Cannes mayor David Lisnard has published a blistering critique of media coverage of #MeToo in France, suggesting that investigations into cinema figures accused of sexual harassment were not dissimilar to those of East Germany’s secret police into political dissidents.
Lisnard made the comments in an article published in French newspaper L’Opinion over the weekend, written in response to recent speculation in the local media and film industry that a bombshell #MeToo exposé was poised to drop during the Cannes Film Festival, which kicks off this Tuesday.
The rumor mill went into overdrive last week following a report in Le Figaro newspaper that the festival had hired a crisis management PR firm to help it navigate the potential impending storm.
“Just a few days ago, a rumor surfaced promising shattering revelations about ten well-known actors, producers and directors accused of sexual assault. That was all that was needed to...
Lisnard made the comments in an article published in French newspaper L’Opinion over the weekend, written in response to recent speculation in the local media and film industry that a bombshell #MeToo exposé was poised to drop during the Cannes Film Festival, which kicks off this Tuesday.
The rumor mill went into overdrive last week following a report in Le Figaro newspaper that the festival had hired a crisis management PR firm to help it navigate the potential impending storm.
“Just a few days ago, a rumor surfaced promising shattering revelations about ten well-known actors, producers and directors accused of sexual assault. That was all that was needed to...
- 5/13/2024
- by Melanie Goodfellow
- Deadline Film + TV
The Tourist Stars Johnny Depp & Angelina Jolie ( Photo Credit – Wikimedia; Facebook )
The Tourist brought together an interesting pair of Johnny Depp and Angelina Jolie together. The romantic thriller was released in 2010 and received mixed response from the critics. However, the film earned at least 278 million dollars at the worldwide box office and received three Golden Globe nominations. The Florian Henckel von Donnersmarck directorial is a remake of the 2005 French film, Anthony Zimmer.
In the film, Angelina Jolie plays Elise Clifton-Ward, who helps her lover, Alexander Pearce, escape from the French and Scottish officers. The duo come up with a clever way to trick these officers who are following Elise to find Alexander’s whereabouts. Both Johnny and Angelina look stunning together on screen. But did you know Depp and Jolie weren’t the first choice for the film? Yes, you read it right.
Which actors were the first choice for The Tourist?...
The Tourist brought together an interesting pair of Johnny Depp and Angelina Jolie together. The romantic thriller was released in 2010 and received mixed response from the critics. However, the film earned at least 278 million dollars at the worldwide box office and received three Golden Globe nominations. The Florian Henckel von Donnersmarck directorial is a remake of the 2005 French film, Anthony Zimmer.
In the film, Angelina Jolie plays Elise Clifton-Ward, who helps her lover, Alexander Pearce, escape from the French and Scottish officers. The duo come up with a clever way to trick these officers who are following Elise to find Alexander’s whereabouts. Both Johnny and Angelina look stunning together on screen. But did you know Depp and Jolie weren’t the first choice for the film? Yes, you read it right.
Which actors were the first choice for The Tourist?...
- 3/6/2024
- by Pooja Darade
- KoiMoi
In 2010, Academy Award-winning German and Austrian film director Florian Henckel von Donnersmarck brought to our screens the romantic thriller film, The Tourist. The movie is a remake of the 2005 French thriller Anthony Zimmer. The Tourist featured well-known actors such as Johnny Depp, Angelina Jolie, Paul Bettany, and Timothy Dalton. However, Depp and Jolie had the lead roles in the movie. During the movie’s production, there were a number of changes to the cast. Initially, Tom Cruise was announced to play Frank Tupelo, but Sam Worthington replaced Tom Cruise. However, Johnny Depp then replaced Worthington, when he withdrew from...
- 10/23/2023
- by Nkem
- TVovermind.com
With some of Germany’s most successful production companies in its stable, Leonine Studios is reaping the rewards with such feature film and television hits as “School of Magical Animals,” “Nightlife,” “Dark” and “Pagan Peak.”
Leonine’s production division includes such well-established companies as Wiedemann & Berg Film, which focuses on theatrical features, W&b Television and Odeon Fiction, which produce movies and series for all broadcasters and streaming platforms in Germany, documentary outfit Gebrueder Beetz and format maker I&u TV.
“We are in for high creative quality and commercial success,” explains Quirin Berg, who, along with Max Wiedemann, serves as Leonine’s chief production officer and managing director of Wiedemann & Berg Film.
“The parameters in each segment we are operating in may be different, but the agenda is not. And that was already the profile when we started out as producers some 20 years ago.”
Indeed, Wiedemann & Berg’s first feature film,...
Leonine’s production division includes such well-established companies as Wiedemann & Berg Film, which focuses on theatrical features, W&b Television and Odeon Fiction, which produce movies and series for all broadcasters and streaming platforms in Germany, documentary outfit Gebrueder Beetz and format maker I&u TV.
“We are in for high creative quality and commercial success,” explains Quirin Berg, who, along with Max Wiedemann, serves as Leonine’s chief production officer and managing director of Wiedemann & Berg Film.
“The parameters in each segment we are operating in may be different, but the agenda is not. And that was already the profile when we started out as producers some 20 years ago.”
Indeed, Wiedemann & Berg’s first feature film,...
- 5/11/2023
- by Ed Meza
- Variety Film + TV
Beijing Basks In Festival Return
The Argentina-Chile coproduction “The Punishment,” directed by Matias Bize, was named best feature over the weekend at the close of the Beijing International Film Festival.
Mexico’s Lila Avilés won the Tiantan Award for best director for her film “Totem.” Antonia Zegers and Line Renaud shared the best actress award for “The Punishment” and “Driving Madeleine,” respectively.
The best actor award went to Xin Baiqing for Chinese movie “The Shadowless Tower.” The film, which premiered in February in Berlin, was the numerical winner. With the best screenplay, music, cinematography and artistic contribution awards, it won a total of five prizes.
Chinese actor and director Tian Zhuangzhuang collected the best supporting actor award. Mexican, Montserrat Maranon earned the best supporting actress prize.
The ceremony wrapped up a festival at which organizers claimed to have played 1,488 films. International guests included Israel’s Nadav Lapid, Germany’s Florian Henckel von Donnersmarck...
The Argentina-Chile coproduction “The Punishment,” directed by Matias Bize, was named best feature over the weekend at the close of the Beijing International Film Festival.
Mexico’s Lila Avilés won the Tiantan Award for best director for her film “Totem.” Antonia Zegers and Line Renaud shared the best actress award for “The Punishment” and “Driving Madeleine,” respectively.
The best actor award went to Xin Baiqing for Chinese movie “The Shadowless Tower.” The film, which premiered in February in Berlin, was the numerical winner. With the best screenplay, music, cinematography and artistic contribution awards, it won a total of five prizes.
Chinese actor and director Tian Zhuangzhuang collected the best supporting actor award. Mexican, Montserrat Maranon earned the best supporting actress prize.
The ceremony wrapped up a festival at which organizers claimed to have played 1,488 films. International guests included Israel’s Nadav Lapid, Germany’s Florian Henckel von Donnersmarck...
- 5/1/2023
- by Patrick Frater
- Variety Film + TV
Experience the richness of world cinema with these classic foreign language films. From intense drama to thrilling action, each one offers an unforgettable cinematic experience that will stay with you long after watching. These iconic movies break boundaries while teaching viewers more about diverse cultures, so grab some popcorn today.
Related: 10 Best TV Movies of All Time, Ranked by Viewers
Foreign films have been inaccurately labeled as arrogant. However, these movies offer many genres, including action flicks, comedies, musicals, and thrillers. This list of best foreign movies includes those from non-English speaking countries but no silent films. This is your cinematic passport to the world’s movie scene.
10 Best Foreign Movies, Ranked on IMDb The Lives of Others (2006) – 8.4 Oldboy (2003) – 8.4 The Best of Youth (2003) – 8.5 Cinema Paradiso (1988) – 8.5 The Intouchables (2011) – 8.5 Parasite (2019) – 8.5 Harakiri (1962) – 8.6 Life Is Beautiful (1997) – 8.6 City of God (2002) – 8.6 Spirited Away (2001) – 8.6 10 The Lives of Others (2006)
IMDb: 8.4/10 396K | Popularity: 1,156 | Top 250: #58 | Metascore: 89
The Lives of Others...
