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Nuri Bilge Ceylan was born in Istanbul on January 26th, 1959. In 1976, he began studying chemical engineering at Istanbul Technical University, in a context of strong student unrest, boycotts and political polarization. In 1978, he switched courses to Electrical Engineering at Bogazici University. There, he developed a strong interest in image, entering the photography club at the university. This is also where he fed his taste for visual arts and classical music, by means of the vast resources of the faculty librarians. He also began to take film classes and attend screenings at the Film Society, which reinforced his love of cinema, born years earlier in the dark rooms of the Istanbul Cinematheque. After his 1985 Graduation, he traveled to London and Kathmandu, which allowed him to take the opportunity to reflect upon his future. He returned to Turkey for his 18 months military service and at that moment decided to dedicate his life to cinema. Thereafter, he studied film at the University Mimar Sinan, and worked as a professional photographer to make a living. After 2 years, he decided to abandon his studies to practice. He started with acting, in a short film directed by his friend Mehmet Eryilmaz, while helping with the technical production process. In late 1993, he began shooting his first short film, Koza. The film was screened at Cannes in May 1995 and became the first Turkish short film to be selected for competition. Three full-length feature films followed -the "provincial trilogy": Kasaba (1997), Mayis Sikintisi (1999) and Uzak (2002). In all of these films, Ceylan took on just about every technical role himself: the cinematography, sound design, production, editing, writing and direction. Uzak won the Grand Prix and Best Actor (for the two main actors) in Cannes in 2003, making Ceylan an internationally recognized director. Continuing his tour of festivals after Cannes, Uzak won no less than 47 awards, including 23 international prizes, and thus became the most awarded film in the history of Turkish cinema. His subsequent films were all awarded at Cannes : Iklimler won the FIPRESCI Prize in 2006, Üç Maymun won Best Director in 2008 and Bir Zamanlar Anadolu'da won the Grand Prix in 2011. In 2014, his seventh feature film Kis Uykusu won the Palme d'Or as well as the FIPRESCI prize.- Actor
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Known as his successful performance in Olumlu Dunya, directed by Ali Atay, Dogu Demirkol shows up as the lead role of Ahlat Agaci, directed by Nuri Bilge Ceylan. After his stand up performance in Guldur Guldur Show, Demirkol is meeting with the audience with his one- man show, organized by BKM Mutfak.- Actor
- Soundtrack
Born in Istanbul in 1972, Nejat Isler graduated from Mimar Sinan State Conservatory's Theater Deparment in 1995. He made his first professional TV debut in 1994 in the TV series "Gurur". He continued his professional acting career and took leading roles in a number of TV series and movies. In 2008 at the SIYAD Turkish Cinema Awards, Isler received Best Leading Actor for his performance in 'Yumurta'. He was awarded the Best Actor in the Germany-Turkey Film Festival.- Yigit Özsener is a Turkish actor of screen and stage, born in Izmir, April 6, 1972. He completed his undergraduate studies in BS in Electronics and Telecommunications Engineering at Yildiz Technical University and his MBA at Koc University, Istanbul. His acting career started on theatre stage when he joined Studio Players during his undergraduate studies. Under Sahika Tekand's mentorship, he quickly proved himself as versatile performer and took part in the Studio's various plays including Dumb Waiter by Harold Pinter. He participated workshops based on Suzuki method of acting by Ellen Lauren as well as Theodoros Terzopoulos of Attis Theatre in Athens, Greece in 1996. His first international stage appearance was in 2000, he played in Heracles Triology produced by Attis Theatre of Athens for 10th International Greek Drama Festival.
His earliest credit roles on television were commercials; first he became the face of Turk.net campaign (telecommunication). Next, he starred in the branded mini series of Turkcell (leading communication and technology provider) which was a highly successful campaign that embraces celebrity endorsement and art of storytelling for the first time in Turkey. This campaign proved to be the turning point of his career as he managed to get his first break on TV series in 2001; performing a theatre actor who was the first suspect of an unsolved murder in Karanlikta Kosanlar; an acclaimed controversial crime-drama which was ahead of its time . That same year, he received an offer from Uzgunum Leyla, a compelling TV series that culminate a very respected and experienced cast. His performance among such a cast led to his involvement in permanently in drama series, made-for-TV films and movies in the upcoming years. Consecutively, he acted in Unutma Beni (2002), Estagfurullah Yokusu (2003), Crude (2003), O Simdi Asker (2003), Arapsaci (2004), Calinan Ceset (2004), Gece 11.45 (2004), One Day Europe (2004), 24 Saat (2005), Tombala (2005), 5 Vakit (2005), Kabuslar Evi (2006), Ruya Gibi (2006) and Last Looks (2006). Among other highly acclaimed series and movies, he has also been a part of several short films. While appearing in a string of roles on screen, he never lost his passion on acting on stage. He joined a workshop by the Workcenter of Jerzy Grotowsky & Thomas Richards in 2004 and another one by Shizuoka Performing Arts Center members in 2006. Later that year, he acted in Persians (coproduction directed by Theodoros Terzopoulos) in the opening of Theater Olympics in Turkey and Epidaurus Festival in Greece. In 2007, he starred in the trailer of Istanbul International Indepedent Film Festival.
His role in Dudaktan Kalbe (2007), the modern adaptation of 1925 novel by the famous Turkish author Resat Nuri Guntekin, set his career on a path to totally new heights. In this drama, he played the cynical character of the series, Cemil Pasazade, and turned him into someone caring and devoted in the end. Him raising an insignificant character of the novel up to the titular character of the drama and bringing the series to a surprising conclusion, caught the eye of many. Up next for Yigit Ozsener, was joining the A list star studded cast of Ezel in 2009. Ezel was a massive game changer in the Turkish televisions, won several awards and became worldwide popular. (still one of the most exported series to date - more than 80 countries). His portrayal of Cengiz Atay in this number-one-rated series is widely considered to be among the greatest antagonists of all time. This brought him, his first leading role in a movie, Kaybedenler Kulubu (2011) which became a cult in modern Turkish cinematography with its controversial content, non-status-quo thoughts and long conversations without taboos. Despite a love story that falls flat on the scenario based on a true story, the great chemistry between the two leading male actors who provide ample doses of humour as radio programmers while poignantly portraying loneliness in an overcrowded city, took over the show entirely. On the strength of his ability to craft impactful character flaws, Yigit Ozsener acquired a reputation masterfully portraying dark, manipulative, unpredictable, passionate but unappealing figures. On the other hand, casting in supporting roles of other big budget productions in the same period; Gunesi Gordum (2008), Ask Tesadufleri Sever (2010), Dedemin Insanlari (2011), cemented his status as a multi layered character actor. Besides his commitment and popularity on screen during the 2000's, he continued to remain active on stage as well. He had prominent roles in several works. He played in A Trial in Istanbul (2008) based on Kafka's The Trial and Evridike'nin Cigligi (2009) based on Sophocles' Antigone one after another. In 2010, he performed in Forgetting in Ten Steps - AntiPrometeus, a play produced for 2010 World Cultural Capitals. Shortly after he joined a workshop tutored by Natsuko Ohama, David Bridel and Susan Main in 2014, he played in Water's Edge by Theresa Rebeck for two seasons.
Yigit Özsener's acting style remained firmly rooted in his stage technique, led him develop a form of screen acting that was quite stylised. Yet one of his greatest achievements is that he is so persuasive, it is hardly to be catchable. After a series of TV and cinema performances with diverse range of roles that followed the years; Son (2012), Intikam (2013), Two Faces of January (2013), Yuz Yillik Muhur (2015), Cesur ve Guzel (2016), Bir Kahramanin Ruyasi (2016), Ise Yarar Bir Sey (2016) and Kaybedenler Kulubu Yolda (2018), he landed his debut role on digital platforms. He took on the lead role in an original BlueTV series; Bozkir (2018). In this 10 episode crime story, Yigit Özsener starred as Seyfi Amir who is an experienced police officer with a rookie partner, investigates a serial killer with a fondness for leaving weird evidence after murdering children in a small town. The spooky setting and strong chemistry between the lead actors, pretty much captured viewers and critics interest. He burst back into commercials as the brand ambassador of Dacia (automative) and portraying a wise and off-the-beaten track man in the branded series on TV and the digital ads.
Recently, he is on stage with two plays; Waiting For Godot (2016) and IO (2019) by Studio Players (both of which premiered at Istanbul International Theater Festival on consecutive editions) and on screen with a new prime time TV series Ramo (2020) and Dacia commercials. Yigit Özsener is also a sought after voiceover artist for commercials and audio-book streaming services. On top of that, he has not limited his professional career to just acting, as he is a committed environmentalist, who is active volunteer and ambassador of TEMA foundation (preventing erosion, reforestation and protection of natural habitats). - Ahu Türkpençe was born in Samsun on the Black Sea coast. She was interested in theatre and with the help of a close friend, she joined the cast of the Müjdat Gezen Arts Center. Doing do, she put her studies in Physics at Yildiz Teknik University on hold. She had parts in the series Yedi Numara and Azad and gained fame for starring in Bir Istanbul Masali. Most popular in Kaybedenler Kulubu
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Grigori Mikhailovich Kozintsev was born on March 22, 1905, in Kiev, Russian Empire (now Kiev, Ukraine). His father, named Mikhail Kozintsev, was a medical doctor. Young Kozintsev studied at the Kiev Gymnazium. There, in 1919, he organized experimental theatre "Arlekin" together with his fellow students Sergei Yutkevich and Aleksei Kapler. During 1919 and 1920 Kozintsev studied art at the Kiev School of Art under the tutelage of Alexandra Exter.
Experiments. In 1920 Kozintsev moved to Petrograd (Leningrad or St. Petersburg). There he studied art at the "VKHUTEMAS" at the Academy of Fine Arts for two years. In 1921 Kozintsev with Sergei Yutkevich, Leonid Trauberg, and Leonid Kryzhitsky organized and led the Factory of Excentric Actors (FEKS). There Kozintsev directed radically avant-garde staging of plays "Zhenitba" (Marriage 1922) by Nikolay Gogol and "Vneshtorg na Eifelevoi Bashne" (Foreign trade on Eiffel Tower 1923). They were based in the former Eliseev Mansion on Gagarinskaya street No. 1 in St. Petersburg. Kozintsev and FEKS collaborated with writer Yuri Tynyanov, cinematographer Andrey Moskvin, young actor-director Sergey Gerasimov, artist Igor Vuskovich, and young composer Dmitri Shostakovich among others. Initially FEKS was the main platform for experimental actors, directors and artists, and was strongly influenced by Vsevolod Meyerhold and Vladimir Mayakovsky.
Artistic position. In 1924 Kozintsev and Trauberg came to "SevZapKino" Studios (now Lenfilm Studios). There Kozintsev continued his FEKS experiments in his first eccentric comedy 'Pokhozhdenie Oktyabriny' (1924). Kozintsev's early films were strongly criticized by official Soviet critics. His film 'Shinel' (1926) was compared to German Expressionism and accused of distortion of the original classic story by Nikolay Gogol. Kozintsev strongly argued against such comparisons with German expressionism; he was unhappy until the end of his life about such criticism of his early experimental works. Kozintsev insisted that his cheerful experiments were essential in the city of Petrograd (St. Petersburg) after the Russian Revolution of 1917, which brought destruction, depression, crime, and degradation of culture.
Early films. Kozintsev made twelve films together with Leonid Trauberg. Their collaboration began in 1921, in Petrograd (St. Petersburg). Their film-trilogy about Russian revolutionary hero Maxim was made from 1935-1941, when people in the Soviet Russia were terrorized under the most brutal dictatorship of Joseph Stalin. In departure from experimental youthfulness and freedom of their FEKS years, the Maxim trilogy was a trade-off blend of experiment and Soviet propaganda. It was still a powerful work and was even banned by censorship in the United States from the 1930s-1950s. For that work Kozintsev and Trauberg were awarded the Stalin's State Prize in 1941. After the Second World War Kozintsev and Trauberg made their last film together: 'Prostye Lyudi (Plain People 1946), which was censored and remained unreleased until 1958, when "Nikita Khrushchev' lifted the ban imposed by Stalin's censorship.
Highlights. Grigori Kozintsev ascended to his best works after the death of Stalin. Then Nikita Khrushchev initiated the "Thaw" which played a role in some liberation of individual creativity in the Soviet film industry. Kozintsev's adaptations of classical literature combined some experimental elements of his earlier silent films with the approach of a mature master. His Don Quixote (1957), King Lear (1969) and especially Hamlet (1963) were recognized worldwide as his highest achievements. In _Korol Lir (1969)_ Kozintsev made a brilliant decision to cast actors from the Baltic States as the Lear's family. Jüri Järvet, Regimantas Adomaitis, Donatas Banionis, Juozas Budraitis, and Elza Radzina together with Oleg Dal, Galina Volchek, Aleksey Petrenko made a powerful acting ensemble.
Hamlet and King Lear. Kozintsev first staged Shakespeare's "Hamlet" and 'King Lear" in 1941. His collaboration with Boris Pasternak began in 1940, when Pasternak was working on his Russian translation of the Shakespeare's originals. Both plays were prepared for stage under direction of Kozintsev. King Lear was staged in 1941, but further work was interrupted because of the Nazi invasion of the Soviet Union. Hamlet was staged in 1954. At the same time Kozintsev continued developing the idea of filming _Gamlet (1964)_, until everything came together in his legendary film. The adaptation by Boris Pasternak, the music by Dmitri Shostakovich, the direction by Kozintsev, and the acting talent of Innokentiy Smoktunovskiy produced special creative synergy. Innokentiy Smoktunovskiy was praised as the best Hamlet by Sir Laurence Olivier.
Legacy. In the 1920s Kozintsev taught at the Leningrad School of Acting. From 1944-1964 Kozintsev led his master-class for film directors at the Soviet State Film Institute (VGIK). Among his students were many prominent Russian directors and actors such as Sergey Gerasimov and others. Kozintsev was the head of master-class for film directors at Lenfilm Studios from 1964-1971. He wrote essays on William Shakespeare, Sergei Eisenstein, Charles Chaplin, and Vsevolod Meyerhold and published theoretical works on film direction. Grigori Kozintsev lived near Lenfilm Stidios in Leningrad (St. Petersburg) for the most part of his life. His work and presence was essential to the status of Lenfilm Studios as well as to the film community in Leningrad during the political and economic domination of Moscow as the Soviet capital. From his early works of the 1920s to his masterpiece _Gamlet (1964)_, Kozintsev was faithful to creative experimental approach.
Kozintsev was designated the People's Artist of the USSR. He was awarded the State Lenin's Prize of the USSR (1965), and received other awards and nominations. He died in Leningrad (St. Petersburg) on May 11, 1973, and was laid to rest in the Necropolis of the Masters of Art in St. Aleksandr Nevsky Convent in St. Petersburg, Russia.- Writer
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Anar Rzayev was born on 14 March 1938 in Baku, USSR [now Azerbaijan]. He is a writer and director, known for Yubiley dante (1978), Qäm Päncäräsi (1988) and Üzeyir ömrü (1981).- Actor
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Hasanagha Turabov was born on 24 April 1938 in Baku, Azerbaijan SSR, USSR [now Azerbaijan]. He was an actor and director, known for Atlari yaharlayin (1984), Yubiley dante (1978) and Qäm Päncäräsi (1988). He died on 23 February 2003 in Baku, Azerbaijan.- Elmira Shabanova is known for Tähminä (1993), Poslednyaya noch ukhodyashchego goda (1983) and Qäm Päncäräsi (1988).
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Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Gary Alan Sinise was born in Blue Island, Illinois, to Mylles S. (Alsip) and Robert L. Sinise, A.C.E., a film editor. He is of Italian (from his paternal grandfather), English, Scottish, Irish, French, German, and Swedish ancestry. His family moved to Highland Park, where he attended high school. He was something of a rebel, playing in bands but paying little attention to school.
Gary and some friends tried out for "West Side Story" as a lark, but Gary was hooked on acting for life by closing night. Gary credits his love for theatre to his drama teacher, Barbara Patterson. In 1974, Gary, Terry Kinney, and Jeff Perry founded the Steppenwolf Theatre Company in Chicago. Initially performing in a church basement, the company grew and gained stature in the Chicago area. In addition to acting in many plays, Gary also directed some of Steppenwolf's most notable productions, including Sam Shepard's "True West". The company made its off-Broadway debut with that production, starring Gary and John Malkovich, and its Broadway debut with "The Grapes of Wrath" at the Cort Theatre in 1990. Gary's Hollywood career also started in the director's chair with two episodes of the stylish TV series Crime Story (1986), followed in 1988 by the feature Miles from Home (1988) starring Richard Gere. Gary's first feature film as an actor was the World War II fable A Midnight Clear (1992) in 1992. That year also found Gary combining his acting and directing talents with the critically acclaimed Of Mice and Men (1992). His first real notice by the public came in 1994, however. He starred in the blockbuster miniseries The Stand (1994), rapidly followed by his bravura performance as "Lt. Dan" in Forrest Gump (1994). His portrayal of the disabled, emotionally tortured veteran earned Gary numerous awards and an Oscar nomination. Busy 1994 was followed by busy 1995, first reuniting with Tom Hanks in Apollo 13 (1995) and then starring in the HBO film Truman (1995) which earned him the Golden Globe and Screen Actors Guild Awards and an Emmy nomination.
