Most Beautiful Women in the World
Most Beautiful Women in the World
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- Canadian born, Shauna Baker was raised by her Dené Grandmother on a reservation in northern Canada. Shauna was extensively involved in business before her entertainment career began. Despite her success in the corporate world, she instinctively knew she was not following her dreams. Shauna started modeling, then moved to hosting and then fell in love with the dramatic arts.
Her acting credits include a supporting lead in an executive produced Robert Redford feature film selected in Sundance called Drunktown's Finest (2014), guest-starring roles in Blue Mountain State (2010) and Smallville (2001). - Actress
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Arielle Laure Maxime Sonnery, later known as Arielle Dombasle, was born to French parents in Hartford, Connecticut. After their mother's death in 1964, Dombasle and her brother were raised in Mexico by their maternal grandparents; she attended Lycée Franco-Mexicain, a private school. She decided to pursue a career in acting and singing after attending the Conservatoire International de Musique de Paris.
Dombasle released five singles in the 1980s: "Paris m'a séduit" (1980), "Cantate 78" (1985), "Je te salue mari" (1986), "Nada más" (1988), and "Amour symphonique" (1989). She made her feature film debut in the French-language drama Perceval le Gallois (1978), and has gone on to appear in over 70 movies, most of which are French. Dombasle was nominated for a César Award for her supporting performance in the romantic drama Boredom (1998), but lost to Dominique Blanc for Those Who Love Me Can Take the Train (1998). As well as acting, Dombasle has also directed and penned three films: Chassé-croisé (1982), Les pyramides bleues (1988), and Opium (2013).
During the 1990s, Dombasle was on a break from her music career, but bounced back in the 2000s with six singles: "Liberta" (2000), "Rhum and Coca-Cola" (2004), "C'est si bon" (2006), "Où tu Veux" (2007), and "Extraterrestre" (2009). She has continued to work as a musician into her 60s, having released nine albums since 2000. Dombasle is also an animal rights activist, having campaigned against slaughterhouses.
She is married to French philosopher and writer Bernard-Henri Lévy, and is stepmother to Lévy's two children.- Actress
- Soundtrack
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Tia Carrere, born and raised in Honolulu, Hawaii, was discovered in a grocery store and landed the female lead in the film Aloha Summer. She then moved to Los Angeles and continued her ascent in the acting world as a series regular on General Hospital as well as a string of guest starring roles on MacGyver, Quantum Leap, Married With Children, and Friday the 13th among others. With her iconic breakthrough role as Cassandra in Wayne's World and Wayne's World 2, Tia was able to showcase both her considerable singing as well as acting chops. Wayne's World was a worldwide phenom and set the stage for the femme fatale role of Juno Skinner in James Cameron's film True Lies, opposite Arnold Schwarzenegger; the computer whiz Jingo Asakuma in Rising Sun opposite Sean Connery and Wesley Snipes; and her very own series lead as Sydney Fox in Relic Hunter. Other work includes Nip/Tuck, In Plain Sight, Curb Your Enthusiasm, and many more. Subsequently Tia returned to her Hawaii roots starring in Disney's animated film Lilo & Stitch, while on the musical front, being nominated four times and winning the Grammy twice with her records 'ikena and Huana Ke Aloha. She also co-hosted and performed during the ceremony. Lately, Tia can be seen in Michael Patrick King's series AJ & the Queen starring RuPaul, Amblin Films "Easter Sunday" starring JoKoy and Mindy Kaling's Never Have I Ever. She also just released a single and video of a song she wrote called "I'm Still Here".- Actress
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Jaclyn Smith was born Jacquelyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie's Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC.
Smith is the only original "Angel" to stay with the show through its entire five-season run (1976-81). She is also the only "Angel" from the television series to make an appearance in either of the movie adaptations. (She had an uncredited cameo in Charlie's Angels: Full Throttle (2003) as "Kelly Garrett", offering advice to the new generation of angels.)
After Charlie's Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at Kmart since 1985, and is often a spokesperson.
Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to physician Dr. Brad Allen. She married him in 1997; the two created the skincare line which Smith promotes.- Actress
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Emily Erin Deschanel (born October 11, 1976) is an American actress and producer. She is best known for starring in the Fox crime procedural comedy-drama series Bones as Dr. Temperance Brennan since 2005.
Deschanel was born in Los Angeles, California, to cinematographer and director Caleb Deschanel and actress Mary Jo Deschanel (née Weir). Her younger sister is actress and singer-songwriter Zooey Deschanel. Her paternal grandfather was French, from Oullins, Rhône; her ancestry also includes Swiss, Dutch, English, Irish, and other French roots.
Deschanel attended Harvard-Westlake and Crossroads School in Los Angeles before graduating from Boston University's Professional Actors Training Program with a Bachelor of Fine Arts in Theater.
In 1994, Deschanel made her feature film debut in It Could Happen to You. Her next notable role was in Stephen King's Rose Red in 2002. Then she appeared in Cold Mountain, The Alamo, and Glory Road and was named one of "six actresses to watch" by Interview Magazine in 2004.
In 2005, Deschanel won the role of Dr. Temperance Brennan with David Boreanaz as FBI agent Seeley Booth on the Fox crime procedural comedy-drama Bones, based on the novels and the career of forensic anthropologist and author Kathy Reichs that premiered on September 13, 2005. For her performance, she received a 2006 Satellite Award nomination and a 2007 Teen Choice Award nomination. Deschanel and Boreanaz served as co-producers at the start of the show's third season, before becoming producers in the middle of the show's fourth season.
Deschanel, with Alyson Hannigan, Jaime King, Minka Kelly, and Katharine McPhee made a video slumber party featured on FunnyorDie.com to promote regular breast cancer screenings for the organization Stand Up 2 Cancer. In recent years, her passion for animal welfare has led her to providing the narration for My Child Is a Monkey and serving as an associate producer on the documentary film How I Became an Elephant. Deschanel ranked number 72 in The 2012 Hot 100 on AfterEllen.