Related: 10 Best TV Movies of All Time, Ranked by Viewers
Foreign films have been inaccurately labeled as arrogant. However, these movies offer many genres, including action flicks, comedies, musicals, and thrillers. This list of best foreign movies includes those from non-English speaking countries but no silent films. This is your cinematic passport to the world’s movie scene.
10 Best Foreign Movies, Ranked on IMDb The Lives of Others (2006) – 8.4 Oldboy (2003) – 8.4 The Best of Youth (2003) – 8.5 Cinema Paradiso (1988) – 8.5 The Intouchables (2011) – 8.5 Parasite (2019) – 8.5 Harakiri (1962) – 8.6 Life Is Beautiful (1997) – 8.6 City of God (2002) – 8.6 Spirited Away (2001) – 8.6 10 The Lives of Others (2006)
IMDb: 8.4/10 396K | Popularity: 1,156 | Top 250: #58 | Metascore: 89
The Lives of Others...
- 4/30/2023
- by Buddy TV
- buddytv.com
Edward Berger’s antiwar epic All Quiet on the Western Front has won the Oscar for best international feature for Germany at the 2023 Oscars.
The drama, the first German adaptation of Erich Maria Remarque’s World War I novel, was the frontrunner in the category after the film picked up nine Oscar nominations, including for best picture.
Lewis Milestone’s 1930 adaptation of All Quiet on the Western Front was also an Oscar champ, winning Academy Awards for best picture and best director.
When taking the stage, Berger gave credit to the “many new friends” he made while working on the film including the cinematographer, costume designer, the hair and makeup designer and the production designer. “I owe everything to you and the rest of my crew,” he said.
He later mentioned how he recently connected with Tár cinematographer Florian Hoffmeister: “We’re from the same town … we made our...
The drama, the first German adaptation of Erich Maria Remarque’s World War I novel, was the frontrunner in the category after the film picked up nine Oscar nominations, including for best picture.
Lewis Milestone’s 1930 adaptation of All Quiet on the Western Front was also an Oscar champ, winning Academy Awards for best picture and best director.
When taking the stage, Berger gave credit to the “many new friends” he made while working on the film including the cinematographer, costume designer, the hair and makeup designer and the production designer. “I owe everything to you and the rest of my crew,” he said.
He later mentioned how he recently connected with Tár cinematographer Florian Hoffmeister: “We’re from the same town … we made our...
- 3/13/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The launch of innovative thrillers like “Glass Onion” and “Bullet Train” has re-ignited the love for this classic genre. These films are a potent concoction of action, suspense, crime, and sci-fi – prepared to keep viewers in an endless loop of anticipation (or fear).
IMDb makes it a breeze for thriller fanatics to find the cream of the crop. From award-winning classics like “Witness for the Prosecution” that form this genre’s identity to worldwide successes such as “Parasite.” It even includes two dark superhero movies from “The Dark Knight” franchise among its top-rated gems.
Ranked Best Thriller Movies [Sortable Table] Rank Title Year IMDb Metascore 18 Witness for the Prosecution 1957 8.4 76 17 The Lives of Others 2006 8.4 89 16 Rear Window 1954 8.5 100 15 Oldboy 2003 8.4 77 14 Psycho 1960 8.5 97 13 Aliens 1986 8.4 84 12 Parasite 2019 8.5 96 11 The Usual Suspects 1995 8.5 77 10 Léon: The Professional 1994 8.5 64 9 Memento 2000 8.4 81 8 Joker 2019 8.4 59 7 The Departed 2006 8.5 85 6 The Prestige 2006 8.5 66 5 The Silence of the Lambs 1991 8.6 85 4 Se7en 1995 8.6 65 3 The Dark Knight Rises 2012 8.4 78 2 Inception 2010 8.8 74 1 The Dark Knight 2008 9 84 More About the Best Thriller Movies List...
IMDb makes it a breeze for thriller fanatics to find the cream of the crop. From award-winning classics like “Witness for the Prosecution” that form this genre’s identity to worldwide successes such as “Parasite.” It even includes two dark superhero movies from “The Dark Knight” franchise among its top-rated gems.
Ranked Best Thriller Movies [Sortable Table] Rank Title Year IMDb Metascore 18 Witness for the Prosecution 1957 8.4 76 17 The Lives of Others 2006 8.4 89 16 Rear Window 1954 8.5 100 15 Oldboy 2003 8.4 77 14 Psycho 1960 8.5 97 13 Aliens 1986 8.4 84 12 Parasite 2019 8.5 96 11 The Usual Suspects 1995 8.5 77 10 Léon: The Professional 1994 8.5 64 9 Memento 2000 8.4 81 8 Joker 2019 8.4 59 7 The Departed 2006 8.5 85 6 The Prestige 2006 8.5 66 5 The Silence of the Lambs 1991 8.6 85 4 Se7en 1995 8.6 65 3 The Dark Knight Rises 2012 8.4 78 2 Inception 2010 8.8 74 1 The Dark Knight 2008 9 84 More About the Best Thriller Movies List...
- 2/26/2023
- by Buddy TV
- buddytv.com
Mubi has announced its lineup of streaming offerings for next month, including an epic six-film series dedicated to the brand new restorations of the films of Nina Menkes. The slate also includes a Brian De Palma double bill with Obsession and Body Double as well as Paul Schrader’s Hardcore.
Additional highlights include the Andrea Riseborough-led Please Baby Please, three films by Eugene Kotlyarenko, a Ghost in the Shell double bill, and, ahead of their release of Passages later this year, Ira Sach’s Little Men.
Check out the lineup below and get 30 days free here.
March 1 – Glass Life, directed by Sara Cwynar | Brief Encounters
March 2 – The Great Sadness of Zohara, directed by Nina Menkes | Phantom Cinema: The Films of Nina Menkes
March 3 – Please Baby Please, directed by Amanda Kramer | Mubi Spotlight
March 4 – Hardcore, directed by Paul Schrader
March 5 – Kedi, directed by Ceyda Torun
March 6 – Magdalena Viraga, directed by...
Additional highlights include the Andrea Riseborough-led Please Baby Please, three films by Eugene Kotlyarenko, a Ghost in the Shell double bill, and, ahead of their release of Passages later this year, Ira Sach’s Little Men.
Check out the lineup below and get 30 days free here.
March 1 – Glass Life, directed by Sara Cwynar | Brief Encounters
March 2 – The Great Sadness of Zohara, directed by Nina Menkes | Phantom Cinema: The Films of Nina Menkes
March 3 – Please Baby Please, directed by Amanda Kramer | Mubi Spotlight
March 4 – Hardcore, directed by Paul Schrader
March 5 – Kedi, directed by Ceyda Torun
March 6 – Magdalena Viraga, directed by...
- 2/21/2023
- by Leonard Pearce
- The Film Stage
Exclusive: Jonas Dassler (The Golden Glove) has been tapped to play German pastor and theologian-turned-spy Dietrich Bonhoeffer in the thriller God’s Spy, based on a true story.
Others set for the pic written and directed by Sully scribe Todd Komarnicki include Flula Borg (The Suicide Squad), David Jonsson (Industry), August Diehl (A Hidden Life), Moritz Bleibtreu (World War Z) and BAFTA Award nominee Clarke Peters (The Wire).
The film currently in production is set in Berlin during the time of the Third Reich, examining Bonhoeffer’s determination to live his life with uncompromising political and spiritual courage, while speaking truth to power, in his attempt to save countless Jewish lives. Bonhoeffer was among only a few clergy who were early to recognize the danger of Hitler’s anti-Semitic rhetoric, and while the German church acquiesced to Hitler, Bonhoeffer took him on. First, from the pulpit — and then from the front lines.
Others set for the pic written and directed by Sully scribe Todd Komarnicki include Flula Borg (The Suicide Squad), David Jonsson (Industry), August Diehl (A Hidden Life), Moritz Bleibtreu (World War Z) and BAFTA Award nominee Clarke Peters (The Wire).