Gary is married to Moira Sinise, an actress and original member of the Steppenwolf company. They have three children, Sophie Sinise, McCanna Anthony Sinise and Ella Sinise.- Actor
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John Gavin Malkovich was born in Christopher, Illinois, to Joe Anne (Choisser), who owned a local newspaper, and Daniel Leon Malkovich, a state conservation director. His paternal grandparents were Croatian. In 1976, Malkovich joined Chicago's Steppenwolf Theatre, newly founded by his friend Gary Sinise. After that, it would take seven years before Malkovich would show up in New York and win an Obie in Sam Shepard's play "True West". In 1984, Malkovich would appear with Dustin Hoffman in the Broadway revival of "Death of a Salesman", which would earn him an Emmy when it was made into a made-for-TV movie the next year. His big-screen debut would be as the blind lodger in Places in the Heart (1984), which earned him an Academy Award Nomination for best supporting actor. Other films would follow, including The Killing Fields (1984) and The Glass Menagerie (1987), but he would be well remembered as Vicomte de Valmont in Dangerous Liaisons (1988). Playing against Michelle Pfeiffer and Glenn Close in a costume picture helped raise his standing in the industry. He would be cast as the psychotic political assassin in Clint Eastwood's In the Line of Fire (1993), for which he would be nominated for both the Academy Award and the Golden Globe. In 1994, Malkovich would portray the sinister Kurtz in the made-for-TV movie Heart of Darkness (1993), taking the story to Africa as it was originally written. Malkovich has periodically returned to Chicago to both act and direct.- Actor
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- Script and Continuity Department
Early in his career, he mainly acted in comedy movies with Kemal Sunal such as "Hababam Sinifi", "Tosun Pasa", "Davaro" etc. Later, he had roles in movies criticizing Turkish society for its moral weaknesses as in "Milyarder", " Çiplak Vatandas" and the ones that reflected the contemporary social developments and problems as in "Zügürt Aga". He played in "Gönül Yarasi-Lovelorn" that was nominated to be the candidate for Academy Awards in 2005. He had many national and international awards and honored as a state artist by Turkish Republic in 1998.- Actor
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Kenan Imirzalioglu was born in Ankara at June 18th, 1974. Imirzalioglu finished elementary school in Ankara, when he was 12. He went to middle school and high school at Ankara. Then he moved to Istanbul for his University education. He graduated from Yildiz Technical University. He has a Bachelor of Mathematics degree.
In 1997, he attended Best Model of Turkey finals and he won the contest. Then he qualified for Best Model of the World contest. He also won the contest and achieved the title "Best Model of The World".
For the first time, a Turkish model won the title Best Model of The World. After winning the model contest, famous Turkish director Osman Sinav offered him a leading role as Yusuf Miroglu in the new TV serial Deli Yurek which was the first Turkish TV series exported internationally in 1999. The series broadcaster between 1999 - 2002. He also had The lead role for the movie version of the series 'Deli Yurek : Boomerang Cehennemi' in 2001).
He went to US for acting and language education after Deli Yurek projects. After his return he joined the cast of new TV series Alacakaranlik which was on TV screens in 2003 - 2005. In between, at 2004, he played a leading role at Yazi Tura movie which won 16 awards in different film festivals. Most impressing award of all was "The Best Actor" award at Adana Altin Koza Festival, one of the major movie award organization of Turkey.
Between 2005-2007, he enacted "Mehmet Kosovali" at white screen with the TV Series Aci Hayat. In 2006, He took the leading role in his third movie Son Osmanli Yandim Ali followed by Kabadayi in 2007 which was his fourth movie project between TV series projects.
In 2009, He started a new project at white screen with Ezel which was his carriers best and up swinging role. The series became The most popular and top rated series in Turkish television history between 2009 - 2011. Along with TV series, His successful career continued with Ejder Kapani 2010 and with Uzun Hikaye in 2012.
Karadayi (2012-2015), he started his careers 5th TV series with Mahir Kara role. After this series at 2017, he starred the movie of Cingoz Recai which is fallowed by another TV series Fatih . This was one of the most budgeted TV series of Turkish Television at which he gave life to the character of Fatih Sultan Mehmet who is one of the most important figures of Ottoman and Turkish history.
Recently, he is presenting the longest TV contest Kim Milyoner Olmak Ister. Also he joined the cast of TV series Alef for 8 episodes to be broadcaster at online TV platform Blu TV.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Mälik Dadashev was born on 7 June 1924 in Baku, Azerbaijan SSR, TSFSR, USSR [now Azerbaijan]. He was an actor, known for O dünyadan salam (1991), Birisigün, gecayarisi... (1981) and Güllälänmä täxirä salinir! (2003). He died on 2 December 1996 in Baku, Azerbaijan.
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Tofig Taghizade was born on 7 February 1919 in Baku, Azerbaijan. He was a director and actor, known for Arshin mal alan (1965), O dünyadan salam (1991) and Köpäk (1994). He died on 27 August 1998 in Baku, Azerbaijan.- Leyla Badirbayli was born on 8 January 1920 in Baku, Azerbaijan. She was an actress, known for Arshin Takes a Wife (1945), Görüs (1955) and Lovushka (1990). She died on 23 November 1999.
- Säyavush Aslan was born on 5 September 1935 in Baku, Azerbaijan SSR, TSFSR, USSR [now Azerbaijan]. He was an actor, known for Adi sanin, dadi manim (1980), Ulduz (1964) and Romeo, moy sosed (1964). He was married to Ofeliya Aslan. He died on 27 June 2013.
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American actor, filmmaker and activist Edward Harrison Norton was born on August 18, 1969, in Boston, Massachusetts, and was raised in Columbia, Maryland.
His mother, Lydia Robinson "Robin" (Rouse), was a foundation executive and teacher of English, and a daughter of famed real estate developer James Rouse, who developed Columbia, MD; she passed away of brain cancer on March 6, 1997. His father, Edward Mower Norton, was an environmental lawyer and conservationist, who works for the National Trust for Historic Preservation. Edward has two younger siblings, James and Molly.
From the age of five onward, the Yale graduate (majoring in history) was interested in acting. At the age of eight, he would ask his drama teacher what his motivation in a scene was. He attended theater schools throughout his life, and eventually managed to find work on stage in New York as a member of the Signature players, who produced the works of playwright and director Edward Albee. Around the time when he was appearing in Albee's Fragments, in Hollywood, they were looking for a young actor to star opposite Richard Gere in a new courtroom thriller, Primal Fear (1996). The role was offered to Leonardo DiCaprio but he turned it down. Gere was on the verge of walking away from the project, fed up with the wait for a young star to be found, when Edward auditioned and won the role over 2000 other hopefuls. Before the film was even released, his test screenings for the part were causing a Hollywood sensation, and he was soon offered roles in Woody Allen's Everyone Says I Love You (1996) and The People vs. Larry Flynt (1996). Edward won the Golden Globe for Best Actor in a Supporting Role and received an Oscar nomination for Best Supporting Actor for his performance in Primal Fear (1996). In 1998, Norton gained 30 pounds of muscle and transformed his look into that of a monstrous skinhead for his role as a violent white supremacist in American History X (1998). This performance earned him his second Oscar nomination, this time for Best Actor.
He received his third Oscar nomination, for Best Supporting Actor, for his work in Birdman or (The Unexpected Virtue of Ignorance) (2014). His most prominent roles also include the critically acclaimed Everyone Says I Love You (1996), The People vs. Larry Flynt (1996), Fight Club (1999), Red Dragon (2002), 25th Hour (2002), Kingdom of Heaven (2005), The Illusionist (2006), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014). He has also directed and co-written films, including his directorial debut, Keeping the Faith (2000). He has done uncredited work on the scripts for The Score (2001), Frida (2002), and The Incredible Hulk (2008).
Alongside his work in cinema, Norton is an environmental and social activist, and is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing founded by his grandfather James Rouse.- Actor
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Tom Schilling was born on 10 February 1982 in Berlin, Germany. He is an actor and producer, known for A Coffee in Berlin (2012), Before the Fall (2004) and Who Am I (2014).- Actor
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Elyas M'Barek was born on 29 May 1982 in Munich, Bavaria, Germany. He is an actor, known for Suck Me Shakespeer (2013), Who Am I (2014) and The Wave (2008).- Actor
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Geoffrey Roy Rush was born on July 6, 1951, in Toowoomba, Queensland, Australia, to Merle (Bischof), a department store sales assistant, and Roy Baden Rush, an accountant for the Royal Australian Air Force. His mother was of German descent and his father had English, Irish, and Scottish ancestry. He was raised in Brisbane, Queensland, after his parents split up.
Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.
Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".
Rush made an inauspicious debut in films with the feature Hoodwink (1981), having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of Twelfth Night (1986). Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.
Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years film-goers finally began taking notice of Geoffrey after his performance in Children of the Revolution (1996). This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in Shine (1996). Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.
"Shine" not only put Rush on the international film map, but atypically on the Hollywood "A" list as well. His rather homely mug was made fascinating by a completely charming, confident and captivating demeanor; better yet, it allowed him to more easily dissolve into a number of transfixing historical portrayals, notably his Walsingham in Elizabeth (1998) and Leon Trotsky in Frida (2002). He's also allowed himself to have a bit of hammy fun in such box office escapism as Mystery Men (1999), House on Haunted Hill (1999), The Banger Sisters (2002), Finding Nemo (2003) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). More than validating his early film success, two more Oscar nominations came his way in the same year for Quills (2000) (best actor) and Shakespeare in Love (1998) (support actor) in 2000. Geoffrey's amazing versatility continued into the millennium with his portrayal of the manic, volatile comedy genius Peter Sellers in the biopic The Life and Death of Peter Sellers (2004). He also merited attention as Lionel Logue in The King's Speech (2010), Basil Hunter in The Eye of the Storm (2011), Hans Hubermann in The Book Thief (2013), artist/sculptor Alberto Giocometti in Final Portrait (2017) and Michael Kingley Storm Boy (2019).
Rush's intermittent returns to the stage have included productions of "Marat-Sade," "Uncle Vanya," "Oleanna," "Hamlet" and "The Small Poppies". In 2009 he made his Broadway debut in "Exit the King" co-starring Susan Sarandon. His marriage (since 1988) to Aussie classical actress Jane Menelaus produced daughter Angelica (1992) and son James (1995). Menelaus, who has also performed with the State Theatre of South Australia, has co-starred on stage with Rush in "The Winter's Tale" (1987), "Troilus and Cressida" (1989) and "The Importance of Being Earnest" (as Gwendolyn to his Jack Worthing). She also had featured roles in a few of his films, including Quills (2000) and The Eye of the Storm (2011).- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actress
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Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actress
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Shelley Alexis Duvall was born in Fort Worth, Texas, the first child to Bobbie Ruth (Massengale, 1929-2020), a real estate broker, and Robert Richardson Duvall (1919-1994), a lawyer. At the time of her birth, her mother was visiting her grandmother in Fort Worth, though Duvall was raised in Houston. During her childhood, Shelley's mother humorously gave Shelley the nickname "Manic Mouse", because she would often run around her house and tip over furniture. Shelley however was more than a mouse, but rather quite the little artist. Her favorite thing to do when she was very young was draw. She also has three brothers: Scott, Shane, and Stewart.
Shelley graduated from Waltrip High School in Texas and at first became a cosmetics salesperson. It was in 1970 when Shelley was discovered by talent scouts at a local party. Director Robert Altman wanted to cast Shelley in a film that he was making during the time. Shelley had experience in acting in high school plays at the time and took Altman's offer and she appeared in her first film Brewster McCloud. Altman was so fascinated by her performance that she appeared in his next films including: McCabe and Mrs. Miller in 1971, Thieves Like Us in 1974, and Nashville in 1975. Aside from these three successful films, Duvall's acting blossomed in her leading role as Mille Lammoroux in 3 Women in 1977. Duvall's acting was so superb that she won Best Actress at the 1977 Cannes Film Festival. Shelley also starred as Bernice in Joan Micklin Silver's Bernice Bobs Her Hair in 1976, and had a cameo in Woody Allen's Annie Hall in 1977. In the same year, Shelley also hosted an episode of Saturday Night Live.
When the 1980s hit, Duvall's career was just beginning. She is famously known for playing the role of "Wendy Torrance" in Stanley Kubrick's The Shining with Jack Nicholson. During the making of this film, Kubrick psychologically tormented Duvall, causing her immense stress and affecting her mental state. He would often ignore her entirely during filming or would put in her situations which caused her immense fear and distress. The most obvious example is when Kubrick shot the famous "baseball bat scene" with Duvall and Nicholson 127 times, which is the world record for most number of takes in any film set.
In January of 1979, Robert Altman would offer Duvall yet another role in one of his films. Only the role was a certain role that Altman believed she was born to play. That certain role was "Olive Oyl" in the real life version of Popeye. Shelley was skeptical at first on accepting the role, due to bad memories as a child of negatively being called "Olive Oyl" in grade school. She fortunately decided to take the role and performed admirably. Shelley also sings several songs in this film. The most famous ones would be "He's Large" and "He Needs Me" which also appeared in the film Punch Drunk Love.
As the 1980s rolled on, Shelley's career never slowed down. She appeared as a supporting actress in Terry Gilliam's Time Bandits in 1981; she played "Susan Frankenstein" in Tim Burton's Frankenweenie (1984) , and co-starred in the hit comedy film Roxanne in 1987 starring Steve Martin. From 1982 to 1986, Shelley continued her filming career but from a different aspect. Since Shelley was 17, she had a collection of a variety of illustrated classic fairy tale books. During the making of Popeye, she showed her collection to Robin Williams. One particular fairy tale she showed Robin was "The Frog Prince". Picturing Robin as the real life Frog Prince, Shelley created Platypus Productions, her own production company. Shelley went to Showtime with the idea for airing a television program that was based on fairy tales. She produced Fairy Tale Theater which Showtime aired that was a hit television series that was based on several classic fairy tales. Fairy Tale Theatre was on television from 1982-1987. Each episode was a one-hour series and there were a total of twenty six episodes, all hosted by Shelley Duvall. Shelley also starred in four out of the twenty six episodes. In 1985, Ms. Duvall created Tall Tales and Legends that was aired for three years until it ended in 1988. Similar to Fairy Tale Theatre, Tall Tales and Legends was also a one-hour series hosted, produced, and guest starred by Duvall. Although it only consisted of nine episodes, Shelley was nominated for an Emmy from the series. In the late 1980s and early 1990s, Shelley discovered Think Entertainment; another production company which helped Shelley create more programs and movies that were made for television that aired on common cable channels. Shelley produced three more programs from these production companies that aired on Showtime: Nightmare Classics, Shelley Duvall's Bedtime Stories, and Mrs. Piggle Wiggle. Her Bedtime Stories program earned her a 2nd Emmy Nomination. Shelley sold Think Entertainment in 1993 and retired as a producer.
In 1989, Shelley met Dan Gilroy while filming the Disney Channel movie Mother Goose Rock 'n' Rhyme (1990), the two fell in love and they have been together ever since.
Shelley Duvall's later career found her a number of different roles. She appeared in the family comedy Home Fries in 1998 playing "Mrs. Jackson", Drew Barrymore's character's mother. Other comedic films Shelley appeared in were Suburban Commando in 1991, and Changing Habits in 1997. She also had cameos in several TV series' such as: Frasier, L.A. Law, The Ray Bradbury Theater, Wishbone, and several others. Shelley returned to the horror genre when she played "Martha Stewart" in The 4th Floor in 1999 and played the role of "Mrs. Stein" in Big Monster On Campus in 2000; which consisted of both the comedy and horror genre.
Since 2002, Shelley Duvall has not acted in any films, but lives a quiet and peaceful life in Blanco, Texas. She has lived in Blanco since 1994, after her home in Los Angeles got damaged by an earthquake. For the last couple years, there have been several rumors about Duvall being a "recluse" and not being in touch with reality. However, a recent interview in 2010 was conducted by MondoFilm VideoGuide that had heavy proof that Shelley is as normal and aware of reality as ever. She has also noted in this interview that she takes care of several animals at her home in Texas and writes a lot of poetry, and that returning to acting is always a possibility.- Producer
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Benjamin Géza "Ben" Affleck-Boldt was born on August 15, 1972 in Berkeley, California and raised in Cambridge, Massachusetts, to mother Chris Anne (Boldt), a school teacher, and father Timothy Byers "Tim" Affleck, a social worker. Ben has a younger brother, actor Casey Affleck, who was born in 1975. He is of mostly English, Irish, German, and Scottish ancestry. His middle name, Géza, is after a Hungarian family friend who was a Holocaust survivor.
Affleck wanted to be an actor ever since he could remember, and his first acting experience was for a Burger King commercial, when he was on the PBS mini-series, The Voyage of the Mimi (1984). It was also at that age when Ben met his lifelong friend and fellow actor, Matt Damon. They played little league together and took drama classes together. Ben's teen years consisted of mainly TV movies and small television appearances including Hands of a Stranger (1987) and The Second Voyage of the Mimi (1988). He made his big introduction into feature films in 1993 when he was cast in Dazed and Confused (1993). After that, he did mostly independent films like Kevin Smith's Mallrats (1995) and Chasing Amy (1997) which were great for Ben's career, receiving renowned appreciation for his works at the Sundance film festival. But the success he was having in independent films didn't last much longer and things got a little shaky for Ben. He was living in an apartment with his brother Casey and friend Matt, getting tired of being turned down for the big roles in films and being given the forgettable supporting ones. Since Matt was having the same trouble, they decided to write their own script, where they could call all the shots. So, after finishing the script for Good Will Hunting (1997), they gave it to their agent, Patrick Whitesell, who showed it to a few Hollywood studios, finally being accepted by Castle Rock. It was great news for the two, but Castle Rock wasn't willing to give Ben and Matt the control over the project they were hoping for. It was friend Kevin Smith who took it to the head of Miramax who bought the script giving Ben and Matt the control they wanted and, in December 5, 1997, Good Will Hunting (1997) was released, making the two unknown actors famous. The film was nominated for 9 Academy Awards and won two, including Best Original Screenplay for Ben and Matt. The film marked Ben's breakthrough role, in which he was given for the first time the chance to choose roles instead of having to go through grueling auditions constantly.
