Having received plenty of acclaim for indie horror pic We're All Going To The World's Fair, writer/director Jane Schoenbrun is back with her next film gig, this time for A24. Drawing on nostalgia, loneliness and LGBTQ issues, I Saw The TV Glow stars Justice Smith and Brigette Lundy-Paine. Check out the first, trippy trailer below:
The film, which is drawing comparisons to Gregg Araki's work, tells the story of Owen (played by Ian Foreman when he's younger and primarily by Smith) is just trying to survive life in the suburbs. He's having parental problems, but his life changes when he bonds with schoolmate Maddy (Lundy-Paine).
Maddy shares his fascination with mysterious late-night, Buffy-style YA horror drama called The Pink Opaque — a vision of a supernatural world beneath their own. As he dives deeper into the show, Owen’s view of reality begins to crack.
Boasting a killer soundtrack...
The film, which is drawing comparisons to Gregg Araki's work, tells the story of Owen (played by Ian Foreman when he's younger and primarily by Smith) is just trying to survive life in the suburbs. He's having parental problems, but his life changes when he bonds with schoolmate Maddy (Lundy-Paine).
Maddy shares his fascination with mysterious late-night, Buffy-style YA horror drama called The Pink Opaque — a vision of a supernatural world beneath their own. As he dives deeper into the show, Owen’s view of reality begins to crack.
Boasting a killer soundtrack...
- 2/29/2024
- by James White
- Empire - Movies
What happens when the line between reality and TV becomes a little too blurred?
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
- 2/28/2024
- by Samantha Bergeson
- Indiewire
Oh, it’s such a wonderful film, this one. The Missing deals with such a delicate issue with such tenderness that it has to be one of the better films of the year. Also, as it is an animated film, it kind of makes it easier to see it through a child’s lens, but it is not a children’s film. There is the topic of sexual abuse seated at the very core of the film, and how the trauma imparted from it ruins the life of a person. The film is hopeful in its explorations as it talks about how love, care, and emotional support are the only ways to get out of hell. But the great thing about The Missing is that it finds a metaphor to talk about these sensitive topics. Much like Gregg Araki’s Mysterious Skin, there are clever yet empathetic ways here to...
- 2/25/2024
- by Ayush Awasthi
- Film Fugitives
Ethan Coen’s Drive-Away Dolls certainly pulls from the aesthetic and narrative party bags of noir and road movies. It even indulges the pleasures of high lesbian camp as two friends are drawn into a government-connected conspiracy. But to call it pastiche, a term that could be handily affixed to any number of films by the Coen brothers, is inadequate here given the rollicking, casual, intimate nature of Drive-Away Dolls’s relationship to its generic forebearers. In the classic queer punk tradition of Bruce Labruce, John Waters, and Gregg Araki, Coen’s film knows when to pay homage and when to move to its own rhythm.
In its curious way, the film’s formulation of sameness and difference—conveyed through the way that it invokes everything from Faster, Pussycat! Kill! Kill! to Kiss Me Deadly, as well as through the yin and yang of fuckgirl Jamie (Margaret Qualley) and the...
In its curious way, the film’s formulation of sameness and difference—conveyed through the way that it invokes everything from Faster, Pussycat! Kill! Kill! to Kiss Me Deadly, as well as through the yin and yang of fuckgirl Jamie (Margaret Qualley) and the...
- 2/21/2024
- by Kyle Turner
- Slant Magazine
Euphoria starlet Barbie Ferreira and French musician/actress Soko attend the Bjork photo exhibition by Spike Jonze curated by Humberto Leon at his Los Angeles restaurant and gallery space Arroz & Fun on Thursday (February 15).
WeTransfer presented the opening night of the exhibition of unseen photographs, called The Day I Met Björk, which is free and open to the public now through May. It unveils over 25 previously unseen images taken in summer 1995 at the Chateau Marmont.
Other attendees included Kim Gordon, Gregg Araki, Rivers Cuomo, Soo Joo Park, Edison Chen, Arianne Phillips, Shirley Kurata, Carol Lim, Chella Man and DJ Olive Kimoto who kept the tunes spinning all night.
Guests enjoyed a bespoke menu from Arroz & Fun including the ‘Spike Jonze’ Peruvian wonton; Cool Ranch Doritos with crème fraiche and Oestra caviar; Szechuan mac & cheese; and a Chinese ‘shake-shake’ spiced tater tots.
To bring the images to fans around the world,...
WeTransfer presented the opening night of the exhibition of unseen photographs, called The Day I Met Björk, which is free and open to the public now through May. It unveils over 25 previously unseen images taken in summer 1995 at the Chateau Marmont.
Other attendees included Kim Gordon, Gregg Araki, Rivers Cuomo, Soo Joo Park, Edison Chen, Arianne Phillips, Shirley Kurata, Carol Lim, Chella Man and DJ Olive Kimoto who kept the tunes spinning all night.
Guests enjoyed a bespoke menu from Arroz & Fun including the ‘Spike Jonze’ Peruvian wonton; Cool Ranch Doritos with crème fraiche and Oestra caviar; Szechuan mac & cheese; and a Chinese ‘shake-shake’ spiced tater tots.
To bring the images to fans around the world,...
- 2/16/2024
- by Just Jared
- Just Jared
"Buffy the Vampire Slayer" was a major moment in vampire media, but the show didn't limit itself to fanged heartthrobs. Buffy fought her fair share of demons and deities, but there was one type of villain that kept popping up throughout the hit series' seven seasons — robots. Probably the most memorable robot in the show is the Buffybot, a robot girlfriend commissioned by bad-boy vamp Spike to quench his unrequited crush. But before Buffybot, the android that started it all was Ted.
Ted is, by all appearances, your run-of-the-mill middle-aged man from suburbia, and he's dating Buffy's mom in the season 2 episode "Ted." He manages to win all of her friends over, but Buffy isn't having it. As it turns out, her suspicions are proven correct — Ted was a killer robot all along.
The robot is played by John Ritter, who was best known for the long-running sitcoms "Three's Company" and,...
Ted is, by all appearances, your run-of-the-mill middle-aged man from suburbia, and he's dating Buffy's mom in the season 2 episode "Ted." He manages to win all of her friends over, but Buffy isn't having it. As it turns out, her suspicions are proven correct — Ted was a killer robot all along.
The robot is played by John Ritter, who was best known for the long-running sitcoms "Three's Company" and,...
- 2/6/2024
- by Shae Sennett
- Slash Film
‘I Saw the TV Glow’ Review: Justice Smith in a Knockout Teen Drama About Art, Obsession and Identity
Self-discovery can be a painful process, ripping apart everything you thought you knew about the world and your place in it. But even more painful and terrifying is the denial of self. Looking in the mirror and turning away from the truth staring right back at you. It’s hard to understand why we do it — if we only get one life, why not live it authentically? And what happens to us when we live with parts of ourselves sealed away? What kind of life is that? How can anyone love you when you’re never really there?
Owen (Justice Smith) is a gentle, soft-spoken teen, afraid to break out of his shell. He’s been that way since he was a child, growing up with his attentive mother (Danielle Deadwyler) and distant father (Fred Durst). Though he feels drawn to his mother, quietly admiring her beauty and emotional honesty,...
Owen (Justice Smith) is a gentle, soft-spoken teen, afraid to break out of his shell. He’s been that way since he was a child, growing up with his attentive mother (Danielle Deadwyler) and distant father (Fred Durst). Though he feels drawn to his mother, quietly admiring her beauty and emotional honesty,...