The film currently in production is set in Berlin during the time of the Third Reich, examining Bonhoeffer’s determination to live his life with uncompromising political and spiritual courage, while speaking truth to power, in his attempt to save countless Jewish lives. Bonhoeffer was among only a few clergy who were early to recognize the danger of Hitler’s anti-Semitic rhetoric, and while the German church acquiesced to Hitler, Bonhoeffer took him on. First, from the pulpit — and then from the front lines.
- 1/12/2023
- by Matt Grobar
- Deadline Film + TV
It is fair to assume Criterion could plunder the world of licensed film to build an ultimate noir playlist; credit, then, for focusing sharp and nabbing deep cuts. The Criterion Channel’s November / Noirvember program will be headlined by “Fox Noir,” an eight-title program with Otto Preminger deep cut Fallen Angel, three by Henry Hathaway, Siodmak, Dassin, Kazan, and Robert Wise, and while retrospectives of Veronica Lake and John Garfield will bring some canon into the fold, I’m mostly thinking about that potential for discovery.
Following “Free Jazz,” Bob Hoskins, and Joyce Chopra programs, the other big series is a 30-year survey of Sony Pictures Classics: Sally Potter, Satoshi Kon, Panahi, Errol Morris, Almodóvar, Haneke, Mike Leigh, just a murderer’s row. Streaming premieres include 499 and A Night of Knowing Nothing, two recent epitomes of I Wish I Had Seen That; Criterion Editions comprise Cure, Brazil, Sullivan’s Travels,...
Following “Free Jazz,” Bob Hoskins, and Joyce Chopra programs, the other big series is a 30-year survey of Sony Pictures Classics: Sally Potter, Satoshi Kon, Panahi, Errol Morris, Almodóvar, Haneke, Mike Leigh, just a murderer’s row. Streaming premieres include 499 and A Night of Knowing Nothing, two recent epitomes of I Wish I Had Seen That; Criterion Editions comprise Cure, Brazil, Sullivan’s Travels,...
- 10/26/2022
- by Nick Newman
- The Film Stage
When Angelina Jolie read Alessandro Baricco’s short novel “Without Blood” — the basis for her next directorial effort — the Italian fable about the brutality of war and healing in its aftermath had an immediate therapeutic effect.
“I read it right as I was going through the beginning of a very dark time in my life. I read it in the month that followed my divorce [from Brad Pitt in 2016],” recalls Jolie, who shot the adaptation at Rome’s Cinecittà Studios. “It had the effect on me that it’s had on so many people,” Jolie says, noting that the blurb on the cover says that the book is about the complexity of the human condition.
“I didn’t understand that when I first read it. I just knew the book had a profound effect on me,” she says. “I think it’s one of those pieces of art, of somebody’s intuition and mind,...
“I read it right as I was going through the beginning of a very dark time in my life. I read it in the month that followed my divorce [from Brad Pitt in 2016],” recalls Jolie, who shot the adaptation at Rome’s Cinecittà Studios. “It had the effect on me that it’s had on so many people,” Jolie says, noting that the blurb on the cover says that the book is about the complexity of the human condition.
“I didn’t understand that when I first read it. I just knew the book had a profound effect on me,” she says. “I think it’s one of those pieces of art, of somebody’s intuition and mind,...
- 8/26/2022
- by Nick Vivarelli
- Variety Film + TV
Also in contention is Berlin title Rabiye Kurnaz vs. George W. Bush from Andreas Dresen.
Berlinale titles Rabiye Kurnaz vs. George W. Bush from Andreas Dresen and We Might As Well Be Dead from Natalia Sinelnikova are among the nine titles in the running for Germany’s submission for the 95th Academy Awards.
Dresen’s comedy-drama screened in competition at this year’s Berlinale where it picked up a Silver Bear for best screenplay and Meltem Kaptan’s lead performance. The Match Factory handles international sales.
Sinelnikova’s social satire We Might As Well Be Dead opened Berlinale sidebar Perspective...
Berlinale titles Rabiye Kurnaz vs. George W. Bush from Andreas Dresen and We Might As Well Be Dead from Natalia Sinelnikova are among the nine titles in the running for Germany’s submission for the 95th Academy Awards.
Dresen’s comedy-drama screened in competition at this year’s Berlinale where it picked up a Silver Bear for best screenplay and Meltem Kaptan’s lead performance. The Match Factory handles international sales.
Sinelnikova’s social satire We Might As Well Be Dead opened Berlinale sidebar Perspective...
- 8/16/2022
- by Ellie Calnan
- ScreenDaily
Each month we choose a German film or series currently available to stream, watch it independently, and come together for a hosted conversation with other fans of German film.
In honor of the upcoming Academy Awards, our film for March is Germany’s most recent Oscar nominee, Never Look Away, directed by Florian Henckel von Donnersmarck.
Never Look Away follows thirty years in the life of artist Kurt Barnert (a character loosely based on Gerhard Richter). From a childhood witnessing Nazi Germany to life in post-war East Berlin.
Watch the trailer here.
The Kino! Film Salon will take place on Sunday, March 13th, at 11am — 12pm Pst, 2pm — 3pm Est, 8pm — 9pm Cet.
To join us, please RSVP at https://bit.ly/neverlookawaykinorsvp and the Zoom link will be emailed to you 24 hours before the event. Please don’t share this link directly (but do encourage your friends to RSVP!); our capacity is limited and admission will be on a first-come-first-served basis.
We look forward to seeing you on Sunday, March 13th!
Best,
Telescope Film and the German Film Office
Host: Sydney Levine consults, interviews and writes about filmmakers and the film industry. She has taught international film business at universities including UCLA, Chapman, The New School of Social Research, and the University of Television and Film Munich, as well as at festivals including the Cannes Producers Workshop, and Berlinale Talents. She created FilmFinders, the film industry’s first database, which was acquired by IMDb. She currently lives in Berlin and Los Angeles. https://blogs.sydneysbuzz.com/
Kino! Film Salon is a production of Telescope Film, in partnership with the German Film Office.
In honor of the upcoming Academy Awards, our film for March is Germany’s most recent Oscar nominee, Never Look Away, directed by Florian Henckel von Donnersmarck.
Never Look Away follows thirty years in the life of artist Kurt Barnert (a character loosely based on Gerhard Richter). From a childhood witnessing Nazi Germany to life in post-war East Berlin.
Watch the trailer here.
The Kino! Film Salon will take place on Sunday, March 13th, at 11am — 12pm Pst, 2pm — 3pm Est, 8pm — 9pm Cet.
To join us, please RSVP at https://bit.ly/neverlookawaykinorsvp and the Zoom link will be emailed to you 24 hours before the event. Please don’t share this link directly (but do encourage your friends to RSVP!); our capacity is limited and admission will be on a first-come-first-served basis.
We look forward to seeing you on Sunday, March 13th!
Best,
Telescope Film and the German Film Office
Host: Sydney Levine consults, interviews and writes about filmmakers and the film industry. She has taught international film business at universities including UCLA, Chapman, The New School of Social Research, and the University of Television and Film Munich, as well as at festivals including the Cannes Producers Workshop, and Berlinale Talents. She created FilmFinders, the film industry’s first database, which was acquired by IMDb. She currently lives in Berlin and Los Angeles. https://blogs.sydneysbuzz.com/
Kino! Film Salon is a production of Telescope Film, in partnership with the German Film Office.
- 5/8/2022
- by Sydney
- Sydney's Buzz
Exclusive: Alcon Entertainment has acquired screenwriter Steven Karczynski’s psychological thriller Vent, bringing BAFTA Award winner Florian Henckel von Donnersmarck (The Lives of Others) aboard to direct.
The film brought to the company by Head of Creative Carl Rogers the story of a paranoid young man who believes a kidnapping victim is tapping messages to him through his apartment building air vent. Alcon co-founders and co-CEOs Andrew Kosove and Broderick Johnson will produce alongside Karczynski and David Prior.
“The vision behind Vent is unique and thrilling,” said Kosovo and Johnson, “and between Steven Karczynski’s incredible writing, and Florian Henckel von Donnersmarck’s ability to bring such films to life, we are thrilled to be a part of bringing this story to screens.”
Von Donnersmarck’s most decorated feature, The Lives of Others, told the story of an agent of the secret police in 1984 East Berlin, who found himself becoming...
