The Best Actress 1957
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- Actress
- Soundtrack
Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Smiles of a Summer Night (1955), and larger roles in his Wild Strawberries (1957) and The Seventh Seal (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.1717 points- Actress
- Producer
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Joanne Gignilliat Trimmier Woodward was born on February 27, 1930, in Thomasville, Georgia, to Wade Woodward and Elinor Gignilliat Trimmier Woodward in a modest household. Her one older brother, Wade Jr., who was the favorite of her father, eventually became an architect. Elinor Woodward was a quite a movie buff and enjoyed going to picture shows often. Joanne claims she was nearly born in the middle of a Joan Crawford movie (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.
Thomasville was a typical small town in southern Georgia, around ten miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. Joanne's mother being an avid movie lover, it wasn't a surprise that Joanne wanted to go into the acting profession. Her father wasn't too keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored the movie Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap without any warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).
In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.
Soon, Joanne was starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.
On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.1534 points- Actress
- Soundtrack
The blonde, sultry, dreamy-eyed beauty of Dorothy Malone, who was born Mary Maloney in Chicago on January 29, 1924, took some time before it made an impact with American film-going audiences. But once she did, she played it for all it was worth in her one chance Academy Award-winning "bad girl" performance, a role quite unlike the classy and strait-laced lady herself.
Raised in Dallas, she was one of five children born to an accountant father and housewife mother. Two older sisters died of polio. Attending Ursuline Convent and Highland Park High School, she was quite popular (as "School Favorite"). She was also a noted female athlete while there and won several awards for swimming and horseback riding. Following graduation, she studied at Southern Methodist University with the intent of becoming a nurse, but a role in the college play "Starbound" happened to catch the eye of an RKO talent scout and she was offered a Hollywood contract.
The lovely brunette started off in typical RKO starlet mode with acting/singing/dancing/diction lessons and bit parts (billed as Dorothy Maloney) in such films as the Frank Sinatra musicals Higher and Higher (1943) and Step Lively (1944), a couple of the mystery "Falcon" entries and a showier role in Show Business (1944) with Eddie Cantor and George Murphy. RKO lost interest, however, after the two-year contract was up. Warner Bros., however, stepped up to the plate and offered the actress a contract. Now billed as Dorothy Malone, her third film offering with the studio finally injected some adrenaline into her floundering young career, when she earned the small role of a seductive book clerk in the Bogart/Bacall classic The Big Sleep (1946). Critics and audiences took notice of her captivating little part. As a reward, the studio nudged her up the billing ladder with more visible roles in Two Guys from Texas (1948), Romance on the High Seas (1948), South of St. Louis (1949) and Colorado Territory (1949), with the westerns showing off her equestrian prowess if not her acting ability.
Despite this positive movement, Warner Bros. did not extend Dorothy's contract in 1949 and she returned willingly back to her tight-knit family in her native Dallas. Taking a steadier job with an insurance agency, she happened to attend a work-related convention in New York City and grew fascinated with the big city. Deciding to recommit to her acting career, she moved to the Big Apple and studied at the American Theater Wing. In between her studies, she managed to find work on TV, which spurred freelancing "B" movie offers in the routine form of Saddle Legion (1951), The Bushwhackers (1951), the Martin & Lewis romp Scared Stiff (1953), Law and Order (1953), Jack Slade (1953), Pushover (1954) and Private Hell 36 (1954).
Things picked up noticeably once Dorothy went platinum blonde, which seemed to emphasize her overt and sensual beauty. First off was as a sister to Doris Day in Young at Heart (1954), a musical remake of Four Daughters (1938), back at Warner Bros. She garnered even better attention when she appeared in the war picture Battle Cry (1955), in which she shared torrid love scenes with film's newest heartthrob Tab Hunter, and continued the momentum with the reliable westerns Five Guns West (1955) and Tall Man Riding (1955) but not with melodramatic romantic dud Sincerely Yours (1955) which tried to sell to the audiences a heterosexual Liberace.
By this time she had signed with Universal. Following a few more westerns for good measure (At Gunpoint (1955), Tension at Table Rock (1956) and Pillars of the Sky (1956), Dorothy won the scenery-chewing role of wild, nymphomaniac Marylee Hadley in the Douglas Sirk soap opera Written on the Wind (1956) co-starring Rock Hudson, Lauren Bacall and Robert Stack. Stack and Malone had the showier roles and completely out-shined the two leads, both earning supporting Oscar nominations in the process. Stack lost in his category but Dorothy nabbed the trophy for her splendidly tramp, boozed-up Southern belle which was highlighted by her writhing mambo dance.
Unfortunately, Dorothy's long spell of mediocre filming did not end with all the hoopla she received for Written on the Wind (1956). The Tarnished Angels (1957), which reunited Malone with Hudson and Stack faltered, and Quantez (1957) with Fred MacMurray was just another run-of-the-mill western. Two major film challenges might have changed things with Man of a Thousand Faces (1957) as the unsympathetic first wife of James Cagney's Lon Chaney Sr, and as alcoholic actress Diana Barrymore in the biographic melodrama Too Much, Too Soon (1958). Cagney, however, overshadowed everyone in the first and the second was fatally watered down by the Production Code committee.
To compensate, Dorothy, at age 35 in 1959, finally was married -- to playboy actor Jacques Bergerac (Ginger Rogers's ex-husband). A daughter, Mimi, was born the following year. Fewer film offers, which included Warlock (1959) and The Last Voyage (1960), came her way as Dorothy focused more on family life. While a second daughter, Diane, was born in 1962, the turbulent marriage wouldn't last and their divorce became final in December 1964. A bitter custody battle ensued with Dorothy eventually winning primary custody.
It took the small screen to rejuvenate Dorothy's career in the mid-1960s when she earned top billing of TV's first prime time soap opera Peyton Place (1964). Dorothy, starring in Lana Turner's 1957 film role of Constance MacKenzie, found herself in a smash hit. The run wasn't entirely happy however. Doctors discovered blood clots on her lungs which required major surgery and she almost died. Lola Albright filled in until she was able to return. Just as bad, her the significance of her role dwindled with time and 20th Century-Fox finally wrote her and co-star Tim O'Connor off the show in 1968. Dorothy filed a breach of contract lawsuit which ended in an out-of-court settlement.
Her life on- and off-camera did not improve. Dorothy's second marriage to stockbroker Robert Tomarkin in 1969 would last only three months, and a third to businessman Charles Huston Bell managed about three years. Now-matronly roles in the films Winter Kills (1979), Vortex (1982), The Being (1981) and Rest in Pieces (1987), were few and far between a few TV-movies -- which included some "Peyton Place" revivals, did nothing to advance her. Malone returned and settled for good back in her native Dallas, returning to Hollywood only on occasion.
Dorothy's last film was a cameo in the popular thriller Basic Instinct (1992) as a friend to Sharon Stone. She will be remembered as one of those Hollywood stars who proved she had the talent but somehow got the short end of the stick when it came to quality films offered. She retired to Texas and died in Dallas shortly before her 94th birthday on January 19, 2018.1485 points- Actress
- Soundtrack
Isuzu Yamada was born on 5 February 1917 in Osaka, Japan. She was an actress, known for Throne of Blood (1957), Yojimbo (1961) and A Cat and Two Women (1956). She was married to Tsutomu Shimomoto, Yoshi Katô, Kazuo Takimura, Ichirô Tsukida and Teinosuke Kinugasa. She died on 9 July 2012 in Inagi, Tokyo, Japan.1434 points- Actress
- Music Department
- Soundtrack
Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.883 points- Actress
- Soundtrack
Elsa Sullivan Lanchester was born into an unconventional a family at the turn of the 20th century. Her parents, James "Shamus" Sullivan and Edith "Biddy" Lanchester, were socialists - very active members of the Social Democratic Federation (SDF) in a rather broad sense - and did not believe in the institution of marriage and being tied to any conventions of legality, for that matter. Her mother had actually been committed to an asylum in 1895 by her father and older brothers because of her unmarried state with James. The incident received worldwide press as the "Lanchester Kidnapping Case."
Elsa had a great desire to become a classical dancer and to that end at age 10 her mother enrolled her at the famed Isadora Duncan's Bellevue School in Paris in 1912. But the uncertainties of WW1 brought her home after only two years. At age 12, she was sent to a co-educational boarding school in Kings Langley, Hertfordshire, England, to teach dance classes in exchange for her education and board. In 1918, she was hired as a dance teacher at Margaret Morris's school on the Isle of Wight.
Next to dance, she loved the music halls of the period, so in 1920 she debuted in a music hall act as an Egyptian dancer. About the same time she founded the Children's Theater in Soho, London and taught there for several years. She made her stage debut in 1922 in the West End play "Thirty Minutes in a Street." In 1924 she and her partner, Harold Scott, opened a London nightclub called the Cave of Harmony. They performed one-act plays by Pirandello and Chekhov and sang cabaret songs. She would later collect and record these and many others. The spot was frequented by literati like Aldous Huxley, H.G. Wells and also James Whale, working in London theater and soon to be directing on Broadway and Hollywood's most famous horror films. Lanchester kept busy including, on her own admission, posing nude for artists. During a 1926 comic performance in the Midnight Follies at London's Metropole, a member of the British Royal family walked out as she sang, "Please Sell No More Drink to My Father." She closed her nightclub in 1928 as her film career began in earnest.
