Ken Burns, Steve McQueen, Helena Bonham Carter Holocaust Docs To Feature On BBC
Holocaust documentaries from Ken Burns, Steve McQueen and Helena Bonham Carter will feature on the BBC to mark Holocaust Memorial Day later this month. Burns’ The U.S. and the Holocaust is part of a package of shows that will air on BBC Four and iPlayer as the annual commemoration rolls around. The three-parter is a PBS original from Burns, Lynn Novick and Sarah Botstein, examining how the American people and their leaders responded to one of the greatest humanitarian disasters of the twentieth century. Meanwhile, the Bonham Carter-narrated Three Minutes: A Lengthening from the Storyville strand sees three minutes of footage of a Polish ghetto lengthened to tell the hidden stories behind it. The film is co-produced by McQueen, directed by Bianca Stiger and footage filmed by David Kurtz. The BBC has also commissioned its own...
Holocaust documentaries from Ken Burns, Steve McQueen and Helena Bonham Carter will feature on the BBC to mark Holocaust Memorial Day later this month. Burns’ The U.S. and the Holocaust is part of a package of shows that will air on BBC Four and iPlayer as the annual commemoration rolls around. The three-parter is a PBS original from Burns, Lynn Novick and Sarah Botstein, examining how the American people and their leaders responded to one of the greatest humanitarian disasters of the twentieth century. Meanwhile, the Bonham Carter-narrated Three Minutes: A Lengthening from the Storyville strand sees three minutes of footage of a Polish ghetto lengthened to tell the hidden stories behind it. The film is co-produced by McQueen, directed by Bianca Stiger and footage filmed by David Kurtz. The BBC has also commissioned its own...
- 1/9/2023
- by Max Goldbart and Jesse Whittock
- Deadline Film + TV
In August 1938 an American visitor appeared in a Polish village outside Warsaw, bearing an object of considerable novelty to the townspeople: a 16mm motion picture camera. David Kurtz filmed for not much more than 180 seconds, his shutter opening onto village life in Nasieslk, home to a Jewish population numbering several thousand people.
Kurtz, who had been born in Nasielsk but immigrated to America at the age of 4, seemingly preferred to focus on the buildings, shops and synagogue of his birthplace, yet young people, especially, began to crowd into the frame, fascinated by the cinematic device. Kurtz hoped to make a travelogue; children intuitively understood it as an opportunity to be seen, to be somehow preserved on celluloid.
Those precious seconds of archival film, rescued from oblivion by David Kurtz’s grandson, Glenn Kurtz, are the basis for the Oscar-contending documentary Three Minutes – A Lengthening. Journalist and historian Bianca Stigter directed the film,...
Kurtz, who had been born in Nasielsk but immigrated to America at the age of 4, seemingly preferred to focus on the buildings, shops and synagogue of his birthplace, yet young people, especially, began to crowd into the frame, fascinated by the cinematic device. Kurtz hoped to make a travelogue; children intuitively understood it as an opportunity to be seen, to be somehow preserved on celluloid.
Those precious seconds of archival film, rescued from oblivion by David Kurtz’s grandson, Glenn Kurtz, are the basis for the Oscar-contending documentary Three Minutes – A Lengthening. Journalist and historian Bianca Stigter directed the film,...
- 12/13/2022
- by Matthew Carey
- Deadline Film + TV
Further new releases include ‘Summering’, ‘White Noise’ and ‘The Infernal Machine’.
There are a modest number of openers over the next couple of weekends at the UK-Ireland box office in the build-up to Disney’s Avatar: The Way of Water landing on screens on December 16 and as festive fare settles in. This weekend’s widest new release is Violent Night, playing at 588 sites for Universal.
Tommy Wirkola’s alternative Christmas story sees Stranger Things star David Harbour play Kris Kringle during a particular trying Christmas Eve, with John Leguizamo as the leader of a group of dangerous mercenaries who take...
There are a modest number of openers over the next couple of weekends at the UK-Ireland box office in the build-up to Disney’s Avatar: The Way of Water landing on screens on December 16 and as festive fare settles in. This weekend’s widest new release is Violent Night, playing at 588 sites for Universal.
