Remembering Those Who Passed Away
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- Actor
- Soundtrack
As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian.
The 5'8" actor was born on January 8, 1923, in New York City, the son of a realtor and telephone operator. Although he attended DeWitt Clinton High School in the Bronx, he never graduated, earning money as a stand-up comic. Larry's gift as an impressionist paid off early during those teen years in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show.
Larry received his biggest break on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. He not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.
Moving to the small screen, a summer hosting replacement on the TV variety show Cavalcade of Stars (1949) was followed by Larry's own variety series, The Larry Storch Show (1953). In musical revues from the early 1950s with such showcases as "Red, Hot and Blue" and "Curtain Going Up," he also became a fixture on the nightclub circuit. He made a leap into legit acting with the musical "You Never Know" (1955) and comedies "The Tender Trap" (1956) and "Who Was that Lady I Saw You With?" (1958), in which he played a hyper Russian spy.
A long-lasting friendship with Tony Curtis that formulated during his Navy days paid off in spades. Curtis started finding work for his buddy in his films, beginning with an unbilled bit in the Universal costumer The Prince Who Was a Thief (1951). When Larry's career was going through a noticeable lull in the early 1960s, Curtis again came to the rescue by giving him top supporting roles in some of his prime cinematic fluff--Who Was That Lady? (1960) (in which he recreated his stage role), 40 Pounds of Trouble (1962), Sex and the Single Girl (1964) and Wild and Wonderful (1964).
TV audiences soon started seeing his manic-looking mug regularly on episodic TV, including The Phil Silvers Show (1955) and Car 54, Where Are You? (1961). Larry's biggest claim to fame would come via his Emmy-nominated role as Forrest Tucker's loyal but not particularly bright sidekick Cpl. Randolph Agarn in the western comedy F Troop (1965).
While continuing to make an "impression" in nightclubs, Larry found a lucrative outlet in animation, too, giving vocal life to four decades' worth of cartoons, including the series Tennessee Tuxedo and His Tales (1963), Underdog (1964), The Pink Panther Show (1969) and Scooby Doo, Where Are You! (1969). He also provided the voice of Koko the Clown in the syndicated cartoon show Out of the Inkwell (1961).
Beginning in the 1980s Storch made a comic resurgence of sorts under the theater lights with a healthy run opposite Jean Stapleton and Marion Ross in "Arsenic and Old Lace" from 1986-1988, and in the musicals "Oklahoma!" (1990) and "Annie Get Your Gun" (2000), the latter as Chief Sitting Bull. He also appeared with his friend Curtis again, this time in a musical stage version of Curtis' classic film Some Like It Hot (1959).
Larry went on to appear in typical oddball form in such films as Airport 1975 (1974), The Happy Hooker Goes to Washington (1977), Record City (1977), Without Warning (1980) (as a scoutmaster), S.O.B. (1981) (as a guru), Fake-Out (1982), Sweet Sixteen (1983), A Fine Mess (1986), The Perils of P.K. (1986), The Silence of the Hams (1994), Funny Valentine (2005) and Bittersweet Place (2005). TV guest appearances included "The Fall Guy," "Knight Rider," "Out of This World," "Married ... with Children," "Days of Our Lives," and his last, a 2010 appearance on "Medium Rare."
He was married to actress Norma Storch from 1961 until her death from cancer in 2003.- Actress
- Producer
- Writer
Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.
Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.
She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.
She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.
Betty White died on 31 December 2021, at the age of 99.- Actor
- Producer
- Additional Crew
Edward Asner was born of Russian Jewish parentage in Kansas City, to Morris David Asner (founder and owner of the Kansas City-based Asner Iron & Metal Company) and his wife Elizabeth "Lizzie" (Seliger). After attending college, Ed worked various jobs, including in a steel mill, as a door-to-door salesman and on an assembly line for General Motors. Between 1947 and 1949, he attended the University of Chicago. The onset of the Korean War saw him drafted into the U.S. Army Signals Corps and posted to France where he was primarily assigned clerical tasks. Upon demobilization, Asner joined the Playwrights Theatre Company in Chicago but soon progressed to New York. In 1955, he appeared off-Broadway in the leading role of the beggar king Jonathan Peachum in Brecht's Threepenny Opera. Five years later, he made his debut on the Great White Way in the courtroom drama Face of a Hero, co-starring alongside Jack Lemmon. He also began regular TV work in anthology drama.
From the early '60s, Asner, now based in California, earned his living as a busy supporting actor. His many noted guest appearances included turns in Route 66 (1960), The Untouchables (1959), The Fugitive (1963), Voyage to the Bottom of the Sea (1964) (sinister dictator-in-exile Brynov), The Invaders (1967) (twice -- as aliens) and How the Ghosts Stole Christmas (1998) (one of a couple of ghostly residents in a haunted mansion). Heavy-set and distinctively gravelly-voiced, Asner established his reputation as tough, robust and uncompromising (though, on occasion, good-hearted) authority figures. Excellent at conveying menace, he was memorably cast as the brutish patriarch Axel Jordache in Rich Man, Poor Man (1976) and as the slave ship's morally conflicted master, Captain Thomas Davies, in Roots (1977), which earned him a Primetime Emmy Award in 1977. The immensely prolific Asner (417 IMDB screen credits!) would receive seven Emmys in total (from 21 nominations), all Primetime, and become the only actor to win in both the comedy and drama category for the same role. That was also the part which made Asner a household name: the gruff, snarky newspaper editor Lou Grant (1977). Grant began as a mainstay on The Mary Tyler Moore Show (1970), a 30-minute sitcom.
When the character was promoted to West Coast editor of The Los Angeles Tribune, Asner went on to star in his own much acclaimed drama series. Despite consistently high ratings, the show was axed after five seasons amid rumours of disharmony between the star and producers, possibly due to the former's outspoken political views. Indeed, Asner has been a controversial figure as an activist and campaigner, engaged in a variety of humanitarian and political issues. A self-proclaimed liberal Democrat, he published a book in 2017, amusingly titled "The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs."
Between 1981 and 1985, Asner served twice as President of the Screen Actors Guild, during which time he was critical of former SAG President Ronald Reagan -- then the president of a greater concern -- for his Central American policy. In 1996, he was inducted into the Television Hall of Fame and in 2002 received the Screen Actors Guild's Life Achievement Award. In addition to appearing on screen and stage, he performed extensive work for radio, video games and animated TV series. He voiced the lead character Carl Fredricksen in Pixar's Oscar-winning production of Up (2009), starred as Santa in Elf (2003), and played Nicholas Drago in The Games Maker (2014). Ed passed away in Los Angeles at the age of 91 on August 29, 2021.- Actor
- Soundtrack
Gavin MacLeod's pleasing, agreeable manner on two hit TV series in the 1970s and '80s belied a number of shady villains he portrayed in his early career. Born Allan George See in Mt. Kisco, New York, on February 28, 1931, and raised in Pleasantville, he was the son of Margaret (Shea) and George See, a gas station owner who was part Chippewa Indian (Ojibwa). He followed his 1952 graduation from Ithaca College (Fine Arts major) with Air Force military duty, then moved to New York City and worked for a while as an usher and elevator operator at Radio City Music Hall. Focusing on acting, he changed his stage name to "Gavin McLeod."
A solid break on Broadway in "A Hatful of Rain" in 1956 led to a move to Los Angeles in an attempt to break into film and TV. MacLeod began to earn a minor reputation as a second-string heavy in such crime shows as "The Thin Man," "Steve Canyon," "Manhunt," "Mr. Lucky," "Peter Gunn," "Michael Shayne," "The Untouchables" and "Perry Mason." This led to a regular comedy role as part of the McHale's Navy (1962) TV series. He also managed several film roles, although far down the credits, with I Want to Live! (1958), Compulsion (1959), Pork Chop Hill (1959), Operation Petticoat (1959), Twelve Hours to Kill (1960), High Time (1960), War Hunt (1962) and McHale's Navy (1964). He was a member of the superb supporting cast of The Sand Pebbles (1966). He returned to Broadway in "The Captains and the Kings" in 1962.
MacLeod's career more or less flowed and ebbed until 1972, when his shiftless typecast was shattered forever. As Murray Slaughter, the balding, beaming, wisecracking, gleaming-toothed news writer on The Mary Tyler Moore Show (1970), MacLeod became a happy household name. From then on, he could only be envisaged as a lovable schmuck and nice guy. From there he went on to another benign starring role with the TV series, The Love Boat (1977), as the ingratiating Captain Stubing.
On the down side, "Love Boat" marred MacLeod's chances to be considered for more challenging work, and his inability to cope with success led to alcoholism and divorce from second wife Patti. However, he later turned his life around, remarried his wife, and they both wrote a book called "Back on Course" (1987). MacLeod continued sporadically on the musical stage ("Gypsy," "Annie Get Your Gun," "Gigi"), in TV reunions ("Love Boat" specials) and as a TV guest ("Murder, She Wrote," "Touched by an Angel," "The King of Queens," "Oz," "That 70s Show," "JAG" and "The Comeback Kid").- Actress
- Soundtrack
The legendary actress set a record when at age 82, she appeared on Dancing with the Stars (2005). Cloris Leachman was born on April 30, 1926 in Des Moines, Iowa to Berkeley Claiborne "Buck" Leachman and the former Cloris Wallace. Her father's family owned a lumber company, Leachman Lumber Co. She was of Czech (from her maternal grandmother) and English descent. After graduating from high school, Leachman attended Illinois State University and Northwestern University, where she majored in drama. After winning the title of Miss Chicago 1946 (as part of the Miss America pageant), she acted with the Des Moines Playhouse before moving to New York.
Leachman made her credited debut in 1948 in an episode of The Ford Theatre Hour (1948) and appeared in many television anthologies and series before becoming a regular on The Bob & Ray Show (1951) in 1952. Her movie debut was memorable, playing the doomed blonde femme fatale Christina Bailey in Robert Aldrich's classic noir Kiss Me Deadly (1955). Other than a role in Rod Serling's movie The Rack (1956) in support of Paul Newman, Leachman remained a television actress throughout the 1950s and the 1960s, appearing in only two movies during the latter decade, The Chapman Report (1962) and Butch Cassidy and the Sundance Kid (1969). Though she would win an Oscar for Peter Bogdanovich's adaptation of Larry McMurtry's The Last Picture Show (1971) and appear in three Mel Brooks movies, it was in television that her career remained and her fame was assured in the 1970s and into the second decade of the new millennium.
Leachman was nominated five times for an Emmy Award playing Phyllis Lindstrom, Mary Tyler Moore's landlady and self-described best friend on The Mary Tyler Moore Show (1970) and on the spin-off series Phyllis (1975). She won twice as Best Supporting Actress in a comedy for her "Mary Tyler Moore" gig and won a Golden Globe Award as a leading performer in comedy for "Phyllis", but her first Emmy Award came in the category Outstanding Single Performance by an Actress in a Leading Role in 1973 for the television movie A Brand New Life (1973). She also won two Emmy Awards as a supporting player for Malcolm in the Middle (2000).
She was married to director-producer George Englund from 1953 to 1979. They had five children together. Cloris Leachman died of natural causes on January 27, 2021 in Encinitas, California.- Actor
- Writer
- Additional Crew
Caroll Spinney was born on 26 December 1933 in Waltham, Massachusetts, USA. He was an actor and writer, known for Sesame Street (1969), The Muppet Movie (1979) and The Great Muppet Caper (1981). He was married to Debra Spinney and Janice Spinney. He died on 8 December 2019 in Woodstock, Connecticut, USA.- Additional Crew
- Actress
- Art Department
Caroly Wilcox was born on 16 May 1931 in Delaware County, Pennsylvania, USA. She was an actress, known for The Muppet Movie (1979), Sesame Street (1969) and The Muppet Show (1976). She died on 9 January 2021.- Additional Crew
- Special Effects
- Actor
Faz Fazakas was born on 5 April 1918 in Essex County, New Jersey, USA. He was an actor, known for Labyrinth (1986), The Dark Crystal (1982) and The Muppet Movie (1979). He was married to Eleanor Louise Jewett. He died on 28 September 2013 in Olivebridge, New York, USA.- Actress
- Additional Crew
- Writer
Legendary voice actress June Foray was born June Lucille Forer on September 18, 1917 in Springfield, Massachusetts, to Maurice Forer and Ida Edith Robinson, who wed in Hampden, Massachusetts. Her father, who was Jewish, emigrated from Novgorod, Imperial Russia, while her Massachusetts-born mother was of Lithuanian Jewish and French-Canadian descent. Her mother converted to Judaism to marry, and took the name Sarah.
At age 12, young June was already doing "old lady" voices. She had the good fortune of having a speech teacher who also had a radio program in the Springfield area. This teacher became her mentor, and added June to the cast of her show. Eventually her family moved to Los Angeles, where she continued in radio. By age fifteen, she was writing her own show for children, "Lady Makebelieve", in which she also provided voices. June dabbled in both on-camera acting and voice work, but was particularly talented in voice characterizations, dialects and accents. Just like Daws Butler, one of her later co-stars, she was a "voice magician" and worked steadily in radio from the 1930s into the 1950s.
June branched out from radio and began providing voices for cartoon characters. In the 1940s, she provided the voices for a live-action series of shorts, "Speaking of Animals", in which she dubbed in voices for real on-screen animals, a task she was to repeat many years later in an episode of The Magical World of Disney (1954). In the late 1940s June, Stan Freberg, Daws Butler, Pinto Colvig and many others recorded hundreds of children's and adult albums for Capitol Records. Her female characterizations on these records ran the entire gamut from little girls to middle-aged women, old ladies, dowagers and witches. No one seemed to be able to do these same voices with the warmth, energy and sparkle that June did.
In the 1950s June's star in animation not only began to rise but soared when Walt Disney sought her out and hired her to do the voice of Lucifer the cat in Cinderella (1950). The Disney organization continued to use June many times over, well into the 21st century. Warner Brothers also hired her to replace Bea Benaderet and do all of its "Looney Tunes" and "Merrie Melodies" cartoons. June has done many incidental characters for Warners, but her most famous voice has been that of Granny (in the "Tweety and Sylvester" series). Unfortunately, since Mel Blanc's contract called for exclusive voice credit on these cartoons, June never received credit for all the voices she did. During this time she also appeared on [error].
In 1957, Jay Ward met with June to discuss her voicing the characters of "Rocky the Flying Squirrel" and "Natasha Fatale" in a cartoon series. On November 19, 1959, the show debuted as The Bullwinkle Show (1959), later changing its name to The Bullwinkle Show (1959). June provided many other voices for this show, especially its "side shows" such as "Fractured Fairy Tales" and "Aesop and Son". She did fewer voices for the "Peabody's Improbable History" segment, but she did appear in at least three of those episodes. After the show had been successful for a few years, Ward added one of its most popular segments, "Dudley Do-Right of the Mounties". June was a regular in this side show as Dudley's girlfriend Nell Fenwick.
Since Ward used June exclusively for nearly all his female voices, he showcased her talents as no other producer had before. June missed out on doing voices for three of the show's "Fractured Fairy Tales" because she could not reschedule some bookings to do recording work with Stan Freberg, so Julie Bennett filled in for her on those occasions. Dorothy Scott--co-producer Bill Scott's wife--also filled in for June a few times for "Peabody's Improbable History". Her collaboration with Ward made her incredibly famous, and "Rocky the Flying Squirrel" became her signature voice. To this day June regularly wears a necklace with the figure of Rocky sculpted by her niece Lauren Marems.
Ward later produced two other cartoon series, Hoppity Hooper (1964) and George of the Jungle (1967). June's appearances on "Hoppity Hooper" were limited to the segments of "Fractured Fairy Tales", "Dudley Do-Right" and "Peabody" that aired during its run. On "Fractured Fairy Tales" June did a whole montage of voices similar to those from her Capitol Records days. Her witch voices were so incredibly funny and magnificently done that Disney and Warner Brothers tapped her to provide that same voice for the character of Witch Hazel. She was once again the lone female voice artist, this time on "George of the Jungle". Included on that show were the "Super Chicken" and "Tom Slick" side shows.
In the 1960s, June lost out to Bea Benaderet when she auditioned for the voice of "Betty Rubble" on The Flintstones (1960). June appeared numerous times during the decade in holiday specials such as Frosty the Snowman (1969) and The Little Drummer Boy (1968)). In the 1960s and 1970s, June dubbed in voices for full-length live-action feature films many times. Jay Ward and Bill Scott also had her dub in dialogue for silent movies in their non-animated series Fractured Flickers (1963).
In the early 1970s, June tried her hand at puppetry. She became the voice of an elephant, an aardvark and a giraffe on Curiosity Shop (1971). Around this time she also recorded various voices for the road shows of "Disney on Parade", which toured the US and Europe for several years.
She acted on-camera occasionally over the years, primarily on talk shows, game shows and documentaries; in the early years of The Tonight Show Starring Johnny Carson (1962), she performed a 13-week stint as a little Mexican girl. However, June had said that she prefers to record behind the scenes because she jokingly said "She can earn more money in less time."
June Foray died on July 26, 2017, in Los Angeles, California, U.S. She was ninety nine years old.- Visual Effects
- Producer
- Animation Department
When it comes to motion-picture special effects, there is only one name that personifies movie magic: Ray Harryhausen. From his debut films with George Pal to his final film, Harryhausen imbued magic and visual strength to motion-picture special effects as no other technician has, before or since.
Born in Los Angeles, the signature event in Harryhausen's life was when he saw King Kong (1933). So awed was the 13-year-old Harryhausen that he began researching the film's effects work, ultimately learning all he could about Willis H. O'Brien and stop-motion photography--he even contacted O'Brien and showed an allosaur short he made, which caused O'Brien to quip to his wife, "You realize you're encouraging my competition, don't you?" Harryhausen tried to make a stop-motion epic titled "Evolution," but the time required to make it resulted in it being cut short. The footage he completed--of a lumbering apatosaurus attacked by a belligerent allosaurus--made excellent use as a demo reel, and as a result, Harryhausen's first film job came with George Pal, working on the Puppetoon shorts for Paramount. A stint in the army utilized Harryhausen's animation skills for training films.
After World War II, Harryhausen acquired over 1,000 feet of unused military film and made a series of Puppetoon-flavored fairy tale shorts, which helped him land a job with Willis H. O'Brien and Marcel Delgado on Mighty Joe Young (1949). Although O'Brien received credit for it, 85% of the actual animation was done by Harryhausen. His real breakthrough, however, came when he was hired to do the special effects for The Beast from 20,000 Fathoms (1953). The film's $200,000 budget meant that Harryhausen was forced to improvise to get the kinds of quality effects he wanted, and to that end, he learned a technique called split-screen (rear projection on overlapping miniature screens) to insert dinosaurs and other fantastic beasts into real-world backgrounds. The result was eventually picked up for release by Warner Bros. and was one of the most influential sci-fi films of the 1950s.
From there, Harryhausen went over to Columbia and teamed with producer Charles H. Schneer, which became synonymous among sci-fi and fantasy film aficionados with top-notch special-effects work during the remainder of their respective careers. After three sci-fi monster films and work with Willis O'Brien on an Irwin Allen documentary, Harryhausen did the effects work for The 7th Voyage of Sinbad (1958), his first split-screen film shot entirely in color, which was highlighted by Harryhausen's mythological monsters interacting with Kathryn Grant, Torin Thatcher's flavorful performance as the villain, and the rousing score of Bernard Herrmann.
Because Harryhausen worked alone on his stop-motion animation sequences, the filming of these could often take as long as two years, the most famous example of the kind of patience required being the exciting skeleton sword fight sequence in Jason and the Argonauts (1963) (his most popular film), in which Harryhausen often shot no more than 13 frames of film (just over one-half second of elapsed time) per day.
The 1960s were Harryhausen's best years, among the highlights being his reunions with dinosaurs in Hammer Films' One Million Years B.C. (1966) and The Valley of Gwangi (1969). His pace slowed in the 1970s, but he produced three of his masterworks during that period: The Golden Voyage of Sinbad (1973); Sinbad and the Eye of the Tiger (1977); and Clash of the Titans (1981). It was not until 1992 that Harryhausen finally achieved film immortality with an honorary Oscar, a long-overdue tribute to the one name that personifies visual magic.- Producer
- Director
- Animation Department
Will Vinton was born on 17 November 1947 in McMinnville, Oregon, USA. He was a producer and director, known for Closed Mondays (1974), Return to Oz (1985) and Moonwalker (1988). He was married to Susan Shadburne, Gillian Allred and Bevan Vinton. He died on 4 October 2018 in Portland, Oregon, USA.- Actor
- Director
- Producer
Harvey Korman was a lanky, popular TV comedy veteran with a flair for broad comic characterizations, who shone for a decade as leading man and second banana par excellence on The Carol Burnett Show (1967).