Perhaps not beautiful in the more conventional sense, Lanchester was certainly pretty as a young woman with a turned-up nose that gave her a pert, impish expression, all the more striking with her large, expressive dark eyes and full lips. She had a lithe figure that she carried with the assuredness of her dancing background. Her voice was bright and distinctive, and had a delightful rush and trill that had an almost Scottish burr quality. What clicked on stage would do the same in the movies.
Her first film appearance was actually in an amateur movie by friend and author Evelyn Waugh called The Scarlet Woman: An Ecclesiastical Melodrama (1925). Her formal film debut was in the British movie One of the Best (1927). She continued stage work and became associated in 1927 with a rather self-possessed but keenly dedicated actor, Charles Laughton. He appeared with her in three of four films Lanchester did in 1928. (Three of these were written for her by H.G. Wells). They did a few plays as well and wed in 1929. According to Lanchester, after two years, she discovered Laughton was homosexual but they remained married until his death in 1962. Lanchester declared in a 1958 interview that she kept to a separate career path from her husband. They appeared together on occasion, moving through 1931 with several smart play-like films including Potiphar's Wife (1931) with Laurence Olivier. She had done the play "Payment Deferred" in London in 1930 and followed it to Broadway in 1931.
MGM offered her a contract in 1932. In 1933 Alexander Korda was casting his The Private Life of Henry VIII (1933) and decided that Laughton was the perfect choice - and his wife would be just as perfect as one of Henry's six wives. Her versatility pointed to a part with some comedic elements and fitting more into a caricature. She looked most like Hans Holbein's famous portrait of Anne of Cleves (Henry's fourth wife who was actually somewhat more homely than the painter depicted). In costume Lanchester was charming if not striking. Her interpretation of Anne was a perfect integration with herself, and her scene with Laughton informally playing cards on the marriage bed and deciding on annulment is a high point of the movie.
Of course, it would be hard to mention her film career of the 1930s without mentioning the one role that would forever dog her, Bride of Frankenstein (1935). Having come to Hollywood with Laughton in 1932 (but not permanently until 1939), Lanchester did only a few films up to 1935 and was disappointed enough with Hollywood's reception to return to London for a respite. She was quickly called back by an old friend from London, stage and film associate James Whale, now the noted director of Frankenstein (1931) and The Invisible Man (1933). He wanted her for two parts in Bride: author Mary Shelley and the bride. A central joke of the movie build-up was the tag lines: "WHO will be The Bride of Frankenstein? WHO will dare?"
Indeed, it was no honeymoon for her. For some ten days, Lanchester was wrapped in yards of bandage and covered in heavy makeup. The stand-on-end hairdo was accomplished by combing it over a wire mesh cage. Lanchester was in real agony with her eyes kept taped wide open for long takes - and it showed in her looks of horror. Her monster's screaming and hissing sounds (based on the sounds of Regents Park swans in London) were taped and then run backward to spook-up the effect. She was delightfully melodramatic and picturesque as Wollstonecraft, and her bride would become iconic. Many have considered Bride of Frankenstein (1935) the best of the golden age horror movies.
Lanchester stood out in her next movie with Laughton the next year, Korda's dark Rembrandt (1936), but she only did a few more films for the remainder of the decade. Through the 1940s she was doubly busy - a couple of films per year while regenerating her beloved musical revue sketches. She performed for 10 years at the Turnabout Theater in Hollywood, using old London music hall/cabaret songs and others written for her. Later she would have to split her time further doing a similar act at a supper club called The Bar of Music. By the later 1940s she had become rather matronly, and the roles would settle appropriately. But she always lent her sparkle, as with her charming maid Matilda in The Bishop's Wife (1947). She would be nominated for best supporting actress in Come to the Stable (1949).
She entered the 1950s busy with road touring of her nightclub act with pianist J. Raymond Henderson (who went by "Ray" and who is sometimes confused with popular songwriter Ray Henderson). There was a series of tours to complement Laughton's famous reading tours, called Elsa Lanchester's Private Music Hall which ended in 1952; Elsa Lanchester--Herself which ended in 1961; and once more in 1964 at the Ivar Theater. She was equally busy with a stock of film roles and a large share of TV playhouse theater. She made ten movies with Laughton, the last of which, Witness for the Prosecution (1957) garnered her second supporting actress nomination. But her dizzy Aunt Queenie Holroyd of Bell Book and Candle (1958) is a fond remembrance of that time.
With the two decades from the 1960s to early 1980s, Lanchester was a fixture on episodic TV and an institution in Disney and G-rated fare - perhaps a bit ironic for the unconventional Lanchester. She wrote two autobiographies: "Charles Laughton and I" (1938) and "Elsa Lanchester: Herself" (1983), both recalling her nearly 100 roles before the camera. Lanchester remained humorously reflective in regard to her film career, describing it as "...large parts in lousy pictures and small parts in big pictures." It was the mix of silly, bawdy, and outrageous in her revues that was her great joy: "I was content because I was fully aware that I did not like straight acting but preferred performing direct to an audience. You might call what I do vaudeville. Making a joke, especially impromptu, and getting a big laugh is just plain heaven."883 points- Actress
- Additional Crew
Born in San Giorgio di Piano, Giulietta Masina spent part of her teenage years living with a widowed aunt in Rome, where she cultivated a passion for the theater and studied for a degree in Philosophy. She began her career on the radio with the program "Terzoglio" (1942), about the adventures of newlyweds Cico and Pallina from scripts written by Federico Fellini. The series brought her great success. The following year she married Fellini and became the inspirational muse for many of his films.
She made her cinema debut in Without Pity (1948), directed by Alberto Lattuada, but really established her reputation with her next few films: Behind Closed Shutters (1951), directed by Luigi Comencini, Variety Lights (1950), which also marked Fellini's debut as director (the film credits both Fellini and Lattuada); and Europe '51 (1952), directed by Roberto Rossellini. Her artistic partnership with her husband really took off with the Oscar-winning The Road (1954), followed by The Swindle (1955) and the widely acclaimed Nights of Cabiria (1957), which again won an Oscar and brought her the award for Best Female Performance at the Cannes Film Festival. Over the following years she played many memorable roles in such films as Fortunella (1958), directed by Eduardo De Filippo; ...and the Wild Wild Women (1959), directed by Renato Castellani; and later in Juliet of the Spirits (1965) and Ginger & Fred (1986), both directed by Fellini.
From 1966 to 1969 she hosted the immensely popular radio show "Lettere aperte a Giulietta Masina" and starred in the television series Eleonora (1973), by Tullio Pinelli, directed by Silverio Blasi, and Camilla (1976), directed by Sandro Bolchi, based on the novel by Fausta Cialente, "Un inverno freddissimo" (1966).
She died in Rome in 1994, just a few months after the death of her husband.860 points- Actress
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Ingrid trained as a ballet dancer and attended Stockholm's Royal Dramatic Theatre. She came to fame thanks to Bergman's "Wild Strawberries". She acted in 9 Ingmar Bergman's films. Her fame allowed her to act in Luchino Visconti's "The Damned" in 1969. Ingrid Thulin lived in Rome since the 1960's. She came back to Sweden for her health treatment recently.859 points- Actress
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Maud Hansson, born in Stockholm 1937, was a Swedish stage and screen actress, probably best known for her role as the young witch in Ingmar Bergman's "The Seventh Seal" and as "Lina" in the Astrid Lindgren's "Emil in Lonneberga" - film series. Maud Hansson was accepted at Malmö City Theatre's dramatic school in 1955. She took part in Ingmar Bergman's "Trämålning/Wood Painting", the pilot study of "The Seventh Seal" while studying drama. Apart from her role in "The Seventh Seal" she also participated in Bergman's "Smultronstället/Wild Strawberries" and "Venetianskan/The Venetian". But Maud Hansson's ambition was to be on stage, work in an ensemble, which she did on the City Theatre's of Malmö, Gothenburg and Stockholm, with recognized directors Olof Molander, Hans Dahlin, Per Verner-Carlsson and Yngve Nordwall. In all she appeared in 25 feature films and television productions. In 1965 she married the Greek-Russian actor Petros Fissoun, and was occasionally resident in Greece. Maud Hansson passed away on October 1, 2020, i Stockholm.858 points- Actress
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After acting studies at the Gothenburg City Theatre from 1950-52, she made her breakthrough debut in Gustaf Molander's Kärlek (1952). When Ingmar Bergman became head of the Malmö City Theatre he asked her to join him there and with him as a director she played the role of Margareta in Goethe's 'Faust'. Bergman also gave her supporting roles in his movies, most notably the mute woman in The Seventh Seal (1957). She followed up on a few offers from abroad but the roles wasted her screen presence. Bergman once again gave her an offer she couldn't refuse, to direct a movie. Paradistorg (1977) received a lot of praise from all over the world. Time Magazine considered it one of the four best non-US movies of 1978. Her appearances in movies has been rare but she gave a wonderful appearance in the children's TV show Kaspar i Nudådalen (2001). Lindblom has for many years worked for The Royal Dramatic Theatre, appearing in plays by August Strindberg or William Shakespeare. In 2002 she received a Guldbagge award for her lifetime achievements in movies.858 points- Actress
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Setsuko Hara became one of Japan's best-loved stars over her 30-year film career. Her signature character type, variations on a daughter devoted to her parents and home, inspired the nickname that stayed with her until retirement: the Eternal Virgin. To some extent, reality mirrored her roles in these films. In a society that considers marriage and parenting almost obligatory, she remained single and childless, something of a controversy in Japan in the 1950s. Fortunately she was popular enough to avoid criticism, but the 1950s were still a hard decade. She was plagued by ill health, missing out on several top roles as a result, and she witnessed the death of her camera-man brother in a freak train accident on set.
