At this year’s Sundance, the hills were alive with the sound of fucking.
Though mainstream movies have devolved into a sex-free enterprise, where superheroes and Xenu’s chosen one vie for maximum profit, the premier showcase for independent cinema is still letting its freak flag fly. Yes, the 2023 Sundance Film Festival — running from Jan. 19 to 29 — was delightfully horny, serving as a rebuke to an industry that has for years treated onscreen sex as a sin more damning than all matter of corporal violence; one dominated by striking Marvel and...
Though mainstream movies have devolved into a sex-free enterprise, where superheroes and Xenu’s chosen one vie for maximum profit, the premier showcase for independent cinema is still letting its freak flag fly. Yes, the 2023 Sundance Film Festival — running from Jan. 19 to 29 — was delightfully horny, serving as a rebuke to an industry that has for years treated onscreen sex as a sin more damning than all matter of corporal violence; one dominated by striking Marvel and...
- 1/28/2023
- by Marlow Stern
- Rollingstone.com
I won’t be the first or last person to observe that Infinity Pool is pretty much The White Lotus with thick dollops of gore, hallucinatory visions, orgiastic sleaze, queasy cloning and state-sanctioned psychosis. If that sounds like your thing, dive right in. Though the family imprimatur is still very much in evidence, writer-director Brandon Cronenberg steps out from the shadow of his father more than usual with a sci-fi satire in which wanton violence, depravity and zero accountability are perks of the wealthy. Bound to be a gleefully warped thrill ride for some and an unpleasant ordeal for others, it’s not for the squeamish.
Cronenberg’s new film is less formally inventive and icy than Possessor, more narratively straightforward if no less disturbingly weird and grisly. But the go-for-broke extremity lacks the substance to make it more than an aggressive but shallow provocation. So many movies have needled...
Cronenberg’s new film is less formally inventive and icy than Possessor, more narratively straightforward if no less disturbingly weird and grisly. But the go-for-broke extremity lacks the substance to make it more than an aggressive but shallow provocation. So many movies have needled...
- 1/26/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Jg Ballard meets Ben Wheatley in Brandon Cronenberg’s latest. Which is a bit of a surprise, since the two have already met: in 2015, in the latter’s dystopian satire High-Rise. There are (literal) shades of Nicolas Winding Refn, too, and a healthy smattering of body horror inherited from the old man, whose filmography Cronenberg Jr. raids to make an unlikely fusion of Videodrome and A History of Violence, two very opposing milestones in his father’s career.
Unexpectedly, so much mixing and matching has resulted in the younger director’s most original and ambitious film so far; seeming to ditch the intellectually intriguing but dramatically sterile precision of his debut film Antiviral, Cronenberg is now going all-in for the cinema of nightmares, with a film that gets under the skin and itches, invades the brain and plays havoc with the synapses.
The Wheatley connection is not as far-fetched as it sounds,...
Unexpectedly, so much mixing and matching has resulted in the younger director’s most original and ambitious film so far; seeming to ditch the intellectually intriguing but dramatically sterile precision of his debut film Antiviral, Cronenberg is now going all-in for the cinema of nightmares, with a film that gets under the skin and itches, invades the brain and plays havoc with the synapses.
The Wheatley connection is not as far-fetched as it sounds,...
- 1/23/2023
- by Damon Wise
- Deadline Film + TV
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