16th SAG Awards Memoriam
Those people included in the 16th Annual Screen Actors Guild Awards memoriam
Some omissions
Sydney Chaplin
Jody McCrea
Wayne Allwine
Lorena Gale
Brenda Joyce
Some omissions
Sydney Chaplin
Jody McCrea
Wayne Allwine
Lorena Gale
Brenda Joyce
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- Actress
- Producer
- Soundtrack
Natasha Jane Richardson was born in Marylebone, London, England, to director and producer Tony Richardson and actress Vanessa Redgrave. She was the sister of actress Joely Richardson, the niece of actors Corin Redgrave and Lynn Redgrave, and the granddaughter of actors Michael Redgrave and Rachel Kempson.
Trained at London's Central School of Speech and Drama, Richardson performed extensively on stage in roles, including "Helena" in "A Midsummer Night's Dream" and Ophelia in "Hamlet" at the Young Vic. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with Vanessa Redgrave and Jonathan Pryce. In 1987, she played "Tracey Lord" in Richard Eyre's musical, "High Society".
Natasha made her feature film debut as Mary Shelley in Ken Russell's Gothic (1986). Her performance caught the attention of director Paul Schrader, who cast her in the title role in Patty Hearst (1988). Natasha achieved notable success in such films as Pat O'Connor's A Month in the Country (1987), Roland Joffé's Fat Man and Little Boy (1989) and The Favour, the Watch and the Very Big Fish (1991), featuring Bob Hoskins and Jeff Goldblum. For her performance in Volker Schlöndorff's The Handmaid's Tale (1990) and Schrader's The Comfort of Strangers (1990), Richardson earned The London Evening Standard Award for Best Actress of 1990; and for Widows' Peak (1994), also starring Mia Farrow and Joan Plowright, she received the Best Actress Award at the 1994 Karlovy Vary Festival.
Also in 1994, she co-starred with Jodie Foster and Liam Neeson in Nell (1994) and, in 1998, in The Parent Trap (1998) with Dennis Quaid. Her early 2000s films include Blow Dry (2001) released in 2001, and Ethan Hawke's Chelsea Walls (2001).
Natasha performed the title role of "Anna Christie", first in London, where she was voted London Drama Critics' Best Actress Award in 1992, then on Broadway at the Roundabout in 1993, where she was nominated for a Tony for Best Actress in a Play, a Theatre World Award for Outstanding Debut, the Outer Critics Circle Award for Outstanding Debut of an Actress, and a Drama Desk nomination for Best Actress. For her performance as Sally Bowles in Sam Mendes' production of "Cabaret", she won the 1998 Tony, Outer Critics Circle, Drama League and Drama Desk Awards for Best Actress in a Musical. She then appeared on Broadway in Patrick Marber's Tony-nominated play "Closer". In December 2009 she had been intended to play "Miss Julie" on Broadway with Philip Seymour Hoffman, directed by David Leveaux for Roundabout Theatre.
Richardson's television credits included Henrik Ibsen's "Ghosts" for the BBC, also starring Judi Dench, Michael Gambon and Kenneth Branagh; the HBO cable feature Hostages (1992); the BBC film Suddenly, Last Summer (1993), based on the play by Tennessee Williams, and also starring Maggie Smith and Rob Lowe. In 1993 she starred as Zelda Fitzgerald in the TNT movie Zelda (1993), co-starring Timothy Hutton and directed by Pat O'Connor (cable Ace nomination for Best Actress). She played Ruth Gruber in the 2001 CBS mini-series Haven (2001) based on Ms. Gruber's autobiography.
In March 2009, Natasha died in a New York City hospital, after falling and receiving a head injury whilst skiing in Mont Tremblant, Quebec, Canada. Natasha was married to actor Liam Neeson from 1994 until her death, and the couple have two children.- Actor
- Soundtrack
American B-Western star and singing cowboy Monte Hale was born Samuel Buren Ely in 1919 in Ada, Oklahoma, to Herod and Helen Ely. He learned to sing and play guitar at an early age. In Houston and later Galveston, Texas, he played for vaudeville shows and local rodeos. During World War II a job as a replacement guitar player with the Stars Over Texas War Bond Drive led to a friendship with several Republic Pictures stars and staff. At the completion of the tour, the Republic contingent recommended young Hale to studio president Herbert J. Yates. Hale went to California and met Yates, who saw promise in the tall, good-looking musician, and signed him to a seven-year contract, and promptly discarded his birth name for the more appealing name of Monte Hale. After a quick apprenticeship in a couple of bit parts, Hale was given the lead in Home on the Range (1946), which led to a five-year run as one of Republic's popular singing-cowboy stars.
Following the demise of the "B" western in the early 1950s, Hale toured the country as part of a musical cowboy act in rodeos and circuses. He made a few television guest appearances and taught James Dean his rope tricks during their work together on Giant (1956). Hale thereafter retired from films. In his later years, he wrote songs and continued making appearances at Western film fan conventions.- Actor
- Soundtrack
Henry Gibson was born on 21 September 1935 in Germantown, Pennsylvania. Before appearing in films and television series, he was a child star on the stage during the 1940s and during the late 1950s he was an intelligence officer in the U.S. Air Force. His screen debut came in 1963 when he was cast in the Jerry Lewis film The Nutty Professor (1963). He made two other small film appearances in the early 1960s in Kiss Me, Stupid (1964) and The Outlaws Is Coming (1964), in which he played a rather hip Indian named Charlie Horse. His breakthrough came in 1968 when he was cast as a member of the regular cast of Rowan & Martin's Laugh-In (1967). He stayed with the show until 1971, when he left and continued his career as a character actor. His best known film role was probably his performance in Nashville (1975). He played Haven Hamilton, a smarmy Country and Western singer. For this role he was nominated for a Golden Globe Award and was awarded the National Film Critics Award for best supporting actor. Gibson's career carried on through the 1980s and 1990s when he appeared in many films, such as The Incredible Shrinking Woman (1981) and The 'Burbs (1989). He also provided voice-overs for many children's animated series like The Smurfs (1981), The Wuzzles (1985) and Galaxy High School (1986). His most recent appearance have been in the Paul Thomas Anderson drama Magnolia (1999) and the independent film The Year That Trembled (2002).- Actress
Betsy Blair was born in Cliffside, New Jersey, a child model before finding work as a chorus dancer at the early age of 15. She received her first mini-break on Broadway in "Panama Hattie" in 1940 delivering a single line, but by the next year she had copped the ingénue lead in William Saroyan's "The Beautiful People." At around the same time, she met dancer extraordinaire Gene Kelly and married him in 1940. Despite her background in dance, Betsy was admittedly not in the same league as a Vera-Ellen, Cyd Charisse, or Ann Miller, so she was never afforded the opportunity to glide with Gene in films. Moreover, she never even appeared in a musical film.
She made her large screen debut in 1947 and, for the next couple of years, appeared in a number of above-average dramas such as The Guilt of Janet Ames (1947), A Double Life (1947) starring Ronald Colman, The Snake Pit (1948), wherein she played a demented inmate alongside Olivia de Havilland, and a shining role in Another Part of the Forest (1948). After such promise, things came to a halt. Betsy had been involved in SAG politics as early as 1946 proposing the formation of the first Anti-Discrimination committee. Within a year the House Un-American Activities Committe began to investigate Betsy and others in the motion picture industry and what they considered left-wing extremist viewpoints. Her name appeared in the "Red Channels" and that was that. Her career was undone. By the early 1950s, all film offers had dried up. The only reason Betsy won the female lead in the 1955 cinematic classic Marty (1955) was because her husband threatened to stop shooting at MGM if they didn't let her work despite the blacklist. It would be the role of a lifetime for Betsy. As the touching plain-Jane girlfriend of Ernest Borgnine's title butcher, Betsy won the Cannes Film and British Film acting awards, not to mention an Oscar nomination. It did not help her overcome the blacklist, however.
By 1957, she was divorced from Kelly and had moved to Europe to avoid the Hollywood shun. Shortly thereafter, she lived with French actor Roger Pigaut. In 1963, she married producer/director Karel Reisz. They would remain together for almost 40 years until his death in London of a blood disorder in 2002. Betsy later published her memoirs and discussed quite candidly her life on Broadway, life with Gene Kelly, and life amid the blacklisting. She continued to live in England before passing away from cancer on 13th March, 2009. She was 85 years old.- Actor
- Director
- Writer
Born in New York, rugged, virile, hard-looking action star Robert Ginty initially sought a career in music, becoming involved in several rock bands from age 16 on. During this stage he actually got to play and hang out with several rock legends, including Jimi Hendrix, Janis Joplin, Carlos Santana and John Lee Hooker. In the 1970s, however, he switched gears and gave acting a try.
Trained at the Neighborhood Playhouse and the Actors Studio for a time, he eventually found himself thriving in the regional theater circuit. Harold Prince brought him to Broadway as his assistant after seeing him perform William Shakespeare's works in New Hampshire. Eventually Hollywood beckoned and Ginty journeyed to the western shore, where he found frequent work as a strong-armed player on TV action. Finding a steady role on Black Sheep Squadron (1976) and bit parts in Bound for Glory (1976) and Two-Minute Warning (1976), he made his biggest impression as Bruce Dern's pal in Coming Home (1978).
Around the time he was appearing in the series The Paper Chase (1978), Robert won his first film action lead in The Exterminator (1980), which became a surprising box-office hit. Soon Ginty was on a roll, emulating Clint Eastwood and Sylvester Stallone as a high-action anti-hero. He formed his own production company that distributed his vehicles both here and abroad. Most were crudely made on very limited budgets, but he has nevertheless done quite well for himself as a writer/producer/director, especially overseas, with such assembly-line fare as Gold Raiders (1982), which was filmed in Thailand; Cop Target (1990), which was shot in France; and the sequel to his first big hit, Exterminator 2 (1984).
Ginty did not slow down into the late 1990s, performing producing and directing chores on such shows as China Beach (1988), Xena: Warrior Princess (1995), Nash Bridges (1996), Charmed (1998) and Tracker (2001). He has also been a viable presence as a director on the experimental theater scene, particularly in Europe. He directed a rap/hip-hop musical version of Anthony Burgess' "A Clockwork Orange" to fine reviews.
Married three times, Robert Ginty died of cancer at age 60 and was survived by third wife Michelle and two children: Marissa (by actress Lorna Patterson) and James Francis Ginty (by wife Francine Tacker).- Actor
- Producer
- Writer
Ed McMahon's first appearance before a microphone was as a 15-year-old "caller" at a bingo game in Maine. After that, he spent the next three years touring the state fair and carnival circuit. A Marine fighter pilot during World War II, McMahon sold vegetable slicers on Atlantic City's boardwalk to put himself through Catholic University in Washington, DC. In the 1950s, he hosted a late-night interview show in Philadelphia before working as a clown on the show Big Top (1950). His next assignment was as a fighter pilot during the Korean War. After that, he resumed his career in television. In 1959, he was hired as Johnny Carson's straight man on the daytime quiz show Who Do You Trust? (1956). When Carson succeeded Jack Paar on NBC's The Tonight Show Starring Jack Paar (1957), which became The Tonight Show Starring Johnny Carson (1962), he took McMahon with him. This job lasted for 30 years and made McMahon wealthy and famous. On the big screen, he played straight roles in the dramatic The Incident (1967) -- for which he got very good reviews -- and in the comic Fun with Dick and Jane (1977). He also appeared in made-for-TV movies and hosted daytime game shows in the 1960s and 1970s. In the 1980s, McMahon teamed with Dick Clark on Super Bloopers and Practical Jokes (1984) and hosted his own long-running talent show, Star Search (1983). He also made commercial appearances for a multitude of products. In 1994, he was cast as himself in Love Affair (1994) with Warren Beatty and Annette Bening.- Actor
- Soundtrack
Tall, blond and of rugged proportions, handsome actor Philip Carey started out as a standard 1950s film actor in westerns, war stories and crime yarns but didn't achieve full-fledged stardom until well past age 50 when he joined the daytime line-up as ornery Texas tycoon Asa Buchanan on the popular soap One Life to Live (1968) in 1979. He lived pretty much out of the saddle after that, enjoying the patriarchal role for nearly three decades.
