NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
Eight films by Nagisa Ōshima, one of the greatest Japanese directors, are subject of a retrospective.
Film at Lincoln Center
As The Mother and the Whore continues in a 4K restoration, the full Jean Eustache retrospective gets underway; Out of Sight plays for free this Friday night on Governors Island.
Roxy Cinema
35mm prints of Casino and Visconti’s The Damned screen, while Party Girl and Brick and Mirror show in 4K restorations.
Metrograph
Documentary filmmaker Tom Palazzolo is subject of a rare retrospective.
Film Forum
Godard’s Contempt and Midnight Cowboy play in 4K restorations.
Museum of the Moving Image
The original Star Wars trilogy, Roger Rabbit, and An American Werewolf in London play in a summer movie series, while a print of The Royal Tenenbaums screens on Saturday and Sunday; The Beast from 20,000 Fathoms also shows.
Anthology Film Archives
Eight films by Nagisa Ōshima, one of the greatest Japanese directors, are subject of a retrospective.
Film at Lincoln Center
As The Mother and the Whore continues in a 4K restoration, the full Jean Eustache retrospective gets underway; Out of Sight plays for free this Friday night on Governors Island.
Roxy Cinema
35mm prints of Casino and Visconti’s The Damned screen, while Party Girl and Brick and Mirror show in 4K restorations.
Metrograph
Documentary filmmaker Tom Palazzolo is subject of a rare retrospective.
Film Forum
Godard’s Contempt and Midnight Cowboy play in 4K restorations.
Museum of the Moving Image
The original Star Wars trilogy, Roger Rabbit, and An American Werewolf in London play in a summer movie series, while a print of The Royal Tenenbaums screens on Saturday and Sunday; The Beast from 20,000 Fathoms also shows.
- 7/6/2023
- by Nick Newman
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSLast Summer.The first round of Cannes-centric announcements has arrived (full selections linked): on Thursday, the festival unveiled the Competition, Un Certain Regard, and Special Screenings lineups. The Directors’ Fortnight and Critics’ Week slates followed on Monday and Tuesday.Applications are now open for this year’s edition of the Locarno Critics Academy. Participating critics will be able to cover the festival and attend workshops with critics, programmers, and filmmakers. Some Notebook samples by a few of last year's critics: Dini Adanurani covered Locarno's experimental 24-hour panel, and Laura Staab contributed interviews with Helena Wittmann and Kelly Reichardt (the latter cowritten with Christopher Small).Jim Jarmusch is planning to shoot his next film in the autumn—characteristically, it will be “quiet, funny,...
- 4/19/2023
- MUBI
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Country Gold (Mickey Reece)
The cost of fame sits in the living room wondering aloud whether dad will be home for Christmas. Why these two young boys’ voices have been deepened to sound like they’re 40-year-old drunks slurring through a bender is beyond me (an assumption of it being a dream or game is squashed once mom enters without the effect being called out), but their words have meaning. Troyal’s (Mickey Reece channeling Garth Brooks) star has risen to unimaginable heights and he’s embraced it to the point where his “good ol’ boy” demeanor can’t quite hide the growing ego beneath a cowboy hat. While Jamie (Leah N.H. Philpott) tries toeing the line of admiring his accomplishments and...
Country Gold (Mickey Reece)
The cost of fame sits in the living room wondering aloud whether dad will be home for Christmas. Why these two young boys’ voices have been deepened to sound like they’re 40-year-old drunks slurring through a bender is beyond me (an assumption of it being a dream or game is squashed once mom enters without the effect being called out), but their words have meaning. Troyal’s (Mickey Reece channeling Garth Brooks) star has risen to unimaginable heights and he’s embraced it to the point where his “good ol’ boy” demeanor can’t quite hide the growing ego beneath a cowboy hat. While Jamie (Leah N.H. Philpott) tries toeing the line of admiring his accomplishments and...
