- (April 2002) Designed set for "Morning's at Seven" play by Paul Osborn (Lyceum Theater, New York City, New York, USA).
- (May 2002) Designed sets for "House/Garden" plays by Alan Ayckbourn (City Center Stage I & Stage II, New York City, New York, USA).
- (August 2002) Designed set for "Frankie and Johnny in the Clair de Lune" play by Terrence McNally (Belasco Theater, New York City, New York, USA).
- (October 2002) Designed set for "My Old Lady" play by Israel Horovitz (Promenade Theater, New York City, New York, USA).
- (November 2002) Designed set for "Book of Days" play by Lanford Wilson (Signature Theater Co., New York City, New York, USA).
- (December 2002) Designed sets for "Dinner at Eight" play by George S. Kaufman and Edna Ferber (Vivian Beaumont Theater, New York City, New York, USA).
- (June 2005) Designed sets for "After the Night and the Music" play by Elaine May (The Biltmore Theatre, New York City, New York, USA).
- (June 2005) Designed sets for "The Paris Letter" play by Jon Robin Baitz (Laura Pels Theatre, New York City, New York, USA).
- (October 2005) Designed sets for "A Naked Girl on Appian Way" play by Richard Greenberg (American Airlines Theatre, New York City, New York, USA).
- (March 2006) Designed sets for the "Defiance" play by John Patrick Shanley (Manhattan Theatre Club City Center, New York City, New York, USA).
- (February 2006) Designed sets for the "Rabbit Hole" play by David Lindsay-Abaire (Biltmore Theatre, New York City, New York, USA).
- (December 2005) Designed sets for "The Color Purple" musical by Brenda Russell, Allee Willis, Stephen Bray and Marsha Norman (Broadway Theatre, New York City, New York, USA).
- (October 2005) Designed sets for "The Odd Couple" play by Neil Simon (Brooks Atkinson Theatre, New York City, New York, USA).
- (May 2006) Sets for "The Caine Mutiny Court-Martial" play by Herman Wouk (Gerald Schoenfeld Theatre, New York City, New York, USA).
- (September 2006) Sets for "Doubt" play by John Patrick Shanley (Ahmanson Theatre, Los Angeles, California, USA).
- (February 2007) Sets for "The Jew of Malta" play by Christopher Marlowe (Theatre for a New Audience, New York City, New York, USA).
- (February 2007) Sets for "The Merchant of Venice" play by William Shakespeare (Theatre for a New Audience, New York City, New York, USA).
- (June 2007) Designed sets for A.R. Gurney's "Crazy Mary" at Manhattan's Playwrights Horizons Theater featuring Sigourney Weaver, Michael Esper Mitchell Greenberg, Kristine Nielsen and Myra Lucretia Taylor.
- (1977) He was the scenic designer for the play, "Tobacco Road," at the Academy Festival Theatre in Chicago, Illinois.
- (1980) He was the scenic designer for Lanford Wilson's play, "Talley's Folly," at the Goodman Theatre in Chicago, Illinois. Cast and crew also included Jordan Charney and Dennis Parichy (lighting designer).
- (1980) He was the scenic designer for the Rostrand's play, "Cyrano DeBergerac" at the Goodman Theatre in Chicago, Illinois. Christa Scholtz was costume designer.
- (1985) He was the scenic designer for David Mamet's play, "The Water Engine," at the Goodman Theatre in Chicago, Illinois, with Steven Schacter (director), and Dennis Parichy (lighting designer).
- (1987) He was the scenic designer for Stephen Sondheim's musical, "Sunday in the Park with George," at the Goodman Theatre in Chicago, Illinois. Cast and crew also included Paula Scrofano, John Herrera, Etel Billig, Nan Cibula (costume designer), Robert Christen (lighting designer), Kevin Stites (musical director), directed by Michael Maggio.
- (2002) He was the scenic designer for the play, "Maria Arndt," at the Steppenwolf Theatre Company in Chicago, Illinois.
- (1991-1992 Season) He was scenic designer for Richard Rodgers and Oscar Hammerstein's musical, "Oklahoma!," at the Paper Mill Playhouse in Millburn, New Jersey with Susan Powell, Richard White and Robert Cuccioli in the cast. James Rocco was director. Sharon Halley was choreographer. Tom Helm was musical director. Jeff Davis was lighting designer. Gregg Barnes was costume designer.
- (October 3 to November 15, 1980) He was set designer for Philip Barry's play, "Holiday," at the Ahmanson Theatre in Los Angeles, California with Sally Kellerman, Kevin Kline, Maurice Evans and Marisa Berenson in the cast. Robert Allan Ackerman was director.
- (April 3 to May 24, 1986) He was scenic designer for William Inge's play, "Picnic," at the Ahmanson Theatre in Los Angeles, California with Gregory Harrison, Jennifer Jason Leigh, Rue McClanahan, Dick Van Patten, Dana Hill, Timothy Shelton and Michael Learned in the cast. Marshall W. Mason was director.
- (September 11 to October 27, 1996) He was scenic designer for Ruth and Augustus Goetz's play, "The Heiress," in the 30th Anniversary Season at the Ahmanson Theatre in Los Angeles, California with Cherry Jones, Donald Moffat, Frances Sternhagen and Michael Cumpsty in the cast. Gerald Gutierrez was director. Jane Greenwood was costume designer. Beverly Emmons was lighting designer.
- (July 16 to August 31, 1997) He was scenic designer for Neil Simon's play, "Proposals," at the Ahmanson Theatre in Los Angeles, California with L. Scott Caldwell in the cast. Joe Mantello was director. Brian MacDevitt was lighting designer. Tom Clark was sound designer.