Deschanel is a vegan and a committed supporter of animal rights causes. She can be seen in an Access Hollywood video at the book launch event of Karen Dawn's Thanking the Monkey: Rethinking the Way We Treat Animals, discussing how vegetarian and vegan diets help the environment, and a video on the homepage of the book's website talking about the importance of animal rights. She collaborated with PETA on a video encouraging mothers to raise their children as vegans. In September 2014, she joined the board of directors at Farm Sanctuary.
Deschanel was raised Roman Catholic, but is no longer practicing, and has expressed agnostic views, saying "I am more of a spiritual person, if anything, and I am of the belief that we don't know, and I'm not going to pretend that I do."
On September 25, 2010, Deschanel married It's Always Sunny in Philadelphia actor and writer David Hornsby in a small private ceremony in the Pacific Palisades area of Los Angeles. On September 21, 2011, Deschanel gave birth to their son Henry Lamar Hornsby. On June 8, 2015, she gave birth to their second son, Calvin.
Deschanel is best friends with her Bones co-star Michaela Conlin, who plays her best friend Angela Montenegro on the show; she is also friends with her Bones co-star David Boreanaz with whom she has a strong working relationship.- Actress
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Katja Riemann was born on 1 November 1963 in Kirchweyhe, Weyhe, Lower Saxony, Germany. She is an actress and director, known for Suck Me Shakespeer (2013), Rosenstrasse (2003) and Bandits (1997).- Actress
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Born in Shanghai, China to a banker father and a painter mother. The family left for Hong Kong where Irene attended parochial school and studied ballet. At 12 the family immigrated to New York City where Irene attended George Washington HS and Quintano's School for young professionals and studied ballet and jazz at Carnegie Hall. She was a teenage dancer in Flower Drum Song (1961), directed by Henry Koster who gave her her first speaking role as a teenage prostitute in his next film, Take Her, She's Mine starring James Stewart which launched her acting career.
Her career spans four decades in most of the popular TV series (50 titles) and 32 feature films. Irene was able to cross over to play not only Chinese parts but roles originally written for other ethnicities with the help of casting directors and creative writers/directors. Director Paul Mazursky cast Irene as Shiela Waltzberg, the Jewish princess wife in Down & Out in Beverly Hills. Director Frank Tashlin cast Irene as Ray Walston's secretary in Caprice Irene played a Malaysian revolutionary in Paper Tiger. She was also the TV spokeswoman for Chevron Island Wiki Wiki Dollars for Standard Oil, as well as Hawaiian Punch for Proctor and Gamble
Irene Speaks 3 dialects of Chinese, she appeared in the Peter Chan Ho-Sun's hit Hong Kong film Comrades: Almost a Love Story (1996) and Golden Chicken (2002).
Irene studied acting with Ned Manderino and Milton Katselas in Los Angeles For the past two decades, Irene has been a successful realtor in Beverly Hills. She enjoys helping people body mind and spirit. She teaches Bikram yoga for the Beverly Hills Department of Parks.- IMDB Mini Biography
- Sophie Thalmann was born on 7 May 1976 in Bar-le-Duc, Meuse, France. She is an actress, known for Turf (2013), Fracassés (2008) and Sous le soleil (1996). She has been married to Christophe Soumillon since 22 July 2006. They have three children.
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Danai Gurira was born in Grinnell, Iowa, to Josephine and Roger Gurira, who were from Zimbabwe. Her father was then teaching Chemistry at Grinnell College. When she was five, the family moved back to Zimbabwe, residing in the capital Harare. Gurira later returned to the United States, and studied social psychology at Macalester College, receiving an MFA from New York University's Tisch School of the Arts. She is the co-author of the play, "In the Continuum", with Nikkole Salter.- Eriko made her acting debut at age 14 in the highly acclaimed Asian feature film, "Flowerly Afternoon," which was directed by Kazuki Omori, best known in the U.S. for his work with the famous "Godzilla" television series. Eriko rose to fame when she joined the popular TV show "Go with the Wild!" as a series regular. Then she starred in the award-winning NHK's mini-series "My Beloved Ultra Seven" followed by the Japan's highly regarded television series "Hideyoshi" in which she portrayed Hosokawa Garacia, a historically renowned woman in Japanese history who endured severe persecution when she became Japan's first woman to convert to Christianity. This demanding role required Eriko to play Garacia from age 14 all the way up to age 37. Between the big and small screen, Eriko also recorded and released 10 original albums and 18 singles with record label EMI, touring all over Japan giving sold out concert performances. Having played the lead in over 20 films and television series, her life would become the basis for a beloved anime series entitled: Legendary Idol Eriko, which has been translated into six languages and syndicated world-wide currently, airing in such countries as France, Italy, India and Spain.
Eriko joined the highest rated show of the 2006 - 2007 television season, NBC's drama "Heroes," as Princess Yaeko. The show received a Golden Globe nomination for Best Television Series - Drama and also won the People's Choice Award for Favorite New Television Drama. Her tough but vulnerable performance as Princess Yaeko led to her being cast in 20th Century Fox's feature "Dragonball Evolution"as sexy villainess, Mai. Soon after she joined the cast of CW's "Reaper, (2009)" as Kristen, a love interest to Tyler Labine's character Sock. Her first autobiography was published in Japan by the leading publishing company, Bungeishunjyu (2010.) In 2011, the tragedy of Japan's magnitude 9.1 earthquake, tsunami and nuclear disaster changed her life. Her parents' home in her hometown severely damaged by the aftermath eventually led her to shift her focus and found a nonprofit organization dedicated to helping the survivors of this tragedy. - Yuki Kazamatsuri was born on 15 August 1953 in Tokyo, Japan. She is an actress, known for Kill Bill: Vol. 1 (2003), Ichi the Killer (2001) and Kill Bill: Vol. 2 (2004). She has been married to Toru Hasebe since 14 February 2003.