He was born with the rather unrugged name of Eugene Carey on July 15, 1925, in Hackensack, New Jersey. Growing up on Long Island, he served with the Marine Corps during World War II and the Korean War. He attended (briefly) New York's Mohawk University and studied drama at the University of Miami where he met his college sweetheart, Maureen Peppler. They married in 1949 and went on to have three children: Linda, Jeffrey and Lisa Ann.
The 6'4" actor impressed a talent scout with his brawny good looks while appearing in the summer stock play "Over 21" in New England, and he was offered a contract with Warner Bros as a result. Billed as Philip Carey, he didn't waste any time toiling in bit parts, making his film debut billed fifth in the John Wayne submarine war drama Operation Pacific (1951). Phil could cut a good figure in military regalia and also showed strong stuff in film noir. A most capable co-star, he tended to be upstaged, however, by either a stronger name female or male star or by the action at hand. He was paired up with Frank Lovejoy in the McCarthy-era I Was a Communist for the F.B.I. (1951), and Steve Cochran in the prison tale Inside the Walls of Folsom Prison (1951). Warner Bros. star Joan Crawford was practically the whole movie in the film noir This Woman Is Dangerous (1952) co-starring the equally overlooked David Brian and Dennis Morgan; Calamity Jane (1953) was a vehicle for Doris Day; and he donned his familiar cavalry duds in the background of Gary Cooper in the Civil War western Springfield Rifle (1952).
In 1953, Carey left Warner Bros. and signed up with Columbia Pictures where he was, more than not, billed as "Phil Carey." Here again he fell into the rather non-descript rugged mold as the stoic soldier or stolid police captain. He did find plenty of work, however, and was frequently top-billed. He battled the Sioux in The Nebraskan (1953); played a former subordinate member of the Butch Cassidy and the Sundance Kid gang who has to clear his name in Wyoming Renegades (1955); was a brute force to be reckoned with in They Rode West (1954); and had one of his standard movie roles (as an officer) in a better quality movie, Columbia's Pushover (1954), which spent more time promoting the debut of its starlet Kim Novak as the new Marilyn Monroe. Overshadowed by James Cagney and Jack Lemmon in Mister Roberts (1955) and by Van Heflin, young Joanne Woodward (in her movie debut) and villain Raymond Burr in the western Count Three and Pray (1955), Phil turned his durable talents more and more to TV in the late 1950s.
The man of action took on the role of Canadian-born Lt. Michael Rhodes on the series Tales of the 77th Bengal Lancers (1956) alongside Warren Stevens. He eventually left Columbia studios to do a stint (albeit relatively short) playing Raymond Chandler's unflappable detective Philip Marlowe (1959). Most of the 60s and 70s, other than a few now-forgotten film adventures such as Black Gold (1962), The Great Sioux Massacre (1965) and Three Guns for Texas (1968), were spent either saddling up as a guest star on The Rifleman (1958), Bronco (1958), The Virginian (1962) and Gunsmoke (1955) or hard-nosing it on such crime series as 77 Sunset Strip (1958), Ironside (1967), McCloud (1970), Banacek (1972) and The Felony Squad (1966). He also played the regular role of a stern captain in the Texas Rangers western series Laredo (1965).
Phil was a spokesperson for Granny Goose potato chips commercials, and his deep voice served him well for many seasons as narrator of the nature documentary series Untamed Frontier (1967). One of his best-remembered TV guest appearances, however, was a change-of-pace role on the comedy All in the Family (1971) in which he played a vital, strapping blue-collar pal of Archie Bunker's whose manly man just happened to be a proud, astereotypical homosexual. His hilarious confrontational scene with a dumbfounded Archie in Kelsey's bar remains a classic.
Phil's brief regular role in the daytime soap Bright Promise (1969) in 1972 was just a practice drill for the regular role he would play in 1979 as Texas oilman Asa Buchanan in One Life to Live (1968). His popularity soared as the moneybags manipulator you loved to hate. Residing in Manhattan for quite some time as a result of the New York-based show, he played the role for close to three decades until diagnosed with lung cancer in January of 2006. Forced to undergo chemotherapy, he officially left the serial altogether in May of 2007, and his character "died" peacefully off-screen a few months later.
Divorced from his first wife, Phil married a much younger lady, Colleen Welch, in 1976 and had two children by her -- daughter Shannon (born 1980) and son Sean (born 1983). Phil lost his battle with cancer on February 6, 2009, at the age of 83.- Actor
- Director
- Writer
As might be said for the late and great comedians Harvey Korman and Madeline Kahn, it seems that Mel Brooks was the only director on the planet who knew how to best utilize this funnyman's talents on film. Brooks once remarked that, whenever he cast Dom in one of his films he'd add an extra two days to the shooting schedule because of delays between takes due to the constant laughter from cast and crew at Dom's improvisations.
The lovable, butterball comedian was a mainstay on 1960s and '70s TV variety as a "second banana," or comic-relief player. While his harsher critics believed his schtick would be better served in smaller doses, Dom nevertheless went on to find some range in a few moving, more restrained projects. Those few glimpses behind all the mirth and merriment revealed a dramatic actor waiting to be unleashed. As they say, behind every clown's smile, one finds tears.
He was born Dominick DeLuise on August 1, 1933, in Brooklyn, New York, to parents John, a sanitation engineer, and Vicenza (DeStefano) DeLuise, both Italian immigrants. A natural school-class clown, his irrepressible sense of humor helped Dom fit in at school, and he started drawing belly laughs fairly young in his very first school play that had him portraying an inert copper penny! He later attended New York's High School of Performing Arts, but when it came to college, he decided to major in biology at Tufts University, outside Boston. That decision failed to expunge the idea of being a comedian from his head and heart, however, and that determination finally prevailed.
Dom's formative years as an actor were spent apprenticing at the Cleveland Playhouse, where which he gamely played roles in everything from contemporary shows like "Guys and Dolls" and "Stalag 17" to classics like "The School for Scandal" and even "Hamlet." He earned his first professional paycheck playing the titular Bernie the dog in "Bernie's Last Wish." Dom also got a taste of what it was like in front of the camera in Cleveland, appearing on the local TV kiddie's show "Tip Top Clubhouse."
Back in NYC, he took over the lead role of Tinker the toymaker in another children's local program, Tinker's Workshop (1954), for one season in 1958. He also started making noise on the off-Broadway scene. Appearing in the plays "The Jackass" and "All in Love," he became part of the featured ensemble of the 1961 musical revue "An Evening with Harry Stoones," which included 19-year-old Barbra Streisand. More outlandish musical roles came his way in the early 1960s with "Little Mary Sunshine" (as Corporal Billy Jester) and "The Student Gypsy, or the Prince of Liederkrantz" (his Broadway debut as Muffin T. Raggamuffin). While appearing in the lighthearted summer stock spoof "Summer & Smirk" in Provincetown, Massachusetts, Dom met fellow performer Carol Arthur (née Carol Arata). They married on November 23, 1965. Their three sons, Peter DeLuise, Michael DeLuise and David DeLuise all eventually found their way into show business. In 1971, Dom returned successfully to Broadway in a perfectly-suited Neil Simon vehicle, "The Last of the Red Hot Lovers."
Dom was first noticed on the smaller screen, creating the sketch character of Dominick the Great, a magician who tries in vain to mask his inept prestidigitations with feigned dignity on Garry Moore's popular show. The comedian truly thrived in this TV variety atmosphere and soon began popping up seemingly everywhere: (The Hollywood Palace (1964), The Smothers Brothers Comedy Hour (1967), The Jackie Gleason Show (1966)). Balding, blushing, dimpled and moon-faced (comparisons to a ripe tomato were not wide of the mark), he was readily equipped with a high-wattage, Cheshire Cat smile that became his trademark. At his best, looking embarrassed or agitated, the laughs usually came at his own expense, whether playing a panic-stricken klutz or squirming nervous-Nelly type. Dom took his magician character to the ensemble comedy show The Entertainers (1964), which also showcased Carol Burnett and Bob Newhart, and found more regular employment as a bumbling private eye in puppeteer Shari Lewis' daytime children's program, and as a foil for Dean Martin on the entertainer's regular and summer replacement shows. Dom again repeated his Dominick the Great character on Martin's show and received great reception. He later found himself part of Martin's "in-crowd" of comedians on his "celebrity roasts."
Dom's obvious comic genius was more readily evident, and succeeded better, in tandem with other performers than it was on its own. Hosting duties for his very first comedy/variety program The Dom DeLuise Show (1968), which featured wife Carol as part of the regular roster, lasted only one summer. The sitcom Lotsa Luck! (1973), which showcased Dom as bachelor Stanley Belmont having to contend with a live-in mother (a harping Kathleen Freeman) and sister (an ungainly Beverly Sanders), was canceled after its first season. He gave it a rest for awhile before trying once again with the sketch-like sitcom The Dom DeLuise Show (1987), but it, too, quickly faded. Another brief stint was as host of a revamped Candid Camera (1991).
While Dom made an unlikely film debut as a high-strung Air Force technician in the gripping nuclear drama Fail Safe (1964) starring Henry Fonda, it was in zany, irreverent comedy that he found his true calling. Appearing in support of others such as Sid Caesar and Mary Tyler Moore, respectively, in the so-so comedies The Busy Body (1967) and What's So Bad About Feeling Good? (1968), he proved a delight as an inept, dim-witted spy in the Doris Day caper The Glass Bottom Boat (1966).
Mel Brooks first cast Dom as the miserly Russian Orthodox priest, Father Fyodor, in his film The Twelve Chairs (1970), and found plenty of room for the comedian after that -- as campy director Buddy Bizarre in Blazing Saddles (1974), the silly-ass director's assistant in Silent Movie (1976), Emperor Nero in History of the World: Part I (1981), the voice of the cheese-oozing Pizza the Hutt in the "Star Wars" parody Spaceballs (1987), and as Sherwood Forest's very own puffy-cheeked Godfather, Don Giovanni, in Robin Hood: Men in Tights (1993).
A very close friend of action star Burt Reynolds, Dom romped through a number of Reynolds' freewheeling films as well, including Smokey and the Bandit II (1980), The Cannonball Run (1981) and The Best Little Whorehouse in Texas (1982). One of his finest scene-stealing film roles, in fact, was as Reynolds' schizo pal in The End (1978). Dom went on to direct a number of stage productions for his close friend at the Burt Reynolds Theatre in Jupiter, Florida -- among them "Butterflies Are Free," "Same Time, Next Year" (starring Burt and Carol Burnett), "Brighton Beach Memoirs" (starring son Peter), and the musical "Jump" (featuring wife Carol). Still another comic buddy, Gene Wilder, handed Dom the roles of the indulgent opera star in The Adventure of Sherlock Holmes' Smarter Brother (1975) and harassed movie mogul Adolf Zitz in The World's Greatest Lover (1977). Dom later joined Wilder once again, along with Wilder's wife Gilda Radner, in the leaden comedy Haunted Honeymoon (1986), a clumsy haunted-house spoof that even Dom, in full drag, could not salvage.