Tommy Wirkola’s alternative Christmas story sees Stranger Things star David Harbour play Kris Kringle during a particular trying Christmas Eve, with John Leguizamo as the leader of a group of dangerous mercenaries who take...
- 12/2/2022
- by Mona Tabbara
- ScreenDaily
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Aniara (Pella Kågerman & Hugo Lilja)
The title shares its name with a city-size spacecraft ferrying humans from Earth to Mars in barely three weeks. It’s a routine trip that’s never run into problems with many passengers already having family on the red planet to greet them upon arrival. But there’s a first time for everything as a small field of debris forces Captain Chefone (Arvin Kananian) off course. Unfortunately a screw breaches their hull anyway, pushing their nuclear fuel supply to critical mass. Expelling it may save them for the moment, but without it they cannot steer. So despite having enough self-sustaining electricity and algae (for air and food), there’s no way to return onto their necessary trajectory.
Aniara (Pella Kågerman & Hugo Lilja)
The title shares its name with a city-size spacecraft ferrying humans from Earth to Mars in barely three weeks. It’s a routine trip that’s never run into problems with many passengers already having family on the red planet to greet them upon arrival. But there’s a first time for everything as a small field of debris forces Captain Chefone (Arvin Kananian) off course. Unfortunately a screw breaches their hull anyway, pushing their nuclear fuel supply to critical mass. Expelling it may save them for the moment, but without it they cannot steer. So despite having enough self-sustaining electricity and algae (for air and food), there’s no way to return onto their necessary trajectory.
- 9/23/2022
- by Jordan Raup
- The Film Stage
In 1938, David Kurtz traveled from his home in Flatbush, Brooklyn, for a vacation across Europe. He stopped in the small Polish village of Nasielsk, where he was born — a pinpoint on the map that would have been ignored by any tourist, and has been mostly overlooked by history.
But he happened to bring a 16mm camera, bought expressly for the trip. And in 2009, his grandson Glenn Kurtz found three minutes of footage, brittle with age, that pulls this tiny village back into our collective memory.
Kurtz wrote a beautiful book about his experience in 2014, called “Three Minutes in Poland: Discovering a Lost World in a 1938 Family Film.” Director Bianca Stigter found the book, and then the footage, which was added to the website of the United States Holocaust Memorial Museum. She was inspired by both to make a short film essay, “Three Minutes — Thirteen Minutes — Thirty Minutes,” which she has...
But he happened to bring a 16mm camera, bought expressly for the trip. And in 2009, his grandson Glenn Kurtz found three minutes of footage, brittle with age, that pulls this tiny village back into our collective memory.
Kurtz wrote a beautiful book about his experience in 2014, called “Three Minutes in Poland: Discovering a Lost World in a 1938 Family Film.” Director Bianca Stigter found the book, and then the footage, which was added to the website of the United States Holocaust Memorial Museum. She was inspired by both to make a short film essay, “Three Minutes — Thirteen Minutes — Thirty Minutes,” which she has...
- 8/25/2022
- by Elizabeth Weitzman
- The Wrap
The Picturehouse release of National Geographic Documentary Films The Territory grossed a solid 26.4K in six markets (eight screens) for a PSA of 3,308 with its climate change message attracting a broader than typical age range for a theatrical doc, especially lately, according to Picturehouse CEO Bob Berney.
He called it “very encouraging to see younger people attending and asking for ways they can help support the indigenous people of Brazil… The film is a call to action as well as a beautifully crafted work.”
The first feature by Alex Pritz, produced by Darren Aronofsky and Sigrid Dyekjaer, follows the fight of the indigenous Uru-eu-wau-wau people in Brazil – less than 190 of them – against land-grabbing incursions of non-native farmers causing major deforestation. “We are getting a kind of younger activist demographic that is really nice to see. And obviously in New York we also had a lot of Brazilians that came, because there is a community there.
He called it “very encouraging to see younger people attending and asking for ways they can help support the indigenous people of Brazil… The film is a call to action as well as a beautifully crafted work.”
