that did not carry the PCA seal of approval. "Victim" was the antithesis of the light comedy of Bogarde's "Doctor" movies, and many fans of his character Simon Sparrow were forever alienated by his portrayal of a homosexual. For himself, Bogarde was proud of the film and his participation in it, which many think stimulated public debate over homosexuality. The film undoubtedly raised the public consciousness over the egregious and unjust individual costs of anti-gay bigotry. The public attitude towards the "love that dared not speak its name" changed enough so that within six years, the 1967 Sexual Offences Act decriminalizing homosexual acts between adults passed Parliament. Bogarde reported that he received many letters praising him for playing the role. His courage in taking on such a role is even more significant in that he most likely was gay himself, and thus exposed himself to a backlash.
Bogarde always publicly denied he was a homosexual, though later in life he did confess that he and his manager, Anthony Forwood, had a long-term relationship. When Bogarde met him in 1939, Forwood was a theatrical manager, who eventually married and divorced Glynis Johns. Forwood became Bogarde's friend and subsequently his life partner, and the two moved to France together in 1968. They bought a 15th-century farmhouse near Grasse in Provence in the early 1970s, which they restored. Bogarde and Forwood lived in the house until 1983, when they returned to London so that Forwood could be treated for cancer, from which he eventually died in 1988. Bogarde nursed him in the last few months of his life. After Forwood died, Bogarde was left rudderless and he became more reclusive, eventually retiring from films after Daddy Nostalgia (1990).
Mark Rowe and Jeremy Kay, in their obituary of Bogarde, "Two brilliant lives - on film and in print," published in "The Independent" on May, 9, 1999, wrote, "Although he documented with frankness his early sexual encounters with girls and later his adoring love for Kay Kendall and Judy Garland, he never wrote about his longest and closest relationship - with his friend and manager for more than 50 years, Tony Forwood. Sir Dirk said the clues to his private life were in his books. "If you've got your wits about you, you will know who I am." The British documentary The Private Dirk Bogarde: Part One (2001) made with the permission of his family, stressed the fact that he and Forwood were committed lifelong partners.
In the same issue, the National Film Theatre's David Thompson, in the article "The public understood he was essentially gay," wrote about Bogarde at his high-water mark in the 1950s, that "Audiences of that time loved him . . . Very few people picked up on the fact that there was a distinct gay undertone. It says something about British audiences of the time. He had the good fortune to break out of that prison, and it came through the film Victim (1961), where he played a gay character, and through meeting with Joseph Losey, who directed him in The Servant (1963). For the first time, Bogarde's ambivalence was exploited and used by film."
Bogarde's sexuality is not the issue; what was striking was that it was an act of personal courage for one of Britian's leading box-office attractions to appear in such a provocative and controversial film. Even in the 21st century, many mainstream actors are afraid to play a gay character lest they engender a public backlash against themselves, which is much less likely than it was more than 40 years ago when Bogarde made "Victim."
Apart from sociology, "Victim" marks the milestone in which critics and audiences could discern the metamorphosis of Bogarde into the mature actor who went on to become one of the cinema's finest performers. Most of Bogarde's best and most serious roles come after "Victim," the film in which he first stretched himself and broke out of the mold of "movie star." He received the first of his six nominations as Best Actor from the British Academy of Film & Television Arts (BAFTA) for the film.
Bogarde co-starred with John Mills in The Singer Not the Song (1961), and with Alec Guinness in Damn the Defiant! (1962) (a.k.a. "Damn the Defiant!"). In 1963 he reunited with Losey to film the first of two Losey films with screenplays by Pinter. Bogarde's participation in the two Losey/Pinter collaborations, The Servant (1963) and Accident (1967), in addition to 1964's "King & Country", solidified his reputation. Critics and savvy moviegoers appreciated the fact that Bogarde had developed into a first-rate actor. For his role as the eponymous servant, Bogarde won BAFTA's Best Actor Award. He had now "officially" arrived in the inner circle of the best British film actors.
These three films also elevated Losey into the ranks of major directors (Bogarde also starred in Losey's 1966 spy spoof Modesty Blaise (1966), but that film did little to enhance either man's reputation. He turned down the opportunity to appear in Losey's The Assassination of Trotsky (1972) due to the poor quality of the script).
Philip French, in his obituary "Dark, exotic and yet essentially English", published in "The Observer" on May 9, 1999, said of Bogarde, "Losey discovered something more complex and sinister in his English persona and his performance as Barrett, the malevolent valet in 'The Servant,' scripted by Harold Pinter, is possibly the most subtle, revealing thing he ever did - by confronting his homosexuality in a non-gay context."
Losey told interviewer Michel Ciment that his work with Bogarde represented a turning point in the actor's career, when he developed into an actor of depth and power. He also frankly admitted to Ciment that without Bogarde, his career would have stagnated and never reached the heights of success and critical acclaim that it did in the 1960s.
