In an idyllic coastal town, the disappearance of a young woman triggers a devastating chain of events which lay bare dark and hidden secrets.
Stan’s eight-part mystery drama Eden will premiere on the service June 11, with all episodes dropping at once.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Eden also boasts an all female writing team, led by head writer Vanessa Gazy, alongside Jess Brittain, Anya Beyersdorf, Clare Sladden and Penelope Chai.
Major production investment from Screen Australia in association with Screen Nsw.
Stan’s eight-part mystery drama Eden will premiere on the service June 11, with all episodes dropping at once.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Eden also boasts an all female writing team, led by head writer Vanessa Gazy, alongside Jess Brittain, Anya Beyersdorf, Clare Sladden and Penelope Chai.
Major production investment from Screen Australia in association with Screen Nsw.
- 5/13/2021
- by The IF Team
- IF.com.au
Denson Baker was named Australian cinematographer of the year for his work on Tvnz/BBC mini-series The Luminaries at the national Australian Cinematographers Society (Acs) Awards in Canberra this evening.
In addition to the Milli Award, Baker also won a Gold Tripod for his work on episode 2 of the series, ‘The Place You Return’.
On winning the award Baker said: “I am indebted to my fellow Australian cinematographers for this incredible honour. Milli recipients are some of the world’s most influential and inspiring cinematographers.
“It is beyond a privilege to be included alongside these very people who define great cinema – both in Australia, and on the world stage. Thank you to each and every member of the Australia Cinematographer’s Society. Your artistry and leadership is deeply appreciated.”
Dion Beebe snared the Gold Tripod for Feature Films – Budget $2 million and over for his work on wife Unjoo Moon’s I Am Woman,...
In addition to the Milli Award, Baker also won a Gold Tripod for his work on episode 2 of the series, ‘The Place You Return’.
On winning the award Baker said: “I am indebted to my fellow Australian cinematographers for this incredible honour. Milli recipients are some of the world’s most influential and inspiring cinematographers.
“It is beyond a privilege to be included alongside these very people who define great cinema – both in Australia, and on the world stage. Thank you to each and every member of the Australia Cinematographer’s Society. Your artistry and leadership is deeply appreciated.”
Dion Beebe snared the Gold Tripod for Feature Films – Budget $2 million and over for his work on wife Unjoo Moon’s I Am Woman,...
- 5/1/2021
- by Jackie Keast
- IF.com.au
Stan’s upcoming eight-part drama Eden is set in an idyllic coastal town, where the disappearance of a young woman triggers a devastating chain of events which lay bare the dark and hidden secrets of the town.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Major production investment from Screen Australia in association with Screen Nsw. Financed with support from all3media International who is the global distribution partner.
Stan is expected to announce the premiere date soon.
The post ‘Eden’ (Teaser) appeared first on If Magazine.
The Every Cloud Productions/Balloon Entertainment series boasts a cast that includes BeBe Bettencourt, Sophie Wilde, Keiynan Lonsdale, Cody Fern, Christopher James Baker, Samuel Johnson, Rachael Blake, Leeanna Walsman, Simon Lyndon and Maggie Kirkpatrick.
Created by Fiona Eagger and Deb Cox together with Skins creator Bryan Elsley, Eden is produced by Fiona McConaghy and directed by John Curran, Mirrah Foulkes and Peter Andrikidis. All eight episodes of the series are shot by award-winning cinematographer Geoffrey Hall.
Major production investment from Screen Australia in association with Screen Nsw. Financed with support from all3media International who is the global distribution partner.
Stan is expected to announce the premiere date soon.
The post ‘Eden’ (Teaser) appeared first on If Magazine.
- 4/11/2021
- by The IF Team
- IF.com.au
Twenty-seven of Australia’s top cinematographers last night launched a social media campaign aimed at boosting the number of women employed in camera teams and, more broadly, encouraging greater diversity across the screen industry.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
- 7/27/2020
- by The IF Team
- IF.com.au
The slightly political prison thriller “Escape From Pretoria” works best when onscreen action is focused on Daniel Radcliffe, playing real-life South African political prisoner Tim Jenkin, as he leads a crack team of white prisoners in breaking out of Pretoria Maximum Security Prison.