Change-of-pace roles were few and far between. One that did come Dom's way was the compulsive-eating protagonist in Fatso (1980). Directed by and co-starring Brooks' wife Anne Bancroft, Dom managed to mix comedy with pathos. Obesity was also a chronic, real-life problem for the comedian and, at one point in 1999, it was reported that he had tipped the scales at 325 lbs. On a positive note, this passion for food actually fed into a more lucrative sideline -- as a respected chef and culinary author ("Eat This" and "Eat This Too") in which he appeared all over the tube cooking and demonstrating his favorite recipes. He also found time to write children's books on the side.
Dom tackled broad comedy films with great abandon -- a wallflower he was not -- but they were hit-or-miss. Some of his biggest misses were the Mae West disaster Sextette (1977), the Dudley Moore showcase Wholly Moses! (1980) (although Dom was arguably the best thing in it), Loose Cannons (1990), in which he appeared as portly pornographer Harry "The Hippo" Gutterman, Driving Me Crazy (1991), which filmed far away in Germany, and The Silence of the Hams (1994), a parody on the horror genre in which he played Dr. Animal Cannibal Pizza.
Films could also be a family affair. True to life, Dom played a sympathetic kiddie show host in the moving TV-movie Happy (1983). Also the executive producer, he was joined by wife Carol and all three sons in the cast. In addition, Dom offered a cameo in Between the Sheets (2003), a film written by Peter, directed, edited and executive-produced by Michael, and featuring roles for the rest of the family.
Dom's voiceover skills did not go untapped, either, in films including the animated features The Secret of NIMH (1982), An American Tail (1986) and All Dogs Go to Heaven (1989), plus all of their offshoots. The heavily-bearded DeLuise even displayed scene-stealing antics on the operatic scene, once playing the speaking part of Frosch the Jailer in Johann Srauss II's operetta "Die ," at the Metropolitan Opera.
Suffering from various physical ailments in later years, some of which were exacerbated by his chronic obesity and diabetes, Dom's health declined, and he died in 2009 at age 75. His wife and three children survive him, as do three grandchildren.- Actress
- Producer
- Soundtrack
Brittany Murphy was born Brittany Anne Bertolotti on November 10, 1977 in Atlanta, Georgia, to Sharon Kathleen Murphy and Angelo Joseph Bertolotti. Her father's ancestry is Italian, and her mother is of Irish and Slovak descent. Her father moved the family back to Edison, New Jersey as a native New Yorker and to be closer to other siblings from previous marriages. While dining out one night in the presence of Hollywood royalty, Brittany at the age of 5 approached an adjoining table when Academy Award nominee Burt Reynolds and George Segal were seated. Brittany introduced herself to the Hollywood legends and confidently told them that someday she too would be a star.
She comes from a long line of international musicians and performers with three half-brothers and a sister. Angelo Bertolotti was torn from their tight-knit family as a made-man with the Italian Mafia. The Senior Bertolotti, who coined the nickname of "Britt" for his daughter, was also an entrepreneur and diplomat for organized crime families and one of the first to be subjected to a RICO prosecution. Brittany's interests and well-being were always her father's first goal and objective. To distance his talented daughter from his infamous past, Angelo allowed Sharon to use her maiden name for Brittany's, so that her shining star would not be overshadowed by a father's past, with the couple divorcing thereafter.
Brittany began receiving accolades and applause in regional theater at the early age of 9. At the age of 13, she landed several national commercials. She appeared on television and caught the attention of a personal manager and an agent. Soon, Brittany's mother Sharon turned full-time to being a "Stage Mom" where Angelo provided financial support throughout and their relationship is memorialized with a long and close history in pictures. The hopeful daughter and mother moved to Burbank, CA, where Brittany landed her first television role on Blossom (1990). Hearts and doors opened up for a starring role on Drexell's Class (1991), a short lived TV series.
Brittany's big screen movie debut started with Clueless (1995), where she was co-starring with Alicia Silverstone. Britt soared, demonstrating her musical and artistic talents with dramatic and comedic roles landing a nomination for best leading female performance in the Young Artist Awards for her role in the television film David and Lisa (1998). She garnered tremendous attention for her role in Girl, Interrupted (1999) with Academy Award winner Angelina Jolie. Brittany's band, "Blessed Soul" was growing with her as lead singer and Britt lent her vocal talents to the TV hit, cartoon sensation, King of the Hill (1997) as the voice of Luanne.
She is alleged to have been a witness in the case of the former Department of Homeland Security employee and persecuted whistleblower Julia Davis. According to Davis, Brittany and her fiancée Simon Monjack were then targeted for retaliation that included land and aerial surveillance and a threatened prosecution. Monjack was arrested and detained by the Bureau of Immigration and Customs Enforcement (ICE). Brittany and Simon confided in Alex Ben Block of the Hollywood Reporter, telling him in an interview that they were under surveillance by helicopters and their telephones have been wiretapped. This information was published by THR posthumously, in an article entitled "The Last Difficult Days of Brittany Murphy."
On December 20, 2009, Brittany Murphy died an untimely death. The LAPD and Los Angeles County Coroner closed the case within one hour, attributing her death to pneumonia and anemia. Five months after Brittany's unexpected demise, her husband Simon Monjack was found dead in the house he shared with Brittany. The chief/spokesperson at the Los Angeles County Dept of Coroner, Craig Harvey, stated that Simon also died from the same exact causes as his wife, namely pneumonia and anemia. Neither Brittany, nor Simon, were given a thorough and complete forensic autopsy for poisons. Brittany's father, Angelo "AJ" Bertolotti, is pursuing the investigation of the true reasons behind Brittany's and Simon's sudden demise, as he believes that the two were murdered. Abnormally high levels of heavy metals and poisons were discovered in Brittany's hair, tested by two other independent forensic labs with famed Pathologist, attorney Cyril Wecht concluded from the appearances, Brittany could have been murdered and should be exhumed. Her father Angelo is preparing court actions to ensure she obtains justice.- Actor
- Soundtrack
Part of the motley crew commandeered by Ernest Borgnine on the popular 1960s TV series McHale's Navy (1962), tall, gangly, beady-eyed, bulb-nosed comic actor Carl Ballantine was better known in other ports as the ultimate "magician". Billed as "The Amazing Ballantine," "The Great Ballantine" and "Ballantine: The World's Greatest Magician" during his long career, Carl made a comedy career out of being inept -- the magician who could never finish a trick or get the trick right in the first place. So successful was he, in fact, that in 2007 actor/magician Steve Martin presented Carl with the Lifetime Achievement Fellowship from the Magic Castle in Hollywood.
The Chicago native was born Meyer Kessler in Chicago on September 27, 1917, and became fascinated by the magic tricks his barber use to show him at a young age. He immediately began studying the art. Deciding to legit as a magician, he gradually realized that his potential as a comic was much better than as a magician so he decided to spoof his magic act -- pulling up laughs instead of rabbits out of a hat. Changing his name to the more agreeable marquee moniker ("Ballantine") in the early 1940s, it took Carl some time to refine his act as a "bad" magician but eventually he found a successful formula. He later went on to perform at such top establishments as the Palace Theatre in New York, as well as a number of Las Vegas niteries (the first "magician" to do so). The act also made its way to the small screen, becoming a popular time-filler on the TV variety circuit during the 1950s and 1960s.
Carl began showing up as an actor in the early 1960s, appearing on such comedy shows as "Car 54, Where Are You?" (recurring role) before hitting the big time with McHale's Navy (1962), which was similarly styled to Phil Silvers' service comedy "Sergeant Bilko". He played crewmen Lester Gruber for four seasons. Carl also was featured in such film comedies as The Shakiest Gun in the West (1968) with Don Knotts, The World's Greatest Lover (1977) with Gene Wilder, Just You and Me, Kid (1979) with George Burns and Mr. Saturday Night (1992) with Billy Crystal. His last film was a bit part in Aimee Semple McPherson (2006) (aka "Sister Aimee"). Carl also was part of the regular cast on the sitcoms The Queen and I (1969) and One in a Million (1980). Every now and then his magician alter ego would reappear on such shows as "Fantasy Island," "Night Court" and "The Cosby Show".
In later years Carl made a strong dent in the cartoon voice-over field and lent his voice to hundreds of regular commercials, including one for the California Raisins. Long married to actress Ceil Cabot, their 45 year marriage ended with her passing on January 27, 2000. They had two daughters, Molly, and actress/voice artist Sara Ballantine. Working practically to the very end, Carl succumbed to age-related problems on November 3, 2009, at age 92.- Actor
- Director
- Producer
Ron Silver was born on 2 July 1946 in New York City, New York, USA. He was an actor and director, known for Timecop (1994), Reversal of Fortune (1990) and Find Me Guilty (2006). He was married to Lynne Miller. He died on 15 March 2009 in New York City, New York, USA.- A virile, beefcake blond of the late 1960s and 1970s small screen, Dennis Cole certainly had it all going for him, but tragic circumstances prevented an all-out successful career. A rugged TV version of Robert Redford, his tan, chiseled, surfer-fit looks were ideally suited for crime action and adventure stories and he gained ground by appearing everywhere -- daytime soaps, prime-time series, mini-movies -- you name it.
The Detroit-born and -raised stunner was the son of Joseph C. Cole, a musician during the 1940s and 1950s. His parents, both alcoholics, divorced when he was young (his father later committed suicide). Dennis was first noticed on the pages of physique magazines serving the likes of Robert Henry Mizer (aka Bob Mizer) and his Athletic Models Guild as well as other photographers. Paying his dues as a motion picture and television stuntman, Cole also appeared in an occasional bit part and in the background of a few movie musicals. His photogenic appeal could not be denied for long and eventually he took a front-and-center position, launching his acting career on the short-lived daytime soap Paradise Bay (1965) as a spoiled rich boy who causes tongues to wag after falling for a Mexican girl. However, it was the subsequent nighttime police series The Felony Squad (1966) alongside veterans Howard Duff and Ben Alexander (of Dragnet (1951) fame) that set Cole's TV career in high gear. As hunky rookie detective Jim Briggs, Dennis was able to ride high on the fame his two-and-a-half season series offered.
With this success came two very short-lived series: the glossy ensemble drama Bracken's World (1969) and opposite Rod Taylor as a trouble-prone stud in the more adventurous Bearcats! (1971). Females couldn't get enough of Cole and his athletic skills had males idolizing from afar. Guest appearances on Medical Center (1969), Barnaby Jones (1973), Police Story (1973), Love, American Style (1969), The Love Boat (1977), The Streets of San Francisco (1972) and Police Woman (1974) kept him highly visible in between series runs. During this career peak, he made his Broadway debut in "All the Girls Came Out to Play" in 1972. He also decided to tap into his musical side and dabbled in his own musical revue, which showcased on the Sunset Strip and in Las Vegas. A guest TV appearance on Charlie's Angels (1976) led to his meeting and, in 1978, marrying "Angel" Jaclyn Smith. As one of Hollywood's more beautiful couples, they kept cameras flashing for a number of years until their breakup and divorce in 1981.
