In just her fourth American movie the Swedish import Ingrid Bergman proves herself the most sensual creature in Hollywood, running away with Spencer Tracy and Victor Fleming’s remake of Mamoulian’s pre-Code classic. The morals are cleaned up and the sex angle tamed down (except for Fröken Bergman) and the acting is less stylized — overall it’s a fine show. Ingrid learned quickly how things were done at MGM — she swiped the film’s plum role from Lana Turner.
Dr. Jekyll and Mr. Hyde (1941)
Blu-ray
Warner Archive Collection
1941 / B&w / 1:37 Academy / 113 min. / Available at Amazon.com / General site Wac-Amazon / Street Date May 17, 2022 / 21.99
Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, Ian Hunter, Barton MacLane, Sara Allgood.
Cinematography: Joseph Ruttenberg
Art Director: Cedric Gibbons
Film Editor: Harold F. Kress
Original Music: Franz Waxman
Written by John Lee Mahin from a novella by Robert Louis Stevenson
Produced and Directed...
Dr. Jekyll and Mr. Hyde (1941)
Blu-ray
Warner Archive Collection
1941 / B&w / 1:37 Academy / 113 min. / Available at Amazon.com / General site Wac-Amazon / Street Date May 17, 2022 / 21.99
Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, Ian Hunter, Barton MacLane, Sara Allgood.
Cinematography: Joseph Ruttenberg
Art Director: Cedric Gibbons
Film Editor: Harold F. Kress
Original Music: Franz Waxman
Written by John Lee Mahin from a novella by Robert Louis Stevenson
Produced and Directed...
- 5/14/2022
- by Glenn Erickson
- Trailers from Hell
Fritz Lang’s first American picture is a searing social statement out of message-averse Hollywood. It’s also a cinematic landmark, packed with innovative visual concepts. Sylvia Sidney and Spencer Tracy have great appeal as lovers torn apart by vigilante violence, and Tracy’s very Langian hero pulls off a ‘return from the dead’ to serve as an avenging angel. It’s one of the talkies’ earliest direct attacks on America’s plague of lynching, a liberal assault that even the Production Code couldn’t stop — the show took the ‘social issue drama’ to new heights, even as Fritz Lang didn’t find favor with the Hollywood studio system. Also starring Walter Abel, Bruce Cabot and Walter Brennan. CineSavant presents the evidence of MGM tampering at the conclusion, that changes the film’s message and meaning.
Fury
Blu-ray
Warner Archive Collection
1936 / B&w / 1:37 Academy / 92 min. / Available at Amazon.com / Street Date November 9, 2021 / 21.99
Starring Sylvia Sidney,...
Fury
Blu-ray
Warner Archive Collection
1936 / B&w / 1:37 Academy / 92 min. / Available at Amazon.com / Street Date November 9, 2021 / 21.99
Starring Sylvia Sidney,...
- 11/21/2021
- by Glenn Erickson
- Trailers from Hell
For his first re-teaming sans Ginger, Fred Astaire hot-foots it to MGM and the waiting tap & sweep partner Eleanor Powell, already a terrific box office draw in her own right. These were the days when the caliber of talent in Hollywood justified the exalted, glamorous aura of star status. The story is a backstage mixup with sidebar singing and joke acts, decent dialogue and not much else. But when these two alight on a dance floor — not just ‘a’ dance floor but an enormous expanse of glittering glass — Hollywood hits a too-glamorous-to-be-real peak. The music by Cole Porter includes Begin the Beguine. Just-okay George Murphy is the third wheel on this musical bicycle, with Frank Morgan serving as fuddy-duddy comic relief.
Broadway Melody of 1940
Blu-ray
Warner Archive Collection
1940 / B&w / 1:37 Academy / 102 min. / Street Date April 13, 2021 / 21.99
Starring: Fred Astaire, Eleanor Powell, George Murphy, Frank Morgan, Ian Hunter, Florence Rice, Trixie Firschke,...