That’s not really a spoiler, since “Escape From Pretoria” is based on a real-life prison break that led to a decades-long international manhunt. Still, it’s hard to care about what happens to Jenkin and co-conspirators Stephen Lee and Denis Goldberg (Ian Hart), even if you do know how their story will end, and even though “Escape from Pretoria” does feature some well-paced and visually dynamic pre-breakout prep scenes.
Almost everything that’s enjoyable about “Escape From Pretoria” is a variation on stuff you’ve probably seen in superior prison movies, though Radcliffe’s haunted performance is exceptionally compelling. Jenkin and Lee’s politics never make...
That’s not really a spoiler, since “Escape From Pretoria” is based on a real-life prison break that led to a decades-long international manhunt. Still, it’s hard to care about what happens to Jenkin and co-conspirators Stephen Lee and Denis Goldberg (Ian Hart), even if you do know how their story will end, and even though “Escape from Pretoria” does feature some well-paced and visually dynamic pre-breakout prep scenes.
Almost everything that’s enjoyable about “Escape From Pretoria” is a variation on stuff you’ve probably seen in superior prison movies, though Radcliffe’s haunted performance is exceptionally compelling. Jenkin and Lee’s politics never make...
- 3/6/2020
- by Simon Abrams
- The Wrap
“You are the white Mandela,” says a ham-faced warden, all but spitting in the face of anti-apartheid activist Tim Jenkin upon his arrival at Pretoria Local Prison in 1978. It’s not intended as a compliment: “The most deluded of them all,” the warden adds, lest it be taken as such. As clunkily deployed in the script for “Escape from Pretoria,” however, the line acts as a shortcut to nobility, in a tight genre exercise that has scant time for such elaborate niceties as character development and social context. Adapted from Jenkin’s memoir of his time served — and resourcefully cut short — as a South African political prisoner in the country’s darkest days of white supremacy, Francis Annan’s film works effectively as a straight-up jailbreak thriller, well-oiled in greasy B-movie tradition. It’s when it shoots for more historical import that it falls somewhat short.
Jenkin’s book of...
Jenkin’s book of...
- 3/6/2020
- by Guy Lodge
- Variety Film + TV
(L-r) Greg McLean, Phoebe Tonkin, Bryan Brown, Glen Dolman.
During filming of Stan’s Bloom in Victoria last year the creator/showrunner Glen Dolman was already hatching ideas for a second series of the supernatural drama.
So when Stan’s Mike Sneesby and Nick Forward ordered another six episodes in April after he pitched an overview Dolman pressed ahead with plans to bring a fresh perspective to the show.
That involved hiring new directors in Greg McLean and Sian Davies (who collaborated on Stan’s The Gloaming), assembling a new team of writers and adding half a dozen fresh faces to the cast, with the assistance of casting director Leigh Pickford.
Joining him in the writers’ room are Giula Sandler, Matt Ford, Tommy Murphy and Catherine S McMullen. Dolman scripted four of the six eps of the first series, which was named Drama Series Production of the Year at last...
During filming of Stan’s Bloom in Victoria last year the creator/showrunner Glen Dolman was already hatching ideas for a second series of the supernatural drama.
So when Stan’s Mike Sneesby and Nick Forward ordered another six episodes in April after he pitched an overview Dolman pressed ahead with plans to bring a fresh perspective to the show.
That involved hiring new directors in Greg McLean and Sian Davies (who collaborated on Stan’s The Gloaming), assembling a new team of writers and adding half a dozen fresh faces to the cast, with the assistance of casting director Leigh Pickford.
Joining him in the writers’ room are Giula Sandler, Matt Ford, Tommy Murphy and Catherine S McMullen. Dolman scripted four of the six eps of the first series, which was named Drama Series Production of the Year at last...
- 11/17/2019
- by The IF Team
- IF.com.au
Phoebe Tonkin and Bryan Brown.
Jacqueline McKenzie, Gary Sweet, Bella Heathcote, Toby Schmitz, Jackson Heywood, Scott Lee and Ed Oxenbould are new additions to the cast of Stan’s Bloom, the second season of which is now shooting in regional Victoria.