Harvey Herschel Korman was born in Chicago, Illinois, to Ellen (Blecher) and Cyril Raymond Korman, a salesman. His parents, both immigrants, were from Russian Jewish families. A persistent television presence since the early 1960s, Korman's first break was a stint as a featured performer on The Danny Kaye Show (1963), a lively musical variety series in which Korman began working in the format which he would soon master--providing sturdy support to a multi-talented star in a wide variety of comedy sketches. Boasting large, expressive features and a wonderfully mutable voice, Korman could play a wide assortment of characters. Perhaps his first classic characterization was provided for The Flintstones (1960) wherein he was the distinctively snooty voice of The Great Gazoo, a little helmeted space man from the future consigned to the Earth's past in punishment for his crimes.
Korman garnered four Emmys for his work with Carol Burnett over the years. Ironically Korman would never again find such a successful showcase for his talents though he certainly tried, appearing in several busted pilots and short-lived sitcoms. Almost exclusively a comic actor, he stretched a bit to play straight man Bud Abbott opposite Buddy Hackett's Lou Costello in the disappointing TV biopic Bud and Lou (1978). He directed and/or produced sitcom episodes and TV comedy specials. An occasional actor in films, Korman made his feature debut with a supporting role in The Last of the Secret Agents? (1966). Several film roles followed until he gained his widest exposure with a major supporting role in Mel Brooks' classic Western spoof Blazing Saddles (1974). He fared well in Brooks' High Anxiety (1977) and History of the World: Part I (1981). He acted in two 1994 features: the blockbuster live-action version of The Flintstones (1994) (providing the voice of the Dictabird) and the poorly received but lavishly produced Radioland Murders (1994).- Actor
- Additional Crew
- Soundtrack
Dancing and the military were a large part of Ken Berry's life. When he was 13 he attended a carnival at his grade school; the dancers impressed him so much that he decided that's what he wanted to do with his life. His parents were supportive, and his dad even booked Ken into variety type shows. At 16 Ken got to join the Horace Heidt Youth Opportunity Program. Ken toured towns all across the nation, and through the Air Force the troupe entertained in Germany, Ireland, England, UK and several other countries. Later, while serving in the army, Ken won a spot in Arlene Francis' Talent Patrol (1953) show. Ken also got into the All-Army talent contest and appeared on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show"). When Ken's army hitch was up in 1955, he took the advice of his sergeant in Atlanta, Leonard Nimoy, to move to California. In 1957 Ken enrolled in a school, Falcon Studios, on the GI Bill to study acting. He got a job at the Cabaret Theater for $11 a week (that is not a typo). From 1958 to 1964 he was with the "Billy Barnes Revue." Lucille Ball came to see the revue, and offered Ken a job at Desilu Studios for $50 a week. It was also through the Barnes Revue that Ken met dancer Jackie Joseph; they were married on May 29, 1960. Ken made the transition to TV, and the couple adopted a son, John Kenneth, in 1964, and a daughter, Jennifer Kate, in 1965. A successful screen test led to his breakout role in the classic sitcom F Troop (1965). Ken was the bashful, bumbling but good-hearted captain who was always resisting Wrangler Jane's advances (but why?). Though the show was only on for two seasons, it seems like a lot longer because of reruns. After "F Troop", toward the very end of the next TV season, Ken landed the role of a lifetime--taking over for Andy Griffith in the retooled Mayberry R.F.D. (1968). The show was a hit with Ken in the lead and was still popular when it was canceled in the spring of 1971, when CBS axed all rural-oriented programming, a devastating blow personally and professionally to Ken. After "Mayberry"'s end, he appeared in an unsold The Brady Bunch (1969) spin-off pilot.
When work in TV got slow, Ken went on the road again, doing summer and winter stock. He kept hoping for a new series, and he got his wish with Mama's Family (1983). Since he played a married man in this series, he did not resist the advances of on-screen wife Dorothy Lyman (in fact, he seemed to be making up for lost time). The series aired for two seasons, then was canceled. Ken went back to doing theater productions. However, when "Mama's Family" was sold into syndication, more new episodes were going to be needed. From 1986 to 1990 it was a top-rated sitcom. Ken was about ready to retire - almost. He continued to get occasional TV roles, and tried theater again for a while (in 1993 he starred with Carol Burnett in the stage production of "From the Top"). Early in 1999 Ken ventured back into television with a guest spot. He enjoyed it. Old soldiers and entertainers never die - they just go into syndication.- Actress
- Soundtrack
Melody Patterson was born on April 16, 1949 in Inglewood, California. She started performing at the age of four, appearing in "Mrs. McThing" at the Downey Community Theatre in Downey, California. She attended the Hollywood Professional School and later studied at the American Academy of Dramatic Arts in New York City. The television series F Troop (1965) launched her career, and the world will always affectionately remember the character Wrangler Jane, who had a thing for stray critters and Captain Wilton Parmenter. Her career as a television and movie actress was far too short, but her love for acting and the theatre has kept her involved. From acting to directing productions, Melody has always shown the natural talent to create a spectacular performance.- Actor
- Soundtrack
Zero Mostel was born Samuel Joel Mostel on February 28, 1915 in Brooklyn, New York, one of eight children of an Orthodox Jewish family. Raised in the Lower East Side of Manhattan, the young Zero, known as Sammy, developed his talent for painting and drawing at art classes provided by the Educational Alliance, an institution serving Jewish immigrants and their children. Sammy often would go to the Metropolitan Museum of Art to copy the paintings.
Sam Mostel matriculated at the City College of New York, then entered a master's program in art at New York University after graduating from CCNY in 1935. He dropped out after a year and worked at odd jobs before being hired by the Works Progress Administration's Federal Art Project to teach drawing and painting at the 92nd Street "Y", the famous Young Men and Young Women's Hebrew Association located on Manhattan's 92nd St., in 1937.
Mostel married Clara Sverd, a CCNY classmate, in 1939, but the marriage was troubled due to personality conflicts. The couple separated in 1941 and divorced in 1944. While still teaching, Mostel supplemented his income by providing gallery lectures at various museums under the aegis of the WPA. His lectures were full of jokes as Mostel personally was a clown, and subsequently he was hired to perform at private parties.
Mostel auditioned as a comedian at the downtown nightclub Cafe Society in late 1941, a jazz club. Initially rejected, owner Barney Josephson hired Mostel after Pearl Harbor, figuring his patrons, now at war, could use some laughs. It was Ivan Black, the club's press agent, who gave Sam Mostel the nickname Zero, explaining, "Here's a guy who's starting from nothing."
Debuting at the Cafe Society on February 16, 1942, Zero was a hit with audiences and the critics, Simultaneously, Zero began appearing in the play "Cafe Crown" at the Cort Theatre, which opened on January 23, 1942 and played through May 23rd, closing after 141 performances. Zero made some impromptu appearances on stage, but he wasn't officially part of the cast of the play, which was staged by Elia Kazan and starred Morris Carnovsky, Sam Jaffe (a future blacklistee), Whit Bissell, and Sam Wanamaker. Zero made his formal Broadway debut in "Keep 'em Laughing" on April 24, 1942 at the 44th Street Theatre. The show ran for 77 performances.
Within a year, he was touring the national nightclub circuit and appearing on radio. He had a brief stint in the Army in 1943, but was quickly discharged due to an unspecified physical disability. Zero spent the rest of the war entertaining the troops overseas.
Zero married Kathryn Harkin, a former Radio City Music Hall Rockette, on July 2, 1944, an act that ruined his relationship with his Orthodox Jewish parents as his new wife was a gentile. The two remained a married couple until his death and produced two sons: Josh Mostel, who was born in 1946, and Tobias, who was born in 1949.
In the post-war years, Zero began to branch-out as a straight actor. On October 19, 1948, he made his television debut in the series "Off the Record," which was broadcast on the DuMont network, following it up with an appearance on October 26, 1948. He later appeared in the The Ford Theatre Hour (1948) episode "The Man Who Came to Dinner," which was broadcast on January 16, 1949 on NBC. He was reunited with his "Cafe Crown" director Elia Kazan in the Oscar-winner's movie Panic in the Streets (1950) (1950). In the movies, Zero often played heavies due to his physique, roles that downplayed his unique gift for comedy.
Zero had long been a leftist politically, and had made contributions to progressive causes. His nightclub act lampooned the red-baiters rampant at the time, and featured the character of a pompous senator called Polltax T. Pellagra. When he and the wife of his good friend 'Jack Gilford' were named by Jerome Robbins before the House Un-American Activities Committee as being communists, Zero was subpoenaed to testify by HUAC.
Mostel testified before the House Un-American Activities Committee on October 14, 1955. In a playful mood, he told the Committee that he was employed by "19th Century-Fox." Zero denied he was a Communist, but refused to name names. He told the Committee that he would gladly discuss his own conduct but was prohibited by religious convictions from naming others. Consequently, he was blacklisted during the 1950s. Shut-out from the movies, he also lost many lucrative nightclub gigs, and he had to make due by playing gigs for meager salaries and by selling his paintings.
In the 1950s, Mostel bumped into Elia Kazan on the street in New York City, and the two reminisced. Kazan said Mostel chided him for putting Mostel through the paces in "Panic in the Streets," forcing him to run more than he ever had. The two retired to a bar, and as they began to drink, s Mostel kept muttering, in reference to Kazan's naming names before HUAC, "Ya shouldn't a done that. Ya shouldn't a done that."
There was no blacklist in the theater, and his friend Burgess Meredith, a noted liberal, offered Zero the lead role in his 1958 Off-Broadway production of "Ulysses in Nighttown," based on the Nighttown episode of James Joyce's novel "Ulysses," that Meredith was directing. Mostel's performance as Leopold Bloom, Joyce's Jewish Everyman, was a great hit with audiences and critics alike, and he won an "Obie," the Off-Broadway equivalent of a Tony. Zero also starred in productions of "Nighttown" in London and Paris.
By the end of 1959, Zero again was appearing on television, cast in the "Play of the Week" episode "The World of Sholom Aleichem," which was broadcast on December 14, 1959 in syndication. He also was cast in a Broadway play, "The Good Soup."
Zero never opened in the play as he was hit by a bus on January 13, 1960. His left leg was severely injured, and required four operations. Zero was in the hospital for five months but regained the use of the leg.
He made a triumphant return to Broadway in the fall of 1960, starring in Ionesco's absurdist tour-de-force "Rhinoceros," for which he won a Tony award. He was cast in another "Play of the Week" episode, this time in Samuel Beckett's "Waiting for Godot," which was broadcast on April 3, 1961 in syndication.
Zero and his friend Jack Gilford, who had also been blacklisted due to Jerome Robbins having named names and hadn't worked for many years, were both cast in the Broadway musical "A Funny Thing Happened on the Way to the Forum." However, the show, under director George Abbott, was troubled. When Stephen Sondheim pitched Robbins to producer Harold Prince as the savior of "Forum," which was floundering in its out-of-town tryouts, Prince phoned Mostel to ask whether he would be prepared to work with Robbins.
"Are you asking me to eat with him?" asked Mostel.
"I'm just asking you to work with him," Prince replied.
"Of course I'll work with him," Mostel said. "We of the left do not blacklist."
When Robbins showed up at his first rehearsal, everyone was terrified of him because of his reputation as a tough taskmaster and perfectionist. Robbins made the rounds of the cast, shaking hands. When he got to Mostel, there was silence. Then Mostel boomed, "Hiya, Loose Lips!"
Everyone burst out laughing, including Robbins, and the show went on. Robbins was uncredited for staging and choreographing "Forum," which opened at the Alvin Theatre on May 8, 1962. "Forum" was a great hit, running for 964 performances at the Alvin and at the Mark Hellinger Theatre and later at the Majestic, closing on August 29, 1964. "Forum" won six Tony awards, including Best Musical and Best Director for George Abbott. Mostel won his second Tony and Gilford was nominated for the Tony for Best Featured Actor.
Zero followed up this triumph with his legendary turn as Tevye, the milkman with marriageable daughters in "Fiddler on the Roof," based on the stories of Sholom Aleichem. With direction and choreography credited to Jerome Robbins, "Fiddler on the Roof" opened at the Imperial Theatre on September 22, 1964 and did not close until almost eight years later, at the Broadway Theatre on July 2, 1972, with a stop at the Majestic in between during the late '60s. After seven previews, "Fiddler" racked up a total of 3,242 performances, making it one of the greatest Broadway smashes ever. After wining nine Tony awards in 1965, including Best Musical, Best Director, and Best Actor in A Musical (Zero's third Tony), the show was awarded a 10th Tony, a Special Award in 1972 when "Fiddler" became the longest-running musical in Broadway history.
Zero was cast in the 1966 movie version of A Funny Thing Happened on the Way to the Forum (1966), and then concentrated on movies and television for the rest of his career. Most of his projects, with the exception of Mel Brooks' The Producers (1967), did not fully utilize his talents. It was a major blow when director Norman Jewison cast the Israeli actor Topol as Tevye in his movie adaptation of Fiddler on the Roof (1971), passing over the legend who had created the role. Topol got an Oscar nomination, but faded quickly out of American movies. The movie of "Fiddler," a huge roadshow hit in 1971, also faded out of American consciousness. One wonders if with Zero in the role, the movie would now be considered a classic and constantly revived on television.
In 1974, Zero reprised his Leopold Bloom in a Broadway production of "Ulysses in Nighttown," again directed by Burgess Meredith, which netted him a Tony Award nomination as Best Actor in a Play. He turned in an affecting performance as a blacklisted comedian in Martin Ritt's movie about the blacklist, The Front (1976). He also had a success with a Broadway revival of "Fiddler on the Roof" in December 1976.
Zero was cast as Shylock in Arnold Wesker's "The Merchant," a pro-Jewish reimagining of 'William Shakespeare''s "The Merchant of Venice." Mostel had great hopes that his Shylock would be the crowning achievement of his career and put him back on top. His huge talent and larger-than-life persona seemed to do better on stage.
This was not to come to pass. He fell ill after a tryout performance in Philadelphia in September and was hospitalized. On September 8, 1977, Zero Mostel died from an aortic aneurysm at the age of sixty-two. One of the greatest, most unique, and definitely irreplaceable talents to grace the American stage and movies had passed away. We are unlikely to look on his likes again.- Actor
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WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.- Actor
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Allan Melvin was born on 18 February 1923 in Kansas City, Missouri, USA. He was an actor and writer, known for Flash Gordon (1979), Spider-Man and His Amazing Friends (1981) and Archie Bunker's Place (1979). He was married to Amalia Faustina Sestero. He died on 17 January 2008 in Brentwood, Los Angeles, California, USA.- Actor
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Felix Silla was born on January 11, 1937 in a small village outside Rome, Lazio, Italy. Silla trained as a circus performer, came to the United States in 1955, and toured with the Ringling Bros. and Barnum & Bailey Show. His multiple talents -- as a bareback rider, trapeze artist and tumbler -- brought him to Hollywood where he became a stuntman, starting with the Gig Young-Shirley Jones vehicle, A Ticklish Affair (1963).
His best-known roles are the maniacal, miniature "Hitler" who menaces George Segal in The Black Bird (1975) and Cousin Itt on The Addams Family (1964). He had doubled -- often for children -- in such hits as The Towering Inferno (1974), The Hindenburg (1975) and Battlestar Galactica (1978). Between movies, he frequently appears in Las Vegas and Reno nightclubs with his own musical combo, "The Original Harmonica Band".
Silla and wife Sue Silla -- a "little person", like himself -- were married from 1965 until Felix's death on April 16, 2021, and had three children, Bonnie, Michael and Diana.- Actress
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Billie Hayes was born August 5, 1924 in the small town of DuQuoin, Illinois. She started in show business at 9 years old as a tap dancer in local clubs. She was encouraged but not "pushed" by her parents after she expressed the desire to do so. By the time she was in her teens, Hayes had joined a 14-piece orchestra and was working throughout the Midwest. After performing her own act in Chicago, she was cast in a New York revue which toured the United States and Canada.
Hayes landed a part in a Leonard Sillman Broadway production, "New Faces of 1956", at the Ethel Barrymore Theatre. It ran for 220 performances between June 14, 1956 and December 22, 1956. One of her songs was "The Greatest Invention". The producers of the Broadway production of "Li'l Abner" wanted her for the role of Mammy Yokum but the producers of "New Faces" wouldn't release her from her contract and the part went to Charlotte Rae (best known for playing Mrs. Garrett on the television show The Facts of Life (1979)). Hayes would later succeed Rae in the role and went on to play the part in the 1959 film version and in the 1971 television version, as well.
A fellow cast member in a Las Vegas show in which Hayes was appearing recommended her to Sid Krofft, who was preparing for production for the television show H.R. Pufnstuf. Only two actresses auditioned to play "Witchiepoo". The first was then an unknown Penny Marshall, but it was felt that she was not right for the part. When Hayes auditioned for the part, she created a maniacal cackle and hopped up on a desk and was given the part on the spot. Hayes also appeared in the next Krofft brothers television show Lidsville (1971) and made other guest appearances on other live-action television shows through the rest of the 1970s and until the mid-1980s when she effectively made the transition to voice acting.- Writer
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Joan Rivers is an American talk show host, comedian, writer and actress from Brooklyn, New York. She voiced Dot Matrix from Mel Brooks' Spaceballs. She has portrayed in several films and shows such as Shrek 2, Look Who's Talking, The Smurfs and Iron Man 3. She passed away in September 2014 at Manhattan, New York.- Actor
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Forrest Tucker, best known to the Baby Boom generation as Sergeant O'Rourke on the classic TV sitcom F Troop (1965), was born on February 12, 1919, in Plainfield, Indiana. He began his performing career at age 14 at the 1933 Chicago "Century of Progress" World's Fair, pushing big wicker tourists' chairs by day and singing at night. His family moved to Arlington, Virginia, where he attended Washington-Lee High School in 1938.
Big for his age, as a youth Tucker was hired by the Old Gayety Burlesque Theater in Washington, DC, to serve as a Master of Ceremonies for the burly-cue after consecutively winning Saturday night amateur contests. He was fired when it was found out that he was underage. When he turned 18, he was rehired by the Old Gayety.
After graduating from high school in 1938, the 6'4", 200-lb. Tucker played semi-pro football in the Washington, DC, area. He also enlisted in the National Guard and was assigned to a cavalry unit in Ft. Myers, Virginia. He started at the top when he entered the movies, in a supporting role in William Wyler's The Westerner (1940) opposite Gary Cooper and Walter Brennan, who won his third Oscar for portraying Judge Roy Bean in the picture. He got the role during his 1939 vacation from the Old Gayety, which shut down due to the District of Columbia's horrible summers in the days before air conditioning was common.He was signed to the part in the Wyler picture, which required a big fellow with enough presence for a fight scene with the 6'3" superstar Cooper.
Tucker moved to California and began auditioning for parts in films. After "The Westerner", it was off to Poverty Row, where he appeared in William Beaudine's Emergency Landing (1941) at rock-bottom PRC (Producers Releasing Corp.). He was soon signed by Columbia and assigned to the B-pictures unit, though he was lent to MGM for the Spencer Tracy-Katharine Hepburn vehicle Keeper of the Flame (1942), his last film before going off to World War II.
Tucker served as an enlisted man in the Army during the war, being discharged as a second lieutenant in 1945. He returned to Columbia and resumed his acting career with an appearance in the classic film The Yearling (1946). He signed with Republic Pictures in 1948, which brought him one of his greatest roles, that of the Marine corporal bearing a grudge against gung-ho sergeant John Wayne in Sands of Iwo Jima (1949). At Republic Tucker was top-billed in many of the "B' pictures in the action and western genres the studio was famous for, such as Rock Island Trail (1950), California Passage (1950) and Ride the Man Down (1952), among many others. In 1958 he broke out of action / western pictures and played Beauregard Burnside to Rosalind Russell's Auntie Mame (1958), the highest grossing US film of the year. It showed that Tucker was capable of performing in light comedy.
Morton DaCosta, his director on "Auntie Mame", cast Tucker as "Professor" Harold Hill in the national touring production of The Music Man (1962), and he was a more than credible substitute for the great Broadway star Robert Preston, who originated the role. Tucker made 2,008 appearances in The Music Man over the next five years, then starred in "Fair Game for Lovers" on Broadway in 1964.
However, it was television that provided Tucker with his most famous role: scheming cavalry sergeant Morgan O'Rourke in "F Troop", which ran from 1965 to 1967 on ABC. Ably supported by Larry Storch, Ken Berry and James Hampton, Tucker showed a flair for comedy and he and Storch had great chemistry, but the series was canceled after only two seasons. It has, however, remained in syndication ever since.