Broadway Melody of 1940
Blu-ray
Warner Archive Collection
1940 / B&w / 1:37 Academy / 102 min. / Street Date April 13, 2021 / 21.99
Starring: Fred Astaire, Eleanor Powell, George Murphy, Frank Morgan, Ian Hunter, Florence Rice, Trixie Firschke,...
- 5/1/2021
- by Glenn Erickson
- Trailers from Hell
Vincente Minnelli took time out from expensive MGM shows like Gigi to knock off this tale about the London debutante season, a light-comedy Cinderella story without satire or social comment. Young Sandra Dee and John Saxon come off well, but the show belongs to stars Rex Harrison and especially Kay Kendall, whose comedy timing and finesse lift the tame, weightless material.
The Reluctant Debutante
Blu-ray
Warner Archive Collection
1958 / Color / 2:35 widescreen / 96 min. / Street Date May 26, 2020 / available through the WBshop / 21.99
Starring: Rex Harrison, Kay Kendall, John Saxon, Sandra Dee, Angela Lansbury, Peter Myers, Diane Clare, Charles Herbert.
Cinematography: Joseph Ruttenberg
Film Editor: Adrienne Fazan
Written by William Douglas-Home from his play
Produced by Pandro S. Berman
Directed by Vincente Minnelli
Not often mentioned as a highlight of Vincente Minnelli’s career, The Reluctant Debutante is enjoyable now for the comedy playing of Rex Harrison and Kay Kendall. Harrison hadn’t been...
The Reluctant Debutante
Blu-ray
Warner Archive Collection
1958 / Color / 2:35 widescreen / 96 min. / Street Date May 26, 2020 / available through the WBshop / 21.99
Starring: Rex Harrison, Kay Kendall, John Saxon, Sandra Dee, Angela Lansbury, Peter Myers, Diane Clare, Charles Herbert.
Cinematography: Joseph Ruttenberg
Film Editor: Adrienne Fazan
Written by William Douglas-Home from his play
Produced by Pandro S. Berman
Directed by Vincente Minnelli
Not often mentioned as a highlight of Vincente Minnelli’s career, The Reluctant Debutante is enjoyable now for the comedy playing of Rex Harrison and Kay Kendall. Harrison hadn’t been...
- 6/30/2020
- by Glenn Erickson
- Trailers from Hell
One of the seemingly surefire locks on Oscar night is in Best Cinematography. Roger Deakins is the runaway favorite to take home the statuette for “1917,” per our odds, and after waiting 23 years for his first Oscar, he could now join the two-time winners club in the second fastest timespan.
Deakins finally won a long-awaited Oscar two years ago for “Blade Runner 2049” (2017) on his 14th nomination — his first having been for 1994’s “The Shawshank Redemption.” He had no projects in 2018, making this his first bid since his win, so perhaps this could be the beginning of a win streak.
The legendary cinematographer would be the 15h person with two victories — fitting since this is his 15th nomination — a list that includes John Toll, Janusz Kaminski, Haskell Wexler, James Wong Howe and Burnett Guffey. Eight people have won three, including Conrad Hall, Robert Richardson (one of Deakins’ rivals this year...
Deakins finally won a long-awaited Oscar two years ago for “Blade Runner 2049” (2017) on his 14th nomination — his first having been for 1994’s “The Shawshank Redemption.” He had no projects in 2018, making this his first bid since his win, so perhaps this could be the beginning of a win streak.
The legendary cinematographer would be the 15h person with two victories — fitting since this is his 15th nomination — a list that includes John Toll, Janusz Kaminski, Haskell Wexler, James Wong Howe and Burnett Guffey. Eight people have won three, including Conrad Hall, Robert Richardson (one of Deakins’ rivals this year...
- 1/28/2020
- by Joyce Eng
- Gold Derby
Roger Deakins is back in the Best Cinematography Oscar race for the first time since his win for “Blade Runner 2049” (2017) with Sam Mendes‘ “1917.” His long-awaited victory was on his 14th nomination and if he nabs a 15th, he’ll tie for second place for most nominations.