Greg McLean and Sian Davies (who both directed episodes of Stan’s The Gloaming) are directing the six-part supernatural drama created and written by Glen Dolman, produced by Sue Seeary for Playmaker Media. Geoffrey Hall is the Dop.
Jacki Weaver, Bryan Brown, Phoebe Tonkin, Genevieve Morris, John Stanton, Anne Charleston, Terry Norris and Thomas Ersatz are all returning.
In the first series the residents of a small country town were left reeling after a “fountain of youth” appeared in the wake of a devastating flood. A mysterious plant with luminous berries gave those who consumed it a second chance to return to their prime. The results were miraculous for...
Jacqueline McKenzie, Gary Sweet, Bella Heathcote, Toby Schmitz, Jackson Heywood, Scott Lee and Ed Oxenbould are new additions to the cast of Stan’s Bloom, the second season of which is now shooting in regional Victoria.
Greg McLean and Sian Davies (who both directed episodes of Stan’s The Gloaming) are directing the six-part supernatural drama created and written by Glen Dolman, produced by Sue Seeary for Playmaker Media. Geoffrey Hall is the Dop.
Jacki Weaver, Bryan Brown, Phoebe Tonkin, Genevieve Morris, John Stanton, Anne Charleston, Terry Norris and Thomas Ersatz are all returning.
In the first series the residents of a small country town were left reeling after a “fountain of youth” appeared in the wake of a devastating flood. A mysterious plant with luminous berries gave those who consumed it a second chance to return to their prime. The results were miraculous for...
- 11/12/2019
- by The IF Team
- IF.com.au
Hacksaw Ridge has picked up four Aacta Awards so far..
The first winners of this year.s Aacta Awards were unveiled yesterday at the Aacta Industry Luncheon.
Some 33 awards were presented during the event, celebrating screen craft excellence across features, television, shorts, and documentary. The remainder of the awards will be announced at the 6th Aacta Awards Ceremony on Wednesday evening.
Hacksaw Ridge picked up the most gongs: four from a possible six, including Best Editing, Best Production Design, Best Cinematography and Best Sound. Mel Gibson's film is up for another seven awards, to be presented at Wednesday evening's ceremony..
Composer Antony Partos picked up his sixth AFI/Aacta award for his work on Tanna, while Simon Stone took out Best Adapted Screenplay for his debut feature The Daughter..Girl Asleep's Jonathan Oxlade won Best Costume Design.
The Aacta Award for Best Short Animation was presented to Angie Fielder,...
The first winners of this year.s Aacta Awards were unveiled yesterday at the Aacta Industry Luncheon.
Some 33 awards were presented during the event, celebrating screen craft excellence across features, television, shorts, and documentary. The remainder of the awards will be announced at the 6th Aacta Awards Ceremony on Wednesday evening.
Hacksaw Ridge picked up the most gongs: four from a possible six, including Best Editing, Best Production Design, Best Cinematography and Best Sound. Mel Gibson's film is up for another seven awards, to be presented at Wednesday evening's ceremony..
Composer Antony Partos picked up his sixth AFI/Aacta award for his work on Tanna, while Simon Stone took out Best Adapted Screenplay for his debut feature The Daughter..Girl Asleep's Jonathan Oxlade won Best Costume Design.
The Aacta Award for Best Short Animation was presented to Angie Fielder,...
- 12/6/2016
- by Jackie Keast
- IF.com.au
Louisa Mellor Aug 30, 2016
Greg McLean’s Australian outback ordeal horror Wolf Creek has spun off into a new 6-part TV series that's off to a shaky start...
This review contains spoilers.
1.1 Billabong
Those who’ve seen 2005 outback horror Wolf Creek will know that the danger really kicks in for Us tourists the Thorogoods after the twenty foot crocodile trying to swallow their boy has been put out of action by a bullet. Their rifle-bearing rescuer, chortling, affable Mick Taylor (John Jarratt) is the real predator.
That’s revealed soon enough in this TV spin-off from Greg McLean’s celebrated debut film and its diluted sequel. McLean, who co-wrote and produced this series as well as directing the final episode, wastes little time in giving Wolf Creek fans what they want, namely heartlessly cartoonish executions. Within minutes of meeting them, Taylor stabs, slices and shoots his way through three-quarters of the Us tourist family,...