Interestingly during the filming of "The Servant." Losey was hospitalized with pneumonia. He asked Bogarde to direct the film in order to keep shooting so that the producers would not cancel the film. A reluctant Bogarde complied with Losey's wishes and directed for ten days. He later said that he would never direct again.
Bogarde co-starred with up-and-coming actress Julie Christie in John Schlesinger's Darling (1965), for which Christie won a Best Actress Oscar and was vaulted into 1960s cinema superstardom. During the filming of the movie, both Bogarde and Christie were waiting to hear whether they would be cast as Yuri Zhivago and his lover Lara in David Lean's upcoming blockbuster Doctor Zhivago (1965). Christie got the call, Bogarde didn't, but he was well along in the process of establishing himself as one of the screen's best and most important actors. He won his second BAFTA Best Actor Award for his performance in "Darling."
Bogarde went on to major starring roles in such important pictures as The Fixer (1968), for which Alan Bates won a Best Actor Academy Award nomination. While Bogarde never was nominated for an Oscar, he had the honor of starring in two films for Luchino Visconti, The Damned (1969) ("The Damned") and Death in Venice (1971), based on Thomas Mann's novella "Death in Venice." Bogarde felt that his performance as Gustav von Aschenbach, the dying composer in love with a young boy and with the concept of beauty, in "Death in Venice" was the "the peak and end of my career . . . I can never hope to give a better performance in a better film."
Visconti told Bogarde that when the lights went up in a Los Angeles screening room after a showing of "Death in Venice" for American studio executives, no one said anything. The silence encouraged Visconti, who believed it meant that the executives were undergoing a catharsis after watching his masterpiece. However, he soon realized that, in Bogarde's own words, "Apparently they were stunned into horrified silence . . . A group of slumped nylon-suited men stared dully at the blank screen." One nervous executive, feeling something should be said, got up and asked, "Signore Visconti, who was responsible for the score of the film?"
"Gustav Mahler," Visconti replied.
"Just great!", said the nervous man. "I think we should sign him."
After "Venice", Bogarde made only seven films over the next two decades and was scathing about the quality of the scripts he was offered. To express himself artistically, he began to write. In his third volumes of autobiography, he wrote, "No longer do the great Jewish dynasties hold power: the people who were, when all is said and done, the Picture People. Now the cinema is controlled by vast firms like Xerox, Gulf & Western, and many others who deal in anything from sanitary-ware to property development. These huge conglomerates, faceless, soulless, are concerned only with making a profit; never a work of art . . . "
He rued the fact that "it is pointless to be 'superb' in a commercial failure; and most of the films which I had deliberately chosen to make in the last few years were, by and large, just that. Or so I am always informed by the businessmen. The critics may have liked them extravagantly, but the distributors shy away from what they term 'A Critic's Film', for it often means that the public will stay away. Which, in the mass, they do: and if you don't make money at the box-office you are not asked back to play again."
However, the courageous artist was not to be daunted: "But I'd had very good innings. Better than most. So what the hell?" His well-written works were enthusiastically received by critics and the book-buying public.
Bogarde appeared in another film that flirted with the theme of German fascism, Liliana Cavani's highly controversial The Night Porter (1974) ("The Night Porter"). He played an ex-SS officer who encounters a woman with whom he had been engaged in a sado-masochistic affair at a World War II Nazi extermination camp. Many critics found the film, which featured extensive nudity courtesy of Charlotte Rampling, crassly offensive, but no one faulted Bogarde's performance.
He played Lt. Gen. Frederick "Boy" Browning in the all-star blockbuster A Bridge Too Far (1977). Although some of his fellow actors were World War II veterans, only Bogarde had been involved in the actual battle. His performance arguably is the best in the film. Appearing in Alain Resnais' art house hit Providence (1977) gave Bogarde the opportunity to co-star with John Gielgud. He also starred in German wunderkind Rainer Werner Fassbinder's adaptation of Vladimir Nabokov's Despair (1978), with a script by Tom Stoppard. Though the film was not much of a critical success, Bogarde's acting as 1930s German businessman Hermann Hermann, a man who chooses to go mad when faced with the paradoxes of his life in his proto-fascist fatherland, was highly praised.
Bogarde enjoyed working with Fassbinder. He wrote that "Rainer's work was extraordinarily similar to that of Visconti's; despite their age difference, they both behaved, on set, in much the same manner. Both had an incredible knowledge of the camera: the first essential. Both knew how it could be made to function; they had the same feeling for movement on the screen, of the all-important (and often-neglected) 'pacing' of a film, from start to finish, of composition, of texture, and probably most of all they shared that strange ability to explore and probe into the very depths of the character which one had offered them."
After his experience with Fassbinder, he acted only four more times, twice in feature films and twice on television. Bogarde was nominated for a Golden Globe for playing Roald Dahl in The Patricia Neal Story (1981). He got rave reviews playing Jane Birkin's father in Bertrand Tavernier's Daddy Nostalgia (1990), his last film.
