"The experience is both transcendent and material." Grasshopper Film has debuted an official trailer for the 50th anniversary re-release of the music biopic classic Chronicle of Anna Magdalena Bach, first released in 1968. Directed by Danièle Huillet & Jean-Marie Straub, the film is a meticulously recreated look at composer Johann Sebastian Bach's life, as told from the perspective of his wife, Anna Magdalena Bach. It features spectacular sequences with multiple trained musicians recreating Bach's live performances, and is shot in black & white as well. Starring Gustav Leonhardt as Johann Sebastian Bach, and Christiane Lang as Anna Magdalena Bach. Grasshopper will be touring a brand new 4K restoration of the film to a few cinemas around the Us coming up. If you haven't seen it, this seems like the perfect opportunity to catch it. The 50th anniversary trailer for Huillet & Straub's Chronicle of Anna Magdalena Bach, on YouTube: Using letters that...
- 2/14/2018
- by Alex Billington
- firstshowing.net
Without Theatres: ‘The Chronicle of Anna Magdalena Bach’ may be critical to the ‘slow cinema’ debate
The Chronicle of Anna Magdalena Bach
Written and directed by Danièle Huillet and Jean-Marie Straub
Italy/West Germany, 1968
In Nick Pinkerton’s signing off for his review of The Chronicle of Anna Magdalena Bach in Reverse Shot, he wishes “…[it] long may continue to send Matrix-weaned mouth-breathers screaming from film classes, wondering what they’ve gotten themselves into.” It’s the mental image many hardcore cineastes latch onto — of minimalist auteur vision as temporal torture to the modern viewer. The upper echelon is dominated by the sessions of marathoning explorations into time, beginning with many of Warhol’s experiments (Sleep, Empire) and culminating in such recent works as Tarr’s Sátángtangó, Wang Bing’s Tie Xi Qu: West of the Tracks, and most of Lav Diaz’s oeuvre: films that also serve as medals of experience to the cinephiles who grip their seats tightly enough to earn their bragging rights, if...
Written and directed by Danièle Huillet and Jean-Marie Straub
Italy/West Germany, 1968
In Nick Pinkerton’s signing off for his review of The Chronicle of Anna Magdalena Bach in Reverse Shot, he wishes “…[it] long may continue to send Matrix-weaned mouth-breathers screaming from film classes, wondering what they’ve gotten themselves into.” It’s the mental image many hardcore cineastes latch onto — of minimalist auteur vision as temporal torture to the modern viewer. The upper echelon is dominated by the sessions of marathoning explorations into time, beginning with many of Warhol’s experiments (Sleep, Empire) and culminating in such recent works as Tarr’s Sátángtangó, Wang Bing’s Tie Xi Qu: West of the Tracks, and most of Lav Diaz’s oeuvre: films that also serve as medals of experience to the cinephiles who grip their seats tightly enough to earn their bragging rights, if...
- 11/22/2013
- by Zach Lewis
- SoundOnSight
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