- 4/14/2023
- by Jordan Raup
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Amulet (Romola Garai)
Trust is earned, not given. Just because you believe you’re a just person who’d do everything in your power to protect the less fortunate doesn’t mean they should blindly provide their allegiance. They need to know for sure that what you say and do is true. They need to know that you aren’t acting one way via deception in order to act another way later out of some warped notion of entitlement. There are too many people in this world who believe that the bare minimum is worth both material spoils and sainthood to want for nothing in this life and the next.
Amulet (Romola Garai)
Trust is earned, not given. Just because you believe you’re a just person who’d do everything in your power to protect the less fortunate doesn’t mean they should blindly provide their allegiance. They need to know for sure that what you say and do is true. They need to know that you aren’t acting one way via deception in order to act another way later out of some warped notion of entitlement. There are too many people in this world who believe that the bare minimum is worth both material spoils and sainthood to want for nothing in this life and the next.
- 7/24/2020
- by Jordan Raup
- The Film Stage
When HBO Sports announced upcoming docuseries “Tiger,” controversy followed. The problem didn’t lie in the sometimes-tabloid story of champion golfer Tiger Woods, but in its telling: The directors are two white men, Matthew Heineman and Matthew Hamachek, who previously collaborated on the Oscar-nominated “Cartel Land,” on which Hamachek served as editor.
HBO dropped the production’s introductory press release July 9, in the middle of a summer marked by the deaths of Ahmaud Arbery and George Floyd, nationwide protests, and Black Lives Matter. A community of Black, Indigenous, and people of color (Bipoc) documentary filmmakers responded to “Tiger” as one more film in a series that never seems to end: a story of Black people told by white men. And this time, they would not allow their voices to remain on the margins.
When Heineman announced the film on Facebook July 10 (“Our goal was to dive deeper and create an...
HBO dropped the production’s introductory press release July 9, in the middle of a summer marked by the deaths of Ahmaud Arbery and George Floyd, nationwide protests, and Black Lives Matter. A community of Black, Indigenous, and people of color (Bipoc) documentary filmmakers responded to “Tiger” as one more film in a series that never seems to end: a story of Black people told by white men. And this time, they would not allow their voices to remain on the margins.
When Heineman announced the film on Facebook July 10 (“Our goal was to dive deeper and create an...
- 7/22/2020
- by Tambay Obenson
- Indiewire
Opening four years ago in the Lower East Side of Manhattan, Metrograph has been a bastion for cinephiles. Since the pandemic hit in mid-March, causing all movie theaters in the city and beyond to shut down and rethink their plans, this specific theater had been relatively quiet in what lies on the road ahead. Well, it turns out they were planning something quite exciting.
Metrograph has now launched Metrograph Digital, premiering this Friday, July 24. Available nationwide, it’s a membership-based program for $5 a month or $50 annually, with previous NYC-based members already included at no cost. The first initiative is Metrograph Live Screenings, “a celebration of communal movie watching” which features a specific time where films will screen digitally, and also include intros, pre-show material, and Q&As. These presentations will be available on a live stream player, watchable on any computer and mobile device, and connectable to TVs. If you miss the initial broadcast,...
Metrograph has now launched Metrograph Digital, premiering this Friday, July 24. Available nationwide, it’s a membership-based program for $5 a month or $50 annually, with previous NYC-based members already included at no cost. The first initiative is Metrograph Live Screenings, “a celebration of communal movie watching” which features a specific time where films will screen digitally, and also include intros, pre-show material, and Q&As. These presentations will be available on a live stream player, watchable on any computer and mobile device, and connectable to TVs. If you miss the initial broadcast,...
- 7/21/2020
- by Jordan Raup
- The Film Stage
The Metrograph, the four-year old New York City arthouse that established itself as a tastemaking film venue before being knocked sideways by Covid-19, has launched an ambitious online expansion.
Metrograph Digital will debut on Friday and will be available to anyone nationwide through an online membership program. For existing Metrograph members, there is no extra charge. New members will pay $5 a month or $50 a year. Viewers can access the streaming player through laptops or mobile devices and can “cast” the films to TV sets.