The first feature by Alex Pritz, produced by Darren Aronofsky and Sigrid Dyekjaer, follows the fight of the indigenous Uru-eu-wau-wau people in Brazil – less than 190 of them – against land-grabbing incursions of non-native farmers causing major deforestation. “We are getting a kind of younger activist demographic that is really nice to see. And obviously in New York we also had a lot of Brazilians that came, because there is a community there.
- 8/21/2022
- by Jill Goldsmith
- Deadline Film + TV
“People are catching up on films,” is how one arthouse executive described the current moment in specialty, which echoes the slowdown in studio wide releases.
August can be slow ahead of a trio of festivals – Venice, Toronto, New York – and a ramp up to awards season. It can also offer an less obstructed runway for specialty films to cross over (Gwyneth Paltrow in Emma). This summer has been slow, but strong word of mouth has boosted select films. Warner Bros.’ Elvis for one, is at 143 million, pushing five times what it made opening weekend. Focus Features’ Mrs. Harris Goes To Paris opened at 2 million but will cross 10 million. Rrr is a phenomenon, passing 11M. Greg Laemmle said he’s bringing the blockbuster from India back on August 26. Laemmle is also holding an event screening for Neon documentary Fire Of Love next Wed. and hopes that will keep other runs going.
August can be slow ahead of a trio of festivals – Venice, Toronto, New York – and a ramp up to awards season. It can also offer an less obstructed runway for specialty films to cross over (Gwyneth Paltrow in Emma). This summer has been slow, but strong word of mouth has boosted select films. Warner Bros.’ Elvis for one, is at 143 million, pushing five times what it made opening weekend. Focus Features’ Mrs. Harris Goes To Paris opened at 2 million but will cross 10 million. Rrr is a phenomenon, passing 11M. Greg Laemmle said he’s bringing the blockbuster from India back on August 26. Laemmle is also holding an event screening for Neon documentary Fire Of Love next Wed. and hopes that will keep other runs going.
- 8/19/2022
- by Jill Goldsmith
- Deadline Film + TV
"Three Minutes - A Lengthening" is not a ghost story, but it still feels haunting. Or perhaps "haunted" would be a better word, as if the footage itself houses ghosts. Perhaps it does. Writer-director Bianca Stigter has conjured up the past via restored footage, creating a "film essay" that attempts to parse out the truth lurking between frames. In 1938, David Kurtz returned to his small Polish hometown of Nasielsk with a 16mm camera in tow. In 2009, David's grandson Glenn Kurtz found the footage tucked away in the back of a closet.
Running for three minutes, the footage itself isn't entirely remarkable —...
The post Three Minutes - A Lengthening Review: A Haunting Study of 3 Minutes of 16mm Footage [Sundance 2022] appeared first on /Film.
Running for three minutes, the footage itself isn't entirely remarkable —...
The post Three Minutes - A Lengthening Review: A Haunting Study of 3 Minutes of 16mm Footage [Sundance 2022] appeared first on /Film.
- 1/26/2022
- by Chris Evangelista
- Slash Film
What can you learn in three minutes? Documentarian Bianca Stigter shows us the answer is, an enormous amount if you take the time to really look. The three minutes in question is a segment of 16mm colour and black and white home movie, shot in the Polish town of Nasielsk in 1938 by David Kurtz, who was born there but had emigrated to America, returning briefly with his family as part of a European tour.
The frame is a hive of activity, with children crowding in, eager to see the new piece of equipment. Further in the background, are adults, some curious, others with a look of slight apprehension. There's a shop, a stream of worshippers exiting a synagogue - a bustling sense of life. What the faces we see don't know, is that many of them are about to be caught up in the Second World War in the...
The frame is a hive of activity, with children crowding in, eager to see the new piece of equipment. Further in the background, are adults, some curious, others with a look of slight apprehension. There's a shop, a stream of worshippers exiting a synagogue - a bustling sense of life. What the faces we see don't know, is that many of them are about to be caught up in the Second World War in the...