The early 1980s started off well for Cole as replacement "Lance Prentiss" in the soap-opera The Young and the Restless (1973) in 1981. Very much a product of TV, he was unable to permanently transition into films; he appeared occasionally in dismissible low-budget action fare such as Amateur Night (1986), Death House (1988), Pretty Smart (1987), Dead End City (1988) and Fatal Encounter (1990). He continued showing up on all the popular series of the day, including Silk Stalkings (1991), Murder, She Wrote (1984), Pacific Blue (1996) and Baywatch Nights (1995), among others, while appearing in such legit stage plays as "The Tender Trap", "Lovers and Other Strangers", "The Boys in the Band", and the British farces "Run for You Life" and "Out of Order". Very much involved with charity work, his endeavors over the years have included an over-two-decade involvement with the Cancer Society (Honorary Chairman), as well as the Arthritis and Cystic Fibrosis foundations.
Dennis' later personal and professional lives suffered as a result of a chronic alcohol problem, but an even greater setback occurred when his only child, Joey (whom he named after his father), was murdered during a 1991 robbery attempt in Venice, California. He continued to perform on TV and stage (as the "Narrator" in a production of "Blood Brothers" and the James Garner "King Marchan" role in the first national tour of the musical "Victor/Victoria"). Severe injuries suffered while performing in the latter show led to multiple surgeries, a three-year convalescence and a new direction.
Dennis returned to school and started up his own real estate company, setting up an office in Fort Lauderdale, FL. Married for several years to his third wife Marjorie ("Ree"), Dennis filed for divorce in May of 2007, which became final on April 21, 2008. He died at age 69 on November 15, 2009, in a Fort Lauderdale hospital of liver failure. - Actor
- Second Unit Director or Assistant Director
- Producer
Character actor John Quade was born John William Saunders III on April 1, 1938 in Kansas City, Kansas. Quade transferred from Perry Rural High School in Perry, Kansas to Highland Park High School in Topeka, Kansas in 1954. John was a football tackle and participated in both track and basketball at Highland Park High School. Moreover, he was a member of the Stamp, Radio, and Chess/Checkers clubs. Quade graduated from high school in 1956 and attended Washburn University. John worked for the Santa Fe Railway repair shop in Topeka, Kansas.
Quade moved to California in 1964 and met an engineer building missile silos in Kansas, which led to a job in California working at the Jet Propulsion Laboratory (JPL) as an aerospace engineer. Some of the parts Quade constructed are still on the Moon.
After meeting a movie industry talent scout he made his television acting debut in 1968 on an episode of "Bonanza." He acted in his first movie in 1972. With his strong, stocky build, distinctive rough face, drawling accent, squinty eyes, and often aggressive and intimidating screen presence, John was frequently cast as either mean, nasty heavies or hostile redneck law enforcers. Quade was probably best known as Cholla, the bumbling leader of the inept biker gang the Black Widows in the Clint Eastwood comedy vehicles "Every Which Way But Loose"" and "Any Which Way You Can." He had previously acted alongside Eastwood as despicable villains in the Westerns "High Plains Drifter" and "The Outlaw Josey Wales." John was likewise memorable as Sheriff Biggs in the epic TV mini-series "Roots." Quade had regular roles on the short-lived TV shows "Flatbush" and "Lucky Luke." Among the many television programs John made guest appearances on are "Gunsmoke," "Ironside," "Kung Fu," "Kojak," "Starsky and Hutch," "The Bionic Woman," "Charlie's Angels," "Buck Rogers in the 25th Century," "Vega$," "The Dukes of Hazzard," "CHiPs," "Hill Street Blues," "The A-Team," "Hunter," "Werewolf," and "Baywatch." After he stopped acting in the 1990s, Quade became a devout Christian activist and outspoken opponent of the American government and its New World Order. John was opposed to the 14th Ammendment, Social Security numbers, and drivers' licenses. He supported the Alledial Title belief in common law. Quade was married to his wife Gwen for thirty-eight years and was the father of six children.
John Quade died sleeping as the result of a heart attack at age 71 at his home in Rosamond, California, on August 9, 2009.- Actor
- Producer
British leading man who achieved some success in American films, as well. Born in Ireland as the son of a British officer, Todd grew up in Devon and (for a brief time) in India and attended Shrewsbury Public School. His interest in theatre led him to small roles in stock in England and Scotland and three tiny film roles, following which he helped found the Dundee Repertory Theatre in 1939. He served with distinction as a paratrooper in the Second World War and returned to considerably more prominent theatre roles, culminating in the role of "Lachie" in John Patrick's "The Hasty Heart", in which he played in London and then followed Richard Basehart in the Broadway production. He made his first major film appearance in 1948, and the next year was again cast as "Lachie", this time in the film version of The Hasty Heart (1949). His performance, a truly star-making and moving piece of work, earned him an Oscar nomination as Best Actor. He followed it with a role in Alfred Hitchcock's Stage Fright (1950), but although he continued to play leading roles, often in quite good films, he never again achieved the prominence and acclaim he had had with The Hasty Heart (1949). He was quite effective in such roles as "Robin Hood" and "Rob Roy", and very touching as "Peter Marshall" in A Man Called Peter (1955). In The Longest Day (1962), he portrayed his own superior officer at the Pegasus Bridge fight, with another actor portraying Todd himself in a recreation of his own experiences. Ultimately, Todd's starring roles dwindled, but he continued as a stalwart character actor, primarily in British films.- Actor
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Fred Travalena was born on 6 October 1942 in Bronx, New York City, New York, USA. He was an actor and writer, known for Black Scorpion (2001), The Many Faces of Fred Travalena (1987) and The Buddy Holly Story (1978). He was married to Lois Travalena. He died on 28 June 2009 in Encino, California, USA.- Actress
- Soundtrack
Cheryl Holdridge was born on 20 June 1944 in New Orleans, Louisiana, USA. She was an actress, known for Leave It to Beaver (1957), The Donna Reed Show (1958) and Life with Archie (1962). She was married to Manning J. Post, Albert James Skarda and Lance Reventlow. She died on 6 January 2009 in Santa Monica, California, USA.- Actor
- Soundtrack
Joseph Wiseman was born on May 15, 1918 in Montreal, Quebec, Canada. He came to Broadway in the 1930s, where he was critically hailed for performances in Shakespeare's "King Lear", Clifford Odets' "Golden Boy" and Anton Chekhov's "Uncle Vanya". Motion pictures in which Wiseman has been seen include Detective Story (1951), starring Kirk Douglas, Viva Zapata! (1952) with Marlon Brando, The Garment Jungle (1957), The Night They Raided Minsky's (1968), The Valachi Papers (1972) and The Apprenticeship of Duddy Kravitz (1974) which brought him back to his native Canada for a co-starring role with Richard Dreyfuss.- Actor
- Soundtrack
A show-stopping comic for decades, the inimitable Arnold Stang, with the trademark Runyonesque voice and thick, black glasses, started out famously on radio before branching out to include Broadway, films and especially TV. Born on September 28, 1918, in New York City (for decades he himself perpetuated the myth of being born in 1925 in Chelsea, Massachusetts), he was the son of a lawyer. Following the 1929 stock market crash, his father was forced to look elsewhere for work and managed a living as a salesman. The scrawny kid from Manhattan grew up in Brooklyn and attended New Utrecht High School.
During his teen years (early 1930s) he auditioned for and won roles on radio's "Horn and Hardart's Children's Hour," a variety show, and the kiddie program "Let's Pretend," which set off a two-decade stint as one of radio's most popular vocal personalities. His squawky, unmistakable voice was heard as Jughead in the "Archie Andrews" series and as neighbor Seymour Fingerhood on the beloved, Bronx-styled Gertrude Berg classic "The Goldbergs," among others. He even appeared in radio soap operas and mysteries on occasion, often providing comedy relief. A reliable and feisty second banana, he traded quips with the best of them: Eddie Cantor; Jack Benny; Fred Allen; Fanny Brice; Milton Berle, you name it.
In between radio work Stang could sometimes be seen on the stage, his first legitimate play being on Broadway with the short-lived "All In Favour" (1942). This was followed by "You'll See Stars" at the end of that same year. He subsequently moved from radio to TV with the help of Milton Berle in the late 1940s and eventually found a very comfortable niche in comedy as a foil to the big stars. On the satirical Henry Morgan's Great Talent Hunt (1951), he was a regular member of Henry Morgan's stock company as a nerdy teen named Gerard. Plain, plucky but rather sad-sack, his puny-looking nerd types (5'3" and not much over 100 pounds) seemed to beg to have sand kicked in their faces. Yet, as much as they could be pushed around, they often displayed stubborn, delinquent-like streaks and could be mighty pesky in nature and irritating to the nth degree.
Stang also lent his vocal talents quite successfully to cartoon voiceovers beginning with Popeye the Sailor's pal Shorty. He later moved into a lengthy hitch as "Hoiman" the mouse in Paramount's popular "Herman and Katnip" series, but his best known animal character, of course, came later with the title role in Joseph Barbera - William Hanna 1961 classic cartoon series Top Cat (1961). His playing of "T.C", the slick, smart-alecky, Brooklynesque mastermind behind a gang of alley cats, was very reminiscent of Phil Silvers' Sgt. Bilko character from The Phil Silvers Show (1955).
Film work for Stang would be very sporadic over the years providing secondary but stalwart support in such escapism as Seven Days' Leave (1942), My Sister Eileen (1942), Let's Go Steady (1945), Two Gals and a Guy (1951) and the all-star epic It's a Mad Mad Mad Mad World (1963). Stang's best featured part was a rare dramatic role opposite Frank Sinatra in the then-daring topical movie about drug addiction entitled The Man with the Golden Arm (1955). Here he played Frank Sinatra's seedy but loyal pal Sparrow, a role that easily could have influenced Dustin Hoffman when he created his Ratso Rizzo character a decade and a half later in Midnight Cowboy (1969).
From the 1950s, the bespectacled comedian would be a steadfast TV commercial spokesman pitching such products as Delco, Chunky candy ("Chunky...what a chunk o' chocolate!") and Orkin ("Stop squawkin', call Orkin!") using his own, unique style. As for the stage, a few of his later stints included the 1969 Broadway remake of "The Front Page," the role of Hysterium in a production of "A Funny Thing Happened on the Way to the Forum," and a part in Woody Allen's "Play It Again, Sam". The owlish comedian continued acting into the 90s with small roles in such movies as Ghost Dad (1990) and Dennis the Menace (1993).
Long married (since 1949) to wife JoAnn Taggart, a writer, Stang died of pneumonia at age 91 in Newton, Massachusetts, just before Christmas in 2009. He was also survived by his two children, David Donald and Deborah Jane.- Actor
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With effortless class and elegant charm Gene Barry took '50s and '60s TV by storm, after a rather lackluster start on the musical stage and in films. Born Eugene Klass in New York City on June 14, 1919, to Martin (an amateur violinist), and Eva (an amateur singer), he showed a gift at an early age as a violin virtuoso, obviously inherited from his father. After attending various public schools, he graduated Valedictorian from New Utrecht High School in Brooklyn, New York.
Possessing an impressive baritone voice, he concentrated on singing after breaking his arm playing football in school ended any thoughts of a symphonic career. At age 17 he earned a singing scholarship awarded by David Sarnoff (the head of RCA at the time), to the Chatham Square School of Music, and studied there for two years. In the meantime Gene found work in nightclubs, choirs, fairs and emceeing variety shows, and briefly appeared on the vaudeville stage and on radio, winning a prize on Arthur Godfrey's "Talent Scouts" program.
The young actor made it to Broadway in 1942 with the musical "New Moon", and went on to appear in the 1944 Mae West vehicle "Catherine Was Great", where he met and subsequently married chorus girl Betty Barry, whose stage name was Julie Carson at the time. For the rest of the decade, Gene appeared in a random selection of plays and musicals, which did little to elevate his Broadway standing. Hollywood finally beckoned in the 1950's, after gaining some notice on the program "Hollywood Screen Test", and Paramount signed him to a contract.