- 1/21/2024
- by Jourdain Searles
- The Hollywood Reporter - Movie News
Sinister and liberating in equal measure (and often at the same time), Jane Schoenbrun’s ultra-lo-fi “We’re All Going to the World’s Fair” leveraged the inherent loneliness of webcams and the performative danger of online creepypasta into a haunting portrait of the potentially dysphoric relationship between screens and identity in the internet age. The kind of sui generis shot in the dark that feels like it could only have been made by someone who wasn’t sure if anyone would see it, Schoenbrun’s first movie is one of the rare coming-of-age films that manages to embody the full dread and possibility of self-recognition, and for that reason it almost immediately resonated with an audience of people — trans people in particular — who’d been waiting for something like “We’re All Going to the World’s Fair” since before they had the language to know how much they needed it.
Another, more...
Another, more...
- 1/19/2024
- by David Ehrlich
- Indiewire
The film is directed by five rising female directors.
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
- 1/15/2024
- by Rebecca Leffler
- ScreenDaily
Going into its third year of film programming, The Academy Museum of Motion Pictures Museum has an established style: unabashedly eclectic. This winter it will showcase everything from an Oscar-friendly George Stevens Lecture with Christopher Nolan, who will present a 70th anniversary screening of classic western “Shane;” the first-ever retrospective on Korean actor Song Kang-Ho (“Parasite”); a 10th-anniversary screening of Oscar-winner “12 Years a Slave” with director Steve McQueen; a spotlight on African cinema guest programmed by Mo Abudu and co-presented with the NAACP; and a series on natural disasters in movies that kicks off with “Twister” in 35 mm.
“There are multiple histories of cinema,” said chief audience officer Amy Homma over Zoom. “And what better way to show that than with screening as many wildly diverse, broad-ranging series, genres, and decades-spanning titles as possible? Our cinematheque program is hundreds of screenings per year and we’re screening eight to 10 titles per week.
“There are multiple histories of cinema,” said chief audience officer Amy Homma over Zoom. “And what better way to show that than with screening as many wildly diverse, broad-ranging series, genres, and decades-spanning titles as possible? Our cinematheque program is hundreds of screenings per year and we’re screening eight to 10 titles per week.
- 11/8/2023
- by Anne Thompson
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
“50 from the ’50s” continues with films by Howard Hawks, Elia Kazan, Stanley Donen, and many more.
Bam
“Let the Record Show” offers films built from archival material.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Curious Case of Benjamin Button on 35mm and two by Maren Ade.
Anthology Film Archives
Work by John Carpenter, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft, while two from Buñuel show in “Essential Cinema.”
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and Army of Darkness play late; Oldboy screens in a new restoration.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
The Shining...
Film Forum
“50 from the ’50s” continues with films by Howard Hawks, Elia Kazan, Stanley Donen, and many more.
Bam
“Let the Record Show” offers films built from archival material.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Curious Case of Benjamin Button on 35mm and two by Maren Ade.
Anthology Film Archives
Work by John Carpenter, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft, while two from Buñuel show in “Essential Cinema.”
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and Army of Darkness play late; Oldboy screens in a new restoration.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
The Shining...
- 11/3/2023
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Bam
A series on Halloween-set movies is underway, including Halloween and Halloween III.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Kiyoshi Kurosawa’s Pulse and The Village, both on 35mm.
Anthology Film Archives
Work by Peter Weir, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and The Raid: Redemption play late; Oldboy and Gregg Araki’s Nowhere screen in new restorations.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
Prints of The Shining, Coppola’s Dracula, and Halloween III play, as does Messiah of Evil.
The post NYC Weekend Watch: Halloween, Kiyoshi Kurosawa, Messiah...
Bam
A series on Halloween-set movies is underway, including Halloween and Halloween III.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Kiyoshi Kurosawa’s Pulse and The Village, both on 35mm.
Anthology Film Archives
Work by Peter Weir, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and The Raid: Redemption play late; Oldboy and Gregg Araki’s Nowhere screen in new restorations.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
Prints of The Shining, Coppola’s Dracula, and Halloween III play, as does Messiah of Evil.
The post NYC Weekend Watch: Halloween, Kiyoshi Kurosawa, Messiah...
- 10/27/2023
- by Nick Newman
- The Film Stage
New restorations of Gregg Araki’s “Nowhere” and “The Doom Generation” have generated renewed interest in the director’s filmography and contribution to the teenage indie film canon. While teen movies are often distinct products of their time, Araki’s punk-infused coming-of-age sagas continue to enchant large audiences of film geeks who are drawn to his distinct vision.
In a conversation with Richard Linklater for Interview Magazine, Araki reflected on the frenetic energy that allows the films to feel so fresh nearly 30 years after their original releases.
“We’ve been talking about this a lot on this ‘Nowhere’ press tour,” Araki said. “One of the things that makes ‘Nowhere’ and ‘Doom’ special is they do have that angst and that anger and that fucking confusion of being young and all that. But because of the influence of punk rock, new wave music, there’s a level of fun and joy.
In a conversation with Richard Linklater for Interview Magazine, Araki reflected on the frenetic energy that allows the films to feel so fresh nearly 30 years after their original releases.
“We’ve been talking about this a lot on this ‘Nowhere’ press tour,” Araki said. “One of the things that makes ‘Nowhere’ and ‘Doom’ special is they do have that angst and that anger and that fucking confusion of being young and all that. But because of the influence of punk rock, new wave music, there’s a level of fun and joy.
- 10/14/2023
- by Christian Zilko
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Woody Allen’s Husbands and Wives, Chinatown, The Third Man, and Lucio Fulci’s The Beyond all show on 35mm.
Anthology Film Archives
Five films by Robert Bresson screen in Essential Cinema this weekend.
Lincoln Center
NYFF Revivals closes with Un rêve plus long que la nuit on Sunday.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Inside Llewyn Davis and Lake Mungo.
IFC Center
sex, lies, and videotape, The Holy Mountain, Being John Malkovich, Friday the 13th: Part VI, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: Chinatown, Robert Bresson, Inside Llewyn Davis & More first appeared on The Film Stage.
Roxy Cinema
Woody Allen’s Husbands and Wives, Chinatown, The Third Man, and Lucio Fulci’s The Beyond all show on 35mm.
Anthology Film Archives
Five films by Robert Bresson screen in Essential Cinema this weekend.
Lincoln Center
NYFF Revivals closes with Un rêve plus long que la nuit on Sunday.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Inside Llewyn Davis and Lake Mungo.
IFC Center
sex, lies, and videotape, The Holy Mountain, Being John Malkovich, Friday the 13th: Part VI, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: Chinatown, Robert Bresson, Inside Llewyn Davis & More first appeared on The Film Stage.
- 10/13/2023
- by Nick Newman
- The Film Stage
John Carpenter is still in shock that he watched “Barbie.”
The “Halloween” and “The Thing” director told the Los Angeles Times that elements of Greta Gerwig’s history-making billion-dollar film went “right over” his head, but nevertheless, lead actress Margot Robbie was “fabulous.”
When asked if he’s seen movies in theaters, Carpenter replied, “I don’t go out. I haven’t been to a movie in a while, but I see them at my house. I’ll see it there.”
He continued, “I watched ‘Barbie.’ I can’t believe I watched ‘Barbie.’ It’s just not my generation. I had nothing to do with Barbie dolls. I didn’t know who Allan was. I mean, I can sum it up. She says, ‘I don’t have a vagina,’ and then at the end, ‘I’m going to go to a gynecologist!’ That’s the movie to me.”
Carpenter added,...