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Nancy Sandra Sinatra was born the first child of Frank Sinatra and Nancy Barbato Sinatra on June 8, 1940 in Jersey City, New Jersey. Her first television appearance was with her father and Elvis Presley in 1959. She first appeared as a film actress in For Those Who Think Young (1964) and Get Yourself a College Girl (1964). Nancy appeared alongside Elvis in the musical comedy Speedway (1968). She also had a successful career as a singer with two United States chart-toppers ("These Boots Are Made for Walking" and the duet with her father called "Somethin' Stupid") as well as numerous other chart entries including the John Barry / Leslie Bricusse penned theme song to the James Bond film You Only Live Twice (1967). Lee Hazlewood wrote many of her songs and sang with her on some of them. By the early 1970s, she was covering new ground by recording songs from other writers such as Bob Dylan, Smokey Robinson, Lynsey de Paul and Roy Wood. In recent years, Nancy has made a comeback also not hindered by the recent successful re-recording of "Somethin' Stupid" by Robbie Williams and Nicole Kidman.- Actress
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Margaret Cho was born on December 5, 1968 in San Francisco. Her grandfather was a Methodist minister who ran an orphanage in Seoul during the Korean War. Ignoring the traditions of her patriarchal culture, her mother bravely resisted an arranged marriage in Korea & married Margaret's father, who writes joke books in Korean.
What she did know is that she didn't love being a kid. Racing toward adulthood to escape bullying, she began writing jokes for stand up at 14 & professionally performing at 16. Getting picked on & feeling disenfranchised's a subject that's very near to her heart. She has become a sort of patron saint for outsiders, speaking for them when they are not able to speak for themselves.
Soon after starting her career, she won a comedy contest where first prize was opening for Jerry Seinfeld. She moved to Los Angeles in the early '90s & hit the college circuit, where she immediately became the most booked act in the market, garnering a nomination for Campus Comedian of The Year. She performed over 300 concerts within 2 years. Arsenio Hall introduced her to late night audiences, Bob Hope put her on a prime time special & seemingly overnight, she became a national celebrity.
Her groundbreaking, controversial & short-lived ABC sitcom All-American Girl soon followed. Oddly, while chosen because of who she was-a non-conformist Korean-American woman w/ liberal views-the network decided it wanted her to tone it down for the show. Challenging her feelings for both who she was & how she looked, she soon realized that though she was an executive producer, it was a battle she wouldn't win.
The experience was a traumatic one, bringing up unresolved feelings left over from childhood. She developed an eating disorder as a response to criticism about her body. She was so obsessive in her goal to try to be what she thought others wanted, she landed in the hospital w/ kidney failure. Throughout a period of self-abuse, she continued performing to sold-out audiences across the country in comedy clubs, theaters & on college campuses, working to channel her anger in to something more positive.
In 1999, her groundbreaking, off-Broadway one-woman show, I'm The One That I Want, garnered national acclaim. It was made into a best-selling book & feature film. After her experience w/ All-American Girl, she wanted to make sure she would only have to answer to herself, making sure she was responsible for the distribution & sales of her film, taking a page from what music artist Ani DiFranco did w/ her Righteous Babe Records. The concert film, which garnered incredible reviews, broke records for most money grossed per print in movie history. In 2001, after the success of her first tour, she launched Notorious C.H.O., a smash-hit 37-city national tour that culminated in a sold-out concert at Carnegie Hall. It was recorded & released as a feature film, hailed by the New York Times as "Brilliant!" Both films were acquired by Showtime Cable Networks & produced by her production company, a testament to the success of her bold business model.
In March of 2003, she embarked on her third sold-out national tour, Revolution. It was heralded by the Chicago Sun Times as "Her strongest show yet!" The CD recording was nominated for a Grammy for Comedy Album of the Year. In 2005, she released Assassin, which The Chicago Tribune crowed "Packs passion in to each punch." The concert film premiered in select theaters as well as on the gay & lesbian premium channel Here! TV in late 2005.
In 2007, she hit the road w/ Cyndi Lauper, Debbie Harry & Erasure, along w/ indie faves The Dresden Dolls & The Cliks, to host the True Colors Tour, benefiting the Human Rights Campaign. A true entertainment pioneer, she also created & starred in The Sensuous Woman, a live variety show featuring vaudevillian burlesque & comedy, which she took for an extended off-Broadway run that fall.
She returned to TV in 2008 on the VH1 series, The Cho Show. It followed her, her real parents & her eccentric entourage through a series of irreverent & outrageous experiences shaped by her 'anything goes' brand of stand-up. It was beloved for the audience it was intended for, the ones who maybe don't quite fit in.
The aptly titled Beautiful came next, exploring the good, bad & ugly in beauty as well as the unattractive politicians & marketers who shape our world. The concert premiered in Australia at The Sydney Theater, marking the first time she debuted a tour abroad. While touring through the U.S., the concert was filmed at the Long Beach theater, aired as a special on Showtime in 2009, then released as both a DVD & a book.
In 2009, she nabbed a starring role in the comedy/drama series Drop Dead Diva, which aired on Lifetime. She enjoys being part of a team, not necessarily having the sole responsibility for keeping things afloat.
Never one to shy away from a challenge, she stepped right up to the proverbial plate when asked to do Season 11 of Dancing with the Stars. Paired w/ pro Louie Van Amstel, she was on 1 of the show's most controversial seasons, dancing alongside Mike "The Situation" Sorrentino, David Hasselhoff, Jennifer Grey & Bristol Palin among others.
She got a very strong reaction to her Rainbow Dancing Dress during a time when the issue of bullying, especially among gay teens, was all over the media.
2010 culminated w/ another high honor, a second Grammy Award nomination for Comedy Album of the Year for Cho Dependent, her collection of music featuring collaborations w/ Fiona Apple, Andrew Bird, Grant Lee Phillips, Tegan & Sara, Ben Lee & more. The album received critical acclaim.