Following "F Troop", Tucker returned to films in supporting parts (having a good turn as the villain in the John Wayne western Chisum (1970)) and character leads (The Wild McCullochs (1975)). On television he was a regular on three series: Dusty's Trail (1973) with Bob Denver; The Ghost Busters (1975), which reunited him with Larry Storch; and Filthy Rich (1982). Tucker was also a frequent guest star on TV, with many appearances on Gunsmoke (1955) and in the recurring role of Jarvis Castleberry, Flo's estranged father, on Alice (1976) and its spin-off, Flo (1980). He continued to be active on stage as well, starring in the national productions of Plaza Suite (1971), Show Boat (1936), and That Championship Season (1982). He also toured with Roy Radin's Vaudeville Revue, a variety show in which, as a headliner, he told Irish stories and jokes and sang Irish songs.
Tucker returned to the big screen after an absence of several years in 1986, playing hero trucker Charlie Morrison in the action film Thunder Run (1985). His comeback to features was short-lived, however, as he died on October 25, 1986, in the Los Angeles suburb of Woodland Hills, of complications from lung cancer and emphysema. He was 67 years old. Tucker was buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles.- Actress
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Janet Waldo provided the quintessential voice of the swooning, overly dramatic teenager for numerous generations -- from the 1940s swinging babysitters to the 1960s groovy chick. A bouncy, perennially-youthful brunette, Janet Marie Waldo was born on February 4, 1919, in Grandview, Washington, and began entertaining in church plays as a youth. Urged on by her singer mother, she studied at the University of Washington and performed in plays. She was discovered by none other than Paramount star Bing Crosby, when he and his talent scouts conducted a contest and invited her to try out for it, which she won. Crosby next invited Janet (accompanied by her mother) to California and the rest is history.
Janet met a Paramount talent scout that signed her up for small roles in movies, including the Crosby films, Sing, You Sinners (1938) and The Star Maker (1939). Unable to completely break out of her bit-part cycle as assorted hat-check girls, receptionists, and telephone operators, she did manage a few co-starring roles in such Tim Holt westerns, such as The Bandit Trail (1941) and Land of the Open Range (1942) before setting her career sights on radio in 1943.
It was Crosby himself who introduced her to radio and she fell in love with the medium and its possibilities. As the eternal teen in "Meet Corliss Archer", her voice became a household sound and it was obvious that. her vocal talents would become her biggest moneymaker. She also performed on radio's "One Man's Family", "The Gallant Heart", and "Star Playhouse". She played the cigarette girl on both Red Skelton and Art Linkletter's programs, and teenager Emmy Lou on Ozzie Nelson on both his radio and TV shows. In 1952, she filmed one classic I Love Lucy (1951) episode, The Young Fans (1952) playing an extremely lovesick teenaged girl, who fell for Ricky Ricardo, although she was past 30 at the time.
In 1948 Janet married writer-director-producer Robert E. Lee of "Inherit the Wind" and "Auntie Mame" fame. She curtailed her career activities sharply for some time in order to raise her two children. She even turned down the opportunity to return to her popular role of Corliss Archer when the radio series was revamped for TV in 1951, and Lugene Sanders from the "Life of Riley" series took on the part instead. After sporadic appearances on stage, Janet established herself as one of the top female voice artists in the early 1960s when she gave vocal life to hip high schooler Judy Jetson in the prime-time Hanna-Barbera cartoon series The Jetsons (1962), a role that she would go on to play well past the age of 70. Her vocal range led her to become a Hanna-Barbera staple for over three decades, providing hundreds and hundreds of voices, old and young, to both Saturday morning and feature film cartoons. Some of her better known characters include Granny Sweet, Penelope Pitstop, Superman's Lana Lang, the Addams Family's Morticia Addams, the title role in Josie and the Pussycats (1970) and Princess on Sandy Frank's Battle of the Planets (1978).
Janet was a member of the California Artists Radio Theatre (CART) and performed frequently on the smaller L.A. stages over the years. The woman with a thousand voices continued doing radio shows and commercial voice-overs (Electrosol), and making personal appearances. Long married to playwright/TV writer Robert E. Lee until his death in 1994, the couple had two children (Jonathan, Lucy). Diagnosed with a benign but inoperable brain tumor in 2011, she died five years later, age 97, on June 12, 2016, in Encino, California. She is interred at the Forest Lawn Memorial Park in the Hollywood Hills.- Actor
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Comedian, author and composer, educated at Emerson College. He served in the US Infantry during World War II. Later, he was part of the team Dana and Wood on television and in supper clubs. As a single, he appeared on television with Martha Raye and Imogene Coca and was a writer for Steve Allen, and he also appeared in night clubs and on records. Joining ASCAP in 1958, his popular-song compositions include "My Name Jose Jimenez", "All About Love" and "Big Bells and Bongo Drummers".- Actor
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Leonard Simon Nimoy was born in Boston, Massachusetts, to Dora (Spinner) and Max Nimoy, who owned a barbershop. His parents were Ukrainian Jewish immigrants. Raised in a tenement and acting in community theaters since age eight, Nimoy did not make his Hollywood debut until he was 20, with a bit part in Queen for a Day (1951) and another as a ballplayer in the perennial Rhubarb (1951). After two years in the United States Army, he was still getting small, often uncredited parts, like an Army telex operator in Them! (1954). His part as Narab, a Martian finally friendly to Earth, in the closing scene in the corny Republic serial Zombies of the Stratosphere (1952), somewhat foreshadowed the role which would make him a household name: Mr. Spock, the half-human/half-Vulcan science officer on Star Trek (1966) one of television's all-time most successful series. His performance won him three Emmy nominations and launched his career as a writer and director, notably of Star Trek IV: The Voyage Home (1986), the story of a humpback whale rescue that proved the most successful of the Star Trek movies. Stage credits have included "Fiddler on the Roof", "Oliver", "Camelot" and "Equus". He has hosted the well-known television series In Search of... (1977) and Ancient Mysteries (1994), authored several volumes of poetry and guest-starred on two episodes of The Simpsons (1989). In the latter years of his career, he played Mustafa Mond in NBC's telling of Aldous Huxley's Brave New World (1998), voiced Sentinel Prime in the blockbuster Transformers: Dark of the Moon (2011), and played Spock again in two new Star Trek films, Star Trek (2009) and Star Trek Into Darkness (2013).
Leonard Nimoy died on February 27, 2015 in Bel Air, Los Angeles, California, of end-stage chronic obstructive pulmonary disease. He was 83.- Actor
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Raised in Dallas, Texas, James Hampton attended John H. Reagan Elementary, N.R. Crozier Technical High School and the University of North Texas (Theatre Arts Major). He studied acting with Michael Howard in New York and Leonard Nimoy in Los Angeles. He worked with Baruch Lumet at Knox Street Theatre in Dallas and did summer stock at Casa Manana in Fort Worth (1961). He performed off-Broadway in "Easy Does It" with Tom Poston and Elizabeth Allen Rosenbaum, and toured with Burt Reynolds in "Rainmaker". He starred in "Tender Trap" with Reynolds at Arlington Park Theatre in Chicago and played the title role in "Will Success Spoil Rock Hunter" at the same theatre with Mamie Van Doren and Rick Jason. Onscreen, he has played in films as diverse as The Longest Yard (1974) and Teen Wolf (1985), and is probably best remembered as the eager but inept bugler Private Hannibal Dobbs in the classic sitcom F Troop (1965). James Hampton died at age 84 of Parkinson's disease at his home in Fort Worth, Texas.- Actor
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When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).- Actor
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Brooklyn-born Don Diamond's most famous role is probably that of the scheming and ambitious, but inept and somewhat cowardly, underling Crazy Cat to Frank DeKova's Chief Wild Eagle in the cult western comedy series F Troop (1965). By the time he got that role he had been an actor for quite some time, starting out in radio in the early 1940s, where he discovered that he had a knack for picking up dialects, especially Spanish. He became so proficient in it that many believed he was actually Spanish or Mexican, when in reality his family came from Russia. His facility in that dialect got him the role as the Mexican sidekick of Kit Carson in the early TV series The Adventures of Kit Carson (1951). He also landed a recurring part as a Spanish corporal, "Corporal Reyes", in the Disney TV series Zorro (1957). In addition to his TV and film work, he did much voice-over work in both cartoons and commercials, such as voicing Toro from the DFE series, Tijuana Toads.- Actor
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Born on October 1, 1921, in White Plains, New York, gruff veteran character actor James Whitmore earned early and widespread respect with his award-winning dramatic capabilities on Broadway and in films. He would later conquer TV with the same trophy-winning results.
The son of James Allen Whitmore and Florence Crane, he was educated at Connecticut's Choate School after receiving a football scholarship. He later earned his BA from Yale University in 1944 before serving with the Marines in World War II. Following his honorable discharge he prepared for the stage under the G.I. bill at the American Theatre Wing, where he met first wife Nancy Mygatt. They married in 1947 and went on to have three sons together -- Steve, Dan and actor/director James Whitmore Jr..
Applause and kudos came swiftly for Whitmore while under both the Broadway and film banners. After appearing with the Peterborough, New Hampshire, Players in the summer of 1947 in "The Milky Way," Whitmore made a celebrated Broadway debut as Tech Sergeant Evans in "Command Decision" later that year. His gritty performance swept the stage acting trifecta -- Tony, Donaldson and Theatre World awards. In later years Whitmore would often comment that most of his satisfaction came from performing on the live stage.
Hollywood soon took notice of Whitmore. Clark Gable happened to be starring in the film version of Command Decision (1948), and it was hoped that Whitmore would get to recreate his award-winning role. But it was not to be. Song-and-dance star Van Johnson, who was looking for straight, serious roles after a vastly successful musical career, was given the coveted part. The disappointment didn't last long, however, and Whitmore made an auspicious film bow the following year with a prime role in the documentary-styled crime thriller The Undercover Man (1949) starring Glenn Ford and Nina Foch. Whitmore scored brilliantly with his second film as well. Battleground (1949), another war picture, was highly praised and the actor became the talk of the town upon its initial release, grabbing both the Golden Globe and an Oscar nomination for "supporting actor" for his efforts.
Hardly the handsome, matinée lead type, Whitmore nevertheless primed himself up for leading roles in a character vein and found a fine range of material come his way. He showed off his soft inner core as a religious, moral-minded family man opposite Nancy Reagan [Reagan] in the inspirational drama The Next Voice You Hear... (1950); featured his usual saltier side alongside Marjorie Main in Mrs. O'Malley and Mr. Malone (1950); ably portrayed a hunchbacked crook in The Asphalt Jungle (1950) and displayed customary authority as a security chief in the stoic military drama Above and Beyond (1952) starring Robert Taylor. Elsewhere, he played it strictly for laughs as a Runyonesque gangster partnered with Keenan Wynn in the classic MGM musical Kiss Me Kate (1953); portrayed a valiant cop fighting off gigantic mutant ants in the intelligent sci-fi thriller Them! (1954); a hard-hitting social worker in Crime in the Streets (1956) and even made the most of his small role as Tyrone Power's manager in The Eddy Duchin Story (1956).
By 1959, the craggy-faced actor known for his trademark caterpillar eyebrows, turned more and more toward the small screen, with memorable roles in The Twilight Zone (1959), The Detectives (1959) (working again with Robert Taylor), Ben Casey (1961) and a host of live theater dramas. He also starred in his own series as attorney Abraham Lincoln Jones in The Law and Mr. Jones (1960), which lasted two seasons.
Every so often a marvelous character would rear its pretty head and interest him back to the big screen. Notable of these were his white man passing for black in the controversial social drama Black Like Me (1964); his weary veteran cop in Madigan (1968); and his brash, authoritative simian in the classic sci-fi Planet of the Apes (1968).
Divorced from wife Nancy after more than two decades, Whitmore married actress Audra Lindley, best known on TV as Mrs. Roper of Three's Company (1976) fame, in 1972. The couple forged a strong acting partnership as well, particularly on stage, and maintained a professional relationship long after their 1979 divorce. Whitmore and Lindley were lauded for their appearances together in such plays as "The Magnificent Yankee," "On Golden Pond," "The Visit," "Foxfire" and "Love Letters," among others.
In the 1970s the actor transformed into a magnificent one-man-show machine playing such celebrated and inspiring historical/entertainment icons as Will Rogers, Harry Truman and Theodore Roosevelt. He disappeared into these historical legends so efficiently that even the powers-that-be had the good sense to preserve them on film and TV in the form of Will Rogers' USA (1972); Give 'em Hell, Harry! (1975), which earned him his second Oscar nomination; and Bully: An Adventure with Teddy Roosevelt (1978).
In his twilight years, Whitmore showed he still had what it took to touch movie audiences, most notably as the fragile prisoner-turned-parolee who cannot adapt to his late-life freedom in the classic film The Shawshank Redemption (1994). On TV he continued to win awards, copping a TV Emmy for a recurring part on The Practice (1997) in the late 1990s. A household face in commercials as well, one of his passions was gardening and he eventually became the spokesman for Miracle-Gro plant food.
Whitmore remarried (and re-divorced, 1979-1981) his first wife Nancy briefly before finding a lasting union with his fourth wife, actress-turned-author Noreen Nash, whom he married broaching age 80 in 2001. Whitmore died of lung cancer on February 6, 2009, after having been diagnosed in mid-November 2008.- Frank DeKova parlayed a sinister scowl, piercing eyes and an all-around menacing attitude into a long career of playing cold-blooded trigger-men, rampaging Indian chiefs, brutal Mexican army officers and the like. So it would probably come as a shock to those who know his work to discover that, before he became an actor, he was--of all things--a schoolteacher.
Born in New York in 1910, DeKova gave up teaching for the stage, and played in many Shakespearean productions before getting work on Broadway. One of his first starring roles was in the classic detective play "Detective Story", which got him noticed and brought to Hollywood. He debuted in Viva Zapata! (1952) as the devious Mexican colonel who sets up Zapata's assassination. For the next several years he played an assortment of gangsters, killers, gunfighters and Indians--with time out to play a prehistoric patriarch in Roger Corman's campy Teenage Cave Man (1958)--and did much television work, including a standout job as a Mafia hit-man assigned to kill Elliot Ness in The Untouchables: Part 1 (1959). The role for which he will be most remembered, however, is probably the one that was his most atypical: the scheming, somewhat untrustworthy but very funny Hekawi Chief Wild Eagle, the partner to Forrest Tucker's Sgt. O'Rourke in O'Rourke's various schemes to make money, in the western comedy series F Troop (1965). He showed a previously unknown talent for comedy and managed to steal most of the scenes he was in from such veterans as Tucker and Larry Storch. He died in his sleep in 1981. - Actress
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- Costume Designer
British actress Dame Diana Rigg was born on July 20, 1938 in Doncaster, Yorkshire, England. She has had an extensive career in film and theatre, including playing the title role in "Medea", both in London and New York, for which she won the 1994 Tony Award for Best Actress in a Play.
Rigg made her professional stage debut in 1957 in the Caucasian Chalk Circle, and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in the 1971 production of "Abelard & Heloise". Her film roles include Helena in A Midsummer Night's Dream (1968); Lady Holiday in The Great Muppet Caper (1981); and Arlene Marshall in Evil Under the Sun (1982). She won the BAFTA TV Award for Best Actress for the BBC miniseries Mother Love (1989), and an Emmy Award for her role as Mrs. Danvers in the adaptation of Rebecca (1997). In 2013, she appeared with her daughter Rachael Stirling on the BBC series Doctor Who (2005) in an episode titled "The Crimson Horror" and plays Olenna Tyrell on the HBO series Game of Thrones (2011).
From 1965 to 1968, Rigg appeared on the British television series The Avengers (1961) playing the secret agent Mrs. Emma Peel. She became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife, opposite George Lazenby. She was appointed Commander of the Order of the British Empire (CBE) at the 1988 Queen's New Years Honours for her services to drama. She was appointed Dame Commander of the Order of the British Empire (DBE) at the 1994 Queen's Birthday Honours for her services to drama.
Dame Diana Rigg died of lung cancer on September 10, 2020, she was 82 years old.- Actor
- Writer
- Director
Deadpan comedian Charles Sydney Grodin (originally Grodinsky) was born in Pittsburgh, Pennsylvania of Russian/Polish ancestry and raised in a Jewish orthodox home. He attended the University of Miami but dropped out, opting instead for the life of a struggling actor. The movie A Place in the Sun (1951) was said to have steered him towards his chosen profession. In his own words: "It was two things. One is I think I developed an overwhelming crush on Elizabeth Taylor. And two, Montgomery Clift made acting look like 'Gee, well that looks pretty easy - just a guy talking.'".
After a spell with Uta Hagen (1956-59), he attended Lee Strasberg's Actors Studio before making his stage debut on Broadway in 1962. Though he appeared on screen from as early as 1954, Grodin did not make a great deal of headway in this medium until he attracted critical notice playing the small but crucial role of obstetrician Dr. C.C. Hill in Rosemary's Baby (1968). More substantial roles soon followed. His first major starring turn was in The Heartbreak Kid (1972), a black comedy written by Neil Simon and directed by Elaine May. Grodin managed to inject charm and humanity in what was essentially an egotistical central character. Film reviewer Roger Ebert praised his performance, describing the actor as a "kind of Dustin Hoffman-as-overachiever", an opinion which was echoed by Vincent Canby of the New York Times. Ironically, Grodin had earlier turned down the pivotal role in The Graduate (1967) which propelled Hoffman to stardom (he also -- probably unwisely -- spurned the role of oceanographer Matt Hooper in Jaws (1975) which instead went to Richard Dreyfuss).
Grodin's ultimate breakthrough came on the Broadway stage in "Same Time Next Year" (1975) (opposite Ellen Burstyn), a hugely successful romantic comedy about two people, each married to someone else, who conduct an extramarital affair for a single day over the course of 24 years in the same room of a northern Californian inn. Though the two leads left the show after seven months, Grodin was now much sought-after in Hollywood as a droll comic actor and cast in a string of hit comedies: Heaven Can Wait (1978), Seems Like Old Times (1980), The Lonely Guy (1984) and Midnight Run (1988). He also appeared to sterling effect in the underrated farce The Couch Trip (1988), in which he co-starred with Walter Matthau and Dan Aykroyd as the brittle psychiatrist and radio host Dr. George Maitlin. Arguably his most popular box office success was opposite the titular Saint Bernard canine in the family-oriented comedy Beethoven (1992). Despite less than enthusiastic critical reviews, the film was a hit with audiences, grossed $147.2 million worldwide and spawned a sequel.
In the mid-1990s, Grodin reinvented himself as a television host (The Charles Grodin Show (1995)) and political commentator. He made frequent guest appearances on talk shows with Carson or Letterman, typically adopting the persona of a belligerent tongue-in-cheek character to facilitate "comically uncomfortable situations on the set". Grodin was also a prolific author, both of fiction and non-fiction. An autobiography was entitled "It Would Be So Nice If You Weren't Here: My Journey Through Show Business" (1989). Charles Grodin died at age 86 of bone marrow cancer on May 18, 2021 at his home in Wilton, Connecticut.- Actor
- Producer
- Director
Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.- Actress
- Soundtrack
Award-winning actress Helen Elizabeth McCrory was born in London, England, to Welsh-born Anne (Morgans) and Scottish-born Iain McCrory, a diplomat from Glasgow. After training at the Drama Centre London, Helen began her career on stage in the UK and won the Manchester Evening News' Best Actress Award for her performance in the National Theatre's "Blood Wedding" and the Ian Charleson award for classical acting for playing "Rose Trelawney" in "Trelawney of the Wells." Helen's theatre work continued to win her critical praise and a large fan base through such work as the Royal Shakespeare Company's "Les Enfant du Paradis" opposite Joseph Fiennes, Rupert Graves and James Purefoy. At the Almeida Theatre, her productions included "The Triumph of Love" opposite Chiwetel Ejiofor and the radical verse production, "Five Gold Rings," opposite Damian Lewis.
Helen also worked extensively at the Donmar Warehouse playing lead roles in "How I Learnt to Drive," "Old Times" directed by Roger Michel, and in Sam Mendes' farewell double bill of "Twelfth Night" and "Uncle Vanya" (a triumph in both London and New York). For her performance in "Twelfth Night," Helen was nominated for the Evening Standard Best Actress Award, and the New York Drama Desk Awards. She also founded the production company "The Public" with Michael Sheen, producing new work at the Liverpool Everyman, The Ambassadors and the Donmar (in which she also starred).
With over twenty productions under her belt, Mike Coveney recently wrote "We celebrate the careers of great actors Olivier, Ashcroft, Richardson, Gielgud, Dench, the Redgraves, Gambon, Walter, Sher, Russell Beale and McCrory."