The “Halloween” and “The Thing” director told the Los Angeles Times that elements of Greta Gerwig’s history-making billion-dollar film went “right over” his head, but nevertheless, lead actress Margot Robbie was “fabulous.”
When asked if he’s seen movies in theaters, Carpenter replied, “I don’t go out. I haven’t been to a movie in a while, but I see them at my house. I’ll see it there.”
He continued, “I watched ‘Barbie.’ I can’t believe I watched ‘Barbie.’ It’s just not my generation. I had nothing to do with Barbie dolls. I didn’t know who Allan was. I mean, I can sum it up. She says, ‘I don’t have a vagina,’ and then at the end, ‘I’m going to go to a gynecologist!’ That’s the movie to me.”
Carpenter added,...
- 10/11/2023
- by Samantha Bergeson
- Indiewire
John Tilley, a longtime distribution exec and advocate for independent film at companies including United Artists Classics, Cinevista and Strand, who was instrumental in introducing the films of Pedro Almodovar to U.S. audiences, died Sunday in New York City. He was 75.
“John was always a consummate encyclopedia of knowledge of the industry, and his pool of friends and colleagues from around the globe always created a sense of family in Cannes, Berlin and more. His work at Strand Releasing was invaluable,” said Marcus Hu, co-president of Strand Releasing.
Filmmaker Ira Sachs said, “John was one of the first people I met in the film business, and he remained one of the kindest. He was open, curious, passionate, opinionated, and wise, and he knew the history of American and queer independent cinema like few others. His loss represents the passing of a generation of pioneers that created the community and industry that we know today.
“John was always a consummate encyclopedia of knowledge of the industry, and his pool of friends and colleagues from around the globe always created a sense of family in Cannes, Berlin and more. His work at Strand Releasing was invaluable,” said Marcus Hu, co-president of Strand Releasing.
Filmmaker Ira Sachs said, “John was one of the first people I met in the film business, and he remained one of the kindest. He was open, curious, passionate, opinionated, and wise, and he knew the history of American and queer independent cinema like few others. His loss represents the passing of a generation of pioneers that created the community and industry that we know today.
- 10/11/2023
- by Pat Saperstein
- Variety Film + TV
Gregg Araki has no time for the “weariness” of film journalists.
The “Doom Generation” director, while in conversation with Richard Linklater for Interview magazine, criticized the trend of asking acclaimed filmmakers their thoughts on “Barbie” and “Oppenheimer.” Araki referred to a “clickbait” story where Linklater told a reporter that he saw “Barbie” multiple times and thought “Barbenheimer” was “the best thing that happened to cinema in a while.”
“I read a clickbait on you. It’s like, ‘Rick Linklater loved “Barbie.” He saw it three times,'” Araki said. “I was like, ‘Really, this is your story? You’re talking to fucking Rick Linklater and you want to talk about “Barbie”?'”
Linklater clarified his comments, saying, “Yeah, they get you on the red carpet, and it’s that last question in an interview where you’re just in a mood and you tell them the truth, but it’s...
The “Doom Generation” director, while in conversation with Richard Linklater for Interview magazine, criticized the trend of asking acclaimed filmmakers their thoughts on “Barbie” and “Oppenheimer.” Araki referred to a “clickbait” story where Linklater told a reporter that he saw “Barbie” multiple times and thought “Barbenheimer” was “the best thing that happened to cinema in a while.”
“I read a clickbait on you. It’s like, ‘Rick Linklater loved “Barbie.” He saw it three times,'” Araki said. “I was like, ‘Really, this is your story? You’re talking to fucking Rick Linklater and you want to talk about “Barbie”?'”
Linklater clarified his comments, saying, “Yeah, they get you on the red carpet, and it’s that last question in an interview where you’re just in a mood and you tell them the truth, but it’s...
- 10/10/2023
- by Samantha Bergeson
- Indiewire
In a conversation with fellow auteur Gregg Araki for Interview Magazine, Richard Linklater revealed that he hopes to shoot a movie in French, shot on location in Paris.
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
- 10/10/2023
- by Jaden Thompson
- Variety Film + TV
After the immense back-to-back reception of Before Midnight and Boyhood, Ricard Linklater hasn’t been stuck in a creative rut per se, with highlights such as Everybody Wants Some!! and Apollo 10½: A Space Age Childhood, but it’s safe to say he’s earned the most acclaim in quite some time with Hit Man. With the Glen Powell collaboration picked up by Netflix, hopefully the studio gives it more love than their last Linklater release. Now, the director has already revealed the first tidbits about his next project.
Speaking to Gregg Araki for Interview Magazine, Linklater has unveiled he’s planning to shoot a French-language film in Paris with French actors. “It’s like a New Wave film,” the director noted. Considering Linklater’s Antoine Doinel-esque cinematic experiment with Boyhood, not to mention how many of his films incorporate a fleet-footed formalness so synonymous with the French New Wave,...
Speaking to Gregg Araki for Interview Magazine, Linklater has unveiled he’s planning to shoot a French-language film in Paris with French actors. “It’s like a New Wave film,” the director noted. Considering Linklater’s Antoine Doinel-esque cinematic experiment with Boyhood, not to mention how many of his films incorporate a fleet-footed formalness so synonymous with the French New Wave,...
- 10/10/2023
- by Leonard Pearce
- The Film Stage
"There's gotta be somebody out there somewhere..." Strand Releasing is opening this new 4K restoration of the film Nowhere in select art house theaters - it's showing now, check your local listings. The film also recently screened at Fantastic Fest last month. Nowhere was filmmaker Gregg Araki's sixth feature at the time, showing at the Sitges & London Film Festivals that year after opening in the US. Strand also re-release Araki's The Doom Generation earlier in 2023. Nowhere follows a day in the lives of a group of Los Angeles high school students and the strange lives they lead. Featuring an impressive ensemble cast from the period with Guillermo Diaz, Alan Boyce, Jeremy Jordan, Chiara Mastroianni, Debi Mazar, Christina Applegate, Scott Cain, Heather Graham, Ryan Phillippe, Traci Lords, Shannen Doherty, Rose McGowan, Jaason Simmons, and Jordan Ladd. This is dubbed a "4K Remixed & Remastered version" of the film that critics call "sexy,...
- 10/8/2023
- by Alex Billington
- firstshowing.net
Where to start with Gregg Araki‘s “Nowhere“? The culminating film of the director’s “Apocalypse” trilogy, the movie has always been hard to track down for various reasons. For one, it never received a proper DVD release, only VHS and Laserdisc. But it’s also the most hedonistic of Araki’s early work, with the MPAA and Fine Line Features (the film’s distributor) demanding that Araki cut out explicit sequences after its 1997 premiere at Sundance.
Continue reading ‘Nowhere’ Trailer: Gregg Araki’s Trippy Gen-x Cult Film Gets An Uncut 4K Restoration at The Playlist.
Continue reading ‘Nowhere’ Trailer: Gregg Araki’s Trippy Gen-x Cult Film Gets An Uncut 4K Restoration at The Playlist.
- 10/6/2023
- by Ned Booth
- The Playlist
NYC Weekend Watch is our weekly round-up of repertory offerings.
Lincoln Center
NYFF Revivals continues with Abraham’s Valley, The Dupes, Household Saints, Un rêve plus long que la nuit, and shorts by Man Ray.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing Friday and Sunday with Terence Davies’ The Deep Blue Sea on 35mm.
Roxy Cinema
The Double Life of Veronique, I’m Gonna Git You Sucka, The Hills Have Eyes, and The Devil’s Rejects show on 35mm.
IFC Center
Frankenstein, The Holy Mountain, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: NYFF Revivals, The Deep Blue Sea, The Double Life of Veronique & More first appeared on The Film Stage.