In 1963, shortly after the death of her mentor, director Yasujirô Ozu, she suddenly walked away from the film industry. At age 43, and at the height of her popularity, she bluntly refused to perform again, angering her fans, the industry, and the press. She implied acting had never been a pleasure and that she had only pursued a career in order to provide for her large family; this explanation is seen as the cause of her popularity backlash. She moved to a small house in picturesque Kamakura where she remained, living alone (though apparently sociable with friends), and refusing all roles offered.
She is undoubtedly known mostly for her work with Yasujiro Ozu, making six films with the great director, including the so-called Noriko trilogy, of which Tokyo Story (1953) is probably the best-known. She also worked with Akira Kurosawa, Mikio Naruse, Hiroshi Inagaki, and many others.837 points- Actress
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Patricia Neal, the Oscar and Tony Award-winning actress, was born Patsy Louise Neal in Packard, Kentucky, where her father managed a coal mine and her mother was the daughter of the town doctor. She grew up in Knoxville, Tennessee, where she attended high school. She was first bit by the acting bug at the age of 10, after attending an evening of monologues at a Methodist church. She subsequently wrote a letter to Santa Claus, telling him, "What I want for Christmas is to study dramatics". She won the Tennessee State Award for dramatic reading while she was in high school.
She apprenticed at the Barter Theater in Abingdon, Virginia, when she was 16-years-old, between her junior and senior years in high school. After studying drama for two years at Northwestern University, she headed to New York City and landed the job as an understudy in The Voice of the Turtle (1947). It was the producer of the play that had her change her name from Patsy Louise to Patricia. After replacing Vivian Vance in the touring company of "Turtle", she won a role in a play that closed in Boston and then appeared in summer stock. She won the role of the teenage "Regina" in Lillian Hellman's play, Another Part of the Forest (1948), for which she won a Tony Award in 1947. Subsequently, she signed a seven-year contract with Warner Bros.
In the first part of her film career, her most impressive roles were in The Fountainhead (1949), opposite Gary Cooper, with whom she had three-year-long love affair, and in director Robert Wise's sci-fi classic, The Day the Earth Stood Still (1951), which she made at 20th Century-Fox. Warners hadn't been thrilled with her and let her go before her contract was up, so she signed with Fox. With her film career stagnating, she returned to Broadway and achieved the success that eluded her in films, appearing in the revival of Hellman's play, The Children's Hour (1961), in 1952. She met and married writer, Roald Dahl, in 1953, and they would have five children in 30 years of marriage.
In 1957, she had one of her finest roles in Elia Kazan's parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of "Maggie" in Tennessee Williams' Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williams' Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962).
After appearing in Breakfast at Tiffany's (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her. She was filming John Ford's film, 7 Women (1965), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, that of "Mrs. Robinson" in The Graduate (1967)). Neal was pregnant at the time.
She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband. She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, "The memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than before".
She received an Oscar nomination for her work. Subsequently, new acting roles equal to her talent were sparse. She did receive three Emmy nominations, the first for originating the role of "Olivia Walton" in the 1971 TV movie The Homecoming: A Christmas Story (1971), that gave birth to the TV show The Waltons (1972).
Patricia Neal died on August 9, 2010 in Edgarton, Massachusetts from lung cancer. She was 84 years old.833 points- Susan Harrison was born on 26 August 1938 in Leesburg, Florida, USA. She was an actress, known for Sweet Smell of Success (1957), Key Witness (1960) and The Twilight Zone (1959). She was married to Cassius Marcus Conger and Joël Colin. She died on 5 March 2019 in Los Angeles, California, USA.810 points
- Teresa Izewska was born on 8 April 1933 in Warsaw, Mazowieckie, Poland. She was an actress, known for Kanal (1957), Nafta (1961) and Spotkanie w 'Bajce' (1962). She died on 26 August 1982 in Gdansk, Gdanskie [now Pomorskie], Poland.805 points
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Sheree North was born on 17 January 1932 in Los Angeles, California, USA. She was an actress, known for Breakout (1975), Lawman (1971) and The Shootist (1976). She was married to Phillip Alan Norman, Dr. Gerhardt Ralph Sommer, John M. "Bud" Freeman and Frederick Arnold Bessire Jr.. She died on 4 November 2005 in Los Angeles, California, USA.793 points- Actress
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Melina Mercouri was born in Athens, Greece on October 18, 1920. An early woman activist, she was elected to the Greek Parliament in 1977. Later Miss Mercouri was to become the first woman to hold a Senior cabinet post "Minister of Culture" in the Greek government. In 1971 she wrote her autobiography titled "I Was Born Greek." Melina wed actor Jules Dassin in 1966 and remained married to him until her death in 1994. Melina Mercouri died of lung cancer in New York City, on March 6, 1994.783 points- Gabriella Pallotta was born on 6 October 1938 in Rome, Lazio, Italy. She is an actress, known for The Roof (1956), Hero of Rome (1964) and The Pigeon That Took Rome (1962).773 points
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Enigmatic, dark-haired foreign import Alida Valli was dubbed "The Next Garbo" but didn't live up to postwar expectations despite her cool, patrician beauty, remote allure and significant talent. Born in Pola, Italy (now Croatia), on May 3, 1921, the daughter of a Tridentine journalist and professor and an Istrian homemaker, she studied dramatics as a teen at the Motion Picture Academy of Rome and Centro Sperimentale di Cinematografia before snaring bit roles in such films as Il cappello a tre punte (1935) ["The Three-Cornered Hat"] and I due sergenti (1936) ["The Two Sergeants"]. She made a name for herself in Italy during WWII playing the title role in Manon Lescaut (1940), won a Venice Film Festival award for Piccolo mondo antico (1941) ["Little Old World"] and was a critical sensation in We the Living (1942) ["We the Living"]. She briefly abandoned her career, however, in 1943, refusing to appear in what she considered fascist propaganda, and was forced into hiding. The next year she married surrealist painter/pianist/composer Oscar De Mejo. They had two children, and one of them, Carlo De Mejo, became an actor. She divorced in 1955, then she came back to Italy,
Following her potent, award-winning work in the title role of Eugenie Grandet (1946), she was discovered and contracted by David O. Selznick to play the murder suspect Maddalena Paradine in Alfred Hitchcock's The Paradine Case (1947). She was billed during her Hollywood years simply as "Valli," and Selznick also gave her top femme female billing in Carol Reed's classic film noir The Third Man (1949), but for every successful film--such as the ones previously mentioned--she experienced such failures as The Miracle of the Bells (1948), and audiences stayed away. In 1951 she bid farewell to Hollywood and returned to her beloved Italy. In Europe again, she was sought after by the best directors. Her countess in Luchino Visconti's Senso (1954) was widely heralded, and she moved easily from ingénue to vivid character roles. Later standout films encompassed costume dramas as well as shockers and had her playing everything from baronesses to grandmothers in such films as Eyes Without a Face (1960) ["Eyes Without a Face"], Le gigolo (1960), Oedipus Rex (1967) ["Oedipus Rex"], The Big Scare (1974), 1900 (1976), Suspiria (1977), Luna (1979), Inferno (1980), Aspern (1982), A Month by the Lake (1995) and, her most recent, Angel of Death (2001).773 points- Of Russian/Romanian and Jewish ancestry, sultry, amber-eyed Olive Felicia Dines grew up in Westchester County, New York. She was the daughter of Max Dines and his wife Sylvia Schwartz. According to differing sources, Max may have been a journalist or an attorney.
Felicia began in movies after first working as a teenage lingerie model in order to afford her dancing lessons. She then studied sociology at Pennsylvania State University (graduating with a B.A. in 1954), acted in college plays, attended drama school and eventually appeared in live TV commercials. As to her modeling bathing suits, negligees, bras and girdles, she later remarked "There is nothing very sexy or exciting about standing around in undergarments under hot lights" and "Modeling was hard work for me. I never liked it very much because I kept thinking I was in a rut".