Gene had stoic co-starring roles in such dramatic "B" films as The Atomic City (1952) (his debut movie), Those Redheads from Seattle (1953), and Alaska Seas (1954), none of which capitalized on his singing ability. The one movie in which he did sing, Red Garters (1954), did not fare well with the public. His most recognizable role during this period was as Dr. Clayton Forrester, a scientist who finds himself in the midst of a Martian invasion in the cult science-fiction classic The War of the Worlds (1953).
Television became his preferred medium after being offered the title role in Bat Masterson (1958), and he quickly established a very successful niche as a suave, dapper gentleman in this and other TV productions. Despite the elegant, globe-trotting typecast that befell him, his other TV characters proved just as well-received: jet-setting detective Amos Burke in Burke's Law (1963), for which he won a Golden Globe, and the impeccably dressed publishing tycoon Glenn Howard in The Name of the Game (1968). Gene revisited the stage and cabaret venues in the 1970's when his on-camera career hit a lull, appearing frequently with his wife as his leading lady.
The singer/actor made a triumphant return to Broadway in 1983, starring as a wealthy gay socialite in the musical version of the popular French film La Cage aux Folles (1978), earning him a Tony nomination - but he lost the award to his more flamboyant co-star George Hearn. After a year on Broadway, he joined the road company in San Francisco, and played Los Angeles for a lengthy run. Other musicals included "On a Clear Day You Can See Forever", "Watergate: The Musical" (as Nixon), "Fiddler on the Roof" (with his wife) and "No, No, Nanette". Gene also appeared in his one-man cabaret show entitled "Gene Barry in One" from time to time.
In later years he made only occasional TV and stage appearances (bringing back his famous characters Bat Masterson and Amos Burke, much to the enjoyment of his fans), preferring to indulge in his favorite hobby - painting. He made a very brief return to feature films, sharing a cameo scene with one-time co-star Ann Robinson in Steven Spielberg's epic remake of The War of the Worlds (2005), with both of them playing the Tom Cruise character's mother and father in-law.
Gene was a political activist, a passion he shared with his wife Betty, who died in 2003 after an almost 60 year marriage. The couple had two sons of their own, and later in life they adopted a daughter. Gene passed away on December 9, 2009 at the age of 90.- Actress
- Writer
Actress Collin Wilcox extended her given name twice over the duration of her professional acting career -- billing herself as Collin Wilcox-Horne and Collin Wilcox Paxton, to be exact. She was born in Cincinnati, Ohio and raised in Highlands, North Carolina, and her interest in theater was sparked by her parents, Jack H. and Virginia Wilcox, who founded the Highlands Community Theatre (now known as the Highlands Playhouse) in 1939. She made her acting debut there as a young girl and appeared in various productions, including "Our Town". In later years, Collin would dutifully return from time to time and perform at her theater alma mater in appreciation.
She attended high school in Knoxville, Tennessee and became the resident ingénue at the regional Carousel Theatre. She majored in drama at the University of Tennessee and studied performing at the Goodman School of Drama in Chicago, Illinois, as well as improv at The Compass (a forerunner of the Second City troupe) where Paul Sills was the director. There, she worked alongside up-and-coming talents Mike Nichols, Elaine May, Barbara Harris, Severn Darden and Shelley Berman. She eventually migrated to New York in 1957 and earned membership with Lee Strasberg's Actor's Studio, who saw great potential in her. She worked there for eight years.
Collins' Broadway debut came a year later with "The Day the Money Stopped", starring Richard Basehart and Mildred Natwick, which earned her the Clarence Derwent Award for "Best Supporting Actress". Slowly garnering notice for her growing quirks and interesting, edgy performances, Collin went on to work with the crème de la crème of Broadway eccentrics including Tallulah Bankhead in "Crazy October", Geraldine Page in "Strange Interlude" and Ruth Gordon in "La Bonne Soup". Neurotic Southern plays such as Tennessee Williams off-Broadway productions of "Camino Real" and "Suddenly, Last Summer" fit her like a glove. In Los Angeles, she appeared in "The Sea Gull" under the direction of John Houseman, "Period of Adjustment" with William Windom and "Getting Out" with Susan Clark. Williams, himself, chose Collin to repeat her leading role as "Isabel" in "Period of Adjustment", when the play went to London.
Collin's film debut came with her brilliant, award-worthy role as young "Mayella", whose Southern white trash teenager, under the duress of her racist father, falsely accuses black man Brock Peters of rape in To Kill a Mockingbird (1962). Her cross-examination courtroom sequence with Peters' hired attorney, Gregory Peck, is unforgettable. No other film role would have the same impact as that once-in-a-lifetime part. Prior to this, "Mockingbird" director Robert Mulligan personally selected the classically-trained Collin as his TV "Frankie" in a strong presentation of The Member of the Wedding (1958). It was her first television role. For such a strong start, her later film career would prove strangely erratic, with a number of offbeat roles in The Baby Maker (1970), arguably her best post-Mockingbird part, opposite Barbara Hershey and Sam Groom, Catch-22 (1970), September 30, 1955 (1977), Jaws 2 (1978), Marie (1985), The Journey of August King (1995) and Midnight in the Garden of Good and Evil (1997), among them.
While Collin graced a number of quality TV programs, such as the mini-movies The Autobiography of Miss Jane Pittman (1974), Foxfire (1987) and Wildflower (1991) along with such established series as Gunsmoke (1955), The Twilight Zone (1959), The Fugitive (1963) and The Waltons (1972), it was the live stage that kept her fiery passion for acting alive. In the late seventies, she returned to her hometown, met and married third husband Scott Paxton, and founded the multi-arts center, "The Highlands Studio for the Arts", in 1981. She served as its artistic director for nine years as well as its resident playwright and improv teacher. She and her husband (who has been president of the Board of Directors) formed a troupe called "The Instant Theatre Company" (ITC) which reaffirmed her family's name in the commitment to its town's local theater. The company lasted for close to a decade before resurrecting again in 2003 with Collin and Rex Reed performing in a presentation of "Love Letters".
Married three times, she has two children, Kimberley and William, from her former husband, British actor Geoffrey Horne, and one child, Michael, from the marriage to Scott Paxton. She died of brain cancer at her North Carolina home in Highlands on October 14, 2009. She was 74.- Actress
- Producer
- Additional Crew
Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.
Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.
Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.
She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.
Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.- Russ Conway was born on 25 April 1913 in Brandon, Manitoba, Canada. He was an actor, known for What Ever Happened to Baby Jane? (1962), Our Man Flint (1966) and Sea Hunt (1958). He was married to Muriel Idell Morrison. He died on 12 January 2009 in Laguna Hills, California, USA.
- Actor
- Writer
- Soundtrack
Soupy Sales was born on 8 January 1926 in Franklinton, North Carolina, USA. He was an actor and writer, known for Black Scorpion (2001), The Making of '...and God Spoke' (1993) and A Dirty Shame (2004). He was married to Trudy Carson and Barbara Fox. He died on 22 October 2009 in The Bronx, New York City, New York, USA.- Actress
- Soundtrack
The youngest of five children, and born with the drab, unlikely name of Josephine Cottle on April 5, 1922, this pleasantly appealing, Texas-born, auburn-haired beauty was only seventeen months old when her father, William, passed away. The family moved from Bloomington (her home town) to McDade (between Austin and Houston), where her mother, Minnie, made ends meet as a seamstress and milliner. The family eventually settled in Houston, where Gale took dance and ice skating lessons, developed a strong interest in acting, and performed in high school dramatics. Encouraged by her teachers, Gale by chance entered and was chosen the winner of a local radio talent contest called Jesse L. Lasky's "Gateway to Hollywood" in 1939. This took her and her mother to Hollywood, where she captured the national contest title.
Handed the more exciting stage moniker of "Gale Storm", she was soon put under contract to RKO Pictures. Although she was dropped by the studio after only six months, she had established herself enough to find work elsewhere, including at Monogram and Universal. Appearing in a number of "B" musicals, mysteries and westerns, her wholesome, open-faced prettiness made her a natural for filming. The programmers, however, that she co-starred in were hardly the talk of the town. Making her inauspicious debut with Tom Brown's School Days (1940), her '40s movies bore such dubious titles as Let's Go Collegiate (1941), Freckles Comes Home (1942), Revenge of the Zombies (1943), Sunbonnet Sue (1945), Swing Parade of 1946 (1946), and Curtain Call at Cactus Creek (1950), indicating the difficulty of finding material worthy of her talent. Arguably, her better movies include the family Christmas tale It Happened on Fifth Avenue (1947), which co-starred Don DeFore; the overlooked western comedy The Dude Goes West (1948) opposite Eddie Albert; and the film noir piece The Underworld Story (1950) with Dan Duryea.
After years of toiling in films, Gale finally turned things around at age 30 by transplanting herself to the small screen. Her very first TV series, My Little Margie (1952), which was only supposed to be a summer replacement series for I Love Lucy (1951), became one of the most watched sitcoms in the early '50s while showing up in syndicated reruns for decades. Co-starring the popular film star Charles Farrell as her amiable dad, Gale's warmth and ingratiating style suited TV to a tee, making her one of the most popular light comediennes of the time. She segued directly into her second hit series as a cruise ship director in The Gale Storm Show: Oh! Susanna (1956), which was better known as "Oh! Susannah" after it went into syndication. Co-starring woebegone Zasu Pitts as the ship's manicurist and her "Ethel Mertz" counterpart, this show lasted a season longer than her first.
In the midst of all this, the (gasp!) thirty-something star dared to launch her own Las Vegas nightclub and pop recording careers. Always looking much younger than she was, she produced a number of Billboard chart makers, including "I Hear You Knocking" (her first hit), "Memories Are Made of This", "Ivory Tower" and her own cover of "Why Do Fools Fall in Love". Her most successful song of the decade was "Dark Moon", which peaked at #4.
Gale's film career took a sharp decline following the demise of her second series in 1960. Most of her focus was placed modestly on the summer stock or dinner theater circuit, doing a revolving door of tailor-made comedies and musicals such as "Cactus Flower", "Forty Carats", "The Unsinkable Molly Brown" and "South Pacific". She finally appeared again on TV in a The Love Boat (1977) segment in 1979 after nearly a two-decade absence. It was later revealed in Gale's candid autobiography "I Ain't Down Yet" (1981) and on the talk show circuit that the disappearance was triggered by a particularly vicious battle with alcohol. Years later, Gale became an outspoken and committed lecturer, helping to remove the stigma attached to such a disease, particularly as it applied to women.
Fully recovered, she has been widowed twice (by actor Lee Bonnell in 1986 and Paul Masterson in 1996). Incredibly accommodating over the years, Gale has appeared on the nostalgia and film festival circuits to the delight of her many fans. She died on June 27, 2009, at a Danville, California convalescent home at age 87.- Steven Gilborn was born on 15 July 1936 in New Rochelle, New York, USA. He was an actor, known for Evolution (2001), Doctor Dolittle (1998) and Alien: Resurrection (1997). He was married to Karen Halverson. He died on 2 January 2009 in North Chatham, New York, USA.
- Lou Jacobi was born on 28 December 1913 in Toronto, Ontario, Canada. He was an actor, known for I.Q. (1994), Irma la Douce (1963) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). He was married to Ruth Ludwin. He died on 23 October 2009 in Manhattan, New York City, New York, USA.