- 1/25/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Super Ltd has acquired North American rights to Bianca Stigter’s Three Minutes — A Lengthening, a Holocaust documentary co-produced by Oscar-winning filmmaker Steve McQueen (12 Years a Slave) and narrated by Helena Bonham Carter (The Crown). The doc will be released in theaters next year.
Stigter’s first feature-length doc centers on a three-minute home movie shot by David Kurtz on a European holiday in 1938, in a Jewish town in Poland. The amateur footage— discovered by Kurtz’s grandson, writer Glenn Kurtz, in his parents’ Florida home—captures the Jewish inhabitants of Nasielsk just one year before the Nazis invaded. Most were eventually killed in the Treblinka extermination camp.
Family Affairs Films’ Floor Onrust produced Stigter’s meditation on history and memory with Lammas Park, with the support of The Netherlands Film Fund and Amsterdam Fund for the Arts.
The film made its world premiere at the Venice Film Festival...
Stigter’s first feature-length doc centers on a three-minute home movie shot by David Kurtz on a European holiday in 1938, in a Jewish town in Poland. The amateur footage— discovered by Kurtz’s grandson, writer Glenn Kurtz, in his parents’ Florida home—captures the Jewish inhabitants of Nasielsk just one year before the Nazis invaded. Most were eventually killed in the Treblinka extermination camp.
Family Affairs Films’ Floor Onrust produced Stigter’s meditation on history and memory with Lammas Park, with the support of The Netherlands Film Fund and Amsterdam Fund for the Arts.
The film made its world premiere at the Venice Film Festival...
- 10/19/2021
- by Matt Grobar
- Deadline Film + TV
A poetic meditation on film, history, and loss, “Three Minutes – A Lengthening” gives a glimpse into a lost world and then unpacks just how much can be learned from that brief fragment. While on a grand tour of Europe in 1938, David Kurtz, a Polish-American man, traveled to Nasielsk, the town of his birth, and brought with him a 16mm camera filled with Kodachrome, a novelty at the time. He took three minutes of footage there that was embedded in a larger film of his travels and, like many such films, it sat forgotten in a basement for years. Around 2009, David’s grandson Glenn Kurtz rediscovered the footage and recognized that the once-ordinary film was now an extraordinary historical document – the only remaining visual record of a Jewish community that was annihilated in the Holocaust.
Read More: Venice Film Festival 2021 Preview: 12 Must-See Films To Watch
Director Bianca Stigter takes the 1938 footage...
Read More: Venice Film Festival 2021 Preview: 12 Must-See Films To Watch
Director Bianca Stigter takes the 1938 footage...
- 9/4/2021
- by Joe Blessing
- The Playlist
Rare home movie footage shot in Poland in 1938 becomes a priceless historical artifact, documenting people and places obliterated by the Holocaust in Dutch writer-director Bianca Stigter’s haunting and provocative documentary essay “Three Minutes – A Lengthening.” She utilizes the three minutes and some-odd seconds of 16mm film shot by American visitor David Kurtz in the Jewish quarter of Nasielsk to craft an original and incisive meditation on history, memory, memorials and the very nature of celluloid. Certain to be an international festival talking point, the poignant film should segue to an extended life in ancillary.
Stigter’s method is simultaneously creative and forensic, but never sentimental. Working with a digitized copy that bears the blemishes left by the deterioration of the original celluloid, she conjures up exactly what she declares in the subtitle: a lengthening.
On the image track, the three minutes play out again and again, but Stigter cleverly...
Stigter’s method is simultaneously creative and forensic, but never sentimental. Working with a digitized copy that bears the blemishes left by the deterioration of the original celluloid, she conjures up exactly what she declares in the subtitle: a lengthening.
On the image track, the three minutes play out again and again, but Stigter cleverly...
- 9/4/2021
- by Alissa Simon
- Variety Film + TV
After its pizzicato opening theme, “Three Minutes — A Lengthening” goes quiet for a little bit while showing the three minutes of footage referred to in the title. The only noise on the soundtrack is the whir of a projector, and the only images on the screen are taken from an amateur holiday film shot in a European town in the first half of the 20th century. Some of it is in black and white, some of it has pale colors. There are tree-lined cobbled streets, and apartment blocks with shutters and iron balconies. People wave and smile at the camera, jostling to stay in shot, apparently hypnotized by the novel technology before them. They all seem healthy, reasonably well off, and fundamentally ordinary. And that’s it. The footage comes to an end.