She self released Cho Dependent on her own Clownery Records & was encouraged by the acclaim, as there were only a handful of people putting out albums of comedy music-"Weird" Al Yankovic, Flight of the Conchords, The Lonely Island, to name a few-but no women. While thrilled that her hard work was rewarded w/ the nomination, she wasn't finished w/musical comedy yet, claiming to have more music in her.
In 2011, she released the live concert film of Cho Dependent, which also had its cable network debut on Showtime. Audiences who caught these performances live can attest that she hasn't lost any of her edge on Cho Dependent, her sixth live concert DVD. Shot at the Tabernacle in Atlanta. She remains uncensored, but never unhinged: taking aim at the Palin family, appearing on Dancing w/ the Stars, smoking pot & living in a world w/ sexting' The DVD's no-holds-barred Margaret & instantly a classic.
She then filmed the sixth & final season on Drop Dead Diva. She returned as "Teri" Girl Friday to Brooke Elliott's Jane Bingham, whose body's inhabited by the soul of a vapid model sent back to earth after Heaven judges her as a zero-zero for having committed no good & no bad deeds. Drop Dead Diva's not only beloved on Lifetime, but by the many stars who have lined up to guest on the show such as Paula Abdul, Wanda Sykes, Rosie O'Donnell, Vivica Fox & Kim Kardashian.
Not one to rest on her laurels, she spent whatever free time she had crafting her all new stand-up show Mother, which kicked off in September 2012, including both a U.S. & European tour.
Paradox not lost, she re-scheduled some of the shows she had booked mid-September so she could attend the Emmy Awards w/ her mother, having been nominated for a Primetime Emmy for Outstanding Guest Actress in a Comedy Series for her stint on 30 Rock as gender-bending North Korean leader Kim Jong-Il.
In 2014, she filmed a pilot for FOX & was thrilled to work w/Tina Fey as well as the producing team from 30 Rock. The multi-camera comedy takes place at a women's college that had just opened its doors to men for the first time.
While thrilled w/ her 2 Grammy & recent Emmy nomination, she has never turned away from the causes that are important to her. She's active in anti-racism, anti-bullying & gay rights campaign. She has been recognized for her unwavering dedication, receiving the Victory Fund's 2008 Leadership Award & the first ever Best Comedy Performance Award at the 2007 Asian Excellence Awards. She also received the First Amendment Award from the ACLU of Southern California & the Intrepid Award from the National Organization for Women (NOW). Throughout her career, she has been honored by GLAAD, American Women in Radio & Television, the Lambda Legal Defense & Education Fund, the National Gay & Lesbian Task Force (NGLTF), the Asian American Legal Defense & Education Fund (AALDEF) & PFLAG for making a significant difference in promoting equal rights for all, regardless of race, sexual orientation or gender identity. In June 2011, she was honored by L.A. Pride w/ a Lifetime Achievement Award, recognizing an individual whose lifetime body of work has left a lasting major imprint on the LGBT community.
Through her hard work, she has had the opportunity to be heard, to extend her point of view & become regarded as a true pioneer in her field. She takes none of it for granted.- Chasty Rose Ballesteros is a Canadian actress of Filipino descent who has had roles in Smallville, Supernatural, Psych, Sanctuary, Modern Family, The Big Bang Theory, and How I Met Your Mother. Raised in Winnipeg, Ballesteros moved to Vancouver after high school, to pursue a career as a hairstylist and a manager of a hair salon as well as a model and an actress.
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Mariko Okada was born on 11 January 1933 in Tokyo, Japan. She is an actress and producer, known for Samurai III: Duel at Ganryu Island (1956), Akitsu Springs (1962) and This Year's Love (1962). She was previously married to Yoshishige Yoshida.- Actress
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Barbara Niven was born in Portland, Oregon, USA. She is an actress and producer, known for Chesapeake Shores (2016), A Perfect Ending (2012) and The Rat Pack (1998).- Actress
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Nancy Stafford was born in Wilton Manors, Florida, a suburb of Ft. Lauderdale, Florida, where she was raised in a Southern Baptist family home.
She has starred in many TV shows, such as Riptide (1984), Remington Steele (1982), Scarecrow and Mrs. King (1983), Who's the Boss? (1984), Hunter (1984) and Quantum Leap (1989). She also guest-starred on an episode of Magnum, P.I. (1980).
Her biggest claim to fame on television was with Andy Griffith on Matlock (1986).
She also guest-starred in many shows in the late 1990s such as ER (1994), Frasier (1993), Babylon 5 (1993), Baywatch (1989) and The Mentalist (2008).
Additionally, Stafford played "The Lady in the Park" in the 2004 Award-winning short film, The Proverb (2004), along with her friends, Jeff Andrus and Scott Waara.- Tomoka Igari was born on 9 December 1991 in Saitama, Japan. She is an actress, known for Restart: Runway - Episode Zero (2019) and The Fish with One Sleeve (2021).
- Aki Shibuya is known for The Coffin (2008), The Wings of Hakenkreuz (2004) and Iryû: Team Medical Dragon (2006).
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Nana Nanase is known for Hiru (2022) and Judgment (2018).- Katsumi is known for Sakuradamon-nai no hen (2012) and Bayblues: 25 Years and 354 Days (2014).
- Jenny Jameson is known for Morningstar/Eveningstar (1986).
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Melissa grew up in Sayville, New York. Her acting career started at the age of four, when she did a commercial for a bathtub toy called Splashy. Her mother, Paula Hart, has been her agent from the beginning. Melissa is the oldest of eight children, some from her mother's second marriage. Six sisters, Trisha Hart, Elizabeth Hart, Emily Hart, Alexandra Hart-Gilliams, Samantha Hart, and Mackenzie Lee Hart, who is the only sibling who never appeared on Melissa's TV series, Sabrina the Teenage Witch (1996). Her brother is Brian Hart.
