Do you love movies about cute animals? The original pet-lion-in-Africa romp is actually a well balanced nature film about the separation between wild animals and those raised by humans. Virginia McKenna and Bill Travers winningly play the Adamsons, game wardens that dedicate themselves to the well-being of Elsa, the lioness they raise from infancy. Born Free Blu-ray Twilight Time Limited Edition 1966 / Color / 2:35 widescreen / 96 min. / Ship Date December 8, 2015 / available through Twilight Time Movies / 29.95 Starring Virginia McKenna, Bill Travers, Geoffrey Keen, Peter Lukoye, Omar Chambati Cinematography Kenneth Talbot Film Editor Don Decon Original Music John Barry Written by Lester Cole from the novel by Joy Adamson Produced by Sam Jaffe, Paul B. Radin Directed by James Hill
Reviewed by Glenn Erickson
Savant normally becomes sullen and anti-social around overly committed animal lovers, I suppose because I think the world gets a little out of balance when people seriously consider their domestic...
Reviewed by Glenn Erickson
Savant normally becomes sullen and anti-social around overly committed animal lovers, I suppose because I think the world gets a little out of balance when people seriously consider their domestic...
- 1/1/2016
- by Glenn Erickson
- Trailers from Hell
It can be such a beautiful happening when the natural forces of humanity and the wild kingdom can get together and establish a sense of harmony in motion pictures. Also, it can be a compelling yet regrettable conflict as well when man and beast decide to collide in the interest of big screen entertainment. Whatever the case may be certainly does not matter because the concept of beasts of all species (rather it be of the four-legged or two-legged variety) collectively clashing or cooperating sends a special message about triumph, tragedy and just plain tenderness.
In Beast of Burden: Top 10 Human-Animal Combinations in the Movies we will look at some of the best selections where man and animal co-exist whether it be in calmness or chaos. There is no doubt that one can come up with numerous top ten lists detailing their ideal man-animal themes in cinema. The struggle for...
In Beast of Burden: Top 10 Human-Animal Combinations in the Movies we will look at some of the best selections where man and animal co-exist whether it be in calmness or chaos. There is no doubt that one can come up with numerous top ten lists detailing their ideal man-animal themes in cinema. The struggle for...
- 8/8/2014
- by Frank Ochieng
- SoundOnSight
Wildlife classic starring Virginia McKenna and Bill Travers as real life game wardens Joy and George Adamson who found themselves raising three lion cubs in Kenya when their mother is killed. When two of the cubs are despatched to Rotterdam Zoo, only little Elsa is left, forcing a bond with her unlikely foster parents. However, they have to face the fact that - one day - she must return to the wild.
- 3/3/2014
- Sky Movies
J. Mills Goodloe has been brought on board to write Christian the Lion, Sony and Neal Moritz’s adaptation about the feline and its two owners who became a YouTube sensation. Lion is the true story that began when two friends, John Rendall and Anthony "Ace" Bourke, bought a lion cub from Harrods and raised it in their antique shop on King's Road in swinging 60's London. Seeking to do right by the cub, they eventually contacted famed conservationist George Adamson and went about the process of rehabilitating the lion into the wild in Kenya. Many months after the rehabilitation was complete,
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- 10/25/2013
- by Borys Kit
- The Hollywood Reporter - Movie News
★★☆☆☆ Carl Schultz's To Walk with Lions (1999) is one of those films which leaves you feeling bad if you're not enthusiastic about it. Starring Richard Harris, Honor Blackman and Geraldine Chapman, it is - like the story it sets out to tell - an admirable attempt at stirring and heartfelt drama. Also, akin to the story, the film is often grim, leaving the viewer feeling downbeat rather than inspired. We follow George Adamson (Harris), who continued the work of his wife Joy (Blackman) in running a sanctuary for African lions. Here, our man befriends a hotheaded young man called Tony Fitzjohn (John Michie) and takes him on as an aid.
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- 1/29/2013
- by CineVue UK
- CineVue
Already familiar to more than 7 million viewers thanks to a YouTube clip featuring Whitney Houston's "I Will Always Love You" and film footage of his African jungle reunion with the two men who had raised him in London, Christian the "Hugging Lion" was a heartwarming topic on Wednesday's Today show. Originally purchased in 1969 by two Australians living in London, John Rendall and Anthony Bourke, from the exotic pets department of Harrods – which no longer sells wild animals – the lion cub was raised in a churchyard (hence, his name) and accompanied his owners to their furniture shop every workday. "Christian...