On the small screen, Helen's first television film, Karl Francis' Streetlife (1995) with Rhys Ifans, won her the Welsh BAFTA, Monte Carlo Best Actress Award and the Royal Television Society's Best Actress Award, for her extraordinary performance as "Jo." The Edinburgh Film Festival wrote "simply the best performance this year." She went on to win Critics Circle Best Actress Award for her role as the barrister "Rose Fitzgerald" in the Channel 4 series North Square (2000), having been previously nominated for her performance in The Fragile Heart (1996). Helen showed diversity as an actress, appearing in comedies such as Lucky Jim (2003) with Stephen Tompkinson or Dead Gorgeous (2002) with Fay Ripley, as well as dramas such as Joe Wright's The Last King (2003) (for which she was nominated for the LA Television Awards) and Anna Karenina (2000).
Helen McCrory died on 16 April, 2021, in London, of cancer. She was 52, and was survived by her husband Damian Lewis and their two children.- Actor
- Producer
- Soundtrack
Intense was the word for Ray Liotta. He specialized in psychopathic characters who hide behind a cultivated charm. Even in his nice-guy roles in Field of Dreams (1989) and Operation Dumbo Drop (1995), you get the impression that something is smoldering inside of him. He was born in Newark, New Jersey, and was adopted by Mary (Edgar), a township clerk, and Alfred Liotta, an auto parts store owner. He studied acting at the University of Miami, where he became friends with Steven Bauer (Scarface (1983), Thief of Hearts (1984)). He spent his first years acting in TV: Another World (1964), a TV movie and several short-lived series. He broke into movies with the black comedy Something Wild (1986), which garnered him rave reviews. Originally unable to get a reading, he was recommended for the part by Melanie Griffith (then married to Bauer).
Following the success Something Wild (1986), he received more offers in the "psycho" vein, but refused them to avoid being typecast. Instead, he made "little movies" like Dominick and Eugene (1988), which earned him standing as an actor's actor, and Field of Dreams (1989), whose success always surprised him. When he heard Martin Scorsese was casting Goodfellas (1990), he lobbied hard for the part of Henry Hill. The film's huge success brought him wide popularity and garnered him star billing in future films such as Article 99 (1992), Unlawful Entry (1992), and Unforgettable (1996).
Liotta died on May 26, 2022, aged 67, in his sleep while filming on location in Santo Domingo, Dominican Republic.- Producer
- Writer
- Actor
Stan Lee was an American comic-book writer, editor, and publisher, who was executive vice president and publisher of Marvel Comics.
Stan was born in New York City, to Celia (Solomon) and Jack Lieber, a dress cutter. His parents were Romanian Jewish immigrants. Lee co-created Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Iron Man, Daredevil, Thor, the X-Men, and many other fictional characters, introducing a thoroughly shared universe into superhero comic books. In addition, he challenged the comics' industry's censorship organization, the Comics Code Authority, indirectly leading to it updating its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
He had cameo appearances in many Marvel film and television projects, with many yet to come, posthumously. A few of these appearances are self-aware and sometimes reference Lee's involvement in the creation of certain characters.
On 16 July 2017, Lee was named a Disney Legend, a hall of fame program that recognizes individuals who have made an extraordinary and integral contribution to The Walt Disney Company.
Stan was married to Joan Lee for almost 70 years, until her death. The couple had two children. Joan died on July 6, 2017. Stan died on November 12, 2018, in LA.- Actor
- Writer
- Soundtrack
Craggy-faced, athletic veteran character actor who played hard-bitten or menacing types in numerous westerns and crime dramas. One of five brothers, Woodward grew up in Arlington, Texas. He had a keen interest in aviation early on and took flying lessons from 1941, getting his pilot's license and subsequently served in both World War II (Army Air Corps) and Korea (Military Air Transport Command). Woodward first acted at Arlington State College, majoring in music and drama. He appeared for a while with the Margo Jones Repertory Theatre '47 in Dallas and then went back to study for a degree in corporate finance at the University of Texas, graduating in 1948. At one time, he sang with a jazz band and as a member of a barber shop quartet as well as having a regular weekly gig as a talk show host on local radio. Possessed of a powerful bass-baritone voice, Woodward's ultimate ambition had been to sing for the Metropolitan Opera. That didn't pan out. Neither did his hope that moving to Hollywood in 1955 might open the door to a career in musicals. Instead, he successfully auditioned at Disney for The Great Locomotive Chase (1956), followed by a part in the western pioneer saga Westward Ho, the Wagons! (1956). His first big break was as co-star opposite Hugh O'Brian in The Life and Legend of Wyatt Earp (1955), playing the role of Earp's deputy Shotgun Gibbs for four seasons. This effectively typecast him as a western genre actor with a record number of guest spots on Gunsmoke (1955) and Wagon Train (1957). Nonetheless, his most famous role was that of ""the man with no eyes", a sinister chain gang overseer in Cool Hand Luke (1967), distinguished by perpetually wearing reflective sunglasses. He also made two appearances on Star Trek (1966) (most famously as Simon Van Gelder, the first human with whom Spock 'mind melds') and played the shrewd Armani-suited oil tycoon Punk Anderson in 55 episodes of Dallas (1978).
Thomas Morgan Woodward was awarded the Golden Boot Award from the Hollywood Motion Picture and Television Fund in August 1988. In 2009, he became an inductee into the Hall of Great Western Performers at the National Cowboy & Western Heritage Museum. Privately, he was a respected authority on Early American Aircraft. According to his website, his main hobby was "restoring, rebuilding and flying antique airplanes".- Actor
- Producer
- Music Department
Legendary actor Christopher Plummer, perhaps Canada's greatest thespian, delivered outstanding performances as Sherlock Holmes in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), the iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), the kindly and clever mystery writer in Knives Out (2019), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a Supporting Role, one of three Academy Award nominations he received in the 2010s, along with All the Money in the World (2017) (as J. Paul Getty) and Beginners (2010); he won for the latter role. He will also likely always be remembered as Captain Von Trapp in the atomic bomb-strength blockbuster The Sound of Music (1965), a film he publicly despised until softening his stance in his autobiography "In Spite of Me" (2008).
Christopher Plummer was born Arthur Christopher Orme Plummer on December 13, 1929 in Toronto, Ontario. He was the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. Christopher was a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Presbyterian clergyman John Bethune. He had Scottish, English, Anglo-Irish, and Cornish ancestry. Plummer was raised in Senneville, Quebec, near Montreal, at his maternal grandparents' home.
Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Plummer was the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.
Like another great stage actor, Richard Burton, early in his career Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, he didn't succeed as a younger leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was, he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character roles. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".
Plummer won two Emmy Awards out of seven nominations stretching 46 years from 1959 and 2011, and one Genie Award in six nominations from 1980 to 2009. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore". Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".
Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award. In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Lev Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thus: "You're only two years older than me darling, where have you been all of my life?"
Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it." The Academy Award was a long time in coming and richly deserved.
Plummer gave many other fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He continued to be an in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he would have been knighted. (In 1968, he was appointed Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".
As it is, as attested to in his witty and well-written autobiography, Plummer was amply rewarded in life. In 1970, Plummer - then a self-confessed 43-year-old "bottle baby" - married his third wife Elaine Taylor, a dancer, who helped wean him off his dependency on alcohol. They lived happily with their dogs on a 30-acre estate in Weston, Connecticut. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life." Although he spent the majority of his time in the United States, he remained a Canadian citizen. He died in his Weston, Connecticut home on February 5, 2021 at age 91.
His daughter, with actress Tammy Grimes, is actress Amanda Plummer.- Actress
- Soundtrack
Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.- Actor
- Producer
- Soundtrack
The nicknames, "The Prince of Pandemonium", "The Master of Mayhem" and "King of Camp and Confetti", are but a few valid applications that were thrust upon zany comedian Rip Taylor, whose flamboyant blend of burlesque and self-deprecating humor entertained audiences for over four decades. He headlined the top showrooms of Las Vegas, appeared on scores of television shows, starred in various musical stage slapstick comedies and even toyed with dramatic material over the years.
He was born Charles Elmer Taylor, Jr. in Washington, D.C., on January 13, 1931 to Charles Elmer Taylor Sr. and Elizabeth Evans Taylor. He began his career by tossing out one-liners in nightclubs and had his first big break on Ed Sullivan's The Ed Sullivan Show (1948) TV show in 1964. The tacky costumes, ridiculous props, handlebar mustache, wacky wigs and manic confetti-tossing didn't take long to follow as professional trademarks, and they soon made their way into the 1970s pop culture.
Frequently appearing on television, he appeared in everything from variety shows to talk shows (Merv Griffin and David Letterman) to sitcoms like The Monkees (1965). He was the gag man who delightfully wrangled out of every groan-inducing one-liner there was, eventually finding the perfect avenue for his brand of insanity via producer Chuck Barris and his syndicated TV shows of the 1970s and 1980s. Rip became a favorite panelist judge, along with Jaye P. Morgan, on Barris' The Gong Show (1976), and later served as host of the equally tacky The $1.98 Beauty Show (1978).
A mainstay in Las Vegas, whether as ringleader of a topless chorus line or opening act to a major entertainer, Rip also slayed 'em on Broadway ("Sugar Babies") and has demonstrated a fine singing instrument in musicals including "Anything Goes", "Oliver!" (as "Fagan"), "Peter Pan" (as "Captain Hook") and in a 1999 production of "A Funny Thing Happened on the Way to the Forum" (as "Pseudolus").
On a more serious side, he played Demi Moore's crusty boss in Indecent Proposal (1993) and showed up sans confetti as Kate Hudson's father in the Rob Reiner feature, Alex & Emma (2003).
For the most part, he continued merrily in such campy films as Barris' The Gong Show Movie (1980); the "Exorcist" spoof, Repossessed (1990), with Linda Blair and Leslie Nielsen; the foreign-made The Silence of the Hams (1994)and Jackass: The Movie (2002). Beginning in the early 1960s, when he first provided additional voices for The Jetsons (1962), Rip continued making voice-over work a viable means of income. His voice can be heard in such animated films as DuckTales the Movie: Treasure of the Lost Lamp (1990), Tom and Jerry: The Movie (1992) and Scooby-Doo and the Monster of Mexico (2003), and animated TV series as Whatever Happened to... Robot Jones? (2002) and The Emperor's New School (2006). He was nominated for an Emmy award for voicing "Uncle Fester" in the TV cartoon program, The Addams Family (1992).
Having suffered an epileptic seizure the week prior, 88-year-old Rip died of congestive heart failure on October 6, 2019, at Cedars-Sinai Medical Center in Los Angeles. Once briefly married to Las Vegas showgirl Rusty Rowe, whom he divorced in the early 1960s, Rip was involved in a long-term relationship with Robert Fortney at the time of his death.- Actor
- Director
- Writer
Charles Nelson Reilly was born to Charles Joseph Reilly and Signe Elvera Nelson. His father was Irish-American and Catholic, his mother was Swedish-American and Lutheran. As a child he amused himself with improvised puppet theater performances.
He had a traumatic experience in 1944, when present for the Hartford circus fire in Hartford, Connecticut. A fire during a performance of the Ringling Bros. and Barnum & Bailey Circus killed 167 people and injured 700 people. While Reilly was one of the survivors, he was left with a life-long fear of fires. He never attended public performances of theater and circus again, as an audience member, for fear of another fire.
Reilly wanted to enter show business as a youth, and in particular to become an opera singer. He took lessons at the University of Hartford Hartt School, but eventually realized that his voice skills were inadequate. He turned to theater next, and debuted in film with a bit role in "A Face in the Crowd" (1957). During the late 1950s, Reilly appeared regularly in comic roles in theatrical performances off-Broadway. In 1960, Reilly first gained critical attention, for a small but noteworthy part in Broadway musical "Bye Bye Birdie". In 1961, Reilly joined the cast of the musical "How to Succeed in Business Without Really Trying". He won his first Tony Award in 1962 for that performance. He kept appearing in Broadway shows for the rest of the decade.
As a notable actor, Reilly started making television appearances in the 1960s. He started as a guest in panel shows and as a player in television advertisements. He eventually gained a key role in the television series "The Ghost & Mrs. Muir", where he appeared from 1968 to 1970. In the 1970s, Reilly was a regular in game shows and children's series, such as "Match Game" and "Uncle Croc's Block".
In 1976, Reilly started teaching acting to others, while shifting his own career from acting to directing. He directed Broadway shows regularly and was nominated for a Tony Award for directing in 1997. He also directed a number television episodes. In the 1990s, he had guest roles in television series such as "X-Files" and "Millennium".
In the 2000s, Reilly was primarily known for the autobiographical play "Save It for the Stage: The Life of Reilly", and for its film adaptation. While touring the United States, he developed respiratory problems which led to his retirement. His illness got worse, and he died due to pneumonia in 2007.- Actor
- Stunts
- Second Unit Director or Assistant Director
Actor and stuntman Robert Tessier was born of Algonquian Indian descent on June 2, 1934 in Lowell, Massachusetts. He specialized in tough, menacing villains throughout American cinema of the 1970s and 1980s. Tessier had served time in the United States Armed Forces seeing action in Korea as a paratrooper and earning both a Silver Star and a Purple Heart, and in addition was an accomplished motorcycle rider and circus stunt performer.
His movie breakthrough came at age 33, in the low budget Tom Laughlin biker movie The Born Losers (1967). With his menacing looks, Tessier was never short of on screen work, often turning up in several movies a year playing gang leaders, bikers and other murderous thugs. He appeared alongside 'Burt Reynolds' on three occasions in The Longest Yard (1974), Hooper (1978) and The Cannonball Run (1981). Alternately, he was equally busy on television appearing in popular series including Starsky and Hutch (1975), Magnum, P.I. (1980), The Fall Guy (1981) and The A-Team (1983). Undoubtedly, Tessier's most well remembered role was that of grinning, head-butting street fighter Jim Henry in the Charles Bronson film Hard Times (1975).
Tessier formed "Stunts Unlimited" with fellow noted stunt performers Hal Needham, Glenn R. Wilder and Ronnie Rondell Jr.. Robert Tessier passed away aged 56 from cancer on October 11, 1990.- Music Artist
- Actor
- Music Department
Glen Campbell was born on 22 April 1936 in Billstown, Arkansas, USA. He was a music artist and actor, known for True Grit (1969), Shindig! (1964) and X-Men: Dark Phoenix (2019). He was married to Kim Campbell, Sarah Jan Barg, Billie Jean Nunley and Diane Marie Kirk. He died on 8 August 2017 in Nashville, Tennessee, USA.- Actor
- Director
- Soundtrack
Vic Tayback was born on 6 January 1930 in New York City, New York, USA. He was an actor and director, known for Alice (1976), Alice Doesn't Live Here Anymore (1974) and All Dogs Go to Heaven (1989). He was married to Sheila McKay Barnard. He died on 25 May 1990 in Glendale, California, USA.- Actor
- Writer
- Soundtrack
Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.- Actor
- Director
- Writer
Don Adams was born in New York, to a father of Hungarian Jewish descent, and a mother of German and Irish ancestry. He had a sister, Gloria, and a brother, Dick Yarmy. He served in the U.S. Marines in World War II and contracted malaria during the fighting on Guadalcanal island. After the war he began a career as a stand-up comic. He married singer Adelaide Adams and adopted her last name as his stage surname. He had seven children altogether, (four with his first wife, two with his second, one with his third): Caroline Adams, Christine, Catherine, Cecily Adams, Stacey Adams, Sean, Beige. His television career began when he won the Ted Mack & the Original Amateur Hour (1948) talent contest. His most famous role, of course, is as bumbling, incompetent, clueless yet endearing secret agent Maxwell Smart in the classic sitcom/spy spoof Get Smart (1965), although he also had a career as a television director and a Broadway and theatrical dramatic actor.- The avuncular star character actor Richard Griffiths grew up in a council flat in less than prosperous conditions, the son of deaf and volatile parents in a dysfunctional family setting. According to an article in the Telegraph newspaper, his father Thomas was a steelworker 'who fought in pubs for prize money'. Like most children, Richard's "mother tongue" was the same as his parents. In his case, that was sign language. Like many kids in the 50s, his world did not include television. He had to explain sounds to his parents, for example music. Griffiths made a career out of language. For instance, he developed a talent for dialects which later allowed him to shine in a number of ethnic portrayals. He attended the Manchester Polytechnic School Of Drama and then began his career in radio drama and repertory theatre. He subsequently became a member of the Royal Shakespeare Company where he often excelled playing Shakespeare's comic characters.
In a 2007 interview, Griffiths said "I like playing Vernon Dursley in Harry Potter because that gives me a license to be horrible to kids. I hate the odious business of sucking up to the public." In fact, unlike those jovial characters he so often portrayed on screen, Griffiths did not tolerate fools gladly. On occasion, he would get stroppy with members of an audience, especially those failing to switch off their mobile phones during a performance (who could blame him?). He was also highly thought of as a raconteur and wit.
The ever-versatile, often bespectacled and bearded Griffiths did his best work for the small screen, excelling as the inquisitive and resourceful civil servant Henry Jay in Bird of Prey (1982) and as the lovable 'cooking policeman' Henry Crabbe in Pie in the Sky (1994), a role specially created for him. As comic relief he made many a hilarious guest appearance, in, among other popular series, The Vicar of Dibley (1994) (as the Bishop of Mulberry) and as Dr. Bayham Badger in the superb BBC adaption of Bleak House (2005). He could also play evil and sinister, none more so than Swelter in Gormenghast (2000), a character Griffiths described being at once "laughably comic" and "a monster like Idi Amin". He was also much sought-after by Hollywood producers, appearing in a dual role in The Naked Gun 2½: The Smell of Fear (1991), as the ill-fated Magistrate Philipse in Tim Burton 's Sleepy Hollow (1999) and as King George in Pirates of the Caribbean: On Stranger Tides (2011).
The much-acclaimed actor won a Tony Award, a Laurence Olivier Award, the Drama Desk Award and the Outer Critics Circle Award.
Griffiths was uncommonly skinny as a child and this required radiation treatment on his pituitary gland from the age of eight. It caused his metabolism to slow to such an extent that he eventually became obese, a condition which in all likelihood contributed to his death from complications during heart surgery on 28 March 2013 at the age of 65. - Actor
- Producer
- Director
Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Actor
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When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Actor
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Tom Bosley was born on 1 October 1927 in Chicago, Illinois, USA. He was an actor, known for Happy Days (1974), The Back-up Plan (2010) and Yours, Mine and Ours (1968). He was married to Patricia Carr and Jean Eliot. He died on 19 October 2010 in Rancho Mirage, California, USA.- Actress
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Born in Burbank, California, USA on October 18, 1960, Erin Moran was the youngest daughter of Sharon and Edward Moran, who have five other children. She attended Walter Reed Junior High School for one year and North Hollywood High School for another year. Her first professional acting job was in a TV commercial. She played Richie Cunningham's baby sister, Joanie Cunningham, on ABC's Happy Days (1974); however, this was not Erin's first major TV series. She was a regular on the series, Daktari (1966). She has also made guest appearances on TV series such as The Waltons (1972), Family Affair (1966), My Three Sons (1960), The Courtship of Eddie's Father (1969), Gunsmoke (1955), The Smith Family (1971), and The F.B.I. (1965).
Erin Moran has worked on feature films with Debbie Reynolds in How Sweet It Is! (1968), with Godfrey Cambridge in Watermelon Man (1970), and with Wayne Newton in 80 Steps to Jonah (1969).
Like many other child actors, Erin had difficulty finding roles as an adult. Following the cancellation of Happy Days (1974) in 1984, she made occasional guest appearances on scripted and reality shows. She eventually moved away from Hollywood after her home was foreclosed on.
