Robert Mitchum intercedes in a range war in this ‘A’ western, and he’s got the pro team of director Robert Wise and cameraman Nicholas Musuraca on his side. All but one action scene plays out at night, which is why this is sometimes called a Noir Western. The dark visuals fit that mold but the story values are strictly traditional, starting with the hero’s laconic do-it-don’t-say-it sense of personal honor. Partly filmed in Arizona, the fine production further advanced the laid-back Mitchum persona, this time as an honest cowpoke, not a cool-dude hipster.
Blood on the Moon
Blu-ray
Warner Archive Collection
1948 / B&w / 1:37 Academy / 88 min. / Street Date April 28, 2020 / available through the WBshop / 21.99
Starring: Robert Mitchum, Barbara Bel Geddes, Robert Preston, Walter Brennan, Phyllis Thaxter, Frank Faylen, Tom Tully, Charles McGraw, Clifton Young, Tom Tyler, George Cooper, Harry Carey Jr., Iron Eyes Cody, Chris-Pin Martin.
Cinematography: Nicholas...
Blood on the Moon
Blu-ray
Warner Archive Collection
1948 / B&w / 1:37 Academy / 88 min. / Street Date April 28, 2020 / available through the WBshop / 21.99
Starring: Robert Mitchum, Barbara Bel Geddes, Robert Preston, Walter Brennan, Phyllis Thaxter, Frank Faylen, Tom Tully, Charles McGraw, Clifton Young, Tom Tyler, George Cooper, Harry Carey Jr., Iron Eyes Cody, Chris-Pin Martin.
Cinematography: Nicholas...
- 5/16/2020
- by Glenn Erickson
- Trailers from Hell
Depraved convicts ! Crazy Manhattan gin parties! Society dames poaching other women's husbands! A flimflam artist scamming the uptown sophisticates! All these forbidden attractions are here and more -- including Bette Davis's epochal seduction line about impulsive kissing versus good hair care. It's a 9th collection of racy pre-Code wonders. Forbidden Hollywood Volume 9 Big City Blues, Hell's Highway, The Cabin in the Cotton, When Ladies Meet, I Sell Anything DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Joan Blondell, Eric Linden, Humphrey Bogart; Richard Dix, Tom Brown; Richard Barthelmess, Bette Davis, Dorothy Jordan, Berton Churchill; Ann Harding, Robert Montgomery, Myrna Loy, Alice Brady, Frank Morgan; Pat O' Brien, Ann Dvorak, Claire Dodd, Roscoe Karns. Cinematography James Van Trees; Edward Cronjager; Barney McGill; Ray June Written by Lillie Hayward, Ward Morehouse, from his play; Samuel Ornitz, Robert Tasker, Rowland Brown...
- 11/24/2015
- by Glenn Erickson
- Trailers from Hell
The authors wish to acknowledge with gratitude the venues in which some version of this article previously appeared: Cinema Scope 24 (Fall, 2005), Trafic 62 (Summer, 2006), and the late and twice-lamented The New-York Ghost (Dec. 26, 2006).
In the Place of No Place
Every movie contains its alternates, phantom films conjured variously by excess or dearth: textures and movements that carry on their own play apart from the main line of the narrative, an obtruding performance or scene, an unexplained ellipsis or sudden character reversal, the chunk life of an object seizing the frame in an insert whose plastic beauty transcends its context.
Though the extremes of pure narrative economy (in which each detail exists purely for transmission of plot) or utter dispersal (in which no piece connects to any other) can never exist, we can tentatively use the concepts as limit-cases to differentiate films which make room for their phantoms (or, in the worst case,...
In the Place of No Place
Every movie contains its alternates, phantom films conjured variously by excess or dearth: textures and movements that carry on their own play apart from the main line of the narrative, an obtruding performance or scene, an unexplained ellipsis or sudden character reversal, the chunk life of an object seizing the frame in an insert whose plastic beauty transcends its context.
Though the extremes of pure narrative economy (in which each detail exists purely for transmission of plot) or utter dispersal (in which no piece connects to any other) can never exist, we can tentatively use the concepts as limit-cases to differentiate films which make room for their phantoms (or, in the worst case,...
- 2/18/2013
- by B. Kite and Bill Krohn
- MUBI
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