- Actor
- Stunts
Big, brawny, and imposing actor and stuntman Dick Durock was born on January 18, 1937 in South Bend, Indiana. The fourth of five children; he grew up in South Bend, Indiana and New Jersey. After serving a stint in the Marine Corps and briefly working as a computer programmer, Durock went to Hollywood to eke out a career in show business. He eventually amassed hundreds of credits in both movies and TV series alike (Durock sometimes worked on two different shows in the same day). Durock began his career in 1967 as the stunt double for Guy Williams on the final season of Lost in Space (1965). He also doubled for both Buddy Ebsen and Max Baer Jr. on The Beverly Hillbillies (1962). With his rough face, large, strong, muscular build and towering 6' 5" height Durock was usually cast as mean thugs who get beat up by the hero. Durock achieved his greatest enduring cult popularity with his excellent portrayal of the titular kind-hearted mutant superhero in Wes Craven's delightful Swamp Thing (1982). He reprised the part in the amusingly campy sequel The Return of Swamp Thing (1989) and the spin-off cable TV series, Swamp Thing (1990). Durock's other memorable roles include one of the terrorists in The Enforcer (1976), the bare knuckle brawler who fights Clint Eastwood at the start of Any Which Way You Can (1980), pie-eating contest champion "Bill Travis" in the charming Stand by Me (1986), and a hostile redneck hunter in the notorious turkey Howard the Duck (1986). Among the films Durock has performed stunts in are Die Hard with a Vengeance (1995), License to Drive (1988), The Monster Squad (1987), Heat (1986), Runaway Train (1985), The Sword and the Sorcerer (1982), Bronco Billy (1980), 1941 (1979), Doc Savage: The Man of Bronze (1975), The Poseidon Adventure (1972), Hammer (1972) and Conquest of the Planet of the Apes (1972). Durock had guest spots on such TV shows as Star Trek (1966), Baretta (1975), Quincy M.E. (1976), The Rockford Files (1974), Little House on the Prairie (1974), The Incredible Hulk (1978), The A-Team (1983), Magnum, P.I. (1980), Falcon Crest (1981), The Fall Guy (1981), Knight Rider (1982), Married... with Children (1987) and Dynasty (1981). He played the "Imperious Leader" on the science fiction series, Battlestar Galactica (1978). He was a proud and active member of the Stuntman's Association of Motion Pictures for over 20 years. Durock lived in Southern California with his wife Jane and made frequent guest appearances at movie conventions held all over the country. He died after a long battle with Pancreatic Cancer at age 72 on September 17, 2009 in Oak Park, California.- Music Artist
- Actor
- Composer
Michael Joseph Jackson was born on August 29, 1958 in Gary, Indiana, and entertained audiences nearly his entire life. His father, Joe Jackson (no relation to Joe Jackson, also a musician), had been a guitarist, but was forced to give up his musical ambitions following his marriage to Michael's mother Katherine Jackson (née Katherine Esther Scruse). Together, they prodded their growing family's musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.
A musical prodigy, Michael's singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy's attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists ("I Want You Back," "ABC," "Never Can Say Goodbye," "Got to Be There," etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.
Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, "Thriller" in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.
In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages -- one to Elvis Presley's daughter Lisa Marie Presley -- were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented.
Michael Jackson died on June 25, 2009 in Los Angeles, California. His passion and artistry as a singer, dancer, writer and businessman were unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his troubled adult life.- Actor
- Second Unit Director or Assistant Director
Wayne Tippit was born on 19 December 1932 in Lubbock, Texas, USA. He was an actor and assistant director, known for JFK (1991), Dancer, Texas Pop. 81 (1998) and Nurse Betty (2000). He was married to Carole Macho. He died on 28 August 2009 in Los Angeles, California, USA.- Actor
- Soundtrack
By the time handsome, brawny baritone Harve Presnell arrived on the film scene, the "Golden Age" of musicals had long dissipated. Born in Modesto, California in 1933 and spending part of his youth on a family ranch near Yosemite Valley where he labored in the fields, it was discovered he had quite a voice at such a young age (7) and he became a soloist at his local church.
He graduated from Modesto High School and received a USC sports scholarship, but moved quickly to singing at Lotte Lehmann's Academy of the West. At the age of 21, he coveted the lead in the American premiere of Darius Milhaud's "David". Initially trained for an operatic career, he spent three seasons singing throughout Europe with roles in "La Forza del Destino", "Un ballo in Maschera", "The Marriage of Figaro" and "Tosca". He also shared the musical stage with Dorothy Kirsten and Leontyne Price.
Harve was performing nationally, including New York's Carnegie Hall in "Carmina Burana", when the opportunity for Broadway first came his way. Legendary composer Meredith Willson happened to catch an earful of the gifted singer in a "Gershwin Night" concert at the Hollywood Bowl in Los Angeles and, in the virile mold of Alfred Drake and Howard Keel, wrote the role of Johnny "Leadville" Brown in "The Unsinkable Molly Brown" specifically for him. The Broadway musical, with Tammy Grimes as the spunky title heroine, was a resounding hit as Harve wrapped his glorious tonsils around such sturdy songs as "Colorado, My Home" and "I'll Never Say No". Unlike Grimes, Presnell was granted the opportunity to recreate his rags-to-riches part, when the celluloid version of The Unsinkable Molly Brown (1964) came out with a bankable film star, the indomitable Debbie Reynolds, inhabiting the backwoods role. The film version was also hugely popular with audiences and Harve, with his terrific presence, seemed well on his way to stardom.
There were precious few movie musicals, however, for Presnell to sink his teeth into and he quickly faded from view. He tried adjusting to straight dramatics with the rugged western The Glory Guys (1965) and sang again in the highly unworthy teen frolic When the Boys Meet the Girls (1965) with Connie Francis, but little else came in his direction. The disastrous film version of Paint Your Wagon (1969), hurt by the miscasting of leads Lee Marvin, Clint Eastwood and Jean Seberg, was redeemed only by the presence of Presnell and his superb, moving rendition of "They Call the Wind Maria".
By the 70s, Harve was finished in films but gamely kept his momentum with Keel-like stock and touring leads in such productions as "Camelot", "The Sound of Music", "Annie Get Your Gun" and "On a Clear Day You Can See Forever", among others. He even played Rhett Butler in a 1972 musical version of "Gone With the Wind" at London's Drury Lane Theatre, but the production did not generate much of a stir. In 1979, Presnell served as a replacement in the Broadway musical "Annie" as Daddy Warbucks and wound up staying employed as the blustery but bighearted moneybags for nearly 4 years on tour, also reprising the role in the failed 90s sequel, "Annie II: Miss Hannigan's Revenge" (1989), which was later reworked and re-titled "Annie Warbucks" (1992). All told, it is estimated that Harve played the tycoon role over 2,000 times.
More than 25 years had passed by the time Presnell returned to the movies as a brash and balding character actor. He struck pure gold as the implacable, ill-fated father-in-law of William H. Macy in the Coen Brothers' cult film hit, Fargo (1996). This success, in turn, led to meaty roles in Larger Than Life (1996), The Whole Wide World (1996), The Chamber (1996), Face/Off (1997), Saving Private Ryan (1998) and The Legend of Bagger Vance (2000), to name a few. Over the course of his career, he displayed a strong presence on TV as well with recurring roles on prime-time (Lois & Clark: The New Adventures of Superman (1993)) and daytime (Ryan's Hope (1975). Presnell may have been born 10-20 years too late to have become a singing film star, but he suddenly had come back in spades to launch a whole new career as a noted character performer. At age 70+, he was unsinkable, vigorously steamrolling on TV (The Pretender (1996), Monk (2002) and ER (1994)) and in the films Mr. Deeds (2002), Old School (2003), Flags of Our Fathers (2006) and Evan Almighty (2007). His last series role was in the short-lived Andy Barker, P.I. (2007).
Pancreatic cancer got the best of the actor in his final years. The twice-married Presnell with six children (Stephanie, Taylor, Etoile, Tulley, Shannon and Raine) succumbed to his illness at the St. John's Health Center in Santa Monica, California on June 30, 2009, at age 75.- Actress
- Soundtrack
Alaina Reed-Hall was born on 10 November 1946 in Springfield, Ohio, USA. She was an actress, known for 227 (1985), Death Becomes Her (1992) and Cruel Intentions (1999). She was married to Tamim Amini, Kevin Peter Hall and Richard Hannum Cook. She died on 17 December 2009 in Santa Monica, California, USA.- Actor
- Soundtrack
Born on October 1, 1921, in White Plains, New York, gruff veteran character actor James Whitmore earned early and widespread respect with his award-winning dramatic capabilities on Broadway and in films. He would later conquer TV with the same trophy-winning results.
The son of James Allen Whitmore and Florence Crane, he was educated at Connecticut's Choate School after receiving a football scholarship. He later earned his BA from Yale University in 1944 before serving with the Marines in World War II. Following his honorable discharge he prepared for the stage under the G.I. bill at the American Theatre Wing, where he met first wife Nancy Mygatt. They married in 1947 and went on to have three sons together -- Steve, Dan and actor/director James Whitmore Jr..
Applause and kudos came swiftly for Whitmore while under both the Broadway and film banners. After appearing with the Peterborough, New Hampshire, Players in the summer of 1947 in "The Milky Way," Whitmore made a celebrated Broadway debut as Tech Sergeant Evans in "Command Decision" later that year. His gritty performance swept the stage acting trifecta -- Tony, Donaldson and Theatre World awards. In later years Whitmore would often comment that most of his satisfaction came from performing on the live stage.
Hollywood soon took notice of Whitmore. Clark Gable happened to be starring in the film version of Command Decision (1948), and it was hoped that Whitmore would get to recreate his award-winning role. But it was not to be. Song-and-dance star Van Johnson, who was looking for straight, serious roles after a vastly successful musical career, was given the coveted part. The disappointment didn't last long, however, and Whitmore made an auspicious film bow the following year with a prime role in the documentary-styled crime thriller The Undercover Man (1949) starring Glenn Ford and Nina Foch. Whitmore scored brilliantly with his second film as well. Battleground (1949), another war picture, was highly praised and the actor became the talk of the town upon its initial release, grabbing both the Golden Globe and an Oscar nomination for "supporting actor" for his efforts.
Hardly the handsome, matinée lead type, Whitmore nevertheless primed himself up for leading roles in a character vein and found a fine range of material come his way. He showed off his soft inner core as a religious, moral-minded family man opposite Nancy Reagan [Reagan] in the inspirational drama The Next Voice You Hear... (1950); featured his usual saltier side alongside Marjorie Main in Mrs. O'Malley and Mr. Malone (1950); ably portrayed a hunchbacked crook in The Asphalt Jungle (1950) and displayed customary authority as a security chief in the stoic military drama Above and Beyond (1952) starring Robert Taylor. Elsewhere, he played it strictly for laughs as a Runyonesque gangster partnered with Keenan Wynn in the classic MGM musical Kiss Me Kate (1953); portrayed a valiant cop fighting off gigantic mutant ants in the intelligent sci-fi thriller Them! (1954); a hard-hitting social worker in Crime in the Streets (1956) and even made the most of his small role as Tyrone Power's manager in The Eddy Duchin Story (1956).
By 1959, the craggy-faced actor known for his trademark caterpillar eyebrows, turned more and more toward the small screen, with memorable roles in The Twilight Zone (1959), The Detectives (1959) (working again with Robert Taylor), Ben Casey (1961) and a host of live theater dramas. He also starred in his own series as attorney Abraham Lincoln Jones in The Law and Mr. Jones (1960), which lasted two seasons.