Felicia's situation improved after a talent agent spotted her playing the female lead in William Inge's play Picnic at The Players Ring Theater in 1955 (Kim Novak starred in the film version that year). Columbia executives were impressed and signed the budding starlet to a seven-year contract. Initially billed as Randy Farr, Felicia found her niche as an intelligent and sexy western leading lady, first showcased in a trio of classics directed by the veteran Delmer Daves: Jubal (1956), 3:10 to Yuma (1957) and (in her best role yet) The Last Wagon (1956), opposite Richard Widmark. For the next two decades, she essayed a wide variety of characters, ranging from religious types to barmaids, from party girls to the occasional femme fatale.
Sandwiched in between frequent TV guest spots, Felicia excelled in just a handful of comedies and action films, notably in Billy Wilder's Kiss Me, Stupid (1964) (as an unfaithful wife), in the poignant, idiosyncratic Jack Lemmon-directed comedy-drama Kotch (1971) (as Walter Matthau's daughter-in-law) and in the slick heist thriller Charley Varrick (1973) (this time as Matthau's love interest). A talented, much underused actress, she left show biz in 1992 but made a brief comeback 22 years later to co-star in a little known comedy drama, Loser's Crown (2014).
Felicia divorced her first husband, the actor Lee Farr, in 1955. Her second marriage was to Jack Lemmon, whom she had first met while he was filming Cowboy (1958). They married in 1962 in Paris during his work on Irma la Douce (1963). A daughter, Courtney, was born in 1966. Latterly known as Felicia F. Lemmon, she has resided in Los Angeles, devoting time and money to various philanthropic endeavours and to her much loved feline pets.772 points - Actress
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As a baby, she was winning beauty contests; as a teenager, with good looks and an attractive contralto voice, she was singing with big bands (most notably Enric Madriguera's orchestra in Latin Club Del Rio in Washington, D.C.. She met Rudy Vallee, her first husband, on the radio where she also enjoyed a brief stint as a singer. At age 15, an attack of palsy left her face partially paralyzed. She claimed that it was through facial exercises to overcome the paralysis that she learned the efficacy of facial expression in conveying human emotion, a skill she was renowned for using in her acting.766 points- Actress
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Maria Luisa Pierangeli and her twin sister Anna Maria were born in Sardinia, Italy. They were fraternal twins with different personalities as well. Anna Maria was dreamy and innocent; Maria Luisa was independent and studious. They moved to Rome in the late 1940s. In 1948 their lives changed when director Vittorio De Sica cast Anna in Tomorrow Is Too Late (1950). In 1950 the family moved to Hollywood, where Anna Maria changed her name to Pier Angeli.
Marisa was not interested in acting, but was cast by John Ford in What Price Glory (1952) starring James Cagney. She changed her last name to Pavan, the name of a Jewish officer her family had hidden from the Nazis during World War 2. Marisa signed a contract with Fox, but was relieved when it was broken. She wanted a wider choice of roles than her sister. Pavan's performance in The Rose Tattoo (1955) supporting Italian icon Anna Magnani, earned her a nomination for Best Supporting Actress.
She lost interest in Hollywood while filming Solomon and Sheba (1959). She remembered it as a bad experience, and not just because costar Tyrone Power died during the filming. Pavan turned her attention to television in the 1960s. She and husband Jean-Pierre Aumont toured America and Europe in plays and musicals, including "Gigi". Later in France, she returned to film.
As of 2018, Pavan lives in the South of France. Marisa is the founder and director of URMA (Unis pour la Recherche sur la Maladie d'Alzheimer), an organization she created to support research working to find treatments for Alzheimer's.761 points- Actress
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Maria Schell studied in a religious institution in Colmar (Haut-Rhin, France). She received a dramatic training in Zurich, Switzerland. To pay her studies, she was a secretary there. Besides being a film star; Maria appeared in plays in Zurich, Basel, in Vienna (Josefstad Theater), Berlin, Munich (Kammerspiel Theater), at the Salzburg Festival and went on provincial tours from 1963. Among the plays she performed there were such classics as William Shakespeare's "Hamlet", Johann Wolfgang von Goethe's "Faust" and such modern classics as "Pygmalion" by George Bernard Shaw.758 points- Actress
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Dolores Michaels was born on 30 January 1933 in Kansas City, Missouri, USA. She was an actress, known for The Wayward Bus (1957), Warlock (1959) and Fräulein (1958). She was married to Bernard Woolfe and Maurice Martine. She died on 25 September 2001 in West Hollywood, California, USA.750 points- Actress
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Maxine Audley was born on 29 April 1923 in London, England, UK. She was an actress, known for Peeping Tom (1960), Prime Suspect (1991) and The Vikings (1958). She was married to Leo Maguire, Frederick Granville (né Manfred Gottlieb), Leonard Cassini and Andrew Broughton. She died on 23 July 1992 in London, England, UK.748 points- Actress
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A genuine model of sincerity, practicality and dignity in most of the roles she inhabited, actress Dorothy McGuire offered Tinseltown more talent than it probably knew what to do with. A quiet, passive beauty, she had a soothing quality to her open-faced looks and voice. She was a natural when he came to tearjerkers and she certainly had a knack for opening up her film-goer's tear ducts with her arresting performances in sentimental drama. She preferred to rest on her acting laurels than engage in publicity-monging to win roles. As a result, Dorothy was surprisingly ill-served in the awards department during her over five-decade film career, yet left a major imprint on celluloid. Touching, complex, immaculate in poise and style, she is now and forever etched in Hollywood's "Golden Age" annals and in the minds of film lovers everywhere.
Dorothy began inconspicuously enough in Omaha, Nebraska on Wednesday, June 14th, 1916. Her parents encouraged her early interest in acting and she made her debut as a teenager in "A Kiss for Cinderella" at the Omaha Community Playhouse which starred visiting alumni member Henry Fonda. She received her education at Omaha Junior College, Ladywood Convent in Indianapolis, and Pine Manor Junior College in Wellesley, Massachusetts before setting her sites on an acting career. Following summer stock she appeared in such 1938 stage productions as "Bachelor Born" and "Stopover" before understudying the role of Emily Gibb in Thornton Wilder's "Our Town" on Broadway, which at the time showcased young Martha Scott. Dorothy eventually replaced Scott in the role.
Other experiences came her way on stage with "My Dear Children" starring John Barrymore, "Swingin' the Dream", "Medicine Show", "The Time of Your Life" and "Kind Lady" before she was handed the titular role of "Claudia" in 1941. This gentle comedy became a certifiable Broadway hit and Dorothy simply incandescent as the child-like bride forced to wake up to reality after her sudden marriage. David O. Selznick subsequently signed her to a film contract. Fortunately, 20th Century-Fox, untrue to form, took a chance on the film unknown and allowed her to recreate her stage triumph opposite Robert Young. Claudia (1943) was so beautifully done and warmly received that McGuire and Young went on to recreate their roles three years later with Claudia and David (1946).
Unbelievably, Dorothy topped herself in only her second film role. After a pregnant Gene Tierney became unavailable for the role of Katie Nolan in A Tree Grows in Brooklyn (1945), the part fell to Dorothy. It's now hard to believe anyone else in the role. As the impoverished wife of a charming Irish ne'er-do-well and inebriate, Dorothy showed amazing complexity as the detached wife and mother whose painful but necessary decision-making alienates many around her, especially her daughter who is the apple of her daddy's eye. Directed by Elia Kazan, Dorothy was shamefully overlooked at awards time. Young Peggy Ann Garner was given a "special juvenile Oscar" and errant husband James Dunn picked up the Supporting Actor trophy for his work. Dorothy was not of the mind of tooting her own horn and it may have cost her an Oscar nomination -- better yet, the Oscar -- for she was hands down the better performer than eventual winner Joan Crawford, a popular choice for Mildred Pierce (1945).
Dorothy made it four film hits in a row with the success of both the sentimental fantasy The Enchanted Cottage (1945), in which she reunited with Robert Young to play two of society's castoffs who fall in love, and the expert Hitchcockian thriller The Spiral Staircase (1946) as the mute servant who is terrorized by a serial killer. Preferring rich characterizations over glamour, audiences saw Dorothy dolled up a bit more than usual in Till the End of Time (1946) as a war widow who falls for a younger hunk (Guy Madison). Her 40s filming was capped by a Best Actress nomination in Gentleman's Agreement (1947), an-anti-Semitic tale that boasted a topnotch ensemble cast including Gregory Peck, John Garfield and Celeste Holm, who won a supporting Oscar for this.
With nary a weak film yet on her resume, an unpretentious Dorothy still hadn't achieved top cinematic stardom. Preferring to return to her theater roots, she abandoned films for a couple of years and performed in such vehicles as "Tonight at 8:30" (1947) and "Summer and Smoke" (1950). When she did return it was to a different Hollywood and things would not be the same. Instead forgettable fluff such as Mother Didn't Tell Me (1950) and Callaway Went Thataway (1951) were the slim pickings offered. Although she found a popular hit with Three Coins in the Fountain (1954), the film was more notable for its title song and sumptuous settings than for the quality of acting of the three distaff stars -- McGuire, Maggie McNamara and Jean Peters.