Lincoln Center
NYFF Revivals continues with Abraham’s Valley, The Dupes, Household Saints, Un rêve plus long que la nuit, and shorts by Man Ray.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing Friday and Sunday with Terence Davies’ The Deep Blue Sea on 35mm.
Roxy Cinema
The Double Life of Veronique, I’m Gonna Git You Sucka, The Hills Have Eyes, and The Devil’s Rejects show on 35mm.
IFC Center
Frankenstein, The Holy Mountain, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: NYFF Revivals, The Deep Blue Sea, The Double Life of Veronique & More first appeared on The Film Stage.
- 10/5/2023
- by Nick Newman
- The Film Stage
The latest cult classic to get a 4K re-release is Gregg Araki’s 1997 Gen X trip “Nowhere,” courtesy of Strand Releasing. An apocalyptic dive into a world of teens more hedonistic and revelry-making than the scary wake-up call of Araki’s “The Doom Generation” two years prior, the perverse L.A.-set “Nowhere” has a killer soundtrack including Radiohead, Slowdive, Hole, Sonic Youth, Massive Attack, Portishead, Nine Inch Nails, The Jesus and Mary Chain, and much more to add to the teenage moodiness. Strand is currently touring the restored (and uncut) film nationwide starting Friday, October 6, and IndieWire shares the exclusive new trailer below.
The cast is led by James Duval, Rachel True, Nathan Bexton, Chiara Mastroianni, Debi Mazar, Kathleen Robertson, Christina Applegate, Ryan Phillippe, Heather Graham, and Mena Suvari, with appearances from Denise Richards, Shannen Doherty, Rose McGowan, and John Ritter. The final film in Araki’s “Teen Apocalypse” trilogy,...
The cast is led by James Duval, Rachel True, Nathan Bexton, Chiara Mastroianni, Debi Mazar, Kathleen Robertson, Christina Applegate, Ryan Phillippe, Heather Graham, and Mena Suvari, with appearances from Denise Richards, Shannen Doherty, Rose McGowan, and John Ritter. The final film in Araki’s “Teen Apocalypse” trilogy,...
- 10/3/2023
- by Ryan Lattanzio
- Indiewire
“Paw Patrol: The Mighty Movie” (Paramount) topped “Saw X” (Lionsgate) by a healthy $5 million ($23 million to $18 million) on a weekend when either seemed feasible at #1. However, the order here isn’t the real story.
While a “Paw”/”Saw” convergence isn’t exactly the second coming of “Barbie” and “Oppenheimer,” it’s still two films with very different appeal that clicked on the same weekend and will end up in profit.
“The Creator” (Disney) ranked as #3 with $14 million, which isn’t the problem so much as its expense. The Gareth Edwards-directed sci-fi actioner in which humans battle AI drew praise for its visual design at a price, but a modest debut for the New Regency production is a setback for those hoping creativity and originality might launch this higher.
Still, that does mean three films grossed over $14 million in September, which is by no means a sure thing. The total gross looks like around $86 million,...
While a “Paw”/”Saw” convergence isn’t exactly the second coming of “Barbie” and “Oppenheimer,” it’s still two films with very different appeal that clicked on the same weekend and will end up in profit.
“The Creator” (Disney) ranked as #3 with $14 million, which isn’t the problem so much as its expense. The Gareth Edwards-directed sci-fi actioner in which humans battle AI drew praise for its visual design at a price, but a modest debut for the New Regency production is a setback for those hoping creativity and originality might launch this higher.
Still, that does mean three films grossed over $14 million in September, which is by no means a sure thing. The total gross looks like around $86 million,...
- 10/1/2023
- by Tom Brueggemann
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, starting this weekend with A Lion in the House, Femme Fatale, and Summer Hours, all on 35mm.
Paris Theater
The Paris has reopened with a Saturday-morning 70mm screening of Playtime.
Roxy Cinema
The Third Man, Knock Knock, Klute, and Great Expectations show on 35mm.
Metrograph
An extensive retrospective of the great Robby Müller has begun.
IFC Center
The new restoration of Shinji Somai’s Typhoon Club continues; All That Jazz, Delicatessen, The Holy Mountain, The Lords of Salem, Sleepy Hollow, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
Film Forum
A new 4K restoration of Farewell, My Concubine begins; Shrek plays on Sunday
The post NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More first appeared on The Film Stage.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, starting this weekend with A Lion in the House, Femme Fatale, and Summer Hours, all on 35mm.
Paris Theater
The Paris has reopened with a Saturday-morning 70mm screening of Playtime.
Roxy Cinema
The Third Man, Knock Knock, Klute, and Great Expectations show on 35mm.
Metrograph
An extensive retrospective of the great Robby Müller has begun.
IFC Center
The new restoration of Shinji Somai’s Typhoon Club continues; All That Jazz, Delicatessen, The Holy Mountain, The Lords of Salem, Sleepy Hollow, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
Film Forum
A new 4K restoration of Farewell, My Concubine begins; Shrek plays on Sunday
The post NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More first appeared on The Film Stage.
- 9/29/2023
- by Nick Newman
- The Film Stage
The largest genre film festival in the U.S. has some of the biggest names in Hollywood attending its 2023 edition. The Los Angeles-based Beyond Fest announced the slate of films and special screenings for the 11th edition, running September 26 through October 10.
This year’s Beyond Fest boasts 55 films across 15 days, including a special screening of “The Abyss” with director James Cameron, Michael Mann in attendance for a “Manhunter” screening, “Pacific Rim” with Guillermo del Toro, Gregg Araki for “Nowhere,” and a panel discussion between Roger Corman and collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante, and Allan Arkush following the release of new 35mm prints of Corman’s “Rock ‘n Roll High School,” “Piranha,” “Grand Theft Auto,” and “The Raven.”
A special screening of “Caligula: The Ultimate Cut” will feature actor Malcolm McDowell in conversation with archivist/author Thomas Negovan, moderated by critic Stephen Farber. “You Must Remember...
This year’s Beyond Fest boasts 55 films across 15 days, including a special screening of “The Abyss” with director James Cameron, Michael Mann in attendance for a “Manhunter” screening, “Pacific Rim” with Guillermo del Toro, Gregg Araki for “Nowhere,” and a panel discussion between Roger Corman and collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante, and Allan Arkush following the release of new 35mm prints of Corman’s “Rock ‘n Roll High School,” “Piranha,” “Grand Theft Auto,” and “The Raven.”
A special screening of “Caligula: The Ultimate Cut” will feature actor Malcolm McDowell in conversation with archivist/author Thomas Negovan, moderated by critic Stephen Farber. “You Must Remember...
- 9/14/2023
- by Samantha Bergeson
- Indiewire
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
- 9/13/2023
- by Conor Williams
- Filmmaker Magazine-Director Interviews
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
- 9/13/2023
- by Conor Williams
- Filmmaker Magazine - Blog
There is a grand tradition of messy but glorious films about couples who bring out the crazy in one another and end up doing all manner of bad stuff. Sadly, Pet Shop Days, a directorial debut for writer-producer Olmo Schnabel (son of Julian Schnabel), is just messy and never glorious.
Even with the built-in advantage of Willem Dafoe and Emmanuelle Seigner taking major roles (neither at their best), cameos from Peter Sarsgaard and Maribel Verdu, and a mass list of executive producers who should have known better (including Michel Franco and Martin Scorsese), this poorly paced crime drama is afflicted with terrible dialogue and weak lead performances from Jack Irv (also a co-screenwriter, along with Schnabel and Galen Core) and Dario Yazbek Bernal as two repellent, entitled brats in love.