Affleck chose such roles in the blockbusters Armageddon (1998), Shakespeare in Love (1998), and Pearl Harbor (2001). In the early years of the 2000s, he also starred in the box office hits Changing Lanes (2002), The Sum of All Fears (2002), and Daredevil (2003), as well as the disappointing comedies Gigli (2003) and Surviving Christmas (2004). While the mid 2000s were considered a career downturn for Affleck, he received a Golden Globe nomination for his performance in Hollywoodland (2006). In the several years following, he played supporting roles, including in the films Smokin' Aces (2006), He's Just Not That Into You (2009), State of Play (2009), and Extract (2009). He ventured into directing in 2007, with the thriller Gone Baby Gone (2007), which starred his brother, Casey Affleck, and was well received. He then directed, co-wrote, and starred in The Town (2010), which was named to the National Board of Review Top Ten Films of the year. For the political thriller Argo (2012), which he directed and starred in, Affleck won the Golden Globe Award and BAFTA Award for Best Director, and the Academy Award, Golden Globe Award, and BAFTA Award for Best Picture (Affleck's second Oscar win).
In 2014, Affleck headlined the book adaptation thriller Gone Girl (2014). He starred as Bruce Wayne/Batman in the superhero film Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), and Justice League (2017). He reprised the role in Zack Snyder's Justice League (2021) and he will next appear as Batman in Aquaman and the Lost Kingdom (2023) and The Flash (2023).
Recently he has given praise-worthy performances in The Way Back (2020) as a recovering alcoholic, The Last Duel (2021) (notably he also co-wrote the script), and a scene-stealing golden globe nominated performance in The Tender Bar (2021).- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Producer
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Matthew Paige Damon was born on October 8, 1970, in Boston, Massachusetts, to Kent Damon, a stockbroker, realtor and tax preparer, and Nancy Carlsson-Paige, an early childhood education professor at Lesley University. Matt has an older brother, Kyle, a sculptor. His father was of English and Scottish descent, and his mother is of Finnish and Swedish ancestry. The family lived in Newton until his parents divorced in 1973, when Damon and his brother moved with his mother to Cambridge. He grew up in a stable community, and was raised near actor Ben Affleck.
Damon attended Cambridge Rindge and Latin School and he performed in a number of theater productions during his time there. He attended Harvard University as an English major. While in Harvard, he kept on skipping classes to pursue acting projects, which included the TNT original film, Rising Son (1990), and prep-school drama, School Ties (1992). It was until his film, Geronimo: An American Legend (1993), was expected to be a big success that he decided to drop out of university completely. Arriving in Hollywood, Matt managed to get his first break with a part in the romantic comedy, Mystic Pizza (1988). However, the film did not do too well and his film career failed to take off. Not letting failure discourage him from acting, he went for another audition, and managed to get a starring role in School Ties (1992). Up next for Matt was a role as a soldier who had problems with drug-addiction in the movie, Courage Under Fire (1996). Matt had, in fact, lost forty pounds for his role which resulted in health problems.
The following year, he garnered accolades for Good Will Hunting (1997), a screenplay he had originally written for an English class at Harvard University. Good Will Hunting (1997) was nominated for 9 Academy Awards, one of which, Matt won for Best Original Screenplay along with Ben Affleck. In the year 1998, Matt played the title role in Steven Spielberg's film, Saving Private Ryan (1998), which was one of the most acclaimed films in that year. Matt had the opportunity of working with Tom Hanks and Vin Diesel while filming that movie. That same year, he starred as an earnest law student and reformed poker player in Rounders (1998), starring opposite Edward Norton and John Malkovich. The next year, Matt rejoined his childhood friend, Ben Affleck and fellow comedian, Chris Rock, in the comedy Dogma (1999).
Towards the end of 1999, Matt played "Tom Ripley", a working-class young man who tastes the good life and will do anything to live it. Both Jude Law and Gwyneth Paltrow also starred in the movie. The Talented Mr. Ripley (1999) earned mixed reviews from critics, but even so, Matt earned praise for his performance. Matt lent his voice to the animated movie, Titan A.E. (2000) in the year 2000, which also earned mixed reviews from the public. He also starred in two other movies, All the Pretty Horses (2000) and the golf comedy-drama, The Legend of Bagger Vance (2000), starring alongside Will Smith. In the year 2003, he signed on to star in The Informant! (2009) by Steven Soderbergh and the Farrelly Brothers' Stuck on You (2003). He also starred in Gerry (2002), a film he co-wrote with his friends, Gus Van Sant and Casey Affleck. One of Matt's most recognizable work to date is his role in the "Bourne" movie franchise. He plays an amnesiac assassin, "Jason Bourne", in The Bourne Identity (2002), The Bourne Supremacy (2004) and The Bourne Ultimatum (2007). Another praised role is that as "Linus Caldwell" in the "Ocean's" movie franchise. He had the opportunity to star opposite George Clooney, Brad Pitt, Julia Roberts and Don Cheadle in Ocean's Eleven (2001). The successful crime comedy-drama eventually had two other sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). Among other highly acclaimed movies that Matt has been a part of are Terry Gilliam's The Brothers Grimm (2005), George Clooney's Syriana (2005), Martin Scorsese's The Departed (2006) and Robert De Niro's The Good Shepherd (2006).
In his personal life, Matt is now happily married to Argentine-born Luciana Barroso, whom he met in Miami, where she was working as a bartender. They married in a private civil ceremony on December 9, 2005, at the Manhattan Marriage Bureau. The couple have four daughters Alexia, Luciana's daughter from a previous relationship, as well as Isabella, Gia and Stella. Matt is a big fan of the Boston Red Sox and he tries to attend their games whenever possible. He has also formed great friendships with his Ocean's co-stars, George Clooney and Brad Pitt, whom he works on charity projects with. He and actor Ben Affleck have remained lifelong friends and collaborators.- Producer
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American actor Mark Wahlberg is one of a handful of respected entertainers who successfully made the transition from teen pop idol to acclaimed actor. A Best Supporting Actor Oscar nominee for The Departed (2006) who went on to receive positive critical reviews for his performance in The Fighter (2010), Wahlberg also is a solid comedy actor, proven by his starring role in Ted (2012).
Mark Robert Michael Wahlberg was born June 5, 1971 in a poor working class district, Dorchester, of Boston, Massachusetts. He is the son of Alma Elaine (Donnelly), a nurse's aide and clerk, and Donald Edward Wahlberg, a delivery driver. Wahlberg is the youngest of nine children. He is of Swedish (from his paternal grandfather), French-Canadian, English, Irish and Scottish, descent. The large Wahlberg brood didn't have a lot growing up, especially after his parents divorced when he was eleven. The kids crammed into a three-bedroom apartment, none of them having very much privacy. Mark's mother has said that after the divorce, she became very self-absorbed with her own life. She has blamed herself for her son's subsequent problems and delinquency. Wahlberg dropped out of high school at age fourteen (but later got his GED) to pursue a life of petty crime and drugs. He'd spend his days scamming and stealing, working on the odd drug deal before treating himself to the substances.
The young man also had a violent streak - one which was often aimed at minorities. At age sixteen, he was convicted of assault against two Vietnamese men after he had tried to rob them. As a result of his assault conviction, he was sentenced to serve 50 days in prison at Deer Island penitentiary. Whilst there, he began working out to pass time and, when he emerged at the end of his sentence, he had gone from being a scrawny young kid to a buff young man. Wahlberg also credits jail time as being his motivation to improve his lifestyle and leave crime behind him.
Around this time, his older brother Donnie Wahlberg had become an overnight teen idol as a member of the 1980s boy band New Kids on the Block. A precursor to the boy-band craze, the group was dominating the charts and were on top of their game. Mark himself had been an original member of the band but had backed out early on - uncomfortable with the squeaky clean image of the group. Donnie used his connections in the music business to help his little brother secure a recording contract, and soon the world was introduced to Marky Mark and the Funky Bunch, with Wahlberg as a bad-boy rapper who danced in his boxers. Despite a lack of singing ability, promoters took to his dance moves and a physique they knew teenage girls would love.
Donnie scripted some easy songs for Mark, who collected a troupe of dancers and a DJ to become his "Funky Bunch" and "Marky Mark and the Funky Bunch" was born. His debut album, "Music for the People", was a smash hit, which was propelled along by the rapper's willingness to disrobe down to boxer-briefs on stage, not to mention several catchy tunes. Teenage girls thrilled to the rapping "bad boy". Record producer David Geffen saw in Wahlberg a cash-cow of marketing ability. After speaking to designer Calvin Klein, Marky Mark was set up as the designer's chief underwear model.
His scantily clad figure soon adorned billboards across the nation. Ironically, while the New Kids on the Block's fame was dwindling as audiences tired of their syrupy lyrics, "Marky Mark's" bad boy image was becoming even more of a commodity. He was constantly in the headlines (often of the tabloids) after multiple scandals. In 1992, he released a book dedicated to his penis. Wahlberg was constantly getting into rumored fights, most memorably with Madonna and her entourage at a Los Angeles party. While things were always intense, they were relatively harmless and made for enjoyable reading for the public. However, when the story of his arrest for assault (and the allegations of racism) broke in the press, things took on a decidedly darker note. People were not amused. Soon after, while on a British talk show along with rapper Shabba Ranks, he got into even more trouble. After Ranks made the statement that gays should be crucified, Wahlberg was accused of condoning the comments by his silence. Marky Mark was suddenly surrounded by charges of brutality, homophobia and racial hatred. His second album, "You Gotta Believe", had not been faring well and, after the charges surfaced, it plummeted from the charts.
Adding to the hoopla, Wahlberg was brought to court for allegedly assaulting a security guard. He was ordered to make amends by appearing in a series of anti-bias advertisements. Humbled and humiliated by his fall from grace in the music world, Wahlberg decided to pursue another angle, acting. He dropped the "Marky Mark" moniker and became known simply as Mark Wahlberg. His first big screen role came in Penny Marshall's Renaissance Man (1994). Despite the name change, many people snickered at the idea of the has-been rapper thinking he could make it as an actor. From the get-go, he was proving them wrong. In Renaissance Man (1994), he gave an utterly charming performance as a simple but sincere army recruit. What naysayers remained found it increasingly difficult to write Mark Wahlberg off as he delivered one fine performance after another. He blew them away in the controversial The Basketball Diaries (1995) and chilled them in Fear (1996) as every father's worst nightmare.
The major turning point in Wahlberg's career came with the role of troubled porn star Dirk Diggler in Paul Thomas Anderson's Boogie Nights (1997). Since then, Wahlberg has chosen roles that demonstrate a wide range of dramatic ability, starring in critically acclaimed dramas such as Three Kings (1999) and The Perfect Storm (2000), popcorn flicks like Planet of the Apes (2001) and Contraband (2012), and even indies such as I Heart Huckabees (2004).
Wahlberg was the executive producer of such television series as Boardwalk Empire (2010), In Treatment (2008) and the highly successful comedy Entourage (2004), which was partly based on his experiences in Hollywood.
Wahlberg and his wife Rhea Durham have four children.- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Actor
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Tommy Lee Jones was born in San Saba, Texas, the son of Lucille Marie (Scott), a police officer and beauty shop owner, and Clyde C. Jones, who worked on oil fields. Tommy himself worked in underwater construction and on an oil rig. He attended St. Mark's School of Texas, a prestigious prep school for boys in Dallas, on a scholarship, and went to Harvard on another scholarship. He roomed with future Vice President Al Gore and played offensive guard in the famous 29-29 Harvard-Yale football game of '68 known as "The Tie." He received a B.A. in English literature and graduated cum laude from Harvard in 1969.
Following college, he moved to New York and began his theatrical career on Broadway in "A Patriot for Me" (1969). In 1970, he made his film debut in Love Story (1970). While living in New York, he continued to appear in various plays, both on- and off-Broadway: "Fortune and Men's Eyes" (1969); "Four on a Garden" (1971); "Blue Boys" (1972); "Ulysses in Nighttown" (1974). During this time, he also appeared on a daytime soap opera, One Life to Live (1968) as Dr. Mark Toland from 1971-75. He moved with wife Kate Lardner, granddaughter of short-story writer/columnist Ring Lardner, and her two children from a previous marriage, to Los Angeles.
There he began to get some roles on television: Charlie's Angels (1976) (pilot episode); Smash-Up on Interstate 5 (1976); and The Amazing Howard Hughes (1977). While working on the movie Back Roads (1981), he met and fell in love with Kimberlea Cloughley, whom he later married. More roles in television--both on network and cable--stage and film garnered him a reputation as a strong, explosive, thoughtful actor who could handle supporting as well as leading roles. He made his directorial debut in The Good Old Boys (1995) on TNT. In addition to directing and starring in the film, he co-wrote the teleplay (with J.T. Allen). The film, based on Elmer Kelton's novel, is set in west Texas where Jones has strong family ties. Consequently, this story of a cowboy facing the end of an era has special meaning for him.- Actor
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Javier Bardem belongs to a family of actors that have been working on films since the early days of Spanish cinema.
He was born in Las Palmas de Gran Canaria, Spain, to actress Pilar Bardem (María del Pilar Bardem Muñoz) and businessman José Carlos Encinas Doussinague. His maternal grandparents were actors Rafael Bardem and Matilde Muñoz Sampedro, and his uncle is screenwriter Juan Antonio Bardem. He got his start in the family business, at age six, when he appeared in his first feature, "El picaro" (1974) (A.K.A. The Scoundrel). During his teenage years, he acted in several TV series, played rugby for the Spanish National Team, and toured the country with an independent theatrical group. Javier's early film role as a sexy stud in the black comedy, Jamón, Jamón (1992) (aka Ham Ham) propelled him to instant popularity and threatened to typecast him as nothing more than a brawny sex symbol. Determined to avert a beefcake image, he refused similar subsequent roles and has gone on to win acclaim for his ability to appear almost unrecognizable from film to film. With over 25 movies and numerous awards under his belt, it is Javier's stirring, passionate performance as the persecuted Cuban writer, Reynaldo Arenas, in Before Night Falls (2000) that will long be remembered as his breakthrough role. He received five Best Actor awards and a Best Actor Oscar nomination for his portrayal.- Actor
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Rugged features and a natural charm have worked for Josh Brolin, the son of actor James Brolin. He has played roles as a policeman, a hunter, and the President of the United States.
Brolin was born February 12, 1968 in Santa Monica, California, to Jane Cameron (Agee), a Texas-born wildlife activist, and James Brolin. Josh was not interested at first in the lifestyle of the entertainment business, in light of his parents' divorce, and both of them being actors. However, during junior year in high school, he took an acting class to see what it was like. He played Stanley in "A Streetcar Named Desire" and became hooked. His first major screen role was as the older brother in the film The Goonies (1985), based on a story by Steven Spielberg. He then immediately moved on to work on television, taking roles on such series as Pilot (1987) and The Young Riders (1989). "Private Eye" was a chance for Brolin to play a detective. "The Young Riders" was set just before the Civil War, and was co-directed by Brolin's father, James Brolin.
After The Young Riders (1989), Brolin moved back to the big screen, with mediocre success. He played a supporting role in The Road Killers (1994), but the film was not a success. He followed up with the crime film Gang in Blue (1996), the romantic film Bed of Roses (1996), the thriller film Nightwatch (1997), and appeared with his father in My Brother's War (1997). However, nothing truly stuck out, especially not the box office flop The Mod Squad (1999). The 2000s initially brought no significant change in Brolin's career. He appeared in the independent film Slow Burn (2000), the sci-if thriller Hollow Man (2000) and starred on the television series Mister Sterling (2003). In 2004, he married actress Diane Lane but later divorced in 2013.
It was not until 2007 that Brolin received much acclaim for his films. He took a supporting role in the Quentin Tarantino-written Grindhouse (2007) which was a two-part film accounting two horror stories. He also played two policemen that year: corrupt officer Nick Trupo in the crime epic American Gangster (2007), and an honest police chief in the emotional drama In the Valley of Elah (2007) which starred Tommy Lee Jones and was directed by Paul Haggis. However, it was his involvement in No Country for Old Men (2007) that truly pushed him into the limelight. The film, directed by the Coen brothers, was about a man (Brolin) who finds a satchel containing two million dollars in cash. He is pursued by an unstoppable assassin (Javier Bardem, who won an Oscar for his work) and his friend, a local sheriff (Tommy Lee Jones). The film won four Oscars, including Best Picture and Best Director.
Brolin found high-profile work the next year, being cast as Supervisor Dan White in the film Milk (2008). His performance as the weak and bitter politician earned him an Oscar nomination, and Brolin received more praise for his fascinating portrayal of George W. Bush in the Oliver Stone film W. (2008). Despite the mediocre success of W. (2008), he was recognized as the best part of the film, and Milk (2008) was another triumph, critically and commercially.
Brolin then acted in the smaller comedy Women in Trouble (2009) before landing a number of large roles in 2010. The first of these was the film based on the comic book figure Jonah Hex (2010). The film was a box office flop and critically panned, but Brolin also forged a second collaboration with legendary director Oliver Stone for Wall Street: Money Never Sleeps (2010). Brolin played a large role alongside such young stars as Carey Mulligan and Shia LaBeouf, and older thespians such as Michael Douglas, Eli Wallach, and Frank Langella. Brolin's character was Bretton James, a top banker in the film, and also the film's chief antagonist. Brolin also appeared in Woody Allen's London-based film You Will Meet a Tall Dark Stranger (2010) and a second collaboration with the Coen Brothers, which was a remake of True Grit (1969).