Greg McLean’s Australian outback ordeal horror Wolf Creek has spun off into a new 6-part TV series that's off to a shaky start...
This review contains spoilers.
1.1 Billabong
Those who’ve seen 2005 outback horror Wolf Creek will know that the danger really kicks in for Us tourists the Thorogoods after the twenty foot crocodile trying to swallow their boy has been put out of action by a bullet. Their rifle-bearing rescuer, chortling, affable Mick Taylor (John Jarratt) is the real predator.
That’s revealed soon enough in this TV spin-off from Greg McLean’s celebrated debut film and its diluted sequel. McLean, who co-wrote and produced this series as well as directing the final episode, wastes little time in giving Wolf Creek fans what they want, namely heartlessly cartoonish executions. Within minutes of meeting them, Taylor stabs, slices and shoots his way through three-quarters of the Us tourist family,...
- 8/18/2016
- Den of Geek
The tables are turned on serial killer Mick Taylor in the latest iteration of Wolf Creek commissioned by Stan, which starts shooting today at the Adelaide Studios and numerous locations in South Australia.
Vampire Academy.s Lucy Fry plays Eve, an American tourist in the six-part series directed by Tony Tilse and Greg Mclean, scripted by Peter Gawler and Felicity Packard.
John Jarratt.s Mick sets out to murder Eve.s family but she survives, rebuilds her shattered existence and vows revenge.
The series will have a markedly different tone to Mclean.s horror movies, focusing on Eve.s journey. Stan content and product director Nick Forward tells If, .No one wanted to make a 6-hour horror movie. We spent six months with the producers and writers looking for a hook for a televisual drama.
.Mick Taylor is still the grim reaper but this is a thriller about Eve.s journey.
Vampire Academy.s Lucy Fry plays Eve, an American tourist in the six-part series directed by Tony Tilse and Greg Mclean, scripted by Peter Gawler and Felicity Packard.
John Jarratt.s Mick sets out to murder Eve.s family but she survives, rebuilds her shattered existence and vows revenge.
The series will have a markedly different tone to Mclean.s horror movies, focusing on Eve.s journey. Stan content and product director Nick Forward tells If, .No one wanted to make a 6-hour horror movie. We spent six months with the producers and writers looking for a hook for a televisual drama.
.Mick Taylor is still the grim reaper but this is a thriller about Eve.s journey.
- 10/18/2015
- by Don Groves
- IF.com.au
Bryan Brown, John Jarratt, Levi Miller and Jason Isaacs head the cast of Blue Dog, the prequel to Red Dog which is now shooting in the Pilbara. Directed by Kriv Stenders and produced by Nelson Woss, the 1960s- set film scripted by Daniel Taplitz follows events leading up to the discovery of Red Dog on the road to Dampier.
The Wa government is investing $1.25 million in the project through its Royalties for Regions program and Screen Australia and ScreenWest are co-funding. Miller plays Mick, a bright, curious, resourceful kid. When his emotionally disturbed mother can no longer take care of him he is sent against his wishes to live with his grandfather (Brown) on a cattle station in the Pilbara.
The boy is lonely and isolated until he rescues a dog and the two become best friends.
Miller, who made his screen debut in the sci-fi TV series Terra Nova...
The Wa government is investing $1.25 million in the project through its Royalties for Regions program and Screen Australia and ScreenWest are co-funding. Miller plays Mick, a bright, curious, resourceful kid. When his emotionally disturbed mother can no longer take care of him he is sent against his wishes to live with his grandfather (Brown) on a cattle station in the Pilbara.
The boy is lonely and isolated until he rescues a dog and the two become best friends.
Miller, who made his screen debut in the sci-fi TV series Terra Nova...
- 5/18/2015
- by Don Groves
- IF.com.au
The first round of Aacta Award winners have been announced today at the 4th Aacta Award Luncheon held at the Star Event Centre in Sydney.
Celebrating screen craft excellence in Australia, 22 awards were presented, recognising the work of screen practitioners working in television, documentary, short fiction film, short animation and feature film.