Dorothy graciously moved into pillar-of-strength mother roles as she approached her 40s, making fine impressions as a Quaker matriarch in Friendly Persuasion (1956) and as the resourceful mom in three of Disney's endearing classics, Old Yeller (1957), Swiss Family Robinson (1960) and Summer Magic (1963). Her more flawed marital and parenting skills were displayed in the Inge film adaptation of The Dark at the Top of the Stairs (1960), and the huge, sudsy teen hit A Summer Place (1959) with Sandra Dee and Troy Donahue as young, star-crossed lovers. McGuire acted as Donahue's mother who rekindles an old love affair with Dee's father (Richard Egan). The 49-year-old McGuire then played the mother of all mothers, the Virgin Mary, in the misguided biblical epic The Greatest Story Ever Told (1965), marred by its overlong narrative and bizarre miscasting, including John Wayne as a Roman centurion. Her last film, the British-made Flight of the Doves (1971) as an Irish granny, had little impact.
In later years Dorothy found rich, rewarding work on TV and received an Emmy nomination for the well-received mini-series Rich Man, Poor Man (1976). She also played Marmee in a TV revisitation of Part I (1978), and ended her career in good company with (what else?) a sentimental tearjerker in the mini-movie The Last Best Year (1990) co-starring Bernadette Peters and Mary Tyler Moore.
Dorothy's longtime husband was photographer John Swope who died in 1979. Her children by him are Mark Swope, an artist and photographer, and former actress Topo Swope. Dorothy's health declined severely after she fell and broke her leg in 2001. She died of heart failure not long after in a Santa Monica hospital on Friday, September 14th at the age of 85.746 points- Actress
- Writer
- Soundtrack
Anna Magnani was born in Rome, Italy (not in Egypt, as some biographies claim), on March 7, 1908. She was the child of Marina Magnani and an unknown father often said to be from Alexandria, Egypt, but whom Anna herself claimed was from the Calabria region of Italy although she never knew his name. Raised in poverty by her maternal grandmother in Rome after her mother left her, Anna worked her way through Rome's Academy of Dramatic Art by singing in cabarets and night-clubs, then began touring the countryside with small repertory companies.
Although she had a small role in a silent film in the late 1920s, she was not known as a film actress until Doctor, Beware (1941), directed by Vittorio De Sica. Her break-through film was Roberto Rossellini's Rome, Open City (1945) (A.K.A. Open City), generally regarded as the first commercially successful Italian neorealist film of the postwar years and the one that won her an international reputation. From then on, she didn't stop working in films and television, winning an Academy Award for her performance in the screen version of Tennessee Williams' The Rose Tattoo (1955), a part that was written for her by her close friend Williams. She worked with all of Italy's leading directors of the 1950s, 1960s and 1970s.
She was renowned for her earthy, passionate, woman-of-the-soil roles. She and Rossellini were lovers for some years after Open City, until he began his infamous affair with Ingrid Bergman. She had one child, Luca, with Italian actor Massimo Serato. The boy was later stricken with polio and Magnani dedicated her life to caring for him. Her only marriage, to Italian director Goffredo Alessandrini in the mid-1930s, lasted only a short while and ended in an annulment. Her last film was Federico Fellini's Roma (1972). She died in her native Rome from pancreatic cancer the following year at age sixty-five.744 points- Actress
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Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".744 points- The face of Simone Signoret on the Paris Metro movie posters in March 1982 looked even older than her 61 years. She was still a box-office draw, but the film L'étoile du Nord (1982) would be her last theatrical release; she played the landlady. Signoret had a long film apprenticeship during World War II, mostly as an extra and occasionally getting to speak a single line. She worked without an official permit during the Nazi occupation of France because her father, who had fled to England, was Jewish. Working almost all the time, she made enough as an extra to support her mother and three younger brothers. Her breakthrough to international stardom came when she was 38 with the British film Room at the Top (1958). Her Alice Aisgill, an unhappily-married woman who hopes she has found true love, radiated real warmth in all of her scenes--not just the bedroom scenes. She was the same woman as Dedee, a prostitute who finds true love in Dédée d'Anvers (1948), a film directed by Signoret's first husband, Yves Allégret, a decade earlier. Hollywood beckoned throughout the 1950s, but both Signoret and her second husband, Yves Montand, were refused visas to enter the United States; their progressive political activities did not sit well with the ultra-conservative McCarthy-era mentality that gripped the US at the time. They got visas in 1960 so Montand, a singer, could perform in New York and San Francisco. They were in Los Angeles in March 1960 when Signoret received the Oscar for best actress and stayed on so Montand could play opposite Marilyn Monroe in Let's Make Love (1960). The Signoret film that is shown most often on TV and got a theatrical re-release in 1995, four decades after it was made is the French thriller Diabolique (1955). The chilly character Signoret plays is proof of her acting ability. More typical of her person is the countess in Ship of Fools (1965), a film that also starred Vivien Leigh ,which more than doubled its chances of being in a video-store or library film collection.743 points
- Actress
- Producer
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Lana Turner had an acting ability that belied the "Sweater Girl" image MGM thrust upon her, and even many of her directors admitted that they knew she was capable of greatness (check out The Postman Always Rings Twice (1946)). Unfortunately, her private life sometimes overshadowed her professional accomplishments.
Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles.
In 1937, Lana entered the movie world, at 17, with small parts in They Won't Forget (1937), The Great Garrick (1937) and A Star Is Born (1937). These films didn't bring her a lot of notoriety, but it was a start. In 1938 she had another small part in Love Finds Andy Hardy (1938) starring Mickey Rooney. It was this film that made young men's hearts all over America flutter at the sight of this alluring and provocative young woman--known as the "Sweater Girl"--and one look at that film could make you understand why: she was one of the most spectacularly beautiful newcomers to grace the screen in years. By the 1940s Lana was firmly entrenched in the film business. She had good roles in such films as Johnny Eager (1941), Somewhere I'll Find You (1942) and Week-End at the Waldorf (1945). If her career was progressing smoothly, however, her private life was turning into a train wreck, keeping her in the news in a way no one would have wanted.
Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge.
By the 1960s, however, fewer roles were coming her way with the rise of new and younger stars. She still managed to turn in memorable performances in such films as Portrait in Black (1960) and Bachelor in Paradise (1961). By the next decade the roles were coming in at a trickle. Her last appearance in a big-screen production was in Witches' Brew (1980). Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever.
She died on June 25, 1995, in Culver City, California, after a long bout with cancer. She was 74 years old.741 points- Actress
- Soundtrack
Deborah Jane Trimmer was born on 30 September 1921 in Glasgow, Scotland, the daughter of Captain Arthur Kerr Trimmer. She was educated at Northumberland House, Clifton, Bristol. She first performed at the Open Air Theatre in Regent's Park, London. She subsequently performed with the Oxford Repertory Company 1939-40. Her first appearance on the West End stage was as Ellie Dunn in "Heartbreak House" at the Cambridge Theatre in 1943. She performed in France, Belgium and Holland with ENSA (Entertainments National Service Association, or Every Night Something Awful) - The British Army entertainment service. She has appeared in many films from her first appearance in Major Barbara (1941).741 points- Tatiana Samoilova (Tatyana Samojlova) is a Russian film actress known for the leading roles in The Cranes Are Flying (1957) and Anna Karenina (1967).
She was born Tatiana Evgenievna Samoilova on May 4, 1934, in Leningrad (St. Petersburg), Russia. Her father, Evgeniy Samoylov, was a notable Russian actor, Her mother, Zinaida Ilyinichna, was Jewish. Young Samojlova studied music under the tutelage of her mother. During the Second World War, she escaped from the siege of Leningrad with her parents, and moved to Moscow. There she studied ballet and graduated from the Ballet School of Stanislavsky Theatre. She was invited by Maya Plisetskaya to join the ballet school of Bolshoi Theatre, but she chose to be a dramatic actress. From 1953-1956 she studied at Shchukin Theatrical School, then at State Institute of Theatrical Art (GITIS), graduating in 1962, as actress. While a student, Samojlova made her film debut in Meksikanets (1955).
Samojlova shot to fame with the leading role as Veronika in Letyat Zhuravli (The Cranes are Flying 1957) by director Mikhail Kalatozov. In spite of the initial cold reception by the Soviet officialdom, the film was loved by public in Russia and internationally. It became the first and only Russian film to be awarded the Golden Palm at the Cannes Film Festival in 1958. Samojlova won a Special Mention at Cannes and was nominated for Best Foreign Actress BAFTA Film Award in 1959. She received many offers internationally, and was invited to work in Hollywood, but the Soviet government forced her to decline any jobs outside the Soviet Union.
During the 60s, her career stagnated due to overall stagnation in the USSR under Leonid Brezhnev. In 1960 Samojlova lost her job with Mayakovsky Theatre in Moscow, and was practically unemployed for several years. Her next success came with the title role in Anna Karenina (1967), an adaptation of the eponymous novel by Lev Tolstoy by director Aleksandr Zarkhi. Samojlova starred as Anna Karenina opposite her ex-husband Vasiliy Lanovoy.