The film brought to the company by Head of Creative Carl Rogers the story of a paranoid young man who believes a kidnapping victim is tapping messages to him through his apartment building air vent. Alcon co-founders and co-CEOs Andrew Kosove and Broderick Johnson will produce alongside Karczynski and David Prior.
“The vision behind Vent is unique and thrilling,” said Kosovo and Johnson, “and between Steven Karczynski’s incredible writing, and Florian Henckel von Donnersmarck’s ability to bring such films to life, we are thrilled to be a part of bringing this story to screens.”
Von Donnersmarck’s most decorated feature, The Lives of Others, told the story of an agent of the secret police in 1984 East Berlin, who found himself becoming...
- 4/5/2022
- by Matt Grobar
- Deadline Film + TV
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best International Feature
Updated: March 24, 2022
Awards Prediction Commentary:
Despite a palpable surge for Norway’s “The Worst Person in the World,...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
2022 Oscars Predictions:
Best International Feature
Updated: March 24, 2022
Awards Prediction Commentary:
Despite a palpable surge for Norway’s “The Worst Person in the World,...
- 3/24/2022
- by Clayton Davis
- Variety Film + TV
The “Cinderella” story for “Drive My Car” has been one of the award season’s most enlightening. The Japanese submission captured a nom for best international feature, best picture, director and adapted screenplay. It became the eighth film in Oscars history to be nominated for both picture and international categories.
The others are “Z” (1969), “The Emigrants” (1971/72), “Life is Beautiful” (1998), “Crouching Tiger, Hidden Dragon” (2000), “Amour” (2012), “Roma” (2018) and “Parasite” (2019). “Emigrants” is the only one to have lost the international category. However, that’s due to it receiving nominations in different years. It represented Sweden at the 1972 awards before getting a U.S. release and qualifying for the following ceremony, picking up four noms for picture, directing, actress and adapted screenplay.
With a robust runtime of 179 minutes, “Drive My Car” has gotten over the hurdle of getting enough Academy attention to secure its noms. But, with over 9,400 eligible members able to vote in every category,...
The others are “Z” (1969), “The Emigrants” (1971/72), “Life is Beautiful” (1998), “Crouching Tiger, Hidden Dragon” (2000), “Amour” (2012), “Roma” (2018) and “Parasite” (2019). “Emigrants” is the only one to have lost the international category. However, that’s due to it receiving nominations in different years. It represented Sweden at the 1972 awards before getting a U.S. release and qualifying for the following ceremony, picking up four noms for picture, directing, actress and adapted screenplay.
With a robust runtime of 179 minutes, “Drive My Car” has gotten over the hurdle of getting enough Academy attention to secure its noms. But, with over 9,400 eligible members able to vote in every category,...
- 3/9/2022
- by Clayton Davis
- Variety Film + TV
In the middle of this year’s Glasgow Film Festival, we’re taking a look back at some of the best films which have screened there is the past, all available to stream in the UK. Together they illustrate that even though its started small, this festival has consistently punched well above its weight. We haven’t just chosen the biggest names, however, but also a few gems which might have passed you by.
The Lives Of Others
The Lives Of Others - Sky
In a retrospective of Gff favourites this is doubly nostalgic. Florian Henckel von Donnersmarck's feature debut, it remains a stunning depiction of the mechanisms of East German's autocratic regime. Ulrich Mühe's performance as a weary apparatchik of bureaucratic oppression carries a film that flourishes from detail. Donnersmarck's keen eye would be wasted in odd Depp/Jolie vehicle The Tourist but in Work Without Author...
The Lives Of Others
The Lives Of Others - Sky
In a retrospective of Gff favourites this is doubly nostalgic. Florian Henckel von Donnersmarck's feature debut, it remains a stunning depiction of the mechanisms of East German's autocratic regime. Ulrich Mühe's performance as a weary apparatchik of bureaucratic oppression carries a film that flourishes from detail. Donnersmarck's keen eye would be wasted in odd Depp/Jolie vehicle The Tourist but in Work Without Author...
- 3/5/2022
- by Jennie Kermode and Andrew Robertson
- eyeforfilm.co.uk
Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it’s great seeing their March lineup give light to Sophy Romvari, the <bias>exceptionally talented</bias> filmmaker and curator whose work has perhaps earned comparisons to Agnès Varda and Chantal Akerman but charts its own path of history and reflection. It’s a good way to lead into an exceptionally strong month, featuring as it does numerous films by Pier Paolo Pasolini, the great Japanese documentarian Kazuo Hara, newfound cult classic Arrebato, and a number of Criterion editions.
On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.
See the full...
On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.
See the full...
- 2/21/2022
- by Nick Newman
- The Film Stage
Bleecker Street’s I’m Your Man opens on 12 screens in seven markets, expanding to another 15 next week in a rare platform release banking on strong word of mouth for the well-reviewed, 94% Certified Fresh film that’s Germany’s entry for the 2022 International Feature Oscar race.
Helmed by Unorthodox director Maria Schrader, the sci-fi romantic comedy earned star Maren Eggert the Best Actress Silver Bear at this year’s Berlin Film Festival.
Co-star Dan Stevens supported the film on social and in a Today show appearance Wednesday. He’ll be at a Q&a at the Landmark in LA on Saturday.
Initial openings include NY, LA, San Francisco, Boston, Washington, D.C., Phoenix and Dallas. Bleecker plans a small expansion in those markets as well next week. The film has a 17-day exclusive theatrical window. Deadline review here,
Eggert plays...
Helmed by Unorthodox director Maria Schrader, the sci-fi romantic comedy earned star Maren Eggert the Best Actress Silver Bear at this year’s Berlin Film Festival.
Co-star Dan Stevens supported the film on social and in a Today show appearance Wednesday. He’ll be at a Q&a at the Landmark in LA on Saturday.
Initial openings include NY, LA, San Francisco, Boston, Washington, D.C., Phoenix and Dallas. Bleecker plans a small expansion in those markets as well next week. The film has a 17-day exclusive theatrical window. Deadline review here,
Eggert plays...
- 9/24/2021
- by Jill Goldsmith
- Deadline Film + TV
I’m Your Man (Ich bin dein Mensch), the Maria Schrader-directed film that earned star Maren Eggert the best actress Silver Bear at this year’s Berlin Film Festival, has been selected as Germany’s entry into the 2022 International Feature Oscar race.
The film stars Eggert as a a scientist at the famous Pergamon Museum in Berlin. In order to obtain research funds for her work, she is persuaded to participate in an extraordinary study: For three weeks, she is to live with a humanoid robot (Dan Stevens) tailored to her character and needs, whose artificial intelligence is intended to be the perfect life partner created solely to make her happy.
Bleecker Street acquired North American rights to the German-language pic and is releasing it in U.S. theaters September 24.
I’m Your Man, which also is playing at the Toronto Film Festival, was selected by a nine-member jury overseen by German Film.
The film stars Eggert as a a scientist at the famous Pergamon Museum in Berlin. In order to obtain research funds for her work, she is persuaded to participate in an extraordinary study: For three weeks, she is to live with a humanoid robot (Dan Stevens) tailored to her character and needs, whose artificial intelligence is intended to be the perfect life partner created solely to make her happy.
Bleecker Street acquired North American rights to the German-language pic and is releasing it in U.S. theaters September 24.
I’m Your Man, which also is playing at the Toronto Film Festival, was selected by a nine-member jury overseen by German Film.
- 9/15/2021
- by Patrick Hipes
- Deadline Film + TV
German-born UK composer is known for his work on ‘Mary Queen Of Scots’ and ‘Waltz With Bashir’.
The World Soundtrack Awards has named award-winning composer Max Richter as the guest of honour for its upcoming edition in October.
The German-born, UK composer is known for writing scores spanning both film and TV from period feature Mary Queen Of Scots and Oscar-nominated animation Waltz With Bashir to HBO’s The Leftovers and BBC drama Taboo. He has also recorded nearly a dozen solo albums.
Richter will attend the 21st edition of the awards, which will take place in-person as part of...
The World Soundtrack Awards has named award-winning composer Max Richter as the guest of honour for its upcoming edition in October.
The German-born, UK composer is known for writing scores spanning both film and TV from period feature Mary Queen Of Scots and Oscar-nominated animation Waltz With Bashir to HBO’s The Leftovers and BBC drama Taboo. He has also recorded nearly a dozen solo albums.