The opening sequence introduces us to Alejandro (Dario Yazbek Bernal, half brother of Gael Garcia Bernal), a young man in his 20s,...
Even with the built-in advantage of Willem Dafoe and Emmanuelle Seigner taking major roles (neither at their best), cameos from Peter Sarsgaard and Maribel Verdu, and a mass list of executive producers who should have known better (including Michel Franco and Martin Scorsese), this poorly paced crime drama is afflicted with terrible dialogue and weak lead performances from Jack Irv (also a co-screenwriter, along with Schnabel and Galen Core) and Dario Yazbek Bernal as two repellent, entitled brats in love.
The opening sequence introduces us to Alejandro (Dario Yazbek Bernal, half brother of Gael Garcia Bernal), a young man in his 20s,...
- 9/10/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
From its inception as a primetime soap opera that captivated America with a groundbreaking serialized format to its return as a misunderstood (and subsequently reappraised) movie to its epic coda in the form of one of the most acclaimed limited series of all time, the legacy of “Twin Peaks” has only grown over the past 30 years. David Lynch’s story of Laura Palmer’s murder and its traumatic ripple effects on her small logging town is regarded by many as the auteur’s finest work, condensing many of the themes and motifs that he spent his career exploring into a singular masterpiece.
Gregg Araki certainly thinks so. In a new interview with Deadline, the “Doom Generation” director was asked to name a movie that inspired him to pursue a career in filmmaking. He singled out the formula-shattering “Twin Peaks: Fire Walk With Me” as his favorite David Lynch movie, though...
Gregg Araki certainly thinks so. In a new interview with Deadline, the “Doom Generation” director was asked to name a movie that inspired him to pursue a career in filmmaking. He singled out the formula-shattering “Twin Peaks: Fire Walk With Me” as his favorite David Lynch movie, though...
- 9/9/2023
- by Christian Zilko
- Indiewire
In a typical scene from “An Endless Sunday,” three teenage delinquents wander beside a canal. They end up killing a frog with a brick. Another group of children slightly younger than they are are also mucking about, and one of them is playing the recorder, blasting out a wobbly but recognizable version of Beethoven’s Ninth Symphony, the second movement. It’s a musical cue that in cinema, when accompanying youths up to no good, evokes Stanley Kubrick’s “A Clockwork Orange.” While this Italian debut feature from Alain Parroni has more in common stylistically with Andrea Arnold’s “American Honey,” there’s a streak of nihilism and disregard for the future that would call to mind Kubrick’s droogs even without the audio shout-out.
The teens here are a trio: moody lunkish Alex (Enrico Bassetti) and his girlfriend Brenda (Federica Valentini), who acts older than she is but looks younger,...
The teens here are a trio: moody lunkish Alex (Enrico Bassetti) and his girlfriend Brenda (Federica Valentini), who acts older than she is but looks younger,...
- 9/9/2023
- by Catherine Bray
- Variety Film + TV
From the mind of Olmo Schnabel — yes, he’s the son of artist and filmmaker Julian Schnabel — comes one of the most frustrating protagonists to grace an indie film screen this year. The impulsive black sheep of his family, Alejandro is played in the queer romance “Pet Shop Days” by Dario Yazbek Bernal. And if your nepo baby light wasn’t already blinking at the name Schnabel, Dario Yazbek Bernal is also the brother of Gael García Bernal.
After almost killing his mother in a car accident, Alejandro flees the scene of his mobster family’s moneyed party, thrashing his way through the lives of everyone else he encounters in the aftermath while on the run. That includes Jack (Jack Irv), a pet shop worker in crisis with his dying mother (Emmanuelle Seigner) and philandering father (Willem Dafoe), with whom he lives in a pricy Manhattan penthouse. Jack and Alejandro...
After almost killing his mother in a car accident, Alejandro flees the scene of his mobster family’s moneyed party, thrashing his way through the lives of everyone else he encounters in the aftermath while on the run. That includes Jack (Jack Irv), a pet shop worker in crisis with his dying mother (Emmanuelle Seigner) and philandering father (Willem Dafoe), with whom he lives in a pricy Manhattan penthouse. Jack and Alejandro...
- 9/8/2023
- by Ryan Lattanzio
- Indiewire
The episode of Revisited covering Mary Shelley’s Frankenstein was Written by Emilie Black, Narrated by Niki Minter, Edited by Joseph Wilson, Produced by Tyler Nichols and John Fallon, and Executive Produced by Berge Garabedian.
When one mentions the name Frankenstein in the horror film world, almost everyone thinks of the Universal Monsters version of it, the one brought to the screens in 1931 starring Boris Karloff as The Monster. His version is beloved for many reasons. However, one of the closest to the novel adaptation is Mary Shelley’s Frankenstein (watch it Here) from 1994, directed and starring Kenneth Branagh with Robert De Niro as The Creature. As what is supposed to be the closest adaptation, it would be easy to think it would be adored by fans and while that is true for some, it’s not for many.
As for myself, well, my opinion of it seems to change year to year almost.
When one mentions the name Frankenstein in the horror film world, almost everyone thinks of the Universal Monsters version of it, the one brought to the screens in 1931 starring Boris Karloff as The Monster. His version is beloved for many reasons. However, one of the closest to the novel adaptation is Mary Shelley’s Frankenstein (watch it Here) from 1994, directed and starring Kenneth Branagh with Robert De Niro as The Creature. As what is supposed to be the closest adaptation, it would be easy to think it would be adored by fans and while that is true for some, it’s not for many.
As for myself, well, my opinion of it seems to change year to year almost.
- 8/24/2023
- by Emilie Black
- JoBlo.com
Fantastic Fest is back for its eighteenth edition which is jam-packed with horror insanity including World Premieres of several prominent titles including the remake of Troma’s cult classic The Toxic Avenger, the Bloody Disgusting-produced Shudder Original V/H/S/85, Blumhouse and Amazon’s Totally Killer, and Paramount’s hotly anticipated Pet Sematary: Bloodlines.
The festival will once again possess Alamo Drafthouse South Lamar in Austin, TX from September 21st – 28th. Badges are available now at FantasticFest.com.
From the press release:
The opening night film for Fantastic Fest 2023 is the world premiere of Legendary Pictures’ The Toxic Avenger, a hilarious and action-packed reimagining of the classic Troma film from director Macon Blair that features an all-star cast including Peter Dinklage who will pick up the infamous mop to become the hideous vigilante that no one knew they needed (or wanted) as well as Jacob Tremblay and Taylour Paige with Elijah Wood and Kevin Bacon.
The festival will once again possess Alamo Drafthouse South Lamar in Austin, TX from September 21st – 28th. Badges are available now at FantasticFest.com.
From the press release:
The opening night film for Fantastic Fest 2023 is the world premiere of Legendary Pictures’ The Toxic Avenger, a hilarious and action-packed reimagining of the classic Troma film from director Macon Blair that features an all-star cast including Peter Dinklage who will pick up the infamous mop to become the hideous vigilante that no one knew they needed (or wanted) as well as Jacob Tremblay and Taylour Paige with Elijah Wood and Kevin Bacon.
- 8/15/2023
- by Brad Miska
- bloody-disgusting.com
The Academy Museum of Motion Pictures has announced the fall programming, which includes new film series, public events, and education programs.