The Luncheon was hosted by writer/actor/producer/director Adam Zwar, who was also joined throughout the event by a list of distinguished presenters. including Aacta President Geoffrey Rush, David Stratton, Damian Walshe-Howling, Alexandra Schepisi, Charlotte Best and Diana Glenn.
In the feature film category, Predestination took home the most Awards; with Ben Nott Acs taking out the prize for Best Cinematography, Matt Villa Ase winning the award for Best Editing, and Matthew Putland scooping Best Production Design.
Tess Schofield was honoured with the Aacta Award for Best Costume Design for her work on The Water Diviner while...
Celebrating screen craft excellence in Australia, 22 awards were presented, recognising the work of screen practitioners working in television, documentary, short fiction film, short animation and feature film.
The Luncheon was hosted by writer/actor/producer/director Adam Zwar, who was also joined throughout the event by a list of distinguished presenters. including Aacta President Geoffrey Rush, David Stratton, Damian Walshe-Howling, Alexandra Schepisi, Charlotte Best and Diana Glenn.
In the feature film category, Predestination took home the most Awards; with Ben Nott Acs taking out the prize for Best Cinematography, Matt Villa Ase winning the award for Best Editing, and Matthew Putland scooping Best Production Design.
Tess Schofield was honoured with the Aacta Award for Best Costume Design for her work on The Water Diviner while...
- 1/27/2015
- by Emily Blatchford
- IF.com.au
Russell Crowe-Directed Movie Up for Australian Film Award; Crowe Shortlisted Only in Acting Category
Director Russell Crowe Movie up for Best Film: Australian Academy Awards 2015 nominations (photo: Actor-director Russell Crowe in 'The Water Diviner') Aacta Awards: Feature Film Categories Best Film The Babadook Kristina Ceyton and Kristian Moliere Charlie's Country Nils Erik Nielsen, Peter Djigirr and Rolf de Heer Predestination Paddy McDonald, Tim McGahan, Peter Spierig and Michael Spierig The Railway Man Chris Brown, Andy Paterson and Bill Curbishley Tracks Emile Sherman and Iain Canning The Water Diviner Andrew Mason, Keith Rodger and Troy Lum Best Director The Babadook Jennifer Kent Charlie's Country Rolf de Heer Predestination Peter Spierig and Michael Spierig The Rover David Michôd Best Actress Kate Box The Little Death Essie Davis The Babadook Sarah Snook Predestination Mia Wasikowska Tracks Best Actor Russell Crowe The Water Diviner David Gulpilil Charlie's Country Damon Herriman The Little Death Guy Pearce The Rover Best Supporting Actor Patrick Brammall The Little Death Yilmaz Erdogan...
- 12/3/2014
- by Steve Montgomery
- Alt Film Guide
Touch and Anzac Girls have won key prizes at the 2014 Australian Cinematographers Society awards for South Australia and Western Australia.
Aaron Gully took the best cinema feature award for Touch, a mystery starring Leeanna Walsman, Matt Day and newcomer Onor Nottle, produced by Triptych Pictures. Julie Byrne and directed by Christopher Houghton.
The best telefeature, series, TV drama or comedy trophy went to Geoffrey Hall Acs for episode four of Screentime.s Anzac Girls. Hall also collected the Milton Ingerson award for best entry overall.
Jim Frater Acs took the dual prize for best dramatised documentary for The War That Changed Us episode 1 and for Desert War- Alamein, both produced by Electric Pictures. Andrew Ogilvie. Here is the full list of winners: Student Cinematography Gold: Jordan Agutter ~ The Crane Wife ~ Sa Silver: Caroline Fisher ~ Source to Sea ~ Sa Bronze: Molly O.Connor ~ Damsels ~ Sa Experimental & Specialised Gold: Malcolm Ludgate...
Aaron Gully took the best cinema feature award for Touch, a mystery starring Leeanna Walsman, Matt Day and newcomer Onor Nottle, produced by Triptych Pictures. Julie Byrne and directed by Christopher Houghton.