Every so often a marvelous character would rear its pretty head and interest him back to the big screen. Notable of these were his white man passing for black in the controversial social drama Black Like Me (1964); his weary veteran cop in Madigan (1968); and his brash, authoritative simian in the classic sci-fi Planet of the Apes (1968).
Divorced from wife Nancy after more than two decades, Whitmore married actress Audra Lindley, best known on TV as Mrs. Roper of Three's Company (1976) fame, in 1972. The couple forged a strong acting partnership as well, particularly on stage, and maintained a professional relationship long after their 1979 divorce. Whitmore and Lindley were lauded for their appearances together in such plays as "The Magnificent Yankee," "On Golden Pond," "The Visit," "Foxfire" and "Love Letters," among others.
In the 1970s the actor transformed into a magnificent one-man-show machine playing such celebrated and inspiring historical/entertainment icons as Will Rogers, Harry Truman and Theodore Roosevelt. He disappeared into these historical legends so efficiently that even the powers-that-be had the good sense to preserve them on film and TV in the form of Will Rogers' USA (1972); Give 'em Hell, Harry! (1975), which earned him his second Oscar nomination; and Bully: An Adventure with Teddy Roosevelt (1978).
In his twilight years, Whitmore showed he still had what it took to touch movie audiences, most notably as the fragile prisoner-turned-parolee who cannot adapt to his late-life freedom in the classic film The Shawshank Redemption (1994). On TV he continued to win awards, copping a TV Emmy for a recurring part on The Practice (1997) in the late 1990s. A household face in commercials as well, one of his passions was gardening and he eventually became the spokesman for Miracle-Gro plant food.
Whitmore remarried (and re-divorced, 1979-1981) his first wife Nancy briefly before finding a lasting union with his fourth wife, actress-turned-author Noreen Nash, whom he married broaching age 80 in 2001. Whitmore died of lung cancer on February 6, 2009, after having been diagnosed in mid-November 2008.- Actor
- Additional Crew
Jim Hutchison was born on 19 January 1934 in England, Arkansas, USA. He was an actor, known for Magnum, P.I. (1980), Damien's Island (1976) and Raven (1992). He was married to Wisa D'Orso. He died on 16 April 2009 in Honolulu, Hawaii, USA.- Actor
- Director
- Soundtrack
Born to a Czech mother and a Serbian father in Chicago as Mladen Sekulovich, on March 22, 1912, Karl Malden did not speak English until he was in kindergarten. After graduating from high school in the nearby steel town of Gary, Indiana, Malden worked in the industry for three years until 1934, when he was frustrated with the drudgery of manual labor. He left to attend the Arkansas State Teacher's College, then the Goodman Theater Dramatic School and never looked back. Three years later, he went to New York City to find fame.
Malden rapidly became involved with the Group Theater, an organization of actors and directors who were changing the face of theater, where he attracted the attention of director Elia Kazan. With Kazan directing, Karl starred in plays such as "All My Sons" by Arthur Miller and "A Streetcar Named Desire" by Tennessee Williams. While Malden had one screen appearance before his military service in World War II, in They Knew What They Wanted (1940), he did not establish his film career until after the war. Malden won the Oscar for Best Supporting Actor as Mitch in A Streetcar Named Desire (1951) and showed his range as an actor in roles such as that of Father Corrigan in On the Waterfront (1954) and the lecherous Archie Lee in Baby Doll (1956).
He starred in dozens of films such as Fear Strikes Out (1957), Pollyanna (1960), Birdman of Alcatraz (1962), Gypsy (1962), How the West Was Won (1962), The Cincinnati Kid (1965), and Patton (1970) as General Omar Bradley. In the early 1970s, he built a television career on the tough but honest screen persona he had created when he starred as Detective Mike Stone on The Streets of San Francisco (1972), co-starring with Michael Douglas. He also became the pitchman for American Express, a position he held for 21 years. In 1988, he was elected President of the Academy of Motion Picture Arts and Sciences, a position he held for five years. Following that he, published his memoir entitled, "When Do I Start?: A Memoir", written with his daughter Carla.
Malden also courted controversy by pushing for a special salute to Elia Kazan at the 1999 Academy Awards. Malden defended both Kazan and the award, arguing that Kazan's artistic achievements outshone any shame attached to Kazan's naming names before the Congressional committee investigating Communists in Hollywood. Marlon Brando refused to give Kazan the statuette; Robert De Niro ultimately did. Karl Malden died at age 97 of natural causes at his home in Los Angeles on July 1, 2009. He was buried at Westwood Village Memorial Park Cemetery in Westwood, California.- Actor
- Soundtrack
Tall, dark, and handsome is how Hollywood liked their leading men back in the 1950s and 1960s, and actor Paul Burke certainly fitted the bill. While his career fell short of outright stardom, he managed to stand out in a couple of acclaimed TV cop series in the 1960s and "enjoyed" semi-cult status by co-starring in one of the screen's most celebrated "turkeys" of all time.
The New Orleans-born actor was born on July 21, 1926, the son of Martin Burke, a prizefighter who later became a well-known promoter and French Quarter nightclub owner ("Marty Burke's"). Educated at prep schools, he was drawn to acting and moved to Hollywood in the late 1940s, studying at the Pasadena Playhouse for a couple of years. Screen director Lloyd Bacon, a friend of his father Marty, helped the fledgling actor along by giving him an unbilled part in the Betty Grable musical Call Me Mister (1951). From there, he managed to scrounge up bit/uncredited parts in such 1950s films as Fearless Fagan (1952); Francis Goes to West Point (1952), Three Sailors and a Girl (1953), South Sea Woman (1953), and Spy Chasers (1955). He moved up the ladder a bit to featured status in another Francis the talking mule picture, Francis in the Navy (1955), and in Screaming Eagles (1956), then earned a starring role in the voodoo/jungle horror flick The Disembodied (1957), opposite the "50-Foot Woman," herself, Allison Hayes.
Better yet, Burke found steady work on the small tube with grim-faced roles in a number of crime series such as Highway Patrol (1955),
The Lineup (1954), M Squad (1957), and Dragnet (1951). He also appeared in Adventures of Superman (1952). Via an association with "Dragnet" producer/director Jack Webb, he received his own TV series, albeit short lived, in the form of Noah's Ark (1956), portraying veterinarian "Dr. Noah McCann." He followed that by co-starring with Barry Sullivan in another one-season series, Harbourmaster (1957), a New England coast adventure yarn, and then in Five Fingers (1959), a spy drama headlining David Hedison. Another hit series came with 12 O'Clock High (1964), based on the hit film drama of the same name.
Burke's best-known TV role, however, was as "Detective Adam Flint" in the highly praised police series Naked City (1958), replacing James Franciscus. He joined the cast in the second season as the young partner of "Lt. Mike Parker" (portrayed by Horace McMahon), just as the half-hour show format was being extended to an hour. Based on the gritty, groundbreaking cop movie The Naked City (1948), the series did the film more than justice with excellent story lines, and Burke walked away with two Emmy nominations out of the three seasons he appeared.
His only movie role in the early 1960s was Della (1965) (aka Fatal Confinement) starring Joan Crawford which was actually a failed pilot to a prospective TV series. Winning the co-lead role of fledgling writer "Lyon Burke" in the highly-anticipated film adaptation of Jacqueline Susann's monstrous best seller, Valley of the Dolls (1967). It could have been the break to turn things around on film. It did not...far from it. The Susann book was, if anything, a guilty pleasure as readers were reeled in by the trashy Hollywood themes of drugs, fame, and sex. The movie was a laughable misfire-riddled with bad acting, bad dialogue and inept directing. It earned instant cult infamy, making many "top 10" lists for worst movie ever. It also damaged the screen careers of many of the actors involved. In reality, Burke and Barbara Parkins, who played his paramour in the movie, actually came off better and more grounded than most. Unfortunately, good or bad, they were identified with a huge "turkey", and it stuck.
Despite Burke's co-star cop role, opposite Steve McQueen and Faye Dunaway, in the stylish thriller The Thomas Crown Affair (1968), the very next year, it was not able to right the wrong of "Dolls". Thereafter, Burke tended to be overlooked in his later film career, which included standard starring roles both in the U.S. and abroad in such fare as Daddy's Gone A-Hunting (1969), Once You Kiss a Stranger... (1969), and Maharlika (1970). TV crime, however, proved again to be reliable income for Burke with guest roles in such popular 70s series as The Rookies (1972), The New Perry Mason (1973), Police Woman (1974), Harry O (1973), Mannix (1967), Ironside (1967), and the acclaimed Police Story (1973) series. TV movies also came his way, as well, with the starring role of tycoon "C.C. Capwell" (replacing Peter Mark Richman), in the daytime soap opera, Santa Barbara (1984). Burke himself was replaced after a relatively brief time.
Following assured roles in the series Hot Shots (1986) and Dynasty (1981), the latter as scheming "Congressman Neal McVane", who frames Joan Collins' character for murder, Burke's career hit an irreversible snag in 1989, when he and three others, including New Orleans' district attorney Harry Connick Sr. (yes, father of the crooning junior, Harry Connick Jr.), were tried on federal racketeering charges, aiding and abetting a gambling operation, and committing perjury before a grand jury. The seven-week trial in 1990 resulted in his and Connick's acquittal (the other two were found guilty) but the damage was done and he wasn't able to find work when he returned to California. Burke's last film, (The Fool (1990), shot in England, and his last TV guest role (in an episode of Columbo (1971)) both came out in 1990.
Divorced from Peggy Pryor, the mother of his three children, Burke married actress Lyn Peters in 1979. They met while she was appearing in the 12 O'Clock High (1964) episode Siren Voices (1966). The couple eventually retired to Palm Springs, where the actor died at age 83 of leukemia and non-Hodgkin's lymphoma in September of 2009.- Actor
- Producer
- Soundtrack
British actor Edward Woodward made a highly successful transition into Hollywood TV stardom in the mid 1980s thanks to a popular dramatic series. Possessing a magnetic, yet coldly handsome demeanor in the same mold as Christopher Plummer, he was born Edward Albert Arthur Woodward on June 1, 1930, in London and received his early education at various schools before becoming a student at Commercial College.
Trained in acting at the Royal Academy of Dramatic Art (RADA), Woodward made his stage debut in a 1946 production of "A Kiss for Cinderella," and gained valuable experience in repertory companies throughout England and Scotland. He took his first London curtain call portraying "Ralph Stokes" in 1954 with "Where There's a Will," and subsequently made his movie debut recreating his stage part in the film version of Where There's a Will (1955). The actor continued grandly on stage in such Shakespearean productions as "Hamlet" (Laertes)," "Romeo and Juliet" (Mercutio), "Pericles" (Thaliard), "Much Ado About Nothing" (Claudio), and "Measure for Measure" (Lucio), but scored a major success portraying Percy in "Rattle of a Simple Man" in 1961, making his Broadway debut in the play two years later. Woodward would make fine use of his mastery of the spoken word by putting out a host of audio books.
A gifted singer who produced over a dozen musical recordings, Edward displayed his excellent singing pipes on Broadway as Charles Condomine in "High Spirits" (1963), the musical adaptation of Noël Coward's "Blithe Spirit," that also starred Tammy Grimes, Louise Troy and the legendary Beatrice Lillie. He also went on to win the Variety Award ("Best Performance in a Musical") for his lead role of Sydney Carton in a musical version of the Dickens classic "Two Cities." Other non-musical stage work would include the comedy "The Best Laid Plans," an acclaimed title role in "Cyrano de Bergerac," as well as noble appearances in "The White Devil," "Babes in the Wood" (as Robin Hood), "The Wolf," "The Male of the Species," "The Beggar's Opera" (as Macheath), "Private Lives" and "The Dead Secret."