During the 80s and 90s, Tatiana Samojlova had a lengthy pause in her film career. She made a comeback in several TV series in the 2000s. She was married four times, and has one son. Samojlova was designated People's Actress of Russia (1993). She is living in Moscow, Russia.740 points - Actress Kathleen Maguire was born in Manhattan in the year 1925. She studied under Lee Strasberg and emerged in several noted performances during the 1950s. She won an Obie Award in 1958 for the role she played in "Time of the Cuckoo", which was an off-Broadway play. She made her film debut in 'Edge of the city", did soap operas over the years, and appeared in several episodes of Alfred Hitchcock Presents. A favorite performance for that series is called "Guilty Witness".
Miss Maguire died from cancer of the esophagus on August 9, 1989. She passed away at Calvary Hospital in the Bronx, New York, and had no survivors.
She had been retired from acting since 1984.738 points - Actress
- Producer
- Soundtrack
One of the leading sex symbols of the 1950s and 1960s, film actress Jayne Mansfield was born Vera Jayne Palmer on April 19, 1933 in Bryn Mawr, Pennsylvania, the only child of Vera J. (nee Palmer; later Peers) and Herbert W. Palmer. Her parents were well-to-do, with her father a successful attorney in Phillipsburg, New Jersey, where she spent a portion of her childhood. Her parents were both born with the same surname, and her ancestry was seven eighths English and Cornish and one eighth German. She was reportedly a talented pianist and played the violin when she was young.
Tragedy struck when Jayne was three, when her father suddenly died of a heart attack. Three years later, her mother remarried and she and her mother moved to Dallas, Texas, buying a small home where she had violin concerts in the driveway of their home. Her IQ was reportedly 163, and she attended the University of Dallas and participated in little-theater productions. In 1949, at the age of 16, she married a man five years her senior named Paul Mansfield. In November 1950, when Jayne was seventeen, their daughter, Jayne Marie Mansfield was born. The union ended in divorce but she kept the surname Mansfield as a good surname for an actress.
After some productions there and elsewhere, Jayne decided to go to Hollywood. Her first film was a bit role as a cigarette girl in Pete Kelly's Blues (1955). Although the roles in the beginning were not much, she was successful in gaining those roles because of her ample physical attributes which placed her in two other films that year, Hell on Frisco Bay (1955) and Illegal (1955). Her breakout role came the next year with a featured part in The Burglar (1957). By the time she portrayed Rita Marlowe in Will Success Spoil Rock Hunter? (1957) and Playgirl After Dark (1960), Jayne was now known as the poor man's Marilyn Monroe. She did not get the plum roles that Marilyn got in her productions. Instead, her films were more of a showcase for her body more than anything else. She did have a real talent for acting, but the movie executives insisted she stay in her dumb blonde stereotype roles. By the 1960s, her career had options that grew lower. She made somewhat embarrassing guest appearances like on the popular game show What's My Line? (1950), she appeared on the show four times in 1956, 1957, 1964, and 1966 and many other 1950s and 1960s game shows. By 1962, she was dropped from 20th Century Fox and the rest of her career had smaller options like being in B movies and low budget movies or performing at food stores or small nightclubs.
While traveling from a nightclub in Biloxi, Mississippi and 30 miles from New Orleans to where she was to be on television the following day, she was killed instantly on Highway 90 in Slidell, Louisiana in a car crash in the early hours of June 29, 1967, when the car in which she was riding slammed into the back of a semi-tractor trailer truck that had stopped due to a truck in front of the tractor trailer that was spraying for bugs. Her car went under the truck at nearly 80 miles per hour. Her boyfriend Samuel Brody and their driver Ronnie Harrison, were also killed. The damage to the car was so bad that the engine was twisted sideways. She was not, however, decapitated, as had long been misreported. She was 34 years old.
Mansfield's funeral was on July 3, 1967 and hundreds of people lined the main street of Pen Argyl for Mansfield's funeral, a small private ceremony at Fairview Cemetery in Plainfield (outside Pen Argyl), Pennsylvania (where her father was also buried), attended by her family. The only ex-husband to attend was Mickey Hargitay. Her final film, Single Room Furnished (1966), was released the following year. In 2000, Mansfield's 97 year old mother, Mrs. Vera Peers, was interred alongside Mansfield.
After Mansfield's death, Mansfield's mother, as well as her ex-husband Mickey Hargitay, William Pigue (legal guardian for her daughter, Jayne Marie), Charles Goldring (Mansfield's business manager), and Bernard B. Cohen and Jerome Webber (both administrators of the estate) all filed unsuccessful suits to gain control of her estate, which was initially estimated at $600,000 ($3,712,000 in 2018 dollars), including the Pink Palace (estimated at $100,000 ($619,000 in 2018 dollars)), a sports car sold for $7,000 ($43,000 in 2018 dollars), her jewelry, and Sam Brody's $185,000 estate left to her in his last will ($1,145,000 in 2018 dollars).
In 1971, Beverly Brody sued the Mansfield estate for $325,000 ($2,011,000 in 2018 dollars) worth of presents and jewelry given to Mansfield by Sam Brody; the suit was settled out of court.
In 1977, Mansfield's four eldest children (Jayne Marie, Mickey, Zoltan, and Mariska) went to court to discover that some $500,000 in debt which Mansfield had incurred ($3,093,000 in 2018 dollars) and litigation had left the estate insolvent.738 points- Actress
- Writer
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Betsy Drake was born on 11 September 1923 in Neuilly-sur-Seine, Hauts-de-Seine, France. She was an actress and writer, known for Every Girl Should Be Married (1948), Room for One More (1952) and The Second Woman (1950). She was married to Cary Grant. She died on 27 October 2015 in London, England, UK.738 points- Actress
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With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and A Tree Grows in Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).738 points- Peggy Cummins was an Irish actress, appearing in several films between 1940 and 1961. Her best known role was that of trigger-happy bank robber Annie Laurie Starr in the film "Gun Crazy".
In December, 1925, Cummins was born under the name of "Augusta Margaret Diane Fuller" in Prestatyn, Denbighshire, Wales. Her parents were an Irish couple from Dublin, who visited Prestatyn during their vacation. They were reportedly seeking shelter from a storm there. Cummins' parents were Franklin Bland Fuller (1897-1943) and his wife, the actress Margaret Cummins (1889-1973). Through her father's side of the family, Cummins was a great-granddaughter of famed architect and novelist James Franklin Fuller (1835-1924).
Cummins was mostly raised and educated in Killiney, Dublin. As a child, she attended the Abbey School of ballet in Dublin. She was eventually spotted there and chosen for a non-speaking role in a performance of the play "The Duchess of Malfi" (1613/1614) by John Webster. Cummins played one of the play's murdered children and she was (in her words) "only seen in silhouette". This was her theatrical debut.
In 1938, Cummins made her London stage debut at the St James's Theatre. She performed in the role of Maryann, the juvenile lead in the children's review "Let's Pretend", In 1940, Cummins had her film debut in the drama "Dr. O'Dowd" . The film concerned Marius O'Dowd (played by Shaun Glenville) , an alcoholic doctor who has lost his license and the affection of his only son, but later attempts to befriend his young, estranged granddaughter Pat O'Dowd (Cummins).
Being only 15-year-old during her film debut's production, Cummins was (by agreement) limited to working 5 hours per day, and only under the supervision of a governess. The film was a success, and helped Cummins being cast in supporting roles in subsequent films. Meanwhile she continued her theatrical career. In 1943, Cummins played the 12-year-old Fuffy in a theatrical adaptation of the short story collection "Junior Miss" (1941) by Sally Benson. In 1944, Cummins played the leading role of Alice in a theatrical adaptation of the novel "Alice in Wonderland" (1865) by Lewis Carroll.
In 1944, Cummins played notable roles in the comedy film "English Without Tears" (1944) and the World War II-themed drama "Welcome, Mr. Washington". In 1945, Darryl F. Zanuck, head of 20th Century-Fox, brought Cummins to Hollywood. Cummins was considered for roles in both "Cluny Brown" (1946) and "Forever Amber" (1947), but was rejected for being "too young". Her first leading role in an American film was playing the blackmailer Belle Adair/Rose Lynton in the film noir "Moss Rose" (1947). The film was praised by the press but was a box office flop. Zanuck claimed that the losses from the film amounted to 1,300,000 dollars.
Cummins subsequently appeared in a handful of American films. She played Eleanor Apley, daughter of an upper-class Bostonian family, in the romantic comedy "The Late George Apley" (1947). She played Dora Winters, an escaped prisoner's love interest, in the thriller "Escape" (1948). She played Carey Greenway, the love interest of a Wyoming-based horse owner, in "Green Grass of Wyoming" (1948).