Robert Surtees is currently in sole possession of second-place honors, amassing 15 bids over his nearly five-decade career. He won for “King Solomon’s Mines” (1950), “The Bad and the Beautiful” (1952) and “Ben-Hur” (1959). Leon Shamroy and Charles Lang hold the category record at 18 nominations each. Shamroy has a record four wins, which he shares with 10-nominee Joseph Ruttenberg, having triumphed for “The Black Swan” (1942), “Wilson” (1944), “Leave Her to Heaven” (1945) and “Cleopatra” (1963). Lang prevailed once, taking home the prize on his second nomination for “A Farewell to Arms” (1932).
See Can Roger Deakins win the Best Cinematography Oscar again so soon after long overdue first victory?
At the moment,...
Robert Surtees is currently in sole possession of second-place honors, amassing 15 bids over his nearly five-decade career. He won for “King Solomon’s Mines” (1950), “The Bad and the Beautiful” (1952) and “Ben-Hur” (1959). Leon Shamroy and Charles Lang hold the category record at 18 nominations each. Shamroy has a record four wins, which he shares with 10-nominee Joseph Ruttenberg, having triumphed for “The Black Swan” (1942), “Wilson” (1944), “Leave Her to Heaven” (1945) and “Cleopatra” (1963). Lang prevailed once, taking home the prize on his second nomination for “A Farewell to Arms” (1932).
See Can Roger Deakins win the Best Cinematography Oscar again so soon after long overdue first victory?
At the moment,...
- 12/12/2019
- by Joyce Eng
- Gold Derby
"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.
This week I’d like to talk about gas lighting. That’s in addition to gaslighting, which is obviously related. Basically, I’d like to talk about the way that Gaslight (1944) uses gas lighting to distill the concept of gaslighting. It was so effective that “gaslighting” stuck, and has remained a popularly understood concept nearly 75 years after the film debuted.
Of course, these days the term has been almost completely divorced from memory of the original play or its various adaptations. The 1944 version is mostly remembered for winning Ingrid Bergman her first Oscar, and deservedly so. Her performance is astonishing, newly powerful with each successive viewing.
However, the film did win a second Oscar. Not for director George Cukor, who wasn’t even nominated. Nor for cinematographer Joseph Ruttenberg,...
This week I’d like to talk about gas lighting. That’s in addition to gaslighting, which is obviously related. Basically, I’d like to talk about the way that Gaslight (1944) uses gas lighting to distill the concept of gaslighting. It was so effective that “gaslighting” stuck, and has remained a popularly understood concept nearly 75 years after the film debuted.
Of course, these days the term has been almost completely divorced from memory of the original play or its various adaptations. The 1944 version is mostly remembered for winning Ingrid Bergman her first Oscar, and deservedly so. Her performance is astonishing, newly powerful with each successive viewing.
However, the film did win a second Oscar. Not for director George Cukor, who wasn’t even nominated. Nor for cinematographer Joseph Ruttenberg,...
- 10/9/2017
- by Daniel Walber
- FilmExperience
Balletic, stylized and rather aloof, MGM’s biggest musical for 1954 still has what musical lovers crave — good dancing, beautiful melodies and unabashed romantic sentiments. Savant has a bad tendency to fixate on the inconsistencies of its fantasy concept — in which God places an ideal Scottish village outside the limits of Time itself.
Brigadoon
Blu-ray
Warner Archive Collection
1954 / Color / 2:35 widescreen / 108 min. / Street Date September 26, 2017 / available through the WBshop / 21.99
Starring: Gene Kelly, Van Johnson, Cyd Charisse, Elaine Stewart, Barry Jones, Albert Sharpe, Virginia Bosler, Jimmy Thompson.
Cinematography: Joseph Ruttenberg
Art Direction: Preston Ames, Cedric Gibbons
Film Editor: Albert Akst
Original Music: Frederick Loewe
Screenplay, book and lyrics by Alan Jay Lerner
Produced by Arthur Freed
Directed by Vincente Minnelli
MGM underwent some severe cutbacks in 1953; most of its contract players were dropped including the majority of its proud roster of stars. The studio would have to survive in a new kind of Hollywood,...