The first Metrograph Digital offering is Metrograph Live Screenings, a lineup developed and curated by the theater’s programming team. An official announcement promises “a celebration of communal movie watching,” with a rotating selection of new releases and repertory titles each week, opening at set showtimes. As is the case at the Ludlow Street location, the screenings will be accompanied by introductions, pre-show material and Q&As.
Metrograph Digital will debut on Friday and will be available to anyone nationwide through an online membership program. For existing Metrograph members, there is no extra charge. New members will pay $5 a month or $50 a year. Viewers can access the streaming player through laptops or mobile devices and can “cast” the films to TV sets.
The first Metrograph Digital offering is Metrograph Live Screenings, a lineup developed and curated by the theater’s programming team. An official announcement promises “a celebration of communal movie watching,” with a rotating selection of new releases and repertory titles each week, opening at set showtimes. As is the case at the Ludlow Street location, the screenings will be accompanied by introductions, pre-show material and Q&As.
- 7/20/2020
- by Dade Hayes
- Deadline Film + TV
As a “normal” moviegoing world continues remains uncertain, quick-thinking adaptation has become the name of the name. New York City’s Metrograph, both a beloved boutique theater and growing distribution label, is leaning into that ethos with the July 24 launch of its Metrograph Digital, a platform that seeks to combine the joy of in-person moviegoing with the safety of at-home viewing.
The first Metrograph Digital initiative set to roll out is Metrograph Live Screenings, which will unspool this week with “a rotating selection of new releases and repertory titles, opening at set showtimes, with introductions, pre-show material, and Q&As specific to every show.” The program will include works by Claire Denis, Éric Rohmer, St. Clair Bourne, Ulrike Ottinger, Alain Resnais, Djibril Diop Mambéty, Satoshi Kon, Laurie Anderson, and Manfred Kirchheimer. Starting July 31, photographer and activist Nan Goldin will become the first guest programmer with a new series crafted to accompany her latest film,...
The first Metrograph Digital initiative set to roll out is Metrograph Live Screenings, which will unspool this week with “a rotating selection of new releases and repertory titles, opening at set showtimes, with introductions, pre-show material, and Q&As specific to every show.” The program will include works by Claire Denis, Éric Rohmer, St. Clair Bourne, Ulrike Ottinger, Alain Resnais, Djibril Diop Mambéty, Satoshi Kon, Laurie Anderson, and Manfred Kirchheimer. Starting July 31, photographer and activist Nan Goldin will become the first guest programmer with a new series crafted to accompany her latest film,...
- 7/20/2020
- by Kate Erbland
- Indiewire
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe Weinstein Company has continued its descent after the many sexual assault accusations fired at Harvey Weinstein. According to Variety, the company is now filing for bankruptcy after a sale fell through.Recommended VIEWINGJust a few weeks ago we shared the trailer for Hong Sang-soo's latest film, Grass. Now, in the event of its U.S. distribution (provided by Cinema Guild), there's a new trailer for one of Hong's 2017 ventures: Claire's Camera. You can read our review for the lovingly quaint film in our Cannes 2017 coverage.Marvel mastermind Stan Lee recounts his surreal near-collaboration with the great late French director Alain Resnais for Criterion. February 16th, 2018 was the 100th anniversary of the creation of the state of Lithuania. Thus the nation's avant-garde maestro, Jonas Mekas, has kindly shared his 2008 epic Lithuania and the Collapse of the Ussr on Vimeo.
- 3/3/2018
- MUBI
Recently celebrating its 25th anniversary, after Spike Lee and cast revisited Do the Right Thing, we now have another look at the director’s classic drama. The late St. Clair Bourne’s documentary on Lee’s critically acclaimed film is a modest, but thought provoking look at the production itself. The documentary follows the cast and crew of the film, […]...