On April 22, 2017, she died in Corydon, Indiana, where she had been living with her husband of 23 years; she was 56 years old.- Actor
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David Fitzgerald Doyle was born in Lincoln, Nebraska December 1, 1929. He was the son of Mary Ruth Fitzgerald and Lewis Raymond (Lum) Doyle, a prominent Lincoln attorney. His maternal grandfather was John Fitzgerald, a prominent banker and railroad builder in Nebraska. His paternal grandfather was T. J. Doyle, also an attorney. He was one of three children, including brother John, an attorney, and sister Mary, an actress. He grew up in Lincoln and attended Cathedral grade school. He then went to Campion, a Jesuit prep school in Wisconsin. He made his acting debut at age six and played children's roles in local productions. He was a member of the Community Theater in Lincoln. He was in Life with Father (1947). Doyle entered the University of Nebraska in 1945 and he was expected to become a lawyer, as had four generations of Doyles. But the young Doyle preferred to spend him time in the theater department. A fellow classmate at the University of Nebraska was Johnny Carson. Doyle appeared frequently on his college buddy's late night talk show during the 1960s. Doyle ranked sixth in the state on his law school entrance exams. But the theater still called him and he chose acting over a career in law. He moved to New York after college. He got his break in 1956 when he replaced Walter Matthau in the Broadway production of Will Success Spoil Rock Hunter? (1957). His first wife, Rachel, died after injuries in a freak fall from a stairway in 1968. While doing a revival of "South Pacific" a year later, he met Anne Nathan and they were married. After Broadway, Doyle moved to California and was cast as Walt Fitzgerald in the television series, Bridget Loves Bernie (1972). A string of character roles followed, and Doyle is probably best remembered as the lovable private detective, Bosley, on the Charlie's Angels (1976) series. Doyle couldn't escape the legal profession and portrayed an attorney, Ted Holmes, on the daytime soap opera, General Hospital (1963) during 1986. Doyle is best remembered for his distinctive, raspy voice which earned him the voice role in several animated series and movies. He died of a heart attack in Los Angeles on February 26, 1997 at age 67.- Actor
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Character player Alan Reed was a strong, gruff, burly presence on '40s and '50s film and TV but he would be best remembered for his equally strong, gruff, distinctive voice on radio and TV. In 1960, he gave vocal life to the bombastic prehistoric cartoon character Fred Flintstone on the prime-time TV series The Flintstones (1960), the character being inspired by the Ralph Cramden husband on the popular earlier sitcom The Honeymooners (1955). It is this direct association that continues to keep his name alive today. Reed himself thought up and introduced the Flintstonian catchphrase "Yabba dabba doo!" (improvised from a script calling for Fred to say "Yahoo!") for his beloved animated character to the delight of children everywhere.
Born Herbert Theodore Bergman on August 20, 1907 in New York City, to Jewish parents of Lithuanian/Ukrainian descent, he received his early education at Washington High School and studied theatre at the American Academy of Dramatic Arts. After majoring in journalism at Columbia University, he decided to pursue to acting at such places as Provincetown Playhouse and toured in vaudeville shows. He supplemented his income operating a candy factory and worked as a social director at a country club.
A master of over 22 foreign dialects, Reed also worked steadily on Broadway with the Theatre Guild. His vocal talents were well suited for radio, becoming a prime announcer for that medium. In addition to billing himself as Teddy Bergman, he sometimes was credited under the moniker Alan Reed for more dramatic parts, eventually settling in on the Reed name. Reed was featured on the best radio shows of the time including "The Shadow," "Crime Doctor," "Abie's Irish Rose," "The Life of Riley," "The Fred Allen Show," "Life with Luigi" (which he later took to TV), and "My Friend Irma."
Once in Hollywood, Reed deserted the Bergman name completely. Sporting a comic Runyonesque appeal, he played in such fare as The Redhead and the Cowboy (1951), Emergency Wedding (1950), and Here Comes the Groom (1951). His more dramatic roles came with The Postman Always Rings Twice (1946) and The Desperate Hours (1955). One of his most unusual parts was his portrayal of Pancho Villa in Viva Zapata! (1952) starring Marlon Brando. He also supplied the voice of "Boris" in Disney's Lady and the Tramp (1955). Featured in many TV shows, the popular prehistoric cartoon and its various offshoots made up most of Reed's later work after The Flintstones (1960) premiered.
Long married to a former Broadway actress, Finette Walker, one of their three children, actor/producer Alan Reed Jr., entered show business as a teenager. Reed started billing himself as Alan Reed, Sr. to avoid any confusion. Working up until his death, Reed died in Los Angeles from heart disease and emphysema at age 69 on June 14, 1977. Reed's incomplete autobiography was extensively used to publish his son's own biographical tribute: Yabba Dabba Doo: The Alan Reed Story.- Actor
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Mel Blanc, known as "The Man of Thousand Voices" is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits. He developed and performed nearly 400 distinct character voices with precision and a uniquely expressive vocal range. The legendary specialist from radio programs, television series, cartoon shorts and movie was rarely seen by his audience but his voice characterizations were famous around the world.
Blanc under exclusive contract until 1960 to Warner Brothers voiced virtually every major character in the Warner Brothers' Looney Tunes and Merry Melodies cartoon pantheon. Characters including Porky Pig, Bugs Bunny, Daffy Duck, Elmer Fudd, Tweety Bird, Sylvester the Cat, Wile E. Coyote,The Roadrunner, Yosemite Sam, Sam the Sheepdog, Taz the Tazmanian Devil, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, Pepé la Pew, Charlie the Dog, Blacque Jacque Shellacque, Pussyfoot, Private Snafu among others were voiced by Blanc.
After 1960, Blanc continued to work for Warner Brothers but began to work for other companies once his exclusive contract ended. He worked for Hanna-Barbera voicing characters including Barney Rubble, Dino the Dinosaur, Cosmo Spacely, Secret Squirrel, Captain Caveman, Speed Buggy, Wally Gator among others. He provided vocal effects for Tom & Jerry in the mid 1960's working with fellow Warner Bros. alum, Chuck Jones at what would become MGM Animation. In the mid 1960's, Blanc originated and voiced Toucan Sam for the Kellogg's Fruit Loops commercials. He would later go to originate and voice Twiki for Buck Rogers and Heathcliff in the late 1970's and early 1980's.- Gerry Johnson was born on 4 April 1918. She was an actress, known for The Man Called Flintstone (1966), The Flintstones (1960) and My Dog, Buddy (1960). She was married to Warren Martin Johnson. She died on 24 January 1990 in Los Angeles, California, USA.
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Comedic actor Howard ("Howie") Jerome Morris, of Jewish heritage, was born in The Bronx, New York, on September 4, 1919. This short, quicksilver comic of TV's "Golden Age" also went on to possess one of the finest vocal instruments for animation. Classically trained on the Shakespearean stage, he forged his own destiny in an entirely different direction after a chance meeting with Carl Reiner in a radio workshop. Following military service in World War II, in which the two entertained troops together (they appeared in Army productions of "Hamlet" and "Macbeth" directed by none other than Maurice Evans, they returned to the professional entertainment fold and appeared together in a 1946 road company of the stage musical "Call Me Mister." Howie also went on to be featured on Broadway as Rosencrantz in "Hamlet" and in the original production of "Gentlemen Prefer Blondes." He and Reiner would reconnect when asked to come aboard as part of the acting repertory team on Your Show of Shows (1950) and its successor Caesar's Hour (1954), the classic sketch TV show of the 1950s that starred Sid Caesar and Imogene Coca. After years of "second banana" TV success, Howie wished for "top banana" stardom and sought work as such with varying degrees of success.
On the New York stage he co-starred as the leprechaun Og in a 1960 revival of "Finian's Rainbow" and, from the early 1960s on, his mastery of dialects and vocal versatility made him an important staple at the Hanna-Barbera animation studio, offering hundreds upon hundreds of voices for The Flintstones (1960), The Jetsons (1962), Sabrina the Teenage Witch (1971), and other such classic Saturday morning cartoon shows as well as the popular voices of Adam Ant, Gerald McBoing-Boing, Beetle Bailey and Jughead Jones. He would intersperse this work with some catchy offbeat characterizations in front of the camera, usually comedic but occasionally dramatic, on both the big and small screens. He added zest to a host of standard comedy films including Boys' Night Out (1962) with Kim Novak, The Nutty Professor (1963) and Way... Way Out (1966), both with Jerry Lewis, and Mel Brooks' spoofs High Anxiety (1977) and History of the World: Part I (1981). As for television, Howie directed Danny Thomas and Andy Griffith in their respective sitcoms, and made a wonderfully eccentric impression on-camera as the grizzled, bucolic, rock-tossing Ernest T. Bass on Griffith's 60's show. The role became such a popular character that Howie was invited to play it sporadically for three seasons.
Morris also turned to film directing and helmed such fluff as Who's Minding the Mint? (1967), With Six You Get Eggroll (1968) and Don't Drink the Water (1969), the last-mentioned written by Woody Allen. Seen more than heard during his twilight career, he continued on with directing commercials and popped up here and there well into the 1990s in comic cameos and as a vocal artist. Married five times (twice to one woman) with four children in all, Howie suffered from poor health in later years and died of congestive heart failure at age 84, on May 21, 2005. He was buried at Hillside Memorial Park in Los Angeles.- Actor
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Dal McKennon was born on 19 July 1919 in La Grande, Oregon, USA. He was an actor, known for Lady and the Tramp (1955), Bedknobs and Broomsticks (1971) and Gumby: The Movie (1995). He was married to Betty Warner. He died on 14 July 2009 in Raymond, Washington, USA.- Actor
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Alan Semok was born on 2 October 1952 in New Jersey, USA. He was an actor, known for Shining Time Station (1989), American Experience (1987) and Dummy (2002). He died on 27 October 2019 in Chatham, New Jersey, USA.- Actor
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George Denis Patrick Carlin was born and raised in Manhattan, New York City, to Mary (Bearey), a secretary, and Patrick John Carlin, an advertising manager for The Sun; they had met while working in marketing. His father was from Donegal, Ireland, and his mother was Irish-American. His parents divorced when he was two months old, and he was raised by his mother. The long hours the mother worked left the young George by himself for long hours every day, providing him (in his own words), the time he needed to think about various subjects, listen to radio, and practice his impersonations, that where acclaimed by his mother and coworkers since an early age. Carlin started out as a conventional comedian and had achieved a fair degree of success as a Bill Cosby style raconteur in nightclubs and on TV until the late 1960s, when he radically overhauled his persona. His routines became more insightful, introducing more serious subjects. As he aged, he became more cynic and bitter, unintentionally changing his stage persona again in a radical way throughout the '90s. This new George Carlin, usually referred to as the late George Carlin, is one of the most acclaimed and enjoyed by the public and critics. Carlin's forte is Lenny Bruce-style social and political commentary, spiced with nihilistic observations about people and religion peppered with black humor. He is also noted for his masterful knowledge and use of the English language. Carlin's notorious "Seven Dirty Words" comedy routine was part of a radio censorship case that made its way to the U.S. Supreme Court in 1978.- Actor
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Born September 30, 1952, in Royton, near Oldham, England, Jack Wild was discovered by talent agent June Collins, mother of rock star Phil Collins. His breakthrough came when he landed the role of Oliver in the London stage production of "Oliver!" When it came to casting the film, the role of the Artful Dodger went to Jack, a role that resulted in his getting an Oscar nomination for Best Supporting Actor. Fresh from this success, Jack was offered the lead role in the American television series H.R. Pufnstuf (1969). This Sid Krofft and Marty Krofft production featured Wild as a boy marooned in an enchanted land with puppets and actors in elaborate costumes. The success of this program led to Wild reprising the role for the film version, Pufnstuf (1970). Other roles followed, including Melody (1971) and Flight of the Doves (1971). Around the same time, Wild released three albums ("The Jack Wild Album"; "Everything's Coming up Roses", featuring along with cover numbers a couple of new songs written by up-and-coming songwriter Lynsey de Paul; and "Beautiful World"). By 1972, however, he was already being demoted to the role of supporting actor for The Pied Piper (1972). He also appeared in Our Mutual Friend (1976). He returned to films in two small roles: the miller's son in Robin Hood: Prince of Thieves (1991) and a peddler in Basil (1998). Wild underwent surgery for oral cancer in July 2004, and had some vocal cords and part of his tongue removed. Unfortunately, the cancer proved untreatable and he died on 1 March 2006.- Actor
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Pat Hingle (real name: Martin Patterson Hingle) was born in Miami, Florida, the son of a building contractor. His parents divorced when Hingle was still in his infancy (he never knew his father) and his mother supported the family by teaching school in Denver. She then began to travel (with her son in tow) in search of more lucrative work; by age 13 Hingle had lived in a dozen cities. The future Tony Award nominee made his "acting debut" in the third grade, playing a carrot in a school play ("At that time it didn't seem like much of a way to make a living!", he recalled). Hingle attended high school in Texas and in 1941 entered the University of Texas, majoring in advertising. After serving in the Navy during WW II, he went back to the university and got involved with the drama department as a way to meet girls. With his wife Alyce (whom he first met at the university), Hingle moved to New York and began to get jobs on the stage and on TV. The apex of his stage career was "J.B." by poet Archibald Macleish, with Hingle in the title role as a 20th-century Job. It was during the run of "J.B." that Hingle took an accidental plunge down the elevator shaft of his New York apartment building, sustaining near-fatal injuries in the 54-foot fall. He was near death for two weeks (and lost the little finger of his left hand); his recovery took more than a year. In more recent years, Hingle has played Commissioner Gordon in the "Batman" movies.
Just prior to his death, he resided in Carolina Beach, North Carolina, with his wife, Julia.- Actress
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Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.
A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.
Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.
After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.
After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.
Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"
Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.
On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.- Actor
- Writer
- Producer
Funny man Tim Conway was born on December 15th, 1933 in Willoughby, Ohio, to Sophia (Murgoiu) and Daniel Conway, a pony groomer. He was a fraternity man at Bowling Green State University, served in the army, and started his career working for a radio station.
Conway got into comedy when he started writing and performing comedy skits between morning movies on CBS. Later, Rose Marie "discovered" him and he became a regular performer on The Steve Allen Plymouth Show (1956). However, Conway would not earn true fame until starring as "Ensign Charles Parker" on McHale's Navy (1962). Conway sought further success in several shows that were failures, including the embarrassingly short-lived, Turn-on (1969), with only one episode. The producers did not even want it back on after the commercial break! Even his own show, The Tim Conway Show (1970) flopped, with only 12 episodes. Conway starred in the Disney film, The Apple Dumpling Gang (1975), and also the films, The Prize Fighter (1979) and The Private Eyes (1980).
Conway became a comical performer on The Carol Burnett Show (1967), with characters such as "The Old Man" and "Mr. Tudball". Even though it is widely thought he was always a regular performer throughout the whole show, he only became a regular performer in 1975. He was a hysterical addition to the team and memorably made co-star Harvey Korman laugh on-screen live many times.
Conway continued comedic roles such as "Dorf", and also had many more television appearances and films.- Actor
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One-of-a-kind comedian Dick Shawn was as intriguingly clever and off-the-wall as they came. As such, he proved to be rather an acquired taste on film and TV. A counterculture favorite far ahead of his time, it became a hit-and-miss effort in proper vehicles for this man's eccentric genius. He certainly found his element on the live comedic stage, however, in between his offbeat on-camera assignments.
Born Richard Schulefand on December 1, 1923, in Buffalo, New York, Dick was raised in nearby Lackawanna where his father owned a clothing store. The family, including a brother, lived in the back room of the store. Athletics dominated his youth and, following high school, he tried out and won a contract with the Chicago White Sox. Before he could join the team, however, he was drafted into the Army where he sang and did comedy in USO shows. Following his discharge, he briefly attended the University of Miami, but the stand-up comedy stage seemed to beckon and he moved to New York City to follow his wacky desire.
Dick auditioned for Arthur Godfrey's "Talent Scouts" show (he didn't win) and changed his sir name to an easier sounding "Shawn" at this point. He began appearing at all the New York clubs and even played the New York Palace. He also found work on the Vegas comedy stage, and finally made his TV debut in 1955 guesting on "The Ed Sullivan Show," making eight appearances in total over the years. Other late 1950's and 60's variety shows came his way, increasing his popularity on "The Tonight Show," "The Kraft Music Hall," "The Eddie Fisher Show," "The Dinah Shore Chevy Show," "The Jimmy Dean Show," "The Jerry Lewis Show," "The Judy Garland Show," "The Andy Williams Show," "The Pat Boone Show" and "The Joan Rivers Show," among others.
Dick slowly moved into the forefront during the be-bop 50s and early 60s with a comical penchant for playing cool, hip cats, Dick made his film debut featured in The Opposite Sex (1956), the musical remake of "The Women," in which he had a cameo in "The Psychiatrist" sketch. A few years later he returned to co-star with equally "way out" comic idol Ernie Kovacs in the military spoof Wake Me When It's Over (1960) as a hustling soldier out to make a buck in the Far East. During this mild bid for film stardom, he found himself top-billed as a hip, laid back genie in the thoroughly anemic satire The Wizard of Baghdad (1960).
Dick made a distinct impression when he replaced the legendary Zero Mostel in the bawdy Broadway musical "A Funny Thing Happened on the Way to the Forum." On film, he stole a small scene as a deadbeat character in the all-star epic chase comedy It's a Mad Mad Mad Mad World (1963). By far, the one role that would completely overshadow all of his other film work was his mock, hammy portrayal of a singing Adolf Hitler in the show-within-a-show The Producers (1967), written and directed by Mel Brooks. In the film, which also starred Mostel and Gene Wilder as two con artists deliberately producing a stage "bomb" called "Springtime for Hitler," Shawn sang the absurdly narcissistic song "Love Power." This stroke of genius of matching actor to role would not happen again for him, but he certainly tried. For the most part, Dick's slick and smarmy persona got caught up too much in mediocre material.
On TV, Dick stepped up his visibility appearing on the well-oiled comedy shows of the day, including "The Lucy Show," "That's Life," "Love, American Style," "Mary," "Laverne & Shirley," "Private Benjamin," "Three's Company," and a regular role as Russian Premier Zolotov in the short-lived political satire Hail to the Chief (1985) starring Patty Duke as a female U.S. president. He also could show a serious, dramatic side on such programs as "The Bold Ones," "Medical Center," Magnum P.I.," "The Fall Guy" and "St. Elsewhere."
Dick seemed to be best taken in smaller doses. He provided a gallery of over-the-top oddballs during his three-decade career: a nerdy fiancé in the Rock Hudson battle-of-the-sexes comedy A Very Special Favor (1965); a wacky West Point captain alongside James Coburn in the slapstick war comedy What Did You Do in the War, Daddy? (1966); a Russian counterpart to Brian Keith's space-chosen civilian in the sci-fi comedy Way... Way Out (1966); an unhappy husband married to Tina Louise in The Happy Ending (1969); a psychiatrist to Natalie Wood's title character in Penelope (1966); an adulterous Jewish husband in the family drama Looking Up (1977); an investigating officer in the vampire spoof Love at First Bite (1979) starring George Hamilton as Dracula; a very rare lead as a suicide-prone anchorman in the black comedy Good-bye Cruel World (1982); a rock-and-roller character called Weevil, King of Evil in Rock 'n' Roll Hotel (1983); an annoying college professor in Young Warriors (1983); an aging drag queen in the crime thriller Angel (1983); a patient of Bud Cort's title character in The Secret Diary of Sigmund Freud (1984); a smug talk show host in Beer (1985); an equally smug psychiatrist in The Perils of P.K. (1986); an eccentric blueblood who hires Ally Sheedy in Maid to Order (1987); and a documentary filmmaker who, with Martin Mull, is forced to make porn in the comedy farce Rented Lips (1987). This final film of his was released posthumously.
The comedian's biggest fan base, however, was the result of his one-man stage tours which contained a weird mix of songs, sketches, satire, philosophy and even pantomime. A bright, innovative wit, one of Dick's most notorious shows was called "The Second Greatest Entertainer in the World." During the show's intermission, Shawn would lie visibly on the stage floor absolutely still during the entire time. By freakish coincidence, the 63-year-old Shawn was performing at the University of California at San Diego on the evening of April 17, 1987, when, during the show, he suddenly collapsed on stage. The audience, at first laughing and thinking it was part of his odd shtick, had suffered a fatal heart attack. A not surprising end for this thoroughly intriguing character, Dick was survived by his four children from a previous marriage.- Actor
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Born an entertainer, Casey reigns from Michigan, the same birthplace for fellow Shaggy voice actor Matthew Lillard (whom both Casey and Matthew do a very fine, smashing job voicing the iconic character). Debuted as a radio operator and legendary disc jockey in his early days, he was the greatest and most likely the best one seen in recent years. Having an iconic voice and a set of vocal cords, Casey pleased the audience through radio and voice. Casey hit the big time in the early 60's with voicing both major and minor roles in television series, until Hanna-Barbera released, then later debuted, the same role he characterized his career off of Scooby-Doo, Where Are You!, in which he had the pleasure of working with legendary voice actors Don Messick and Hal Smith. For over 3 decades, he co-founded and hosted American Top 40, which aired the top songs of the week. In his later years, he spent his time with his friends and family, in the way he could showcase with love, passion, and voicing. He died on June 15th, 2014. He was 82 years old. He will be forever missed in the hearts of fans around the world.- Bradley Bolke was born on 1 October 1925 in New York City, New York, USA. He was an actor, known for The Year Without a Santa Claus (1974), Tennessee Tuxedo and His Tales (1963) and Hail (1972). He was married to Katherine (Kitty) Castro. He died on 15 January 2019 in Dobbs Ferry, New York, USA.