Brigadoon
Blu-ray
Warner Archive Collection
1954 / Color / 2:35 widescreen / 108 min. / Street Date September 26, 2017 / available through the WBshop / 21.99
Starring: Gene Kelly, Van Johnson, Cyd Charisse, Elaine Stewart, Barry Jones, Albert Sharpe, Virginia Bosler, Jimmy Thompson.
Cinematography: Joseph Ruttenberg
Art Direction: Preston Ames, Cedric Gibbons
Film Editor: Albert Akst
Original Music: Frederick Loewe
Screenplay, book and lyrics by Alan Jay Lerner
Produced by Arthur Freed
Directed by Vincente Minnelli
MGM underwent some severe cutbacks in 1953; most of its contract players were dropped including the majority of its proud roster of stars. The studio would have to survive in a new kind of Hollywood,...
- 9/23/2017
- by Glenn Erickson
- Trailers from Hell
Updated: Following a couple of Julie London Westerns*, Turner Classic Movies will return to its July 2017 Star of the Month presentations. On July 27, Ronald Colman can be seen in five films from his later years: A Double Life, Random Harvest (1942), The Talk of the Town (1942), The Late George Apley (1947), and The Story of Mankind (1957). The first three titles are among the most important in Colman's long film career. George Cukor's A Double Life earned him his one and only Best Actor Oscar; Mervyn LeRoy's Random Harvest earned him his second Best Actor Oscar nomination; George Stevens' The Talk of the Town was shortlisted for seven Oscars, including Best Picture. All three feature Ronald Colman at his very best. The early 21st century motto of international trendsetters, from Venezuela's Nicolás Maduro and Turkey's Recep Erdogan to Russia's Vladimir Putin and the United States' Donald Trump, seems to be, The world is reality TV and reality TV...
- 7/28/2017
- by Andre Soares
- Alt Film Guide
'The Magnificent Ambersons': Directed by Orson Welles, and starring Tim Holt (pictured), Dolores Costello (in the background), Joseph Cotten, Anne Baxter, and Agnes Moorehead, this Academy Award-nominated adaptation of Booth Tarkington's novel earned Ricardo Cortez's brother Stanley Cortez an Academy Award nomination for Best Cinematography, Black-and-White. He lost to Joseph Ruttenberg for William Wyler's blockbuster 'Mrs. Miniver.' Two years later, Cortez – along with Lee Garmes – would win Oscar statuettes for their evocative black-and-white work on John Cromwell's homefront drama 'Since You Went Away,' starring Ricardo Cortez's 'Torch Singer' leading lady, Claudette Colbert. In all, Stanley Cortez would receive cinematography credit in more than 80 films, ranging from B fare such as 'The Lady in the Morgue' and the 1940 'Margie' to Fritz Lang's 'Secret Beyond the Door,' Charles Laughton's 'The Night of the Hunter,' and Nunnally Johnson's 'The Three Faces...
- 7/8/2017
- by Andre Soares
- Alt Film Guide
Cinematographer Fred J. Koenekamp, who won an Oscar for his work on The Towering Inferno, died May 31, the American Society of Cinematographers confirmed. He was 94. Koenekamp began his decades-long career in cinematography in the camera department at Rko Studios. He spent 19 years working on camera crews with noted cinematographers, including Joseph Ruttenberg, John Alton, Robert Surtees, and Frank Phillips. In 1963, Koenekamp worked as a camera operator on the…...
- 6/9/2017
- Deadline
Cinematographer Fred J. Koenekamp, who won an Oscar for his work on The Towering Inferno, died May 31, the American Society of Cinematographers confirmed. He was 94. Koenekamp began his decades-long career in cinematography in the camera department at Rko Studios. He spent 19 years working on camera crews with noted cinematographers, including Joseph Ruttenberg, John Alton, Robert Surtees, and Frank Phillips. In 1963, Koenekamp worked as a camera operator on the…...