Melissa performed in two plays as the youngest member of New York's Circle Repertory Lab Company: "Beside Herself" in 1989 (starring Lois Smith and William Hurt) and "Imagining Brad" in 1990. She was also in the National Actors Theater production of "The Crucible" on Broadway with Martin Sheen (as understudy of three of the children in the play). Melissa cites Shirley Temple and Audrey Hepburn as early acting inspirations and still collects memorabilia of the former. For the past few years, she has been juggling acting and attending New York University. She's now living in Connecticut.- Music Artist
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Linda Perry was born on 15 April 1965 in Springfield, Massachusetts, USA. She is a music artist and composer, known for Dumplin' (2018), Luckiest Girl Alive (2022) and Resident Evil: Welcome to Raccoon City (2021). She was previously married to Sara Gilbert.- Actress
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Estelle Merle Thompson was born in India on February 19, 1911 of Welsh and Ceylonese (now Sri Lankan) descent. She was educated in that country until the age of 17, when she left for London. She began her career in British films with mostly forgettable roles or bit parts. She appeared in an uncredited role in Alf's Button (1930), a pattern that would unfortunately repeat itself regularly over the next three years.
However, movie moguls eventually saw an untapped talent in their midst and began grooming Oberon for something bigger. Finally she landed a part with substance: the role of Ysobel d'Aunay in Men of Tomorrow (1932). That was quickly followed by The Private Life of Henry VIII (1933). After her portrayal of Lady Marguerite Blakeney in The Scarlet Pimpernel (1934), Hollywood beckoned and she left to try her hand in US films. American movie executives already had some idea of her talent due to her role in Vagabond Violinist (1934) (US title: Vagabond Violinist) was a success in that country. With her nomination for an Academy Award for Best Actress as Kitty Vane in The Dark Angel (1935), Oberon became a star in both the UK and the USA.
Her work in that film resulted in offers for more quality pictures, and she appeared in several well received films, such as These Three (1936), Over the Moon (1939) and The Divorce of Lady X (1938). Her most critically acclaimed performance--hailed by some critics as "masterful" -- was as Cathy Linton in Wuthering Heights (1939). The 1940s proved to be a very busy decade for her, as she appeared in no less than 15 films. After her role in Berlin Express (1948) she would not be seen on the screen again until four years later, as Elizabeth Rockwell in Pardon My French (1951). She was off the screen again for more than a year, returning in Désirée (1954).
Unfortunately, Oberon began appearing in fewer and fewer films over the ensuing years. There were no films for her in 1955, only one in 1956 and then none until Of Love and Desire (1963). In between she did appear on television to host Assignment Foreign Legion (1956). Her final film was Interval (1973). After her career finally ended she lived in quiet retirement until her death of a massive stroke on November 23, 1979, in Malibu, California. Oberon was 68 and had kept her beauty to the end.- Actress
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Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).- Actress
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Sylva Koscina was born on 22 August 1933 in Zagreb, Croatia, Yugoslavia [now Zagreb, Croatia]. She was an actress, known for Hercules (1958), Hornets' Nest (1970) and Judex (1963). She was married to Raimondo Castelli. She died on 26 December 1994 in Rome, Lazio, Italy.- Actress
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Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theater director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka "Money on the Street") in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: "Ecstasy") and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time.
Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of "Ecstasy" he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films.
Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. In 1949, she starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theaters. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1958).
Hedy retired to Florida. She died there, in the city of Casselberry, on January 19, 2000.- Actress
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Deborah Jane Trimmer was born on 30 September 1921 in Glasgow, Scotland, the daughter of Captain Arthur Kerr Trimmer. She was educated at Northumberland House, Clifton, Bristol. She first performed at the Open Air Theatre in Regent's Park, London. She subsequently performed with the Oxford Repertory Company 1939-40. Her first appearance on the West End stage was as Ellie Dunn in "Heartbreak House" at the Cambridge Theatre in 1943. She performed in France, Belgium and Holland with ENSA (Entertainments National Service Association, or Every Night Something Awful) - The British Army entertainment service. She has appeared in many films from her first appearance in Major Barbara (1941).- Actress
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Anna May Wong, the first Chinese-American movie star, was born Wong Liu Tsong on January 3, 1905, in Los Angeles, California, to laundryman Wong Sam Sing and his wife, Lee Gon Toy. A third-generation American, she managed to have a substantial acting career during a deeply racist time when the taboo against miscegenation meant that Caucasian actresses were cast as "Oriental" women in lead parts opposite Caucasian leading men. Even when the role called for playing opposite a Caucasian in yellowface, as with Paul Muni's as the Chinese peasant Wang Lung in The Good Earth (1937), Wong was rejected, since she did not fit a Caucasian's imagined ideal look for an Asian woman. The discrimination she faced in the domestic industry caused her to go to Europe for work in English and German films. Her name, which she also spelled Wong Lew Song, translates literally as "Frosted Yellow Willows" but has been interpreted as "Second-Daughter Yellow Butterfly." Her family gave her the English-language name Anna May. She was born on Flower Street in downtown Los Angeles in an integrated neighborhood dominated by Irish and Germans, one block from Chinatown, where her father ran the Sam Kee Laundry.
The Wong family moved back to Chinatown two years after Liu Tsong's birth, but in 1910 they uprooted themselves, moving to a nearby Figueroa Street neighborhood where they had Mexican and East European neighbors. There were two steep hills between the Wongs' new home and Chinatown, but as her biographer, Colgate University history professor Graham Russell Gao Hodges, points out, those hills put a psychological as well as physical distance between Liu Tsong and Chinatown. Los Angeles' Chinatown already was teeming with movie shoots when she was a girl. She would haunt the neighborhood nickelodeons, having become enraptured with the early "flickers." Though her traditional father strongly disapproved of his daughter's cinephilia, as it deflected her from scholastic pursuits, there was little he could do about it, as Liu was determined to be an actress. The film industry was in the midst of relocating from the East Coast to the West, and Hollywood was booming. Liu Tsong would haunt movie shoots as she had earlier haunted the nickelodeons. Her favorite stars were Pearl White, of The Perils of Pauline (1914) serial fame, and White's leading man, Crane Wilbur. She was also fond of Ruth Roland.