The best telefeature, series, TV drama or comedy trophy went to Geoffrey Hall Acs for episode four of Screentime.s Anzac Girls. Hall also collected the Milton Ingerson award for best entry overall.
Jim Frater Acs took the dual prize for best dramatised documentary for The War That Changed Us episode 1 and for Desert War- Alamein, both produced by Electric Pictures. Andrew Ogilvie. Here is the full list of winners: Student Cinematography Gold: Jordan Agutter ~ The Crane Wife ~ Sa Silver: Caroline Fisher ~ Source to Sea ~ Sa Bronze: Molly O.Connor ~ Damsels ~ Sa Experimental & Specialised Gold: Malcolm Ludgate...
- 11/4/2014
- by Don Groves
- IF.com.au
Producer Annie Kinnane expresses a common complaint in the industry: Often by the time she and her friends hear about a new Australian film it.s been yanked off screens before they had a chance to see it.
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is in a similar vein to When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings,...
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is in a similar vein to When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings,...
- 10/22/2014
- by Don Groves
- IF.com.au
Producer Annie Kinnane expresses a common complaint in the industry: Often by the time she and her friends hear about a new Australian film it.s been yanked off screens before they had a chance to see it.
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is not unlike When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings, and...
Instead of just griping, she.s doing her bit to increase awareness by launching a Facebook page this week, entitled Australian Films You Will Want to See.
She.s encouraging her Fb friends and the wider industry to post an item as soon as they.ve seen a film they can recommend.
That initiative is not unlike When Did You Last Pay to See an Australian Film at the Cinema?, a Fb page created earlier this month by My Mistress producer Leanne Tonkes.
Tonkes is asking her industry peers to nominate the last Aussie film they paid to see, as opposed to freebie previews, Aacta, funding body or post house screenings, and...
- 10/22/2014
- by Don Groves
- IF.com.au
Ivan Sen.s Mystery Road and Kim Mordaunt.s The Rocket shared the best film honours at the Film Critics Circle of Australia Awards presented last night.
The Great Gatsby collected four awards followed by The Rocket with 3 and Mystery Road and The Turning with 2 awards each.
Naomi Watts was named best actress for her role in the little-seen Adoration and Aaron Pedersen was best actor for Mystery Road. Sen was best director.
There was another tie for the supporting actor prize: The Great Gatsby.s Joel Edgerton and Mystery Road.s Hugo Weaving. The Turning.s Rose Byrne was best supporting actress. The Rocket.s Sitthiphon Disamoe was on hand to receive the gong for best young performer.
Best script award went to The Railway Man.s Frank Cottrell Boyce and Andy Paterson. Haydn Keenan's Persons of Interest was named best documentary.
An Acknowledgment Award was presented to...
The Great Gatsby collected four awards followed by The Rocket with 3 and Mystery Road and The Turning with 2 awards each.
Naomi Watts was named best actress for her role in the little-seen Adoration and Aaron Pedersen was best actor for Mystery Road. Sen was best director.
There was another tie for the supporting actor prize: The Great Gatsby.s Joel Edgerton and Mystery Road.s Hugo Weaving. The Turning.s Rose Byrne was best supporting actress. The Rocket.s Sitthiphon Disamoe was on hand to receive the gong for best young performer.
Best script award went to The Railway Man.s Frank Cottrell Boyce and Andy Paterson. Haydn Keenan's Persons of Interest was named best documentary.
An Acknowledgment Award was presented to...
- 3/11/2014
- by Don Groves
- IF.com.au
The Great Gatsby dominated. Aacta.s technical and short films awards today, collecting gongs in all six craft categories for which it was nominated, plus the Aacta award for outstanding achievement in visual effects.
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
- 1/28/2014
- by Don Groves
- IF.com.au
The Hunter has lead the Aacta Awards with 14 nominations including best film.
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
- 11/30/2011
- by Colin Delaney
- Encore Magazine
Family film Red Dog solidified its position as this year.s biggest Australian film by cleaning up at last night.s Jameson If Awards Sydney. The film, which has made more than $21 million at the box office since opening in early-August, netted seven awards including Best Feature Film, Best Direction (Kriv Stenders) and Best Cinematography (Geoff Hall). It also won the Best Actor (Josh Lucas), Best Script (Daniel Taplitz) and Best Music (Cezary Skubiszewski) categories and of course, the Best Box Office Achievement. The flick only lost in two categories that it was nominated in (Best Editing and Best Production Design). Other big winners on the wet night in Sydney included Emily Watson, for her stunning portrayal of social worker Margaret Humphreys in Australian/UK...
