Influential African Americans have attacked Quentin Tarantino's film for what they say is an inappropriate tone. Author and director Candace Allen explains why she disagrees
In the mid-1990s when my sister and I were nursing an A-list star's film project through what I came to term "Hollywood Nightmare No 1" and I, the writer, became daunted by the madness, my sister sought to steel my nerve by quoting sacred text from the La-la Land bible: "Remember, it ain't show art. It's show business."
As we consider the trajectory of Quentin Tarantino's much-anticipated Django Unchained this is a, if not the, salient thought to keep in mind. Irreverent, B-movie and grotesquerie devotee, n-word bandying, sometimes brilliant, usually outrageous, Tarantino directs his talents towards slavery. Cue the claque and all the usual suspects. From the film's announcement in early 2011, when copies of the 166-page Qt-annotated script first began to circulate in the film blogosphere,...
In the mid-1990s when my sister and I were nursing an A-list star's film project through what I came to term "Hollywood Nightmare No 1" and I, the writer, became daunted by the madness, my sister sought to steel my nerve by quoting sacred text from the La-la Land bible: "Remember, it ain't show art. It's show business."
As we consider the trajectory of Quentin Tarantino's much-anticipated Django Unchained this is a, if not the, salient thought to keep in mind. Irreverent, B-movie and grotesquerie devotee, n-word bandying, sometimes brilliant, usually outrageous, Tarantino directs his talents towards slavery. Cue the claque and all the usual suspects. From the film's announcement in early 2011, when copies of the 166-page Qt-annotated script first began to circulate in the film blogosphere,...
- 1/11/2013
- by Candace Allen
- The Guardian - Film News
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