- 7/30/2008
- by Stephen M. Silverman
- PEOPLE.com
The greatest lion of them all in the African adventure "To Walk With Lions" is Richard Harris. Playing George Adamson, the English expatriate who spent the majority of his adult life rehabilitating lions to be reintroduced into the African wild, Harris turns himself into a lion.
Harris' long white hair and beard -- looking remarkably like Adamson -- quiet dignity, lion bellows and obstinate refusal to bend to anyone else's will convinces us and his lions that he is one of them. Indeed, he is their leader.
A rousing, old-fashioned (in that best meaning of that term) tale of human courage, this film has come to the Toronto International Film Festival to seek distribution after a debut at the Seattle Film Festival. Mainly financed by Canadian producer Pieter Kroonenburg's GFT Kingsborough Films, "Lions" does present a marketing challenge. Its willingness to look on the gamy side of life certainly prevents its promotion as Disney-type kids fare.
But there are so many other hooks here -- a robust African yarn, terrific performances, the magnificent Kenyan countryside lovingly shot by Jean Lepine and a theme of animal conservation that gets more timely with each passing year -- that an ambitious distributor could make an impact with this film not only theatrically but in ancillary markets.
To call this a sequel to "Born Free" misrepresents both films made in different times for different audiences. "Born Free", made in 1966, showed how George and his wife Joy Adamson were able to return Elsa the lioness to the wild. It was a fairly benign story accompanied by a best-selling song. The new film tells of the uneasy friendship between George Adamson and a wild, young English ex-pat Tony Fitzjohn (John Michie), who quite accidentally gets hired to work at Adamson's Kora game compound.
A hard-drinking womanizer who lives an unprincipled and irresponsible life, Fitzjohn accepts the job only because he's desperate for a few bob. Uneasy around the lions, Fitzjohn is ready to bolt at a moment's notice. But living with George and his antisocial brother Terence (Ian Bannen), who prefers elephants to lions, Fitzjohn grows to admire that which he fears. Besides, plenty of women and booze turn up at Kora to keep him happy.
Hungarian-born Australian director Carl Schultz ("Careful, He Might Hear You") neatly balances the rich characters and the compelling story lines with the natural inclination to feast visually on the glorious African landscapes. The film manages to recall not only those old African melodramas Hollywood once made but also movies like "Out of Africa".
Its characters are people smitten with the land, and, the film also makes clear, people who sometimes forget whose land this is and people who sometimes care more about animals than natives.
The film begins during the 1970s and ends with Adamson's murder in 1989. Adamson's effect on Fitzjohn, who is basically Adamson's younger self, is seen in the fact that Fitzjohn now runs Tanzania's Mkomazi game reserve and spends much time traveling to raise money and the world's consciousness about the damage poachers and bandits cause in the African wild.
But the film concentrates on the human adventure as the cocky younger man learns how to work and communicate with dangerous beasts, struggles to overcome his hot temper, especially when drunk, and romances an English anthropologist (Kerry Fox), who has plenty of reasons to doubt his sincerity.
The film takes only the occasional potshot at its predecessor. Terence mocks his brother by humming the "Born Free" theme song. And the Joy Adamson who briefly turns up here (played by James Bond veteran Honor Blackman) is more a rough-around-the-edges socialite whose interest in wildlife only barely includes lions. (Reportedly, the real Joy Adamson never shared the profits from her book and movie deal with her husband's game preserve.)
Harris, puffing thoughtfully on his pipe and strolling with his lions, dominates the film as the old lion who must teach his cubs how to defend their territory. He seldom speaks above a whisper and allows his face little opportunity to betray his inner emotions.
Michie is a genuine discovery in this film. A bare-chested hunk with plenty of sex appeal and the acting moxie to go with it, Michie makes a captivating Fitzjohn, a man whose spiritual growth the movie ably charts. Nor does it hurt that Michie lived in Kenya for much of his youth and speaks Swahili.
TO WALK WITH LIONS
IAC Films & Television
in association with GFT Kingsborough Films/
Studio Eight Prods./Simba Prods.
Producers: Pieter Kroonenburg, Julie Allan
Director: Carl Schultz
Screenwriters: Sharon Buckingham, Keith Ross Leckie
Executive producer: John Buchanan
Director of photography: Jean Lepine
Production designer: Michael Devine
Music: Alan Reeves
Costume designer: Suzy Belcher
Editor: Angelo Corrao
Color/stereo
Cast:
George Adamson: Richard Harris
Tony Fitzjohn: John Michie
Lucy Jackson: Kerry Fox
Terence Adamson: Ian Bannen
Maxwell: Hugh Quarshie
Joy Adamson: Honor Blackman
Victoria Andrecelli: Geraldine Chaplin
Running time -- 110 minutes
No MPAA rating...