- 9/15/2015
- by TFS Staff
- The Film Stage
From my inbox (Thanks Alece!):
Some upcoming screening events for my fellow New Yorkers:
First, tonight at 7:30Pm, Harlem Stage (150 Convent Ave in Harlem) is screening St. Clair Bourne’s The Black and the Green, a 1983 documentary chronicling a fact-finding trip to Belfast, Northern Ireland, by 5 black American activists, who found that many Catholics there had been influenced by the civil rights movement. The documentary itself would appear to be pro-ira (Irish Republican Army), but that certainly wasn’t accidental. I should make a connection to another black filmmaker here, be reminding you that 2 years before St. Clair made his documentary, Ira member Bobby Sands died after a 66-day prison hunger strike – an occurrence that was chronicled in Brit Steve McQueen’s stark 2008 film Hunger.
Tickets to the screening are $10.
Second, Us Post office will be unveiling the Oscar Micheaux stamp on June 23rd, at 12Pm, at the...
Some upcoming screening events for my fellow New Yorkers:
First, tonight at 7:30Pm, Harlem Stage (150 Convent Ave in Harlem) is screening St. Clair Bourne’s The Black and the Green, a 1983 documentary chronicling a fact-finding trip to Belfast, Northern Ireland, by 5 black American activists, who found that many Catholics there had been influenced by the civil rights movement. The documentary itself would appear to be pro-ira (Irish Republican Army), but that certainly wasn’t accidental. I should make a connection to another black filmmaker here, be reminding you that 2 years before St. Clair made his documentary, Ira member Bobby Sands died after a 66-day prison hunger strike – an occurrence that was chronicled in Brit Steve McQueen’s stark 2008 film Hunger.
Tickets to the screening are $10.
Second, Us Post office will be unveiling the Oscar Micheaux stamp on June 23rd, at 12Pm, at the...
- 6/9/2010
- by Tambay
- ShadowAndAct
NEW YORK -- IFP has unveiled a new advisory board, date and 10-feature slate for its third annual Narrative Rough Cut Lab, a mentorship program for first-time filmmakers.
The lab will move from September (the month of the IFP Market and Filmmaker's Conference) to June to give filmmakers and mentors more postproduction time before winter and spring festival submission deadlines. It also will expand from three to four days.
The filmmakers on the advisory board include Ted Hope, Warrington Hudlin, St. Claire Bourne, Jacques Thelemaque, Effie Brown, Karin Chien, Janet Pierson and Frances Negron-Muntaner. Sundance's Cara Mertes and BMI's Doreen Ringer Ross also are members.
Among those leading filmmaker lab workshops are composer Mychael Danna; editors Sabine Hoffmann and Kate Williams; film execs Sarah Lash, Dana O'Keefe and Melissa Raddatz; MPAA independent film liaison Scott Young; and journalist Brian Brooks.
This year's 10 narrative projects are Alex Karpovsky's "General Impressions of Size & Shape," Jeffrey Jay Orgill's "Boppin' at the Glue Factory", Georgina Lightning's "Older Than America", Sergio Palacios and Damian Rodriquez's "El Coyote", Junko Kajino and Ed M.
The lab will move from September (the month of the IFP Market and Filmmaker's Conference) to June to give filmmakers and mentors more postproduction time before winter and spring festival submission deadlines. It also will expand from three to four days.
The filmmakers on the advisory board include Ted Hope, Warrington Hudlin, St. Claire Bourne, Jacques Thelemaque, Effie Brown, Karin Chien, Janet Pierson and Frances Negron-Muntaner. Sundance's Cara Mertes and BMI's Doreen Ringer Ross also are members.
Among those leading filmmaker lab workshops are composer Mychael Danna; editors Sabine Hoffmann and Kate Williams; film execs Sarah Lash, Dana O'Keefe and Melissa Raddatz; MPAA independent film liaison Scott Young; and journalist Brian Brooks.
This year's 10 narrative projects are Alex Karpovsky's "General Impressions of Size & Shape," Jeffrey Jay Orgill's "Boppin' at the Glue Factory", Georgina Lightning's "Older Than America", Sergio Palacios and Damian Rodriquez's "El Coyote", Junko Kajino and Ed M.
- 6/12/2007
- The Hollywood Reporter - Movie News
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