The flow of time is perceived as being progressive and linear in nature, which contributes to our understanding of concepts such as ‘Butterfly Effect,’ ‘Grandfather Paradox,’ ‘Bootstrap Paradox,’ etc., where temporal changes are theorized to have a significant impact. But what if time, as we know it, doesn’t remain bound by the constraints of a fixed direction and rather starts acting as a catalyst, connecting various points across the past, present, and future in a way that ensures the inevitability of the continuation of time? As the second season of Amazon Studios’ sci-fi western thriller Outer Range reveals itself with all its eccentric zaniness and complexities, this particular version of time gains narrative focus, often acting like a distinctive character in its own right.
If the first season of the series seemed confusing and bonkers to the viewers, the second season of Outer Range is definitely going to knock them senseless,...
If the first season of the series seemed confusing and bonkers to the viewers, the second season of Outer Range is definitely going to knock them senseless,...
- 5/16/2024
- by Siddhartha Das
- Film Fugitives
Coming of age stories are forever popular for their ability to capture the awkwardness of a person scrambling for a sense of identity alongside the discovery of burgeoning emotions they weren’t previously aware of. As we’ve seen with Greta Gerwig’s Lady Bird and Charlotte Wells’ Aftersun in recent years, teen stories centred around girls don’t need to be restricted to the conventional trope of falling in love for the first time. Instead, these films delve into the relationships that girls have with themselves and their families. Kali Kahn’s Father’s Day continues along this progressive narrative path with its depiction of a teenage girl named Ceci and the discovery of her father’s knotty male behaviour. Kahn expertly captures the questionable conduct of men and the guilt felt when one woman betrays another in subtly authentic ways throughout her short, cleverly allowing a seemingly sparkly...
- 2/29/2024
- by Bex Thackery
- Directors Notes
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