Stephen Harber Jul 18, 2016
We look back at an often-overlooked part of the Ghostbusters legacy: it's Extreme Ghostbusters...
There was a time when no one cared about Ghostbusters. It was the late 90s - the pre-Pokemon, post-Mighty Morphin Power Rangers days to be exact. Nobody’s kid was exactly clamouring for a sequel, reboot, or a Ghostbusters continuation of any kind - except for Dan Aykroyd, who was practically lobbying for a third instalment while sitting front row at the Ghostbusters II premiere. Which is why we have this: an awkwardly timed, tonally disruptive Ghostbusters animated series.
Enter a brand new cartoon that picked up the sticky, ectoplasm-covered mantle of The Real Ghostbusters and wore it slightly askew to evoke that wholesome sense of 1990s irreverence: Extreme Ghostbusters.
Living up to its name, Xgb was extreme indeed. One glance at its radically inclusive team line-up is all you need to notice that.
We look back at an often-overlooked part of the Ghostbusters legacy: it's Extreme Ghostbusters...
There was a time when no one cared about Ghostbusters. It was the late 90s - the pre-Pokemon, post-Mighty Morphin Power Rangers days to be exact. Nobody’s kid was exactly clamouring for a sequel, reboot, or a Ghostbusters continuation of any kind - except for Dan Aykroyd, who was practically lobbying for a third instalment while sitting front row at the Ghostbusters II premiere. Which is why we have this: an awkwardly timed, tonally disruptive Ghostbusters animated series.
Enter a brand new cartoon that picked up the sticky, ectoplasm-covered mantle of The Real Ghostbusters and wore it slightly askew to evoke that wholesome sense of 1990s irreverence: Extreme Ghostbusters.
Living up to its name, Xgb was extreme indeed. One glance at its radically inclusive team line-up is all you need to notice that.
- 7/14/2016
- Den of Geek
I happily admit being a slave to the noisy stuff and I’ve been listening to Throbbing Gristle for what feels like eons now. Innovators of industrial music (and so much more), cultural terrorists, experimental artists–call them what you want, but they are nothing short of amazing. I recently found out about this (if you love me you’ll get me one), which got me all gushy about their work on a short horror flick called The Mask of Sarnath, released in 1981. The 20 minute, 16 mm short was directed by Neil Ruttenberg and Louis Black with music by Tg and starred Nina [...]
Post from: Screamstress...
Post from: Screamstress...
- 11/11/2009
- by Alison
- Screamstress.com
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