Educated at a Chinese-language school in Chinatown, she would skip school to watch film shoots in her neighborhood. She made tip money from delivering laundry for her father, which she spent on going to the movies. Her father, if he discovered she had gone to the movies during school hours, would spank her with a bamboo stick. Around the time she was nine years old, she began begging filmmakers for parts, behavior that got her dubbed "C.C.C." for "curious Chinese child."
Liu Tsong's first film role was as an uncredited extra in Metro Pictures' The Red Lantern (1919), starring Alla Nazimova as a Eurasian woman who falls in love with an American missionary. The film included scenes shot in Chinatown. The part was obtained for her by a friend of her father's (without his knowledge) who worked in the movie industry. Retaining the family surname "Wong" and the English-language "Christian" name bestowed on her by her parents, Liu Tsong Americanized herself as "Anna May Wong" for the movie industry, though she would not receive an on-screen credit for another two years.
The rechristened Anna May Wong appeared in bit parts in movies starring Priscilla Dean, Colleen Moore and the Japanese-born Sessue Hayakawa, the first Asian star of American movies. Due to her father's demands, she had an adult guardian at the studio, and would be locked in her dressing room between scenes if she was the only Asian in the cast. Initially balancing school work and her budding film career, she eventually dropped out of Los Angeles High School to pursue acting full time. She was aided by the fact that, though still a teenager, she looked more mature than her real age.
Director Marshall Neilan cast the teenage Anna May in a bit part in his film Dinty (1920), then gave her her first credited role in the "Hop" sequence of Bits of Life (1921), the American movie industry's first anthology film. In "Hop" Wong played Toy Ling, the abused wife of Lon Chaney's character Chin Gow, which the Man of a Thousand Faces played in yellowface. She next appeared in support of John Gilbert in Fox's Shame (1921) before being cast in her first major role at the age of 17, the lead in The Toll of the Sea (1922). She played Lotus Flower in this adaptation of the opera "Madame Butterfly," which moved the action from Japan to China. "The Toll of the Sea" was the first feature film shot entirely in Technicolor's two-strip color process. By appearing top-billed in this romantic melodrama, Anna became the first native-born Asian performer to star in a major Hollywood movie. Most portrayals of Asian women were done by Caucasian actresses in "yellow-face," such as the 1915 Madame Butterfly (1915) starring "America's Sweetheart" Mary Pickford (who was born in Toronto, Canada) in the title role. In "The Toll of the Sea," Anna May's character perpetuates the stereotype of the Asian "lotus blossom," a self-sacrificial woman who surrenders her life for the love of a Caucasian man. The film was a hit, and it showcased Wong in a preternaturally mature and restrained performance. This breakthrough should have launched Anna May Wong as a star, but for one thing: She was Chinese in a country that excluded (by law) Chinese from emigrating to the US, that forbade (by law) Chinese from marrying Caucasians and that generally excluded (by law or otherwise) Chinese from the culture at large, except for bit roles as heavies in the national consciousness.
"The Toll of the Sea" made Anna May Wong a known, and thus a marketable, commodity in Hollywood. She became the #1 actress when a young Asian female part had to be cast, but unfortunately lead roles for Asians were few and far between. Instead of becoming a star, this beautiful woman with a complexion described as "a rose blushing through old ivory" continued to be stuck in supporting roles, as in Tod Browning's melodrama Drifting (1923) and the western Thundering Dawn (1923). She even played an Eskimo in The Alaskan (1924). She appeared as Tiger Lily, "Chieftainess of the Indians," in Paramount's prestigious production of J.M. Barrie's Peter Pan (1924), but the role was very small (the film was shot on Santa Catalina Island, where the cast stayed during the production.
The 170-cm-tall (5'7", although other sources cite her height as 5'4½") beauty was known as the world's best-dressed woman and widely considered to have the loveliest hands in the cinema. Her big breakthrough after her auspicious start with "The Toll of the Sea" finally came when Douglas Fairbanks cast her in a supporting role as a treacherous Mongol slave in his Middle Eastern/Arabian Nights extravaganza The Thief of Bagdad (1924). The $2-million blockbuster production made her known to critics and the movie-going public. For better or worse, a star, albeit of the stereotypical "Dragon Lady" type, was born.
Despite her waxing fame, she was limited to supporting roles, as Caucasian actresses, including most improbably Myrna Loy, continued to be cast as Asian women in lead roles from the 1920s through the 1940s, despite the ready availability of Anna May Wong. She was unable to attract lead parts despite her beauty and proven acting talent, even in films featuring Asian women, but she did carve out a career as a supporting player in everything from A-list movies to two-reel comedies and serials. The characters she played typically were duplicitous or murderous vamps who often reaped the wages of their sin by being raped. It was a demeaning apprenticeship that most Caucasian actresses did not have to go through. Anna wanted was to play modern American women all through her career but was thwarted because of racism. Later, when she journeyed to Europe to escape the typecasting of Hollywood, she told journalist Doris Mackie, "I was so tired of the parts I had to play. Why is it that the screen Chinese is always the villain? And so crude a villain--murderous, treacherous, a snake in the grass."
Wong embodied the Caucasian ideal of a foreign exotic beauty, an alien presence despite her American citizenship. The movie magazine "Pictures" published a memoir of hers in 1926 in which she complained, "A lot of people, when they first meet me, are surprised that I speak and write English without difficulty. But why shouldn't I? I was born right here in Los Angeles and went to the public schools here. I speak English without any accent at all. But my parents complain that the same cannot be said of my Chinese. Although I have gone to Chinese schools, and always talk to my father and mother in our native tongue, it is said that I speak Chinese with an English accent!". Many Chinese-Americans considered themselves "Chinese in America," an attitude bolstered by the anti-Chinese, anti-Asian attitude of the US government and the American culture. In her memoir, Wong referred to herself as "Chinese" or "Americanized Chinese," but not as an "American" or "Chinese-American."