Richter will attend the 21st edition of the awards, which will take place in-person as part of...
- 6/30/2021
- by Michael Rosser
- ScreenDaily
After first gaining prominence in Germany as a teen actor, Paula Beer rose to international arthouse stardom with her leading role in Francois Ozon’s Frantz in 2016. Winning the Marcello Mastroianni Award for Best Young Actor at that year’s Venice Film Festival, an accolade previously awarded to the likes of Jennifer Lawrence and Gael García Bernal, put her in demand from Europe’s most renowned auteurs. In 2018, she starred in both Never Look Away, the German language comeback of The Lives of Others director Florian Henckel von Donnersmarck, and Transit, the final film in Christian Petzold’s self-proclaimed “Love in the Time of Oppressive Systems” trilogy.
Three years later, her second collaboration with Petzold and actor Franz Rogowski is finally getting released to American audiences. In Undine, Beer plays a modern interpretation of the famous mythological character. We’re introduced to her amidst a breakup with her lover, informing...
Three years later, her second collaboration with Petzold and actor Franz Rogowski is finally getting released to American audiences. In Undine, Beer plays a modern interpretation of the famous mythological character. We’re introduced to her amidst a breakup with her lover, informing...
- 6/2/2021
- by Alistair Ryder
- The Film Stage
When Hitler Stole Pink Rabbit star Carla Juri in her Brooklyn sweatshirt in Iceland, on her role: “I was wondering, they describe her as a bit more difficult. Ha, Ha! I like difficult!”
Carla Juri has had a number of memorable performances since 2013, from David Wnendt’s adaptation of Charlotte Roche’s novel Wetlands to Frauke Finsterwalder’s Finsterworld, co-written with Christian Kracht, Denis Villeneuve’s Blade Runner 2049, and in 2021 Andy Goddard’s Six Minutes To Midnight and Caroline Link’s adaptation with Anna Brüggemann of Judith Kerr’s When Hitler Stole Pink Rabbit.
The father Arthur Kemper (Oliver Masucci) reunited with his son Max (Marinus Hohmann), wife Dorothea (Carla Juri), and daughter Anna (Riva Krymalowski)
Carla Juri, Riva Krymalowski, Oliver Masucci (a Joseph Beuys look-alike in Florian Henckel von Donnersmarck’s Never Look Away), and Marinus Hohmann star as the Kemper family, with a terrific ensemble cast, including Ursula Werner,...
Carla Juri has had a number of memorable performances since 2013, from David Wnendt’s adaptation of Charlotte Roche’s novel Wetlands to Frauke Finsterwalder’s Finsterworld, co-written with Christian Kracht, Denis Villeneuve’s Blade Runner 2049, and in 2021 Andy Goddard’s Six Minutes To Midnight and Caroline Link’s adaptation with Anna Brüggemann of Judith Kerr’s When Hitler Stole Pink Rabbit.
The father Arthur Kemper (Oliver Masucci) reunited with his son Max (Marinus Hohmann), wife Dorothea (Carla Juri), and daughter Anna (Riva Krymalowski)
Carla Juri, Riva Krymalowski, Oliver Masucci (a Joseph Beuys look-alike in Florian Henckel von Donnersmarck’s Never Look Away), and Marinus Hohmann star as the Kemper family, with a terrific ensemble cast, including Ursula Werner,...
- 5/18/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
IFC Films has released the first official trailer for “Undine,” a new romantic drama from German auteur Christian Petzold.
“Undine” premiered in competition at last year’s Berlin International Film Festival, where it took home the Firesci Prize as well as the Silver Bear for best actress for star Paula Beer. She stars alongside Franz Rogowski, reuniting the duo from Petzold’s lauded 2018 thriller “Transit.” Petzold takes a different approach in “Undine,” with the romantic drama marking a new direction for the filmmaker following a string of emotional dramas with historical themes related to German identity.
Here’s the official synopsis: “Set in Berlin, Undine (Beer) works as a historian lecturing on Berlin’s urban development. She knows all about the Humboldt Forum, and has a knack for dressing. She is nonchalantly beautiful, and the way she imparts her knowledge about the city that was built on a swamp is...
“Undine” premiered in competition at last year’s Berlin International Film Festival, where it took home the Firesci Prize as well as the Silver Bear for best actress for star Paula Beer. She stars alongside Franz Rogowski, reuniting the duo from Petzold’s lauded 2018 thriller “Transit.” Petzold takes a different approach in “Undine,” with the romantic drama marking a new direction for the filmmaker following a string of emotional dramas with historical themes related to German identity.
Here’s the official synopsis: “Set in Berlin, Undine (Beer) works as a historian lecturing on Berlin’s urban development. She knows all about the Humboldt Forum, and has a knack for dressing. She is nonchalantly beautiful, and the way she imparts her knowledge about the city that was built on a swamp is...
- 4/29/2021
- by Jude Dry
- Indiewire
When he was offered the lead role in Fabian —Going to the Dogs, a coming-of-age tell set in Berlin in the early 1930s, Tom Schilling wasn’t really interested in doing another period drama.
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
- 3/10/2021
- The Hollywood Reporter - Movie News
When he was offered the lead role in Fabian —Going to the Dogs, a coming-of-age tell set in Berlin in the early 1930s, Tom Schilling wasn’t really interested in doing another period drama.
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
- 3/10/2021
- The Hollywood Reporter - Film + TV
Germany has become the latest country to make its submission for the 2021 International Oscar race, choosing Julia von Heinz’s political drama And Tomorrow the Entire World.
The film premiered at Venice Film Festival in Competition. It stars Mala Emde, Noah Saavedra, Tonio Schneider, Luisa-Céline Gaffron, Andreas Lust.
When Germany is struck by a violent series of racist terror attacks, 20-year-old Luisa joins a subdivision of the Antifa to oppose the uprising neo-Nazi movement. With her reckless actions, she not only fights against the extreme right but also tries to impress Alfa, an Antifa activist she is secretly in love with. Soon, things escalate, and Luisa and her friends clash over the question if violence could ever be a legitimate political answer to fascism and hatred.
Producers are Fabian Gasmia and von Heinz for Seven Elephant and John Quester for Kings & Queens. Films Boutique handles sales.
Germany was last...
The film premiered at Venice Film Festival in Competition. It stars Mala Emde, Noah Saavedra, Tonio Schneider, Luisa-Céline Gaffron, Andreas Lust.
When Germany is struck by a violent series of racist terror attacks, 20-year-old Luisa joins a subdivision of the Antifa to oppose the uprising neo-Nazi movement. With her reckless actions, she not only fights against the extreme right but also tries to impress Alfa, an Antifa activist she is secretly in love with. Soon, things escalate, and Luisa and her friends clash over the question if violence could ever be a legitimate political answer to fascism and hatred.
Producers are Fabian Gasmia and von Heinz for Seven Elephant and John Quester for Kings & Queens. Films Boutique handles sales.
Germany was last...
- 10/28/2020
- by Tom Grater
- Deadline Film + TV
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Argentina– The Angel (El Angel) – Luis Ortega Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues Bulgaria – Omnipresent – Ilian Djevelekov Cambodia – Graves Without A Name – Rithy Pan Canada – Watch Dog – Sophie Dupuis Chile – And Suddenly The Dawn – Silvio Caiozzi Colombia– Birds of Passage, Cristina Gallego & Ciro Guerra Croatia – The Eighth Commissioner – Ivan Salaj Czech Republic – Winter Flies – Olmo Omerzu Denmark – The Guilty – Gustav Möller Dominican Republic – Cocote – Nelson Carlo de los Santos Ecuador – A Son Of Man – Jamaicanoproblem and Pablo Agüero Egypt – Yomeddine – Abu Bakr Shawky Estonia – Take It Or Leave It – Liina Trishkina-Vanhatalo Finland – Euthanizer – Teemu Nikin France – Memoir Of War – Emmanuel Finkiel Georgia – Namme – Zaza Khalvashi Germany – Never Look Away – Florian Henckel von Donnersmarck...