Despite his earlier mediocre success and fame, Brolin has maintained a choosiness in his films and, recently, these choices have paid off profoundly. Hopefully, he continues this streak of good fortune that his talents have finally given him.- Producer
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Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Actor
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John Joseph Travolta was born in Englewood, New Jersey, one of six children of Helen Travolta (née Helen Cecilia Burke) and Salvatore/Samuel J. Travolta. His father was of Italian descent and his mother was of Irish ancestry. His father owned a tire repair shop called Travolta Tires in Hillsdale, NJ. Travolta started acting appearing in a local production of "Who'll Save the Plowboy?". His mother, herself an actress and dancer, enrolled him in a drama school in New York, where he studied voice, dancing and acting. He decided to combine all three of these skills and become a musical comedy performer. At 16 he landed his first professional job in a summer stock production of the musical "Bye Bye Birdie". He quit school at 16 and moved to New York, and worked regularly in summer stock and on television commercials. When work became scarce in New York, he went to Hollywood and appeared in minor roles in several series. A role in the national touring company of the hit 1950s musical "Grease" brought him back to New York. An opening in the New York production of "Grease" gave him his first Broadway role at age 18. After "Grease", he became a member of the company of the Broadway show "Over Here", which starred The Andrews Sisters. After ten months in "Over Here", he decided to try Hollywood once again. Once back in Hollywood, he had little trouble getting roles in numerous television shows. He was seen on The Rookies (1972), Emergency! (1972) and Medical Center (1969) and also made a movie, The Devil's Rain (1975), which was shot in New Mexico. The day he returned to Hollywood from New Mexico, he was called to an audition for a new situation comedy series ABC was planning to produce called Welcome Back, Kotter (1975). He got the part of Vinnie Barbarino and the series went on the air during the 1975 fall season.
He starred in a number of monumental films, earning his first Oscar and Golden Globe nominations for his role in the blockbuster Saturday Night Fever (1977), which launched the disco phenomenon in the 1970s. He went on to star in the big-screen version of the long-running musical Grease (1978) and the wildly successful Urban Cowboy (1980), which also influenced trends in popular culture. Additional film credits include the Brian De Palma thrillers Carrie (1976) and Blow Out (1981), as well as Amy Heckerling's hit comedy Look Who's Talking (1989) and Nora Ephron's comic hit Michael (1996). Travolta starred in Phenomenon (1996) and took an equally distinctive turn as an action star in John Woo's top-grossing Broken Arrow (1996). He also starred in the classic Face/Off (1997) opposite Nicolas Cage, and The General's Daughter (1999), co-starring Madeleine Stowe. In 2005, Travolta reprised the role of ultra cool Chili Palmer in the Get Shorty (1995) sequel Be Cool (2005). In addition, he starred opposite Scarlett Johansson in the critically-acclaimed independent feature film A Love Song for Bobby Long (2004), which was screened at the Venice Film Festival, where both Travolta and the films won rave reviews. In February 2011, John was honored by Europe's leading weekly program magazine HORZU, with the prestigious Golden Camera Award for "Best Actor International" in Berlin, Germany. Other recent feature film credits include box-office hit-comedy "Wild Hogs", the action-thriller Ladder 49 (2004), the movie version of the successful comic book The Punisher (2004), the drama Basic (2003), the psychological thriller Domestic Disturbance (2001), the hit action picture Swordfish (2001), the infamous sci-fi movie Battlefield Earth (2000), based upon the best-selling novel by L. Ron Hubbard, and Lonely Hearts (2006).
Travolta has been honored twice with Academy Award nominations, the latest for his riveting portrayal of a philosophical hit-man in Quentin Tarantino's Pulp Fiction (1994). He also received BAFTA and Golden Globe nominations for this highly-acclaimed role and was named Best Actor by the Los Angeles Film Critics Association, among other distinguished awards. Travolta garnered further praise as a Mafioso-turned-movie producer in the comedy sensation Get Shorty (1995), winning the Golden Globe Award for Best Actor in a Motion Picture, Musical or Comedy. In 1998, Travolta was honored by the British Academy of Film and Television Arts with the Britanna Award: and in that same year he received the Lifetime Achievement Award at the Chicago Film Festival. Travolta also won the prestigious Alan J. Pakula Award from the US Broadcast Critics Association for his performance in A Civil Action (1998), based on the best-selling book and directed by Steven Zaillian. He was nominated again for a Golden Globe for his performance in Primary Colors (1998), directed by Mike Nichols and co-starring Emma Thompson and Billy Bob Thornton, and in 2008, he received his sixth Golden Globe nomination for his role as "Edna Turnblad" in the big-screen, box-office hit, Hairspray (2007). As a result of this performance, the Chicago Film Critics and the Santa Barbara Film Festival decided to recognize Travolta with a Lifetime Achievement Award for his role.
In addition, Travolta starred opposite Denzel Washington in Tony Scott's remake The Taking of Pelham 123 (2009), and he provided the voice of the lead character in Walt Disney Pictures' animated hit Bolt (2008), which was nominated for a 2009 Academy Award for Best Animated Feature Film and a Golden Globe for Best Animated Film, in addition to Best Song for John and Miley Cyrus' duet titled, "I Thought I Lost You".
Next, Travolta starred in Walt Disney Pictures' Old Dogs (2009), along with Robin Williams, Kelly Preston and Ella Bleu Travolta, followed by the action thriller From Paris with Love (2010), starring opposite Jonathan Rhys Meyers. In 2012, John starred alongside Taylor Kitsch, Blake Lively, Aaron Taylor-Johnson, Benicio Del Toro, Salma Hayek, Emile Hirsch and Demián Bichir in Oliver Stone's, Savages (2012). The film was based on Don Winslow's best-selling crime novel that was named one of The New York Times' Top 10 Books of 2010. John was most recently seen in Killing Season (2013), co-starring Robert De Niro, and directed by Mark Steven Johnson. John recently completed production on the Boston-based film, The Forger (2014), alongside Academy Award winner Christopher Plummer and Critic's Choice nominee Tye Sheridan. John plays a second-generation petty thief who arranges to get out of prison to spend time with his ailing son (Sheridan) by taking on a job with his father (Plummer) to pay back the syndicate that arranged his release. John has received 2 prestigious aviation awards: in 2003, the American Institute of Aeronautics and Astronautics Foundation Award for Excellence for his efforts to promote commercial flying, and, in 2007, The Living Legends Ambassador of Aviation award.
John holds 11 jet licenses: 747, 707, Gulfstream II, Lear 24, Hawker 1251A, Eclipse Jet, Vampire Jet, Canadair CL-141 Jet, Soko Jet, Citation ISP and Challenger. Travolta is the Qantas Airways Global Goodwill "Ambassador-at-Large" and piloted the original Qantas 707 during "Spirit of Friendship" global tour in July/August 2002. John is also a business aircraft brand ambassador for Learjet, Challenger and Global jets for the world's leading business aircraft manufacturer, Bombardier. John flew the 707 to New Orleans after the 2005 hurricane disaster bringing food and medical supplies, and in 2010, again flew the 707, this time to Haiti after the earthquake, carrying supplies, doctors and volunteers.
John, along with his late wife, actress Kelly Preston (1962-2020), were very involved in their charity, The Jett Travolta Foundation, which raises money for children with educational needs.- Actress
- Producer
- Writer
Uma Karuna Thurman was born in Boston, Massachusetts, into a highly unorthodox and internationally-minded family. She is the daughter of Nena Thurman (née Birgitte Caroline von Schlebrügge), a fashion model and socialite who now runs a mountain retreat, and of Robert Thurman (Robert Alexander Farrar Thurman), a professor and academic who is one of the nation's foremost Buddhist scholars. Uma's mother was born in Mexico City, Mexico, to a German father and a Swedish mother (who herself was of Swedish, Danish, and German descent). Uma's father, a New Yorker, has English, Scots-Irish, Scottish, and German ancestry. Uma grew up in Amherst, Massachusetts, where her father worked at Amherst College.
She and her siblings all have names deriving from Buddhist mythology; and Middle American behavior was little understood, much less pursued. And so it was that the young Thurman confronted childhood with an odd name and eccentric home life -- and nature seemingly conspired against her as well. She is six feet tall, and from an early age towered over everyone else in class. Her famously large feet would soon sprout to size 11 -- and even beyond that -- and although they would eventually be lovingly filmed by director Quentin Tarantino, as a child she generally wore the biggest shoes in class, which only provided another subject of ridicule. Even her long nose moved one of her mother's friends to helpfully suggest rhinoplasty -- to the ten-year-old Thurman. To make matters worse yet, the family constantly relocated, making the gangly, socially inept Thurman perpetually the new kid in class. The result was an exceptionally awkward, self-conscious, lonely and alienated childhood.
Unsurprisingly, the young Thurman enjoyed making believe she was someone other than herself, and so thrived at acting in school plays -- her sole successful extracurricular activity. This interest, and her lanky frame, perfect for modeling, led the 15-year-old Thurman to New York City for high school and modeling work (including a layout in Glamour Magazine) as she sought acting roles. The roles soon came, starting with a few formulaic and forgettable Hollywood products, but immediately followed by Terry Gilliam's The Adventures of Baron Munchausen (1988) and Stephen Frears' Dangerous Liaisons (1988), both of which brought much attention to her unorthodox sensuality and performances that intriguingly combined innocence and worldliness. The weird, gangly girl became a sex symbol virtually overnight.
Thurman continued to be offered good roles in Hollywood pictures into the early '90s, the least commercially successful but probably best-known of which was her smoldering, astonishingly-adult performance as June, Henry Miller's wife, in Henry & June (1990), the first movie to actually receive the dreaded NC-17 rating in the USA. After a celebrated start, Thurman's career stalled in the early '90s with movies such as the mediocre Mad Dog and Glory (1993). Worse, her first starring role was in Even Cowgirls Get the Blues (1993), which had endured a tortured journey from cult-favorite book to big-budget movie, and was a critical and financial debacle. Fortunately, Uma bounced back with a brilliant performance as Mia Wallace, that most unorthodox of all gangster's molls, in Tarantino's lauded, hugely successful Pulp Fiction (1994), a role for which Thurman received an Academy Award nomination.
Since then, Thurman has had periods of flirting with roles in arty independents such as A Month by the Lake (1995), and supporting roles in which she has lent some glamorous presence to a mixed batch of movies, such as Beautiful Girls (1996) and The Truth About Cats & Dogs (1996). Thurman returned to smaller films after playing the villainess Poison Ivy in the reviled Joel Schumacher effort Batman & Robin (1997) and Emma Peel in a remake of The Avengers (1998). She worked with Woody Allen and Sean Penn on Sweet and Lowdown (1999), and starred in Richard Linklater's drama Tape (2001) opposite Hawke. Thurman also won a Golden Globe award for her turn in the made-for-television film Hysterical Blindness (2002), directed by Mira Nair.
A return to the mainstream spotlight came when Thurman re-teamed with Quentin Tarantino for Kill Bill: Vol. 1 (2003), a revenge flick the two had dreamed up on the set of Pulp Fiction (1994). She also turned up in the John Woo cautioner Paycheck (2003) that same year. The renewed attention was not altogether welcome because Thurman was dealing with the break-up of her marriage with Hawke at about this time. Thurman handled the situation with grace, however, and took her surging popularity in stride. She garnered critical acclaim for her work in Kill Bill: Vol. 2 (2004) and was hailed as Tarantino's muse. Thurman reunited with Pulp Fiction (1994) dance partner John Travolta for the Get Shorty (1995) sequel Be Cool (2005) and played Ulla in The Producers (2005).
Thurman had been briefly married to Gary Oldman, from 1990 to 1992. In 1998, she married Ethan Hawke, her co-star in the offbeat futuristic thriller Gattaca (1997). The couple had two children, Levon and Maya. Hawke and Thurman filed for divorce in 2004.- Actor
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Samuel L. Jackson is an American producer and highly prolific actor, having appeared in over 100 films, including Die Hard with a Vengeance (1995), Unbreakable (2000), Shaft (2000), Formula 51 (2001), Black Snake Moan (2006), Snakes on a Plane (2006), and the Star Wars prequel trilogy (1999-2005), as well as the Marvel Cinematic Universe.
Samuel Leroy Jackson was born in Washington, D.C., to Elizabeth (Montgomery) and Roy Henry Jackson. He was raised by his mother, a factory worker, and his grandparents. At Morehouse College, Jackson was active in the black student movement. In the seventies, he joined the Negro Ensemble Company (together with Morgan Freeman). In the eighties, he became well-known after three movies made by Spike Lee: Do the Right Thing (1989), Mo' Better Blues (1990) and Jungle Fever (1991). He achieved prominence and critical acclaim in the early 1990s with films such as Patriot Games (1992), Amos & Andrew (1993), True Romance (1993), Jurassic Park (1993), and his collaborations with director Quentin Tarantino, including Pulp Fiction (1994), Jackie Brown (1997), and later Django Unchained (2012). Going from supporting player to leading man, his performance in Pulp Fiction (1994) gave him an Oscar nomination for his character Jules Winnfield, and he received a Silver Berlin Bear for his part as Ordell Robbi in Jackie Brown (1997). Jackson usually played bad guys and drug addicts before becoming an action hero, co-starring with Bruce Willis in Die Hard with a Vengeance (1995) and Geena Davis in The Long Kiss Goodnight (1996).
With Jackson's permission, his likeness was used for the Ultimate version of the Marvel Comics character, Nick Fury. He later did a cameo as the character in a post-credits scene from Iron Man (2008), and went on to sign a nine-film commitment to reprise this role in future films, including major roles in Iron Man 2 (2010), The Avengers (2012), Captain America: The Winter Soldier (2014) and Avengers: Age of Ultron (2015) and minor roles in Thor (2011) and Captain America: The First Avenger (2011). He has also portrayed the character in the second and final episodes of the first season of the TV show, Marvel's Agents of S.H.I.E.L.D. (2013). He has provided his voice to several animated films, television series and video games, including the roles of Lucius Best / Frozone in Pixar's film The Incredibles (2004), Mace Windu in Star Wars: The Clone Wars (2008), Afro Samurai in the anime television series Afro Samurai (2007), and Frank Tenpenny in the video game Grand Theft Auto: San Andreas (2004).- Actor
- Producer
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Actor and musician Bruce Willis is well known for playing wisecracking or hard-edged characters, often in spectacular action films. Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD.
Walter Bruce Willis was born on March 19, 1955, in Idar-Oberstein, West Germany, to a German mother, Marlene Kassel, and an American father, David Andrew Willis (from Carneys Point, New Jersey), who were then living on a United States military base. His family moved to the U.S. shortly after he was born, and he was raised in Penns Grove, New Jersey, where his mother worked at a bank and his father was a welder and factory worker. Willis picked up an interest for the dramatic arts in high school, and was allegedly "discovered" whilst working in a café in New York City and then appeared in a couple of off-Broadway productions. While bartending one night, he was seen by a casting director who liked his personality and needed a bartender for a small movie role.
After countless auditions, Willis contributed minor film appearances, usually uncredited, before landing the role of private eye "David Addison" alongside sultry Cybill Shepherd in the hit romantic comedy television series Moonlighting (1985). His sarcastic and wisecracking P.I. is seen by some as a dry run for the role of hard-boiled NYC detective "John McClane" in the monster hit Die Hard (1988), in which Willis' character single-handedly battled a gang of ruthless international thieves in a Los Angeles skyscraper. He reprised the role of McClane in the sequel, Die Hard 2 (1990), set at a snowbound Washington's Dulles International Airport as a group of renegade Special Forces soldiers seek to repatriate a corrupt South American general. Excellent box office returns demanded a further sequel Die Hard with a Vengeance (1995), this time co-starring Samuel L. Jackson as a cynical Harlem shop owner unwittingly thrust into assisting McClane during a terrorist bombing campaign on a sweltering day in New York.
Willis found time out from all the action mayhem to provide the voice of "Mikey" the baby in the very popular family comedies Look Who's Talking (1989), and its sequel Look Who's Talking Too (1990) also starring John Travolta and Kirstie Alley. Over the next decade, Willis starred in some very successful films, some very offbeat films and some unfortunate box office flops. The Bonfire of the Vanities (1990) and Hudson Hawk (1991) were both large scale financial disasters that were savaged by the critics, and both are arguably best left off the CVs of all the actors involved, however Willis was still popular with movie audiences and selling plenty of theatre tickets with the hyper-violent The Last Boy Scout (1991), the darkly humored Death Becomes Her (1992) and the mediocre police thriller Striking Distance (1993).
During the 1990s, Willis also appeared in several independent and low budget productions that won him new fans and praise from the critics for his intriguing performances working with some very diverse film directors. He appeared in the oddly appealing North (1994), as a cagey prizefighter in the Quentin Tarantino directed mega-hit Pulp Fiction (1994), the Terry Gilliam directed apocalyptic thriller 12 Monkeys (1995), the Luc Besson directed sci-fi opus The Fifth Element (1997) and the M. Night Shyamalan directed spine-tingling epic The Sixth Sense (1999).
Willis next starred in the gangster comedy The Whole Nine Yards (2000), worked again with "hot" director M. Night Shyamalan in the less than gripping Unbreakable (2000), and in two military dramas, Hart's War (2002) and Tears of the Sun (2003) that both failed to really fire with movie audiences or critics alike. However, Willis bounced back into the spotlight in the critically applauded Frank Miller graphic novel turned movie Sin City (2005), the voice of "RJ" the scheming raccoon in the animated hit Over the Hedge (2006) and "Die Hard" fans rejoiced to see "John McClane" return to the big screen in the high tech Live Free or Die Hard (2007) aka "Die Hard 4.0".