But Bianca Stigter, the Dutch director of “Three Minutes,” doesn’t move onto another set of images.
But Bianca Stigter, the Dutch director of “Three Minutes,” doesn’t move onto another set of images.
- 9/4/2021
- by Nicholas Barber
- Indiewire
In 1938 David Kurtz and his wife left Brooklyn to visit Europe, stopping in the small Polish town he had moved from with his family when he was only four. A year later that town’s 3,000 Jewish residents were deported, and most died in the Treblinka death camp. Only 100 survived. In Three Minutes — A Lengthening, Bianca Stigter turns a few minutes of amateurish film Kurtz shot on his trip — no more than an American tourist’s souvenir of a vacation — into an eloquent meditation on loss, memory and how film can shape them. The director’s statement says,...
In 1938 David Kurtz and his wife left Brooklyn to visit Europe, stopping in the small Polish town he had moved from with his family when he was only four. A year later that town’s 3,000 Jewish residents were deported, and most died in the Treblinka death camp. Only 100 survived. In Three Minutes — A Lengthening, Bianca Stigter turns a few minutes of amateurish film Kurtz shot on his trip — no more than an American tourist’s souvenir of a vacation — into an eloquent meditation on loss, memory and how film can shape them. The director’s statement says,...
From an immersive look at female immigrants in 17th century Amsterdam to a forensic analysis of a pre-World War II home movie, approaching history from different angles is a key theme among the Dutch films selected for Venice’s 78th edition.
Running in Venice Days, “Three Minutes — A Lengthening” is a poetic documentary that centers around three minutes of home footage shot by David Kurtz in 1938, featuring the Jewish inhabitants of a Polish town before it was invaded by the Nazis.
From this footage a feature-length film emerges through former journalist and historical researcher Bianca Stigter’s analysis of the home movies’ subjects in a film that’s also bound for Toronto.
Stigter, the Dutch producer and partner of Steve McQueen, makes her directorial debut with this English-language film, narrated by British actress Helena Bonham Carter and produced by Family Affair Films, with McQueen’s Lammas Park coproducing.
Elsewhere “Angels...
Running in Venice Days, “Three Minutes — A Lengthening” is a poetic documentary that centers around three minutes of home footage shot by David Kurtz in 1938, featuring the Jewish inhabitants of a Polish town before it was invaded by the Nazis.
From this footage a feature-length film emerges through former journalist and historical researcher Bianca Stigter’s analysis of the home movies’ subjects in a film that’s also bound for Toronto.
Stigter, the Dutch producer and partner of Steve McQueen, makes her directorial debut with this English-language film, narrated by British actress Helena Bonham Carter and produced by Family Affair Films, with McQueen’s Lammas Park coproducing.
Elsewhere “Angels...
- 9/4/2021
- by Ann-Marie Corvin
- Variety Film + TV
The film is directed by Dutch filmmaker Bianca Stigter.
Austrian documentary sales specialist Autlook has acquired world rights to Three Minutes - A Lengthening, a new feature documentary by leading Dutch director, producer, director and cultural critic, Bianca Stigter.
Three Minutes – A Lengthening is based around a home movie shot by David Kurtz with a 16mm camera in a Jewish town in Poland in 1938 and poses the questions: can a film of three minutes last for over an hour? Stigter examines these three minutes of film, to unravel the stories hidden in the celluloid, narrated by actress Helena Bonham Carter.
Austrian documentary sales specialist Autlook has acquired world rights to Three Minutes - A Lengthening, a new feature documentary by leading Dutch director, producer, director and cultural critic, Bianca Stigter.
Three Minutes – A Lengthening is based around a home movie shot by David Kurtz with a 16mm camera in a Jewish town in Poland in 1938 and poses the questions: can a film of three minutes last for over an hour? Stigter examines these three minutes of film, to unravel the stories hidden in the celluloid, narrated by actress Helena Bonham Carter.