- 11/16/2011
- by Sam Dallas
- IF.com.au
Best director Stenders
Australian box office hit Red Dog dominated tonight’s If Awards picking up seven trophies, including the major categories of best feature, best director for Kriv Stenders and best actor for Josh Lucas.
The winners:
Best Feature Film
Red Dog
Director: Kriv Stenders
Best Direction
Red Dog
Kriv Stenders
Producer: Nelson Woss & Julie Ryan
Best Actor
Josh Lucas
Red Dog
Best Actress
Emily Watson Oranges and Sunshine
Best Script
Red Dog
Daniel Taplitz
Best Cinematography
Red Dog
Geoff Hall
Best Box Office Achievement
Red Dog
Best Music
Red Dog
Cezary Skubiszewski
Best Music Video
Magic by Olivia Newton-John and Wacci
Director: Dan Murphy
Producer: Wacci
Best Short Documentary
Umoja: No Men Allowed
Director: Elizabeth Tadic
Producer: Elizabeth Tadic & Selene Alcock
Best Sound
Legend of the Guardians: The Owls of Ga’Hoole
Wayne Pashley, Polly McKimm, Derryn Pasquill, Fabian Sanjurjo
Best Short Film
Whenthe Wind Changes
Director: Alethea Jones...
Australian box office hit Red Dog dominated tonight’s If Awards picking up seven trophies, including the major categories of best feature, best director for Kriv Stenders and best actor for Josh Lucas.
The winners:
Best Feature Film
Red Dog
Director: Kriv Stenders
Best Direction
Red Dog
Kriv Stenders
Producer: Nelson Woss & Julie Ryan
Best Actor
Josh Lucas
Red Dog
Best Actress
Emily Watson Oranges and Sunshine
Best Script
Red Dog
Daniel Taplitz
Best Cinematography
Red Dog
Geoff Hall
Best Box Office Achievement
Red Dog
Best Music
Red Dog
Cezary Skubiszewski
Best Music Video
Magic by Olivia Newton-John and Wacci
Director: Dan Murphy
Producer: Wacci
Best Short Documentary
Umoja: No Men Allowed
Director: Elizabeth Tadic
Producer: Elizabeth Tadic & Selene Alcock
Best Sound
Legend of the Guardians: The Owls of Ga’Hoole
Wayne Pashley, Polly McKimm, Derryn Pasquill, Fabian Sanjurjo
Best Short Film
Whenthe Wind Changes
Director: Alethea Jones...
- 11/16/2011
- by Tim Burrowes
- Encore Magazine
The success of Red Dog has continued after cinematographer Geoffrey Hall Acs picked up a Gold Award at the Sa/Wa Australian Cinematographer Society Awards in Perth. Hall is also nominated for a 2011 If Award for his work on Red Dog, which has grossed more than $20 million at the local box office this year. Hall previously worked on the multi-award winning Chopper, starring Eric Bana, and has won two Acs National Awards for Cinematography for The Missing (1999) and for fictional drama short The Smell That Killed Him (2002). Fellow South Australian, David Foreman Acs, also picked up a Gold Award in the category for his work on Swerve. Foreman has won four Acs National Awards for cinematography for his work in television, including the original television movie McLeod.s Daughters,...
- 11/8/2011
- by Danii Logue
- IF.com.au
Red Dog, Oranges and Sunshine, Face to Face and The Eye of the Storm have received nominations for Best Feature Film at this year’s If Awards.
Red Dog won the most nominations, appearing in nine categories, with Oranges and Sunshine nominated in eight and Face to Face in six categories.
Nominated in the Best Direction category is Michael Rymer for Face to Face, Kriv Stenders for Red Dog and Justin Kurzel for Snowtown while Best Script nominees are Michael Rymer for Face to Face, Rona Munro for Oranges and Sunshine and Daniel Taplitz for Red Dog.