In 1984 Bogarde was asked to serve as president of the jury at the Cannes Film Festival, a huge honor for the actor, as he was the first Briton ever to serve in that capacity. Two years earlier he had been made a Chevalier de l'Ordre des lettres 1982. A decade later, he was knighted by Queen Elizabeth II on February 13, 1992.
Bogarde won two Best Actor Awards out of six nominations from the British Academy of Film & Television Arts, for "The Servant" and "Darling" in 1964 and 1966, respectively. He was also nominated in 1962 for "Victim," in 1968 for "Accident" and Our Mother's House (1967) and in 1972 for "Morte a Venezia."
Bogarde suffered a stroke in 1996, and though it rendered him partially paralyzed, he was able to recover and live in his own flat in Chelsea. However, by May of 1998 he required around-the-clock nursing care, and he had his lawyers draw up a "living will," also known as a no-resuscitation order. Bogarde publicly came out in favor of voluntary euthanasia, becoming Vice President of the Voluntary Euthanasia Society. He publicly addressed the subject of his own "living will," which ordered that no extraordinary measures be taken to keep him alive should he become terminally ill.
The living will proved unnecessary. Dirk Bogarde died of a heart attack on May 8, 1999, in his home in Chelsea, London, England. According to his nephew Brock Van den Bogaerde, the family planned to hold a private funeral but no memorial service in accordance with his uncle's wish "just to forget me." Bogarde wanted to be cremated and have his ashes scattered in France, and accordingly, his remains were returned to Provence.
Margaret Hinxman, in her May 10, 1999, obituary in "The Guardian", said of him, "At his peak and with directors he trusted - Joseph Losey, Luchino Visconti and Alain Resnais - Dirk Bogarde . . . was probably the finest, most complete, actor on the screen."
Clive Fisher's obituary in "The Independent" on May 10, 1999, praised Bogarde as "a major figure because, wherever they were made, his finest films are all somehow about him. He was a great self-portraitist and the screen persona he fashioned, a stylization of his private being, not only dominated its surroundings but spoke subliminally and powerfully to British audiences about the tensions of the time, about connivances and cruel respectabilities of England in the Fifties and Sixties."
The secret of Dirk Bogarde's success as a great cinema actor was his intimate relationship with the camera. Bogarde believed that the key to acting on film was the eyes, specifically, the "look" of the actor. Like Alan Ladd, it didn't matter if an actor was good with line readings if they had mastery over the "look." For many critics and movie-goers at the end of the 20th century, Dirk Bogarde's face epitomized the "look" of Britain in the tumultuous decades after the Second World War.
David Tindle's portrait of Bogarde is part of the collection of London's National Portrait Gallery, London. In 1999, the portrait, on temporary loan, was displayed at 10 Downing Street, the Prime Minister's official residence, with other modern works of art. Officially, Dirk Bogarde had become the look of Britain.He was born on a Monday like Tom Scholz!- Peggy Evans was born on 10 January 1921 in Sheffield, Yorkshire, England, UK. She was an actress, known for The Blue Lamp (1950), Penny and the Pownall Case (1948) and Murder at 3am (1953). She was married to Peter Stevens and Michael Howard. She died on 26 July 2015.She was also born on a Monday like Tom Scholz!
- Gladys Henson was born on 27 September 1897 in Dublin, Ireland. She was an actress, known for Derby Day (1952), The Happiest Days of Your Life (1950) and Frieda (1947). She was married to Harry Wright and Leslie Henson. She died on 21 December 1982 in London, England, UK.She was also born on a Monday like Tom Scholz!
- Patric Doonan was born on 19 April 1926 in Alvaston, Derby, England, UK. He was an actor, known for Project M7 (1953), The Cockleshell Heroes (1955) and Crest of the Wave (1954). He was married to Aud Johansen. He died on 10 March 1958 in Chelsea, London, England, UK.He was actually born on a Saturday in 1925, a.k.a. the same day of the week as Fran Sheehan!
- Actor
- Writer
- Soundtrack
Good-natured British actor Jimmy Hanley was groomed by the Rank Studio system during his teen years and earned stardom as the "boy next door" type in exuberant musicals and likeable comedies. He married actress Dinah Sheridan in 1942 and they appeared together in a number of featherweight war-era films, including Salute John Citizen (1942) and For You Alone (1945). When Jimmy grew up he tried everything from Henry V (1944) with Laurence Olivier to The Huggetts film series. But radio and TV were his forte and it was those two mediums which revived his star in the late 50s, becoming a familiar face on a number of TV series, notably "Jim's Inn" co-starring second wife Maggie Hanley, which ran from 1957-1963. Jimmy died of cancer in 1970.He was born on a Tuesday like Bradley Delp!- Actor
- Writer
Campbell Singer was born on 16 March 1909 in London, England, UK. He was an actor and writer, known for The Saint (1962), Murder on Monday (1952) and Take a Pair of Private Eyes (1966). He was married to Gillian Maude. He died on 16 February 1976 in London, England, UK.He was also born on a Tuesday like Brad Delp!