Anna May Wong appeared as a dancer in a play within a movie shot in Technicolor for the Ronald Colman vehicle His Supreme Moment (1925), but her Hollywood output generally was undistinguished. In 1926 she seems to have appeared in a "race" film made by Chinese-Americans for a Chinese-American audience, The Silk Bouquet (1926) (aka "The Dragon Horse"). Moving between Poverty Row and the majors, she appeared again with Lon Chaney in Mr. Wu (1927) at MGM and with Warner Oland and Dolores Costello in Old San Francisco (1927) at Warner Brothers. Warners also cast her in support of Oriental yellowface queen Myrna Loy in The Crimson City (1928). Despite her WASP looks and red hair, Loy in Chinese yellowface had become a major "Oriental" star in American films desiring an exotic element. This indignity may have been what pushed Wong to seek her future somewhere other than Hollywood.
She moved to Europe in 1928, where she made movies in the UK and Germany. She made her debut on the London stage with the young up-and-coming Laurence Olivier in the play "The Circle of Chalk." After receiving a drubbing for her voice and singing from the London critics, she paid a Cambridge University tutor to improve her speech, with the result that she acquired an upper-crust English accent. Later she appeared in Vienna, Austria, in the play "Springtime."
European directors appreciated Wong's unique talents and beauty, and they used her in ways that stereotype-minded Hollywood, hemmed in by American prejudice, would not or could not. Moving to Germany to appear in German films, she became acquainted with German film personalities, including Marlene Dietrich and actress-filmmaker Leni Riefenstahl. She learned German and French and began to develop a continental European attitude and outlook. In Europe she was welcomed as a star. According to her biographer Graham Russell Gao Hodges, Wong hobnobbed with "an intellectual elite that included princes, playwrights, artists and photographers who clamored to work with her." Anna May Wong was featured in magazines all over the world, far more than actresses of a similar level of accomplishment. She became a media superstar, and her coiffure and complexion were copied, while "coolie coats" became the rage. According to Hodges, "[S]he was the one American star who spoke to the French people, more than Greta Garbo, Joan Crawford or Mary Pickford, the top American actresses of the time." But, ironically, "[S]he's the one who's now forgotten." Wong was cast in Ewald André Dupont's silent film Piccadilly (1929) as a maid who is fired from her job at a London nightclub after dancing on top of a table, then rehired as a dancer to infuse the club with exotic glamour. Her first talkie was The Flame of Love (1930) (aka "The Road to Dishonour", although some sources claim it was "Song" aka "Wasted Love" in that same year), which was released by British International Pictures. In a time before dubbing, when different versions of a single film were filmed in different languages, Wong played in the English, French and German versions of the movie.
Paramount Pictures offered her a contract with the promise of lead roles in major productions. Returning to the US in 1930, Wong appeared on Broadway in the play "On the Spot." It was a hit, running for 167 performances, and she moved on to Hollywood and Paramount, where she starred in an adaptation of Sax Rohmer's novel "Daughter of Fu Manchu" called Daughter of the Dragon (1931). She was back in stereotype-land, this time as the ultimate "Dragon Lady," who with her father Fu Manchu (played by ethnic Swede Warner Oland, the future Charlie Chan) embodied the evil "Yellow Peril." While "Daughter of the Dragon" may have been B-movie pulp, it enabled Wong to show off her talent by delivering a powerful performance.
Her best role in Hollywood in the early 1930s was in support of Marlene Dietrich in Josef von Sternberg's Oscar-winning classic Shanghai Express (1932). However, Hollywood in the 1930s was as racist as it had been in the Roaring Twenties, and MGM refused to cast her in its 1932 production of The Son-Daughter (1932), for which she did a screen-test, as she was "too Chinese to play a Chinese." Helen Hayes played the role in yellow-face. Similarly, she was later kept out of both a lead and supporting role in MGM's prestige production of The Good Earth (1937), its filming of Pearl S. Buck's popular novel, after flunking another screen test for failing to live up to a white man's idea of what "looked" Chinese. MGM screen-tested her for the lead role of O-Lan, the sympathetic wife of Chinese farmer Wang Lung (to be played by Paul Muni, personally cast in the part by Irving Thalberg). She also was considered for the supporting role of Lotus, Wang Lung's concubine. Anna, an ethnic Chinese, lost out on both roles to two Austrian women, Luise Rainer and Tilly Losch, as Albert Lewin, the Thalberg assistant who was casting the film, vetoed Wong and other ethnic Chinese because their looks didn't fit his conception of what Chinese people should look like. Ironically, the year "The Good Earth" came out, Wong appeared on the cover of Look Magazine's second issue, which labeled her "The World's Most Beautiful Chinese Girl." Stereotyped in America as a dragon lady, the cover photo had her holding a dagger. Luise Rainer would win the Best Actress Oscar for her performance of O-Lan in Chinese yellowface.
There were practical considerations for MGM's refusal to cast Wong opposite Muni. It was illegal in many states, including California, for Asians to marry Caucasians, and featuring an interracial couple, even if they were playing the same race, likely would mean the movie would be rejected by many theater chains in regions in which anti-Asian prejudice was particularly severe, such as the South. The new Motion Picture Production Code of 1934 forbid black/white miscegenation and MGM did cast Walter Connelly (a white actor) opposite Soo Yong (a Chines-American actress) as a married couple. Anna May returned to England, reportedly distraught at the injustice perpetrated by MGM and her home country. In England she alternated between films and the stage, but she was obliged to return to the US to fulfill her Paramount contract. She appeared in two Robert Florey-directed pictures, Daughter of Shanghai (1937) as a non-stereotypical Asian-American female lead, and Dangerous to Know (1938). She also appeared in major roles in King of Chinatown (1939) and Island of Lost Men (1939).