Willis was married to actress Demi Moore for approximately thirteen years and they share custody to their three daughters.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.- Actor
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One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.- Actor
- Soundtrack
One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.- Actor
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Malcolm John Taylor was born on June 13, 1943 in Leeds, England, to working-class parents Edna (McDowell), a hotelier, and Charles Taylor, a publican. His father was an alcoholic. Malcolm hated his parents' ways. His father was keen to send his son to private school to give him a good start in life, so Malcolm was packed off to boarding school at age 11. He attended the Tonbridge School and the Cannock House School in Eltham, Kent. At school, he was beaten with the slipper or cane every Monday for his wayward behavior. Whilst at school, he decided that he wanted to become an actor; it was also around this time that his love for race cars began. He attended the London Academy of Music and Dramatic Arts (LAMDA) to study acting. Meanwhile, he worked at his parents' pub but lost his job when the pub went bankrupt, his father drinking all the profits. He then had a variety of jobs, from coffee salesman to messenger.
His first big-screen role was in Poor Cow (1967), although his two-minute scene was ultimately cut from the completed film. Soon after, he caught the attention of director Lindsay Anderson who cast him in the role of a rebellious student in his film If.... (1968). The film catapulted Malcolm to stardom in Britain but failed everywhere else. He was so enthusiastic about the film's success that he wanted to do another right away. He began writing what would become the semi-autobiographical O Lucky Man! (1973). Then he starred as Alex DeLarge in Stanley Kubrick's controversial A Clockwork Orange (1971), a role that gave him world fame, and legendary status (although typecasting him as a in villainous roles). In early 1976, he spent nearly a year working on what would later be one of the most infamous films of all time, the semi-pornographic Caligula (1979), financed by Penthouse magazine founder Bob Guccione. Around that time, the British film industry collapsed, forcing him to flee to America to continue working. His first American film was Time After Time (1979). He then did Britannia Hospital (1982), the last part of Lindsay Anderson's working-class trilogy that started with If.... (1968).
In the mid-1980s, the years of alcohol and drug abuse, including $1000 a week on cocaine, caught up with him. Years of abuse took its toll on him; his black hairs were now gray. Looking older than he really was, nobody wanted to cast him for playing younger roles. The big roles having dried up, he did many B-rated movies. The 1990s were kinder to him, though. In 1994, he was cast as Dr. Tolian Soran, the man who killed Captain James T. Kirk in Star Trek: Generations (1994). He was back on the track, playing villains again. He played another in the classic BBC miniseries Our Friends in the North (1996). Today, with more than 100 films under his belt, he is one of the greatest actors in America. He still does not have American citizenship, but he likes the no-nonsense American ways. He resides in the northern suburbs of Los Angeles, California.- Producer
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Park Chan-wook was born on 23 August 1963 in Seoul, South Korea. He is a producer and writer, known for Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022). He is married to Eun-hee Kim. They have one child.- Actor
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Born in Milan in 1933, Gian Maria Volontè studied in Rome at the National Dramatic Arts Academy, where he obtained his degree in 1957. He began working in theatre and television, where he was soon noticed as one of the most promising actors of his generation. After several supporting appearances in film, he reached notoriety with the character of Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964). This success was doubled in Leone's next film, For a Few Dollars More (1965). The following ten years would be the most intense of Volontè career. L'armata Brancaleone (1966) (directed by Mario Monicelli) was the most successful Italian movie of the year, We Still Kill the Old Way (1967) (directed by Elio Petri) won the Grand Prix du Scenario at the Cannes Film Festival, and Volontè won his first Nastro d'Argento (Silver Ribbon - the most prestigious acting award in Italy) in 1970 for Investigation of a Citizen Above Suspicion (1970) (also directed by Petri), making him an international star. The film won the Academy Award for Best Foreign-Language Film, the Grand Prix at the Cannes Film Festival and two Italian Golden Globes, including one for his performance. In 1972, he starred in two Italian movies as the protagonist: Petri's The Working Class Goes to Heaven (1971) and Francesco Rosi's The Mattei Affair (1972), both of which won the Grand Prix at the Cannes Film Festival, where he also won a Special Mention. In his life, Volontè won a huge number of other prizes and honours, becoming one of the most celebrated Italian actors of the seventies, and challenging Vittorio Gassman and Marcello Mastroianni as the most popular Italian actor. He died in Greece in 1994.- Actress
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Natalie Portman is the first person born in the 1980s to have won the Academy Award for Best Actress (for Black Swan (2010)).
Natalie was born Natalie Hershlag on June 9, 1981, in Jerusalem, Israel. She is the only child of Avner Hershlag, an Israeli-born doctor, and Shelley Stevens, an American-born artist (from Cincinnati, Ohio), who also acts as Natalie's agent. Her parents are both of Ashkenazi Jewish descent. Natalie's family left Israel for Washington, D.C., when she was still very young. After a few more moves, her family finally settled in New York, where she still lives to this day. She graduated with honors, and her academic achievements allowed her to attend Harvard University. She was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Léon: The Professional (1994) (aka "Léon"). Following this role Natalie won roles in such films as Heat (1995), Beautiful Girls (1996), and Mars Attacks! (1996).
It was not until 1999 that Natalie received worldwide fame as Queen Amidala in the highly anticipated US$431 million-grossing prequel Star Wars: Episode I - The Phantom Menace (1999). She then she starred in two critically acclaimed comedy dramas, Anywhere But Here (1999) and Where the Heart Is (2000), followed by Closer (2004), for which she received an Oscar nomination. She reprised her role as Padme Amidala in the last two episodes of the Star Wars prequel trilogy: Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). She received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010).
She received a second nomination for Best Actress, for playing Jacqueline Kennedy in Jackie (2016).- Actor
- Producer
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Blue-eyed Vincent Cassel was born in Paris to a leading actor father, Jean-Pierre Cassel, and a journalist mother, Sabine Litique. Often labeled as a tough guy because of his roles, eclectic choices and talent have made of him a star of European cinema. First in La haine (1995), the young actor, actually coming from upper classes, succeeded to express the despair of a social class living in the suburbs of towns. This veracity in his play comes from the fact that he was in fact since years in connection with many hip-hop artists from the rising generation, (his own brother was leader of a legendary french rap group). Then the success of The Crimson Rivers (2000), where he plays a young French cop alongside Jean Reno, made of him "the man to count on." He never hid his taste for rap music, break dance, Capoeira, Brasil and his endless energy, but Vincent is also a family man, married to Monica Bellucci, his Italian co-star from The Apartment (1996) (aka The Apartment); and recently a father.- Actor
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Keanu Charles Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born September 2, 1964 in Beirut, Lebanon. He is the son of Patric Reeves, a showgirl and costume designer, and Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry, and Keanu's mother is originally from Essex England. After his parents' marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, River's Edge (1986), and landed a supporting role in the Oscar-nominated Dangerous Liaisons (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude Ted "Theodore" Logan in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Parenthood (1989) and Lawrence Kasdan's I Love You to Death (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Bram Stoker's Dracula (1992), and Shakespearean party-pooper Don John in Much Ado About Nothing (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and The Last Time I Committed Suicide (1997), and big films like A Walk in the Clouds (1995) and The Devil's Advocate (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Chain Reaction (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, The Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them The Replacements (2000), The Watcher (2000), The Gift (2000), Sweet November (2001), and Hardball (2001) - before The Matrix Reloaded (2003) and The Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Something's Gotta Give (2003), The Lake House (2006), and Street Kings (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and The Day the Earth Stood Still (2008). And he's waded back into art-house territory with Ellie Parker (2005), Thumbsucker (2005), The Private Lives of Pippa Lee (2009), and Henry's Crime (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He also directed another Asian-influenced project, Man of Tai Chi (2013).
In 2014, Keanu played the title role in the action revenge film John Wick (2014), which became popular with critics and audiences alike. He reprised the role in John Wick: Chapter 2 (2017), taking the now-iconic character to a better opening weekend and even more enthusiastic reviews than the first go-around.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Producer
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Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Actor
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Multiple Emmy- and Golden Globe-winner Martin Sheen is one of America's most celebrated, colorful, and accomplished actors. Moving flawlessly between artistic mediums, Sheen's acting range is striking.
Sheen was born Ramón Antonio Gerard Estevez in Dayton, Ohio, to Mary-Ann (Phelan), an Irish immigrant (from Borrisokane, County Tipperary), and Francisco Estevez, a Spanish-born factory worker and machinery inspector (from Parderrubias, Galicia). On the big screen, Sheen has appeared in more than 65 feature films including a star turn as Army Captain Benjamin L. Willard in Francis Ford Coppola's landmark film Apocalypse Now (1979), which brought Sheen worldwide recognition. The film also starred Marlon Brando, Dennis Hopper and Robert Duvall. Other notable credits include Wall Street (1987) (with son Charlie Sheen and Michael Douglas), Academy Award-winning film Gandhi (1982) (with Sir Ben Kingsley), Catch Me If You Can (2002) (with Leonardo DiCaprio and Tom Hanks), The American President (1995) (with Michael Douglas and Annette Bening) and a Golden Globe nominated breakthrough performance as Timmy Cleary in The Subject Was Roses (1968), a role he originated on Broadway and for which he received a Tony Award nomination as Best Featured Actor.
In 2006, the actor played ill-fated cop Oliver Queenan in Martin Scorsese's Academy Award-winning film The Departed (2006) opposite Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg and Alec Baldwin.
The same year, Sheen joined another all-star ensemble cast for the highly acclaimed feature Bobby (2006), written and directed by his son, Emilio Estevez. Bobby was nominated for a Golden Globe Award and a SAG Award; and starred Anthony Hopkins, Harry Belafonte, Laurence Fishburne, Sharon Stone, William H. Macy, Elijah Wood, Demi Moore and Heather Graham.
For television audiences, Sheen is best recognized for his six-time Emmy nominated performance as President Josiah Bartlet in The West Wing (1999). Sheen won six of his eight Golden Globe nominations as well as an ALMA Award; and two individual SAG Awards; for the White House series. He won the Golden Globe Award for Best Performance by an Actor TV Series Drama in 2001.
Of his ten Primetime Emmy nominations, Sheen won for Outstanding Guest Actor in a Comedy Series on the long-running sitcom Murphy Brown (1988) (starring Candice Bergen) in 1994. In addition, he has garnered a Daytime Emmy Award for directing and another for performance.
In 2006, Sheen was again nominated for an Emmy for Outstanding Guest Actor in a Comedy Series; this time for the CBS hit comedy Two and a Half Men (2003), starring his son Charlie Sheen.
In addition to series television, Sheen has appeared in several important made-for-television movies and mini-series including playing President John F. Kennedy in the television mini-series Kennedy (1983) for which he received a Golden Globe nomination.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actor
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Hugo Wallace Weaving was born on April 4, 1960 in Nigeria, to English parents Anne (Lennard), a tour guide and teacher, and Wallace Weaving, a seismologist. Hugo has an older brother, Simon, and a younger sister, Anna, who both also live and work in Australia. During his early childhood, the Weaving family spent most of their time traveling between Nigeria, Great Britain, and Australia. This was due to the cross-country demands of his father's job in the computer industry. Later, during his teens, Hugo spent three years in England in the seventies attending Queen Elizabeth's Hospital School in Bristol. There, he showed early promise in theater productions and also excelled at history, achieving an A in his O-level examination. He arrived permanently in Australia in 1976 and finished his education at Knox Grammar School, Sydney. He graduated from NIDA (National Institute of Dramatic Art), a college well-known for other alumni such as Mel Gibson and Geoffrey Rush, in 1981. Since then, Hugo has had a steadily successful career in the film, television, and theater industries. However, he has illustrated that, as renowned as he is known for his film work, he feels most at home on stage and continually performs in Australian theater productions, usually with the Sydney Theater Company. With his success has also come extensive recognition. He has won numerous awards, including two Australian Film Institute Awards (AFI) for Best Actor in a Leading Role and three total nominations. The AFI is the Australian equivalent of an Academy Award, and Hugo won for his performances in Proof (1991) and The Interview (1998). He was also nominated for his performance in The Adventures of Priscilla, Queen of the Desert (1994). He garnered the Best Acting prize for The Interview (1998) at the Montreal Film Festival in 1998 in addition to his AFI Award and, that same year, won the Australian Star of the Year. More recently, roles in films such as The Matrix trilogy as Agent Smith and The Lord of the Rings trilogy as Lord Elrond have considerably raised his international profile. His famous and irreplaceable role in The Matrix movies have made him one of the greatest sci-fi villains of the Twenty-first Century. With each new film, television, or theatrical role, Hugo continues to surpass his audience's expectations and remains one of the most versatile performers working today. He resides in Australia and has two children with partner Katrina Greenwood. Though Hugo and Katrina have never married, they've been a committed couple for over 25 years; while Hugo was quoted as saying marriage "petrified" him in the 1990s, by middle of the following decade he said he no longer felt that way, and that he and Katrina have toyed with the idea of marrying "when we're really old".- Actor
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Britain's Rupert Graves made his professional stage debut in 1983 in The Killing of Mr. Toad and went on to co-star with Harvey Fierstein in the London production of Torch Song Trilogy. By the mid-80s he was a presence in quality films and TV, including Merchant Ivory films Room With A View where he played Freddy Honeychurch and Maurice where he played Alec Scudder.
Rupert has appeared in dozens of films and TV shows including Emma (2020), Riviera S3 (2020), Swimming With Men (2018), The Family (2016), however most recently Rupert is best known for playing DI Greg Lestrade in BBC's Sherlock.
Rupert has over 20 stage credits to his name, including The Elephant Man and Closer on Broadway, and he was nominated for an Olivier Award for Best Actor in 1998 for his performance in Hurlyburly.- Actor
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Stephen Rea was born in Belfast, Northern Ireland. He attended Belfast High School and the Queen's University, where he studied English. He later trained at the Abbey Theatre School in Dublin. In 1970s, he acted in the Focus Company in Dublin with the talented Gabriel Byrne and Colm Meaney. After several stage, television and film appearances, he came to international success with his performance in The Crying Game (1992). He was nominated an Oscar for Best Actor.- Actor
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Writer, actor, comedian, doer of good works, excellent good friend to the famous and not, Fry lives in his London SW1 flat and his Norfolk house when not traveling. Famous for his public declaration of celibacy in the "Tatler" back in the 1980s, Emma Thompson has characterised her friend as "90 percent gay, 10 percent other."
Stephen Fry was born in Hampstead, London, to Marianne Eve (Newman) and Alan Fry, a physicist and inventor. His maternal grandparents were Hungarian Jewish immigrants, while his father's family was of English background. He grew up in Norfolk and attended Uppingham School and Stout's Hill. After his notorious three months in Pucklechurch prison for credit card fraud, he attended Queens College, Cambridge in 1979, finishing with a 2:1 in English in 1981/2. While at Cambridge, he was a member of the Cherubs drinking club, and Footlights with Thompson, Tony Slattery, Martin Bergman, and Hugh Laurie (to whom he was introduced by E.T.). His prolific writing partnership with Laurie began in 1981 with resulting Footlights revues for (among others) Mayweek, Edinburgh Festival, and a three month tour of Australia. In 1984, Fry was engaged to do the rewrite of the Noel Gay musical "Me and My Girl," which made him a millionaire before the age of 30. It also earned him a nomination for a Tony award in 1987. (Sidenote: It was upon SF's suggestion that Emma Thompson landed a leading role in the London cast of this show.) Throughout the 1980s, Fry did a huge amount of television and radio work, as well as writing for newspapers (e.g. a weekly column in the "Daily Telegraph") and magazines (e.g. articles for "Arena"). He is probably best known for his television roles in Blackadder II (1986) and Jeeves and Wooster (1990).
His support of the Terence Higgins Trust through events such as the first "Hysteria" benefit, as well as numerous other charity efforts, are probably those works of which he is most proud. Fry's acting career has not been limited to films and television. He had successful runs in Alan Bennett's "Forty Years On," Simon Gray's "The Common Pursuit" with John Sessions, Rik Mayall, John Gordon Sinclair, and others. Michael Frayn's "Look Look" and Gray's "Cell Mates" were less successful for both Fry and their playwrights, the latter not helped by his walking out of the play after only a couple of weeks. Fry has published four novels as well as a collection of his radio and journalistic miscellanea. He has recorded audiotapes of his novels (an unabridged version of "The Liar" was released in 1995), as well as many other works for both adults and children.- Actor
- Additional Crew
A familiar patrician-looking face both here and abroad, blue-eyed, fair-haired classical stage and TV actor Tim Pigott-Smith, the son of a journalist, was born on in Rugby, Warwickshire, on May 13, 1946. The Britisher attended King Edward VI School in Stratford-upon-Avon, graduated from Bristol University in 1967, and then receiving his acting training at the Bristol Old Vic Theatre School. In later years, he would return to Bristol University as a lecturer.
Tim made his professional debut in 1969 with the Bristol Old Vic under the stage name of "Tim Smith" and was predominantly a stage player in both regional and repertory companies. He focused quite strongly on Shakespeare and Greek plays and went on to play Balthazar in "Much Ado About Nothing" for the Prospect touring company as well as Posthumus in a 1974 production of "Cymbeline" for the Royal Shakespeare Company. He made his Broadway debut that same year in "Sherlock Holmes" as Dr. Watson opposite John Wood. Over the years, he would act alongside most of England's grande dame royalty including Judi Dench, Helen Mirren, Geraldine James, Margaret Tyzack, Peggy Ashcroft, Maggie Smith and Penelope Wilton.