- 8/21/2020
- by Nancy Tartaglione
- Deadline Film + TV
The acting career of Johnny Depp spans several decades. During that time, the performer has established himself as one of the most recognizable people in all of modern Hollywood. He’s starred in some unforgettable films, like the Pirates of the Caribbean franchise and also featured in some totally forgettable ones, like Tim Burton’s Charlie and the Chocolate Factory.
One of Depp’s lesser-known and perhaps more underrated movies, though, The Tourist, can now be viewed on Amazon Prime. The film – which was directed by Florian Henckel von Donnersmarck – may be worth the watch, too, as it features a solid performance from Johnny despite its muddled plot.
Released in 2010, The Tourist stars Depp alongside Angelina Jolie and Paul Bettany. In it, he plays an American tourists who flees to Italy in order to recover from a broken heart. While there, he crosses paths with a woman named Elise who...
One of Depp’s lesser-known and perhaps more underrated movies, though, The Tourist, can now be viewed on Amazon Prime. The film – which was directed by Florian Henckel von Donnersmarck – may be worth the watch, too, as it features a solid performance from Johnny despite its muddled plot.
Released in 2010, The Tourist stars Depp alongside Angelina Jolie and Paul Bettany. In it, he plays an American tourists who flees to Italy in order to recover from a broken heart. While there, he crosses paths with a woman named Elise who...
- 7/7/2020
- by Tim Brinkhof
- We Got This Covered
Ann Roth won an Oscar for Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient
For Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient, shot by John Seale, Oscar-winner Ann Roth and her then assistant Carlo Poggioli dressed Kristin Scott Thomas as Katharine, Ralph Fiennes as Almásy, Juliette Binoche as Hana, Naveen Andrews as Kip, Willem Dafoe as Caravaggio, and Colin Firth as Katharine’s husband Geoffrey.
Ralph Fiennes as Almásy
The English Patient won Oscars for Best Picture (producer Saul Zaentz), Director, Actress in a Supporting Role (Binoche), Cinematography, Editing (Walter Murch), Original Dramatic Score (Gabriel Yared), Art Direction, and Sound, and BAFTAs for Best...
For Anthony Minghella’s adaptation of Michael Ondaatje’s The English Patient, shot by John Seale, Oscar-winner Ann Roth and her then assistant Carlo Poggioli dressed Kristin Scott Thomas as Katharine, Ralph Fiennes as Almásy, Juliette Binoche as Hana, Naveen Andrews as Kip, Willem Dafoe as Caravaggio, and Colin Firth as Katharine’s husband Geoffrey.
Ralph Fiennes as Almásy
The English Patient won Oscars for Best Picture (producer Saul Zaentz), Director, Actress in a Supporting Role (Binoche), Cinematography, Editing (Walter Murch), Original Dramatic Score (Gabriel Yared), Art Direction, and Sound, and BAFTAs for Best...
- 1/20/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Fabian
German director Dominik Graf ends a six year hiatus next year with Fabian, a period piece produced by Felix von Boehm of Lupa Film and Daniel Blum of Zdf. Graf lands Tom Schilling in the lead, with a supporting cast of Saskia Rosendahl. Albrecht Schuch, Eva Medusa Gühne and Meret Becker. Revered for his detective and police television dramas, Graf has twice competed for the Golden Bear in Berlin, with 2002’s A Map of the Heart and his last feature, 2014’s Beloved Sisters. Notably, his participation in the trilogy omnibus Dreileben premiered in Berlin (which included two other segments directed by Christoph Hochhausler and Christian Petzold).…...
German director Dominik Graf ends a six year hiatus next year with Fabian, a period piece produced by Felix von Boehm of Lupa Film and Daniel Blum of Zdf. Graf lands Tom Schilling in the lead, with a supporting cast of Saskia Rosendahl. Albrecht Schuch, Eva Medusa Gühne and Meret Becker. Revered for his detective and police television dramas, Graf has twice competed for the Golden Bear in Berlin, with 2002’s A Map of the Heart and his last feature, 2014’s Beloved Sisters. Notably, his participation in the trilogy omnibus Dreileben premiered in Berlin (which included two other segments directed by Christoph Hochhausler and Christian Petzold).…...
- 1/1/2020
- by Nicholas Bell
- IONCINEMA.com
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
- 9/3/2019
- by Ben Dalton
- ScreenDaily
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
- 9/2/2019
- by Ben Dalton
- ScreenDaily
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
- 8/30/2019
- by Ben Dalton
- ScreenDaily
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track and can include animated and documentary features.
- 8/29/2019
- by Ben Dalton
- ScreenDaily
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track, and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track, and can include animated and documentary features.
- 8/29/2019
- by Ben Dalton
- ScreenDaily
Which film will follow on from ‘Roma’ in winning the prize?
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track, and can include animated and documentary features.
Submissions for the best international feature film award at the 2020 Academy Awards have started to come in, and Screen is keeping a running list of each film below.
This is the first year the award will be given under the new name of ‘best international feature film’, after a change in April from ‘foreign-language film’.
The eligibility rules remain the same: an international feature film is defined as a feature-length motion picture produced outside the Us with a predominantly non-English dialogue track, and can include animated and documentary features.
- 8/29/2019
- by Ben Dalton
- ScreenDaily
Germany has chosen Nora Fingscheidt’s “System Crasher” as its entry for the newly re-branded International Feature Film award at the 92nd Academy Awards, it was announced Wednesday by promotional body German Films.
Produced by Kineo Filmproduktion and Weydemann Bros, the film won a Silver Bear at the Berlin Film Festival, where it received its world premiere in February, and has since gone on to be a fixture on the festival circuit picking up a number of other prizes. It stars Helena Zengel as nine-year-old Benni, whose untamed energy in her wild quest for love drives everyone around her to despair.
The film was chosen from a list of seven films, submitted by their producers, by the eight members of the German selection committee, which consists of representatives from eight German cinema trade associations and institutions. German Films organizes the selection procedure for the German candidate for the Oscars’ International...
Produced by Kineo Filmproduktion and Weydemann Bros, the film won a Silver Bear at the Berlin Film Festival, where it received its world premiere in February, and has since gone on to be a fixture on the festival circuit picking up a number of other prizes. It stars Helena Zengel as nine-year-old Benni, whose untamed energy in her wild quest for love drives everyone around her to despair.
The film was chosen from a list of seven films, submitted by their producers, by the eight members of the German selection committee, which consists of representatives from eight German cinema trade associations and institutions. German Films organizes the selection procedure for the German candidate for the Oscars’ International...
- 8/21/2019
- by Robert Mitchell
- Variety Film + TV
In Francis Ford Coppola’s “The Conversation,” Gene Hackman played a surveillance expert who insists that curiosity is beyond the purview of his job, only to become obsessed with the mystery contained in a recorded conversation. A similar paradox informs Serhat Karaaslan’s debut feature “Passed by Censor,” in which a Turkish prison officer who fancies himself a writer fixates on the family of one of his inmates after he starts writing a fictionalized story about them. Censorship vs. creativity, paranoid fantasy vs. wishful thinking, the point where privacy ends and secrecy begins — all these heady elements simmer away against the backdrop of an inherently repressive institution in an increasingly authoritarian society. With parts like these, it’s little wonder that Karaaslan’s film adds up to a bit less than their sum.
His humdrum days spent painstakingly erasing potentially bothersome phrases from inmates’ letters, prison censor Zakir (Berkay Ates...
His humdrum days spent painstakingly erasing potentially bothersome phrases from inmates’ letters, prison censor Zakir (Berkay Ates...
- 7/26/2019
- by Jessica Kiang
- Variety Film + TV
A German boy who witnesses Nazi horrors grows up to become a painter in this overcooked but affecting melodrama
At a key early moment in German director Florian Henckel von Donnersmarck’s acclaimed art-drama/suspense-thriller hybrid (which reportedly received a 13-minute standing ovation at the Venice film festival last year), a young boy confronted by a terrible sight holds his hand in front of his eyes. At first, we think he’s doing it to blot out the spectacle of his beloved aunt Elisabeth (Saskia Rosendahl) being bundled into an ambulance in Nazi Germany. But the truth is more complex. As young Kurt (a wonderfully wide-eyed Cai Cohrs) holds his palm a few inches in front of his face, we see what he sees – the hand coming into close focus, rendering what’s behind it slightly blurry. When his hand drops down, the awful truth beyond remains momentarily fuzzy – creating...