Although in movies from 1955, it was TV that earned him his initial star in England. Feature film roles in such acclaimed period costumers as Becket (1964) and Young Winston (1972) were overshadowed by his more successful work on the smaller screen, especially his weary spy in the popular series Callan (1967). A brilliant performance in the film The Wicker Man (1973) and in a few others led to international stardom as court-martialed Lt. Harry Morant in the classic Aussie-made historical drama Breaker Morant (1980) directed by Bruce Beresford.
Woodward was finally granted some attention in the States at age 55, earning his own popular series, the noirish espionage series The Equalizer (1985). Served up best in crime, historical and political intrigue, he has been completely at home playing no-nonsense authoritarians and brooding loner types. Following the series' cancellation, he returned to British TV with the mystery In Suspicious Circumstances (1991), but was never far away from the US shores. Maturing roles in advancing years included a wide range of characters -- everything from Merlin to the Ghost of Christmas Present in mini-movie formats.
Woodward continued to work here and abroad up until his death. Later feature films included a top-billed role in the horror film The Appointment (1982); a top brass role in the action thriller The Final Option (1982); a featured role in the horse-racing biopic Champions (1984); as King Saul in the biblical story King David (1985); another Bruce Beresford directed film with Mister Johnson (1990); the ghost of a murderer in the black comedy Deadly Advice (1994); the 18th century patriarch of The House of Angelo (1997), which he produced and also featured his three children; a lord in the action adventure The Abduction Club (2002); a featured part in the comedy action Hot Fuzz (2007) and, his last, a reverend in the drama A Congregation of Ghosts (2009). TV appearances included recurring/regular roles in the British series: Nice Work (1980), Five Days (2007) and EastEnders (1985); plus the American series Over My Dead Body (1990) and the Canadian series La Femme Nikita (1997).
Woodward married actress Venetia Barrett (nee Collett) in 1952 and had three children, all of whom went into acting: Tim Woodward, Peter Woodward and Sarah Woodward. After his tabloid divorce (after over 30 years) from his first wife, he quickly married lovely actress Michele Dotrice in 1987, the sister of former 1960s' Disney child star Karen Dotrice of Mary Poppins (1964) fame. He and Michele produced one child, Emily. The subject of This Is Your Life (1955) on two separate occasions, the actor survived two major heart attacks before dying of pneumonia at age 79 on November 16, 2009, in Cornwall, England.- Actor
- Soundtrack
For someone who goes only to movie theaters, Frank Aletter is a total stranger. It is true that the actor appeared in no more than a handful of theatrical films (Gerhart in Mister Roberts (1955), a commanding officer in Tora! Tora! Tora! (1970), Leigh Jensen in Private School (1983)...). But for a TV fan things are just the opposite, for Aletter was cast in NEARLY ALL the TV series, films, sitcoms and specials shot between 1955 and 1991! A sample of titles just give you an idea of Frank Aletter's prolific output on the small screen: Bringing Up Buddy (1960), Perry Mason (1957), The Cara Williams Show (1964), Lassie (1954), Mannix (1967), Marcus Welby, M.D. (1969), Insight (1960), Kojak (1973), Cannon (1971), Hunter (1976), "Super Jaimie"... In his first life, Frank Aletter had been a regular on Broadway appearing in plays and musicals like "Bells Are Ringing", "Time Limit", "Wish You Were Here" and of course "Mister Roberts", which opened to him the doors of filmed fiction.- Actress
- Music Department
- Soundtrack
Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".
She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.
Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.
In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.
In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).
In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.
On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.- Actor
- Producer
- Director
David Carradine was born in Hollywood, California, the eldest son of legendary character actor John Carradine, and his wife, Ardanelle Abigail (McCool). He was a member of an acting family that included brothers Keith Carradine and Robert Carradine as well as his daughters Calista Carradine and Kansas Carradine, and nieces Ever Carradine and Martha Plimpton.
He was born in Hollywood and educated at San Francisco State College, where he studied music theory and composition. It was while writing music for the Drama Department's annual revues that he discovered his own passion for the stage, joining a Shakespearean repertory company and learning his craft on his feet. After a two-year stint in the army, he found work in New York as a commercial artist and later found fame on Broadway in "The Deputy" and "The Royal Hunt of the Sun" opposite Christopher Plummer. With that experience he returned to Hollywood, landing the lead in the short-lived TV series Shane (1966) before being tapped to star opposite Barbara Hershey in Martin Scorsese's first Hollywood film, Boxcar Bertha (1972). The iconic Kung Fu (1972) followed, catapulting Carradine to super-stardom for the next three years, until he left the series to pursue his film career.
That career included more than 100 feature films, a couple of dozen television movies, a whole range of theater on and off Broadway and another hit series, Kung Fu: A Legend Reborn (1992).
Carradine received the Best Actor Award from the National Board of Film Review as well as a Golden Globe nomination for his portrayal of Woody Guthrie in Hal Ashby's Bound for Glory (1976), and he won critical acclaim for his work as Cole Younger in The Long Riders (1980). "Kung Fu" also received seven Emmy nominations in its first season, including one for Carradine as Best Actor. In addition, he won the People's Prize at the Cannes Film Festival's "Director's Fortnight" for his work on Americana (1981), and a second Golden Globe nomination for his supporting role in North & South: Book 1, North & South (1985). Among his other notable film credits were Gray Lady Down (1978), Mean Streets (1973), Bird on a Wire (1990), The Long Goodbye (1973), The Serpent's Egg (1977) and Circle of Iron (1978). He returned to the screen in what could be his greatest performance, playing the title role in Quentin Tarantino's Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), for which he received his fourth Golden Globe nomination. He also continued his devotion to music, and recorded some 60 tracks in various musical genres and sang in several movies. He made his home in Los Angeles with his fifth wife Annie, her four children and their two dogs.
Found dead in Bangkok, Thailand, on June 3, 2009, aged 72.- Actress
- Soundtrack
One of the world's most underrated Academy Award-winning actresses, Jennifer Jones was born Phylis Lee Isley on 2 March 1919 in Tulsa, Oklahoma, to Flora Mae (Suber) and Phillip Ross Isley, who ran a travelling stage show. As a young aspiring actress, she met and fell for young, handsome, aspiring actor Robert Walker. They soon married, and moved to Chicago in order to fulfill their dreams of becoming film stars. Though their plans (initially) fell through, Phyllis began working as a model; sporting mainly hats, gloves and jewelry, and also occasionally found some work on local radio stations, where she provided the voice for various characters in radio programmes, along with her husband.
In a last-ditch attempt to pursue her dream, Phyllis traveled to Selznick studios for a reading which would ultimately change her life. It was that day where she met David O. Selznick, and after that, her career began to take shape. Initially, Phyllis thought the audition went terribly and stormed out of the studios in tears, only to be chased by Selznick, who assured her she had been fine. Although she didn't get that particular part (which was for the iconic character, Scarlett O'Hara, which would ultimately go to Vivien Leigh, in one of the most famous castings in Hollywood's history), Phyllis was given a contract with Selznick studios. In short order, Phyllis was 'renamed' to the alliterative Jennifer Jones, and was cast over thousands of other hopefuls in the role of Bernadette Soubirous in The Song of Bernadette (1943).
For her moving portrayal of the sickly teenager who sees a vision of the Virgin Mary at Lourdes and devotes her life to her by becoming a nun, Jones won the Academy Award for best actress in a leading role on 2 March 1944 (coincidentally her 25th birthday) beating out stiff competition such as Ingrid Bergman (who later became a close friend of hers), Greer Garson, Joan Fontaine and Jean Arthur.
Now, considered a 'true' star, Jones' career was marked out and moulded for her by Selznick, who would become the love of her life. They began an affair and eventually she left her husband and two sons for the producer, which ultimately led Walker to an untimely death, attributed to alcohol and drug abuse instigated due to their separation. As for her career, Jones took on the supporting role of Jane Hilton, a headstrong teenage girl who grows up fast when her fiance is killed in action during WWII, in Since You Went Away (1944). For her performance Jones received a best supporting actress Oscar nomination, but lost out to Ethel Barrymore for None But the Lonely Heart (1944). Jennifer continued to deliver strong performances, receiving further best actress Oscar nominations for Love Letters (1945) (she lost to Joan Crawford for Mildred Pierce (1945)) and Duel in the Sun (1946), (she lost to Olivia de Havilland for To Each His Own (1946)) which saw her cast against type as the seductive biracial beauty Pearl Chavez.
Jones continued to produce memorable performances throughout the 1940s , including Portrait of Jennie (1948). In the 1950s she received her fifth and final Oscar nomination for Love Is a Many-Splendored Thing (1955), losing out to Anna Magnani for The Rose Tattoo (1955).
Despite her success within the film industry, Jones was a very private person and managed to stay out of the spotlight that dominated so many other performers' lives. But a lack of publicity led to a lack of roles, a trend that amplified when Selznick died in 1965. She appeared in fewer and fewer films, and after a moderately successful supporting performance in The Towering Inferno (1974) Jones decided to make that role her swan song, bowing out of the film industry. She did, however, try to revive her film career in later years by campaigning for the role of Aurora Greenway in Terms of Endearment (1983), but Shirley MacLaine was cast instead and as a result, won the Oscar for best actress.
Jennifer Jones died 17 December, 2009, in Malibu, California. In the 21st century, Jones may not be as well known as other actresses of her time such as Ingrid Bergman, Katharine Hepburn, Greer Garson, Bette Davis etc. But for those who know of her and her extraordinary talent, she is alluring to watch and her acting abilities extended far greater than most of her contemporaries.- Actor
- Producer
- Additional Crew
Patrick Wayne Swayze was born on August 18, 1952 in Houston, Texas, to Patsy Swayze (née Yvonne Helen Karnes), a choreographer, and Jesse Wayne Swayze, a chemical plant engineer draftsman. His mother owned a dance school in Houston, where Patrick was also a student. His father passed away in 1982. He graduated from Waltrip High School in Houston, and attended San Jacinto College in Pasadena, Texas. He married actress/dancer Lisa Niemi on June 12, 1975, whom he had known when she was 15 and a student at his mother's dance school. His New York City dance training included the Harkness Ballet School and Joffrey Ballet School. He first danced professionally as "Prince Charming" in "Disney on Parade". After a stint as "Danny Zuko" in the original Broadway production of "Grease", he made his film debut with a small role in Skatetown U.S.A. (1979). He made his television debut in 1981 on M*A*S*H (1972), as a soldier diagnosed with leukemia.
After many supporting roles in films and a lead role in the TV mini-series North & South: Book 1, North & South (1985), he landed his breakthrough role as dance instructor "Johnny Castle" in the hit film Dirty Dancing (1987), for which he received a Golden Globe nomination. He received a second nomination for his portrayal of "Sam Wheat" in the blockbuster Ghost (1990). Ghost (1990) was the highest-grossing film of 1990, and at one point, the fourth highest-grossing film of all time. Unfortunately, he did not capitalize on its success. His subsequent films like City of Joy (1992), Tall Tale (1995), Black Dog (1998), and Waking Up in Reno (2002) did not fare well with critics or audiences. In December 2003, he returned to Broadway as a replacement for the lead role of "Billy Flynn" in the acclaimed revival of John Kander & Fred Ebb's musical, "Chicago". The production also went on tour in several cities of the United States, including Los Angeles. In January 2008, he was diagnosed with pancreatic cancer. He fought the illness for well over a year and was able to continue working, but died on September 14, 2009.