A charming, distinguished presence on stage, Tim was invited by an ailing Anthony Quayle to take over the running of the Compass theatre company founded by him in 1984 and served as its artistic director from 1989-1992. A theatre director as well ("Hamlet," and "A Royal Hunt of the Sun"), he would take several Shakespearean classics later to BBC-TV. He, in fact, started his small screen career in secondary Shakespeare roles as Laertes in Hamlet (1970) opposite Ian McKellen in the title role and Proculeius in Antony and Cleopatra (1974) starring Richard Johnson and Janet Suzman. He transitioned into more prominent BBC roles with his Angelo in Measure for Measure (1979) and Hotspur in Henry IV Part I (1979).
Aside from Tim's theatre work, quality TV remained an extremely successful venue for decades with impressive performances in such prestigious min-series as North & South (1975), The Glittering Prizes (1976), The Lost Boys (1978), Danger UXB (1979), Winston Churchill: The Wilderness Years (1981), Fame Is the Spur (1982), I Remember Nelson (1982), The Jewel in the Crown (1984) (BAFTA-TV as sadistic villain Ronald Merrick) and The Challenge (1986). He enjoyed recurring roles on the TV series Doctor Who (1963), Hannah (1980) and regular roles in the short-lived comedy Struggle (1983), the drama The Chief (1990) and with The Vice (1999). His mellifluous voice was also popular on many BBC radio productions, in audio books, as well as serving as a narrator on such documentary series as Crimes That Shook the World (2006) and Doomsday: World War I (2013)
Film work began in the 1970's but remained far and few and less distinguished with his minor participation in Aces High (1976), Joseph Andrews (1977), Sweet William (1980), Clash of the Titans (1981), Richard's Things (1980), Victory (1981) and The Remains of the Day (1993). He did enjoy a prime role in the nuclear drama A State of Emergency (1985) starring opposite Martin Sheen and Peter Firth.
Pigott-Smith remained a strong, vibrant present on the stage throughout his career. In later years, he played in such contemporary plays as "Benefactors" (1984), "Coming in to Land" (1987) opposite Ms. Smith and "Amadeus" as composer Salieri. He also portrayed Leontes in "The Winter's Tale" (1988) and scored critical acclaim in the 1999 version of "The Iceman Cometh" (both London and Broadway) and with Ms. Mirren in an over four-hour production of "Mourning Becomes Electra." Into the millennium, he was seen in "Julius Caesar" (as Cassius, 2001), "A Christmas Carol" (as Scrooge, 2002), "Women Beware Women" (2006), "Enron" (2009), "Educating Rita" (2010), "A Delicate Balance" (2011), "King Lear" (title role, 2011), "The Tempest" (as Prospero, 2012), the Chorus in "Henry V" in 2013, and earned both Olivier and Tony nominations here and abroad for his powerful portrayal of King Charles III (2015). Tim became an RSC Associate Artist in 2012, and served on both the RSC board (from 2005 until 2011) and as a governor from 2005 until his retirement in 2016.
On film in later years, he often appeared in official high-ranking parts. His list of movies include Martin Scorsese's Gangs of New York (2002), The Four Feathers (2002), the historical Greek biopic Alexander (2004) starring Colin Farrell, V for Vendetta (2005), Flyboys (2006), Quantum of Solace (2008), Alice in Wonderland (2010), RED 2 (2013), Jupiter Ascending (2015) and Whisky Galore (2016). He also graced such TV shows as "Downtown Abbey" and recreated his stage triumph in the title role of King Charles III (2017) which earned him a second BAFTA-TV nomination.
Tim was in rehearsals for an upcoming stage performance of "Death of a Salesman" as Willy Loman in London when he died suddenly of natural causes on April 7, 2017, at age 70. He was survived by his actress wife Pamela Miles and their son Tom Pigott Smith, a concert/studio violinist.- Actor
- Soundtrack
One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Writer
- Producer
- Director
Luc Besson spent the first years of his life following his parents, scuba diving instructors, around the world. His early life was entirely aquatic. He already showed amazing creativity as a youth, writing early drafts of The Big Blue (1988) and The Fifth Element (1997), as an adolescent bored in school. He planned on becoming a marine biologist specializing in dolphins until a diving accident at age 17 which rendered him unable to dive any longer. He moved back to Paris, where he was born, and only at age 18 did he first have an urban life or television. He realized that film was a medium which he could combine all his interests in various arts together, so he began taking odd jobs on various films. He moved to America for three years, then returned to France and formed Les Films de Loups - his own production company, which later changed its name to Les Films de Dauphins. He is now able to dive again.- Jean Reno was born Juan Moreno y Herrera-Jiménez in Casablanca, Morocco, to Spanish parents (from Andalucía) who moved to North Africa to seek work. His father was a linotypist. Reno settled in France at 17. He began studying drama and has credits in French television and theater as well as films. His first two marriages both ended in divorce, and he had two children with each of them. He keeps homes in Paris and Los Angeles.
- Actor
- Producer
- Director
Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).- Actor
- Producer
- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Producer
- Writer
- Director
One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
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With his breakthrough performance as Eames in Christopher Nolan's sci-fi thriller Inception (2010), English actor Tom Hardy has been brought to the attention of mainstream audiences worldwide. However, the versatile actor has been steadily working on both stage and screen since his television debut in the miniseries Band of Brothers (2001). After being cast in the World War II drama, Hardy left his studies at the prestigious Drama Centre in London and was subsequently cast as Twombly in Ridley Scott's Black Hawk Down (2001) and as the villain Shinzon in Star Trek: Nemesis (2002).
Edward Thomas Hardy was born on September 15, 1977 in Hammersmith, London; his mother, Elizabeth Anne (Barrett), is an artist and painter, and his father, Chips Hardy, is a writer. He is of English and Irish descent. Hardy was brought up in East Sheen, London, and first studied at Reed's School. His education continued at Tower House School, then at Richmond Drama School, and subsequently at the Drama Centre London, along with fellow Oscar nominee Michael Fassbender. After winning a modeling competition at age 21, he had a brief contract with the agency Models One.
Tom spent his teens and early twenties battling delinquency, alcoholism and drug addiction; after completing his work on Star Trek: Nemesis (2002), he sought treatment and has also admitted that his battles with addiction ended his five-year marriage to Sarah Ward. Returning to work in 2003, Hardy was awarded the Evening Standard Most Promising Newcomer Award for his theatre performances in the productions of "In Arabia, We'd All Be Kings" and "Blood". In 2003, Tom also co-starred in the play "The Modernists" with Paul Popplewell, Jesse Spencer and Orlando Wells.
During the next five years, Hardy worked consistently in film, television and theatre, playing roles as varied as Robert Dudley in the BBC's The Virgin Queen (2005), Bill Sikes in Oliver Twist (2007) and starring in "The Man of Mode" at the National Theatre. On the silver screen, he appeared in the crime thriller Layer Cake (2004) with Daniel Craig, Sofia Coppola's Marie Antoinette (2006), and the romp Scenes of a Sexual Nature (2006).
In 2006, Hardy created "Shotgun", an underground theatre company along with director Robert Delamere, and directed a play, penned by his father for the company, called "Blue on Blue". In 2007, Hardy received a best actor BAFTA nomination for his touching performance as Stuart Shorter in the BBC adaptation of Alexander Masters' bestselling biography Stuart: A Life Backwards (2007). Hailed for his transformative character acting, Hardy was lauded for his emotionally and physically convincing portrayal in the ill-fated and warmhearted tale of Shorter, a homeless and occasionally violent man suffering from addiction and muscular dystrophy.
The following year, he appeared as gay hoodlum Handsome Bob in the Guy Ritchie film RocknRolla (2008), but this would be his next transformation that would prove his extensive range and stun critics. In the film Bronson (2008), Hardy played the notorious Charles Bronson (given name, Michael Peterson), the "most violent prisoner in Britain". Bald, pumped-up, and outfitted with Bronson's signature strongman mustache, Hardy is unrecognizable and gives a harrowing performance that is physically fearless and psychologically unsettling. Director Nicolas Winding Refn breaks the fourth wall with Hardy retelling his tales directly to viewers as well as performing them outright before an audience of his own imagining. The performance mixes terrifying brutality, vaudevillian showmanship, wry humor, and an alarming amount of commitment, and won Hardy a British Independent Film Award for Best Actor. The performance got Hollywood's attention, and in 2009, Hardy was named one of Variety's "10 Actors to Watch". That year, he continued to garner praise for his starring role in The Take (2009), a four-part adaptation of Martina Cole's bestselling crime novel, as well as for his performance as Heathcliff in a version of Wuthering Heights (2009).
Recent work includes the aforementioned breakthrough appearance in Inception (2010) alongside Leonardo DiCaprio, Joseph Gordon-Levitt, Cillian Murphy, Tom Berenger, Ken Watanabe, Michael Caine, Marion Cotillard and Elliot Page. The movie was released in July 2010 and became one of top 25 highest grossing films of all time, collecting eight Oscar nominations (including Best Picture) and winning four.
Other films include Warrior (2011), opposite Joel Edgerton, the story of two estranged brothers facing the fight of a lifetime from director Gavin O'Connor, and This Means War (2012), directed by McG and co-starring Reese Witherspoon and Chris Pine. Tom also starred in the heralded Cold War thriller, Tinker Tailor Soldier Spy (2011) with Colin Firth and Gary Oldman. Hardy rejoined Christopher Nolan for The Dark Knight Rises (2012); he played the villain role of Bane opposite Christian Bale, Anne Hathaway, Joseph Gordon-Levitt and Gary Oldman. Hardy's menacing physique and his character's scrambled, hard-to-distinguish voice became a major discussion point as the film was released.
Outside of performing, Hardy is the patron for the charity "Flack", which is an organization to aid the recovery of the homeless in Cambridge. And in 2010, Hardy was named an Ambassador for The Prince's Trust, which helps disadvantaged youth. On the recent stage, he starred in the Brett C. Leonard play "The Long Red Road" in early 2010. Written for Hardy and directed by Philip Seymour Hoffman, the play was staged at Chicago's Goodman Theater.
In 2015, Hardy starred as the iconic Mad Max in George Miller's reboot of his franchise, Mad Max: Fury Road (2015). He also collected a British Independent Film Award for his portrayal of both the Kray twins, Ronnie and Reggie, in Legend (2015), and an Oscar nomination for Best Supporting Actor for his role as John Fitzgerald in The Revenant (2015). Hardy also starred on the BBC series Peaky Blinders (2013), alongside Cillian Murphy, and on the television series Taboo (2017), both created by Steven Knight.
He has an outlaw biker story among other projects in development. In 2010, Hardy became engaged to fellow English actress Charlotte Riley, whom he starred with in The Take (2009) and Wuthering Heights (2009), and is raising a young son, Louis Thomas Hardy, with ex-girlfriend Rachael Speed. He was appointed Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for his services to drama.- Actor
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Taron Egerton is a British actor and singer, known for his roles in the British television series The Smoke, the 2014 action comedy film Kingsman: The Secret Service, and the film Rocketman (2019). He has also played Edward Brittain in the 2014 drama film Testament of Youth, appeared in the 2015 crime thriller film Legend, starred as Eddie "The Eagle" Edwards in the 2016 biographical film Eddie the Eagle, voiced Johnny in the 2016 animated musical film Sing, and reprised his role in the 2017 Kingsman sequel, The Golden Circle.
Taron David Egerton was born on 10 November 1989 in Birkenhead, Merseyside, to parents from nearby Liverpool. His grandmother is Welsh. His first name is a variation of "taran," which means "thunder" in the Welsh language. His father and family ran a bed-and-breakfast and his mother works in social services. He spent some of his early childhood on the Wirral Peninsula, and moved with his family to Llanfairpwllgwyngyll, on the Welsh island of Anglesey, where he went to primary school.
Egerton moved to Aberystwyth, also in Wales, when he was twelve. Egerton considers himself to be Welsh "through and through," and is conversant in the Welsh language, albeit admitting that his Welsh is not as good as it previously was. He attended Ysgol Penglais School before he went on to the Royal Academy of Dramatic Art, where he graduated with a BA (Hons) Acting in 2012.
Egerton made his acting debut in 2011 with a small role in two episodes of the ITV series Lewis as Liam Jay. Later, he was added to the main cast of the Sky1 series The Smoke. Egerton played Gary "Eggsy" Unwin, the young protégé of Harry Hart (Colin Firth), in Matthew Vaughn's film Kingsman: The Secret Service and its sequel, Kingsman: The Golden Circle. The first movie's success launched Egerton into fame and resulted in him signing a three-movie contract with 20th Century Fox.
Egerton co-starred in Testament of Youth, based on the life of Vera Brittain, and appeared in the two-part episode "The Ramblin' Boy" in the seventh series of Lewis as Liam Jay. In 2015, it was announced that Egerton would be starring in Billionaire Boys Club. He was named one of GQ's 50 best-dressed British men in 2015 and 2016. In 2018, Egerton was picked to play Elton John in the 2019 biopic Rocketman.- Producer
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Vin Diesel was born Mark Sinclair in Alameda County, California, along with his fraternal twin brother, Paul Vincent. He was raised by his astrologer/psychologist mother, Delora Sherleen (Sinclair), and adoptive father, Irving H. Vincent, an acting instructor and theatre manager, in an artists' housing project in New York City's Greenwich Village. He never knew his biological father. His mother is white (with English, German, Scottish, and Irish ancestry), and his adoptive father is African-American; referring to his biological father's background, Diesel has said that he himself is "definitely a person of colour".
His first break in acting happened by chance, when at the age of seven he and his friends broke into a theatre to vandalize it. A woman stopped them and offered them each a script and $20, on the condition that they would attend everyday after school. From there, Vin's fledgling career progressed from the New York repertory company run by his father, to the Off-Off-Broadway circuit. At age seventeen and already sporting a well-honed physique, he became a bouncer at some of New York's hippest clubs to earn himself some extra cash. It was at this time that he changed his name to Vin Diesel.
Following high school, Vin enrolled as an English major at Hunter College, but dropped out after three years to go to Hollywood to further his acting career. Being an experienced theatre actor did not make any impression in Hollywood and after a year of struggling to make his mark, he returned to New York. His mother then gave him a book called "Feature Films at used Car Prices" by Rick Schmidt. The book showed him that he could take control of his career and make his own movies. He wrote a short film based on his own experiences as an actor, called Multi-Facial (1995), which was shot in less than three days at a cost of $3,000. Multi-Facial (1995) was eventually accepted for the 1995 Cannes Film Festival where it got a tumultuous reception.
Afterwards, Vin returned to Los Angeles and raised almost $50,000 through telemarketing to fund the making of his first feature, Strays (1997). Six months after shooting, the film was accepted for the 1997 Sundance Film Festival, and although it received a good reception, it did not sell as well as hoped. Yet again Vin returned disappointed to New York only to receive a dream phone call. Steven Spielberg was impressed by Multi-Facial (1995) and wanted to meet Vin, leading him to be cast in Saving Private Ryan (1998). Multi-Facial (1995) earned Vin more work, when the director of The Iron Giant (1999) saw it and decided to cast Vin in the title role. From there, Vin's career steadily grew, with him securing his first lead role, as Richard B. Riddick in the sci-fi film Pitch Black (2000). The role has earned him a legion of devoted fans and the public recognition he deserves.
Since then, he has headlined a series of blockbusters, often but not only centered on fast-driving motor vehicles: The Fast and the Furious (2001), xXx (2002), The Pacifier (2005), Fast & Furious (2009), Fast Five (2011), Fast & Furious 6 (2013), and Furious 7 (2015). He also voiced Groot in Guardians of the Galaxy (2014) and starred in the lower-budgeted courtroom drama Find Me Guilty (2006), the latter directed by Sidney Lumet.- Actor
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In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.- Actress
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Elegant Nicole Kidman, known as one of Hollywood's top Australian imports, was actually born in Honolulu, Hawaii, while her Australian parents were there on educational visas.
Kidman is the daughter of Janelle Ann (Glenny), a nursing instructor, and Antony David Kidman, a biochemist and clinical psychologist. She is of English, Irish, and Scottish descent. Shortly after her birth, the family moved to Washington, D.C., where Nicole's father pursued his research on breast cancer, and then, three years later, made the pilgrimage back to her parents' native Sydney in Australia, where Nicole was raised. Young Nicole's first love was ballet, but she eventually took up mime and drama as well (her first stage role was a bleating sheep in an elementary school Christmas pageant). In her adolescent years, acting edged out the other arts and became a kind of refuge -- as her classmates sought out fun in the sun, the fair-skinned Kidman retreated to dark rehearsal halls to practice her craft. She worked regularly at the Philip Street Theater, where she once received a personal letter of praise and encouragement from audience member Jane Campion (then a film student). Kidman eventually dropped out of high school to pursue acting full-time. She broke into movies at age 16, landing a role in the Australian holiday favorite Bush Christmas (1983). That appearance touched off a flurry of film and television offers, including a lead in BMX Bandits (1983) and a turn as a schoolgirl-turned-protester in the miniseries Vietnam (1987) (for which she won her first Australian Film Institute Award). With the help of an American agent, she eventually made her US debut opposite Sam Neill in the at-sea thriller Dead Calm (1989).