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William Marshall was born on 12 October 1917 in Chicago, Illinois, USA. He was an actor and director, known for The Phantom Planet (1961), State Fair (1945) and Calendar Girl (1947). He was married to Corinne Aboyneau, Ginger Rogers, Micheline Presle and Michèle Morgan. He died on 7 June 1994 in Boulogne-Billancourt, Hauts-de-Seine, France.- Actress
- Soundtrack
Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- Actor
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John Dixon Paragon was born in Alaska, but grew up and attended schools in Fort Collins, Colorado. He got his start in the Los Angeles-based improvisation group The Groundlings alongside Paul Reubens and Phil Hartman. John is best known for his work on children's show Pee-wee's Playhouse where he played Jambi the Genie and voiced Pterri the Pterodactyl. In addition to writing many of the regular season episodes of Pee-wee's Playhouse (1986), John also co-wrote with Paul Reubens the acclaimed "Pee-wee's Playhouse Christmas Special" in 1988, for which they were nominated an Emmy Award for Best Writing in a Children's Special. He has also collaborated with fellow Groundling Cassandra Peterson on numerous projects, including the recurring role of The Breather, an annoying caller, for her first television series Movie Macabre on KHJ-TV-Los Angeles and was co-writer on her 1988 feature film, Elvira Mistress of the Dark. Some of his other memorable roles include Cedric, one half of the homosexual couple Bob and Cedric on the television series Seinfeld; the title character in the children's movie The Frog Prince; the sex shop salesman in the cult favorite Eating Raoul; and the owner of a Strip-o-gram business in the 1986 film Echo Park. In recent years, John has worked with Walt Disney Imagineering on ways to incorporate improvisational performance into attractions at Disney parks. He returned to his performance as Jambi the Genie in the Broadway outing of the new "Pee-wee Herman" stage show that began performances October 26, 2010 at the Stephen Sondheim Theater.- Mort Marshall was born on 17 August 1918 in New York City, New York, USA. He was an actor, known for The Longest Yard (1974), Kiss Me Deadly (1955) and The United States Steel Hour (1953). He was married to Anne Sinclair Muir. He died on 1 February 1979 in New York City, New York, USA.
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Kenny Delmar was born on 5 September 1910 in Boston, Massachusetts, USA. He was an actor and writer, known for It's a Joke, Son! (1947), King Leonardo and His Short Subjects (1960) and Orphans of the Storm (1921). He was married to Alice Cochran (artist/painter). He died on 14 July 1984 in Stamford, Connecticut, USA.- Actor
- Second Unit Director or Assistant Director
- Director
Handsome and elegant George Peppard occasionally displayed considerable talent through his career, whether action roles or dramatic. Following Broadway and television experience, he made a strong film debut in The Strange One (1957). He started getting noticed when he played Robert Mitchum's illegitimate son in the popular melodrama Home from the Hill (1960). He then established himself as a leading man, giving arguably his most memorable film performance as Audrey Hepburn's love interest in Breakfast at Tiffany's (1961). Seen by the studios as a promising young star, Peppard was subsequently cast in some of the major blockbusters of the early/mid-1960s: How the West Was Won (1962), The Victors (1963), The Carpetbaggers (1964) and Operation Crossbow (1965). He reached the peak of his popularity in another such lavish production, The Blue Max (1966), in which he effectively played an obsessively competitive German flying officer during World War I.
However, by the late 1960s, he seemed to settle as a tough lead in more average, often hokum, adventures, including House of Cards (1968), Cannon for Cordoba (1970) and The Groundstar Conspiracy (1972). In the early 1970s, his declining popularity was temporarily boosted thanks to the television series Banacek (1972). With his film roles becoming increasingly uninteresting, he acted in, directed and produced the drama Five Days from Home (1978), but the result was rather disappointing. In the mid-1980s, he again obtained success on television as Colonel John "Hannibal" Smith, the cigar-chomping leader of The A-Team (1983). George Peppard died at age 65 of pneumonia on May 8, 1994 in Los Angeles, California. He is buried alongside his parents in Northview Cemetery in Dearborn, Michigan.- Actor
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George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actor
- Soundtrack
Born in New York City of humble means, character player James Coco was the son of Feliche, an Italian shoemaker, and Ida (Detestes) Coco. Shining shoes as a youngster with his father, his interest in acting occurred early on as a child. At age 17 he toured with a children's theatre troupe for three years portraying Old King Cole and Hans Brinker. Intensive study with acting guru Uta Hagen led to his Broadway debut at age 29 in "Hotel Paradiso" in 1957, but he earned his first acting award, an Obie, for his performance in the 1961 off-Broadway production of "The Moon in Yellow River". He went on to win a second and third Obie for his performances in the plays "Fragments" (1967) and "The Transfiguration of Benno Blimppie" (1977). Dark, hefty and prematurely balding, he proved to be a natural on the comedy stage and in scores of commercials (notably as Willy the plumber in the Drano ads) throughout the 1960s. Other comedy theater highlights included roles in "Auntie Mame," "Everybody Loves Opal," "A Shot in the Dark," "Bell, Book and Candle" and "You Can't Take It With You".
In the late 60s he formed a strong collaboration with playwright Terrence McNally and appeared in an off-Broadway double-bill of his one-act plays (his one-act was entitled "Witness") in 1968, followed by "Here's Where I Belong" a failed 1968 Broadway musical variation of the Steinbeck play "East of Eden" that closed on opening night. Their most notable alliance occurred the following year with the play "Next," which ran more than 700 performances and earned Coco a Drama Desk award. Sixteen years later, and shortly before Coco's death, the two reunited for the 1985 Manhattan Theatre Club production of "It's Only a Play".
Coco also earned kudos for his work in Neil Simon comedies, and "The Last of the Red Hot Lovers" (1969), which was specifically written for him, earned him a Tony Award nomination as Best Actor. The two later joined forces for a Broadway revival of the musical "Little Me" and the hilarious film comedy spoofs Murder by Death (1976) and The Cheap Detective (1978), in addition to his moving support role as Marsha Mason's depressed gay actor/friend in Only When I Laugh (1981), which garnered his sole Oscar nomination.
Achieving stardom first on stage, Coco's other films were a mixed bag with more misses (Ensign Pulver (1964), Man of La Mancha (1972) (as Sancho Panza), The Wild Party (1975), Scavenger Hunt (1979)) than hits (A New Leaf (1971)). On the TV screen, Coco fronted two short-lived 1970s comedy series, Calucci's Department (1973) and The Dumplings (1976), and also appeared in daytime soaps (The Edge of Night (1956) and "The Guiding Light"). Throughout his career he played an amusing number of characters on such sitcoms as Maude (1972) and Alice (1976) and also played bathos and pathos to great effect, not only winning an Emmy for his dramatic performance on a St. Elsewhere (1982) episode but appearing opposite Doris Roberts as the brittle Van Daan couple in the TV version of The Diary of Anne Frank (1980). One of his last TV assignments was a recurring role on the sitcom "Who's The Boss?" in 1986-1987.
In his last years, Coco received attention for his culinary talents and best-selling cookbooks. The James Coco Diet, an educational book which included chapters on menu planning and behavior modification as well as choice recipes), was just one that he promoted on the talk show circuit. It is probably not a coincidence that he often played characters with extreme food issues. Suffering from obesity (5'10", 250 lbs.) for most his adult life, the talented actor died unexpectedly of a heart attack in New York City in 1987 at the age of 56, and was buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey.- Actor
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A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.
He was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed "The Jewish Cowboy". However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at Sanford Meisner's Neighborhood Playhouse. He then won a scholarship to study under acting coach Wynn Handman and began to appear in several off-Broadway productions, including "I Roam" and "Mandingo".
He made his screen debut as a sailor in Irma la Douce (1963) and began to impress audiences with his work in Red Line 7000 (1965) and the western El Dorado (1966) alongside John Wayne and Robert Mitchum. Further work followed in Journey to Shiloh (1968) and in the sensitive The Rain People (1969). However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film Brian's Song (1971).
With these strong performances under his belt, Francis Ford Coppola then cast him as hot-tempered gangster Santino "Sonny" Corleone in the Mafia epic The Godfather (1972). The film was an enormous success, Caan scored a Best Supporting Actor nomination and, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel The Godfather Part II (1974) and then moved on to several very diverse projects. These included a cop-buddy crime partnership with Alan Arkin in the uneven Freebie and the Bean (1974), a superb performance as a man playing for his life in The Gambler (1974) alongside Lauren Hutton, and pairing with Barbra Streisand in Funny Lady (1975). Two further strong lead roles came up for him in 1975, first as futuristic sports star "Jonathon E" questioning the moral fiber of a sterile society in Rollerball (1975) and teaming up with Robert Duvall in the Sam Peckinpah spy thriller The Killer Elite (1975).
Unfortunately, Caan's rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either critics or audiences. These included such failures as the hokey Harry and Walter Go to New York (1976), the quasi-western Comes a Horseman (1978) and the saccharine Chapter Two (1979). However, he did score again with the stylish Michael Mann-directed heist movie Thief (1981). He followed this with a supernatural romantic comedy titled Kiss Me Goodbye (1982) and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving Gardens of Stone (1987).
Caan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit Alien Nation (1988) and Dick Tracy (1990), then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic Misery (1990). The 1990s were kind to him and he notched up roles as a band leader in For the Boys (1991), another gangster in Honeymoon in Vegas (1992), appeared in the indie hit Bottle Rocket (1996) and pursued Arnold Schwarzenegger in Eraser (1996).
The demand on Caan's talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included The Yards (2000), City of Ghosts (2002) and Dogville (2003). In addition, he finds himself at the helm of the hit TV series Las Vegas (2003) as casino security chief "Big Ed" Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.- Actor
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Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.
Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.
The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.
The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.
No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).- Actress
- Soundtrack
Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- It would not be easy for anyone to out-do one of American theater's finest thespians, but somehow actress Sandy Dennis managed to even out-quirk the legendary Geraldine Page when it came to affecting nervous tics and offbeat mannerisms on stage and in film. She and Page had few peers when it came to the neurotic-dispensing department. The two Actor's Studio disciples developed fascinating characterizations that seemed to manifest themselves outwardly to such physical extremes and, like a bad car accident, their overt styling was capable of both drawing in, and repelling audiences. There was no gray area. Either way, both had a searing emotional range and were undeniably transfixing figures who held up Oscar trophies to prove there was a "Method" to their respective madness. Sandy's signature quirks--her stuttering, fluttering, throat gulps, eye twitches, nervous giggles, hysterical flailing--are all a part of what made her so distinctive and unforgettable. Her untimely death of cancer at age 54 robbed the entertainment industry of a remarkable talent.
The Nebraska-born-and-bred actress was born Sandra Dale Dennis in Hastings, on April 27, 1937, the daughter of postal clerk Jack Dennis and his secretary wife Yvonne (née Hudson), who divorced in 1966 after a 38-year marriage. Living in both Kenesaw (1942) and Lincoln (1946) while growing up, she and brother Frank went to Lincoln High School with TV host Dick Cavett. Her passion for acting grew and grew while still at home. A college student at both Nebraska Wesleyan University and the University of Nebraska, she eventually found her career direction after appearing with the Lincoln Community Theater Group.
The toothy actress left Nebraska and towards the Big Apple at age 19 just to try her luck. An intense student of acting guru Uta Hagen, Sandy made her New York stage debut in a Tempo Theatre production of "The Lady from the Sea" in 1956 and that same year won her first TV role as that of Alice Holden in the daytime series Guiding Light (1952). A year later she made it to Broadway as an understudy (and eventual replacement) for the roles of Flirt and Reenie in the William Inge drama "The Dark at the Top of the Stairs," directed by Elia Kazan at the Music Box Theatre. She toured with that production and also found regional work in the plays "Bus Stop" and "Motel" while continuing to shine as a budding New York fixture in "Burning Bright," "Face of a Hero" and "Port Royal".
Along with fellow newcomers Gary Lockwood and Phyllis Diller, Sandy made her movie debut in playwright Inge's Splendor in the Grass (1961), a movie quite welcoming of Sandy's neurotic tendencies. In the minor but instrumental role of Kay, she is an unwitting instigator of friend Deanie's (played by an ambitiously unbalanced Natalie Wood) mental collapse. Despite this worthy little turn, Sandy would not make another film for five years.
Instead, the actress set her sights strongly on the stage and for this she was handsomely rewarded, most notably in comedy. After appearing in a two-month run of the Graham Greene drama "The Complaisant Lover" at the Ethel Barrymore Theatre in 1961, stardom would be hers the very next year with her outstanding social worker role in the lighter-weight "A Thousand Clowns". Winning the Theatre World as well as the coveted Tony Award for her performance, she continue her run of prizes with a second consecutive Tony for her sexy turn in the comedy "Any Wednesday" (1964). Having made only one picture at this juncture, Sandy was not in a good position to transfer her award-winning characters to film and when they did, they went to Barbara Harris and Jane Fonda, respectively.
TV was also a viable medium for Sandy and she appeared sporadically on such programs as The Fugitive (1963), Naked City (1958) and Arrest and Trial (1963). In 1965, she appeared in London as Irina in a heralded Actor's Studio production of Chekhov's "The Three Sisters" with fellow devotees Geraldine Page, Kim Stanley, Shelley Winters, Luther Adler and Kevin McCarthy. The play was subsequently videotaped and directed by Paul Bogart, and is valuable today for the studied "Method" performances of its cast. It, however, received mixed reviews upon its release.
Returning to film in 1966, Sandy seemed to embellish every physical and emotional peculiarity she could muster for the role of the mousy wife Honey in the four-character powerhouse play Who's Afraid of Virginia Woolf? (1966) by Edward Albee. It is a mouth-dropping, emotionally shattering performance, and both she and a more even-keeled George Segal as the drop over guests of the skewering cutthroat couple George and Martha (Elizabeth Taylor and Richard Burton) more than held their own. While the distaff cast won Oscars for this (Taylor for "Best Actress" and Dennis for "Best Supporting Actress"), this ferocious landmark film blew open the "Production Code" doors once and for all and a wave of counterculture filming tackling formerly taboo subjects came to be.
Firmly established now with her Oscar win, Sandy found highly affecting lead showcases for herself. She starred as a young, naive English teacher challenged by a New York "Blackboard Jungle"-like school system in Up the Down Staircase (1967). She also stirred up some controversy along with Anne Heywood playing brittle lesbian lovers whose relationship is threatened by a sexy male visitor (Keir Dullea) in another ground-breaking film The Fox (1967). Sandy remained intriguingly off-kilter in the odd-couple romantic story Sweet November (1968) opposite Anthony Newley, the bizarre Robert Altman thriller That Cold Day in the Park (1969), and the gloomy British melodrama A Touch of Love (1969) [aka Thank You All Very Much].
Off-camera, Sandy lived for over a decade with jazz musician and saxophonist Gerry Mulligan, which began in 1965 following his devoted relationship with actress Judy Holliday who had died of cancer earlier in the year. They eventually parted ways in 1976. Rumors that they had married at some point were eventually negated by Sandy herself. Sandy also went on to have a May-December relationship with the equally quirky actor Eric Roberts from 1980 to 1985. She had no children.
At the peak of her film popularity, Sandy began the 1970s in more mainstream fashion. She and Jack Lemmon were another odd-couple hit in Neil Simon's The Out of Towners (1970) as married George and Gwen Kellerman visiting an unmerciful Big Apple. Sandy is at her whiny, plain-Jane best ("Oh, my God...I think we're being kidnapped!") as disaster upon disaster befalls the miserable twosome. Both she and Lemmon were nominated for Golden Globes. Following this, however, Sandy again refocused on the stage with an avalanche of fine performances in "How the Other Half Loves," "And Miss Reardon Drinks a Little," "A Streetcar Named Desire" (as Blanche), "Born Yesterday" (as Billie Dawn), "Absurd Person Singular," "Cat on a Hot Tin Roof" (as Maggie the Cat), "Same Time, Next Year," "The Little Foxes," "Eccentricities of a Nightingale," "The Supporting Cast" and even the title role in "Peter Pan".
A few TV and movie roles came Sandy's way in unspectacular fashion but it wasn't until the next decade that she again stole some thunder. After a moving support turn as a cast-off wife in the finely-tuned ensemble drama The Four Seasons (1981), Sandy proved terrific as a James Dean extremist in another ensemble film Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982), which she played first to fine acclaim on Broadway. Reunited with director Robert Altman as well as her stage compatriots Cher, Karen Black, Kathy Bates, Sudie Bond and Marta Heflin, the film version was equally praised. Her last films included Another Woman (1988), 976-EVIL (1988) and Parents (1989).
Seen less and less in later years, she gave in to her eccentric tendencies as time went on. A notorious cat lover (at one point there was a count of 33 residing in her Westport, Connecticut home), close friends included actresses Brenda Vaccaro and Jessica Walter. Her father Jack died in 1990 and around that same time Sandy was diagnosed with ovarian cancer. Undergoing chemotherapy at the time she filmed the part of a beaten-down mother in Sean Penn's The Indian Runner (1991), the role proved to be her last.
Sandy died in Westport on March 2, 1992. Her ashes were placed at the Lincoln Memorial Park in Lincoln, Nebraska. A foundation in her home state was set up to "memorialize the accomplishments of Sandy Dennis, to perpetuate her commitment to education and the performing arts, to promote cultural activities, and to encourage theatrical education, performance, and professionals". A book, "Sandy Dennis: A Personal Memoir," was published posthumously in 1997. - Actor
- Producer
- Director
Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actor
- Director
- Producer
Walter Matthau was best known for starring in many films which included Charade (1963), The Odd Couple (1968), Grumpy Old Men (1993), and Dennis the Menace (1993). He often worked with Jack Lemmon and the two were Hollywood's craziest stars.
He was born Walter Jake Matthow in New York City, New York on October 1, 1920. His mother was an immigrant from Lithuania and his father was a Russian Jewish peddler and electrician from Kiev, Ukraine. As a young boy, Matthau attended a Jewish non-profit sleep-away camp. He also attended Surprise Lake Camp. His high school was Seward Park High School.
During World War II, Matthau served in the U.S. Army Air Forces with the Eighth Air Force in Britain as a Consolidated B-24 Liberator radioman-gunner, in the same 453rd Bombardment Group as James Stewart. He was based at RAF Old Buckenham, Norfolk during this time. He reached the rank of staff sergeant and became interested in acting.
Matthau appeared in the pilot of Mister Peepers (1952) alongside Wally Cox. He later appeared in the Elia Kazan classic, A Face in the Crowd (1957), opposite Patricia Neal and Andy Griffith, and then appeared in Lonely Are the Brave (1962), with Kirk Douglas, a film Douglas has often described as his personal favorite. Matthau then appeared in Charade (1963) with Audrey Hepburn and Cary Grant. In 1968, Matthau made his big screen appearance as Oscar Madison in The Odd Couple (1968) alongside Jack Lemmon. The two were also in the sequel (The Odd Couple II (1998)) as well as Grumpy Old Men (1993) and Grumpier Old Men (1995). Matthau was in Dennis the Menace (1993), alongside Mason Gamble. On July 1, 2000, Matthau died of a heart attack in Los Angeles, California. He was 79 years old.- Actor
- Producer
- Director
Richard Attenborough, Baron Attenborough of Richmond-upon-Thames, was born in Cambridge, England, the son of Mary (née Clegg), a founding member of the Marriage Guidance Council, and Frederick Levi Attenborough, a scholar and academic administrator who was a don at Emmanuel College and wrote a standard text on Anglo-Saxon law. The family later moved to Leicester where his father was appointed Principal of the university while Richard was educated at Wyggeston Grammar School for Boys in Leicester and at the Royal Academy of Dramatic Art (RADA).
His film career began with a role as a deserting sailor in In Which We Serve (1942), a part that contributed to his being typecast for many years as a coward in films like Dulcimer Street (1948), Operation Disaster (1950) and his breakthrough role as a psychopathic young gangster in the film adaptation of Graham Greene's novel, Brighton Rock (1948). During World War II, Attenborough served in the Royal Air Force.
He worked prolifically in British films for the next 30 years, and in the 1950s appeared in several successful comedies for John Boulting and Roy Boulting, including Private's Progress (1956) and I'm All Right Jack (1959). Early in his stage career, Attenborough starred in the London West End production of Agatha Christie's "The Mousetrap", which went on to become one of the world's longest-running stage productions. Both he and his wife were among the original cast members of the production, which opened in 1952 and (as of 2007) is still running.
In the 1960s, he expanded his range of character roles in films such as Seance on a Wet Afternoon (1964) and Guns at Batasi (1964), for which he won the BAFTA Award for Best Actor for his portrayal of the regimental Sergeant Major. He appeared in the ensemble cast of The Great Escape (1963), as Squadron Leader "Roger Bartlett" ("Big X"), the head of the escape committee.