The museum will screen Gregg Araki’s Teen Apocalypse Trilogy, which includes the world premiere of the 4K restoration of the 1997 film “Nowhere.” Moreover, the museum will host “Joe Alves: Designing Jaws,” a conversation and book signing on Sept. 9 with production designer Joe Alves and author Dennis Prince. Other screenings include newly scanned and restored versions of Fleischer cartoons every weekend of the fall season starting on Sept. 30. There will also be a Home Movie Day on Nov. 5 and programming and workshops focused on Indigenous voices, location and set design, portraiture, animation, and tactile filmmaking.
In advance of the opening of the new exhibit “John Waters: Pope of Trash,” the Academy Museum will show an extremely rare silent screening of his 1968 film “Eat Your Makeup,” featuring in-person live commentary from Waters himself.
The museum will screen Gregg Araki’s Teen Apocalypse Trilogy, which includes the world premiere of the 4K restoration of the 1997 film “Nowhere.” Moreover, the museum will host “Joe Alves: Designing Jaws,” a conversation and book signing on Sept. 9 with production designer Joe Alves and author Dennis Prince. Other screenings include newly scanned and restored versions of Fleischer cartoons every weekend of the fall season starting on Sept. 30. There will also be a Home Movie Day on Nov. 5 and programming and workshops focused on Indigenous voices, location and set design, portraiture, animation, and tactile filmmaking.
In advance of the opening of the new exhibit “John Waters: Pope of Trash,” the Academy Museum will show an extremely rare silent screening of his 1968 film “Eat Your Makeup,” featuring in-person live commentary from Waters himself.
- 8/10/2023
- by Jazz Tangcay, McKinley Franklin and Jaden Thompson
- Variety Film + TV
When the companies behind Ira Sachs’ new drama about the shifting currents of intimacy in a troubled love triangle submitted Passages to the Motion Picture Association ratings board, they probably anticipated an R.
But the MPA came back with an Nc-17 rating, forcing the distributor to release the film (which premiered at Sundance earlier this year) unrated rather than risk commercial marginalization or impose cuts that would diminish its intensity. In an interview with the Los Angeles Times, Sachs painted the MPA as an outmoded relic of the 1950s, detecting a strong whiff of dangerous cultural censorship and possible homophobia behind the seldom issued Nc-17.
Let’s be clear: Passages — which Mubi opened Aug. 4 in Los Angeles and New York before expanding to other cities in the weeks to come — is a movie with a generous amount of sex, both gay and straight. But it’s neither particularly explicit nor remotely gratuitous,...
But the MPA came back with an Nc-17 rating, forcing the distributor to release the film (which premiered at Sundance earlier this year) unrated rather than risk commercial marginalization or impose cuts that would diminish its intensity. In an interview with the Los Angeles Times, Sachs painted the MPA as an outmoded relic of the 1950s, detecting a strong whiff of dangerous cultural censorship and possible homophobia behind the seldom issued Nc-17.
Let’s be clear: Passages — which Mubi opened Aug. 4 in Los Angeles and New York before expanding to other cities in the weeks to come — is a movie with a generous amount of sex, both gay and straight. But it’s neither particularly explicit nor remotely gratuitous,...
- 8/9/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Many of the most important queer films in cinema history share a birthplace: the Sundance Film Festival. Organized by the Sundance Institute, the legendary annual fest in Park City, Utah, has boasted international and U.S. premiere titles as varied as the groundbreaking New York ballroom documentary Paris Is Burning in 1991, Donna Deitch’s 1985 lesbian road drama Desert Hearts or even recent masterworks like Luca Guadagnino’s 2017 adaptation of Call Me by Your Name.
The Hollywood Reporter spoke with Kim Yutani, director of programming at Sundance, about some of the most important Lgbtqia+ films to debut there.
“Seeing the films that Sundance has programmed over the years, especially around the early 1990s with the New Queer Wave, that was what attracted me to Sundance,” says Yutani, who’s been working with the festival for 17 years, and has also worked in various positions within the film industry, like as Gregg Araki...
The Hollywood Reporter spoke with Kim Yutani, director of programming at Sundance, about some of the most important Lgbtqia+ films to debut there.
“Seeing the films that Sundance has programmed over the years, especially around the early 1990s with the New Queer Wave, that was what attracted me to Sundance,” says Yutani, who’s been working with the festival for 17 years, and has also worked in various positions within the film industry, like as Gregg Araki...
- 6/26/2023
- by Hilton Dresden
- The Hollywood Reporter - Movie News
Alex Tonisson has been appointed the new national executive director of IATSE Local 600’s International Cinematographers Guild (Icg).
As the new national executive director, Tonisson will spearhead critical negotiations, in effort to solicit new opportunities and changes on behalf of the Icg, as well as supervise the full-time staff that work closely with other IATSE Local and International chapters.
“I am excited for this opportunity to continue the important work that Icg does, including the crucial support the Guild provides during this industry-wide strike that has impacted so many of our members,” said Tonisson. “During this critical moment of technology-driven change in film and the arts – it’s my honor to represent the best interests of our members who include some of the most brilliant, creative and talented individuals in our industry.”
Prior to joining Local 600, Tonisson formerly served as the International Federation of Professional and Technical Engineers (Ifpte Local 21) director of field services,...
As the new national executive director, Tonisson will spearhead critical negotiations, in effort to solicit new opportunities and changes on behalf of the Icg, as well as supervise the full-time staff that work closely with other IATSE Local and International chapters.
“I am excited for this opportunity to continue the important work that Icg does, including the crucial support the Guild provides during this industry-wide strike that has impacted so many of our members,” said Tonisson. “During this critical moment of technology-driven change in film and the arts – it’s my honor to represent the best interests of our members who include some of the most brilliant, creative and talented individuals in our industry.”
Prior to joining Local 600, Tonisson formerly served as the International Federation of Professional and Technical Engineers (Ifpte Local 21) director of field services,...
- 6/24/2023
- by McKinley Franklin, Sophia Sun and Charna Flam
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences has obtained several new acquisitions to its already extensive collection, housed at the Academy Museum of Motion Pictures, Margaret Herrick Library and Academy Film Archive, the organization announced Tuesday.
Included among the additions are costumes from the most recent Best Picture Oscar winner “Everything Everywhere All at Once”; more than 600 rare silent film posters; personal film collections and film-related materials from producer Gale Anne Hurd, director Harold Ramis, filmmaker Gregg Araki and film scholar Kevin Brownlow; conceptual art for “E.T. The Extra-Terrestrial”; and more than 150 hand-painted animation artworks dating back to 1932, donated by Steven Spielberg and Kate Capshaw.
The latter donation will be celebrated with the renaming of the Margaret Herrick Library’s Graphic Arts Department as the Steven Spielberg and Kate Capshaw Graphic Arts Department.
Also Read:
Yim Soon-rye Hopes the Academy Museum’s Series Will Bring More Attention to Korean...
Included among the additions are costumes from the most recent Best Picture Oscar winner “Everything Everywhere All at Once”; more than 600 rare silent film posters; personal film collections and film-related materials from producer Gale Anne Hurd, director Harold Ramis, filmmaker Gregg Araki and film scholar Kevin Brownlow; conceptual art for “E.T. The Extra-Terrestrial”; and more than 150 hand-painted animation artworks dating back to 1932, donated by Steven Spielberg and Kate Capshaw.
The latter donation will be celebrated with the renaming of the Margaret Herrick Library’s Graphic Arts Department as the Steven Spielberg and Kate Capshaw Graphic Arts Department.
Also Read:
Yim Soon-rye Hopes the Academy Museum’s Series Will Bring More Attention to Korean...