Kidman's next casting coup scored her more than exposure. While starring as Tom Cruise's doctor/love interest in the racetrack romance Days of Thunder (1990), she won over the Hollywood hunk hook, line and sinker. After a whirlwind courtship (and decent box office returns), the couple wed on December 24, 1990. Determined not to let her new marital status overshadow her fledgling career, the actress pressed on. She appeared as a catty high school senior in the Australian film Flirting (1991), then as Dustin Hoffman's moll in the gangster flick Billy Bathgate (1991). She reunited with Cruise for Far and Away (1992), the story of young Irish lovers who flee to America in the late 1800s, and starred opposite Michael Keaton in the tear-tugger My Life (1993). Despite her steady employment, critics and moviegoers still had not quite warmed to Kidman as a leading lady. She tried to spice up her image by seducing Val Kilmer in Batman Forever (1995), but achieved her real breakthrough with Gus Van Sant's To Die For (1995). As a fame-crazed housewife determined to eliminate any obstacle in her path, Kidman proved that she had an impressive range and deadly comic timing. She took home a Golden Globe and several critics' awards for the performance. In 1996, Kidman stepped into a corset to work with her countrywoman and onetime admirer, Jane Campion, on the adaptation of Henry James's The Portrait of a Lady (1996). A few months later, she tore across the screen as a nuclear weapons expert in The Peacemaker (1997), adding "action star" to her professional repertoire.
She and Cruise then disappeared into a notoriously long, secretive shoot for Stanley Kubrick's sexual thriller Eyes Wide Shut (1999). The couple's on-screen shenanigans prompted an increase in public speculation about their sex life (rumors had long been circulating that their marriage was a cover-up for Cruise's rumored homosexuality); tired of denying tabloid attacks, they successfully sued The Star for a story alleging that they needed a sex therapist to coach them through love scenes. Family life has always been a priority for Kidman. Born to social activists (mother was a feminist; father, a labor advocate), Nicole and her little sister, Antonia Kidman, discussed current events around the dinner table and participated in their parents' campaigns by passing out pamphlets on street corners. When her mother was diagnosed with breast cancer, 17-year-old Nicole stopped working and took a massage course so that she could provide physical therapy (her mother eventually beat the cancer). She and Cruise adopted two children: Isabella Jane (born 1993) and Connor Antony (born 1995). Despite their rock-solid image, the couple announced in early 2001 that they were separating due to career conflicts. Her marriage to Cruise ended mid-summer of 2001.- Actor
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François Cluzet was born on 21 September 1955 in Paris, France. He is an actor, known for The Intouchables (2011), Tell No One (2006) and French Kiss (1995). He has been married to Narjiss Slaoui-Falcoz since 2011. He was previously married to Chantal Perrin.- Actor
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Omar Sy was born on 20 January 1978 in Trappes, Yvelines, France. He is an actor and producer, known for The Intouchables (2011), Jurassic World (2015) and X-Men: Days of Future Past (2014). He has been married to Hélène Sy since 6 July 2007. They have four children.- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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Liam Neeson was born on June 7, 1952 in Ballymena, Northern Ireland, to Katherine (Brown), a cook, and Bernard Neeson, a school caretaker. He was raised in a Catholic household. During his early years, Liam worked as a forklift operator for Guinness, a truck driver, an assistant architect and an amateur boxer. He had originally sought a career as a teacher by attending St. Mary's Teaching College, Newcastle. However, in 1976, Neeson joined the Belfast Lyric Players' Theater and made his professional acting debut in the play "The Risen People". After two years, Neeson moved to Dublin's Abbey Theater where he performed the classics. It was here that he was spotted by director John Boorman and was cast in the film Excalibur (1981) as Sir Gawain, his first high-profile film role.
Through the 1980s Neeson appeared in a handful of films and British TV series - including The Bounty (1984), A Woman of Substance (1984), The Mission (1986), and Duet for One (1986) - but it was not until he moved to Hollywood to pursue larger roles that he began to get noticed. His turn as a mute homeless man in Suspect (1987) garnered good reviews, as did supporting roles in The Good Mother (1988) and High Spirits (1988) - though he also starred in the best-to-be-forgotten Satisfaction (1988), which also featured a then-unknown Julia Roberts - but leading man status eluded him until the cult favorite Darkman (1990), directed by Sam Raimi. From there, Neeson starred in Under Suspicion (1991) and Ethan Frome (1992), was hailed for his performance in Woody Allen's Husbands and Wives (1992), and ultimately was picked by Steven Spielberg to play Oskar Schindler in Schindler's List (1993). The starring role in the Oscar-winning Holocaust film brought Neeson Academy Award, BAFTA and Golden Globe nominations for Best Actor.
Also in 1993, he made his Broadway debut with a Tony-nominated performance in "Anna Christie", in which he co-starred with his future wife Natasha Richardson. The next year, the two also starred opposite Jodie Foster in the movie Nell (1994), and were married in July of that year. Leading roles as the 18th century Scottish Highlander Rob Roy (1995) and the Irish revolutionary leader Michael Collins (1996) followed, and soon Neeson was solidified as one of Hollywood's top leading men. He starred in the highly-anticipated Star Wars: Episode I - The Phantom Menace (1999) as Qui-Gon Jinn, received a Golden Globe nomination for Kinsey (2004), played the mysterious Ducard in Christopher Nolan's Batman Begins (2005), and provided the voice for Aslan in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Neeson found a second surprise career as an action leading man with the release of Taken (2008) in early 2009, an unexpected box office hit about a retired CIA agent attempting to rescue his daughter from being sold into prostitution. However, less than two months after the release of the film, tragedy struck when his wife Natasha Richardson suffered a fatal head injury while skiing and passed away days afterward. Neeson returned to high-profile roles in 2010 with two back-to-back big-budget films, Clash of the Titans (2010) and The A-Team (2010), and returned to the action genre with Unknown (2011), The Grey (2011), Battleship (2012) and Taken 2 (2012), as well as the sequel Wrath of the Titans (2012).
Neeson was awarded Officer of the Order of the British Empire in the 1999 Queen's New Year's Honours List for his services to drama. He has two sons from his marriage to Richardson: Micheal Richard Antonio Neeson (born June 22, 1995) and Daniel Jack Neeson (born August 27, 1996).- Actor
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Actor Ralph Nathaniel Twisleton-Wykeham-Fiennes was born on December 22, 1962 in Suffolk, England, to Jennifer Anne Mary Alleyne (Lash), a novelist, and Mark Fiennes, a photographer. He is the eldest of six children. Four of his siblings are also in the arts: Martha Fiennes, a director; Magnus Fiennes, a musician; Sophie Fiennes, a producer; and Joseph Fiennes, an actor. He is of English, Irish, and Scottish origin.
A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre. Fiennes first worked on screen in 1990 and then made his film debut in 1992 as Heathcliff in Emily Brontë's Wuthering Heights (1992), opposite Juliette Binoche. 1993 was his "breakout year". He had a major role in the controversial Peter Greenaway film The Baby of Mâcon (1993), with Julia Ormond, which was poorly received. Later that year he became known internationally for portraying the amoral Nazi concentration camp commandant Amon Goeth in Steven Spielberg's Schindler's List (1993). For this he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. He did not win, but did win the Best Supporting Actor BAFTA Award for the role, as well as Best Supporting Actor honors from numerous critics groups, including the National Society of Film Critics, and the New York, Chicago, Boston, and London Film Critics associations. His portrayal as Göth also earned him a spot on the American Film Institute's list of Top 50 Film Villains. To look suitable to represent Goeth, Fiennes gained weight, but he managed to shed it afterwards. In 1994, he portrayed American academic Charles Van Doren in Quiz Show (1994). In 1996, he was nominated for the Academy Award for Best Actor for his performance as Count Almásy the World War II epic romance, and another Best Picture winner, Anthony Minghella's The English Patient (1996), in which he starred with Kristin Scott Thomas. He also received BAFTA and Golden Globe nominations, as well as two Screen Actors Guild (SAG) Award nominations, one for Best Actor and another shared with the film's ensemble cast.
Since then, Fiennes has been in a number of notable films, including Strange Days (1995), Oscar and Lucinda (1997), the animated The Prince of Egypt (1998), István Szabó's Sunshine (1999), Neil Jordan-directed films The End of the Affair (1999) and The Good Thief (2002), Red Dragon (2002), Maid in Manhattan (2002), The Constant Gardener (2005), In Bruges (2008), The Reader (2008), co-starring Kate Winslet, Kathryn Bigelow's Oscar®-winning The Hurt Locker (2008), Clash of the Titans (2010), Mike Newell's screen adaptation of Charles Dickens'Great Expectations (2012), with Helena Bonham Carter and Jeremy Irvine, and Wes Anderson's The Grand Budapest Hotel (2014).
He is also known for his roles in major film franchises such as the Harry Potter film series (2005-2011), in which he played the evil Lord Voldemort. His nephew, Hero Fiennes Tiffin played Tom Riddle, the young Lord Voldemort, in Harry Potter and the Half-Blood Prince (2009). Ralph also appears in the James Bond series, in which he has played M, starting with the 2012 film Skyfall (2012).
In 2011, Fiennes made his directorial debut with his film adaptation of Shakespeare's tragedy political thriller Coriolanus (2011), in which he also played the title character, opposite Gerard Butler and Vanessa Redgrave. Fiennes has won a Tony Award for playing Prince Hamlet on Broadway.
In 2015, Fiennes played a music producer in Luca Guadagnino's A Bigger Splash (2015), starring opposite Tilda Swinton and Matthias Schoenaerts, and in 2016, Fiennes starred in Joel and Ethan Coen's Hail, Caesar! (2016).
Since 1999, Fiennes has served as an ambassador for UNICEF UK.- Actor
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Ben Kingsley was born Krishna Bhanji on December 31, 1943 in Scarborough, Yorkshire, England. His father, Rahimtulla Harji Bhanji, was a Kenyan-born medical doctor, of Gujarati Indian descent, and his mother, Anna Lyna Mary (Goodman), was an English actress. Ben began to act in stage plays during the 1960s. He soon became a successful stage actor, and also began to have roles in films and television. His birth name was Krishna Bhanji, but he changed his name to "Ben Kingsley" soon after gaining fame as a stage actor, fearing that a foreign name could hamper his acting career.
Kingsley first earned international fame for his performance in the drama movie Gandhi (1982). His performance as Mohandas K. Gandhi earned him international fame. He won many awards - including an Academy Award for Best Actor. He also won Golden Globe, BAFTA and London Film Critics' Circle Awards. After acting in Gandhi (1982), Ben was recognized as one of the finest British actors.
After his international fame for appearing in Gandhi (1982), Kingsley appeared in many other famous movies. His success as an actor continued. His performance as Itzhak Stern in the drama movie Schindler's List (1993) earned him a BAFTA nomination for best supporting actor. Schindler's List (1993) won seven Academy Awards, including Best Picture. During the late 1990s, Kingsley acted in many successful movies. He played Sweeney Todd in the television movie The Tale of Sweeney Todd (1997), for which he was nominated for the Screen Actors' Guild Award. His other notable role was as Otto Frank in the television movie Anne Frank: The Whole Story (2001), for which he won the Screen Actors' Guild Award.
In 2002, Kingsley was appointed Knight Bachelor of the Order of the British Empire in the Queen's New Years Honours for his services to drama. In 2013, he received the BAFTA Los Angeles Britannia Award for Worldwide Contribution to Filmed Entertainment. That same year, he also received the Fellowship Award at the Asian Awards in London, England.- Producer
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Samuel Alexander Mendes was born on August 1, 1965 in Reading, England, UK to parents James Peter Mendes, a retired university lecturer, and Valerie Helene Mendes, an author who writes children's books. Their marriage didn't last long, James divorced Sam's mother in 1970 when Sam was just 5-years-old. Sam was educated at Cambridge University and joined the Chichester Festival Theatre following his graduation in 1987. Afterwards, he directed Judi Dench in "The Cherry Orchard", for which he won a Critics Circle Award for Best Newcomer. He then joined the Royal Shakespeare Company, where he directed such productions as "Troilus and Cressida" with Ralph Fiennes and "Richard III". In 1992, he became artistic director of the reopened Donmar Warehouse in London, where he directed such productions as "The Glass Menagerie" and the revival of the musical "Cabaret", which earned four Tony Awards including one for Best Revival of a Musical. He also directed "The Blue Room" starring Nicole Kidman. In 1999, he got the chance to direct his first feature film, American Beauty (1999). The movie earned 5 Academy Awards including Best Picture and Best Director for Mendes, which is a rare feat for a first-time film director.- Actor
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George MacKay was born in 1992 in Hammersmith, London, England, to Kim Baker, a British costume designer, and Paul Christopher MacKay, an Australian stage/lighting manager, from Adelaide. One of his grandmothers is from Cork, Ireland.
At the age of ten, George was scouted to audition for a role in the family feature, Peter Pan (2003). He quickly landed the part of Curly, one of the Lost Boys, and went on to have several minor roles on TV, including an episode of Rose and Maloney (2002) and Footprints in the Snow (2005). At thirteen, George landed the part of Riccio in the film adaptation of Cornelia Funke's best-selling children's novel, The Thief Lord (2006), starring Aaron Taylor-Johnson, and was also cast in lead role for the BBC adaptation of Terry Pratchett's Johnny and the Bomb (2006).
George worked with Tim Roth, Chiwetel Ejiofor and Sophie Okonedo for the HBO Movie Tsunami: The Aftermath (2006) and later took a part in the Dickensian drama, The Old Curiosity Shop (2007). Soon after, George co-starred with Daniel Craig and Liev Schreiber on Defiance (2008). In 2009, George took on the role of Harry, in The Boys Are Back (2009) alongside Clive Owen, for which he received 2 award nominations. His career took another step forward with Hunky Dory (2011).
Since, George has featured in several shorts which have been popular on the festival circuit and played the part of Tommo Peaceful with counterpart Jack O'Connell in the adaptation of Michael Morpurgo's Private Peaceful (2012).
2013 was George's breakthrough year, and was recognized for his parts as Aaron in For Those in Peril (2013), Davy in the musical Sunshine on Leith (2013), Jake Whittam in Breakfast with Jonny Wilkinson (2013) and the dark horse Eddie in How I Live Now (2013). George received several nominations and for such features and later bought home a total of 5 awards.
George had a stint in the West End in 2014 in The Cement Garden. He portrayed Joe in the well-received Pride (2014) and Duane Hopkins' Bypass (2014) premiered at the BFI London Film Festival in October. Both Captain Fantastic and Sadie Jones' The Outcast (2015) are in post-production and George will be returning to theatre for Eugene O'Neill's 'Ah,Wilderness!' this April.
In 2016, George starred in the film Captain Fantastic (2016), opposite Viggo Mortensen, and the mini-series 11.22.63 (2016), with James Franco and Sarah Gadon. He rounded out the decade playing the starring role in Sam Mendes' 1917 (2019), a box office hit and highly critically-acclaimed drama set during World War I and shot to simulate a single take in real time.- Dean-Charles Chapman is an English actor. He is known for portraying Billy Elliot in the West End theatre production of Billy Elliot the Musical, Tom Blake in Sam Mendes's film 1917, and Tommen Baratheon in the fourth, fifth and sixth seasons of the HBO drama series Game of Thrones.
- Actress
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Australian actress Emily Browning was born in 1988 in Melbourne, Australia, to Shelley and Andrew Browning. She has two younger brothers. Her start in acting came after a classmate's father, involved in the acting business, noticed her "acting all ditsy" in a school play. Emily found an agent and was soon filming on location for the Hallmark TV-movie, The Echo of Thunder (1998). She received more roles from there, including parts in The Man Who Sued God (2001), opposite Billy Connolly, and Ned Kelly (2003), opposite Heath Ledger and Orlando Bloom. In that film, she had to hug Heath Ledger, and she said that all of her friends, who went to see the film, at the same time sent her a barrage of text messages about how lucky she was! Emily says she tries to avoid "cheesy" movies, and her big break came when she was on a press tour in LA for Ghost Ship (2002), that was filmed in Australia and released in America. In the same year, she won an Australian Film Institute Award for Best Young Actress, and was nominated for the same award, the next year. Emily received some scripts when she was in LA and sent in a video audition for A Series of Unfortunate Events (2004). She received a call and was asked to come to LA for a proper audition, which won her the part. She spent months in LA filming, for the second time acting opposite Billy Connolly. Emily said she enjoyed the experience of making a big budget film in America, and says that although she's not sure what is coming next, she's hoping to do some more Australian work.- Director
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Milos Forman was born Jan Tomas Forman in Caslav, Czechoslovakia, to Anna (Svabova), who ran a summer hotel, and Rudolf Forman, a professor. During World War II, his parents were taken away by the Nazis, after being accused of participating in the underground resistance. His father died in Mittelbau-Dora, a sub camp of Buchenwald, and his mother died in Auschwitz, at which Milos became an orphan very early on. He studied screen-writing at the Prague Film Academy (F.A.M.U.). In his Czechoslovakian films, Black Peter (1964), Loves of a Blonde (1965), and The Firemen's Ball (1967), he created his own style of comedy. During the invasion of his country by the troops of the Warsaw pact in the summer of 1968, to stop the Prague spring, he left Europe for the United States. In spite of difficulties, he filmed Taking Off (1971) there and achieved his fame later with One Flew Over the Cuckoo's Nest (1975) adapted from the novel of Ken Kesey, which won five Oscars, including one for best direction. Other important films of Milos Forman were the musical Hair (1979) and his biography of Wolfgang Amadeus Mozart, Amadeus (1984), which won eight Oscars.- Actor
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Stellan Skarsgård was born in Gothenburg, Västra Götalands län, Sweden, to Gudrun (Larsson) and Jan Skarsgård. He became a star in his teens through the title role in the TV-series Bombi Bitt och jag (1968). Between the years 1972-88 he was employed at The Royal Dramatic Theatre in Stockholm, where he participated in "Vita rum" (1988), August Strindberg's "Ett drömspel" (1986) and "Mäster Olof" (1988). Simultaneously Skarsgård did outstanding film roles, notably in The Simple-Minded Murderer (1982) by Hans Alfredson and with Fred Ward in Noon Wine (1985). The fantastic performance gave him both a well-earned Guldbagge and Silver Berlin Bear. He portrayed the Skagen-painter Sören Kröyer in Hip hip hurra! (1987) and the Swedish ambassador Raoul Wallenberg in God afton, herr Wallenberg (1990), both directed by Kjell Grede. Codename Coq Rouge (1989) and The Democratic Terrorist (1992) he played Jan Guillou's Swedish superagent Carl Hamilton. He also had the leading part in the Oscar nominated The Ox (1991) directed by the world-famous cinematographer Sven Nykvist. Skarsgård did his first (but small) role in an big American film with The Unbearable Lightness of Being (1988). The role of Captain Tupolev in The Hunt for Red October (1990) was at supposed to be biggest part in a Hollywood-film, but unfortunately it was cut down. His breakthrough instead came with Lars von Trier's Breaking the Waves (1996) opposite newcomer Emily Watson. After that Skarsgård got several supporting roles in American films, such as in My Son the Fanatic (1997), Gus Van Sant's Good Will Hunting (1997) and Steven Spielberg's Amistad (1997).- Director
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Jean-Pierre Jeunet is a self-taught director who was very quickly interested by cinema, with a predilection for a fantastic cinema where form is as important as the subject. Thus he started directing TV commercials and video clips (such as Julien Clerc in 1984). At the same time he met designer/drawer Marc Caro with whom he made two short animation movies: L'évasion (1978) and Le manège (1979), the latter winning a César for the best short movie. After these two successful movies Jeunet and Caro spent more than one year together by making every detail (scenario, costumes, production design) of their third short movie: The Bunker of the Last Gunshots (1981). This movie combined sci-fi and heroic-fantasy in a visually delirious story of the rising paranoia among soldiers trapped underground. With that movie they garnered several festival prizes in France. (This movie also marked their first collaboration with Gilles Adrien who later wrote the story of their two feature movies with them). After that Jeunet directed two other short movies without the help of Caro: Pas de repos pour Billy Brakko (1983), then Foutaises (1989) with Dominique Pinon who became another regular collaborator of Jeunet. All Jeunet's short movies won a lot of awards in France but also overseas and he won a second César with Foutaises (1989).