Harris' long white hair and beard -- looking remarkably like Adamson -- quiet dignity, lion bellows and obstinate refusal to bend to anyone else's will convinces us and his lions that he is one of them. Indeed, he is their leader.
A rousing, old-fashioned (in that best meaning of that term) tale of human courage, this film has come to the Toronto International Film Festival to seek distribution after a debut at the Seattle Film Festival. Mainly financed by Canadian producer Pieter Kroonenburg's GFT Kingsborough Films, "Lions" does present a marketing challenge. Its willingness to look on the gamy side of life certainly prevents its promotion as Disney-type kids fare.
But there are so many other hooks here -- a robust African yarn, terrific performances, the magnificent Kenyan countryside lovingly shot by Jean Lepine and a theme of animal conservation that gets more timely with each passing year -- that an ambitious distributor could make an impact with this film not only theatrically but in ancillary markets.
To call this a sequel to "Born Free" misrepresents both films made in different times for different audiences. "Born Free", made in 1966, showed how George and his wife Joy Adamson were able to return Elsa the lioness to the wild. It was a fairly benign story accompanied by a best-selling song. The new film tells of the uneasy friendship between George Adamson and a wild, young English ex-pat Tony Fitzjohn (John Michie), who quite accidentally gets hired to work at Adamson's Kora game compound.
A hard-drinking womanizer who lives an unprincipled and irresponsible life, Fitzjohn accepts the job only because he's desperate for a few bob. Uneasy around the lions, Fitzjohn is ready to bolt at a moment's notice. But living with George and his antisocial brother Terence (Ian Bannen), who prefers elephants to lions, Fitzjohn grows to admire that which he fears. Besides, plenty of women and booze turn up at Kora to keep him happy.
Hungarian-born Australian director Carl Schultz ("Careful, He Might Hear You") neatly balances the rich characters and the compelling story lines with the natural inclination to feast visually on the glorious African landscapes. The film manages to recall not only those old African melodramas Hollywood once made but also movies like "Out of Africa".
Its characters are people smitten with the land, and, the film also makes clear, people who sometimes forget whose land this is and people who sometimes care more about animals than natives.
The film begins during the 1970s and ends with Adamson's murder in 1989. Adamson's effect on Fitzjohn, who is basically Adamson's younger self, is seen in the fact that Fitzjohn now runs Tanzania's Mkomazi game reserve and spends much time traveling to raise money and the world's consciousness about the damage poachers and bandits cause in the African wild.
But the film concentrates on the human adventure as the cocky younger man learns how to work and communicate with dangerous beasts, struggles to overcome his hot temper, especially when drunk, and romances an English anthropologist (Kerry Fox), who has plenty of reasons to doubt his sincerity.
The film takes only the occasional potshot at its predecessor. Terence mocks his brother by humming the "Born Free" theme song. And the Joy Adamson who briefly turns up here (played by James Bond veteran Honor Blackman) is more a rough-around-the-edges socialite whose interest in wildlife only barely includes lions. (Reportedly, the real Joy Adamson never shared the profits from her book and movie deal with her husband's game preserve.)
Harris, puffing thoughtfully on his pipe and strolling with his lions, dominates the film as the old lion who must teach his cubs how to defend their territory. He seldom speaks above a whisper and allows his face little opportunity to betray his inner emotions.
Michie is a genuine discovery in this film. A bare-chested hunk with plenty of sex appeal and the acting moxie to go with it, Michie makes a captivating Fitzjohn, a man whose spiritual growth the movie ably charts. Nor does it hurt that Michie lived in Kenya for much of his youth and speaks Swahili.
TO WALK WITH LIONS
IAC Films & Television
in association with GFT Kingsborough Films/
Studio Eight Prods./Simba Prods.
Producers: Pieter Kroonenburg, Julie Allan
Director: Carl Schultz
Screenwriters: Sharon Buckingham, Keith Ross Leckie
Executive producer: John Buchanan
Director of photography: Jean Lepine
Production designer: Michael Devine
Music: Alan Reeves
Costume designer: Suzy Belcher
Editor: Angelo Corrao
Color/stereo
Cast:
George Adamson: Richard Harris
Tony Fitzjohn: John Michie
Lucy Jackson: Kerry Fox
Terence Adamson: Ian Bannen
Maxwell: Hugh Quarshie
Joy Adamson: Honor Blackman
Victoria Andrecelli: Geraldine Chaplin
Running time -- 110 minutes
No MPAA rating...
- 9/20/1999
- The Hollywood Reporter - Movie News
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