At a key early moment in German director Florian Henckel von Donnersmarck’s acclaimed art-drama/suspense-thriller hybrid (which reportedly received a 13-minute standing ovation at the Venice film festival last year), a young boy confronted by a terrible sight holds his hand in front of his eyes. At first, we think he’s doing it to blot out the spectacle of his beloved aunt Elisabeth (Saskia Rosendahl) being bundled into an ambulance in Nazi Germany. But the truth is more complex. As young Kurt (a wonderfully wide-eyed Cai Cohrs) holds his palm a few inches in front of his face, we see what he sees – the hand coming into close focus, rendering what’s behind it slightly blurry. When his hand drops down, the awful truth beyond remains momentarily fuzzy – creating...
- 7/7/2019
- by Mark Kermode
- The Guardian - Film News
Ari Aster’s ‘Hereditary’ follow-up ‘Midsommar’ also out this weekend.
This weekend in the UK will see Spider-Man: Far From Home try to light up this year’s summer box office with a blockbuster opening session.
The Marvel film, released by Sony Pictures (which retains ownership of the Spider-Man franchise), follows the recent success of fellow Marvel title Avengers: Endgame, which has taken a goliath £88.3m in the UK, making it the country’s fifth highest-grossing release of all time.
Disney put Endgame back into cinemas last week (including some bonus content featuring the cast and crew) to capitalise on...
This weekend in the UK will see Spider-Man: Far From Home try to light up this year’s summer box office with a blockbuster opening session.
The Marvel film, released by Sony Pictures (which retains ownership of the Spider-Man franchise), follows the recent success of fellow Marvel title Avengers: Endgame, which has taken a goliath £88.3m in the UK, making it the country’s fifth highest-grossing release of all time.
Disney put Endgame back into cinemas last week (including some bonus content featuring the cast and crew) to capitalise on...
- 7/5/2019
- by Tom Grater
- ScreenDaily
This fictionalised story of the artist by the director of The Lives of Others lacks a strong central performance to match its ambition
With his Oscar-winning debut The Lives of Others in 2006, Florian Henckel von Donnersmarck made an important movie about the intellectual squalor of postwar East Germany, featuring a Stasi spy whose life of bugging and listening-in betrays his own emotional bankruptcy – and that of an entire ideology. But Donnersmarck’s following film was the lacklustre caper The Tourist starring Angelina Jolie and Johnny Depp in 2010. Now here is his third film, Werk Ohne Autor (that is: Work Without Author – although it has been assigned the English title Never Look Away) which received Oscar nominations for best foreign film and best cinematography.
It’s an unevenly acted and sometimes frankly misjudged sexy-sentimental melodrama of epic length set in Germany of the 1930s, 40s, 50s and 60s, based on the...
With his Oscar-winning debut The Lives of Others in 2006, Florian Henckel von Donnersmarck made an important movie about the intellectual squalor of postwar East Germany, featuring a Stasi spy whose life of bugging and listening-in betrays his own emotional bankruptcy – and that of an entire ideology. But Donnersmarck’s following film was the lacklustre caper The Tourist starring Angelina Jolie and Johnny Depp in 2010. Now here is his third film, Werk Ohne Autor (that is: Work Without Author – although it has been assigned the English title Never Look Away) which received Oscar nominations for best foreign film and best cinematography.
It’s an unevenly acted and sometimes frankly misjudged sexy-sentimental melodrama of epic length set in Germany of the 1930s, 40s, 50s and 60s, based on the...
- 7/4/2019
- by Peter Bradshaw
- The Guardian - Film News
‘Sequin in A Blue Room’.
Sydney Film Festival announced its audience awards today, with best narrative feature awarded to Samuel Van Grinsven’s Sequin in a Blue Room and best documentary to Selina Miles’ Martha: A Picture Story – both Aussie films.
Sequin in a Blue Room, a queer coming-of-age story, is Van Grinsven’s debut feature, completed as part of an Aftrs Masters project and produced by Sophie Hattch. It stars Conor Leach in his film debut, alongside Jeremy Lindsay Taylor and Anthony Brandon Wong.
Martha: A Picture Story, documents the life and work of NYC photo journalist Martha Cooper. It is the first full length documentary film from Miles, and was executive produced by Jennifer Peedom and and produced by Daniel Joyce.
Two other Australian films – Ben Lawrence’s Hearts and Bones and Imogen McCluskey’s microbudget debut Suburban Wildlife – were also voted in the top five narrative films,...
Sydney Film Festival announced its audience awards today, with best narrative feature awarded to Samuel Van Grinsven’s Sequin in a Blue Room and best documentary to Selina Miles’ Martha: A Picture Story – both Aussie films.
Sequin in a Blue Room, a queer coming-of-age story, is Van Grinsven’s debut feature, completed as part of an Aftrs Masters project and produced by Sophie Hattch. It stars Conor Leach in his film debut, alongside Jeremy Lindsay Taylor and Anthony Brandon Wong.
Martha: A Picture Story, documents the life and work of NYC photo journalist Martha Cooper. It is the first full length documentary film from Miles, and was executive produced by Jennifer Peedom and and produced by Daniel Joyce.
Two other Australian films – Ben Lawrence’s Hearts and Bones and Imogen McCluskey’s microbudget debut Suburban Wildlife – were also voted in the top five narrative films,...
- 6/18/2019
- by jkeast
- IF.com.au
After making its world premiere at the Venice Film Festival and receiving the Leoncino d’Oro Agiscuola Award, the first UK trailer has arrived for Florian Henckel von Donnersmarck’s ‘Never Look Away’
‘The Lives of Others’ filmmaker, Henckel von Donnersmarck, makes a bold return to German language filmmaking with two nominations at this year’s Academy Awards® for Best Foreign Language Film and Best Cinematography.
The film stars Tom Schilling (Oh Boy), Sebastian Koch (Bridge of Spies, The Danish Girl), Paula Beer (Frantz), Saskia Rosendahl (Lore) and Oliver Masucci (Netflix’s Dark).
Also in trailers – Keira Knightley stars in first trailer for ‘Official Secrets’
The film is released in the UK and Ireland on 5 July
Never Look Away Synopsis
Inspired by real events and spanning three eras of German history, the film tells the story of a young art student, Kurt (Tom Schilling) who falls in love with a fellow student,...
‘The Lives of Others’ filmmaker, Henckel von Donnersmarck, makes a bold return to German language filmmaking with two nominations at this year’s Academy Awards® for Best Foreign Language Film and Best Cinematography.
The film stars Tom Schilling (Oh Boy), Sebastian Koch (Bridge of Spies, The Danish Girl), Paula Beer (Frantz), Saskia Rosendahl (Lore) and Oliver Masucci (Netflix’s Dark).
Also in trailers – Keira Knightley stars in first trailer for ‘Official Secrets’
The film is released in the UK and Ireland on 5 July
Never Look Away Synopsis
Inspired by real events and spanning three eras of German history, the film tells the story of a young art student, Kurt (Tom Schilling) who falls in love with a fellow student,...
- 6/13/2019
- by Zehra Phelan
- HeyUGuys.co.uk
China’s Huanxi Media has acquired a slate of recent film titles that played prominently on the international festival circuit and collected multiple prizes.
They include Julian Schnabel’s “At Eternity’s Gate”; Florian Henckel von Donnersmarck’s “Never Look Away”; Marcus H. Rosenmueller’s “The Keeper”; Ziad Doueiri’s “The Insult”; Andrzej Zulawski’s “Cosmo”; Frederic Tellier’s “Serial Killer 1” from 2017; Dom Lenoir’s 2018 title “Winter Ridge”; and Mina Shum’s “Meditation Park,” starring Sandra Oh.
Huanxi, which is listed on the Hong Kong stock exchange, is best-known as a producer backed by some of China’s leading talent. Its principal shareholders include directors Ning Hao and Xu Zheng, whose films “Crazy Alien” and “Dying to Survive” it has released in the past year.
However, the company sees its future as a specialist subscription-only video streaming platform. The platform’s lineup is a mix of tiles produced by Huanxi’s own directors and producers,...