- 6/9/2017
- Deadline TV
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
- 2/6/2017
- by Jordan Raup
- The Film Stage
Savant uncovers the true, hidden ending to this Fritz Lang masterpiece. The moral outrage of Lang's searing attack on lynch terror hasn't dimmed a bit -- with his first American picture the director nails one of our primary social evils. MGM imposed some re-cutting and re-shooting, but it's still the most emotionally powerful film on the subject. Fury DVD-r The Warner Archive Collection 1936 / B&W / 1:37 flat Academy / 92 min. / Street Date August 2, 2016, 2016 / available through the WB Shop / 17.99 Starring Sylvia Sidney, Spencer Tracy, Walter Abel, Bruce Cabot, Edward Ellis, Walter Brennan, Frank Albertson, George Walcott, Arthur Stone, Morgan Wallace, George Chandler, Roger Gray, Edwin Maxwell, Howard C. Hickman, Jonathan Hale, Leila Bennett, Esther Dale, Helen Flint. Cinematography Joseph Ruttenberg Film Editor Frank Sullivan Original Music Franz Waxman Written by Bartlett Cormack, Fritz Lang story by Norman Krasna Produced by Joseph L. Mankiewicz Directed by Fritz Lang
Reviewed by Glenn Erickson
Just...
Reviewed by Glenn Erickson
Just...
- 10/1/2016
- by Glenn Erickson
- Trailers from Hell
The American Society of Cinematographers awarded Emmanuel Lubezki his third consecutive win for “The Revenant.” Should he repeat at the Oscars, he’ll be the first person in history to win Best Cinematography three years in a row, and will be one away from tying Leon Shamroy and Joseph Ruttenberg for the most overall wins in this category. Shamroy prevailed for “The Black Swan” [1942], “Wilson” [1944], “Leave Her to Heaven” [1945], and “Cleopatra” [1963]. And Ruttenberg was crowned champ for “The Great Waltz” [1938], “Mrs. Miniver” [1942], “Somebody Up There Likes Me” [1956], and “Gigi” [1958]. -Break- Subscribe to Gold Derby Breaking News Alerts & Experts’ Latest Oscar Predictions Lubezki competes at the Oscars against Ed Lachman (“Carol”), three-time Oscar champ Robert Richardson (“The Hateful Eight&r...
- 2/18/2016
- Gold Derby
Robert Walker: Actor in MGM films of the '40s. Robert Walker: Actor who conveyed boy-next-door charms, psychoses At least on screen, I've always found the underrated actor Robert Walker to be everything his fellow – and more famous – MGM contract player James Stewart only pretended to be: shy, amiable, naive. The one thing that made Walker look less like an idealized “Average Joe” than Stewart was that the former did not have a vacuous look. Walker's intelligence shone clearly through his bright (in black and white) grey eyes. As part of its “Summer Under the Stars” programming, Turner Classic Movies is dedicating today, Aug. 9, '15, to Robert Walker, who was featured in 20 films between 1943 and his untimely death at age 32 in 1951. Time Warner (via Ted Turner) owns the pre-1986 Metro-Goldwyn-Mayer library (and almost got to buy the studio outright in 2009), so most of Walker's movies have...
- 8/9/2015
- by Andre Soares
- Alt Film Guide
By winning the Best Cinematography Oscar for a second year in a row, "Birdman" director of photography Emmanuel Lubezki has joined a truly elite club whose ranks haven't been breached in nearly two decades. Only four other cinematographers have won the prize in two consecutive years. The last time it happened was in 1994 and 1995, when John Toll won for Edward Zwick's "Legends of the Fall" and Mel Gibson's "Braveheart" respectively. Before that you have to go all the way back to the late '40s, when Winton Hoch won in 1948 (Victor Fleming's "Joan of Arc" with Ingrid Bergman) and 1949 (John Ford's western "She Wore a Yellow Ribbon"). Both victories came in the color category, as the Academy awarded prizes separately for black-and-white and color photography from 1939 to 1956. Leon Shamroy also won back-to-back color cinematography Oscars, for Henry King's 1944 Woodrow Wilson biopic "Wilson" and John M. Stahl...
- 2/23/2015
- by Kristopher Tapley
- Hitfix
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