- 6/20/2023
- by Libby Hill
- The Wrap
In the article series Sound and Vision we take a look at music videos from notable directors.This week we look at The Micronauts' The Jag, directed by Gregg Araki. Gregg Araki never really played by the rules, not even in the boundaries of New Queer Cinema, a movement that itself was built upon the destruction of rules and boundaries. The Living End was a seminal film in New Queer Cinema, tackling the AIDS crisis in a deliriously blunt, raw and cathartic way. This was a film made out of anger, rightfully so, addressing the people who left the queer community to die. The Teen Apocalypse Trilogy that followed was equally angry, born out of existential dread and discomfort with societal pressure. But there is a...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/19/2023
- Screen Anarchy
The 10th Sundance Film Festival: London runs July 6-9 and will feature an industry section with keynote sessions led by A24 Execs Harpa Manku and Tom Lazenby and new London Film Festival head Kristy Matheson.
The trio will all headline events during the festival alongside producers Tristan Goligher and Mary Burke; casting agent Heather Basten; composer Nainita Desai; Elysian CEO Danny Perkins; and Black Bear International’s Luane Gauer.
Filmmakers Alice Lowe, Zeina Durra, Gurinder Chadha, and Marianna Palka will also headline sessions. The festival has also added three panel events to the schedule, with speakers including Past Lives director Celine Song, Girl filmmaker Adura Onashile, Polite Society’s Nida Manzoor, and Molly Manning Walker, writer-director of the buzzy Cannes pic How to Have Sex. Ira Sachs, Gregg Araki, Ita O’Brien, intimacy coordinator and founder of Intimacy on Set, and Lío Mehiel, will shepherd a separate panel, while Anthony Bregman will host an industry keynote.
The trio will all headline events during the festival alongside producers Tristan Goligher and Mary Burke; casting agent Heather Basten; composer Nainita Desai; Elysian CEO Danny Perkins; and Black Bear International’s Luane Gauer.
Filmmakers Alice Lowe, Zeina Durra, Gurinder Chadha, and Marianna Palka will also headline sessions. The festival has also added three panel events to the schedule, with speakers including Past Lives director Celine Song, Girl filmmaker Adura Onashile, Polite Society’s Nida Manzoor, and Molly Manning Walker, writer-director of the buzzy Cannes pic How to Have Sex. Ira Sachs, Gregg Araki, Ita O’Brien, intimacy coordinator and founder of Intimacy on Set, and Lío Mehiel, will shepherd a separate panel, while Anthony Bregman will host an industry keynote.
- 6/15/2023
- by Zac Ntim
- Deadline Film + TV
Guests to attend include Harris Dickinson, Emilia Jones, Anton Corbijn.
New BFI London Film Festival director Kristy Matheson, Elysian CEO Danny Perkins and producers Tristan Goligher and Mary Burke are among the recent additions to the industry programme at next month’s Sundance Film Festival: London (July 6-9).
All four will be speaking at the event, as will filmmakers Gurinder Chadha, Alice Lowe, Marianna Palka and Zeina Durra; composer Nainita Desai; and Screen Star of Tomorrow 2021 casting director Heather Basten.
Further new speakers include A24 executives Harpa Manku and Tom Lazenby; and Luane Gauer, SVP, international production and acquisitions at Black Bear International.
New BFI London Film Festival director Kristy Matheson, Elysian CEO Danny Perkins and producers Tristan Goligher and Mary Burke are among the recent additions to the industry programme at next month’s Sundance Film Festival: London (July 6-9).
All four will be speaking at the event, as will filmmakers Gurinder Chadha, Alice Lowe, Marianna Palka and Zeina Durra; composer Nainita Desai; and Screen Star of Tomorrow 2021 casting director Heather Basten.
Further new speakers include A24 executives Harpa Manku and Tom Lazenby; and Luane Gauer, SVP, international production and acquisitions at Black Bear International.
- 6/15/2023
- by Ben Dalton
- ScreenDaily
Guests to attend include Harris Dickinson, Emilia Jones, Anton Corbijn.
New BFI London Film Festival director Kristy Matheson, Elysian CEO Danny Perkins and producers Tristan Goligher and Mary Burke are among the recent additions to the industry programme at next month’s Sundance Film Festival: London (July 6-9).
All four will be speaking at the event, as will filmmakers Gurinder Chadha, Alice Lowe, Marianna Palka and Zeina Durra; composer Nainita Desai; and Screen Star of Tomorrow 2021 casting director Heather Basten.
Further new speakers include A24 executives Harpa Manku and Tom Lazenby; and Luane Gauer, SVP, international production and acquisitions at Black Bear International.
New BFI London Film Festival director Kristy Matheson, Elysian CEO Danny Perkins and producers Tristan Goligher and Mary Burke are among the recent additions to the industry programme at next month’s Sundance Film Festival: London (July 6-9).
All four will be speaking at the event, as will filmmakers Gurinder Chadha, Alice Lowe, Marianna Palka and Zeina Durra; composer Nainita Desai; and Screen Star of Tomorrow 2021 casting director Heather Basten.
Further new speakers include A24 executives Harpa Manku and Tom Lazenby; and Luane Gauer, SVP, international production and acquisitions at Black Bear International.
- 6/15/2023
- by Ben Dalton
- ScreenDaily
Just in time for Succession‘s end, let’s look at method acting. The Criterion Channel are highlighting the controversial practice in a 27-film series centered on Brando, Newman, Nicholson, and many other’s embodiment of “an intensely personal, internalized, and naturalistic approach to performance.” That series makes mention of Marilyn Monroe, who gets her own, 11-title highlight––the iconic commingling with deeper cuts.
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...
- 5/22/2023
- by Nick Newman
- The Film Stage
Strand Releasing is restoring Gregg Araki’s 1997 cult film “Nowhere,” bringing stars James Duval, Christina Applegate, Debi Mazar and Mena Suvari into 4K. This is the final addition to the restoration of Araki’s 1990’s Teen Apocalypse trilogy. In addition to Strand, the Bureau Sales and French producers Why Not are assisting on the project.
“I’m so gratified that these films are finding a new generation of viewers and seeing them projected at theatres and venues across the globe,” said Araki. Select scenes omitted in the original theatrical “Nowhere” release for MPAA rating purposes will be restored in this new director’s cut.
“Nowhere” is a black comedy take on teen drama. Araki mashes together decades of teenage television and movie tropes and wraps them up in this intense 24-hour snippet into the lives of Los Angeles college students. “Sexy, psychedelic, dementedly funny, with a sensational soundtrack…it’s like ‘Clueless’ with nipple rings,...
“I’m so gratified that these films are finding a new generation of viewers and seeing them projected at theatres and venues across the globe,” said Araki. Select scenes omitted in the original theatrical “Nowhere” release for MPAA rating purposes will be restored in this new director’s cut.
“Nowhere” is a black comedy take on teen drama. Araki mashes together decades of teenage television and movie tropes and wraps them up in this intense 24-hour snippet into the lives of Los Angeles college students. “Sexy, psychedelic, dementedly funny, with a sensational soundtrack…it’s like ‘Clueless’ with nipple rings,...
- 5/8/2023
- by Sophia Scorziello
- Variety Film + TV
Picturehouse and the non-profit Sundance Institute have announced the lineup of feature fiction and documentary films, a specially curated programme of UK-produced short
films and a Gregg Araki retrospective for the 10th edition of Sundance Film Festival: London 2023, taking place from 6 to 9 July at Picturehouse Central.