- 7/9/2021
- by Geoffrey Macnab
- ScreenDaily
Giving props to the hottest shows and stars rocking the airwaves during the day, the 2013 Daytime Emmy Awards nominees were just unveiled.
And the top nod-getter this year is “The Young and The Restless” with 23 chances at glory, while “General Hospital” nabbed 19 mentions.
“Days of Our Lives” and “Sesame Street” both tied for third place thanks to 17 nominations each, and there are plenty of other big names on the list as well.
The 2013 Daytime Emmy Awards will take place on June 16th. The nominees are:
Outstanding Drama Series
The Bold and the Beautiful
Days of Our Lives
General Hospital ABC
One Life To Live
The Young and the Restless
Outstanding Children’S Animated Program
Kung Fu Panda: Legends of Awesomeness
Penguins of Madagascar
Robot and Monster
Teenage Mutant Ninja Turtles
WordGirl
Outstanding Children’S Series
The Aquabats! Super Show
Everyday Health
R.L. Stine’s The Haunting Hour The Series
SciGirls...
And the top nod-getter this year is “The Young and The Restless” with 23 chances at glory, while “General Hospital” nabbed 19 mentions.
“Days of Our Lives” and “Sesame Street” both tied for third place thanks to 17 nominations each, and there are plenty of other big names on the list as well.
The 2013 Daytime Emmy Awards will take place on June 16th. The nominees are:
Outstanding Drama Series
The Bold and the Beautiful
Days of Our Lives
General Hospital ABC
One Life To Live
The Young and the Restless
Outstanding Children’S Animated Program
Kung Fu Panda: Legends of Awesomeness
Penguins of Madagascar
Robot and Monster
Teenage Mutant Ninja Turtles
WordGirl
Outstanding Children’S Series
The Aquabats! Super Show
Everyday Health
R.L. Stine’s The Haunting Hour The Series
SciGirls...
- 5/1/2013
- GossipCenter
We Love Soaps TV recently traveled to Los Angeles and covered the red carpet and press room of the Daytime Creative Arts Emmy Awards. Watch all our interviews below.
On Episode 2.73 of We Love Soaps TV, Damon L. Jacobs and Roger Newcomb travel to the Daytime Entertainment Creative Arts Emmys and welcome legendary Sesame Street performer Caroll Spinney along with the always hilarious (and grumpy) Oscar the Grouch.
On Episode 2.74 of We Love Soaps TV, Damon L. Jacobs and Roger Newcomb travel to the Daytime Entertainment Creative Arts Emmys and welcome Emmy winners Crystal Chappell and Kim Turrisi. The Venice producers spoke to us right after winning in the Special Class Short Format category, the first indie soap to win and Emmy.
On Episode 2.75, We Love Soaps TV travels to the Daytime Creative Arts Emmy Awards to speak with Gotham producers Martha Byrne and Lisa Brown, who were nominated in...
On Episode 2.73 of We Love Soaps TV, Damon L. Jacobs and Roger Newcomb travel to the Daytime Entertainment Creative Arts Emmys and welcome legendary Sesame Street performer Caroll Spinney along with the always hilarious (and grumpy) Oscar the Grouch.
On Episode 2.74 of We Love Soaps TV, Damon L. Jacobs and Roger Newcomb travel to the Daytime Entertainment Creative Arts Emmys and welcome Emmy winners Crystal Chappell and Kim Turrisi. The Venice producers spoke to us right after winning in the Special Class Short Format category, the first indie soap to win and Emmy.
On Episode 2.75, We Love Soaps TV travels to the Daytime Creative Arts Emmy Awards to speak with Gotham producers Martha Byrne and Lisa Brown, who were nominated in...
- 6/27/2011
- by We Love Soaps TV
- We Love Soaps
On Episode 2.79, We Love Soaps TV travels to the Daytime Creative Arts Emmy Awards to speak with the cast and crew of The Bold And The Beautiful including Brad Sanders, Birgit Muller, Jack Allocco, David Kurtz, Bradley P. Bell, Christine Lai-Johnson, Melissa Sandora, Allyson Carey, Jackie Brubaker, and Susan Flannery.