In 1967 and 1968, he won back-to-back Golden Globe Awards in the category of Best Supporting Actor, the first time for The Sand Pebbles (1966), starring Steve McQueen, and the second time for Doctor Dolittle (1967), starring Rex Harrison. He would win another Golden Globe for Best Director, for Gandhi (1982), in 1983. Six years prior to "Gandhi", he played the ruthless "Gen. Outram" in Indian director Satyajit Ray's period piece, The Chess Players (1977). He has never been nominated for an Academy Award in an acting category.
He took no acting roles following his appearance in Otto Preminger's The Human Factor (1979), until his appearance as the eccentric developer "John Hammond" in Steven Spielberg's Jurassic Park (1993). The following year, he starred as "Kris Kringle" in Miracle on 34th Street (1994), a remake of the 1947 classic. Since then, he has made occasional appearances in supporting roles, including the historical drama, Elizabeth (1998), as "Sir William Cecil".
In the late 1950s, Attenborough formed a production company, "Beaver Films", with Bryan Forbes and began to build a profile as a producer on projects, including The League of Gentlemen (1960), The Angry Silence (1960) and Whistle Down the Wind (1961), also appearing in the first two of these as an actor.
His feature film directorial debut was the all-star screen version of the hit musical, Oh! What a Lovely War (1969), and his acting appearances became more sporadic - the most notable being his portrayal of serial killer "John Christie" in 10 Rillington Place (1971). He later directed two epic period films: Young Winston (1972), based on the early life of Winston Churchill, and A Bridge Too Far (1977), an all-star account of Operation Market Garden in World War II. He won the 1982 Academy Award for Directing for his historical epic, Gandhi (1982), a project he had been attempting to get made for many years. As the film's producer, he also won the Academy Award for Best Picture. His most recent films, as director and producer, include Chaplin (1992), starring Robert Downey Jr. as Charles Chaplin, and Shadowlands (1993), based on the relationship between C.S. Lewis and Joy Gresham. Both films starred Anthony Hopkins, who also appeared in three other films for Attenborough: "Young Winston", "A Bridge Too Far" and the thriller, Magic (1978).
Attenborough also directed the screen version of the hit Broadway musical, "A Chorus Line" (A Chorus Line (1985)), and the apartheid drama, Cry Freedom (1987), based on the experiences of Donald Woods. He was nominated for a Golden Globe Award for Best Director for both films. His most recent film as director was another biographical film, Grey Owl (1999), starring Pierce Brosnan.
Attenborough is the President of RADA, Chairman of Capital Radio, President of BAFTA, President of the Gandhi Foundation, and President of the British National Film and Television School. He is also a vice patron of the Cinema and Television Benevolent Fund.
He is also the patron of the UWC movement (United World Colleges), whereby he continually contributes greatly to the colleges that are part of the organization. He has frequented the United World College of Southern Africa(UWCSA) Waterford Kamhlaba. His wife and he founded the "Richard and Sheila Attenborough Visual Arts Center". He also founded the "Jane Holland Creative Center for Learning" at Waterford Kamhlaba in Swaziland in memory of his daughter, who died in the Tsunami on Boxing Day, 2004. He passionately believes in education, primarily education that does not judge upon color, race, creed or religion. His attachment to Waterford is his passion for non-racial education, which were the grounds on which Waterford Kamhlaba was founded. Waterford was one of his inspirations for directing Cry Freedom (1987), based on the life of Steve Biko.
He was elected to the post of Chancellor of the University of Sussex on 20 March 1998, replacing the Duke of Richmond and Gordon. A lifelong supporter of Chelsea Football Club, Attenborough served as a director of the club from 1969-1982 and, since 1993, has held the honorary position of Life Vice President. He is also the head of the consortium, "Dragon International", which is constructing a film and television studio complex in Llanilid, Wales, often referred to as "Valleywood".
In 1967, he was made a Commander of the Order of the British Empire (CBE). He was knighted in 1976 and, in 1993, he was made a life peer as Baron Attenborough, of Richmond-upon-Thames in the London Borough of Richmond upon Thames.
On 13 July 2006, Attenborough and his brother, David Attenborough, were awarded the titles of Distinguished Honorary Fellows of the University of Leicester "in recognition of a record of continuing distinguished service to the University". Lord Attenborough is also listed as an Honorary Fellow of Bangor University for his continued efforts to film making.
Attenborough has been married to English actress Sheila Sim, since 1945. They had three children. In December 2004, his elder daughter, Jane Holland, as well as her daughter Lucy and her mother-in-law, also named Jane, were killed in the tsunami caused by the Indian Ocean earthquake. A memorial service was held on 8 March 2005, and Attenborough read a lesson at the national memorial service on 11 May 2005. His grandson, Samuel Holland, and granddaughter, Alice Holland, also read in the service.
Attenborough's father was principal of University College, Leicester, now the city's university. This has resulted in a long association with the university, with Lord Attenborough a patron. A commemorative plaque was placed on the floor of Richmond Parish Church. The university's "Richard Attenborough Centre for Disability and the Arts", which opened in 1997, is named in his Honor.
His son, Michael Attenborough, is also a director. He has two younger brothers, the famous naturalist Sir David Attenborough and John Attenborough, who has made a career in the motor trade.
He has collected Pablo Picasso ceramics since the 1950s. More than 100 items went on display at the New Walk Museum and Art Gallery in Leicester in 2007; the exhibition is dedicated to his family members lost in the tsunami.- Additional Crew
- Visual Effects
- Art Department
Don Sahlin was born on 19 June 1928 in Stratford, Connecticut, USA. He is known for The Muppet Movie (1979), The Muppet Show (1976) and Sesame Street (1969). He died on 19 February 1978 in New York City, New York, USA.- Actor
- Additional Crew
- Music Department
Puppeteer, actor, musician, and master of voices, Jerry Nelson originally joined Henson & Company as a temporary replacement for Frank Oz, who had been drafted into the armed services in the 60's. He later re-joined the crew as a full-time performer in the 70's, and has since been heavily involved in almost every major Muppet project, including Sesame Street (1969), The Muppet Show (1976), Fraggle Rock (1983) and feature films. Memorable characters include "The Count", "Herry Monster", "Mumford the Magician", "Robin the Frog", "Crazy Harry" and "Gobo". Come the late 1990s, Nelson has begun to focus more on his musical career but continues his involvement in The Muppets.- Actor
- Writer
- Producer
Jim Henson never thought that he would make a name of himself in puppetry; it was merely a way of getting himself on television. The vehicle that achieved it was Sam and Friends (1955), a late-night puppet show that was on after the 11:00 news in Washington DC. It proved to be very popular and inspired Jim to continue using puppets for his work. He made many commercials, developing the signature humor that Henson Productions is known for. A key reason for the success of his puppets is that Jim realized he didn't need to hide puppeteers behind a structure when they were in front of a camera. All he had to do was instruct the camera operators to focus on the puppets and keep the puppeteers out of the frame. This allowed the puppets to dominate the image and make them more lifelike. This work on puppets and television would lead to separate projects that had different goals. The first one was his work on the The Jimmy Dean Show (1963) with the character Rowlf the Dog, the oldest clearly identified character that Henson Productions still uses. This show provided an income that allowed Jim to work on a pet project. That project was Time Piece (1965), a surrealistic short about time which was nominated for best live-action short Oscar. Henson shot to prominence when he was approached to use his muppets for the revolutionary educational show Sesame Street (1969). The show was a smash hit and his characters have become staples on public television. Unforetunately, this also led to Henson being typecast as only an entertainer for children. He sought to disprove that by being part of the initial crew of Saturday Night Live (1975), but his style and that of the creative staff simply didn't jibe. It was this circumstance that encouraged him to develop a variety show format that had the kind of sophisticated humor that "Sesame Street (1969)" didn't work with. No American broadcaster was interested, but British producer Lew Grade was. This led to The Muppet Show (1976). It initially struggled both in the ratings and in the search for guest stars, but in the second season it became a smash hit and would eventually become the most widely watched series in television history. Hungry for a new challenge, Henson made The Muppet Movie (1979), defying the popular industry opinion that his characters would never work in a movie. The film became a hit and spawned a series of features which included the moody fantasy The Dark Crystal (1982), which was a drastic and bold departure from the amiable tone of his previous work. The most successful TV work in the 1980s was Fraggle Rock (1983), a fantasy series specifically designed to appeal to as many cultural groups as possible. During this time he also established the Creature Shop, a puppet studio that became renowned for being as brilliant with puppetry as ILM was at special effects. When he died all too soon in 1990, he was indisputably one of the geniuses of puppetry. More importantly, he was a man who achieved his phenomenal success while still retaining his social conscience and artistic integrity as his work in promoting environmentalism and his brilliant The Storyteller (1987) series respectively attest to.- Actor
- Additional Crew
- Director
Richard Hunt did not have a face known to many -- his voice was known more than anything else. He was a major stronghold behind Jim Henson's "Muppets". 'Scooter', 'Janice', 'Sweetums' and a few others, were some of the "Muppets" that Richard was a performer and puppeteer of. He helped pave the way for Jim Henson and his company from the 1970s through the early 90s, until his surprising death in 1992 of AIDS.- Actor
- Additional Crew
Lionel Stander, the movie character actor with the great gravelly voice, was born on January 11th, 1908 in The Bronx borough of New York City. Stander's acting career was derailed when he was blacklisted during the 1950s after being exposed as a Communist Party member during the House Un-American Activities Committee hearings. In his own HUAC testimony in May 1953, Stander denounced HUAC's use of informers, particularly those with mental problems.
Stander specialized in playing lovable hoodlums and henchmen and assorted acerbic, hard-boiled types. His physique was burly and brutish, and his head featured a square-jaw beneath a coarse-featured pan that was lightened by his charm. But it was his gruff, foghorn voice that made his fortune.
Stander attended the University of North Carolina, but after making his stage debut at the age of 19, he decided to give up college for acting. Along with a successful stage career, his unusual voice made him ideal for radio. His movie screen debut was in the comedy short Salt Water Daffy (1933) with Jack Haley and Shemp Howard. He went on to star in a number of two-reel comedy shorts produced at Vitaphone's Brooklyn studio before moving to Hollywood in 1935, where he appeared as a character actor in many A-list features such as Nothing Sacred (1937).
John Howard Lawson, the screenwriter who was one of the Hollywood Ten and who served as the Communist Party's cultural commissar in Hollywood, held up Stander as the model of a committed communist actor who enhanced the class struggle through his performances. In the movie No Time to Marry (1938), which had been written by Party member Paul Jarrico, Stander had whistled a few bars of the "Internationale" while waiting for an elevator.
Stander thought that the scene would be cut from the movie, but it remained in the picture because "they were so apolitical in Hollywood at the time that nobody recognized the tune".
Stander had a long history of supporting left-wing causes. He was an active member of the Popular Front from 1936-39, a broad grouping of left-wing organizations dedicated to fighting reactionaries at home and fascism abroad. Stander wrote of the time, "We fought on every front because we realized that the forces of reaction and Faciscm fight democracy on every front. We, too, have been forced, therefore, to organize in order to combat them on every front: politically through such organizations as the Motion Picture Democratic Committee; economically through our guilds and unions; socially, and culturally through such organizations as the Hollywood Anti-Nazi League."
The Front disintegrated when the U.S.S.R. signed a non-aggression pact with Nazi Germany, which engendered World War II by giving the Nazis the get-go to invade Poland (with the Soviet Union invading from the East). The Communist Party-USA dropped out of the Front and from anti-Nazi activities, and during the early days of the War, before Germany invaded the U.S.S.R. in June 1941, it tried to hamper US support for the UK under the aegis of supporting "peace," including calling strikes in defense plants. Many communists, such as Elia Kazan, dropped out of the Party after this development, but many others stayed. These were the Stalinists that the American non-communist left grew to despise, and eventually joined with the right to destroy, though much of their antipathy after 1947-48 was generated by a desire to save themselves from the tightening noose of reaction.
Melvyn Douglas, a prominent liberal whose wife Helen Gahagan Douglas would later be a U.S. Representative from California (and would lose her bid for the Senate to a young Congressman named Richard Nixon, who red-baited her as "The Pink Lady"), had resisted Stander's attempts to recruit him to the Party. "One night, Lionel Stander kept me up until dawn trying to sell me the Russian brand of Marxism and to recruit me for the Communist Party. I resisted. I had always been condemnatory of totalitarianism and I made continual, critical references to the U.S.S.R. in my speeches. Members of the Anti-Nazi League would urge me to delete these references and several conflicts ensued."
Douglas, his wife, and other liberals were not adverse to cooperating with Party members and fellow travelers under the aegis of the MPDC, working to oppose fascism and organize relief for the Spanish Republic. They believed that they could minimize Communist Party influence, and were heartened by the fact that the Communists had joined the liberal, patriotic, anti-fascist bandwagon. Their tolerance of Communists lasted until the Soviet-Nazi Pact of August 1939. That, and the invasion of Poland by the Nazis and the USSR shattered the Popular Front.
Stander had been subpoenaed by the very first House Un-American Activities Committee inquisition in Hollywood, in 1940, when it was headed by Texas Congressman Martin Dies. The Dies Committee had succeeded in abolishing the Federal Theatre Project of the Works Progress Administration as a left-wing menace in 1939 (the FTP had put on a revival of Lawson's play about the exploitation of miners, "Prcessional," that year in New York). The attack on the FTP had been opposed by many liberals in Hollywood. Stung by the criticisms of Hollywood, the Dies Committee decided to turn its attention on Hollywood itself.
Sending investigators to Hollywood, Dies' HUAC compiled a long-list of subversives, including Melvyn Douglas. John L. Leech, a police agent who had infiltrated the Communist Party before being expelled in 1937, presented a list of real and suspected communists to a Los Angeles County grand jury, which also subpoenaed Stander. The testimony was leaked, and the newspapers reported that Stander, along with such prominent Hollywood liberals as James Cagney, Humphrey Bogart, Frederic March and Francot Tone, had been identified as communists.
Committee chairman Dies offered all of the people named as communists the opportunity to clear themselves if they would cooperate with him in executive session. Only one of the named people did not appear, and Stander was the only one to appear who was not cleared. Subsequently, he was fired by his studio, Republic Pictures.
Stander was then subpoenaed to testify before the California Assembly's Committee on Un-American Activities, along with John Howard Lawson, the union leader John Sorrell and others. During the strike led by Sorrell's militant Conference of Student Unions against the studios in 1945, Stander was the head of a group of progressives in the Screen Actors Guild who supported the CSU and lobbied the guild to honor its picket lines. They were outvoted by the more conservative faction headed by Robert Montgomery, George Murphy and Ronald Reagan. The SAG membership voted 3,029 to 88 to cross the CSU picket-line.
Stander continued to work after being fired by Republic. He appeared in Hangmen Also Die! (1943), a film about the Nazi Reinhard Heydrich, who was assassinated by anti-fascists. After the bitter CSU strike, which was smeared as being communist-inspired by the studios, HUAC once again turned its gaze towards Hollywood, starting two cycles of inquisitions in 1947 and 1951. The screenwriter Martin Berkeley, who set a record by naming 155 names before the the second round of Committee hearings, testified that Stander had introduced him to the militant labor union leader Harry Bridges, long suspected of being a communist, whom Stander called "comrade".
After being blacklisted, Stander worked as a broker on Wall Street and appeared on the stage as a journeyman actor. He returned to the movies in Tony Richardson's The Loved One (1965), and he began his career anew as a character actor, appearing in many films, including Roman Polanski's Cul-de-sac (1966) and Martin Scorsese's New York, New York (1977). Other movies he appeared in included Promise Her Anything (1966), The Black Bird (1975), The Cassandra Crossing (1976), 1941 (1979), Cookie (1989) and The Last Good Time (1994), his final theatrical film.
Stander is best remembered for playing Max on TV's Hart to Hart (1979) (1979-84) with Robert Wagner and Stefanie Powers, a role he reprised in a series of "Hart to Hart" TV movies. Stander also appeared on Wagner's earlier TV series It Takes a Thief (1968) and on the HBO series Dream On (1990).
Lionel Stander died of lung cancer on November 30, 1994 in Los Angeles, California. He was 86 years old.- Actor
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Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actor
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Mickey Rooney Jr. was born on July 3, 1945, as Joseph Yule III to movie legend Mickey Rooney and his second wife (among his own wives was Merci Montello, the Playmate of the Month for December 1972 as "Mercy Rooney"). A beauty pageant winner ("Miss Alabama 1944"), the former Betty Jane Rase met Mickey Sr. when he was stationed in the Army in Birmingham, Alabama, during World War II. Mickey Jr. was the first of his father's nine children.
Growing up in Hollywood as the son of a famous movie star, Junior rubbed shoulders with some of the biggest stars on the planet, including Mae West, Elvis Presley and The Beatles. When he was 13 years old he met Judy Garland at a party at her Brentwood home. "So you're Mickey's first-born son," his father's most famous leading lady said. "You're a fine-looking young man." Unlike his extremely short father, the son would grow to be over six feet tall, taking after his tall mother.
His father, in his 1991 autobiography "Life Is Too Short", admitted that he cheated on Betty Jane. According to Mickey Sr., she was "totally oblivious to anything going on outside our home." Mickey Sr. summed up their relationship as, "We just weren't compatible." The marriage ended in divorce in 1948.
Mickey Jr. saw his father frequently after the divorce. Sharing the name of the #1 box office star of 1939, 1940 and 1941 opened doors for Mickey Jr., although making the most of the opportunities wasn't always easy. He found out he had to work twice as hard to prove himself because of his famous name.
He had his first taste of show business as one of the original Mousketeers on Walt Disney's The Mickey Mouse Club (1955) (his father claims that Walt Disney named the famous Mouse after him). He and brother Tim Rooney were hired in 1955 due to their ability to sing, dance and act. After appearing on the show for a year, their contracts were terminated after the mischievous boys got into a hassle with the studio's paint department (they sneaked in and poured different colors of paint in different cans). Six years later, at age 17, he hosted "The Andy Hardy Theater" on local TV. Musically inclined, he played bass in Willie Nelson's band and has recorded an album called "The Song Album." Like his height, his musical talent was inherited from his mother, who was a gifted vocalist. His maternal grandmother taught him how to play the ukulele by showing him how to play chords, which he then played on an acoustic guitar. In addition to playing bass and guitar, Mickey Jr. plays drums, harmonica and keyboards and writes music. He, his wife Laura and their friend John Whittinghill perform rock 'n' roll and gospel music as "Mickey Rooney Jr. and Friends."
A born-again Christian, Mickey Jr. met Laura, a Messianic Jew, in 1986. Through The Lord's Link Ministry, the couple minister and spread the Good News. Laura sings and plays a harp, while both she and Mickey Jr. testify to the "folly" of living "life in the fast lane." They reside in Hemet, CA.
Mickey Jr. and his brother Tim operate the Rooney Entertainment Group, a movie and TV production company. He has written his autobiography, "Which One's Your Mother?"- Actor
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Milton Berle was an American comedian and actor.
Berle's career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950. In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television." He was twice nominated for Emmys for his acting, in 1962 and 1995.
Berle was inducted into the Television Hall of Fame in 1984. On December 5, 2007, Berle was inducted into the California Hall of Fame.- Actor
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Brooklyn-born Buddy Hackett was known mainly as a nightclub comic, especially in Las Vegas, where he first performed in 1952 and wound up being one of the biggest headliners in that city's history. Hackett always referred to himself as a "saloon comic" and preferred the intimacy of his stage act--where he would often bring members of the audience up on stage with him--to films and television. He, along with Lenny Bruce, pioneered "blue" comedy, although Hackett's career did not suffer nearly as much as Bruce's did because of it. Hackett's act was noted for its, at the time, "adult" content, and at one point he was sued by a woman who attended one of his shows and said she was "shocked and offended" at the language (she lost the suit). However, contrary to his nightclub image, Hackett's appearances in films were mostly of the family type, such as his roles in the "Herbie" series of comedies for Disney about a Volkswagen Bug with a mind of its own and as Robert Preston's sidekick in The Music Man (1962). In 1954, Hackett was paired by Universal Pictures with Hugh O'Brian as a potential comedy team to replace the studio's reigning team of Bud Abbott and Lou Costello, They actually did replace the famous team in the film Fireman Save My Child (1954), due to Costello's illness (Bud and Lou can still be glimpsed in long shots). Hackett took the part that Costello was playing (an eerie coincidence considering that more than 20 years later he would actually play Costello in the movie Bud and Lou (1978)) and O'Brian took Abbott's place, but the film was not successful and Universal dropped its plans to make a team out of the two. Hackett also had a showy part in the ensemble comedy It's a Mad Mad Mad Mad World (1963), partnered with Mickey Rooney. However, despite his success in movies, he still preferred his nightclub work and played Las Vegas and clubs in other cities whenever possible. He had a reputation among his fellow comics as a brilliant ad-libber and someone who knew exactly how far to take a joke before it ran its course, something not all comedians managed to do.