The Festival will present 11 feature films that premiered at the Sundance Film Festival in Park City, Salt Lake City, and the Sundance Resort in January, specially curated for London by the Sundance Institute programming team in collaboration with Picturehouse. The festival will close on 9 July with the UK premiere of You Hurt My Feelings, from acclaimed filmmaker Nicole Holofcener. The Brooklyn-set comedy-drama stars Julia Louis-Dreyfus and Tobias Menzies (The Crown) as a couple whose marriage is suddenly upended when she overhears his honest
reaction to her latest book.
The Festival previously announced that it will open on 6 July with the UK premiere of Scrapper,...
films and a Gregg Araki retrospective for the 10th edition of Sundance Film Festival: London 2023, taking place from 6 to 9 July at Picturehouse Central.
The Festival will present 11 feature films that premiered at the Sundance Film Festival in Park City, Salt Lake City, and the Sundance Resort in January, specially curated for London by the Sundance Institute programming team in collaboration with Picturehouse. The festival will close on 9 July with the UK premiere of You Hurt My Feelings, from acclaimed filmmaker Nicole Holofcener. The Brooklyn-set comedy-drama stars Julia Louis-Dreyfus and Tobias Menzies (The Crown) as a couple whose marriage is suddenly upended when she overhears his honest
reaction to her latest book.
The Festival previously announced that it will open on 6 July with the UK premiere of Scrapper,...
- 5/5/2023
- by Zehra Phelan
- HeyUGuys.co.uk
Nicole Holofcener’s ‘You Hurt My Feelings’ will close this year’s festival.
Sundance Film Festival: London has revealed further titles in the line-up for its upcoming 10th edition (July 6-9), with Nicole Holofcener’s You Hurt My Feelings named as the closing night film, and a retrospective on pioneer of queer cinema, Gregg Araki.
The festival will present 11 feature films that premiered at the US edition of Sundance in January, and takes place at London’s Picturehouse Central.
Holofcener’s You Hurt My Feelings is a Brooklyn-set comedy drama, starring Julia Louis-Dreyfus and Tobias Menzies as a couple whose...
Sundance Film Festival: London has revealed further titles in the line-up for its upcoming 10th edition (July 6-9), with Nicole Holofcener’s You Hurt My Feelings named as the closing night film, and a retrospective on pioneer of queer cinema, Gregg Araki.
The festival will present 11 feature films that premiered at the US edition of Sundance in January, and takes place at London’s Picturehouse Central.
Holofcener’s You Hurt My Feelings is a Brooklyn-set comedy drama, starring Julia Louis-Dreyfus and Tobias Menzies as a couple whose...
- 5/3/2023
- by Mona Tabbara
- ScreenDaily
The Sundance Film Festival: London 2023 will close with the U.K. premiere of Nicole Holofcener’s “You Hurt My Feelings.”
The comedy-drama is set in Brooklyn and stars Julia Louis-Dreyfus and Tobias Menzies as a couple whose marriage is thrown into turmoil when she overhears his honest reaction to her latest book.
As previously announced, the festival will open with the U.K. premiere of “Scrapper,” written and directed by Londoner Charlotte Regan, starring Harris Dickinson and newcomers Lola Campbell and Alin Uzun. It follows Georgie, a dreamy 12-year-old girl, who lives happily alone in her London flat, filling it with magic. Suddenly, her estranged father turns up and forces her to confront reality.
Curated by Picturehouse and the Sundance Institute, the 10th edition of the festival is set to take place from July 6-9 July at Picturehouse Central and will showcase 11 feature films that premiered at the Sundance Film Festival in Park City,...
The comedy-drama is set in Brooklyn and stars Julia Louis-Dreyfus and Tobias Menzies as a couple whose marriage is thrown into turmoil when she overhears his honest reaction to her latest book.
As previously announced, the festival will open with the U.K. premiere of “Scrapper,” written and directed by Londoner Charlotte Regan, starring Harris Dickinson and newcomers Lola Campbell and Alin Uzun. It follows Georgie, a dreamy 12-year-old girl, who lives happily alone in her London flat, filling it with magic. Suddenly, her estranged father turns up and forces her to confront reality.
Curated by Picturehouse and the Sundance Institute, the 10th edition of the festival is set to take place from July 6-9 July at Picturehouse Central and will showcase 11 feature films that premiered at the Sundance Film Festival in Park City,...
- 5/3/2023
- by Naman Ramachandran
- Variety Film + TV
We learned back in March that Charlotte Regan's Scrapper would serve as the kick-off film for this year's Sundance Film Festival: London. The full programme has now been announced, including the fact that Nicole Holofcener's You Hurt My Feelings will close out the festival on 9 July.
Holofcener's latest stars regular collaborator Julia Louis-Dreyfus as Beth, a writer whose marriage is put to the test when she overhears her husband Don's (Tobias Menzies) honest opinion of her new book.
Among the other films screening during the event attendees can expect to see Ira Sachs' Passages starring Ben Whishaw, Adèle Exarchopoulos and
Franz Rogowski, Andrew Durham’s Fairyland and Celine Song's Past Lives.
Besides that, there is a curated selection of short films and special screenings of Gregg Araki's films, with Araki in attendance for Q&As.
Sundance Film Festival: London Ticket Passes are on sale now, with priority...
Holofcener's latest stars regular collaborator Julia Louis-Dreyfus as Beth, a writer whose marriage is put to the test when she overhears her husband Don's (Tobias Menzies) honest opinion of her new book.
Among the other films screening during the event attendees can expect to see Ira Sachs' Passages starring Ben Whishaw, Adèle Exarchopoulos and
Franz Rogowski, Andrew Durham’s Fairyland and Celine Song's Past Lives.
Besides that, there is a curated selection of short films and special screenings of Gregg Araki's films, with Araki in attendance for Q&As.
Sundance Film Festival: London Ticket Passes are on sale now, with priority...
- 5/2/2023
- by James White
- Empire - Movies
NYC Weekend Watch is our weekly round-up of repertory offerings.
Japan Society
One of Japan’s greatest directors, Shinji Somai, is subject of a retrospective that features many of his films in new restorations. Read our piece on Somai here.
Museum of Modern Art
A Rialto Pictures retrospective offers a smorgasbord of classic films, including The Conversation and That Obscure Object of Desire on 35mm.
Bam
A series on actor-director jobs includes Touch of Evil, Do the Right Thing, and Playtime on 35mm.
Anthology Film Archives
Three by Jean Cocteau screen in Essential Cinema, while Symbiopsychotaxiplasm: Take One screens and a Jean Rouch retrospective begins.
Film at Lincoln Center
György Fehér’s remarkable, Béla Tarr-produced Twilight continues in a new restoration (read Z.W. Lewis on the film and its history here).
Museum of the Moving Image
Major League and a print of The Untouchables screen on Saturday.
Roxy Cinema
Schrader’s Affliction,...
Japan Society
One of Japan’s greatest directors, Shinji Somai, is subject of a retrospective that features many of his films in new restorations. Read our piece on Somai here.
Museum of Modern Art
A Rialto Pictures retrospective offers a smorgasbord of classic films, including The Conversation and That Obscure Object of Desire on 35mm.
Bam
A series on actor-director jobs includes Touch of Evil, Do the Right Thing, and Playtime on 35mm.
Anthology Film Archives
Three by Jean Cocteau screen in Essential Cinema, while Symbiopsychotaxiplasm: Take One screens and a Jean Rouch retrospective begins.
Film at Lincoln Center
György Fehér’s remarkable, Béla Tarr-produced Twilight continues in a new restoration (read Z.W. Lewis on the film and its history here).
Museum of the Moving Image
Major League and a print of The Untouchables screen on Saturday.
Roxy Cinema
Schrader’s Affliction,...
- 4/28/2023
- by Nick Newman
- The Film Stage
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