Related:
- Opinion: The Good and Mostly Bad of the Daytime Emmy Telecast
- Photos: Daytime Emmy Awards Red Carpet
- Photos: Daytime Emmy Awards Press Room
- Winners: 38th Annual Daytime Entertainment Emmy Awards
- Photos: Daytime Emmy Creative Arts Awards
- Winners: 38th Annual Daytime Entertainment Creative Arts Emmy Awards
- We Love Soaps TV 2.73 Caroll Spinney & Oscar the Grouch
- We Love Soaps TV 2.74 Crystal Chappell & Kim Turrisi
- We Love Soaps TV 2.75 Martha Byrne & Lisa Brown
- We Love Soaps TV 2.76 General Hospital at the Creative Emmys
- We Love Soaps TV 2.77 Judi Evans & Steve Wilkos...
Related:
- Opinion: The Good and Mostly Bad of the Daytime Emmy Telecast
- Photos: Daytime Emmy Awards Red Carpet
- Photos: Daytime Emmy Awards Press Room
- Winners: 38th Annual Daytime Entertainment Emmy Awards
- Photos: Daytime Emmy Creative Arts Awards
- Winners: 38th Annual Daytime Entertainment Creative Arts Emmy Awards
- We Love Soaps TV 2.73 Caroll Spinney & Oscar the Grouch
- We Love Soaps TV 2.74 Crystal Chappell & Kim Turrisi
- We Love Soaps TV 2.75 Martha Byrne & Lisa Brown
- We Love Soaps TV 2.76 General Hospital at the Creative Emmys
- We Love Soaps TV 2.77 Judi Evans & Steve Wilkos...
- 6/24/2011
- by We Love Soaps TV
- We Love Soaps
Here are the Daytime Emmy nominations in the technical categories.
Outstanding Achievement in Art Direction/Set Decoration/Scenic Design For A Drama Series All My Children ABC Production Designer James Jones Art Director Bryan Langer Set Decorator Kay Dee Lavorin The Bold and the Beautiful CBS Production Designer Jack Forrestel Art Directors Fabrice Kenwood Charlotte Garnell Scheide Set Decorator Elsa Zamparelli General Hospital ABC Production Designer Chip Dox Art Director Daniel Proett Set Decorators Jennifer Elliott Andrew Evashchen One Life To Live ABC Production Designer Roger Mooney Art Directors Ruth Wells John Kenny Martin Fahrer The Young and the Restless CBS Production Designer William Hultstrom Art Director David Hoffmann Set Decorators Joe Bevacqua Andrea Joel Fred Cooper
Outstanding Achievement for a Casting DirectorFor A Drama Series All My Children ABC Casting Director Judy Wilson General Hospital ABC Casting Director Mark Teschner One Life To Live ABC Casting Director Julie Madison...
Outstanding Achievement in Art Direction/Set Decoration/Scenic Design For A Drama Series All My Children ABC Production Designer James Jones Art Director Bryan Langer Set Decorator Kay Dee Lavorin The Bold and the Beautiful CBS Production Designer Jack Forrestel Art Directors Fabrice Kenwood Charlotte Garnell Scheide Set Decorator Elsa Zamparelli General Hospital ABC Production Designer Chip Dox Art Director Daniel Proett Set Decorators Jennifer Elliott Andrew Evashchen One Life To Live ABC Production Designer Roger Mooney Art Directors Ruth Wells John Kenny Martin Fahrer The Young and the Restless CBS Production Designer William Hultstrom Art Director David Hoffmann Set Decorators Joe Bevacqua Andrea Joel Fred Cooper
Outstanding Achievement for a Casting DirectorFor A Drama Series All My Children ABC Casting Director Judy Wilson General Hospital ABC Casting Director Mark Teschner One Life To Live ABC Casting Director Julie Madison...
- 5/11/2011
- by We Love Soaps TV
- We Love Soaps
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