Buddy Hackett died at age 78 of natural causes at his beach house in Malibu, CA, on June 30, 2003.- Actor
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Jonathan Harshman Winters III was born on November 11, 1925 in Dayton, Ohio. His father, Jonathan Harshman Winters II, was a banker who became an alcoholic after being crushed in the Great Depression. His parents divorced in 1932. Jonathan and his mother then moved to Springfield to live with his grandmother. There his mother remarried and became a radio personality. Jonathan joined the United States Marine Corps during his senior year of high school. Upon his discharge, he entered Kenyon College and later transferred to Dayton Art Institute. He met his wife, Eileen Schauder, in 1948 and married a month later. They remain married until her death in January 11, 2009. They have a son, Jay, who is a contractor, and a daughter, Lucinda, who is a talent scout for movies.
Jonathan got his start in show business by winning a talent contest. This led to a children's television show in Dayton in 1950. This led to a game show and a talk show. Denied a requested raise, he moved the family to New York with only $56 in their pocket. Within two months, he was getting night club bookings. He suffered two nervous breakdowns, one in 1959 and another in 1961. He came out of "retirement" to work with director/writer Martin Guigui for Swing (2003) and Cattle Call (2006). He made ten Grammy-nominated comedy recordings and won once. Jonathan Winters died at age 87 of natural causes on April 11, 2013 in Montecito, California.- Writer
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Carl Reiner is a legend of American comedy, who achieved great success as a comic actor, a director, producer and recording artist. He won nine Emmy Awards, three as an actor, four as a writer and two as a producer. He also won a Grammy Award for his album "The 2,000 Year Old Man", based on his comedy routine with Mel Brooks.
Reiner was born in The Bronx, to Bessie (Mathias) and Irving Reiner, a watchmaker. His father was an Austrian Jewish immigrant and his mother was a Romanian Jewish immigrant. At the age of sixteen, while working as a sewing machine repairman, he attended a dramatic workshop sponsored by the Works Progress Administration. The direction of his life was set.
In the 1970s, some sources claimed that Reiner made his movie debut in New Faces of 1937 (1937), but that is unlikely as he would have only been fifteen years old at the time. (the movie shares the same plot as his erstwhile partner Mel Brooks' classic The Producers (1967), with a crooked producer planning to fleece his "angels" by producing a flop and absconding with the money). He didn't appear on screen, silver or small, until he made his television debut in 1948 in the short-lived television series, The Fashion Story (1948), then became a regular, the following year, on The Fifty-Fourth Street Revue (1949), another television series with a brief life.
Reiner made his Broadway debut in 1949 in the musical "Inside U.S.A.", a hit that ran for 399 performances. His next Broadway show, the musical revue "Alive and Kicking" (1950) was a flop, lasting just 43 performances. Max Liebman, the producer/director/writer/composer, had been called in to provide additional material after the show's troubled six week out-of-town preview in Boston. It didn't help -- the show closed after six weeks on Broadway -- but an important contact had been made.
Leibman was a producer-director on Your Show of Shows (1950), one of the great television series, and he hired Reiner to appear on the show in the middle of its first season. Reiner's first gig on the revue-like show was interviewing The Professor, a character played by Sid Caesar. He became central to the comedy portions of the show and, in 1953, he racked up the first of six Emmy Award nominations for acting. (In all, he was nominated for an Emmy Award a total of 13 times). When, in 1954, "Your Show of Shows" was split up by the network into its constituent parts, Reiner continued on with Sid in Caesar's Hour (1954). (Imogene Coca was given her own show, which lasted one season, and Leibman was allowed to produce specials).
"Your Show or Shows" had been a Broadway-style revue, featuring skits such as dancing (including a young Bob Fosse) whereas "Caesar's Hour" was pure comedy. "Your Show of Shows" had had a great cast, another other than Coca, most of the cast, including Reiner, Howard Morris, and Nanette Fabray (who went on to win an Emmy Award) moved over to "Caesar's Hour". In his three seasons on the show, he was nominated three more times for an Emmy Award for Best Supporting Actor, winning twice in 1957 and 1958. But it was its stable of comedy writers that was essential to the great success of both "Your Show of Shows" and "Caesar's Hour". In addition to Mel Brooks, the writing staff included Neil Simon, his brother Danny Simon, Larry Gelbart and Mel Tolkin. (There are rumors that the young Woody Allen served as the writing staff's typist).
Reiner had sat in informally with the writers during "Your Show of Shows", but he began writing formally for "Caesar's Hour", having learned his craft from all of the other writers. As a self-described uncredited "writer without portfolio", he was able to leave writers' meetings at 6 P.M., if he wanted to. This gave him the time to work on a semi-autobiographical novel. Published in 1958, Enter Laughing (1967) is about a young man in 1930s New York trying to make it in show business. It was transformed into a play and, eventually, adapted into a movie in 1967, and a musical, many years later.
In 1959, he created the pilot for a television series, "Man of the House", in which he would play a writer, Rob Petrie, who balanced his family life with the demands of working as a writer for a comedy show headlined by an egotistical comedic genius modeled after Sid Caesar (a "benign despot" who lacked social skills, according to Reiner). The series was rooted in his experience on "Your Show of Shows" and "Caesar's Hour". The network didn't pick up the pilot at first, as CBS executives claimed the main character, which was clearly autobiographical on Reiner's part, was too New York, too Jewish and too intellectual. In 1960, Reiner teamed up with Mel Brooks on The Steve Allen Plymouth Show (1956), and their routine "The 2000 Year Old Man" was a huge success. Reiner played the straight man to Brooks in the routine, which was spun-off into five comedy albums, bringing them a Grammy Award. They also made an animated television special based on their shtick in 1975.
Though CBS turned down "Man of the House", with the two-time Emmy Award-winning comedian Reiner as the lead, it was still interested in the series. However, they wanted a different actor in the lead role, and the casting of the protagonist came down to Johnny Carson and Dick Van Dyke. Carson was a game show host of no great note at the time, but Van Dyke was in the smash Broadway musical Bye Bye Birdie (1963), for which he won a Tony Award. He got the role and another chapter of television history was made, when Mary Tyler Moore, Rose Marie and Morey Amsterdam all were cast in leading roles. Reiner, himself, would eventually play the role of Alan Brady, the abrasive Sid Caesar-like comic convinced of his own genius, in the last few seasons of the series' five-year run.
Another milestone in television comedy, The Dick Van Dyke Show (1961), brought Reiner five more Emmy Awards, three for writing and two as the producer of the series. In 1966, Reiner and the other principals, including executive producer Sheldon Leonard and Dick Van Dyke, decided to end the series at the height of its popularity and critical acclaim. (The show won Emmy Awards as best show and best comedy in 1965 and 1966, respectively). Twenty-nine years after the show was ended, Reiner reprised the role of Alan Brady on Mad About You (1992), winning his eighth (and so far, last) Emmy Award, this time as Outstanding Guest Actor in a Comedy Series.
It was on "The Dick Van Dyke Show" that Reiner first became a director. His feature film debut, as a director, was with the film adaptation of the play Joseph Stein had adapted from his 1958 novel, Enter Laughing (1967). His work as a writer-director, with Dick Van Dyke, in creating a Stan Laurel-type character in The Comic (1969) was not a success, but Where's Poppa? (1970) became a cult classic and Oh, God! (1977), with George Burns, and The Jerk (1979), with Steve Martin, were smash hits. The last film he directed was the romantic comedy That Old Feeling (1997).
Reiner's career continued into the 21st century, when most of his contemporaries had retired or passed. He was awarded the Mark Twain Prize for American Humor in 2000 and acted in the remake of Ocean's Eleven (2001) and its two sequels. He also appeared as a voice artist in the film Good Boy (2003), and the animated series The Cleveland Show (2009) (he even wrote an episode for the series rooted in his "Your Show of Shows" experience). He was also a regular on the series Hot in Cleveland (2010) (with fellow nonagenarian Betty White), and appeared on an episode of Parks and Recreation (2009) in 2012. His last film role was as the voice of Carl Reineroceros in Toy Story 4 (2019), opposite his old compatriot Mel Brooks.
Carl Reiner died at age 98 of natural causes on June 29, 2020, in Beverly Hills, California.- Actress
- Additional Crew
Anna Manahan was born on 18 October 1924 in County Waterford, Irish Free State [now Ireland]. She was an actress, known for Clash of the Titans (1981), All Dogs Go to Heaven (1989) and Ulysses (1967). She was married to Colm O'Kelly. She died on 8 March 2009 in Waterford, County Waterford, Ireland.- Actor
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Jack Gilford was born in Brooklyn, New York, as Yankel Gellman. He began his career in the Amateur Nights of the 1930s moving on to nightclubs as an innovative comedian doing satire and pantomime. He was a regular at the Greenwich Village nightspot, Cafe Society and hosted shows featuring Zero Mostel, Billie Holiday and jazz greats like Hazel Scott. It is said that he invented the expression, "The butler did it!", as part of one of his movie satire routines. He also did a facial pantomime of "Pea Soup Coming to a Boil". During the 1950s, he was a victim of the The House Un-American Activities Committee (HUAC) blacklisting which stalled his TV career until the early 1960s. But after that, he became a regular popular comic character actor on dozens of TV series and movies. He was most recognized for being the rubber-faced guy on the "Cracker Jacks" commercials for a dozen years, from 1960-1972.
He was nominated for Tony awards on Broadway for best supporting actor in the musical, "A Funny Thing Happened on the Way to the Forum", and "Cabaret". The song "Meeskite" was written for him by John Kander & Fred Ebb.
He was nominated for an Academy Award for Best Supporting Actor for the film, Save the Tiger (1973), starring opposite Jack Lemmon, who won the Best Actor Oscar for his performance.- Actor
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Phil Silvers was a comedic actor of Russian-Jewish descent, nicknamed as "The King of Chutzpah." He was best known for his starring role as United States Army Master Sergeant Ernest "Ernie" Bilko in the very popular hit sitcom "The Phil Silvers Show" (1955-1959). He later had important roles in the comedy films "It's a Mad, Mad, Mad, Mad World" (1963), and "A Funny Thing Happened on the Way to the Forum" (1967), playing respectively the characters Otto Meyer and Marcus Lycus.
Silvers was a compulsive gambler, and suffered from chronic depression.
He was the 8th and youngest child to Russian-Jewish immigrants Saul Silver (alias Saul Silversmith) and Sarah Handler. Saul was a sheet metal worker who was employed in the building industry. He had helped build a number of New York City's major skyscrapers.
Silver started his career as an entertainer in 1922, at the age of 11.
A frequent accident at New York City's movie theaters was for their film projector to break down. Someone had to keep the audience entertained during repairs, so Silver was hired to sing to them. Part of his reward was to attend the movie theater free of charge.
By 1924, Silvers performed as a professional singer in the Gus Edwards Revue. His employer was theater company owner Gus Edwards (1878-1945). He then took to working in vaudeville and as a burlesque comic.
In the 1930s, Silvers started appearing in Vitaphone short films. In 1939, Silvers made his Broadway debut in "Yokel Boy." The show was considered mediocre by critics, but Silvers gained acclaim in the press. He made his feature film debut in "Hit Parade of 1941." Silvers worked primarily as a character actor over the following decades, appearing in films produced by 20th Century Fox, Columbia Pictures, and Metro-Goldwyn-Mayer. When the studio system declined, Silvers initially returned to the theater.
He had a hit as a songwriter when he composed the lyrics of "Nancy (with the Laughing Face)" (1942) for singer Frank Sinatra (1915-1998). The song was apparently named after Frank's young daughter Nancy Sinatra (1940-).
Silvers did not become a household name until his starring role in the sitcom "The Phil Silvers Show" (1955-1959). It was a military comedy, starring Ernest "Ernie" Bilko as a United States Army Master Sergeant. The character of Bilko was depicted as a con-artist and inveterate gambler who could fast-talk people into complying with his schemes. The show lasted for 4 seasons, and 144 episodes. It found further success in syndication to this very day, and often ranks high in lists of popular sitcoms.
Silvers returned to television stardom with "The New Phil Silvers Show" (1963-1964), where he played factory foreman Harry Grafton. Like Bilko, Grafton was depicted as a con-artist who owned his own company and ran many and various schemes on the side. Not as successful as its predecessor, the series lasted for a single season and 30 episodes.
Silvers enjoyed film stardom in the 1960s, though mostly playing supporting roles. He appeared mainly in American productions, although guest-starred in the British comedy film "On Follow That Came." (1967). It was the 14th film in the popular long-running "Carry On" film series (1958-1992). The film was a parody depicting life in the French Foreign Legion, and Silvers played the Bilko-like character of Sergeant Ernie Nocker. He earned a salary of 30,000 pounds, making him the highest-paid actor of the "Carry On" film series up to that point.
Silvers appeared frequently as a guest-star in then-popular sitcoms, such as "The Beverly Hillbillies" and "Gilligan's Island." In 1972, Silvers survived a stroke, although was left with permanently slurred speech. This effectively ended his theatrical career, although did not prevent him from appearing in further film and television roles.
Silvers made his last television appearance in an 1983 episode of the crime drama "CHiPs." He then went into retirement.
He died in his sleep in 1985, while in Century City, California. His family attributed the death to unspecified natural causes. He was interred at Mount Sinai Memorial Park Cemetery in Los Angeles.
Silvers is still well-remembered as a great comic actor.
In 1996, TV Guide ranked him number 31 on its 50 Greatest TV Stars of All Time list.
The Hanna-Barbera characters Hokey Wolf and Top Cat were loosely based on his screen persona.- Actress
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Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the The Bachelor and the Bobby-Soxer (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.- Actor
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Bil Baird and his wife Cora Baird, the driving forces behind the Bil & Cora Baird Puppets, were pioneer entertainers in U.S. TV, when commercial television in the States was taking its first baby steps. Much of what early viewers could view on that seven-inch screen, with its eerie, whitish glow in a darkened room where a family gathered round to watch in wonder, had come from radio. But the Bairds' medium - their marionettes - was strictly visual, and the audience was regaled. Their first venture on TV, a 15-minute program called Life with Snarky Parker (1950) was directed by none other than Yul Brynner. They and their puppets went on to star in other shows, and the Bairds were featured performers on CBS's attempt to wrest away some of the audience from NBC's "Today" show with its "The Morning Show" (1954), which initially featured their principal newsman, Walter Cronkite. As well, delineated marvelously by the music of Ukrainian-born composer Sergei Prokofiev, the Baird Puppets provided the visual enhancement for Art Carney's narration of the 1958 ABC-TV special, "Art Carney Meets Peter and the Wolf."- Actor
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Burr Tillstrom was born on 13 October 1917 in Chicago, Illinois, USA. He was an actor and producer, known for Kukla, Fran and Ollie (1969), The Wizard of Oz (1950) and That Was the Week That Was (1963). He died on 6 December 1985 in Palm Springs, California, USA.- Actor
- Producer
- Music Department
Tall, spade-jawed, hopelessly genial balladeer/actor Jim Nabors was born in James Thurston Nabors on June 12, 1930 in Sylacauga, Alabama and raised there, graduating from the University of Alabama. A typing clerk at the United Nations in his salad days, he eventually moved to Los Angeles, California on account of his asthmatic condition and became a film cutter for NBC.
Jim was discovered on stage doing a cabaret act at "The Horn," a now defunct but then highly popular Santa Monica nightclub. Combining his gifts for classical singing and gawky hick characterizations, his highly unique schtick was either ridiculously insane or totally brilliant. Either way this garnered him notice.
Comic Bill Dana caught Jim's act and opted for the latter assessment, inviting him to audition for Steve Allen's TV variety show. Jim went on to appear on Allen's show a number of times. TV star Andy Griffith caught his silly singing "down home" gimmick as well and offered him the part of dim but lovable gas station attendant Gomer Pyle on his popular 1960s sitcom. Jim's career took off like a skyrocket. His sheepish "gawwwleee" and bug-eyed "shazzayam" expressions became part of the American vernacular and it wasn't long before the beloved character would spin off into his own sitcom. Gomer Pyle: USMC (1964) was a solid hit as the bungling, painfully naive, gentle do-gooder found himself hilariously at odds with the Marine Corps and a particularly tough Sergeant Vince Carter (played terrifically by the late Frank Sutton). The sitcom ran a respectable five seasons and Jim solidified himself as a household name.
On the downside of this TV success, Jim found himself inextricably pigeon-holed as a gullible, squeaky-clean hick. As a result, he found work elsewhere, particularly in children-oriented series for Sid and Marty Krofft and Jim Henson. He also decided to refocus on his beautiful baritone voice. Recording a number of romantic, easy listening albums, five of them went gold and one went platinum. He earned a gold record for his rendition of "The Lord's Prayer."
On TV, Jim became a frequent singing/comedy guest performer on all the top prime-time variety and late night shows, including "Sonny & Cher," "The Tonight Show," "The Dean Martin Show," "The David Frost Show," and "The Joey Bishop Show." He also became the annual "good luck charm" opening season guest on close friend Carol Burnett's TV variety series during her twelve-year run. It was enough for CBS to entrust Jim with own TV variety series The Jim Nabors Hour (1968), which ran for two seasons, featured his "Gomer Pyle" co-stars Frank Sutton and Ronnie Schell, and earned him a Golden Globe nomination. A decade later, he returned to the format hosting The Jim Nabors Show (1978), which was short-lived but earned him a daytime Emmy nomination.
Another good friend, Burt Reynolds, was responsible for Jim's theater debut as Harold Hill in "The Music Man" at the Burt Reynolds Dinner Theatre with Florence Henderson as his Marian the Librarian. Jim also appeared in comic support in a couple of Reynolds' films -- The Best Little Whorehouse in Texas (1982) and Stroker Ace (1983).
Nabors was seen on a limited basis in the early 1990s and his life took a serious hit in 1994 when, after years of declining health, he was forced to have a liver transplant. He has returned to the limelight very infrequently (talks shows and reunion shows), preferring the quiet, relaxing life he has in Hawaii and running a macadamia nut plantation.
On January 15, 2013, the 82-year-old Nabors came out as gay news by marrying his life partner of 38 years, Stan Cadwallader, a retired Honolulu firefighter, at a Seattle hotel after Washington became a "same sex" marriage state a month earlier. The 87-year-old died of an immune disorder on November 30, 2017.- Actor
- Writer
- Producer
Hardy Kruger was born Eberhard August Franz Ewald Krüger in Wedding, Berlin, thee son of Auguste (Meier) and Max Krüger. At thirteen years, he became a member of the "Hitler Jugend" (Hitler Youth), as did all 13-year-old boys in Germany then. The purpose of the organization was to prepare the boys for military service. At age 15, Hardy made his film debut in a German picture (Junge Adler (1944)), but his acting career was interrupted when he was drafted into the German army in 1944 at age 16 and posted to an infantry regiment.
Years later, Hardy related how he "hated that [Nazi] uniform." During the filming of A Bridge Too Far (1977) in which he portrayed a Nazi general, he wore a top-coat over his S.S. uniform between takes so as "not to remind myself of my childhood in Germany during W.W.II." It is said, that during his war years, Hardy was captured and taken prisoner by U.S. forces but attempted to escape thrice, the third time successfully.
After the war, Hardy returned to acting, and eight years later was "discovered" by foreign film distributor J. Arthur Rank who promptly cast him in three British pictures, practically filmed back-to-back: The One That Got Away (1957), Bachelor of Hearts (1958) and Chance Meeting (1959), in which he appeared simply as a foreigner and not a German, as was usually the case. Following the release of these films, Hardy's career took off. Despite anti-German sentiment that still prevailed in postwar Europe, Hardy, described as "ruggedly handsome" and a "blond heartthrob," became an international favorite, paving the way to his first American role as co-star with John Wayne in the Tanganyika-shot wildlife adventure Hatari! (1962).
Hardy was so taken aback by the beauty of the land, that he bought the film's location ("Momilla Farm") and built a small home for himself and a small bungalow hotel for tourists to see the animals. Hunting was forbidden on the property, and, later, a cattle farm was started with the meat being sold to local hotels. Hardy described his home there as "a sort of African Walden where I can get away from the world from time to time."
In 1979, due to the dissolution of the alliance of Kenya, Uganda and Tanzania (formerly Tanganyika), the border with Kenya was closed and remained so for half a decade which caused a serious decline in tourism. The business aspects of his property were shut down for a period of time, but eventually things picked up and the place was transformed into a proper tourist hotel, known (fittingly) as Hatari Lodge.
Fluent in English, French and German, Hardy found himself in much demand by British, French, American and German producers and became more selective in his scripts. "I'd rather sit out a picture than take a role I don't think is right for me" he would later say. He died in January 2022, in Palm Springs, California, 11 years after his last film credit.