Best Documentary nominees are Mrs Carey’s Concert directed by Bob Connolly, I Am Eleven directed by Genevieve Bailey and Orchids: My Intersex Adventure directed by Phoebe Hart.
With its strong ensemble cast the Face to Face actors are up against David Wenham for Oranges and Sunshine, Josh Lucas for Red Dog and...
Red Dog won the most nominations, appearing in nine categories, with Oranges and Sunshine nominated in eight and Face to Face in six categories.
Nominated in the Best Direction category is Michael Rymer for Face to Face, Kriv Stenders for Red Dog and Justin Kurzel for Snowtown while Best Script nominees are Michael Rymer for Face to Face, Rona Munro for Oranges and Sunshine and Daniel Taplitz for Red Dog.
Best Documentary nominees are Mrs Carey’s Concert directed by Bob Connolly, I Am Eleven directed by Genevieve Bailey and Orchids: My Intersex Adventure directed by Phoebe Hart.
With its strong ensemble cast the Face to Face actors are up against David Wenham for Oranges and Sunshine, Josh Lucas for Red Dog and...
- 10/11/2011
- by Colin Delaney
- Encore Magazine
Two of Australia’s most successful producers have been revealed as speakers at next month’s Spaa Conference in Sydney.
Emile Sherman, Oscar winning producer of The King’s Speech, and Nelson Woss, producer of current local box office hit Red Dog will both speak at the Screen Producers Association of Australia event which takes place from November 13 to 16.
Sherman and Woss will take place in an “on the couch” session at the conference.
As well as The King’s Speech, Sherman’s credits have included Disgrace, Candy and Rabbit Proof Fence. He co-founded See-Saw Films in 2008 which in turn created film finance company Fulcrum Media Finance. A Sherman is also a director of Australasian distribution company Transmission Films.
Red Dog has now moved into the top ten local films at the Australian box office. Woss was also behind the film Ned Kelly.
More details are available on the conference website.
Emile Sherman, Oscar winning producer of The King’s Speech, and Nelson Woss, producer of current local box office hit Red Dog will both speak at the Screen Producers Association of Australia event which takes place from November 13 to 16.
Sherman and Woss will take place in an “on the couch” session at the conference.
As well as The King’s Speech, Sherman’s credits have included Disgrace, Candy and Rabbit Proof Fence. He co-founded See-Saw Films in 2008 which in turn created film finance company Fulcrum Media Finance. A Sherman is also a director of Australasian distribution company Transmission Films.
Red Dog has now moved into the top ten local films at the Australian box office. Woss was also behind the film Ned Kelly.
More details are available on the conference website.
- 10/7/2011
- by Tim Burrowes
- Encore Magazine
Red Dog captures the wild, blokey days of the 1970s Dampier. Shot on location in isolated Wa’s Pilbara Region, the producers employed a low-budget mentality and called in favours to make finances go the distance. Joanne Whitehead reports.
Set in Western Australia in the remote town of Dampier, Red Dog is based upon a legend about a local stray dog, that residents claim was responsible for creating a sense of community in the 1970s, when the coastal town was barely established. A sentimental comedy that finds laughs from not just the dog but the inner workings of the male dominated mining community, it’s adapted from Louis de Bernieres’ (Captain Corelli’s Mandolin) novelisation of the story.
While wholly aimed at families and dog lovers, it might come as a surprise that Red Dog was directed by Kriv Stenders, who did the dark colonial tale Lucky Country (2009) and the...
Set in Western Australia in the remote town of Dampier, Red Dog is based upon a legend about a local stray dog, that residents claim was responsible for creating a sense of community in the 1970s, when the coastal town was barely established. A sentimental comedy that finds laughs from not just the dog but the inner workings of the male dominated mining community, it’s adapted from Louis de Bernieres’ (Captain Corelli’s Mandolin) novelisation of the story.
While wholly aimed at families and dog lovers, it might come as a surprise that Red Dog was directed by Kriv Stenders, who did the dark colonial tale Lucky Country (2009) and the...
- 8/4/2011
- by Colin Delaney
- Encore Magazine
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