Anna May Wong did not appear in films from 1939-41, when she was cast as a supporting player in Ellery Queen's Penthouse Mystery (1941), an entry in the B-movie series. Her last two starring roles in films were in a pair of anti-Japanese propaganda films, Bombs Over Burma (1942) and Lady from Chungking (1942), both of which were made by Producers Releasing Corp., the lowest of the Poverty Row studios. The major studios, when shooting propaganda films requiring a sympathetic Asian lead, reverted to the old practice of casting Caucasians in yellow-face, no matter how absurd the result.
As her movie career went into eclipse in the 1940s (she would not appear in another motion picture until 1949), she found work on the stage and in radio and then in the new medium of television. Wong wrote a preface to the book "New Chinese Recipes" in 1942, which was one of the first Chinese cookbooks printed in the US. The proceeds from the cookbook were dedicated to United China Relief.
Though Wong was vocal in her opposition to stereotypes and typecasting, and was one of Hollywood's more memorable victims of racism in being denied leading roles in A-list pictures because the racist mores of the times prevented an Asian woman from kissing a Caucasian actor, she was considered socially suspect by her own people. The roles she was forced to accept in order to have an acting career, as well as her status as a single woman, disgusted many Chinese in America and in her ancestral homeland, where actresses were equated with prostitutes and where women were still played by men in classical opera. On a trip to China in 1936, Anna May was welcomed by the country's cultural elite in cosmopolitan Beijing and Shanghai, but she had to abandon a trip to her parents' ancestral village when her progress was blocked by a crowd of protesters. Someone in the crowed denounced her with "Down with Huang Liu Tsong, the stooge that disgraces China. Don't let her go ashore." Upon her return from China, Wong was determined to play Chinese characters more authentically, but her only options were to reject roles she deemed racist or to try to soften them from within the belly of the beast. Ultimately for this proud woman, it was a losing battle.
Chinese nationalism had been on the upswing since Yat-sen Sun ended the Manchu Empire in 1911 and was rife in reaction to the war of aggression launched against China by the Empire of Japan. Chinese nationalists, concerned about the portrayal of Chinese people as evil incarnate in American popular culture, were offended by Wong's portrayals of Asians and exotics. Though she would spend the World War II years working for Chinese charities and relief agencies, she was snubbed by Madame Chiang, the sister-in-law of Yat-sen Sun and wife of Kai-Shek Chiang, the army general who led the Nationalist Chinese, during Madame Chiang's 1942-43 propaganda tour of the US. Her biographer Hodges claims this was the beginning of a consensus among Chinese and Chinese-Americans that Wong was an embarrassment. Chinese and Chinese-Americans chose to blame her rather than Hollywood for the demeaning stereotypes she had to play in order to work. The result of this new consensus, according to Hodges, was that "her memory has been washed away."
Anna May's career in motion pictures was virtually finished after the war. She got her own TV series, The Gallery of Madame Liu-Tsong (1951), on the Dumont Network, playing a Chinese detective in a role written expressly for her, a character who was even given her real Chinese name. The half-hour program, which ran weekly from August 27 to November 21, 1951, was the first TV show to star an Asian-American.
Wong's personal relationships typically were with older Caucasian men, but California law forbade marriage between Asians and Caucasians until 1948. One of her white lovers offered to marry her in Mexico, but the couple's intentions became known and he backed off when his Hollywood career was jeopardized. Wong mused about marrying a Chinese man at times, but the Chinese culture held actresses to be on a par with prostitutes, which made her suspect marriage material. She was afraid that the mores of her culture likely meant that marrying a Chinese would force her to quit her career and be an obedient wife.
Anna May Wong appeared in over 50 American, English and German films in her career, making her the first global Chinese-American movie star. She was forced to fight against racism and stereotyping all her professional life, while simultaneously being criticized by Chinese at home and abroad for perpetuating stereotypes in the media. Despite this tremendous burden, the beautiful woman assayed an elegance and sophistication on-screen that made her the paradigm of Asian women for a generation of movie audiences.
Anna May Wong loved reading, and her favorite subjects spanned a wide range, everything from Asian history and Tzu Lao to William Shakespeare. She never married but occupied her time with golf, horses, and skiing. Wong smoked, drank too much, and suffered from depression. She was poised to make a comeback as a character actress on the big screen toward the end of her life, having appeared as Lana Turner's maid in Ross Hunter's sudsy potboiler Portrait in Black (1960). She was cast in the role of Madame Liang in Flower Drum Song (1961), the movie version of Richard Rodgers's and Oscar Hammerstein II's Broadway musical "Flower Drum Song," but before shooting could begin she passed away.
Anna May Wong died of a massive heart attack on February 3, 1961, in Santa Monica, CA, after a long struggle against Laennec's cirrhosis, a disease of the liver. She was 56 years old. Her fame lives on, four decades after her death. She is a part of American popular consciousness, chosen as one of the first movie stars to be featured on a postage stamp. And the interest in her continues: a play about Anna entitled "China Doll--The Imagined Life of an American Actress," written by Elizabeth Wong, had its premiere at Maine's Bowdoin College in 1997. A lecture and film series, "Rediscovering Anna May Wong," was held at the UCLA Film and Television Archive in 2004, sponsored by "Playboy" publisher Hugh Hefner. That same year New York City's Museum of Modern Art held its own tribute to Wong, "Retrospective of a Chinese-American Screen Actress." Finally she was getting the respect in her own country that was denied her during her career.
A biography by Colgate University history professor Graham Russell Gao Hodges, "Anna May Wong: From Laundryman's Daughter to Hollywood Legend," was published by Palgrave Macmillan in 2004. Hodges considers Anna May's life and career to be amazing, particularly in light of the fact that her star has yet to be eclipsed by any other Asian-American female star, despite the change in attitudes. Finally, in 2004, the British Film Institute restored E.A. Dupont's 1929 silent film "Piccadilly".