Cummins then returned to the United Kingdom to have a role in the romance film "That Dangerous Age" (1949), about a neglected wife who finds romance with a lover. Cummins played a supporting role to the film's female lead Myrna Loy. Cummins returned to the United States to play a femme fatale role as bank robber Annie Laurie Starr in the film "Gun Crazy" (1950). The film was released by the film studio United Artists,This was Cummins' last appearance in a film shot in the United States. In retrospect, the film has been considered culturally significant and chosen for preservation by the Library of Congress.
In the rest of the 1950s, Cummins mainly worked in British films. Among her best known roles in this period was the role of female lead Joanna Harrington in the cult-themed horror film "Night of the Demon" (1957). Receiving modest praise in its original release, their film has since been evaluated as one of the gems of the horror genre.
In the early 1960s, Cummins only appeared in comedies. They included the divorce-themed farce "Your Money or Your Wife" (1960), the crime comedy "Dentist in the Chair" (1960), and the veterinarian-themed comedy "In the Doghouse" (1961). "In the Doghouse" was Cummins' last film appearance, as she largely retired from acting at the age of 36. Her few subsequent appearances were guest-star roles in television.
From the 1970s onward, Cummins devoted her time to the national charity Stars Organisation for Spastics. She chaired the management committee of a holiday center for children with disabilities in Sussex. In 2008, the charity organization changed its name to Stars Foundation for Cerebral Palsy, with Cummins still among its volunteers.
In December 2017, Cummins suffered a stroke and died in London, where she had spend her last years. She died eleven days following her 92nd birthday.737 points - Actress
- Writer
Britisher Yvonne Mitchell was born on July 7, 1915, in London and was first and foremost a stage actress who, after being educated at St Paul's Girls School in London and The London Theatre Studio, began her theatrical career in the late 1930s. By the time of her death, she had performed under the theatre lights for over four decades. Her output in films and TV paled in comparison, but the work she put out in those mediums were of unusually high quality with mature themes.
The dark-haired actress made her starring film debut in The Queen of Spades (1949) and proceeded to become a moving, thoughtful, often anguished presence throughout the 1950s, winning the British Film Award for her touching, sterling performance as the biological mother of a foster child in The Divided Heart (1954). Her slovenly, cuckolded wife in Woman in a Dressing Gown (1957) won her the Berlin International Film Festival Award.
Other important films included Escapade (1955), Sapphire (1959), The Trials of Oscar Wilde (1960) and Johnny Nobody (1961).
On the sly, Yvonne was a novelist of both children and adult books and an award-winning playwright. She also penned an enormously successful biography entitled "Colette--A Taste for Life" based on the famed French writer. The wife of film and stage critic Derek Monsey, she wrote her biography in 1957.
She died of cancer on March 24, 1979, in London.733 points- Actress
- Soundtrack
London-born Sylvia May Laura Syms hit major film appeal at a relatively young age. Born on January 6, 1934, she was educated at convent schools before receiving dramatic training at the Royal Academy of Dramatic Art. She made her stage debut in a production of "The Apple Cart" in 1954.
A repertory player by the time she was discovered for films by the British star Anna Neagle and her director/husband Herbert Wilcox, the lovely demure blonde started out auspiciously enough in the delinquent film Teenage Bad Girl (1956) in which she played Neagle's troubled daughter. This was followed by a second Neagle/Wilcox collaboration with No Time for Tears (1957).
Excelling whether cast in stark melodrama, spirited adventure or harmless comedy fluff, Syms' film list grew impressive in the late 1950s and early 1960s working alongside the likes of John Mills and Anthony Quayle in Ice Cold in Alex (1958), Curd Jürgens and Orson Welles in Ferry to Hong Kong (1959), Lilli Palmer and Yvonne Mitchell in Conspiracy of Hearts (1960), Laurence Harvey in Expresso Bongo (1959), William Holden in The World of Suzie Wong (1960), and Dirk Bogarde in the landmark gay-themed Victim (1961), playing the unsuspecting wife of Bogarde's closeted male. After nearly a decade's absence, Sylvia returned briefly to the London theatre lights in 1964 to play the title role in "Peter Pan."
Ably portraying innocent love interests throughout the years, she graced a number of pictures without ever nabbing that one role that would truly put her over the top. She was nominated, however, three times for British Film Academy Awards--twice for best actress in Woman in a Dressing Gown (1957) and No Trees in the Street (1959) and once for supporting actress in The Tamarind Seed (1974) that starred Julie Andrews and Omar Sharif.
The 1970s saw quite a bit of TV series work and she played British prime minister Margaret Thatcher at one point on both stage and TV. She grew plumper with middle age and found herself immersed in character roles, offering support in such films as Absolute Beginners (1986), Shirley Valentine (1989) and Shining Through (1992).
The stage once again beckoned in the mid-to-late 1980's with touring performances, among many others, in "The Heiress," "The Beaux Stratagem," "The Ideal Husband," "A Doll's House," "Ghosts," "The Vortex," "Hamlet," "Anthony and Cleopatra" and "Who's Afraid of Virginia Woolf?" She portrayed the Queen and Margaret Thatcher in a production of "Ugly Rumours" and was among the cast in a musical presentation of "On the Town" in 2005.
Into the millennium, Sylvia has continued to have remarkable agility. American audiences have recently seen her as the dog-doting "Princess Charlotte" in the light teen comedy What a Girl Wants (2003) with Amanda Bynes and Colin Firth, and treading water as the Shelley Winters character in the TV-remake of The Poseidon Adventure (2005). Other movies have included the role of the Queen Mum in The Queen (2006) starring Oscar-winning Helen Mirren as Queen Elizabeth II, as well as featured roles in Is Anybody There? (2008) starring Michael Caine and Booked Out (2012). She also co-starred opposite Peter Bowles in the heart-warming senior character study Together (2018).
Married once and divorced in the 1980s from Alvin Edney, daughter Beatie Edney (aka Beatrice) is a highly prolific actress in her own right, and her son, Benjamin Edney, was briefly an actor while young and appeared with his mother as her son in the western The Desperados (1969). Ms. Syms is sometimes confused with Brooklyn-born jazz/cabaret performer and recording artist Sylvia Syms (1917-1992) (née Sylvia Blagman).733 points- The dark, fiery, unconventionally lovely Lita Milan was a pleasant distraction in "B" movie crimers, westerns and action adventures and made a brief mark during the 1950's. Humbly born Iris Maria Lia Menshell in Brooklyn, New York in 1933, she was the younger of two girls born to a Hungarian salesman and a Polish homemaker. Raised in the Flatbush section of Brooklyn, she trained in dance as a child and broke into show biz as a Las Vegas chorine. Immediately noticed, she began supplementing her modest income as a cover girl model in such magazines as Photo and Night & Day.
Against her parent's wishes, young Iris decided to conquer Hollywood, making an inauspicious film debut as a nurse in the "B" crime drama The Big Chase (1954). She was then given a bit part in the western Duel on the Mississippi (1955) and a featured role in the western The Violent Men (1955) where she acquired the new marquee name of "Lita Milan." Around the same time, Lita began to appear as spitfire foreign types on such TV programs as "The Lone Wolf," "Public Defender," "It's a Great Life" and "Damon Runyon Theatre."
Dubbed a "Wampas Baby Star" for publicity attention in 1956 (along with close friend Fay Spain), the smoldering beauty found herself immediately pigeon-holed as senoritas, Indian maidens and other exotics in outdoor films. She received her first interesting film role as a firebrand South American revolutionary disguised as a lounge singer opposite federal agent Dane Clark in the crime drama The Toughest Man Alive (1955). She also played "Alita" in the French Foreign Legion actioneer Desert Sands (1955) starring Ralph Meeker while adding a sexy flair as the Indian "Meteetsee" in the western Gun Brothers (1956) starring Buster Crabbe. Given the feminine lead alongside Anthony Quinn in another "B" western, The Ride Back (1957), as Quinn's incendiary fiancée, she followed this as Peter Graves' Cajun distraction in the backwoods drama Bayou (1957) and as James Craig's captured Indian chief's wife in the western Naked in the Sun (1957).
Several flavorful TV roles came to Lita during this time on such adventure shows as "Tales of the 77th Bengal Lancers," "The Count of Monte Cristo," "Whirlybirds" and "The Adventures of Jim Bowie," along with roles in some light-hearted sitcoms ("The Bob Cummings Show" and "Burns & Allen").
Lita's best-remembered film role is as the sexy Mexican Celsa opposite a rising Paul Newman in the classic western The Left Handed Gun (1958). Newman's potent portrayal of the boyish, revengeful Billy the Kid received inspired reviews. Lita followed this effort as one of an all-female crime ring (the French member) in the exploitation flick Girls on the Loose (1958) along with Mara Corday, Joyce Barker and Abby Dalton, and also played "bad boy" John Drew Barrymore's girl in the crime syndicate drama Never Love a Stranger (1958).