They include Julian Schnabel’s “At Eternity’s Gate”; Florian Henckel von Donnersmarck’s “Never Look Away”; Marcus H. Rosenmueller’s “The Keeper”; Ziad Doueiri’s “The Insult”; Andrzej Zulawski’s “Cosmo”; Frederic Tellier’s “Serial Killer 1” from 2017; Dom Lenoir’s 2018 title “Winter Ridge”; and Mina Shum’s “Meditation Park,” starring Sandra Oh.
Huanxi, which is listed on the Hong Kong stock exchange, is best-known as a producer backed by some of China’s leading talent. Its principal shareholders include directors Ning Hao and Xu Zheng, whose films “Crazy Alien” and “Dying to Survive” it has released in the past year.
However, the company sees its future as a specialist subscription-only video streaming platform. The platform’s lineup is a mix of tiles produced by Huanxi’s own directors and producers,...
- 5/17/2019
- by Patrick Frater
- Variety Film + TV
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Antichrist (Lars von Trier)
Like the majority of Lars von Trier films, from the first moments of Antichrist, one will be able to discern if it’s an experience they want to proceed with. For those will to endure its specific unpleasantness, there’s a poetic, affecting exploration of despair at its center. Chaos reigns, indeed. – Jordan R.
Where to Stream: Mubi (free for 30 days)
Apollo 11 (Todd Douglas Miller)
On July 16, 1969, Neil Armstrong, Michael Collins, and Buzz Aldrin embarked on a historic lunar odyssey, successfully landing on the moon and then returning to Earth. Free of talking heads, reenactments, and newly-recorded narration, the new documentary Apollo 11...
Antichrist (Lars von Trier)
Like the majority of Lars von Trier films, from the first moments of Antichrist, one will be able to discern if it’s an experience they want to proceed with. For those will to endure its specific unpleasantness, there’s a poetic, affecting exploration of despair at its center. Chaos reigns, indeed. – Jordan R.
Where to Stream: Mubi (free for 30 days)
Apollo 11 (Todd Douglas Miller)
On July 16, 1969, Neil Armstrong, Michael Collins, and Buzz Aldrin embarked on a historic lunar odyssey, successfully landing on the moon and then returning to Earth. Free of talking heads, reenactments, and newly-recorded narration, the new documentary Apollo 11...
- 5/17/2019
- by Jordan Raup
- The Film Stage
Favorite films from Sundance, Berlin and Cannes feature prominently to give a rich competition section at next month’s Sydney Film Festival. The festival run June 5-16, and will open with Rachel Ward’s comedy “Palm Beach.”
The competition lineup, announced Wednesday, includes “Synonyms,” winner of the Golden Bear at Berlin for Israel’s Nadav Lapid. From Cannes, the competition includes “Pedro Almodovar’s “Pain and Glory,” Bong Joon-ho’s “Parasite” and Kleber Mendonca Filho’s “Bacurau.” Sundance prize-winners include Joanna Hogg’s “The Souvenir” and Alejandro Landes’ “Monos.”
Other titles in competition include Mirrah Foulkes’ “Judy & Punch,” Sacha Polak’s “Dirty God,” Florian Henckel von Donnersmarck’s “Never Look Away,” another Berlin competition title “God Exists, Her Name is Petrunya,” the world premiere of Australian director Ben Lawrence’s “Heart and Bones,” and New Zealand drama “Bellbird,” by first time feature director Hamish Bennett.
Other festival of festival selections...
The competition lineup, announced Wednesday, includes “Synonyms,” winner of the Golden Bear at Berlin for Israel’s Nadav Lapid. From Cannes, the competition includes “Pedro Almodovar’s “Pain and Glory,” Bong Joon-ho’s “Parasite” and Kleber Mendonca Filho’s “Bacurau.” Sundance prize-winners include Joanna Hogg’s “The Souvenir” and Alejandro Landes’ “Monos.”
Other titles in competition include Mirrah Foulkes’ “Judy & Punch,” Sacha Polak’s “Dirty God,” Florian Henckel von Donnersmarck’s “Never Look Away,” another Berlin competition title “God Exists, Her Name is Petrunya,” the world premiere of Australian director Ben Lawrence’s “Heart and Bones,” and New Zealand drama “Bellbird,” by first time feature director Hamish Bennett.
Other festival of festival selections...
- 5/8/2019
- by Patrick Frater
- Variety Film + TV
‘Judy & Punch’. (Photo: Ben King)
Two Aussie films, Mirrah Foulkes’ Judy & Punch and Ben Lawrence’s Hearts and Bones, will be among the 12 features in official competition at this year’s Sydney Film Festival (Sff).
Also up for the festival’s $60,000 Sydney Film Prize are Florian Henckel von Donnersmarck’s Never Look Away, which was nominated for two Oscars; recent Cannes selections such as Pedro Almodóvar’s Pain and Glory, Bong Joon-Ho’s Parasite, and Kleber Mendonça Filho and Juliano Dornelles’ Bacurau; Sundance World Cinema Dramatic Special Jury Award winner Monos, from directors Alejandro Landes and Alexis Dos; Joanna Hogg’s Sundance Grand Jury Prize winner The Souvenir; Nadav Lapid’s Golden Bear winner Synonymes, as well as Sacha Polak’s Dirty God, Teona Strugar Mitevska’s God Exists, Her Name is Petrunya, and Kiwi director Hamish Bennett’s Bellbird.
Sydney Film Festival launched the full program for its 66th...
Two Aussie films, Mirrah Foulkes’ Judy & Punch and Ben Lawrence’s Hearts and Bones, will be among the 12 features in official competition at this year’s Sydney Film Festival (Sff).
Also up for the festival’s $60,000 Sydney Film Prize are Florian Henckel von Donnersmarck’s Never Look Away, which was nominated for two Oscars; recent Cannes selections such as Pedro Almodóvar’s Pain and Glory, Bong Joon-Ho’s Parasite, and Kleber Mendonça Filho and Juliano Dornelles’ Bacurau; Sundance World Cinema Dramatic Special Jury Award winner Monos, from directors Alejandro Landes and Alexis Dos; Joanna Hogg’s Sundance Grand Jury Prize winner The Souvenir; Nadav Lapid’s Golden Bear winner Synonymes, as well as Sacha Polak’s Dirty God, Teona Strugar Mitevska’s God Exists, Her Name is Petrunya, and Kiwi director Hamish Bennett’s Bellbird.
Sydney Film Festival launched the full program for its 66th...
- 5/8/2019
- by jkeast
- IF.com.au
‘The Final Quarter’. (Photo: Wayne Taylor/Fairfax)
Ian Darling documentary The Final Quarter, which looks at Afl footballer and Indigenous leader Adam Goodes’ public call out of racism and Australia’s heated response, will premiere at the Sydney Film Festival in June.
The festival today unveiled the first 25 films on this year’s line-up, with the full program to launch on May 8.
Made using only archival footage aired at the time, Darling’s doco chronicles the final years of the Sydney Swans player’s career. Other Aussie films announced today include Sophie Hyde’s Animals, which made its world premiere at Sundance earlier this year, and Erica Glynn’s portrait of her mother and Central Australian Aboriginal Media Association (Caama) co-founder Freda Glynn, She Who Must Be Loved, which also screened at the Adelaide Film Festival and Berlinale.
Leading the preview announcement is Amazing Grace, which captures never-before-seen footage, shot by Sydney Pollack,...
Ian Darling documentary The Final Quarter, which looks at Afl footballer and Indigenous leader Adam Goodes’ public call out of racism and Australia’s heated response, will premiere at the Sydney Film Festival in June.
The festival today unveiled the first 25 films on this year’s line-up, with the full program to launch on May 8.
Made using only archival footage aired at the time, Darling’s doco chronicles the final years of the Sydney Swans player’s career. Other Aussie films announced today include Sophie Hyde’s Animals, which made its world premiere at Sundance earlier this year, and Erica Glynn’s portrait of her mother and Central Australian Aboriginal Media Association (Caama) co-founder Freda Glynn, She Who Must Be Loved, which also screened at the Adelaide Film Festival and Berlinale.
Leading the preview announcement is Amazing Grace, which captures never-before-seen footage, shot by Sydney Pollack,...
- 4/2/2019
- by jkeast
- IF.com.au
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