In 1991, Jeunet and Caro took their first steps in a feature movie: Delicatessen (1991). It was such a success that it won 4 Césars including the awards for the best new director(s) and the best scenario. For this movie Jeunet and Caro divided responsibilities with the former guiding the actors and the latter coordinating the artistic elements. And Jeunet showed again his liking to have Dominique Pinon, of course, but also Rufus, Jean-Claude Dreyfus and Ticky Holgado who appeared again in Jeunet's next movies, or Maurice Lamy who already had a little role in Foutaises (1989). The success of Delicatessen (1991) even surprised Jeunet and Caro themselves but they took advantage of that in order to finally make their almost 10 year-old project! This project took more than 4 more years to be carried out but the movie turned out enormous: The City of Lost Children (1995) was a black tale and was so innovative at this period that they needed to create new software for the special effects (mostly made by Pitof). Jeunet and Caro kept the same responsibilities as in Delicatessen (1991) and the movie also combined different international skills: US actor Ron Perlman, Chilean-born actor Daniel Emilfork, Iranian cinematographer Darius Khondji (who was already in the crew of Delicatessen (1991)), Americo-Italian composer Angelo Badalamenti and French fashion-designer Jean-Paul Gaultier for the costumes. While the film was supposed to be suitable for children, some considered it "dark", to which Jeunet and Caro replied that it was no more "dark" than Pinocchio (1940) or Bambi (1942).
But these critics didn't stop the movie from being successful and when the movie gained them further attention, it was only a matter of time before Hollywood called them. Thus in 1997, Jeunet left France to make a temporary career in the USA for the fourth installment of the 'Alien' series: Alien: Resurrection (1997). Marc Caro followed him just as a design supervisor but Jeunet brought with him a little army' of his usual collaborators (mostly French): actors Dominique Pinon and Ron Perlman, but also Pitof, Darius Khondji or editor Hervé Schneid, and for the first time Alain Carsoux who was responsible of the special effects of Jeunet's next film. In 2000, after two collaborations with Caro and one in the US, Jeunet came back to France in order to make a more personal movie, even if Guillaume Laurant wrote the story with him. Thus he used a lot of different details he wrote everywhere during his life (and also recycled things he'd already done, e.g. in Foutaises (1989)) and shot his story mostly in the Parisian suburb of Montmartre where he lives. Then the result was Amélie (2001) starring Audrey Tautou and Mathieu Kassovitz. With this movie Jeunet made the biggest worldwide success of French cinema history. A real magical potion, which won innumerable awards in the whole world including 4 Césars (therefore Jeunet won his fifth and sixth Césars!).
Jeunet eventually decided to adapt Sébastien Japrisot's book A Very Long Engagement (2004) for which he called Audrey Tautou and Dominique Pinon again, but also many other famous French actors and Jodie Foster. It had one of the most important budgets in French film history and eventually had a good international success and many nominations and awards.- Actress
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Audrey Justine Tautou was born on August 9, 1976 in Beaumont, France, to Evelyne Marie Laure (Nuret), a teacher, and Bernard Tautou, a dental surgeon. Audrey showed an interest for comedy at an early age and started her acting lessons at 'Cours Florent'. In 1998 she won the best young actress award in the ninth 'Jeune Comedien de Cinema Festival' in Bezier. Then, she came to the attention of Tonie Marshall who gave her a role in her film Venus Beauty Institute (1999) for which she won a Best New Actress Cesar. It came as a surprise to even Audrey: "I was so certain I could not be chosen that I told her that she probably dialled a wrong number." The director chose her for her natural nature: "She came, she gaffed, she turned reddish, her ears were in a funny position and her hair was relaxed. In five minutes, she gave me the heart of the character, a petite young girl who would like to be a lady and will become a woman." In 2000, Audrey was again nominated for a Cesar and her movie Amélie (2001) has been a phenomenal success worldwide.- Actor
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Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.
Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).
Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.
In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.
After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.- Actor
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Thomas Edward Hulce was born in Detroit, Michigan, and grew up in Plymouth, MI, where he was raised with his two sisters and older brother. He is the son of Joanna (Winkleman), who had sung professionally, and Raymond Albert Hulce, who worked for Ford. He has English, German, and Irish ancestry. Wanting to be a singer, Tom had to make a switch in plans when his voice began changing. Knowing that if he wanted to be in show business he needed to become an actor, Tom began taking the necessary steps almost immediately.
When asked once why he chose acting Tom replied, "Because someone told me I couldn't." It is determination like this that has helped him achieve his respected position in the acting community to this day. Tom set goals early on. Graduating from school at 19 years old, he gave himself a decade to succeed as an actor. Working in Ann Arbor as usher and ticket seller with a small theatrical company was a start. It was around this time he saw the first play and actor that made him realize that acting was "cool." Christopher Walken was in a play in Stratford, Ontario. The performance made quite an impression on Tom.
While Mr. and Mrs. Hulce weren't totally sold on the idea of their son becoming a thespian, Tom had determination and headed off for the training he knew he'd need if he was going to achieve his goal. He studied at the North Carolina School of the Arts in Winston-Salem; at Booth Bay Harbor, Maine; Sarasota, Florida; and spent a summer in England before heading off to New York City to try his hand at Broadway. Within a month after his arrival, Tom was chosen to understudy the role being performed by Peter Firth in the Broadway play "Equus." He had originally been hired to play one of the horses, but it was decided that his time was better spent learning the understudy role and so he never donned the horse's attire.
Tom had pangs of guilt where this role was concerned. On one hand he wanted the role ... badly. On the other hand he wondered what would happen if Peter left the role; could he fill those shoes? When the time came, nine months after being hired, Tom found out that it was up to him to play the role as his own. He wasn't expected to be another Peter Firth... he had been hired to play the role his way. "... it actually went quite well, " Tom recalled. "I realized I was a different actor and that I would tackle the part in my own way." And tackle it he did! Equus has a few "firsts" for Tom. One, it was his first big role; two, it was his first Broadway role and third, it was his first nude performance. For nine minutes Tom and his costar, Roberta Maxwell, were naked in a scene that seemed impossible for the stage a decade earlier (1960s). In a past interview Tom reflected, "It's so skillfully written and developed that it doesn't seem an unusual thing to do. There's no embarrassment, I just don't think about it at all." During the run of "Equus," Tom turned down a big television offer, to the delight of the director and cast. At that time in Tom's life the stage was all there was, and he was going to do it right! Other plays that followed "Equus" were George S. Kaufman's "Butter and Egg Man," Arthur Miller's "Memory of Two Mondays," along with such works as "Julius Caesar," "Romeo and Juliet," Shaw's "Candida," and Chekhov's "The Sea Gull," and, again on Broadway in his Tony nominated role in Aaron Sorkin's "A Few Good Men."
Tom has even directed the off-Broadway musical "Sleep Around Town" at Playwrights Horizon. Back in 1977 Tom landed his first motion picture role in the film about the day James Dean died, September 30, 1955 (1977). This was to be the first of a long line of period films. His next was National Lampoon's National Lampoon's Animal House (1978). Set in the 1960's, Tom played "Pinto" along with such comedy alumni as 'John Belushi', Tim Matheson, and Donald Sutherland.
1984 gave him the role that put him on the map. The title role of Wolfgang Amadeus Mozart in the Oscar-winner Amadeus (1984) was such a wonder that it even boosted the sales of Mozart's music by 30%! Filmed in Prague, it was eerie for Tom to actually be standing in the very spot where the original Amadeus had stood conducting the opera Tom was recreating for the film. Dressed in a purple velvet jacket, knickers, and white hose, wearing a bushy white wig and doling out a hilarious laugh (often likened to that of a hyena's) Tom's portrayal of the "man-child" musical genius was an Oscar-nominated performance.
Tom has been in many more films set in the past: Those Lips, Those Eyes (1980)(1950s), Shadowman (1988) (World War II), Mary Shelley's Frankenstein (1994) (1800s), Wings of Courage (1995)(1930's), and Disney's The Hunchback of Notre Dame (1996)(1500s). Tom appeared in Echo Park (1985) with Susan Dey, a film that had a struggle to get released remains one of Tom's best performances and one that he is quite proud of. Another film that Tom feels a lot of pride for is Dominick and Eugene (1988). Starring with Ray Liotta and Jamie Lee Curtis, Tom played Dominick Luciano, a mentally handicapped twin brother to Liotta's Eugene. The young man works as a garbage collector to help put his brother through medical school so he can become a "rich doctor" and they can afford to get a "house by a lake." Tom spent time studying people in a Pittsburgh neighborhood and handicapped people in an occupational training center so he could master the innocence and determination that the lead role required. He received the Best Actor award at the Seattle Fest for his performance.
Murder in Mississippi (1990) was Tom's second television movie (the first was Forget-Me-Not-Lane (1975) (aka "Neli, Neli"), a Hallmark Hall of Fame production). Playing the role of Michael Schwerner, the New York social worker and Freedom Fighter who is murdered by K.K.K. members in 1964 during Freedom Summer, Tom received an Emmy nomination and his third Golden Globe nomination.
The Inner Circle (1991) (aka "The Projectionist") took Tom to Russia where he was Ivan Sanshin, the private film projectionist to Stalin within the Kremlin walls. Based on a true story, Ivan was a perfect example of how many were blinded to the horrific conditions that men like Stalin conducted and followed in ignorant loyalty. While there, Tom was fortunate to meet and spend time with Alexander Ganshin, upon whose life the film was based.
The next three years held special items for Tom. His portrayal of Peter Patrone, in T.N.T.'s The Heidi Chronicles (1995), earned him an Emmy for Outstanding Supporting Actor in a Miniseries or Special, and 1994 and 1996 brought two of Tom's last period pieces. Mary Shelley's Frankenstein (1994) had Tom playing opposite Kenneth Branagh as Victor Frankenstein's college chum, Henry. And 1996 was a whole new experience for Tom. Disney was looking for someone special to portray their gentle Quasimodo in their newest full feature animation motion picture, The Hunchback of Notre Dame (1996).
Tom had never done voiceover work for a full film; to sing before a microphone was one thing, but to do song and voice for someone that he couldn't watch while performing was a whole new experience for him. Herecalled that when he first auditioned he thought it strange that the producers and director stood looking at the floor while he sang...until he noticed they were looking at sketches of Quasimodo and were trying to "feel" if he sounded like their bell ringer.
1998 saw Tom returning to the stage but this time as director again, as he undertook the enormous task of bringing John Irving's 1985 novel, "The Cider House Rules", to the stage. An 8-hour production which required the audience two days to see the whole performance, it was quite an undertaking. Co-directing with Jane Jones (of "BookIt" in Seattle, Washington) Tom took the play from its Seattle opening to the Mark Taper Forum in Los Angeles, California where it received wonderful reviews.
During the past recent years Tom has resided in Seattle, Washington where he owns his own home. He figures he could live in Los Angeles or New York - the acting hubs - but in Seattle, he's near the things he loves. "Up in Seattle people look after their lives in a way you can't do in New York or Los Angeles," he says. But no matter where he calls home, we can always count on Tom for bringing us into a world that will thrill, excite, fascinate, move and inspire us either through his films, the stage, or his beautiful singing.- Actor
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Scatman Crothers was born Benjamin Sherman Crothers on May 23, 1910 in Terre Haute, Indiana. Songwriter ("Dearest One"), actor, composer, singer, comedian, and guitarist who, after high school, appeared in nightclubs, hotels, and films, and on television. He made many records, including his own compositions. He joined ASCAP in 1959, and his popular-song compositions also include "The Gal Looks Good", "Nobody Knows Why", "I Was There", "A Man's Gotta Eat", and "When, Oh When". Scatman Crothers died at age 76 of pneumonia and lung cancer at his home in Van Nuys, California on November 22, 1986.- Actor
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Jamie Foxx is an American actor, singer and comedian. He won an Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, and Golden Globe Award for Best Actor in a Musical or Comedy, for his work in the biographical film Ray (2004). The same year, he was nominated for the Academy Award for Best Supporting Actor for his role in the action film Collateral (2004). Other prominent acting roles include the title role in the film Django Unchained (2012), the supervillain Electro in The Amazing Spider-Man 2 (2014), and William Stacks in the modern version of Annie (2014).
Jamie Foxx was born Eric Marlon Bishop in Terrell, Texas, to Louise Annette Talley and Darrell Bishop, who worked as a stockbroker and had later changed his name to Shahid Abdula. His mother was an adopted child. When her marriage to his father failed, his maternal grandparents, Mark and Estelle Talley, stepped in and, at age seven months, adopted Jamie too. He has said that he had a very rigid upbringing that placed him in the Boy Scouts and the church choir. During high school, he played quarterback for his high school team and was good enough that he got press in Dallas newspapers. He studied music in college. He released a music album, "Peep This" (1994), and sings the theme song for his movie, Any Given Sunday (1999). However, in 1989, his life changed when a girlfriend challenged him to get up onstage at the Comedy Club. In fact, he says he took his androgynous stage name because he learned that women got preference for mike time on open stage nights. That led to his being cast on Roc (1991) and In Living Color (1990).
Foxx had his own WB television show from 1996 to 2001, the sitcom The Jamie Foxx Show (1996), in which he played Jamie King Jr. Foxx is also a Grammy Award-winning musician, producing four albums which have charted highly on the US Billboard 200: "Unpredictable" (2005), which topped the chart, "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). In 2012, Foxx starred in the title role of the Quentin Tarantino written and directed Django Unchained (2012). Foxx starred alongside his Ray co-star Kerry Washington, as well as Christoph Waltz, Leonardo DiCaprio and Samuel L. Jackson. In 2013, Foxx was cast as President James Sawyer in White House Down (2013) alongside Channing Tatum. The following year, Foxx appeared as the villain Electro in The Amazing Spider-Man 2 (2014), and co-starred with Quvenzhané Wallis in Annie (2014), Sony's Will Smith and Jay-Z produced update of the comic strip-turned-musical.
He has two children, including Corinne Foxx, (born 1994), who resides with her mother.- Director
- Writer
- Actor
Eli Raphael Roth was born in Newton, Massachusetts, to Cora (Bialis), a painter, and Sheldon H. Roth, a psychoanalyst, psychiatrist, and clinical professor. His family is Jewish (from Austria, Hungary, Russia, and Poland). He began shooting Super 8 films at the age of eight; after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood, and his father's power tools, he made over 50 short films before attending film school at NYU, where he won a student Academy Award and graduated summa cum laude in 1994.
Eli worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. At the age of 20, Roth was development head for producer Fred Zollo, a position he soon left to write full time. To earn a living, Roth did budgets and schedules for the films A Price Above Rubies (1998) and Illuminata (1998), and often worked as a stand-in, where he could watch directors work with the actors. In 1995, Roth co-wrote the script that would eventually become Cabin Fever (2002) with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series Chowdaheads (1999). Roth and friend Noah Belson (Cabin Fever (2002)'s Guitar Man) wrote and voiced the episodes, which Roth produced, directed, and designed. The episodes were due to run on WCW's #1 rated series WCW Monday Nitro (1995) but the CEO was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called The Rotten Fruit (2003) which he produced, directed, and animated, as well as co-wrote and voiced with friend Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com.
In 2001, Roth filmed Cabin Fever (2002) on a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and their family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually won by Lion's Gate, instantly doubling their investors' money. It went on to not only be the highest-grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino, and Tobe Hooper. Roth used the film's success to launch a slew of projects, including The Box (2009), a horror thriller he co-wrote with Richard Kelly. In May 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a horror film production company.
In 2014, Eli married Chilean model and actress Lorenza Izzo.- Actor
- Producer
- Director
Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.
Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".
Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.
During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.
It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).
He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.
Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.