Lita's final movie role had her co-starring with handsome Steve Cochran in Roger Corman's low-budget feature I Mobster (1959). Following a recurring role as Marlene in the TV series The Adventures of Hiram Holliday (1956) starring meek Wally Cox, Lita shocked the country in 1958 when she abruptly abandoned her acting career and disappeared from sight with Ramfis Trujillo, the playboy son of the notorious Dominican Republic dictator, Rafael Trujillo. They would marry in 1960. Her husband seized power of the republic after the assassination of his father in 1961, but the couple were forced to flee the country soon after. She gave birth to sons Ramses and Ricardo.
Living in exile in Madrid, Spain, Lita remained there after the 1969 death of her husband following the fatal crash of his Ferrari. He left her very wealthy. She lived an avid partying lifestyle for a time, but, in later years, was little seen. Tragically, her father, living in the New York area, was accosted and murdered by a thief in the late 1970's.719 points - Patricia Owens was born in Golden, British Columbia, in 1925. When she was eight she moved to England, where she embarked on a number of stage plays. Later she was spotted by a Twentieth Century-Fox executive, who offered her a contract, and in 1956 she went to Hollywood. There she met Sy Bartlett, whom she married and later divorced in 1958. Warner Brothers spotted her acting abilities in the classic "Island in the Sun" and in 1957 asked Fox if she could be loaned out for a part in the Marlon Brando classic "Sayonara". She received kudos in that film for her performance as the distraught, scorned fiancée of Brando. It was not until 1958, though, when she achieved her greatest role, as the tormented Helene Delambre in the Fox classic "The Fly". The image of her as seen through the fly's compound eyes is considered one of the classic moments in the history of science fiction films. It was during the time that "The Fly" was being made that she was trying to reconcile with Bartlett, but it did not happen. Patricia went on to play in other films, but did not achieve the status she deserved and continued to star in B Pictures and television roles. In 1960 she married real estate developer Jerome "Jerry" Nathanson. The marriage was short-lived but produced Patricia's only child, Adam, who helped with this biography. Patricia was also married to John Austin for six years, from 1969 to 1975. Sadly, she died in 2000 from cancer.716 points
- Actress
- Soundtrack
Ann Todd was a beautiful English actress best known as Gregory Peck's wife in Alfred Hitchcock's The Paradine Case (1947). Her third husband was the legendary director David Lean, for whom she appeared in three films, The Passionate Friends (1949), Madeleine (1950), and The Sound Barrier (1952).713 points- Actress
- Producer
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Actress and producer Eva Marie Saint was born on July 4, 1924 on Newark, New Jersey. She is known for starring in Elia Kazan's On the Waterfront (1954), for which she won an Academy Award for Best Supporting Actress, and Alfred Hitchcock's North by Northwest (1959). Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming the Russians Are Coming (1966), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006) and Winter's Tale (2014).
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan - a performance for which she won the Academy Award for Best Supporting Actress. The film was a major success and launched her movie career. She starred in the pioneering drug-addiction drama A Hatful of Rain (1957) with Don Murray and Anthony Franciosa. She also starred in lavish the Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s and 1950s, including The 39 Steps (1935), Young and Innocent (1937), and Saboteur (1942). North by Northwest (1959) became a box-office success and an influence on spy films for decades.713 points- Demure and pretty blonde who played ingenues in Leopoldo Torre Nilsson's masterpieces La casa del ángel, La caída and La mano en la trampa. Married during a short time to Rodolfo Khun, who directed her in Los inconstantes. She was effective in Leonardo Favio's El romance del Aniceto y la Francisca. Since mid-eighties she has been retired from show business.713 points
- Actress
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Dany Carrel was born Yvonne Suzanne Chazelles du Chaxel on September 20, 1932 in Tourane, Annam, French Indochina. The illegitimate daughter of a French expatriate father and a Vietnamese mother, Carrel initially grew up in Indochina prior to be taken away at age three from her biological mother by the wife of her father and sent to France, where she was brought up in orphanages and boarding schools under the strict supervision of St. Vincent de Paul. (It took twenty years for Dany to find out the identity of her actual mother.) Carrel acted in her first film in 1953 and went on to act in a slew of additional movies as well as did an assortment of television programs and stage productions in a career that spanned over four decades altogether. Dany was diagnosed with breast cancer in 1980 and subsequently underwent surgery. She wrote the autobiographical book The Girl from Annam in the early 1990's (this book was adapted as a French made-for-TV film in 1995). Long since retired from acting, Carrel was last reported living the quiet life in her home in Paris, France.708 points- Actress
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Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.704 points- Actress
- Soundtrack
It is perhaps ironic that the film for which this performer is best remembered was also her musical swansong and one of her very last motion picture appearances. That was, of course, South Pacific (1958), with Mitzi Gaynor famously cast as feisty Ensign Nellie Forbush, warbling "I'm Gonna Wash That Man Right Outa My Hair". She had not been first choice for the role: director Joshua Logan wanted Elizabeth Taylor while Richard Rodgers was fixated on Doris Day. Since neither was available, they had to settle on Mitzi. In retrospect, her performance (she was nominated for a Golden Globe Award) was perhaps the best thing about the movie. Hers was the only voice (other than that of Ray Walston) that was not dubbed in post- production. South Pacific was marred by Logan's lethargic direction and by garish hues, due to the use of colour filters in several lengthy sequences. The picture nonetheless became one of the highest grossing films of the 50s.
She was born Francesca Marlene de Czanyi von Gerber of Hungarian aristocratic ancestry. Her father was violinist, cellist and music director Henry de Czanyi von Gerber, her mother Pauline was a dancer. Mitzi began performing in public from the age of four. Her family moved from Detroit to Hollywood when she was eleven. There, she was trained as a ballerina in the corps de ballet. Just three years later, she was on stage as a singer and dancer with the Los Angeles Civic Light Opera Company in a production of Roberta. While playing the lead in Victor Herbert's Naughty Marietta, Gaynor was discovered by a 20th Century Fox talent scout, auditioned and signed to a seven year contract. She made her screen debut as a dancer in My Blue Heaven (1950), singing 'Live Hard, Work Hard, Love Hard'. The studio kept her initials but changed her name from Gerber to Gaynor, likely in deference to Janet Gaynor, one of their major box-office stars of the 20s and 30s.
Aged 19, vivacious, blonde, slightly snub-nosed and undeniably cute, Mitzi began her career as a lead performer in musicals, acting alongside some of the genre's most prominent names. Now a headliner in her own right, she portrayed 19th century entertainer Lotta Crabtree in the biopic Golden Girl (1951), a South Sea Islander in Down Among the Sheltering Palms (1952) and the 'Queen of Vaudeville', Eva Tanguay, in The I Don't Care Girl (1953). All were minor box-office hits. Arguably her best role was that of Emily Ann Stackerlee in Damon Runyon's Bloodhounds of Broadway (1952), with Gaynor at her exuberant best, dancing and singing "Bye Low". Her final picture -- before Fox dropped her contract-- was the star-studded extravaganza There's No Business Like Show Business (1954). In this, she played second fiddle to Ethel Merman, Marilyn Monroe, Donald O'Connor and Dan Dailey.
That same year (1954) and not long away from the limelight, Gaynor married the very savvy talent agent and public relations executive Jack Bean. Bean soon quit his job with MCA to set up his own agency, Bean & Rose, which was largely about shepherding and rejuvenating Gaynor's career. She signed a new contract with Paramount in 1955 which resulted in a trio of films, the best of which was The Joker Is Wild (1957), starring Frank Sinatra as vaudevillian and night club entertainer Joe E. Lewis and Gaynor as his chorus girl wife. Next up, she played another showgirl in Les Girls (1957). This stodgy and confusingly scripted enterprise was chiefly notable for being Gene Kelly 's final appearance in a major musical and for the show-stopping number "Why Am I So Gone About That Gal?" performed by Kelly and Gaynor (both dressed as bikers, effectively lampooning Marlon Brando in The Wild One (1953)).
After South Pacific (a part which her husband managed to secure for her) Gaynor made only a handful of films. Her last effort was For Love or Money (1963), a matrimonial comedy starring Kirk Douglas. In 1963, Gaynor retired from films, explaining that she felt 'kind of ordinary' as an actress. She considered her talents to be better suited to the stage, to live performances. Consequently, the latter part of her career was spent on the nightclub circuit (especially in Las Vegas) and in television specials. In the 90s, Gaynor's career found a new lease of life as a featured columnist for The Hollywood Reporter, chronicling the golden years.
Gaynor's many accolades have included a Golden Laurel (1958). She received a star on the Walk of Fame on Hollywood Boulevard in 1960, and, in 2017, she was inducted into the Great American Songbook Hall of Fame. Jack Bean, her husband of 52 years died of pneumonia at the couple's Beverly Hills home on December 4 2006.703 points- Actress
- Soundtrack
Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.703 points- Valentina Telegina was born on 15 February 1915 in Novocherkassk, Don Voisko Oblast, Russian Empire [now Rostov Oblast, Russia]. She was an actress, known for Spring (1947), Ballad of a Soldier (1959) and Dom, v kotorom ya zhivu (1957). She died on 4 October 1979 in Moscow, RSFSR, USSR [now Russia].702 points