Georg Wilhelm Pabst’s mine disaster saga is both a stirring social drama and a remarkable feat of technical engineering — the underground cave-ins and gas-fed fires are still frightening in their realism. Criterion’s extras offer critical and historical context for a pacifist statement filmed during a tense political time in France and Germany.
Kameradschaft
Blu-ray
The Criterion Collection 908
1931 / B&W / 1:19 flat full frame / 88 93 min. / available through The Criterion Collection / Street Date January 30, 2018 / 39.95
Starring: Alexander Granach, Fritz Kampers, Daniel Mendaille, Ernst Busch, Elisabeth Wendt.
Cinematography: Fritz Arno Wagner
Film Editor: Jean Oser
Set design: Ernö Metzner, Karl Vollbrecht
Original Music: G. von Regelius
Written by Ladislaus Vajda, Peter Martin Lampel, Herbert Rappaport, Karl Otten, Anna Gmeyner.
Produced by Seymour Nebenzal, Nero-Film Ag
Directed by G. W. Pabst
G.W. Pabst could seemingly do no wrong in the German silent film industry. His string of silent pictures gained classic status, and...
Kameradschaft
Blu-ray
The Criterion Collection 908
1931 / B&W / 1:19 flat full frame / 88 93 min. / available through The Criterion Collection / Street Date January 30, 2018 / 39.95
Starring: Alexander Granach, Fritz Kampers, Daniel Mendaille, Ernst Busch, Elisabeth Wendt.
Cinematography: Fritz Arno Wagner
Film Editor: Jean Oser
Set design: Ernö Metzner, Karl Vollbrecht
Original Music: G. von Regelius
Written by Ladislaus Vajda, Peter Martin Lampel, Herbert Rappaport, Karl Otten, Anna Gmeyner.
Produced by Seymour Nebenzal, Nero-Film Ag
Directed by G. W. Pabst
G.W. Pabst could seemingly do no wrong in the German silent film industry. His string of silent pictures gained classic status, and...
- 2/6/2018
- by Glenn Erickson
- Trailers from Hell
G.W. Pabst's silent German classic is intact, restored and looking great. Louise Brooks is the virginal innocent betrayed on every level of the sexual double standard. Brooks is nothing less than amazing, with a performance that doesn't date, and Pabst only has to show how things are to make a statement about societal hypocrisy. German cinema doesn't get better. Diary of a Lost Girl Blu-ray Kino Lorber Classics 1929 / B&W / 1:33 flat / 112 min. / Tagebuch einer Verlorenen / Street Date October 20, 2015 / available through Kino Lorber / 29.95 Starring Louise Brooks, Fritz Rasp, Valeska Gert, Franziska Kinz, Edith Meinhard, Andrews Engelmann, Kurt Gerron, Siegfried Arno, Sybille Schmitz, André Roanne. Cinematography Sepp Allgeier, Fritz Arno Wagner Art Directors Erno Metzner and Emil Hasler Original Music Javier Perez de Azpeitia (Piano) Written by Rudolf Leonhardt from the novel by Margarethe Böhme Produced by Directed by G.W. Pabst
Reviewed by Glenn Erickson
The universally revered Louise Brooks...
Reviewed by Glenn Erickson
The universally revered Louise Brooks...
- 10/6/2015
- by Glenn Erickson
- Trailers from Hell
In the fall of 1946, Frank Stauffacher mounted a major, and very influential, retrospective of avant-garde film in the U.S. at the San Francisco Museum of Art. The series was called “Art in Cinema” and it featured ten different programs from filmmakers in the U.S., France, Germany and Canada.
By the mid-’40s, the avant-garde hadn’t taken a strong hold in the U.S. yet, so the majority of the films screened came from Europe, or by Europeans who relocated to the U.S. However, by that time also, the European avant-garde had pretty much completely petered out. Still, Stauffacher wanted to show that there was a continuity to avant-garde film history that, up until that point, had yet to be fully considered.
In conjunction with the series, the San Francisco Museum of Art published a catalog, pretty much like one would find with any major art exhibit.
By the mid-’40s, the avant-garde hadn’t taken a strong hold in the U.S. yet, so the majority of the films screened came from Europe, or by Europeans who relocated to the U.S. However, by that time also, the European avant-garde had pretty much completely petered out. Still, Stauffacher wanted to show that there was a continuity to avant-garde film history that, up until that point, had yet to be fully considered.
In conjunction with the series, the San Francisco Museum of Art published a catalog, pretty much like one would find with any major art exhibit.
- 12/15/2010
- by Mike Everleth
- Underground Film Journal
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