- (December 4, 2003 to January 26, 2003) He was set designer for Paul Osborn's play, "Morning's at Seven," at the Ahmanson Theatre in Los Angeles, California. Daniel Sullivan was director.
- (1980) He was set designer for Lanford Wilson's play, "Talley's Folly," on Broadway in New York City. David Parichy was lighting designer.
- (August 11 to October 6, 1979) He was set designer for Lanford Wilson's play, "Talley's Folly," in the West Coast premiere at the Mark Taper Forum Theatre in Los Angeles, California with Judd Hirsch in the cast. Marshall W. Mason was director.
- (August 9 to October 7, 1979) He was scenic designer for Lanford Wilson's play, "5th of July," at the Mark Taper Forum Theatre in Los Angeles, California with Judd Hirsch in the cast. Marshall W. Mason was director.
- (October 11 to December 6, 1981) He was set deigned for Lanford Wilson's play, "A Tale Told," in a West Coast premiere at the Mark Taper Forum Theatre in Los Angeles, California with Fritz Weaver in the cast. Marshall W. Mason was director. Dennis Parichy was lighting designer.
- (July 31 to September 25, 1983) He was scenic designer for Tennessee Williams' play, "Cat on a Hot Tin Roof," at the Mark Taper Forum Theatre in Los Angeles, California with Kirstie Alley, Pat Hingle, Patricia McCormack and James Morrison in the cast. Jose Quintero was director.
- (January 11 to February 15, 1987) He was scenic designer for Lanford Wilson's play, "Burn This," in a world premiere at the Mark Taper Forum Theatre in Los Angeles, California with Joan Allen, Lou Liberatore, and John Malkovich in the cast. Marshall W. Mason was director. Dennis Parichy was lighting designer. Laura Crow was costume designer.
- (January 10 to March 7, 1993) He was scenic designer for Jon Robin Baitz's play, "The Substance of Fire," at the Mark Taper Forum Theatre in Los Angeles, California with Ron Rifkin and Kelly Wolf in the cast. Daniel Sullivan was director. Jess Goldstein was costume designer. Arden Fingerhut was lighting designer.
- (December 22, 2001 to February 10, 2002) He was set designer for Israel Horovitz's play, "My Old Lady," in presentation in part of the Taper subscription series with Center Theatre Group/Mark Taper Forum production in a West Coast premiere at the James A. Doolittle Theatre at the University of California in Los Angeles, California. David Esbjornson was director.
- (1984-1985 season) He was set designer for Per Olav Enquist's play, "Rainsnakes," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Harry G. Carlson was translator. Jose Quintero was director. Jane Greenwood was costume designer. Judy Rasmuson was lighting designer.
- (1988-1989 season) He was set designer for Mark Lee's play, "Rebel Armies Deep Into Chad," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. John Tillinger was director. Candice Donnelly was costume designer. Marc B. Weiss was lighting designer.
- (1989-1990 season) He was set designer for John Mortimer's translation of Georges Feydeau's play, "A Flea in Her Ear," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. Jane Greenwood was costume designer. Marc B. Weiss was lighting designer.
- (1989-1990 season) He was set designer for James Roose Evans' and Maureen Lipman's adaptation of Joyce Grenfell's works, "Re: Joyce!," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Alan Strachan was director. Ben Frow was costume designer. Judy Rasmuson was lighting designer.
- (1990-1991 season) He was set designer for Harley Granville Barker's play, "The Voysey Inheritance," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Arden Fingerhut was lighting designer.
- (1990-1991 season) He was set designer for Harold Pinter's play, "Betrayal," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. Jane Greenwood was costume designer. Richard Nelson was lighting designer.
- (1991-1992 season) He was set designer for Austin Pendleton's play, "Booth is Back," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Jess Goldstein was costume designer. Dennis Parichy was lighting designer.
- (1991-1992 season) He was set designer for the musical, "Adventures in the Skin Trade," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Dylan Thomas wrote the book. John Tillinger and James Hammerstein were adapters. James Hammerstein was lyricist. Tom Fay was composer. John Tillinger was also director. Jane Greenwood was costume designer. Tharon Musser was lighting designer. Danny Herman was choreographer.
- (1992-1993 season) He was set designer for Eduardo Machado's play, "Once Removed," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. Jane Greenwood was costume designer. Pat Collins was lighting designer. Donna Riley was sound designer.
- (October 3 to November 30, 1997) He was set designer for Oliver Goldsmith's play, "She Stoops to Conquer," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Mark O'Donnell wrote a prologue and epilogue. Doug Hughes was director. Linda Fisher was costume designer. Pat Collins was lighting designer. David Van Tiegherm was sound designer.
- (October 26 to November 20, 2011) He was set designer for the musical, "Ain't Misbehavin' The Fats Waller Musical Show," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Richard Maltby Jr. and Murray Horwitz were developers. Richard Maltby Jr. was original and present director and developer. Arthur Faria was original and present choreographer and music director. Luther Henderson was musical adapter and orchestra arranger. Jeffrey Gutcheon was vocal and musical developer. Jeffrey Gutcheon and William Elliott were musical arrangers. Phillip Hall was musical director. Gail Baldoni was costume designer. Pat Collins was lighting designer. Tom Morset was sound designer.
- (June 1981 to April 1982) He was set designer for Hume Cronyn and Susan Cooper's play, "Foxfire," in an American premiere at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Marshall W. Mason was director. Jennifer Von Mayrhauser was costume designer. Dennis Parichy was lighting designer. Jonathan Holtzman was composer. Judy Swanholm was assistant.
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